Podcast appearances and mentions of Judy Garland

The unlikely crew of Alien returns, and this week they enter into the facility hoping to find a generator. Things are wrong, and very very hot. The party is filled with The Sound of Music, but can't seem to find Judy Garland. Find out this and much more this week on WLP Tries Alien the TTRPG. If you want more content from us consider supporting us on Patreon! Warp Lords is a product of Bandit Gang Entertainment, and the game is used with their permission. Buy the game, take the ride! Buy/Download Warp Lords Here Follow our Sosh-Meds! Warp Lords Podcast Tweeter: @WarpLordsPod Warp Lords Tweeter: @Warplords Warp Lords Facebook: Warp Lords Warp Lords Podcast Patreon: Demand an apology Warp Lords Podcast Tik Tok: @warplordspodcast Credits: GM (Alien The TTRPG): Graham Banas Birger Hedenstrom: Mike Danger Vautour Sezja IDontRememberYourLastNameBaby: Jared Cryan Noor Sajad: Dillon Morin Music: Jared Cryan Editing: Devin Malinowski Art: Mike "Danger" Vautour If you like what you heard, then please spread the word. Any characters, items, animals, blob monsters, trees, instruments, bad voices, manic lawyers, power tools, pocket pickles or shitty jokes that bear resemblance to another intellectual property or otherwise non-original content are used in parody or satire or other harmless ways and are in no way related to or a depiction of another subject in or around reality. This is a silly podcast with silly people, and is not intended to be taken seriously by anyone in any way.

What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

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Though sworn to secrecy, Wicked: For Good's Dorothy Bethany Weaver has finally been able to discuss her time in the blockbuster musical franchise, taking on a small but pivotal role. In a wide-ranging interview she discusses leading the March of the Witch Hunters scene, working with Jonathan Bailey and Ethan Slater, and how she worked out Judy Garland's iconic mannerisms. Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Tales From Hollywoodland Podcast, the crew shines the spotlight on the greatest female Broadway musical film stars who dazzled audiences both on stage and on the silver screen. From Broadway legends who conquered Hollywood to film icons who brought theatrical magic to movie musicals, we explore the careers, performances, and cultural impact of stars like Mary Martin, Barbra Streisand, Judy Garland, Ethel Merman, and Bernadette Peters. We celebrate iconic performances in classic movie musicals like The Sound of Music, Funny Girl, Annie Get Your Gun, and other unforgettable Broadway-to-Hollywood adaptations that defined generations of entertainment. If you love Broadway musicals, classic Hollywood films, and powerhouse female performers, this episode is for you. Subscribe now to The Tales From Hollywoodland Podcast for weekly deep dives into Hollywood history, film legends, and entertainment icons. We want to hear from you! Feedback is always welcome. Please write to us at talesfromhollywoodland@gmail.com, and why not subscribe and rate the show on Apple Podcasts, Spotify, iHeartRadio, PlayerFM, Pandora, Amazon Music, Audible, and wherever fine podcasts are found.    #BroadwayLegends #MovieMusicals #HollywoodHistory #JulieAndrews #BarbraStreisand #LizaMinnelli #ClassicHollywood #TalesFromHollywoodland #FilmPodcast #BroadwayToHollywood

Se qualcuno avesse detto a Dorothy che presto, anzi prestissimo, avrebbe sentito tanta struggente nostalgia delle praterie del Kansas, forse la bambina non ci avrebbe creduto. E fu solo il principio di una serie di incredibili avventure che avrebbero accompagnato lettori piccoli e grandi in una meravigliosa terra nota come OZ.“Per quasi quarant'anni questa storia ha reso un fedele servizio a tutti i Giovani di Cuore; e il Tempo non è riuscito a far sfiorire la sua garbata filosofia.A tutti coloro che continuano ad amarla...e ai Giovani di Cuore...noi dedichiamo questo film”Da un classico della letteratura a uno del cinema con il celebre film del 1939 diretto da Victor Fleming e con protagonista la indimenticata Judy Garland. Perciò marciamo verso il cancello e chiede un incontro con "Il Mago di OZ".

Send a textOmnia Nightclub has been working on a new dayclub experience, it's ready for pool season and looks really nice! We have road trip ideas if you want to get in the car and travel Nevada. We have more than 600 ghost towns in the state and there's so much to do. Five Guys opens at the Grand Canal Shoppes with expanded hours and they announced another location downtown. Both have "only in Las Vegas" additions. Bruno Mars performed at the Grammy's and he's stopping in Las Vegas first once he begins his tour. Judy Garland's daughter announced some storytelling experiences set for March at the Venetian. Former Virgin Hotels president, Cliff Atkinson, moves up to downtown as the head of The Fremont Experience. Plus, we have more ideas for Valentine's Day.VegasNearMe App If it's fun to do or see, it's on VegasNearMe. Support the showFollow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com

Stella Cole joins the podcast to discuss her unique journey from a musical-theatre-obsessed child in Springfield, Illinois, to a global jazz sensation. She opens up about the "old soul" label she has carried since infancy and how she navigated a high-pressure academic environment at Northwestern University while privately yearning for the music of Judy Garland and Doris Day. Stella shares the vulnerable story of nearly quitting singing altogether before finding her voice again during the 2020 lockdown, leading to a meteoric rise on TikTok that felt more like a "fake little thing" on her phone than a career-changing event. The conversation dives deep into the realities of being a touring artist in the modern age, from the scrappy days of singing for dinner in Brooklyn to signing with a major label and recording with a full string orchestra at Power Station. Stella discusses the profound emotional power of the Great American Songbook, her transition from viral creator to live performer, and her future aspirations to return to her theater roots. She offers insightful reflections on mental health, the dangers of social media overstimulation, and why she still keeps the idea of law school in the back of her mind just in case. Stella Cole is a vocalist and recording artist who first gained international attention through her viral performances of jazz standards on social media. A graduate of Northwestern University, she has toured extensively as a featured performer with Postmodern Jukebox and has sold out prestigious venues in New York, London, and beyond. Her discography includes her self-titled debut project and the 2024 album It's Magic, featuring arrangements by Grammy winner Alan Broadbent. Connect with Stella: Website: stellacole.net Instagram: @stellakcole TikTok: @stellakcole Listen to My Funny Valentine" EP out via Decca Records US Make sure to catch Stella's second residency at NYC's Café Carlyle, running May 12–16, 2026! Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

⭐Judgment at Nuremberg (1961) - When "Just Following Orders" Fails (Plot Synopsis) ⭐

Can we do more than talk in talk therapy? Our guest Dr. Michael Mollura speaks about some of his creative approaches to psychotherapy including music therapy, dreamwork, Jungian perspectives, and more! 03:03 — Dr. Michael Mollura's Background: Music, Psychology, and Creativity 05:31 — Why Suppressed Creativity Can Cause Emotional Symptoms 07:54 — Setting Dreams to Music: The Acoustics of the Unconscious 08:31 — Jungian Dream Work and Depth Psychology Explained 10:52 — Why Symptoms Are Symbols in Dream and Depth Therapy 14:23 — How to Begin Interpreting Dreams: Start with Mood, Not Meaning 17:12 — Common Mistakes People Make When Analyzing Dreams 23:00 — The Power of Dream Details and Imagery in Therapy 29:16 — Phenomenology in Dream Work: Experiencing Dreams Through the Senses 35:49 — A Listener Dream about Judy Garland: an Example of Symbolic Meaning in Dream Analysis. 43:34 — Dream Music Demonstration: Improvising Soundtracks to Dreams 46:49 — Therapy as Improvisation: Music, Energy, and Human Connection 50:39 — Final Thoughts: Dreams as Stepping Stones Out of Chaos Here is a clip of Dr Mollura’s dream soundtracks which we played on the show called “Dream Music Live: Little Boy.” https://ksqd.org/wp-content/uploads/2026/02/Dream-Music-Live-Little-Boy.mp3 And another one called “Whirling through the Infinite Void.” https://ksqd.org/wp-content/uploads/2026/02/MOLLURA-Twirling-Through-the-Infinite-w-vox.mp3 Find a short video clip of the conversation @experientialdreamwork on YouTube on the “Dream Journal shorts” playlist, or click here to access the latest playlist. Find the full video record of the conversation @ExperientialDreamwork on YouTube on the “Dream Journal podcast FULL LENGTH VIDEOS” playlist, or click here to access the latest shows: BIO: Dr. Michael Mollura is a licensed clinical psychologist with a Ph.D from Pacifica Graduate Institute and a Master’s Degree in Performance Studies from New York University’s Tisch School of the Arts. Find our guest at DrMichaelMollura.com. This show, episode number 349, was recorded during a live broadcast on February  7, 2026 at KSQD.org, community radio of Santa Cruz. Here are links to some other Dream Journal episodes you might be interested in: Using Dreams in Therapy and also Dream Telepathy with Suzanne Maniss, PhD Creating Soundtracks for Dreams: The Healing Power of Music with Dr Michael Mollura Intro and outro music by Mood Science. Ambient music new every week by Rick Kleffel. Archived music can be found at Pandemiad.com. Many thanks to Rick for also engineering the show and to Erik Nelson for answering the phones. SHARE A DREAM FOR THE SHOW or a question or enquire about being a guest on the podcast by emailing Katherine Bell at katherine@ksqd.org. Follow on LI, IG, YT, FB, & LT @ExperientialDreamwork #thedreamjournal. To learn more or to inquire about exploring your own dreams go to ExperientialDreamwork.com. The Dream Journal aims to: Increase awareness of and appreciation for nightly dreams. Inspire dream sharing and other kinds of dream exploration as a way of adding depth and meaningfulness to lives and relationships. Improve society by the increased empathy, emotional balance, and sense of wonder which dream exploration invites. A dream can be meaningful even if you don’t know what it means. The Dream Journal is produced at and airs on KSQD Santa Cruz, 90.7 FM. Catch it streaming LIVE at KSQD.org 10-11am Pacific Time on Saturdays. Call or text with your dreams or questions at 831-900-5773 or email at onair@ksqd.org. Podcasts are available on all major podcast platforms the Monday following the live show. The complete KSQD Dream Journal podcast page can be found at ksqd.org/the-dream-journal/. Closed captioning is available on the YouTube version of this podcast and an automatically generated transcript is available at Apple Podcasts within 24 hours of posting. Thanks for being a Dream Journal listener! Available on all major podcast platforms. Rate it, review it, subscribe, and tell your friends.

Lifelong Minnesotan and veteran podcaster Cynthia Bemis Abrams reflects on Minnesota's outsized influence on American television, journalism, and culture in this timely solo episode of Advanced TV Herstory. Prompted by recent federal immigration enforcement actions in Minneapolis beginning in December 2025, Cynthia revisits the mission of the podcast and reframes it through Minnesota's unique television legacy. Drawing from decades of broadcasting experience, she examines how television created empathy, civic awareness, and cultural cohesion — and why that legacy still matters. The episode highlights Minnesota-born or Minnesota-connected women who shaped American TV and public life, including Judy Garland, Jessica Lange, Lea Thompson, Marion Ross (Happy Days), Mary Tyler Moore, Loni Anderson and others. Cynthia also reflects on the role of comfort television, women in news, and storytelling during moments of national stress. Closing the episode, Cynthia discusses the mood on the ground in Minnesota in January and February 2026 following the killings of Renee Good and Alex Pretti. She explains constitutional principles raised by current government actions and shares vetted resources for listeners seeking to support legal, housing, and food assistance efforts in the Minnesota.   Find a cause to support at https://www.standwithminnesota.com Mentioned Loni Anderson (1995), My Life in High Heels https://www.goodreads.com/book/show/1054028.My_Life_in_High_Heels   10.12 – Comfort TV: Finding Joy with Karly Beaumont https://advancedtvherstory.libsyn.com/comfort-tv-finding-joy-with-karly-beaumont   Themes Covered Minnesota's television and news legacy Women in broadcast journalism and acting Comfort TV and cultural resilience Civic responsibility and constitutional principles Storytelling during periods of social unrest   Cynthia Bemis Abrams and Advanced TV Herstory ATVH Newsletter – tvherstory.com Website - https://cynthiabemisabrams.com/  Podcast Archive - tvherstory.com Email - advancedtvherstory@gmail.com Instagram - https://www.instagram.com/advancedtvherstory/ YouTube - https://www.youtube.com/@advancedtvherstory Facebook - https://www.facebook.com/Media.Cynthia Bluesky Social - https://bsky.app/profile/cynthiabemisabrams.bsky.social Production Video - Nivia Lopez - https://nivialopez.com/ Audio - Marilou Marosz - https://www.linkedin.com/in/mariloumarosz/ Music - https://freemusicarchive.org/music/Jahzzar/  

Zach welcomes back actor & artist Erin Mullane (Velvet Void Creations) on a Trolley trip to 5135 Kensington Avenue, where they’ll deep dive into Vincent Minelli’s 1944 classic, MEET ME IN ST. LOUIS.   Follow the duo along as they sift through the long journey of Sally Benson’s book to the silver screen, marvel at the several drafts from book to script & the changes that ensued, wrestle with both the tragedy and triumph of Judy Garland, relive the hert and humor of the films plot and music, try to figure out how closely Tootie Smith is related to other horror film villains, and then finally settle upon the many ways the film has influenced the world of film to this day. PLUS: You better believe we found a way to connect Meet Me in St. Louis to Halloween III: Season of the Witch   Be sure to follow Erin and her journey through acting and filmmaking on social Instagram: https://www.instagram.com/erinmullaneofficial/ and be sure to follow and support Erin’s fabric art and craft work by visiting her at VELVET VOID CREATIONS using her Linktree https://linktr.ee/velvetvoidcreatoins

The Hollywood system was never a secret, even in the Golden Age. A young girl would be discovered, plucked from a small town in the Midwest, made over to look “the part” of a movie star, and then wholly become one as one of the major studios “it girl.” Although the idea of what a “star” is has changed over the decades to reflect societal ideals of each decade, the process and effects remain the same. The same is true for the film A Star is Born, which has been adapted four times. The original was released in 1937 starring Janet Gaynor and Fredric March, and follows the Hollywood machine of making a movie star. Over the subsequent versions, music was introduced, first with the 1954 adaptation where Judy Garland tries to become a leading lady in a Hollywood musical. The 1976 and 2018 versions modernize the commentary by setting it in the music industry with Barbara Streisand and Lady Gaga starring respectively. These differences and what they say about each era of the entertainment industry are explored in the book “A Star is Reborn: The Most Filmed Hollywood Story of Love Found and Lost.” On FilmWeek, Larry Mantle speaks with the author Robert Hofler. “A Star is Reborn” is on sale now.

In this wide-ranging and entertaining conversation, host Tom Alvarez reconnects with acclaimed performer and impressionist Christina Bianco, joining from London to reflect on her international career, viral success, and life abroad.Christina shares how a post-COVID pivot led her from New York to London, where she's found creative freedom, steady work, and a lifestyle that blends city energy with village calm. She breaks down the differences between Broadway and the West End, explaining why the UK has become a hotspot for developing new musical theater—and why many American creatives are taking their work overseas.The conversation dives deep into Christina's rise as the “queen of musical impressions,” tracing her journey from Forbidden Broadway to viral YouTube fame, major symphony collaborations, and international television appearances. She discusses her creative process for impressions, emphasizing that mimicry must come from a place of love, not parody—and shares memorable reactions from stars like Kristin Chenoweth, Bernadette Peters, and Kathy Griffin.Listeners are treated to a live a cappella impression medley, showcasing Christina's uncanny ability to channel legends like Judy Garland, Barbra Streisand, Liza Minnelli, Bernadette Peters, and more.Christina also opens up about:· Life in London vs. New York· Her husband Bill's career as a veterinary physiotherapist· The cultural differences between American and British audiences· Her upcoming role as June Carter Cash in The Ballad of Johnny & June, directed by Des McAnuff· Mentoring young performers and staying connected through social mediaWarm, funny, and insightful, this episode is a masterclass in adaptability, artistry, and building a global career while staying grounded.Perfect for fans of theater, Broadway, West End, vocal performance, and behind-the-scenes artist stories.Follow host Tom Alvarez on Facebook, Instagram, Twitter, and TikTok. Watch Tom every other Thursday on Lifestyle Live on WISH-TV, and listen every week on the All- Indiana Podcast Network.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sagan um Galdrakarlinn í OZ byggir á samnefndri bók Frank Baums sem öðlaðist nýtt líf með frægri kvikmynd frá 1939 þar sem Judy Garland fór með hlutverk Dóróteu. Síðan þá hafa óteljandi útgáfur litið dagsins ljós, bæði á sviði og á hvíta tjaldinu og ekkert lát virðist vera á vinsældum söngleiksins. Þar spillir ekki fyrir tónlistin með ógleymanlegum lögum á borð við Somewhere Over the Rainbow. Sýningin Galdrakarlinn í Oz verður frumsýnd í Borgarleikhúsinu á laugardaginn. Hlutverk Dóróteu í þetta sinn er í höndum Þóreyjar Birgisdóttur. Þórey kom í þáttinn ásamt Björgvini Franz Gíslasyni, en hann leikur Tinkarlinn. Um helgina fer fram árleg talning á garðfuglum á vegum Fuglaverndar. Tilgangurinn er að safna langtímaupplýsingum til þess að m.a. að fylgjast með hugsanlegum breytingum í fjölda og tegundasamsetningu. Vala Friðriksdóttir líffræðingur og félagi í Fuglavernd kom til okkar í dag og sagði okkur frá því hvernig þetta fer fram og gaf góð ráð fyrir þau sem vilja taka þátt í talningunni og fyrir þau sem vilja fóðra fugla í sínum görðum. Svo voru það mannlegu samskiptin með Valdimari Þór Svavarssyni ráðgjafa, í þetta sinn talaði hann um samskipti á vinnustað, en þau geta svo sannarlega verið flókin og ýmislegt sem hafa má í huga. Tónlist í þættinum: Söknuður / Roof Tops (Oldham & Penn, texti Stefán G. Stefánsson) Somewhere Over the Rainbow / Judy Garland (Harold Arlen, texti E.Y. Harburg) Þín innsta þrá / B.G. og Ingibjörg (Granata & Verard, texti Jóhanna G. Erlingsson) You've Lost That Loving Feeling / Righteous Brothers (Barry Mann, Cynthia Weil & Phil Spector) UMSJÓN: GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

Gayle Levant is a remarkable musician. She has been a superstar harpist in records, television and film for more than 60 years. She's played at the Academy Awards show for the past 31 years. Listen to this list of just a few of the artists she's performed with: Liberace, Judy Garland, Nat King Cole, Julie Andrews, Frank Sinatra, The Beach Boys, Lady Gaga and Paul McCartney. She's Barbra Streisand's harpist. And most impressive, she once played the harp on a floating boat at a Las Vegas restaurant. And she heads up the American Society of Music Arrangers and Composers, the first woman to do so.My featured song is “Because She Said So” from the album Play by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH GAYLE:www.inceptionorchestra.org—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

In this episode, I spoke with author Robert Hofler about his latest book "A Star Is Born". Coinciding with the 50th anniversary of the 1976 classic film version starring Barbra Streisand and Kris Kristofferson, a riveting, juicy exploration of the history and popularity of Hollywood's favorite story about itself, from its 1937 technicolor drama starring Janet Gaynor and the 1954 version with Judy Garland, through 2018's blockbuster Lady Gaga and Bradley Cooper remake.The book will be out on January 27, 2026!

Tanja Valérien spricht in ihrer 90. Podcastfolge mit der Interior Designerin, Fotografin, Filmkoloristin und Amerikanerin CLAUDIA MORALES, Jahrgang 1959, in London, wo sie sie auch fotografierte, über ihre deutsche Mutter und ihren amerikanischen Vater mit mexikanischen Wurzeln…die Kindheit und Jugend in Deutschland (hauptsächlich in Berlin)…die alles verändernde Scheidung der Eltern, die beide an traumatischen Störungen durch den Krieg litten...die schmerzhaften Erfahrungen mit einem alkoholkranken Vater, der mit 69 Jahren daran starb…Geheimnis, Überforderung, Chaos, Heimlichkeiten...ihr Leben im sonnigen Kalifornien seit 40 Jahren und das jetzige Zuhause in Laguna Beach…ihre Homosexualität und das Outing…die einzige Erfahrung mit einem Mann…Toleranz, Vorurteile, Ausgrenzung...die Herausforderung des Zusammenlebens mit ihren langjährigen Partnerinnen…den Drang, diese immer verändern und leiten zu wollen…die kurze Ehe mit einer bipolaren Alkoholikerin, die nur 8 Monate dauerte…Selbstaufgabe, das Studium der Fotografie an der F.I.T. in New York, wo ich Claudia 1982 kennenlernte…Illusion, Tiefpunkte, Realität, Sinn, Ziel, Lebensveränderung…die spannenden Zeiten als Filmkoloristin, in welchen einer der Filme (Pleasantville) sogar für den Oscar nominiert wurde, und für Musikvideos z.B. von Janet Jackson oder die TV-Show von Judy Garland …warum sie eines Tages nochmal einen Neubeginn wagte und ein Studium der Innenarchitektur in Los Angeles absolvierte…die Erfolge und große Leidenschaft für ihren heutigen Beruf als Interior Designerin…das zweite Leben der Mutter, die mit 58 Jahren von Berlin zu ihr nach Kalifornien zog, weil sie in ihrer Nähe sein wollte…der 35 Jahre jüngere Freund ihrer Mutter, der 18 Jahre lang ihr Partner war, bis sie leider mit 77 an Demenz erkrankte und aggressiv wurde….das langsame, 10 Jahre dauernde Sterben, der Augenblick des Todes und das irdische Loslassen…ein Leben in den USA unter Trump und ihre Träume für die Zukunft.

Legendary performer Judy Garland arrives in London in the winter of 1968 to perform a series of sold-out concerts.Support the showOETA - Home

durée : 00:22:38 - "Le Pirate", le film de Vincente Minnelli avec Gene Kelly et Judy Garland - En 1948, The Pirate est un échec malgré son prestige. Trop audacieux, le film de Minnelli joue avec le second degré et détourne les codes de la comédie musicale. Son humour, son style et des numéros novateurs comme le « Pirate Ballet » déroutent un public pas encore prêt. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Send us a textIntro: Stormy Weathers by Ethel Waters (1933)5. Strange Fruit by Billy Holiday (1939)4. Minnie the Moocher by Cab Calloway (1931)3. Cross Road Blues by Robert Johnson (1937)2. God Bless America by Kate Smith (1939)1. Over the Rainbow by Judy Garland (1939)Outro: Wabash Cannonball by Roy Acuff (1936)

Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. On today's episode, Steve Riddle is reviewing “The Wizard Of Oz” from 1938 starring Judy Garland, Ray Bolger, Bert Lahr, Jack Haley & Margaret Hamilton.

This week, Julia and Steve welcome guest host Sam Adams to deconstruct the aggravating, yet strangely charming, table tennis phenom on the make that is Marty Supreme. Played with “BDE off-the-charts” (Steve's words) by Timothée Chalamet, the unceasingly shameless hustler may just be an avatar for our age. Speaking of avatars, we can't avoid discussing Avatar: Fire and Ash, the latest installment of James Cameron's immersive mega-franchise. Once again, the big blue folks peopling Pandora drew boku bucks at the box office… but do the Avatar films have any “cultural impact”? And what does “cultural impact” even mean? New Yorker staff writer Michael Schulman steps into the cultural cage match to debate this long-simmering internet argument. On this week's bonus episode for Slate Plus subscribers, the hosts take up a listener question about “cultural bran muffins,” the bits of culture you know would be good for you if only you could get them down. The hosts confess their bran secrets. Endorsements Steve: The essay "Two Pins and a Lollipop" about Judy Garland by Bee Wilson in the London Review of Books. Sam: The album Penthouse by the band Luna, particularly the song  "Chinatown." Julia: Slate's beloved annual tradition Movie Club which for its 2025 edition gathers film critics Bilge Ebiri, Alison Wilmore, Justin Chang, and our very own Dana Stevens for a rollicking exchange about the year in film. --- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Julia and Steve welcome guest host Sam Adams to deconstruct the aggravating, yet strangely charming, table tennis phenom on the make that is Marty Supreme. Played with “BDE off-the-charts” (Steve's words) by Timothée Chalamet, the unceasingly shameless hustler may just be an avatar for our age. Speaking of avatars, we can't avoid discussing Avatar: Fire and Ash, the latest installment of James Cameron's immersive mega-franchise. Once again, the big blue folks peopling Pandora drew boku bucks at the box office… but do the Avatar films have any “cultural impact”? And what does “cultural impact” even mean? New Yorker staff writer Michael Schulman steps into the cultural cage match to debate this long-simmering internet argument. On this week's bonus episode for Slate Plus subscribers, the hosts take up a listener question about “cultural bran muffins,” the bits of culture you know would be good for you if only you could get them down. The hosts confess their bran secrets. Endorsements Steve: The essay "Two Pins and a Lollipop" about Judy Garland by Bee Wilson in the London Review of Books. Sam: The album Penthouse by the band Luna, particularly the song  "Chinatown." Julia: Slate's beloved annual tradition Movie Club which for its 2025 edition gathers film critics Bilge Ebiri, Alison Wilmore, Justin Chang, and our very own Dana Stevens for a rollicking exchange about the year in film. --- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textTara and EmKay recap an iconified Season 6 to close out 2025! Awards are given out for the moments that made us laugh, cry, feel gratitution, and more. Thank you for another incredible season, listeners!Show Notes:Wicked: The Graphic Novel Part IOddment and TweakMoonchild TrinketsInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay Shrader Down the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz

It's the holiday season, so what's better than a melancholy Christmas classic? Or is it a Halloween classic? Or a summertime classic? No matter the season, Vincente Minnelli's Meet Me in St. Louis is an MGM musical masterpiece. Listen up as Will and Corey discuss the brilliance of Judy Garland, the film's evocative and lush studio look, and the remarkable songs!

A CPR tradition turns 10 this year. The Colorado Matters Holiday Extravaganza returns with bluegrass, mariachi, comedy and storytime. And as always, we pay homage to Judy Garland. Whether you celebrate Christmas, Hanukkah, Kwanzaa, or simply value togetherness, this audio gift is for you! 

SHOW NOTES: Two of the most popular Christmas Songs (aside from Mariah Carey's cloying All I Want for Christmas Is You) are I'll Be Home for Christmas (Kim Gannon, Walter Kent, Buck Ram) from 1943, introduced by Bing Crosby; and Have Yourself A Merry Little Christmas (Hugh Martin and Ralph Blane) introduced by Judy Garland in 1943, also. Frank Sinatra later recorded the canonical version of each of them. The year 1943 was in the middle of World War II. These songs, unrealized by many who hear them today and unaware of the origins, are not sincere expressions of happiness of holidays spent together. They are lamentations, expressing a wish to return home to the safety and comforts and love of family. They were meant to represent the soldiers in the Pacific and in Europe who lived in horrible conditions, faced the possibility of death daily, were often ill, too cold, too hot, and too lonely. The lyrics such as “Christmas Eve will find me, where the love light gleams, I'll be home for Christmas if only in my dreams,” and “We'll all be together again if the fates allow, but until then we'll have to muddle through somehow” (later “lightened” to “Hang the Brightest Star Upon the Highest Bough”) convey the intense nostalgia for better times. Think about that background as you consider Christmas this year. We still have soldiers away from home, in harm's way, separated from their loved ones. We're fortunate to have them, and we're fortunate for our freedoms and liberty. Merry Christmas!

In this episode of the LEGENDS: Podcast by All Day Vinyl interviews legendary songwriter Philip Springer, the composer of the classic Christmas song "Santa Baby" for Eartha Kitt in 1953. Springer recounts his start as a young pianist, his time in the Brill Building, and his early career in the Army playing with Tony Bennett for fellow GIs. He tells the story of writing "Santa Baby" with Joan Javits, the song's controversial reception, and how its popularity resurged after Madonna's 1987 cover. The conversation also covers Springer's work with major artists like Eartha Kitt, Frank Sinatra, Judy Garland, and Cliff Richard, his ability to adapt during the rock revolution, and later pioneering work in electronic music and synthesizers, including teaching at UCLA. Springer's daughter Tamara discusses her new documentary "More Than Santa Baby," discoveries in his catalog, and the film's themes of perseverance, resilience, and late-life creativity. This episode offers a rich overview of eight decades of music history through one songwriter's remarkable career — from Tin Pan Alley and pop standards to rock, film scores, and electronic innovation.

Front Row Classics is thrilled to welcome back Vanessa O'Neil. Brandon and Vanessa catch up since their last conversation in the summer. Vanessa discusses the Judy Garland Estate's launch on social media and the impact she is already seeing from it. The two also discuss Vanessa's reaction to Oz at the Sphere in Las Vegas as well as favorite holiday memories. 

Have Yourself a Merry Little Christmas Front Row Classics is thrilled to welcome back Vanessa O’Neil. Brandon and Vanessa catch up since their last conversation in the summer. Vanessa discusses the Judy Garland Estate’s launch on social media and the impact she is already seeing from it. The two also discuss Vanessa’s reaction to Oz … Continue reading Ep. 404- Celebrating Judy Garland and the Holidays with Vanessa O’Neil →

Queen P.R. and Brian H. Waters are closing 2025 by looking back at a few things they did this year, starting with the book's they've read. They briefly discuss them and share the link to all in the description below. Nattie Neidhart: The Last Hart Beating: From the Dungeon to WWE https://www.amazon.com/Last-Hart-Beating-Dungeon-WWE/dp/163774787X Robin L. Carroll-Waters: The Tears Behind My Smile: A Tribute to my brother, Michael A. Carroll, Sr. https://www.amazon.com/Tears-Behind-My-Smile-Tribute-ebook/dp/B0DCQMJNRX The Life and Longing of Luther Vandrosshttps://www.amazon.com/Luther-Life-Longing-Vandross/dp/0060594187 Jemar Mills: Pinpointhttps://pinpointcomic.com/classic-cap-hpeszv Saraya Hell in Boots: Clawing My Way through Nine Liveshttps://www.amazon.com/Hell-Boots-Clawing-Through-Lives/dp/1668027844 Whitney James West: How You Wait Matters: A Resource Guide for Faith, Patience, and Prayer in Your Waiting Seasonhttps://www.amazon.in/How-You-Wait-Matters-Resource/dp/1955297754 Alyson Lyn Miller Rough House: A Father, a Son, and the Pursuit of Pro Wrestling Glory https://www.amazon.com/Rough-House-Father-Pursuit-Wrestling/dp/1324086580 This Book Is All Elite: The Inside Story of All Elite Wrestling - Keith Elliott Greenberghttps://a.co/d/aluNN3x Nicole Lynn: Agent You: Show Up Do the Work and Succeed on Your Own Terms https://www.amazon.com/Agent-You-Show-Succeed-Terms/dp/0785238042 The Residence Inside the Private World of the White Househttps://www.amazon.com/Residence-Inside-Private-World-White/dp/0062305204 Marc Raimondi Say Hello to the Bad Guys: How Professional Wrestling's New World Order Changed Americahttps://a.co/d/fdhO42Z Original Sin: President Biden's Decline, Its Cover-Up, and His Disastrous Choice to Run Againhttps://a.co/d/0YTrcyy Get Happy: The Life of Judy Garland https://a.co/d/cPxhNSi Irresistible Force: The Life and Times of Gorilla Monsoon Brian Solomonhttps://a.co/d/2Rpvcxy Game of Shadows: Barry Bonds, BALCO, and the Steroids Scandal that Rocked Professional Sports https://a.co/d/5aloDre I'm That Girl: The Heartfelt Memoir from Olympic Gymnast Jordan Chileshttps://a.co/d/aV8FwMz Boys Will Be Boys: https://a.co/d/dmUwAW4 Cudi: The Memoirhttps://a.co/d/0VUSqRb

Another episode of Christmas music! The first part is a continuation of the previous All-Tenor Holiday Extravaganza. We hear from Luther Saxon, Roland Hayes, James Melton, Brian Sullivan, Richard Crooks, Raoul Jobin, Jussi Björling, Richard Verreau, Fritz Wunderlich, Rudolf Schock, René Kollo, John McCormack, Peter Schreier, and Mel Tormé (with an assist from Judy herself!) And for those who have ambivalent feelings about this holiday, the final third of the program foregrounds six of my most favoritest Depressing Christmas Pop Songs, sung by Eileen Farrell, Rita Gardner, Joni Mitchell, Edith Piaf, Judy Garland and (in memory of Marie Fredriksson), Roxette. A line from Judy's song “After the Holidays” (words and music by the late John Meyer) provides the inspiration for the episode title: “I know it’s hard, but try.” Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

GGACP welcomes Christmas 2025 with this ENCORE of the final (2021) GGACP holiday show featuring actor, singer and fan favorite Mario Cantone. In this episode, Mario discusses a sackful of topics, including the joys of Albert Finney's “Scrooge,” the enduring appeal of the Snow Miser, the genius of Stephen Sondheim and the 100th birthday of Judy Garland. Also, Mel Gibson celebrates Hanukkah (!), Gilbert replaces Kim Cattrall, Bette Davis makes like Maria von Trapp and Emannuel Lewis learns the true meaning of Christmas. PLUS: “Cricket on the Hearth”! The ghost of Charles Nelson Reilly! Iago sings! Santa hangs ten! Mario reenacts “The Birds”! And the boys get a surprise Christmas visit from a showbiz legend! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this holiday episode of Spellbreakers, Matt Trump takes viewers on a nostalgic journey through classic Christmas television specials from the 1960s, 70s, and 80s. Using iconic broadcasts featuring Perry Como, Andy Williams, Judy Garland, and others, the episode explores how variety shows once served as cultural touchstones that reinforced family, tradition, faith, and shared national identity. Matt contrasts the warmth, sincerity, and communal spirit of these productions with the fragmentation of modern media, reflecting on what has been lost as entertainment shifted away from shared rituals. Along the way, he weaves personal reflections, historical context, and generational insights, highlighting how these programs offered comfort during difficult economic and cultural periods. The episode closes with a meditation on restoration, continuity, and the enduring value of preserving the spirit behind these traditions rather than simply remembering them.

In this week's mini-sode, we are shining the spotlight on the holiday classic "Meet Me In St. Louis"! From screen to stage, this charming little show has cemented itself as a must-watch for so many every holiday season!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

A CPR tradition turns 10 this year. The Colorado Matters Holiday Extravaganza returns with bluegrass, mariachi, comedy and storytime. And as always, we pay homage to Judy Garland. Whether you celebrate Christmas, Hanukkah, Kwanzaa, or simply value togetherness, this audio gift is for you! 

Today, Colorado musicians pay homage to Judy Garland, who inspired our annual Colorado Matters Holiday Extravaganza. The CPR tradition began after Sr. Host Ryan Warner watched Garland's 1963 Christmas special. Enjoy covers by Isaac Slade, Neyla Pekarek, Beth Malone, and Ryan himself (cringe). 

For a century, Judy Garland's joyous and vulnerable singing voice has captivated audiences at the theatre, over the airwaves and in the cinema. Camille Paglia wrote of her that she ‘became an emblematic personality of her time, into whom the mass audience projected its hopes and disappointments'. Bee Wilson joins Malin Hay to discuss Garland's years at MGM Studios, where she was mistreated and overworked by her employers but also made some of her best pictures, growing from a contract player into a star. They discuss whether Garland's work at MGM was worth the pain it caused her, who her greatest collaborators were, and who now owns her story. Listen to Bee read her pieces in the audiobook Complicated Women, which includes an introductory conversation between Bee and Malin: https://lrb.me/audiobookspod From the LRB Subscribe to the LRB: ⁠⁠https://lrb.me/subslrbpod Close Readings podcast: ⁠https://lrb.me/crlrbpod⁠ LRB Audiobooks: ⁠https://lrb.me/audiobookslrbpod⁠ Bags, binders and more at the LRB Store: ⁠https://lrb.me/storelrbpod⁠ Get in touch: podcasts@lrb.co.uk

Mikey & Jeremy watch The Wizard of Oz. They discuss Munchkin labor unions, Judy Garland's irreproachable performance, and which witch is the wicked one. 

Rogue Valley Symphony Music Director Martin Majkut discusses the unique holiday performance, featuring singer Joan Ellison in costume as Judy Garland.

As we near the end of 2025, psychologist Traci Stein shares wise words from sages as diverse as Maya Angelou, Judy Garland, Thomas Edison, Erma Bombeck and Grandma Ida that can help us stay focused on what's important, be more resilient, love and honor ourselves, and live better overall.For information on Traci Stein, her meditations and more, visit: https://www.drtracistein.com/Follow Traci on Facebook (DrTStein), Instagram (@DrTraciStein) and YouTube (@TraciSteinPhD).

On this episode of On the Rocks, we soar somewhere over the rainbow as we snag England's Debbie Wileman at the start of her North American Tour, recreating the amazing Judy Garland for modern Christmas times to celebrate her new album, A Christmas Garland. We chat about her early days in music, her rise from viral Facebook videos to global sensation, touring the world and performing at Carnegie Hall, her Courtney Love and Kate Moss stories, and we talk about the amazing life of Judy Garland and even get a surprise visit from Judy herself. We also share some bawdy English humor and plenty of vodka...with co-host model and musician Steven Dehler and your sassy host with the sassy most, Alexander Rodriguez. Raise a glass, it's On the Rocks!

On this episode of On the Rocks, we soar somewhere over the rainbow as we snag England's Debbie Wileman at the start of her North American Tour, recreating the amazing Judy Garland for modern Christmas times to celebrate her new album, A Christmas Garland. We chat about her early days in music, her rise from viral Facebook videos to global sensation, touring the world and performing at Carnegie Hall, her Courtney Love and Kate Moss stories, and we talk about the amazing life of Judy Garland and even get a surprise visit from Judy herself. We also share some bawdy English humor and plenty of vodka...with co-host model and musician Steven Dehler and your sassy host with the sassy most, Alexander Rodriguez. Raise a glass, it's On the Rocks!

This week we're doing a Comfort rewatch episode for a holiday movie that we love, The Family Stone from 2005 and we're dedicating this episode to Diane Keaton.   Thank you to this week's sponsor: Try OneSkin with 15% off using code MESS at oneskin.co Try their products and support our show by going to DrinkLMNT.com/ABeautifulMess   Cozy interiors: Front room with the Christmas tree Entryway   Favorite moments: Emma - Love story between Amy and Brad, when the sister can't get the engagement ring off her finger, and the mom and dad in bed when they show she's had a mastectomy Elsie - Bar scene, opening scene of Diane Keaton looking at Christmas tree, Judy Garland scene, and when she spills the egg mixture on the floor   Moment you cringed the hardest: Emma - From the beginning when they are really mean to Meredith Elsie - When he goes for her sister   You can support us by leaving us a couple of 5 star recipe reviews this week at abeautifulmess.com Have a topic idea for the podcast? Write in to us at podcast@abeautifulmess.com or leave us a voicemail at 417-893-0011.  

In this special holiday episode, Aaron breaks down the surprising origin of “Have Yourself a Merry Little Christmas,” a song that was almost far too bleak for the movie it was written for. He explores how Judy Garland rejected the original lyrics, why Hugh Martin rewrote them, and how the shift turned the tune into one of the most emotional Christmas standards of all time. Aaron also compares the Garland and Sinatra versions, highlighting the lyric changes that shaped each performance. This short deep dive blends music history and storytelling to remind listeners what the holidays mean when life is heavy, hopeful, and real. *Here's your lyric guide!

Hi, friends! Happy Wednesday! You've seen The Wizard of Oz... the ruby slippers, the Yellow Brick Road, the flying monkeys… But you've also heard rumblings of some dark rumors, haven't you? Well, behind all that glitter and Technicolor magic was a nightmare of toxic makeup, real fires, starvation diets, terror in Munchkinland and a studio system that nearly killed a teenage Judy Garland. In today's episode of Dark History, let's follow the (bloodsoaked?) yellow brick road backstage to uncover the shocking truth behind one of Hollywood's most iconic movies. From the Tin Man's near-death experience to the Witch catching fire on set (literally), to asbestos snow and all sorts of horrible abuse — this is the wicked story of The Wizard of Oz that MGM never wanted you to hear. ________ FOLLOW ME AROUND Tik Tok: https://bit.ly/3e3jL9v Instagram: http://bit.ly/2nbO4PR Facebook: http://bit.ly/2mdZtK6 Twitter: http://bit.ly/2yT4BLV Pinterest: http://bit.ly/2mVpXnY Youtube: http://bit.ly/1HGw3Og Goodreads: http://bit.ly/3IVnO7N Snapchat: https://bit.ly/3cC0V9d Discord: https://discord.gg/BaileySarian RECOMMEND A STORY HERE: cases4bailey@gmail.com Business Related Emails: bailey@underscoretalent.com Business Related Mail: Bailey Sarian 4400 W. Riverside Dr., Ste 110-300 Burbank, CA 91505 ________ This podcast is Executive Produced by: Bailey Sarian and Joey Scavuzzo Head Writer: Allyson Philobos Senior Writer: Katie Burris Research provided by: Xander Elmore Director: Brian Jaggers Additional Editing: Julien Perez and Maria Norris  Hair: Angel Gonzalez Makeup: Nikki la Rose ________ Get started today at StitchFix.com/darkhistory to get $20 off your first order—and they'll waive your styling fee. That's StitchFix.com/darkhistory The best way to cook just got better. Go to HelloFresh.com/DARKHISTORY10FM now to Get 10 Free Meals + a Free breakfast for Life! One per box with active subscription. Free meals applied as discount on first box, new subscribers only, varies by plan. That's HelloFresh.com/DARKHISTORY10FM to Get 10 Free Meals + free breakfast for Life. Shop my favorite pajamas at SKIMS.com. After you place your order, be sure to let them know we sent you! Select "podcast" in the survey and be sure to select our show in the dropdown menu that follows And if you're looking for the perfect gifts for everyone on your list - the SKIMS Holiday Shop is now open at SKIMS.com. Check out squarespace.com/DARKHISTORY for a free trial, and when you're ready to launch, use OFFER CODE: DARKHISTORY to save 10% off your first purchase of a website or domain.

When the world's most iconic piece of film memorabilia--Judy Garland's iconic ruby slippers--were stolen from a small museum in Grand Rapids, Minnesota (yes, Minnesota) in 2005, the world went on high alert. The questions swirled like a Kansas tornado: Who took them, how were such an important piece of American culture able to be swiped in the first place, and most importantly WOULD WE EVER GET THEM BACK?  For over a decade, the investigation festered. The police were brainless! The heartless thieves left fans in the lurch, and the only hope was that an unknown hero would have the courage to come forward with information that would solve this case and return the slippers to their rightful place in Judy Garland's home town, because, as everyone knows, there's no place like home. WE'RE ON YOUTUBE - Want to view the episodes and not just listen?  Check our new video feed to see full video episodes starting today. CLICK HERE TO WATCH AND SUBSCRIBE! LOOKING FOR MORE TCO? On our Patreon feed, you'll find over 400 FULL AD-FREE BONUS episodes to BINGE RIGHT NOW, including our episode-by-episode coverage of popular documentary series like Love Has Won: The Cult of Mother God, LulaRich, and The Curious Case of Natalia Grace; classics like The Jinx, Making A Murderer, and The Staircase; and well-known cases like The Menendez Murders, Casey Anthony: American Murder Mystery, and The Disappearance of Madeleine McCann, and so many more! Episode Sponsors: Chime - Make progress towards a better financial future with Chime. Open your account in 2 minutes at www.chime.com/TCO  Hydrow - Skip the gym, not the workout—stay on track with Hydrow! For a limited time go to www.Hydrow.com and use code tco to save $100 on any rower! Cornbread Hemp -  Check out the new THC seltzers! Head to www.cornbreadhemp.com/TCO and use code TCO at checkout for 30% off your first order over $75!  Function - Visit www.functionhealth.com/TCO or use gift code TCO100 at sign-up to own your health. Quince: Upgrade your closet this year without the upgraded price tag. Go to www.Quince.com/tco for 365-day returns, plus free shipping on your order! Join the TCO Community! Follow True Crime Obsessed on Instagram and TikTok, and join us on Facebook at the True Crime Obsessed Podcast Discussion Group!  AND INTRODUCING THE NEW TCO DISCORD CHANNEL AS WELL!!!