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Big Variety Old Time Radio Podcast. (OTR) Presented by Chemdude
Frances Langford
A Funny WednesdayFirst a look at this day in History.Then Bob Hope, originally broadcast April 9, 1946, 79 years ago with guests Brenda and Cobina. Jerry Colonna Sings? Bob and Frances Langford joke about School Days in then-Ritzy Pasadena. Brenda and Cobina star in a play with Bob. Followed by the news from 79 years ago, then A Date with Judy starring Louise Erickson, originally broadcast April 9, 1946, 79 years ago, Father Buys a Racehorse. Judy's father tries to go to bed early. Oogie's band has been evicted from his father's garage. They're going to practice at Judy's house.Then Meet Corliss Archer starring Janet Waldo, originally broadcast April 9, 1950, 75 years ago, Mr Archer's New Suit Given To The Salvation Army. A confused phone book causes Mr. Archer's new suit to be given to the Salvation Army. Then the garbage disposal and the radio break!Followed by Father Knows Best starring Robert Young, originally broadcast April 9, 1953, 72 years ago, How To Face Problems. Jim Anderson is concerned that his family isn't going to be able to face up to their problems. Finally Lum and Abner, originally broadcast April 9, 1942, 83 years ago, Need a Projectionist. The boys plan to have Don Ameche operate the movie projector during their film premiere.Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html
This Saturday's "Saturday Matinee" on Vintage Classic Radio begins with "The Aldrich Family" in an entertaining episode titled "McCall's Bicycle" (a.k.a. Mrs. Aldrich Returns a Bicycle), which first aired on November 20th, 1944. In this humorous episode, Henry Aldrich finds himself entangled in confusion when his mother mistakenly returns the wrong bicycle to McCall's department store, leading to a series of comedic mishaps. The episode features Ezra Stone as Henry Aldrich, House Jameson as his father Sam Aldrich, and Katharine Raht as his mother, Alice Aldrich. Following that, we'll enjoy "My Favorite Wife" starring Lucille Ball in the episode "The Elves," originally broadcast on September 2nd, 1949. Lucille Ball brings her iconic charm and wit to this lively episode, where she plays a wife who enlists the help of her neighbor to convince her husband that their house is enchanted by elves. The delightful scenario unfolds with Richard Denning playing the bemused husband, and Gale Gordon as the incredulous neighbor. We conclude with "The Bob Hope Show" in an episode called "From Bob's Hometown," which aired on March 19th, 1946. Broadcasting directly from Bob Hope's hometown, the episode features Bob delivering his signature blend of comedy and sketches, delighting the audience with anecdotes about his early life and the quirky characters from his past. The show is enriched with appearances by regular cast members including Frances Langford and Jerry Colonna, who add to the laughs and memorable moments. Tune in this Saturday for a trip back in time with these classic radio shows, each bringing a unique flavor of humor and nostalgia to our weekend lineup.
Bob Hope Show 41-05-06 Ep033 Frances Langford-Premiere USO Broadcast
My Friend Irma Movie (1949)! First film with Dean Martin and Jerry Lewis! https://archive.org/download/01-martin-lewis/02%20MY%20FRIEND%20IRMA.1949.mp4 Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967
2+ Hours of ComedyFirst a look at this day in History.Then Fibber McGee and Molly, originally broadcast July 26, 1937, 87 years ago, Grocery Store Manager. Fibber is managing the Wistful Vista grocery store. Followed by The Martin and Lewis Show, originally broadcast July 26, 1949, 75 years ago, guest Francis Langford. Dean is going to make a record with guest Frances Langford, which makes Jerry think the partnership is going to break up. Then Screen Directors Playhouse, originally broadcast July 26, 1951, 73 years ago, Stairway to Heaven starring Robert Cummings and Julia Adams. An adaptation of the 1946 British fantasy-romance film that starred David Niven and Kim Hunter that was released overseas as “A Matter of Life and Death”. A pilot that was supposed to die in a plane crash survived, setting a unique chain of events into motion. Finally Claudia, originally broadcast July 26, 1948, 76 years ago. David fixes this and that. Thanks to Richard for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCivil defense info mentioned on the show can be found here: http://www.civildefensemuseum.com/docs.html
On Tuesday February 22nd, 1944 The Bob Hope Show took to the air with a special broadcast for the Coast Guard. The guest was Carole Landis. Hope's radio cast from this era is his most famous. Along with Jerry Colona and songstress Frances Langford, the squeaky, man-crazed Vera Vague, voiced by Barbara Jo Allen was tremendous. Blanche Stewart and Elvia Allman played high-society nitwits Brenda and Cobina, modeled after real-life socialites Brenda Frazier and Cobina Wright Jr. Wright filed suit but settled, Hope remembered, when he invited her on the show as a guest. Wendell Niles was often Hope's announcer for Pepsodent.
On February 15th, 1944 Bob Hope broadcast his program from Santa Ana's Classification Center. His guest of honor was none other than good friend Bing Crosby. In February of 1944 Frances Langford was twenty-eight years old. She grew up in Florida, and originally trained as an opera singer. A tonsillectomy changed her range and she instead shifted her vocal approach to a more contemporary big band, popular music style. As a teenager, cigar manufacturer Eli Witt heard her sing at an American Legion party and hired her to sing on a local radio show he sponsored. In 1931 Langford moved to Hollywood, appearing on Louella Parsons' radio show. She was soon heard by Rudy Vallée, and in 1935 she made her film debut in Every Night at Eight. That year she became a regular performer on Dick Powell's radio show, which Bob Hope joined in 1937. When The Pepsodent Program launched in 1938 she began a long term engagement with Hope. In February of 1944 Hope, Crosby, and Dorothy Lamour were wrapping filming of Road To Utopia, the fourth in their series of Road To films. Written by Melvin Frank and Norman Panama, the film is about two vaudeville performers at the turn of the twentieth century who go to Alaska to make their fortune. Along the way they find a map to a secret gold mine. While shooting wrapped in 1944, the film wasn't released until February 27th, 1946. Its screenplay was nominated for an Academy Award the next year.
On Saturday February 12th, 1944, Ken Carpenter was announcer for a Command Performance guest-starring Bob Hope, Frank Sinatra, and Judy Garland. Hope had just co-hosted, with Bing Crosby, a pro-amateur golf charity event. Bob Hope did his first remote broadcast from March Field on May 6th, 1941. Initially reluctant to leave the studio, the roar of laughter and applause from that first crowd was so loud, he would recall, that he “got goose pimples” during the broadcast. He was hooked. He spent most of the next seven years on the road, broadcasting from bases, camps, and hospitals. The cast was put on alert, ready to go at the drop of a hat. Frances Langford was given 24-hour notice to “hop a bomber” for Alaska in 1943. They hit one-hundred camps that year, in addition to their weekly radio show. They also went to Europe, doing a show at Messina just after the enemy had fled the town and was still bombarding the area with its artillery. This year, 1944, on a trip to the South Pacific, Hope's plane had to make a crash landing in Australia. John Steinbeck wrote of Hope, “It is impossible to see how he can do so much, can cover so much ground, can work so hard, and can be so effective.” Newsweek called it “the biggest entertainment giveaway in history.” Many times Hope appeared on Command Performance, broadcast over the Armed Forces Radio Service. Ken Carpenter recalled those shows.
On Tuesday February 8th, 1944 at 10 PM eastern time over WEAF, and at 7PM pacific time over KFI, Bob Hope's Pepsodent Program signed on live, coast-to-coast from Oceanside, California. The guest was Ginger Rogers, the program features a salute to her new film, Lady In The Dark. It was radio's top show, pulling a rating that month of 36.2. Nearly twenty-eight million people heard this show, which is even more impressive when you consider how many were overseas fighting World War II. Hope's top sidekick was Jerry Colonna, perhaps the wildest comic presence on 1940s radio. Colonna had once been a serious trombonist, playing with Goodman, Shaw, and the Dorseys: now he infused Hope's program with verbal and vocal mayhem. He sported a four-inch walrus mustache and had a comedy style that blew away any attempt at logic. As soon as Colonna began walking to the microphone, the studio audience warned listeners with laughter.” Hope later wrote, there were two sides to Colonna's persona: “One is the zany, silly moron, and the other is the deep thinking, serious moron.” His songstress was the immensely talented Frances Langford, equally adept at both comedy and drama. But, Hope was the star. As the late John Dunning once said, No one had ever told jokes quite like Bob Hope. His monologues were rapid-fire blasts of comedy, extremely topical and wildly appreciated by his live audience. Radio Life wrote, “Hope tells a gag in three lines. He'll work for an hour on a one-word change. By the time he goes on the air, he knows his gags by heart.” He employed a team of twelve writers in three, two-man teams. Each were assigned to write the show's three sections. First came the monologue; then a midshow routine with Colonna or another member of the regular cast; and finally, a sketch for the guest star. It was a true test of endurance. Hope demanded long rehearsals, including a sixty-minute runthrough with a live audience. He'd stand at the microphone, highlighting his script where the big laughs came. When you consider that Hope's weekly audience was more than each of the first two Super Bowls, it's easier to understand his point of view. The biggest problem with Hope, said producer Al Capstaff in 1945, was his inevitable tendency to pack the script. It was always thirty-seven minutes long and had to be whittled down joke by joke until only the surefire material remained. The result on the air was a breathless gush, with six laughs a minute guaranteed. But, that was Hope. Even in his 1972 Dick Cavett interview which has been featured throughout this episode of Breaking Walls, an off-the-cuff Hope can't help but pack one-liner after one-liner in the midst of a genuine, serious, conversation. The Pepsodent Program was enhanced by Hope's film career. By February of 1944 Hope had starred in seventeen films since the release of The Big Broadcast of 1938, including the first three Road To films with Bing Crosby.
It's the last stop on our Christmas list, and for our big winter spectacular, what better than a grand, whopping, two-hour Christmas blockbuster, packed with more top entertainers of vintage Hollywood than you can shake a reindeer at? This fun holiday sleigh ride features Bob Hope, Bing Crosby, Dinah Shore, Herbert Marshall, Jimmy Durante, Jerry Colonna, Johnny Mercer, Judy Garland, Ed Gardner, Frances Langford, Kay Kyser, Frank Sinatra, Mel Blanc, The Robert Mitchell Boys Choir, Cass Daley, Harry Truman, and more! Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 If you don't do Facebook, we're also on Gab: https://gab.com/OldRadio Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
"Estoy de humor (de onda, con ganas) para amar" es una canción popular publicada en 1935. La música fue escrita por Jimmy McHugh, con letra de Dorothy Fields. La canción fue presentada por Frances Langford en la película Every Night at Eight estrenada ese año. Nos deleitamos con grandes cantantes, saxos, piano, trompeta. Hosted on Acast. See acast.com/privacy for more information.
Today we have NBC's War Telescope as it aired on July 3, 1943. It was hosted by war correspondent Morgan Beatty. This episode features special guests Bob Hope and Frances Langford. Be sure to visit our website at BrickPickleMedia.com/podcasts for past episodes and more or find us on Facebook at facebook.com/ww2radio.
Our Miss Brooks "The Frog" February 20, 1949 CBS Cavalcade of America "G.I. Valentine" February 14, 1944 NBC Frances Langford and June Lockhart
It's The Martin And Lewis Show on this week's A Legacy Of Laughs. We'll hear their episode from July 26, 1949, featuring Frances Langford. Listen to more from The Martin And Lewis Show https://www.podtrac.com/pts/redirect.mp3/archive.org/download/rr12022/LOL194.mp3 Download LOL194
1 – Rain, Rain Go Away - Art Kassel and his Kassels-In-The-Air – 19322 - I Get the Blues When It Rains - Varsity Eight - 19293 - Out in the Rain Again - Bill Boyd and his Cowboy Ramblers – 19474 - Let It Rain, Let It Pour – Meyer Davis and Le Paradis Band - 19255 – Let It Rain – The Serenaders - 19256 - Rain or Shine - Frank Harris with the Radiolites - 19287 - Rain or Shine - Bernie Cummins and his Orchestra – 19288 - Blue Rain - Ray Eberle with Glenn Miller and his Orchestra - 19399 - I Found You in the Rain (Chopin Prelude #7) - Skinnay Ennis and his Orchestra – 194110 - I'm a Lonesome Little Raindrop Looking for a Place to Fall - Victor Roberts - 192011 - Was It Rain? - Frances Langford with Victor Young and his Orchestra – 193712 - If You Want the Rainbow You Must Have the Rain - Gay Ellis and her Novelty Orchestra - 192813 - If You Want the Rainbow You Must Have the Rain - Ted Weems and his Orchestra – 192814 - Up on Top of a Rainbow Sweepin' the Clouds Away - Maurice Chevalier - 193015 - Who'll Lend Me A Rainbow - Connee Boswell and the Satisfiers – 194516 - Just Beyond the Rainbow - June Richmond and The Reveliers with Johnny Warrington and his Orchestra - 194517 - Rainbow on the River - Buddy Clark with Lud Gluskin and his Orchestra – 193618 – Lady in Distress – Suspense – 1947 (Radio Drama)19 – Skulking Permit – X Minus One – 1956 (Radio Drama)20 – Roller Skating on a Rainbow – Vi Mele with Henry Busse and his Orchestra - 1939
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------
Bob Hope (The Bob Hope Show) entertains the troops in Los Angeles during World War II at Naval Air Station, Terminal Island, California. With guest Orson Welles, Barbara Jo Allen, and Frances Langford. This aired September 28, 1943. For those mainly interested in hearing Orson Welles' part, skip to 20:50. Bob jokes that Orson had an "Ensign" (pronounced 'In-sin') in his family tree. ‘Ensign' is a junior rank of a commissioned officer in the armed forces. As the junior officer in an infantry regiment was traditionally the carrier of the ensign flag, hence the name. : : : : : My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES. Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot. Thank you for your support. https://otr.duane.media/ (https://otr.duane.media) | Instagram https://www.instagram.com/duane.otr/ (@duane.otr)
Enjoy two free comedy episodes of The Bickersons A) 3/30/47 w/ Don Ameche and Frances Langford B) 4/13/47 w/ Don Ameche and Frances Langford The characters of John and Blanche Bickerson were created by Phil Rapp. They lived up to their name, exchanging verbal crossfire that was sharp, quick, and always hit the mark. A radio comedy consisting of a married couple arguing in short skits fared well and provided comic relief on a variety programs. Initially heard as brief sketches, The Bickersons eventually evolved into a weekly half-hour sitcom. With real bite in the dialogue and the husband usually getting the short end of the stick, the battle of the sexes was never more fun. John, a bowling-ball salesman by occupation, was a member of the Bourbon of the Month Club and suffered from a chronic case of snoring. Blanche, an insomniac, usually managed to wake him in the small hours and the familiar arguments would begin: Blanche wanted a baby, John didn't; Blanche suspected John of cheating; John enjoyed “bachelor” parties organized for his friends. John and Blanche were introduced to radio audiences in 1946 on The Drene Show, starring Danny Thomas. Don Ameche and Frances Langford would play the bickering couple for a brief sketch and on a number of occasions, Thomas also played the role of Blanche's obnoxious brother Amos. A year later, the warring pair starred in The Old Gold Show, named for its sponsor, Old Gold cigarettes. Subsequently, Blanche and John became a weekly feature on The Edgar Bergen & Charlie McCarthy Show, with Hollywood actress Marsha Hunt temporarily replacing Frances Langford. The characters returned in 1951, starring Lew Parker as John with Frances Langford as Blanche. Attempts to adapt the characters for television were unsuccessful but some experts believe that Married With Children was based on The Bickersons.
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------
The Bickersons was a radio comedy sketch series that began September 8, 1946, on NBC, moving the following year to CBS where it continued until August 28, 1951. The show's married protagonists, portrayed by Don Ameche and Frances Langford, spent nearly all their time together in relentless verbal war. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
The Bickersons was a radio comedy sketch series that began September 8, 1946, on NBC, moving the following year to CBS where it continued until August 28, 1951. The show's married protagonists, portrayed by Don Ameche and Frances Langford, spent nearly all their time together in relentless verbal war. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
The Bickersons was a radio comedy sketch series that began September 8, 1946, on NBC, moving the following year to CBS where it continued until August 28, 1951. The show's married protagonists, portrayed by Don Ameche and Frances Langford, spent nearly all their time together in relentless verbal war. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
The Bickersons was a radio comedy sketch series that began September 8, 1946, on NBC, moving the following year to CBS where it continued until August 28, 1951. The show's married protagonists, portrayed by Don Ameche and Frances Langford, spent nearly all their time together in relentless verbal war. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
the Old Time Radio program, the Bickersons, starring Don Ameche and Frances Langford. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
the Old Time Radio program, the Bickersons, starring Don Ameche and Frances Langford. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
the Old Time Radio program, the Bickersons, starring Don Ameche and Frances Langford. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
the Old Time Radio program, the Bickersons, starring Don Ameche and Frances Langford. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
the Old Time Radio program, the Bickersons, starring Don Ameche and Frances Langford. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ang189/support
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.
The Bickersons was a radio comedy sketch series that began in 1946, on NBC. In 1948 it moved to CBS where it continued until 1951. The show's married protagonists, portrayed by Don Ameche (later by Lew Parker) and Frances Langford, spent nearly all their time together in relentless verbal sparring.