Podcasts about edgaras

Kada Edgaras suprato, kad būtent Gerda yra jo gyvenimo moteris, ir kaip Gerda reagavo sužinojusi, kad jai patinkantis vaikinas turi regos negalią?Laidoje pašnekovai pasakoja savo pažinties ir meilės istoriją. Kalbamės apie artimųjų palaikymo svarbą ne tik treniruočių, varžybų metu, tačiau ir kiekvieną dieną, siekiant savo tikslų. Pasirodo, Gerdai visada dažnėja pulsas, kai ji stebi Edgaro plaukimą, o Edgaras labai dėkingas sužadėtinei už besąlyginį palaikymą net pačiose sudėtingiausiose situacijose. „Viską galima įveikti, jei iš tiesų myli, palaikai ir supranti savo žmogų, tačiau labai svarbu nepamiršti ir savęs“, - sako sužadėtiniai Edgaras ir Gerda.Ved. Žydrė Gedrimaitė

Edgaras Ulanovas su kitais žalgiriečiais jau šį šeštadienį pradės kovą dėl pirmojo sezono trofėjaus – Citadele KMT titulo. Prieš laukiančias kovas finalo ketverte „Žalgirio“ kapitonas susitiko su „Žalgiris Insider“ Klubo prenumeratos plano nariais, bendravo su jais ir pasakojo apie šio sezono įspūdžius. 00:00 pradžia; 01:29 pasiruošimas KMT ir praeities turnyrų prisiminimai; 11:06 kardinaliai pasikeitęs „Žalgirio“ žaidimas Eurolygoje; 14:48 A.Trinchieri pokalbiai su žaidėjais; 17:05 ką A.Trinchieri kalbėjo su E.Ulanovu dėl jo žaidimo; 18:55 ar E.Ulanovas tikėosi tokio L.Biručio žaidimo proveržio; 21:23 kaip atrodė pirmoji A.Trinchieri treniruotė su „Žalgiriu“; 23:08 kaip atsiliepė padidėjęs intensyvumas žalgiriečių žaidime; 23:54 kaip likti realybėje po sėkmingos atkarpos Eurolygoje; 26:19 karštos rungtynės Belgrade; 29:48 artėjanti pertrauka Eurolygoje: ar ji ne laiku? 31:16 E.Ulanovo sugrįžimas į rinktinę.

Lietuvos futbolo federacijos prezidentas Edgaras Stankevičius apsilankęs Alytuje susitiko su miesto meru Nerijumi Cesiuliu bei aptarė futbolo bendruomenei aktualius klausimus.

Nacionalinė kultūros ir meno premija šiemet skirta net dviem muzikos atstovams - kompozitorei Žibuoklei Martinaitytei ir solistui Edgarui Montvidui. Laidoje „Pakeliui su klasika“ - dviejų premijos laureatų pokalbis apie kūrybą, muziką ir atsakomybę.Ieva Buinevičiūtė pristatys kelis ryškiausių animacinių filmų suaugusiesems muzikinius įvaizdžius.Rubrikoje „Be kaukių“ vieši garso režisierius Marius Dundulis.Ved. Gerūta Griniūtė

Šios laidos rėmėjas – Nord VPN. Pirkite 2 metų planą su didžiule nuolaida ir gaukite papildomai net 4 mėnesius dovanų. NordVPN suteikia 30 dienų pinigų grąžinimo garantiją. Visą informaciją rasite čia: https://nordvpn.com/ilgojipertrauka   Rėmėjais galite tapti paspaudę šią nuorodą: https://contribee.com/krepsinisnet   00:00 – negatyvas ar pozityvas 04:26 – gynyba prieš varžovų lyderius 07:55 – kaip geriau galėtų gintis J.Valančiūnas 12:37 – ar nebuvo į F.Wagnerį pažiūrėta atlaidžiai 14:21 – pavogtas baudos metimas ir teisėjų lygis 19:07 – D.Sabonio žaidimas 22:40 – dominuojantis JV pasirodymas 23:50 – kodėl lietuviai turi taikytis prie varžovų 26:46 – kokį žaidimą rodo bosniai   Rėmėjų dalyje kalbėta šiomis temomis: 34:05 – į rinką žiūrintis „Žalgiris“ 36:30 – rėmėjai ant rinktinių aprangų 38:20 – kodėl Edgaras paliko „Lietkabelį“ 40:18 – „Ryto“ paieškos 42:22 – netikros naujienos apie „Wolves“ algas 45:45 – kokius žaidėjus rinktumėmės 47:40 – kuris žaidėjas dabar labai padėtų rinktinei 52:55 – FIBA naudingumo balų skaičiavimas 54:20 – žurnalistų klausimai K.Maksvyčiui 57:12 – pasiteisinę/nepasiteisinę K.Maksvyčio sprendimai 1:03:28 – sirgalių spaudimas žaidėjams 1:05:40 – K.Maksvyčio dienų skaičiavimas

Nuo kitų metų Lietuvos ūkininkai jau gyvens pagal naujas strateginio plano taisykles. Nemaža dalis jų dar nėra aiškios ūkininkams ir kelia didelį susirūpinimą. Kupiškio rajone vykusioje lauko dienoje žemdirbiai galėjo ne tik plėsti savo žinias apie tvarų ūkininkavimą, stebėti geruosius pavyzdžius, bet ir užduoti rūpimus klausimus žemės ūkio ministerijos specialistams. Ar atsakymai tenkino ūkininkus?Akmenės rajono bitininkų draugijos pirmininkas Rimantas Munius tvirtina, kad vėlyvas, šaltas pavasaris atitolino, sumažino medingųjų augalų žydėjimą. Paprastai gausaus rapsų medaus šiemet bus mažiau. Net ir palankiais metais vos keletas iš 70 rajono bitininkų sugebėdavo pragyventi iš pajamų už medų. Šiemet bus prasčiau, tad valgytojai pigaus medaus tikėtis neturėtų.Grįžęs iš Norvegijos, Edgaras Šimkus Šiaulių r. sukūrė savą verslą – bendrovę „Mano šamas“. Trečius metus dirbdamas šiame versle, mato geras plėtros perspektyvas. Dabar 18 didžiulių talpų smagiai plaukioja jaunikliai ir iki dviejų kilogramų užaugę šamai. Per metus jose užauginama 30 tonų šamų, kurie rūkomi, iš jų gaminami konservai.Ved. Regina Montvilienė

Should designers learn coding? In this episode Edgaras Benediktavicius and I are giving a fresh spin to the old question. We're talking about developing coding skills and the category of designers it may be relevant to as well as the importance of POV. Edgaras is a freelance designer, front-end developer, and the co-founder of BestWriting.com

To help continue the much-needed support for the people of Ukraine, we have produced a compilation from one of our favorite Ukrainian-based netlabels, Energostatic Records. Released as part of our Portals deep dive series, the feature includes a remaster of specifically curated tracks, in both individual and mix form. These tracks are available on the ASIP Bandcamp page as Name Your Price, with all proceeds going to Save The Children and their specific activities supporting Ukraine at this time. A big thank you to label owner Marian for allowing this project to happen as he deals with life in Kyiv right now, the artists for their participation, and Rafael Anton Irisarri for kindly providing his mastering services. Also, an advanced thank you to all those who listen and support at this very important time. ~‘Netlabels' are essentially extinct in today's music landscape by definition. Of course, there are still labels that just focus on digital releases, but Netlabels came about during a time when there were little to no platforms monetizing digital releases. Digital distributors were reserved for big or established labels as the streaming era ramped up. And Bandcamp didn't exist. Netlabels were the next logical step after the file-sharing era (Soulseek et al), where instead of P2P servers and software, artists and label began to push their own agendas online, making files available freely on the internet, often under a Creative Commons license and many through a myriad of MP3 blogs that powered this exciting period. It was also, somewhere at this point in time, coincidentally, that the very first iteration of ASIP was also born, diving deep into MP3 blogs and following various Netlabels religiously. Finding a Netlabel's basic website or archive.org page was the Bandcamp profile of its day. Energostatic was pretty late to the ‘Netlabel game'. Their first release didn't arrive until 2010 when many Netlabels were either fizzing out already or converting to more modern release methods. But Energostatic's ethos and approach to providing music against a strict aesthetic, for free, made them a torchbearer for the dying art of sharing music online through small yet beloved corners of the internet. As ASIP began in 2008, Energostatic was one of the many Netlabels I followed, and as curators of dub techno in various forms, they operated within another small yet burgeoning scene it seems, given dub-techno as a genre also seems to have dwindled in popularity in recent years. The writing was perhaps, on the cards for Energostatic, as Marian ceased operations of the label in 2017. But with 49 releases, there was (and still is) a big chunk of music to dig into, which for anybody new to the label, could become a little overwhelming to discover, especially since that number includes several compilations with 20+ tracks each, and many of the artists don't seem to be very active anymore. To help support the people of Ukraine during this time in a small way, I reached out to label founder Marian to see if he would like to raise money through a compilation that spotlighted some of my favorite music from the label's era. Marian had previously released as part of our early Places Series, as Marc Atmost, where he created a track based on some of his early memories in Ukraine (an unsettling and poignant listen under today's circumstances). Today, Marian is on the ground in Kyiv, doing what he can to survive and support his community.The majority of the Energostatic catalog is still available for free on Bandcamp, should you wish to explore it yourself. Ranging from Space Ambient to drone; dub-techno and DnB; it became a bittersweet task to sift through the hundreds of tracks and pull together this compilation for a good cause. With the owner and label based in Ukraine (if Netlabels were to even have a ‘base' of course), the majority of the artists on the label were friends of Marian, so a good majority were Ukraine and Russia-based and a part of local music scenes in each country. The compilation begins with one of the most gentle tracks you will find across the entire Energostatic catalog. Russian artist KaLGaN made a few appearances over the years, but was better known for his work as 110ml - responsible for the very first artist release on the label (Scratch me / Scratch you) and also included further on in the compilation with his 110ml track, Lights In Window. Stellardrone (Lithuania), is one of the more well-known artists to be supported by Energostatic, and even made an appearance on the ASIP Full Circle compilation/LP a few years back, highlighting his importance in the evolution of my own musical journey. Edgaras' music has always remained free on the internet and encaptures some of the finest Space ambient music in recent years. The piece included in the compilation, ‘Light Years' is perhaps one of his darker, more sincere pieces amongst a stand-out catalog which has unfortunately not seen much activity in recent years Textural Being (USA) (see isolatedmix29 also) is another artist who I have admired for a long time, and related to the above compilation was in my shortlist for inclusion on Full Circle. The track I had in mind at the time, however, didn't quite fit the rest of the compilation. Serendipitously, Sept is my all-time favorite track by Sage Taylor / Textural Being, (amongst yet another expansive artist output) so it feels great to present this to a wider audience today. Marc Atmost (Ukraine), as mentioned above, is the founder of Energostatic, and appears consistently across the label over the years through various guises and musical styles ranging from straight-up dub techno to DnB. This track, Deity is one of my favorites from his consistent output, capturing the very essence of spacious, melodic dub techno. Olexa, (Ukraine) was a less prolific artist over the years with just one EP and several compilation appearances on Energostatic, but captured the deep dub techno sound aesthetic of the label to perfection. Gapfield (USA), is a project from US-based Devin Underwood and Jacob Newman. Devin creates some amazing music across a variety of styles and aliases (such as Drexon Field - another fun project I love) and has made several appearances on the Energostatic label, most notably with a solid, straight-up dub-techno album as Specta Ciera (see isolatedmix19). Between Devin and Jacob, they can be found on some amazing ambient labels over the years, such as Carpe Sonum, Neotantra, dataObscura and Bludhoney Records. Their Gapfield project, is definitely one that may have flown under the radar amongst their solid output. Technicolour's (UK) ‘Permafrost', has always been a stand-out track for me on Energostatic and his only appearance on the label. I included it in many of my DJ mixes years ago, and it broke the mold in the label's beginnings with its Autonomic sound and rampant amen breaks, whilst remaining true to the deep and introspective atmosphere the label ended up pushing. But it wasn't until seeking permission to include this track did I come to realize that Technicolour, aka Peter Rogers, was in fact, Wardown, who released one of my favorite Drum'n bass albums of 2020 on Blu Mar Ten's label. Permafrost could be the apex of compilation, but the journey needed a minute to breathe after that kind of energy, which is where Ayqix's (Argentina) Raymi (Coldest Version) came into play. The Buenos Aires musician provides an airy respite towards the end of the compilation before the energetic finale, very much reminiscent of the early minimal techno days of Traum Schallplatten. Closing out the compilation, Enformig, was a Ukrainian Techno producer based in Kharkov who unfortunately died in 2019. His appearances on the label were always met with such high praise and support on social media from Marc, especially for his hardware-driven live sets. This track is perhaps, one of his finest moments from the Energostatic catalog and provides a momentous, energetic and liberating closing chapter to the compilation. Energostatic's label motto was "Reach, resist, research”. Label owner Marian didn't have the time or capacity to answer any of my questions related to its meaning on top of his urgent life on the ground in Kyiv, but I couldn't help relate this motto to a higher meaning and reminder as I thought about his and many other people's lives in Ukraine. Thank you for reading, listening and reflecting. Support the compilation on Bandcamp with all proceeds going to Save The Children and their Ukraine efforts. Portals: Energostatic (For Ukraine) by A Strangely Isolated Place~Podcast link.

Atlikėja Rūta Žibaitytė arba geriau žinoma slapyvardžiu Rūta Loop po pertraukos pristato naują dainą „Dėl visko kalta žiema”. Tai šiandien Rūta Loop vieši „Radiocentro“ studijoje ir atliko gyvai savo naujausią dainą.Laidoje „Vakarop su Vyteniu“ ji pasakoja apie sprendimą dalyvauti Eurovizijoje, mini albumą, Kalėdas ir atsakė į klausimą, kodėl jos širdies draugas dainą „Kunigunda“ atidavė ne jai. Laidą „Vakarop su Vyteniu“ klausyk šiokiadieniais nuo 16 val., o geriausius epizodus rasi mūsų podcaste „Vakarop su Vyteniu“.

Master Impressive features the music by Lithuanian composer, Stellardrone. Grab a good pair of headphones and chill out as you experience some very cool Space Cinematic Ambient Electronica.   https://www.facebook.com/stellardrone https://stellardrone.bandcamp.com/ Stellardrone is a pseudonym of amateur composer (Edgaras, b.1987) who started creating music in 2007. Using only computer software (mostly Reason, occasionally Ableton, Audacity) and virtual synthesizers. He is mostly interested in ambient/electronic/space music. Releasing all albums for free and promotes free sharing of digital copies.   *****  Don't forget to subscribe, rate, leave a comment and share our podcast with everyone you know.....Why?..." Because PodJerky "   ******   Check us out on Instagram - https://www.instagram.com/podjerky/   FOR ADDITIONAL CONTENT  Links, photos, interviews and information that compliments our podcast episodes Check out our Website Check out our Featured Podcast Guests Check out our Podcast Blog   Subscribe and Share    

Master Impressive features the music by Lithuanian composer, Stellardrone. Grab a good pair of headphones and chill out as you experience some very cool Space Cinematic Ambient Electronica.   https://www.facebook.com/stellardrone https://stellardrone.bandcamp.com/ Stellardrone is a pseudonym of amateur composer (Edgaras, b.1987) who started creating music in 2007. Using only computer software (mostly Reason, occasionally Ableton, Audacity) and virtual synthesizers. He is mostly interested in ambient/electronic/space music. Releasing all albums for free and promotes free sharing of digital copies.   *****  Don't forget to subscribe, rate, leave a comment and share our podcast with everyone you know.....Why?..." Because PodJerky "   ******   Check us out on Instagram - https://www.instagram.com/podjerky/   FOR ADDITIONAL CONTENT  Links, photos, interviews and information that compliments our podcast episodes Check out our Website Check out our Featured Podcast Guests Check out our Podcast Blog   Subscribe and Share    

Master Impressive features the music by Lithuanian composer, Stellardrone. Grab a good pair of headphones and chill out as you experience some very cool Space Cinematic Ambient Electronica.   https://www.facebook.com/stellardrone https://stellardrone.bandcamp.com/ Stellardrone is a pseudonym of amateur composer (Edgaras, b.1987) who started creating music in 2007. Using only computer software (mostly Reason, occasionally Ableton, Audacity) and virtual synthesizers. He is mostly interested in ambient/electronic/space music. Releasing all albums for free and promotes free sharing of digital copies.   *****  Don't forget to subscribe, rate, leave a comment and share our podcast with everyone you know.....Why?..." Because PodJerky "   ******   Check us out on Instagram - https://www.instagram.com/podjerky/   FOR ADDITIONAL CONTENT  Links, photos, interviews and information that compliments our podcast episodes Check out our Website Check out our Featured Podcast Guests Check out our Podcast Blog   Subscribe and Share    

Ar jūs esate laikę pusę kilogramo sveriantį medalį rankose? Mes jau esame. Ar jūs esate vidury podkasto tapę avarijos liudininkais? Mes jau esame. Podkastas apie plaukimą, paralimpiečių pasiruošimą bei jo metu iškylančius iššūkius. Edgaras Matakas - neregys plaukikas, iškovojęs bronzą  šiemet Tokijuje jums papasakos apie tai ir ne tik.Svečias:https://www.instagram.com/edgaras_matakas/Patreon:https://www.patreon.com/pralauzksaltaInstagram:https://www.instagram.com/mantasgm/https://www.instagram.com/jankusairidas/https://www.instagram.com/pralauzkvienasalta

Master Impressive features the music by Lithuanian composer, Stellardrone. Grab a good pair of headphones and chill out as you experience some very cool Space Cinematic Ambient Electronica.   https://www.facebook.com/stellardrone https://stellardrone.bandcamp.com/ Stellardrone is a pseudonym of amateur composer (Edgaras, b.1987) who started creating music in 2007. Using only computer software (mostly Reason, occasionally Ableton, Audacity) and virtual synthesizers. He is mostly interested in ambient/electronic/space music. Releasing all albums for free and promotes free sharing of digital copies.   *****  Don't forget to subscribe, rate, leave a comment and share our podcast with everyone you know.....Why?..." Because PodJerky "   ******   Check us out on Instagram - https://www.instagram.com/podjerky/   FOR ADDITIONAL CONTENT  Links, photos, interviews and information that compliments our podcast episodes Check out our Website Check out our Featured Podcast Guests Check out our Podcast Blog   Subscribe and Share    

Master Impressive features the music by Lithuanian composer, Stellardrone. Sit back in your favorite chair, grab a good pair of headphones and chill out as you experience some very cool Space Cinematic Ambient Electronica.   https://www.facebook.com/stellardrone https://stellardrone.bandcamp.com/ Stellardrone is a pseudonym of amateur composer (Edgaras, b.1987) who started creating music in 2007. Using only computer software (mostly Reason, occasionally Ableton, Audacity) and virtual synthesizers. He is mostly interested in ambient/electronic/space music. Releasing all albums for free and promotes free sharing of digital copies.   *****  Don't forget to subscribe, rate, leave a comment and share our podcast with everyone you know.....Why?..." Because PodJerky "   ******   Check us out on Instagram - https://www.instagram.com/podjerky/   FOR ADDITIONAL CONTENT  Links, photos, interviews and information that compliments our podcast episodes Check out our Website Check out our Featured Podcast Guests Check out our Podcast Blog   Subscribe and Share    

Podcast 13.05.2021 Edgaras jankauskas, ex attaccante Porto Mourinho

Tenoras Edgaras Montvidas, dainuojantis prestižinėse operos teatrų scenose dabar kurią Alfredo vaidmenį Dž.Verdžio operoje „Traviata“ Lietuvos nacionaliniame operos ir baleto teatre. Tiesa, kada įvyks premjera – nežinia, kaip nežinia kada apskritai scenos menas bus pasiekiamas žiūrovams.Tačiau optimizmo nestokojantis vienas garsiausių mūsų operos solistų yra kupinas kūrybinių sumanymų, gyvenimo džiaugsmo ir meilės menui, kad ir kokia nenuspėjama audringa menininkui toji „Jūra“ bebūtų. Edgaras Montvidas apie atradimų ir netikėtumų kupiną dainininko gyvenimą rubrikoje „Be kaukių“.Tęsiame pasakojimų ciklą „Lietuvos teatrui – 100“. Dar vienas nematomas veikėjas, kuriantis emocinį naratyvą, gilinantis autentišką teatro patirtį – muzika. Lietuvos teatras garsėja ne tik unikalia teatrine kalba, puikiais režisieriais, bet ir reiškiniu tapusiais teatro kompozitoriais, kurių darbai taip pat formavo mūsų teatro istoriją. Rasos Murauskaitės pokalbis su teatrologe Daiva Šabasevičiene.Dainininkė Ugnė Bakanauskaitė, garsėjanti tuo, kad keliaudama po pasaulį vietoj suvenyrų parveža dainą aplankytos šalies kalba, tik ką sukūrė dar vieną dainą, labai regis tinkančią šiam laikotarpiui – „Jei telpa sapnuose“. Pokalbis su dainininke.LRT KLASIKA prisijungia prie tarptautinės BBC Radio 3 iniciatyvos, skirtos Žmogaus teisių dienos minėjimui – gruodžio 10 dieną, 21.30 val., kartu su 35-iomis radijo stotimis visame pasaulyje, transliuos Maxo Richterio kūrinį „Voices“, kurį atliks pats Maxas Richteris ir jo ansamblis. Apie tai Jolantos Kryževičienės pokalbis su muzikologe prof. Rūta Stanevičiūte – Kelmckiene.Ved. Gerūta Griniūtė ir Gabija Narušytė

Šiandien oficialusis „FIFA pasaulio salės futbolo čempionato 2021 talismanas savo šokiu prisistatė socialiniuose tinkluose. Talismanu tapo šokantis gandras, kurio vardas Ivartito. Lietuvos futbolo federacijos generalinis sekretorius sako, kad Ivartito yra nuoširdus ir entuziastingas čempionato talismanas skleidžiantis žinią apie turnyrą ir salės futbolą. „Vakarop su Vyteniu“ klausyk šiokiadieniais nuo 16 val., o geriausius epizodus rasi mūsų podcaste „Vakarop su Vyteniu“.

Kaip laimėti Velopeaką? Kokios treniruotės geriausiai veikia? Ko reikia norint minti per šalčiausius orus žiemą? Edgaras Kovaliovas pasakoja kokius iššūkius teko įveikti karjeros pradžioje siekiant profesionalo vardo, kokios varžybos jam labiausiai patinka dabar ir ką labiausiai norėtų laimėti šiemet! Malonaus klausymosi!  

„Jaučiuosi lyg ledo karalystėje“, - eidamas iš Longjyrbienooro uosto sako Edgaras. Prieš jo akis dar daugiau nei trys mėnesiai gyvenimo šalčio sustingdytame Svalbarde – šiauriausioje pasaulyje žmonių apgyvendintoje vietoje.Edgaras Žigis į salyną tarp poliarinio rato ir šiaurės ašigalio atvyksta su moksline stažuote. Arktinės žiemos tyrinėjimus netikėtai nutraukia karantinas. Tačiau tai Edgaro nesustabdo nuo ledo, vėjo ir sniego žemės pažinimo. Ką reiškia patirti arktinę žiemą? Kaip per Edgaro gyvenimą klojosi kelias iki Svalbardo – kol kas didžiausio jo gyvenimo nuotykio. Ar išsipildys jo svajonė pamatyti baltąjį lokį?Autorė Vita Ličytė

Some of the highlights of the show include Why Adform decided to move to a cloud native architecture and Kubernetes specifically  Who was the driving force behind the move to Kubernetes? Was the switch purely an engineering decision or did it involve people outside of engineering? Positive and less positive surprises that come with switching to cloud native  Organizational and technical problems Edgaras has faced What's next for Adform on their cloud journey Links LinkedIn: https://www.linkedin.com/in/apsega/ Twitter: https://twitter.com/Apsega TranscriptAnnouncer: Welcome to The Business of Cloud Native Podcast where we explore how end users talk and think about the transition to Kubernetes and cloud-native architectures.Emily: Welcome to The Business of Cloud Native. I'm Emily Omier, your host. And I'm here today with Edgaras Apsega, lead IT systems engineer at AdForm. Edgaras, what I'd like to do is just start out with you introducing yourself.Edgaras: I'm Edgaras. I'm working in the Adform. For anyone that doesn't know, Adform is one of the leading advertising technology companies in the world, and provides the software used by buyers and sellers to automate digital advertising. And, probably one of the most interesting parts of our solution stack is demand-side platform that has real-time bidding. And, what it means is that when that page is loading for some kind of internet users, behind the curtain, there's actually a bidding process that takes place for the placeholders to show ads. So, basically, you're doing low latency stuff. And, in Adform, I'm a lead systems engineer for the cloud services team. Our team consists of eight people, and we are providing private cloud storage, load balancing, CDN, service discovery and Kubernetes platforms for our developers that are in [00:01:36 unintelligible] production services.  So, to better understand the scale that our team is working on, first of all, you can see that we are not using public cloud and we have our own private cloud that has six regions, more than 1500 physical servers, and there are more than 4000 [00:01:55 unintelligible]. And, for Kubernetes, we have seven clusters, more than 50 physical machines and around 300 constantly running [00:02:05 pods].  So, we can say that we prefer bigger clusters with bigger resources sharing pools. And you asked, how do I spend my daily work, right?Emily: Yeah. So, when you get into the office or—right now you're not going into the office—get into your table or your [laughs] home office, what are the first couple things that you do, or…Edgaras: Yeah, so, when I arrive at work, or, like, at these times, just get off the showers straight into work desk, [laughs] actually, I'm most productive in the mornings and evenings. So, in the mornings, when I go to my work desk, I try to do as much as I can. My sprint plan tasks, and then I scroll through the Slacks, emails, and the tickets assigned to me because we have a development team in another region. So, instantly in the mornings, we have some kinds of support tasks that we need to do.Emily: Let's go ahead and talk about what this is all about, the business of cloud native, and tell me a little bit about why Adform decided to move to a cloud native architecture. Why did you decide to use Kubernetes, for example?Edgaras: I'd say, actually, there were two parts. At first, we moved from traditional and, let's say, old-fashioned monitoring solutions to Prometheus, and its integration with service discovery solved lots of operational time for constantly managing and configuring monitoring and alerting for our, quite often, changing infrastructure. And the second part is the adoption of Kubernetes and all of the together coming parts like continuous integration and delivery. So, why we moved to this kind of architecture? It was because the biggest pain points for developers were to maintain actually their virtual machines. And rolling out new software releases in an old-fashioned way, took just lots of time for new software releases to reach production. So, we were looking at the new solutions that were available in the market, and Kubernetes was actually one of them. So, after successful proof of concept, we have selected it as our main application scheduler and orchestration tool.Emily: What would you say was, like, the business value that you were hoping to get out of Kubernetes, out have the ability to release software faster, for example?Edgaras: Yeah.  So, actually, we wanted to remove the operational time from our developers so that they could spend more time coding without taking care of all of the infrastructure surrounding parts, like the application operating system management, [00:04:58 unintelligible] monitoring, alerting, logging, and so on. So, basically what, I'm saying is that the business value was for the developers to be able to ship features faster, and have a more stable platform that scales application [00:05:15 unintelligible] as well. So, in addition to that, we have a big research department, and the research department always wanted us to have a dynamic environment where they could just launch an applications around some research models, and then shut it down.  So, I believe that was the business value.Emily: Who in the organization do you think was motivating, or driving the move to Kubernetes?Edgaras: I'd say, actually, it was more like the operation engineers, because the developers ended taking care of their environment virtual machines. They don't know much about it, but they still have to look after it, and constantly asking us for help. And we wanted to have this operational stuff only in our hands and for the developers to run only the code.  So, I believe, yeah.Emily: To what extent was the move to Kubernetes, or to cloud native in general, just purely an engineering decision? Or did it involve other people outside of engineering?Edgaras: Well, it wasn't only the engineering decision, because we had to take it to the upper levels, just to show this new cloud native, the modern way of developing and running applications. So, the upper management level had to invest time for us to move to microservices oriented architecture and so on. So, basically, we had to show that with a little bit of time investment we can gain lots of benefits, like faster code deploys. So, we are taking the operational work from developers, and developers, when they're releasing their applications, they have full stack monitoring, logging, and they don't need to do any of the operational tasks.Emily: How difficult was it to have this conversation? Do you feel like the upper management, did they understand the value?Edgaras: Yeah, it was kind of hard, because nobody wants to invest time to write the code. And, as we are a software company, we always need to write new features. But, once we showed a good example, when investing not so much time, we have those kinds of benefits, then it was quite easy to change the mindset of upper management.Emily: And, how important do you think this was for Adform?Edgaras: I think it was very important because now what we see, we have, basically, until now we had only dozens of deployments per day. Now with Kubernetes, we have more than 500 deployments per day, which is a big number for us, and this means that we are making releases more faster.Emily: Tell me a little bit about any surprises that you had as you were moving to Kubernetes, as you were moving to microservices. Surprises, and I'm interested in hearing both about surprises that were positive and surprises that were less positive.Edgaras: Probably the biggest surprise for us, for our thing was just how amazing the communities. When we faced any kind of issue, most of the time there's simply a GitHub issue that's described fixes or workarounds. You can always get an answer for questions in Slack. I remember when we had actually an issue with Kubernetes and persistent storage, and in Kubernetes Slack channel, one engineer from a company that provides storage solutions, he just provided me lots of information and several ways of tackling the problem that we were facing, actually, and that really stood me out. And, actually, we just recently started a cloud native [00:09:28 unintelligible] meetup group, with which we gather lots of folks for knowledge sharing presentations, and discussions afterwards, and it feels like the community is really strong and is eager to share their knowledge freely. So, that really amazes me about this journey.Emily: What about some less positive surprises?Edgaras: Yeah.  So, moving to Kubernetes from virtual machines world, first of all, to change the developers mindsets about the resources utilization, I'd say. Because coming to Kubernetes world, developers need to set containers, resource limits, and often they're setting amounts similar to what they had on virtual machines with other services like monitoring, log shippers, and so on. And we see on Kubernetes, that for some applications, the resource usage is very low, but the requests of CPU is quite high, so we're still monitoring resource utilizations, and communicating with teams to lower them. Because one good example would be that while general CPU usage in whole environment is around 30 percent, we're constantly reaching fully CPU requested Kubernetes nodes, and other teams are facing deployment issues. The nodes are full. And, probably I should share that we had one interesting example that when we have migrated a service from virtual machines to Kubernetes, that service was using nine virtual machines with 16 CPUs each. And then they migrated to Kubernetes with all of the built in monitoring tools and so on. They have noticed that for the current workloads, they only needed six CPUs.  So, instead of nine virtual machines with 16 CPUs, they only needed six CPUs, and so they returned just a lot of resources to the shared pool.Emily: Wow.Edgaras: Yeah, that's amazing. And another big pain point is always the security.  So, we're struggling a lot with the security part at the moment. And, as you may know, often security is focused on the IP address based identity, and in Kubernetes, those IPs are always changing and you can't rely on the fact that a specific IP address is tied to a particular service. So, yeah, so all the cloud native mindset needs to be changed, not only for the developers and operational engineers, but for the security engineers as well.Emily: Where would you say you are in the cloud native transition? Are you there, have you done everything that you can, or are you somewhere on the journey?Edgaras: I'd say, we are more than halfway through because simply [00:12:31 unintelligible] have some legacy applications that need to be rewritten so those can run in a containerized workloads. And for our critical and user-facing applications, we're still have lots of discussions with our security team about how the infrastructure and all of those access control things should look like.  So, yeah, at first, load services owners were looking at Kubernetes from a distance, and after a few successful migrations, more and more high load services are scheduled to do migrations. But in terms of the legacy applications, business still doesn't invest money, because it's not a critical application.  So, I think they're going to stick for a while on that kind of phase.Emily: Do you think that that's okay? Would you rather invest the money in—is there any disadvantages to keeping these legacy applications around?Edgaras: I think the one point or another, they'll be completely rewritten or terminated for good. So, actually, it depends. I think, if it's not business critical, then probably it's okay. But if it is business critical, then I'd say migrate it to Kubernetes to have the self-healing infrastructure that scales just beautifully.Emily: When you think about some of your pain points, do you think of them as technical issues? Do you think of them as, sort of, organizational issues? What are some examples of both organizational and technical problems that you've had?Edgaras: Yeah.  So, regarding the resources of the organization on how the developers are setting the resources, I think that it's kind of organizational issue. We did some Kubernetes trainings internally, and developers are always asked us to [00:14:25 unintelligible] one more time, those trainings because they're interactive. And it's a [00:14:29 hike] now. But there's always new developers coming and you still have to share your knowledge about how the resources should be implemented, how they should set the requests, or how they should set their limits and so on. Regarding the security around the Kubernetes, I think that this field is quite new, and I remember the last KubeCon in Barcelona, there were lots of buzz about the Kubernetes security and just shows that this, kind of, new field, and everybody needs information about it.Emily: I think that you're right. It seems like both of those things are really almost skill gap issues. Do you think that there any real technical problems? So, things that the technology isn't quite there, or it's not really a problem with the way that your team members are thinking about something, or that they don't have the skills.Edgaras: Yeah, so actually, about Kubernetes. As I mentioned, we're running Kubernetes on bare metal. And the technical stuff with Kubernetes is that it's actually first class citizen for public clouds, but when you're trying to run it on bare metal, there's some issues that you cannot expose services with, let's say, Type LoadBalancer, you cannot have quite easily service mesh that talks not only within Kubernetes cluster, but also outside Kubernetes cluster with your virtual machines because you need to have BGP mesh, and that's your current network equipment. And there's a lot of technical issues, actually, around running Kubernetes on bare metal.Emily: I think that that's really interesting. What are you doing to make it easier to run Kubernetes on bare metal? Or are you? Is that something that you're investing time and money into making easier?Edgaras: Yeah.  So, for running Kubernetes on bare metal, actually, we're not using any of the automation that's provided publicly. So, we took parts of Kubernetes and automated those parts by ourselves. And we have those three data centers close to each other, connected via that fiber and we have one logical Kubernetes cluster across three data centers. And for the services to be exposed as a, let's say, Type LoadBalancer, they do have some workarounds that will put in a custom load balancers in front of the Kubernetes cluster.Emily: Is that something that you would hope that the community would do more of, or do you feel like you've got a pretty good handle on it at the moment?Edgaras: Probably, I would like to see this addressed by the community more because everything that's being built for Kubernetes, it seems that it's being built for the public clouds, but not for the bare metal.Emily: This actually, sort of, leads me to a future-oriented question. Where do you see, sort of, your next steps on the cloud journey as being?Edgaras: Yeah, so service mesh. [laughs] everyone's talking about the service mesh. Probably, you'll have—actually we have plans to look at it and to do a proof of concept but, as I mentioned before, there are some technical issues if you want to make services talk between Kubernetes and virtual machines services between.  So, looks like a journey.Emily: What do you hope to get out of completing the journey?Edgaras: So, service mesh, I believe, would provide this circuit-breaking, and service discovery would take us to another level. And so, I believe that when we end this journey, the scalability of our platform should improve as much as platform stability, and for the developers it would remove the operational tasks completely.Emily: And, what do you think that that would mean in terms of the business?Edgaras: You know, business is always looking for two things: to have stable platform for our customers, and to run infrastructure at the lowest possible costs. So, I think that the Kubernetes with container orchestration and auto-scaling solves the first problem, while the nature of shared resources in Kubernetes helps teams to achieve lower infrastructure costs.Emily: And are you pretty happy with where you are now, with, sort of, the results that you've gotten at this stage? Would you do it over again?Edgaras: Definitely. As I mentioned before, before Kubernetes, we had like, only tens or twenties deployments per day, now we have 500 deployments per days. And the developers are even happy with more features that they're getting. They're getting feature branch deployments, and green/blue deployments, and so on. So, for us operational engineers, there's less work to maintain everything because everything comes standardized. And for the developers, it's less operational work, and the just develop new service or feature and just push it.Emily: Anything else that you want to add? And then I have a couple, sort of, closing questions to ask as well, but before then, is there anything else that you want to add?Edgaras: What I'd like to add is that with Kubernetes, probably the biggest issues is with security because Kubernetes is kind of new thing. And seems like security stuff around the Kubernetes is one step behind.  So, what I'd like to see is more solutions from the security perspective around Kubernetes.Emily: So, just sort of in closing, I have a couple of fun questions. The first one is, what do you think, for you personally, and possibly organizationally, what's your can't live without engineering tool?Edgaras: Prometheus because if you don't have monitoring, then it's like, flying the plane without any of dashboards, so you'll crash soon.Emily: Excellent. And then how can people connect with you?Edgaras: LinkedIn is always open.Emily: Are you on Twitter?Edgaras: Yes, I am.Emily: Fabulous. I think we can go ahead and wrap it up there, and thank you so much for chatting.Edgaras: Cool. Thanks for having me.Announcer: Thank you for listening to The Business of Cloud Native podcast. Keep up with the latest on the podcast at thebusinessofcloudnative.com and subscribe on iTunes, Spotify, Google Podcasts, or wherever fine podcasts are distributed. We'll see you next time.This has been HumblePod production. Stay humble.

Lietuvos e-sporto futbolo rinktinė pradėjo savo kelionę Europos čempionato atrankoje. Ką tai reiškia? Laidoje „Vakarop su Vyteniu“ Lietuvos futbolo federacijos e-sporto vadovas Edgaras Abromavičius pasakojo apie e-sporto rinktines, atskleidė, kuri, tikra ar e-sporto rinktinė geresnė, vardino krepšinio perspektyvas ir prognozavo e-sporto ateitį. Laidą „Vakarop su Vyteniu“ klausyk šiokiadieniais nuo 16 val., o geriausius epizodus rasi mūsų podcaste „Vakarop su Vyteniu“.

UEFA surengė savo narių bendrą videokonferenciją. Jos metu priimtas beprecedentis sprendimas – šią vasarą planuotas Europos futbolo čempionatas neįvyks. Jis nukeltas į 2021-uosius. Laidoje „Vakarop su Vyteniu“ apie tai, Čempionų lygos likimą, pinigus ir A lygos ateitį savo mintimis pasidalino Lietuvos futbolo federacijos generalinis sekretorius Edgaras Stankevičius. Laidą „Vakarop su Vyteniu“ klausyk šiokiadieniais nuo 16 val., o geriausius epizodus rasi mūsų podcaste „Vakarop su Vyteniu“.

Laidoje vieši sezoninės jėgos aitvarų mokyklos „WindTrain“ įkūrėjas, kelionių organizatorius ir jėgos aitvarų instruktorius – Edgaras Martinėlis. Subūrę didžiulę jėgos aitvarų entuziastų bendruomenę, su kuria gaudo vėją ne tik Lietuvoje (Kintuose), bet ir keliauja po geriausius jėgos aitvarų spot'us visame pasaulyje: Egiptas, Turkija, Graikija, Brazilija ir Kenija. Laidoje kalbamės apie retą Lietuvoje, bet dažną pasaulyje sportą, kartu ieškome geriausių vietų vakarėliams ir aiškinamės, kuo skiriasi jėgos aitvarų sportas nuo vandenlenčių sporto. Panirę į giliausius Edgaro minčių klotus atrandame ir laimės receptą. Veda Tomas Lukaševičius.

Naujausioje 15min podkasto „Skrieja kamuolys“ laidoje – Lietuvos futbolo federacija ir žiniasklaida, Čempionų lygos burtai, vėl pralaimėjusi „Chelsea“, grandų lygiosios Ispanijoje ir Edgaro Dubicko perspektyvos „Serie A“. Komanda: Paulius Ambrazevičius, „TV3 Sport“ komentatorius Rytis Vyšniauskas ir 15min žurnalistai Marius Bagdonas bei Gintaras Radauskas.

Kokiais atvejais kunigai šiek tiek aptaria jiems išpažintas nuodėmes? Kiek sunku dvasininkams laikytis celibato? Pokalbis su 33-ejų metų Edgaru Vegiu, kuris kunigystę iškeitė į floristiką. Kokie iš Kazachstano sugrįžusių „Misija Sibiras‘19“ įspūdžiai? Jais dalijasi Rūta Ragauskaitė ir Audra Avižiūtė. Ved. Edvardas Kubilius.

Laidoje lankosi atlikėjas, Edgaras Lubys. Šiandien tema yra labai socialiai jautri ir dažniausiai susilaukia dviejų skirtingų pusių priešpriešos - veganizmas. Edgaras papasakojo apie šios mitybos privalumus bei trūkumus. Kaip taisiklingai reiktų pereiti prie veganiškos mitybos ir kodėl daugeliui veganų reiktų susitvarkyti su savimi ir savo psichika. Pokalbis, kuris pakeis daugelio suvokimą apie veganus bei palies visavalgių širdis. Edgaras nekartą bėgo maratonuose, todėl pasidalino savo įžvalgom kaip ruošiasi varžybom ir pasidalins patarimais su Jumis.

Ką bendra turi šunys, katės, vorai, kilogramą sveriančios sraigės, tarakonai ir gyvalazdės? Visi jie – naminiai gyvūnai. Nustebote? Laidoje aiškinsimės, kodėl! Egzotinių gyvūnų veisėjas Edgaras Čepulkovskis papasakos, kodėl neverta bijoti nariuotakojų, ir kodėl voras gali teikti tiek pat džiaugsmo, kiek ir šuo.Laukia ir interneto žiniasklaidos įdomybės bei pokalbiai su klausytojais aktualiomis temomis.

Ką bendra turi šunys, katės, vorai, kilogramą sveriančios sraigės, tarakonai ir gyvalazdės? Visi jie – naminiai gyvūnai. Nustebote? Laidoje aiškinsimės, kodėl! Egzotinių gyvūnų veisėjas Edgaras Čepulkovskis papasakos, kodėl neverta bijoti nariuotakojų, ir kodėl voras gali teikti tiek pat džiaugsmo, kiek ir šuo.Laukia ir interneto žiniasklaidos įdomybės bei pokalbiai su klausytojais aktualiomis temomis.

Rio de Žaneire vykstančiose parolimpinėse žaidynėse šįmet dalyvauja daugiau kaip 4000 sportininkų iš 176 valstybių, jie rungiasi 22 sporto šakų varžybose. Iš viso bus išdalinti 528 medalių komplektai. Žaidynėse dalyvaujančioje Lietuvos delegacijoje – lengvaatlečiai, plaukikas, dziudo imtynininkas ir golbolo komanda. Vyriausiajam Lietuvos atletui – 49 metai, jauniausias – plaukikas septyniolikmetis Edgaras Matakas.Nuo vaikystės silpnaregis Edgaras visiškai apako prieš porą metų. Vis dėlto sunkių kasdienių treniruočių dėka dabar neregintis plaukikas savo kategorijoje – tarp dešimties geriausių pasaulyje.

Rio de Žaneire vykstančiose parolimpinėse žaidynėse šįmet dalyvauja daugiau kaip 4000 sportininkų iš 176 valstybių, jie rungiasi 22 sporto šakų varžybose. Iš viso bus išdalinti 528 medalių komplektai. Žaidynėse dalyvaujančioje Lietuvos delegacijoje – lengvaatlečiai, plaukikas, dziudo imtynininkas ir golbolo komanda. Vyriausiajam Lietuvos atletui – 49 metai, jauniausias – plaukikas septyniolikmetis Edgaras Matakas.Nuo vaikystės silpnaregis Edgaras visiškai apako prieš porą metų. Vis dėlto sunkių kasdienių treniruočių dėka dabar neregintis plaukikas savo kategorijoje – tarp dešimties geriausių pasaulyje.

The Glyndebourne season starts in May and in this podcast Sara Mohr-Pietsch talks to one of the big names to look out for - tenor Edgaras Montvidas, who will be starring in Mozart's Die Entfuhrung.