Podcast appearances and mentions of jimmy mchugh

We're going to have a little extra fun with this episode. In fact, you might say I have high hopes for it. One of my dad's, and my, favorite artists is Willie Nelson. One of my favorite holidays is the day this episode drops, and I'm not talking about Easter. Some of the most favorite songs-to-record in music history are on this album. So famous, just the songs you'll hear have been recorded more than 63 hundred times. That's what you call standards. And the voice who sings them? A classic! We definitely need to take a toke of Indica for this one as we get mellow. So get ready to bake a mixture of melancholy and marijuana with one of the most recognizable voices in history singing some of history's most recognizable vocals in Volume 225: The Standard Stoner.  More information about this album, see the Discogs webpage for it.  Credits and copyrights Willie Nelson – Stardust Label: Columbia – JC 35305 Format: Vinyl, LP, Album, Promo, Terre Haute Released: 1978 Genre: Rock, Blues, Pop Style: Country Blues Georgia On My Mind Written-By – Hoagy Carmichael and Stuart Gorrell in 1930 A song record 1125 times All Of Me Written-By – Gerald Marks and Seymore Simons in 1931 Recorded 953 times Blue Skies  Written-By – Irving Berlin in 1926 Recorded 637 times Unchained Melody Written-By – Alex North and Hy Zaret in 1955 Recorded 708 times On The Sunny Side Of The Street Written-By – Dorothy Fields and Jimmy McHugh in 1930 Recorded 814 times Moonlight In Vermont Written-By – John Blackburn and Karl Suessdorf in 1944 Recorded 545 times Don't Get Around Much Anymore Written-By – Bob Russell and Duke Ellington in 1940 Recorded 611 times Someone To Watch Over Me Written-By – George and Ira Gershwin in 1926 Recorded 928 times I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #willienelson #standards #stoners #stonerholiday #420 #musicalmemories #musichistory #vinylcollecting #vinylrecords

Diese Sendung hat Jörg Müller-Jahns zusammengestellt. Das LIVE- Anspiel ist diesmal: „On the sunny Side of the Street“– 1930 komponiert von Jimmy McHugh. Folgende Titel sind zu hören: 1. I'm your Bunny Bossa Nova – Kai Winding 2:42 2. Februarkrystaller – Jorgen Emborg 6:50 3. Some of these Days – Breitling Stompers feat. Susi Koch 4:04 4. Nunca – Henrik Michaels 4:19 5. Why we speak – Robert Glasper feat. Q-Tip & Esperanza Spalding 6:19 6. On the sunny Side of the Street – Clark Sisters 2:05 7. Driving – Django Deluxe & NDR Bigband 2:2 8. Pass you bye – Ina Forsman 2:48 9. Love me – Johnny Teupen 6:20 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Welcome to the One CA Podcast. I'm your host, Jack Gaines.  Today, Colonel Andreas Eckel, commander of the NATO CIMIC Center of Excellence, joins us to discuss the center's work to prepare the alliance for future crises or disasters.    So, let's get started.  --- One CA is a product of the civil affairs association  and brings in people who are current or former military, diplomats, development officers, and field agents to discuss their experiences on the ground with a partner nation's people and leadership. We aim to inspire anyone interested in working in the "last three feet" of U.S. foreign relations.  To contact the show, email us at CApodcasting@gmail.com  or look us up on the Civil Affairs Association website at www.civilaffairsassoc.org --- Special thanks to Jan Křtitel Novák, Jimmy McHugh, and Dorothy Fields for the original version of Diga Diga Do, which aired in 1928 and was then performed by Duke Ellington.  Ellington's version can be found at https://www.youtube.com/watch?v=e3aJ_9IAIjQ&t=1s --- Transcript 00:00:05 JACK GAINES Welcome to the One CA podcast. This is your host, Jack Gaines. Today, Colonel Andreas Echel, commander of the NATO Civic Center of Excellence, joins us to discuss the center's work to prepare the alliance for future crisis and disasters. So let's get started. 00:00:19 ANDREAS ECKEL What we need to understand a little bit better, and I think that was a very brutal lesson we identified in Afghanistan and in Mali as well, is that military functions in different societies. very, very differently. We have an idea how military looks like and how it works. It might work more the Italian style or the German style or the US style. But basically, I think we have a common set of ideas how military works. And military works completely different in Mali than in Afghanistan than in Germany. And that is based on different societies. So how do we figure that out? It's a very good question. If I had a quick and sharp answer to that one, I think I would be the winner of the $1 million question. There are some ingredients to tackle that problem. And one of the ingredients is to understand the environment a little bit better. And that leads to civil military cooperation. The one centerpiece of civil military cooperation is to understand the environment better. to nest military activities in the civil environment in a better way. It creates more converging effects and creates less harm to the civil population. And I think the next thing is you need to have long -lasting relationships. Relationship that is built up, that's great. If it lasts one year, that's great. And if you just end it then, Basically, you have achieved almost nothing. So long -lasting relationships and to understand the civil environment better. And we have to understand that we are not the ivory tower of knowledge. What do we know? What does the military know about Mali and Afghanistan? Basically nothing. We have to be more and better in contact with the civil organizations, with academia, with knowledge centers. that are engaged in those areas since 20, 30, 40, 50 years. And we have to be in a dialogue with them and have to extract their knowledge about the key civil factors and have to integrate that better in military considerations. 00:02:32 JACK GAINES So you have to be a diplomat in two directions because you've got to be reaching out to the partner nation like Mali, working with her counterparts there. You have to be a diplomat with partner agencies within the government and academia, as you were saying, or else you're going to miss a step. So you really have to work your way across the spectrum. 00:02:52 ANDREAS ECKEL Yeah, I like your picture of being a diplomat because exactly as you mentioned, it's a diplomat in both ways, but you have to be a translator as well. So civil environment, civil actors, civil counterparts speak a different language than we. And we really have to make sure that what they say. is understood by the military and what the military means properly translated in how the civilians understand it. 00:03:17 JACK GAINES You know, and that's a good point because I've seen civil affairs civic officers come in and try to brief leadership on certain issues. And if it wasn't absolutely clear and in the language that that matter knew, they usually were dismissed and it wasn't as effective an operation because of it. 00:03:34 ANDREAS ECKEL And by the way, at the beginning of my career in the military function of CIMIC, it happened to me too. So one of my first appearance of the stage briefing the commander about some civil factors was a complete disaster because I underestimated how many minutes I only have to bring over some key messages to the commander. So I talked too long and did not come to the point. And I think that's the point where the CCOE is really in a responsibility. We have to provide in our courses the overview, the background, and we provide expertise and challenge them with tasks to apply the expertise. But at the very end of every course, we tell them, hey, CIMIC is important, and it is important to understand the environment, and it is important to integrate civil factors and military considerations. However, when you are confronted with decision makers, Your product needs to be crisp and sharp. If you provide a product to your commander, which exceeds three pages, then you can throw it in the dustbin. By the way, one page is better than three pages. And I think simakers have the tendency, and I include myself specifically into that one, to speak too long and to explain too long and not to come to the point. And if at the end of your statement there is no so what and what's next, well, then don't say anything. That's better. 00:05:08 JACK GAINES Well, for this podcast, I appreciate you speaking too much. That's a good thing. But I also understand it's a challenge, but once you get used to it, I think it's super, super helpful. 00:05:19 ANDREAS ECKEL helpful. What we both concluded coming to the point should not be mixed up with not doing your analysis. Only because you have two minutes to brief your commander about a major actor that will impact his operation. doesn't mean that your analysis should only be two minutes. So you have to provide the analysis for an in -depth briefing, if required, to integrate that knowledge and your assessment in the staff work of the other branches. So it needs to be both a very in -depth, precise analysis and assessment. And then it is your time on the stage. The light will shine on you for two minutes. That's it. 00:05:59 JACK GAINES That brings up a story on my side. sent one of my pitch decks to a former boss. And he took it, he read it, and then he read all of the sources that I had put in the back. And so he knew the subject just as well as I did when we met. And I was like, holy cow. Yes, it's important to do good research before you put together your summary because you never know how deep somebody's going to dive into an issue. And if you've done bad research and they catch it, you're done. So one of the things that... Being that diplomat, both to the military and to other government bodies. One thing that I found at the Strategic Foresight Conference, and it was in your report as well, is that SIMIC needs clarification of capabilities in peace and crisis. And what feedback I got from meetings was that not all militaries have a strong relationship with their public. That's a big concern because if a military doesn't have the trust. When you get to a crisis or a disaster, you've got to really overcome a lot in order just to provide aid and support. 00:07:07 ANDREAS ECKEL Yeah, that's a crucial point. I have two takes on that. The first one is we have nations that do allow, on the very lowest tactical level, the interaction between military and the civil world. But it is a question of being honest to ourselves. That is not applicable in all countries. Our countries in the alliance are very restrictive interaction with civil environment, with civil authorities, at least on the lower tactical level. And that brings me to my second point. It's a national responsibility. So when we talk about CIMIC as a military function, then we have to look at it from two sides. One is NATO CIMIC is embedded in a NATO command structure, NATO force structure. However, NATO is operating. on the soil of sovereign nations. So we promote and stimulate that nations build up, maintain, and integrate a kind of simic capability. We call that domestic simic. We made a proposal for what domestic simic is. However, nations are completely free to fill that skeleton with their structures. They can call it a domestic simic. They can call it territorial forces. They can call it Homeland Defense Forces. It doesn't matter how they fill in that skeleton as long as they do provide civil factor integration, as long as they execute civil -military interaction. And for the Alliance as a whole to plan and prepare and conduct successful operations, we need to plug in to the national simic domains and the domestic simic domains. And we have to do that. via the national military structures. So what we do in deterrence and defense -related scenarios is a little bit differing from what we have done in international crisis management in the past. When CIMIC teams from the alliance or whatever security force was implemented in that, we very often did the civil -military interaction with civil partners on the ground by ourselves without using any layer in between us. But when we do that now as NATO in Germany and Poland, Lithuania, Romania, and we have to plug into their military structures and via them with the civil actors on the ground. And nations consider that very differently. So there are nations that say, hey, great that you're in. Please feel free to speak to our civil organizations by yourself. It would be nice if you inform us afterwards. Everything's great. The nations are more restrictive and say, hey, guys. a ministry, whenever you talk to an organization, whenever you talk to civil partners, please do that via us and ask us first. So there is a variety of how nations would like to have that executed, and we as Symmakers have to adapt. 00:10:08 JACK GAINES Right. What I've seen is that disaster relief and crisis coordination between the military and the civil governments is fairly good, but I'm not seeing the emotional side as much. What I mean is, We just had the Marine Corps Marathon. And people all crossed D .C. and around the country came. They ran their 24 miles. These kind of military events where people go, they see some type of form of patriotism, honor guards at sporting events or marathons or the military band performing on the park plots. Those things make a difference. And I don't know if that was also included in your... Have you seen anything like that? 00:10:55 ANDREAS ECKEL In the last years, when we talked about the use of military assets in our nations, it was to overcome disasters. It was to provide military assistance to civil organizations to overcome flooding, fires, or whatever. But the situation has changed a little bit. And now it is not so much about military assistance in case of man -made big disasters. It's more about civil defense. It's more about stimulating the civil support to military operations and the mutual support in case of crisis and war. And I think that notion is quite new to many European countries. In Germany, it was... support of the military to the civil authorities in case of disasters. But when you look into Sweden, Norway, and Finland, they have since decades a kind of total defense strategy. They have a DNA about that the whole of the nation needs to be ready to defend the nation. And that starts already when you go into your cellar. Is there water? Is there food? Are there batteries? And when you do that in Finland, Sweden, Norway, the answer is yes, there is food and there is water. And I was quite astonished. A couple of years ago, I had a NATO course in Helsinki. At that time, when Helsinki was still a NATO partner and not a NATO nation. And it was an exported course from NATO School of Ammergau. And during the weekend, we had the opportunity to visit Helsinki. And we... came across a protection infrastructure was located to protect the civilians. And the lady asked us, do you have an idea for how many citizens of Helsinki we have shelter? And I said, well, 50%. And she was smiling and she was collecting all the numbers. And then she came up and said, for every citizen in Helsinki, there is shelter. And that's the difference. A regularly trained system of civil defense. And military defense working hand in hand. I think that makes a difference. And I see that coming up in Europe. And again, I would like to use the example of Germany. Since the last couple of years, a lot of more effort has been put into the training and the exchange of information and the exercising of those structures. And I think we are getting there. The point is... When you have dismantled those structures, those strategies since 1990, because our enemy was disappearing, never disappeared. He was just dormant and has been woken up a couple of years ago. But to reinstall that, reactivate that, revitalize that, that takes years and years. So we are at the beginning. I'm a very optimistic person. I strongly hope that we are getting to a point quick enough that when The Russian beer is looking again to Europe when he has solved his problem in Ukraine, that we are ready at that point. And there are substantial measurements that we need to be ready latest in four to five years. And CIMIC plays a role in that because your armed forces can be as good as possible when the civil environment is vulnerable and stays vulnerable and is not able to absorb shocks and to compensate the shocks at a better level after the shock. then you will lose the conflict. That's crystal clear. Even in that time in 2023, where it seemed, at least for some time, that the Ukrainians have regained the initiative, the Russians did attack the civil infrastructure, the energy infrastructure, the transport infrastructure, the health infrastructure. And they were still winning at that battlefield, although they had massive casualties on the fighting battlefield. And I think where Ukraine will run into massive problems this year is that the Russians may not have the big tactical victory. They may not have the breakthrough through the Ukrainian defense lines. But what they will do is they will seriously damage the Ukrainian energy infrastructure, health infrastructure, transport infrastructure. Third year in a row. And I'm not sure if the Ukrainians will be really able to compensate that this time. 00:15:40 JACK GAINES It's a real challenge. The thing that I see with Ukraine is that there's also a recruiting issue. They're struggling to keep up with manpower. And there's some international volunteers coming in, but probably not enough compared to what the Russians are bringing in. So it's a challenge of numbers in a lot of ways. They do build that trust and that familiarity with the military. So having the military band come out and play on the Konigstrasse makes a difference. Or like they did in Poland, having American and Polish troops go with a vehicle and park in the middle of a Platz and take photos with kids, it makes a difference. 00:16:24 ANDREAS ECKEL You're right. Your argument is good. And it connects pretty well with the... decisions we have to make in Europe right now. And that decision is that we have to nest the military better into the societies. But what needs to be installed, reactivated, and built up is a whole of society approach for resilience and civil defense. 00:16:52 JACK GAINES Okay. The biggest challenge right now is sabotage, which has been happening. in and around Europe, the Chinese ship that cut the communication lines, the water poisoning in Germany. So there seems to be already challenges in security. 00:17:09 ANDREAS ECKEL SIMIC plays, first of all, a vital role in understanding the impact of such events, as we do not only look at the impact on military infrastructure and military organizations and units, but it's our task to look how those events impact the civil actors in the civil environment. And that will have definitely a result on the capability of a civil environment to provide support to military activities. So it's a kind of circle. And we are pushing that constantly to have a permanent assessment cycle on what we do, what happens to us, how does that impact the civil environment and the impacted civil environment? How is that still able? to provide the support to the military. And I think as we are in that position to have those connections to the other organizations and to provide a holistic assessment about the civil environment, that plays a vital role in that one. Absolutely. 00:18:11 JACK GAINES So do you see that as the future of CIMIC from now going forward is to build that more holistic partner nation? 00:18:17 ANDREAS ECKEL I would like to use the... definition of multi -domain operations as it is currently used in NATO, and that is the orchestration of all military activities to achieve converging effects. And I see the future role of CIMIC very much in that synchronization effort. So military capabilities are much, much less available than in the past. So when we think about what we need about capacities and resources to achieve our military strategic objectives, when we go into the details, 60, 70, partly 80 % of what we need as resource is not generated within the military. It needs to be contracted and provided by a civil environment. And that means that there needs to be a constant assessment process about the availability of those 60, 70, 80 % civil support. And it needs to be thoroughly assessed because that has a pushing out effect on the civil environment. When we use the trains for military equipment, then those trains cannot be used to support and supply the civil environment. So I think the future of CIMEC is in that synchronization bit with the non -military activities to reach those converging effects. And that pretty much fits into the whole of government, whole of society approach of defense. 00:19:49 JACK GAINES Interesting. So CIMIC is in multi -domain operations, has its own multi -domain operation because it's coordinating the civil, government, NGOs, whoever is not formal military. in cooperation or in conjunction with the military's multi -domain operations. So you've got a multi -tiered coordination process. 00:20:12 ANDREAS ECKEL process. I think we do not run our own multi -domain operations. A multi -tiered task, I think that that captures it quite well. But I personally prefer to speak more about cooperation because coordination is a very tricky expression, especially in Europe. as coordination requires someone who allows to be coordinated and someone who has a coordinating authority. And in the interaction with our civil partners, it's more cooperation, ranging from we do exist beside each other to full integrated planning and operations. There's a continuum of that area of cooperation. So I do really prefer to speak more about cooperation than coordination. 00:21:04 JACK GAINES Is there any other topics or thoughts that you want to add to the conversation? 00:21:11 ANDREAS ECKEL For me, it's really important to highlight the future concepts like multi -domain operations and to establish and maintain the connection with the current concepts. So it is important to keep the future world of NATO connected to the current operational world of NATO. That is exactly why we run the annual Simic Foresight Conference, is to connect the here and now with the time period of one to two years to the future concepts, 10, 20 years. And secondly, the closer connection and the better synchronization of the national efforts with the alliance efforts. That is really, I think, a key centerpiece of our future success. So in my understanding, it is ongoing. It is happening in the alliance as we speak right now. So alliance, joint headquarters, strategic headquarters have established contacts to national military authorities and do exchange information. But I think that needs to become more intensive, more regularly and more information flow to both sides. And that needs to be not only... foreseen conceptually and structurally, it needs to be trained and exerciseda reagularly. And I think that's really a clear measurement of success if we are able to exercise it in the future massively. And thirdly, I think the aspect of human security and protection of civilians, that is something which creates a dilemma for every military leader because he would like to achieve his military objectives. That is either to defeat the enemy or to force him to do something or to force him to stay away from something, which means the application of massive violence to the enemy. However, when we learn something from the recent international crisis or from the war in Ukraine, then what we have learned is the battlefield is full of civilians that have requirements, that have needs. The battlefield is full of organizations, non -governmental governmental organizations that try to provide a certain amount of services to the civilians. And it doesn't matter if it is a war zone or the rear area or the area behind the rear area. We have to realize that it is and will remain full of civilians. To evacuate a city like Kiev is nonsense. That will never happen. 23 million people. Yeah, good luck with that one. And even if you try, the majority of the capabilities will be provided by the civilian world. So human security, protection of civilians are concepts which are mandatory for NATO. NATO has adhered to it. We have adopted it in our strategies, in our plans, into our operations. But what does that really mean? How do we really translate protection of civilian and human security? into operations on the operational and even on the tactical level. And I think that needs some assistance, how to operationalize it, how to conduct, how to do it. This assistance, in my understanding, is called mindset and SIMIC. Terrific. It's good to do SIMIC, but you have to talk about it. It's good to increase the awareness, but you have to publish it. So I am very grateful and very thankful to have the opportunity to talk with you. Thank you very much. I appreciate you coming on. Thank you very much and have a good day. 00:25:00 JACK GAINES working with a partner nation's people or leadership to forward U.S. relations. Thank you all for what you're doing. This is Jack, your host. Stay tuned for more great episodes, One CA Podcast.

Doncs, això: que us bombin a tots! Crítica teatral de l'obra «Ni en broma», de Xavi Morató. Intèrprets: Jordi Díaz i Nesa Vidaurrázaga. Escenografia: Albert Ventura. Il·luminació: Jordi Ventosa. Espai sonor: Joan Gil. Vestuari: Olga Arias. Caracterització: Júlia Ramírez. Direcció tècnica: Joan Segura. Fotografia i cartell: Daniel Escalé. Producció: Anexa. Direcció: Jofre Borràs. Sala Versus Glòries, Barcelona, 20 desembre 2024. Veu: Andreu Sotorra. Música: Exactly Like You. Intepretació: Beny Goodman Trio. Composició: Dorothy Fields i Jimmy McHugh. Àlbum: After You've Gone: The origial Benny Goodman Trio and Quartet, 1987.

Feria Del Libro de Florencio Varela Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada Segmento Inicial • La pescadería Segmento Dispositivo • La mitología inuit • "Por La Vereda Del Sol (On the Sunny Side of the Street) " ♫ (Jimmy McHugh, Dorothy Fields) Ted Lewis & His Band, 1930) Billie Holiday, 1944. Segmento Humorístico • Consejos para ser un buen peatón Sordo Gancé / Trío Sin Nombre • Presentación • "Mañana Campestre" ♫ (Arco Iris, Tiempo de Resurrección, 1972) • "Kilómetro 11" ♫ (Mario Del Tránsito Cocomarola/Constante Aguer, 1940) • "Sympathy for the devil" ♫ (The Rolling Stones, Beggars Banquet, 1968) • "Insensatez" ♫ (Antônio Carlos Jobim, Vinícius de Moraes) Canta João, 1961. Jobim, 1962. Nara Leão, 1971. • "Vamos Las Bandas" ♫ (P. Rey y Sus Redonditos de Ricota, Un Baión para el Ojo Idiota, 1988)

Cine Teatro Renzi, La Banda, Santiago del Estero Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:50 Segmento Inicial • Consejos para ir a la plaza con tu hijo: consejos y riesgos0:07:12 Segmento Dispositivo • La cabeza de Franz Joseph Haydn0:41:46 • "A Rodar Mi Vida" ♫ Fito Páez, El Amor Después Del Amor, 1992. Segmento Humorístico • La vianda para el colegio0:58:01 Sordo Gancé / Trío Sin Nombre • Presentación1:18:55 • "Rezo Por Vos" ♫ (Único registro del truncado proyecto Spinetta/García, 1984) Privé, 1986. Parte De La Religión, 1987. • "Merceditas" ♫ (Ramón Sixto Ríos) Orquesta Típica Osmar Maderna, 1958. Renato Borghetti, 1984. • "Un Poco De Amor Francés" ♫ (P. Rey y Sus Redonditos de Ricota, La Mosca y la Sopa, 1991) • "Recuerdo Malevo" ♫ (Carlos Gardel/Alfredo Le Pera) Canta Gardel, 1933. • "Tan Solo" ♫ (Los Piojos, Chac Tu Chac, 1992) • "Por La Vereda Del Sol (On the Sunny Side of the Street) " ♫ (Jimmy McHugh, Dorothy Fields) Ted Lewis & His Band, 1930) Billie Holiday, 1944. • "Walter Nelson Man" ♫ (Contrafactum de Watermelon Man, Herbie Hancock, Takin' Off, 1962)

La Venganza de los Lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:01:48 Segmento Dispositivo • Presagios0:02:19 • El presagio en la obra artística0:15:29 • ¿A quién dedicar esto?0:19:45 • "Lo Que Vendrá" ♫ (Astor Piazzolla y su Nuevo Octeto, 1963) Segmento Humorístico • Etiqueta para encuentros en la escalera0:26:47 Segmento Humorístico • Trucos para conquistar a tu vecino0:50:12 Sordo Gancé / Trío Sin Nombre • Presentación1:16:12 • "Every Breath You Take" ♫ (The Police, Synchronicity, 1983) Versión demo. • "La Artillera" ♫ (La Cuartelera, autor desconocido) Los Chalchaleros, 1954. Versión con bandoneón de Dino Saluzzi, 1972. • "Love Me Do" ♫ (The Beatles, Single debut, 1962) • "Tan Solo" ♫ (Los Piojos, Chac Tu Chac, 1992) • "Por La Vereda Del Sol" ♫ (On the Sunny Side of the Street; Jimmy McHugh, Dorothy Fields, 1930) Ted Lewis & His Band. The Benny Goodman Sextet, canta Peggy Lee. • "Signed, Sealed, Delivered (I'm Yours)" ♫ (Stevie Wonder, Signed, Sealed & Delivered, 1970)

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"Estoy de humor (de onda, con ganas) para amar" es una canción popular publicada en 1935. La música fue escrita por Jimmy McHugh, con letra de Dorothy Fields. La canción fue presentada por Frances Langford en la película Every Night at Eight estrenada ese año. Nos deleitamos con grandes cantantes, saxos, piano, trompeta. Hosted on Acast. See acast.com/privacy for more information.

Get ready to bake up some knowledge with our deep dish interview with Jim McHugh of McHugh's Pizza on his 40 years of pizza shop stories.

A mixed bag of musical allsorts presented weekly by Ray Woodley, produced by Manawatū People's Radio with the support of New Zealand On Air.

This week on The Sound Kitchen you'll hear the answer to the question about the French departments under water restrictions as of early March. There are musings on spring and – of course- the music that makes us think of it, as well as the “Listeners Corner” with Michael Fitzpatrick, and “Music from Vincent” with Vincent Pora. All that, and the new quiz question, too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.The ePOP video competition is open! The deadline for entries is 20 April  – but don't put it off! Start now!The ePOP video competition is sponsored by the RFI department “Planète Radio”, whose mission is to give a voice to the voiceless. ePOP focuses on the environment, and how climate change has affected “ordinary” people … you create a three-minute video about climate change, the environment, pollution – told by the people it affects. So put on your thinking caps and get to work ... and by the way, the prizes are incredibly generous!To read the ePOP entry guidelines – as well as watch videos from previous years – go to the ePOP website.Erwan and I are busy cooking up special shows with your musical requests, so get them in! Send your musical requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts which will leave you hungry for more.There's Paris Perspective, Spotlight on France, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.As you see, sound is still quite present in the RFI English service.  Keep checking our website for updates on the latest from our staff of journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers, take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognized RFI English club, go to the Facebook link above, and fill out the questionnaire !!!!! (if you do not answer the questions, I click “decline”).There's a Facebook page for members of the general RFI Listeners Club too. Just click on the link and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do!This week's quiz: On 4 March, I asked you a question about an article RFI English journalist Amanda Morrow wrote: “France headed for water curbs as dry winter intensifies drought”. We've had the driest winter on record this year, and as Amanda noted, as of early March authorities in seven major river basins had been told to enforce water restrictions … and that was your question. You were to send in the names of the four French departments that were put under water restrictions in early March. The answer is, to quote Amanda: “Four French departments – Isère, Bouches-du-Rhône, Var and Pyrénées-Orientales – are already under water restrictions, with residents told to avoid watering their gardens at certain times, filling their swimming pools, or washing their cars.”In addition to the quiz question, there was the bonus question, suggested by Hans Verner Lollike from Hedehusene, Denmark: “Share a memory of one of your grandparents”.Do you have a bonus question idea? Send it to us!  The winners are: RFI English listener Tasmaul Maumi Bushra from Bogura, Bangladesh. Tasmaul is also the winner of this week's bonus question: “Share a memory of one of your grandparents”.Congratulations Tasmaul! Also on the list of lucky winners this week are RFI Listeners Club members Jahan Ara Hussain from Odisha, India; Alan Holder from the English Isle of Wight; M. N. Sentu, a member of the RFI Amour Fan Club in Rajshahi, Bangladesh, and last but not least, Nirupa Bain, who's a member of the RFI Pariwar Bandhu SWL Club in Chhattisgarh, India.Congratulations winners!Here's the music you heard on this week's programme: “The Sunny Side of the Street” written by Jimmy McHugh and Dorothy Fields, performed by Louis Armstrong and his orchestra; “The Moldau” from Ma Vlast by Bedrich Smetana, performed by the Gimnazija Kranj Symphony Orchestra conducted by Nejc Bečan; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy performed by the composer, and “I'm going to let you break my heart” by Max Kinghorn-Mills, performed by Hollow Hand.  Do you have a musical request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read Amanda Morrow's article “French unions rally protesters after pension reform talks end in failure” to help you with the answer.You have until 8 May to enter this week's quiz; the winners will be announced on the 13 May podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.To find out how you can win a special Sound Kitchen prize, click here.To find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club, click here.  

On the sunny side of the street, (del lado soleado de la calle) de Dorothy Fields y Jimmy McHugh interpretada a lo largo de la historia del jazz. Hosted on Acast. See acast.com/privacy for more information.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Controversy surrounds the question of who actually wrote the 1930 standard “On the Sunny Side of Street.”If you rely only on what is printed on the sheet music, you see Jimmy McHugh listed as the composer. So, why is there an enduring legend in jazz circles that the melody actually was written by The Flood's great hero Fats Waller? To this day, Waller's contribution to the melody line remains unconfirmed, but there is some compelling evidence that the tune might have been his work.For starters, early drafts of the song appear to be in Fats' own handwriting. In addition, it is well documented that during some hard times in the late 1920s, Waller was writing and selling a number of tunes to other songwriters.Maurice Waller Weighs InFinally, consider the testimony of Fats' son Maurice, in his 1977 book, Fats Waller. “Sometimes I'd inadvertently play a song he had sold to another composer and all hell would break loose,” Maurice wrote in the memoir. “One afternoon I was playing, ‘I Can't Give You Anything But Love,' and he heard me. Dad came storming down the stairs in a rage. ‘Maurice, I don't want you to ever play that damn song. I don't want you to even whistle it. Do you understand?' “I didn't understand, but later on he explained how he had sold that tune and other tunes just for drinking money, and it bothered him terribly that they had become hits.”And what about “On the Sunny Side of the Street”? Here's what Maurice Waller wrote about that:“The most vivid memory I have of one of those incidents dates back to the time when … Dad was listening to the radio one Sunday afternoon. Suddenly he became infuriated and smashed his fist through the living room's beautiful glass French doors. The song was ‘On the Sunny Side of the Street,' a hit record credited to Jimmy McHugh. Dad had sold the song for a few bucks when he was broke back in the ‘20s. McHugh also ‘wrote' ‘I Can't Give You Anything but Love.'”The LyricsMeanwhile, authorship of the lyrics of both those song — the work of teacher/poet Dorothy Fields — has never been questioned.Fields, who died in 1974 at age 69, was the first woman inducted into the Songwriters Hall of Fame. She met Jimmy McHugh in 1927 and began a seven-year partnership that produced some of her greatest lyrics, from “I Can't Give You Anything But Love” to “I'm in the Mood for Love,” which was her first song to rise to No. 1 on the Hit Parade. Well, who ever wrote the melody — Fats Waller or Jimmy McHugh — the wonderfully bright, cheerful and engaging “On the Sunny Side of the Street” has been a favorite of musicians and audiences since it first came out. Ted Lewis made the first recording in 1930. But it was Louis Armstrong who recorded the classic rendition in 1934 and the song became closely associated with him. Other versions include those by Ella Fitzgerald, Dizzy Gillespie, Billie Holiday, Benny Goodman with Peggy Lee, Dave Brubeck and Jimmy Smith. Arguably the most popular arrangement was by Tommy Dorsey and the Sentimentalists, which achieved chart success in 1945, reaching the No. 16 spot on the Billboard charts.Our Take on the TuneThis 2022 take of our old favorite was the very first tune we played on a happy summer evening at the Bowen House just a few weeks ago.Veezy Coffman was just back from a month's vacation with her family and everyone in the room was so happy to see and hear her again, as you can here right here.The Flood has been loving this tune for more than 20 years. For instance, it was the 11th track on our first album back in 2001, with Joe Dobbs and Sam St. Clair rocking the solos on a rather mellow instrumental rendition. Click the button below to hear it:A few years later, the song began a long love affair with Floodster Emerita Michelle Lewis (now Michelle Hoge). In fact, it was the first song she sang in public with the band. The event occurred as the band traveled into the eastern mountains to play at the 2nd annual Snowshoe Institute, a cooperative arts project by Marshall University, West Virginia University, the W.Va. Humanities Council and Snowshoe Mountain. Joe asked engineer George Walker, Michelle's husband, to record the evening's performances for use on his “Music from the Mountains,” so we have this recording of Michelle's maiden flight with The Flood, complete with Joe's introduction:Yes, all sunny, all the time. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

This week Fine Tune highlights a few of the 100s of compositions of songwriter Jimmy McHugh, on this anniversary of his birth July 10, 1894. Doin’ the New Low Down / Django Reinhardt — Doing the New Low Down / Bill Robinson, Blackbirds of 1928 — Futuristic Rhythm / Bix Beiderbecke w Frankie Trumbauer Orch

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

We conclude our fascinating discussion with Alyn Shipton with Pt 3 of our show. From London, the British author, journalist, historian, editor, presenter, and jazz bassist discusses his work as a writer,  documenting the lives of such musical giants as Bud Powell, Dizzy Gillespie, Jimmy McHugh, Cab Calloway and Harry Nilsson, among others - and a jazz performer;  anchoring Alyn Shipton's New Orleans Jazz Friends, and the Buck Clayton Legacy Band.

We continue our fascinating discussion with Alyn Shipton with Pt 2 of our show. From London, the British author, journalist, historian, editor, presenter, and jazz bassist discusses his work as a writer,  documenting the lives of such musical giants as Bud Powell, Dizzy Gillespie, Jimmy McHugh, Cab Calloway and Harry Nilsson, among others - and a jazz performer;  anchoring Alyn Shipton's New Orleans Jazz Friends, and the Buck Clayton Legacy Band.The Alyn Shipton Playlist Pt 2

From London, the British author, journalist, historian, editor, presenter, and jazz bassist discusses his work as a writer,  documenting the lives of such musical giants as Bud Powell, Dizzy Gillespie, Jimmy McHugh, Cab Calloway and Harry Nilsson, among others - and a jazz performer;  anchoring Alyn Shipton's New Orleans Jazz Friends, and the Buck Clayton Legacy Band.An Alyn Shipton Playlist

Klein Creek Golf Club Valentine's Day Comedy Night with Jimmy McHugh is perfect for you and your spouse! Click the link to make your reservations before it's too late! ABC 7 Meteorologist Tracy Butler joins Bruce and Judy to give a weekend weather update! Did former Chicago police officer Jason Van Dyke deserve to be released from custody after serving less than half of his seven-year sentence for the murder of Laquan McDonald? Axios' Justin Kaufmann shares how the City of Chicago reacted and explains why Van Dyke was released early.

JR Michael interview one of Hollywood's greats song writer Kenny Prescott. Kenny is a Director/Producer/Choreographer/Performer/ and Author. Kenny is delighted to be author, and concept collaborator with Lee Newman, director and choreographer of a great new musical called “SUNNY SIDE OF THE STREET” – The Magical Music of Jimmy McHugh! Kenny has directed, produced, and choreographed from Broadway to Brazil. So don't forget to bring your special cup of coffee ! An set back and relax and enjoy the interview that will change your life. Kenny Prescott and incredible song writer and producer. An interview you don't want to miss! What's your Coffee of the Day ? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/makethatbloodymovie/message Support this podcast: https://anchor.fm/makethatbloodymovie/support

Jimmy McHugh y Dorothy Fields componen "Exactamente como tú" para una comedia musical en los años 30, junto con el otro gran standard "On the sunny side of the street" (del lado soleado de la calle). Armstrong la toma en 1930, escuchemos su versión junto con las de Lionel Hampton, Django, Erroll Garner, Thelonious Monk, Oscar Peterson, Carmen McRae, Dizzy Gillespie y otros.

Dorothy Fields, daughter of comedy star, Lew Fields, lyricist and librettist of such stage classics as A TREE GROWS IN BROOKLYN, SWEET CHARITY and ANNIE GET YOUR GUN, along with numerous memorable films such as the Fred Astaire/Ginger Rogers SWING TIME and ROBERTA, discusses her life and career. She recounts growing up in a theatrical household, breaking through in the Broadway of the 1920's, and her collaborations with many legendary composers, including Jimmy McHugh, Jerome Kern, Fritz Kreisler, Oscar Levant, Harry Warren, Harold Arlen, Burton Lane, Arthur Schwartz, and Cy Coleman. Featured songs: “On The Sunny Side Of The Street,” “I Can't Give You Anything But Love,” “A Fine Romance,” “I'm In The Mood For Love,” “Make The Man Love Me,” “If My Friends Could See Me Now,” “Diga Diga Doo,” “Collegiana,” “It's All Yours,” “There Must Be Something Better Than Love,” “He Had Refinement,” and “Big Spender.” Originally produced and broadcast in 1986. For more information go to AnythingGoesPL.com or BPN.FM/AnythingGoes. Theme music arranged by Bruce Coughlin. Sound mixing by David Rapkin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

                                 Copperplate Time 359                              Presented by Alan O'Leary                         www.copperplatemailorder.com                       1. Bothy Band:   Green Groves. After Hours 2. Crawford/Farrell/Doocey:                    The Pelican Marsh. Music & Mischief                               3. Gatehouse:  Jimmy Giblin's/The Gneevguilla Reel/                 The Casagh Reel.       Tus Nua4. Treasa Ni Mhiollan:    An Spailpin Fánach.   Lán Mara 5. Teada:    Nora Criona.      Inne Amarach 6. Kathleen Collins: Connelly's/Mullingar Races. Shanachie340108. Jimmy McHugh:   The Pidgeon On The Gate.                2nd Memorial Concert 9. Diarmuid O'Suillabhain:  My Pup Came Home from Claeeach.   Bruach na Carraige Bhána 10. Bobby Casey:    The Garden of Daisies.   Taking Flight11. Kevin Taylor & Mary Conroy: Con Curtin's Twins/Knights of St Patrick. Kevin Taylor & Mary Conroy 12. Des Donnelly:  Jackie Coleman's/Sean sa Cheo.                  Remember Des Donnelly                                                  13. Lar Gavin & Micheal O'Rourke:  The Broken Bridge/Golden Shadows.  Two Miles From Tulla 14. Paul Brennan:   The Bonnie Labouring Boy.   Airs & Graces 15. Urnua: The Flying Magpies/A Roll of the Dice/Just Another Dilemma. Urnua 16. Bert Jansch Conundrum:  Poor Mouth.  Compilation 17. Daiori Farrell:  A Pint of Plain.   A Life Time of Happiness 18. Sweeney's Men:  Waxie's Dargle.  Legends of Sweeney's Men 19. Ronnie Drew:  The Mero.  Download 20. Paddy Reilly:  Dublin Saunter.   Download 21. Kevin Burke: London Town. The Pound Ridge Sessions 22. Rory McLeod: Farewell Welfare.  Angry Love 23. Bothy Band:   Green Groves/Flowers of Red Hill.    After Hours Copperplate Time 359                                  Presented by Alan O'Leary                              www.copperplatemailorder.com                                   1. Bothy Band:   Green Groves. After Hours 2. Crawford/Farrell/Doocey:  The Pelican Marsh. Music & Mischief                               3. Gatehouse:  Jimmy Giblin's/The Gneevguilla Reel/The Casagh Reel.       Tus Nua4. Treasa Ni Mhiollan:    An Spailpin Fánach.   Lán Mara 5. Teada:    Nora Criona.      Inne Amarach 6. Kathleen Collins: Connelly's/Mullingar Races. Shanachie340108. Jimmy McHugh:   The Pidgeon On The Gate.  2nd Memorial Concert 9. Diarmuid O'Suillabhain:  My Pup Came Home from Claeeach.   Bruach na Carraige Bhána 10. Bobby Casey:    The Garden of Daisies.   Taking Flight11. Kevin Taylor & Mary Conroy:Con Curtin's Twins/Knights of St Patrick. Kevin Taylor & Mary Conroy 12. Des Donnelly:  Jackie Coleman's/Sean sa Cheo.                  Remember Des Donnelly                                                  13. Lar Gavin & Micheal O'Rourke:  The Broken Bridge/Golden Shadows.  Two Miles From Tulla 14. Paul Brennan:   The Bonnie Labouring Boy.   Airs & Graces 15. Urnua: The Flying Magpies/A Roll of the Dice/Just Another Dilemma. Urnua 16. Bert Jansch Conundrum:  Poor Mouth.  Compilation 17. Daiori Farrell:  A Pint of Plain.   A Life Time of Happiness 18. Sweeney's Men:  Waxie's Dargle.  Legends of Sweeney's Men 19. Ronnie Drew:  The Mero.  Download 20. Paddy Reilly:  Dublin Saunter.   Download 21. Kevin Burke: London Town. The Pound Ridge Sessions 22. Rory McLeod: Farewell Welfare.  Angry Love 23. Bothy Band:   Green Groves/Flowers of Red Hill.    After Hoursv

The twins reunite with longtime friend, singer/songwriter Lee Newman at long last - chatting about everything from their times in Hollywood together and Lee's music and years of performing in Hollywood's top venues - to his legendary great-grandfathers Jimmy McHugh and Eddie Cantor, his friendship with Harry Nilsson and much more - including an original tune from Lee's archive. SHOW NOTES: 0:00 - "Brown Eyed Boy" by Lee Newman 2:02 - Greetings and about Lee Newman / Eddie Cantor / Jimmy McHugh 5:40 - Welcome, Lee 6:33 - About "Brown Eyed Boy" / UCLA / Harry Nilsson / "The Point" / "Rowan & Martin's Laugh-In" / Dick Martin / Bill Bixby / "The Courtship of Eddie's Father" 9:10 - "Relatively Singing" / Original Cast Records  The Roxy / Whisky a Go Go 10:08 - "Merrily We Roll Along" by Eddie Cantor is best known as the theme for Warner Bros. Merrie Melodies cartoons. 11:29 - Growing up around great music - within the family and outside of it. / Nilsson's influence on Lee / Nilsson's stage fright / Working on "The Point" in Los Angeles in 1991 (Oblio) / Jimmy Webb / Nilsson's death 16:14 - Preaching the gospel of Nilsson at Hollywood High / Copper Penny / Bell Coffee Shop / Snow White Coffee Shop / "Liverpool" 17:18 - Meeting Lee for the first time / Magic Hotel (now Magic Castle Hotel / Our friend and bandmate, Pascal Srabian (RIP) / Early gigs with our band, Yale 18:45 - Lee as band manager for Yale / Winning the battle of the bands at Gazzarri's / Bill Gazzarri / More about the early days 21:53 - More Jimmy Webb / "Tunesmith: Inside the Art of Songwriting" 23:12 - Jimmy McHugh Music / Lucille Myers passes the torch to Lee 25:18 - Running Jimmy McHugh Music and what that entails 27:00 - About "I Can't Give You Anything But Love" 27:48 - About Jimmy McHugh / Gershwin and McHugh / The Piano / "I'm in the Mood for Love" / "On the Sunny Side of the Street" / McHugh in Hollywood / Timeline 34:31 - McHugh-related projects 35:15 - Eddie Cantor conquered every medium / Humanitarian - March of Dimes 36:24 - "Happy Together: The 60s Songbook" / SLK Records Rod Stewart / Producer Richard Perry / Producer Lauren Wild / Sunset Plaza / "Happy Together" moment / May Pang / John Lennon's acoustic demo of "Help" as a ballad 42:20 - Sea change in the music business / Tower Records closure / Napster 44:27 - The fate of the Cinerama Dome 45:12 - Find Lee's music on Amazon, iTunes and at Amoeba Music Hollywood 45:40 - COVID-19 in Hollywood and Myrtle Beach / Dodger Stadium / Angel Stadium / Magic Castle Reopens / La Poubelle / More Magic Hotel memories / Robert Morse / Pantages Theatre / "Hamilton" 49:29 - Wrapping things up

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. Comments to: dannymemorylane@gmail.com In this episode, you’ll hear: 1) You're The Top by Louis Armstrong / Cole Porter (words & music) [1934] 2) Manhattan by Ella Fitzgerald / Richard Rodgers (music) & Lorenz Hart (lyrics) [1925] 3) Pick Yourself Up by Nat King Cole / Jerome Kern (music) & Dorothy Fields (lyrics) [1936] 4) Have You Met Miss Jones? By Sarah Vaughan / Richard Rodgers (music) & Lorenz Hart (lyrics) [1937] 5) The More I See You by Michael Bublé / Harry Warren (music) & Mack Gordon (lyrics) [1945] 6) Embraceable You by Frank Sinatra & Lena Horne / George Gershwin (music) & Ira Gershwin (lyrics) [1930] 7) The Best Is Yet To Come by Diane Schuur / Cy Coleman (music) & Carolyn Leigh (lyrics) [1959] 8) Makin' Whoopee by Dr. John w/ Rickie Lee Jones, duet vocal / Walter Donaldson (music) & Gus Kahn (lyrics) [1928] 9) Fools Fall In Love by John Pizzarelli / Jerry Leiber & Mike Stoller [1956] 10) Nice 'N' Easy by Rosemary Clooney / Lew Spence (music) & Alan Bergman and Marilyn (Keith) Bergman (lyrics) [1960] 11) They All Laughed by Toni Tennille / George Gershwin (music) & Ira Gershwin (lyrics) [1937] 12) Since I Fell For You by Dinah Washington (w/ Quincy Jones) / Buddy Johnson (words & music) [1945] 13) I Get A Kick Out Of You by Tony Bennett / Cole Porter (music & lyrics) [1934] 14) On The Sunny Side Of The Street by Steve Tyrell / Dorothy Fields (lyrics) & Jimmy McHugh (music) [1930] 15) Let's Fall In Love by Diana Krall / Ted Koehler (lyrics) & Harold Arlen (music) [1933] 16) What'll I Do by Johnny Mathis / Irving Berlin [1923] 17) I Can't Get Started by Al Hirt / Vernon Duke (music) & Ira Gershwin (lyrics) [1936]

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. Comments to: dannymemorylane@gmail.com In this episode, you’ll hear: 1) Between The Devil And The Deep Blue Sea [Excerpt] by Benny Goodman / Harold Arlen (music) [1932] 2) This Could Be The Start Of Something Big by Steve Lawrence & Eydie Gormé / Steve Allen (music & lyrics) [1956] 3) Once In Love With Amy by Sammy Davis Jr. / Frank Loesser (music & lyrics) [1948] 4) Keepin' Out of Mischief Now by Dinah Washington (w/ Ernie Wilkins and His Orch.) / Fats Waller & Andy Razaf [1932] 5) Come Fly With Me by Frank Sinatra & Luis Miguel / Jimmy Van Heusen (music) & Sammy Cahn (lyrics) [1957] 6) Out of This World by Freda Payne / Harold Arlen (music) & Johnny Mercer (lyrics) [1944] 7) A Kiss To Build A Dream On by Louis Armstrong / Composed by Burt Kalmer/Harry Ruby/Oscar Hammerstein II [1935] 8) Between The Devil And The Deep Blue Sea by Mel Tormé / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 9) I Remember You by Ella Fitzgerald (w/ Nelson Riddle's Orch) / Victor Schertzinger (music) & Johnny Mercer (lyrics) [1941] 10) The Way You Look Tonight by Michael Bublé / Dorothy Fields (lyrics) & Jerome Kern (music) [1936] 11) True Love by Patsy Cline / Cole Porter [1956] 12) Begin The Beguine by Andy Williams / Cole Porter [1935] 13) Maybe This Time by Liza Minnelli / John Kander (music) & Fred Ebb (lyrics) [1964] 14) It's Only A Paper Moon by Bobby Darin / Harold Arlen (music) & Yip Harburg and Billy Rose (lyrics) [1933] 15) It Had To Be You by Harry Connick, Jr. / Isham Jones (music) & Gus Kahn (lyrics) [1924] 16) The Night We Called It a Day by Doris Day / Matt Dennis (music) & Tom Adair (lyrics) [1941] 17) On The Sunny Side Of The Street by Tony Bennett & Willie Nelson / Dorothy Fields (lyrics) & Jimmy McHugh (music) [1930] 18) Evergreen by Barbra Streisand / Barbra Streisand (music) & Paul Williams (lyrics) [1976] 19) Tonight by Johnny Mathis / Stephen Sondheim (lyrics) & Leonard Bernstein (music) [1956] 20) Blue Eyes by The American Patrol Orchestra / Jerome Kern (music) [1928]

                           Copperplate Time 342                              Presented by Alan O'Leary                      www.copperplatemailorder.com                            www.liveireland.com/radio          http://www.copperplatemailorder.com 1. Bothy Band:   Green Groves/Flowers of Red Hill. 1975 2. Mulcahy Family:      John Kelly’s/Rip The Calico/New Line to Loughan.  The Reel Note 3. Island Eddy:  Larry Redican’s/The Leitrim.   Island Eddy 4. Altan:    The Month of January.   Gap pf Dreams 5. PJ Crotty & James Cullinane:    Tomeen O’Dea/Midsummer Night/Shamrock Hill.   Happy to Meet 6. Jimmy McHugh:                The Pidgeon on the Gate.   2nd Jimmy McHugh Concert 7. Four Provinces CB:                 Derryveone/Aghyaran Crossroads.   2nd Jimmy McHugh 8. John Tunney:    The Hand.    Download 9. John Keehan:     By Golly/Kilyglass Lake/Con Cassidy’s        Humours of Scariff10. Michael Coleman:          Dr Gilbert/Queen of May.  Michael Coleman 1891 - 1945 11. Damien O’Reilly:   The Maid Who Jigged It/Huours of Glin.                Duchas 12. Caoimhin O’Fearghail:    Dunmore Lasses/Boy on the Gap.          Uillean Piping from Waterford 13. Bert Jansch:   Poor Mouth.    Compilation 10. Daoiri Farrell:   A Pint of Plain.  A Lifetime of Happiness 11. Crawford/Farrell/Doucey:            Mouse in the Mug.    Music & Mischief 12. Gerry O’Connor:   Jig in A/Dancing Eyes/Up & About.                         Journeyman 13. Tony Reidy:   The Coldest Day in Winter.             The Coldest Day in Winter 14. Aoife Ni Bhraian:  The Drunken Sailor.   Rogha Raelach Vol 1 15. Karen Matheson: Casiopeia Coming Through. Still Time 16. Joan Baez:    The Lily of the West.    Ring Them Bells 17. Bothy Band:   Green Groves/Flowers of Red Hill. 1975

“Classic-Pop Standards” is inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. We bring new life to the Great American Songbook on “Classic-Pop Standards”. ***** In this episode, you’ll hear: 1) Oh, Lady Be Good [Excerpt] by Benny Goodman Quintet / George Gershwin (music) & Ira Gershwin (lyrics) [1924] 2) I Got Rhythm by Bobby Darin / George Gershwin (music) & Ira Gershwin (lyrics) [1930] 3) September In The Rain by Dinah Washington / Harry Warren (music) & Al Dubin (lyrics) [1937] 4) I Can't Give You Anything But Love by Mel Tormé / Jimmy McHugh (music) & Dorothy Fields (lyrics) [1928] 5) Lover, Come Back To Me by Barbra Streisand / Sigmund Romberg (music) & Oscar Hammerstein II (lyrics) [1928] 6) I Get A Kick Out Of You by Frank Sinatra / Cole Porter (music & lyrics) [1934] 7) Blues In The Night by Eva Cassidy / Johnny Mercer (words) & Harold Arlen (music) [1941] 8) Thank Heaven for Little Girls by Maurice Chevalier / Alan Jay Lerner (lyrics) & Frederick Loewe (music) [1957] 9) It's De-Lovely by Ella Fitzgerald / Cole Porter (music & lyrics) [1936] 10) Once In Love With Amy by Dean Martin / Frank Loesser (music & lyrics) [1948] 11) Without A Memory by Judy Garland / Bob Hilliard (lyricist) & Milton De Lugg (composer) 12) Lulu's Back in Town by Dick Haymes / Al Dubin (lyrics) and Harry Warren (music) [1935] 13) My Heart Belongs To Daddy by Eartha Kitt / Cole Porter [1938] 14) A Foggy Day (In London Town) by Michael Bublé / George Gershwin (music) & Ira Gershwin (lyrics) [1937] 15) I've Got the World On a String by Julie Budd / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 16) My One And Only Love by Louis Armstrong / Guy Wood (music) & Robert Mellin (lyrics) [1952] 17) I Got It Bad (And That Ain't Good) by Carly Simon / Duke Ellington (music) & Paul Francis Webster (lyrics) [1941] 18) Come To Me, Bend To Me by Andy Williams / Alan Jay Lerner (lyrics) & Frederick Loewe (music) 19) Spring, Spring, Spring by JaLaLa / Johnny Mercer (lyrics) & Gene dePaul and Saul Chaplin (music) [1954] 20) Bewitched, Bothered & Bewildered by Frank Sinatra & Patti LaBelle / Richard Rodgers (music) & Lorenz Hart (lyrics) [1940] 21) I've Got My Love To Keep Me Warm by Les Brown / Irving Berlin (music & lyrics) [1937]

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. ****** In this episode, you’ll hear: 1) Between The Devil And The Deep Blue Sea [Excerpt] by Benny Goodman / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 2) The Best Is Yet To Come by Tony Bennett & Diana Krall / Cy Coleman (music) & Carolyn Leigh (lyrics) [1959] 3) Sit Down, You're Rockin' the Boat by Sammy Davis Jr. / Frank Loesser [1950] 4) Big Spender by Shirley Bassey / Cy Coleman (music) & Dorothy Fields (lyrics) [1966] 5) I've Got You Under My Skin by Peggy Lee / Cole Porter (1936) 6) Ain't Misbehavin' by Peter Cincotti / Thomas "Fats" Waller & Harry Brooks (music) Andy Razaf (lyrics) 7) I Won't Dance by Jane Monheit & Michael Buble / Dorothy Fields & Jimmy McHugh (lyrics) and Jerome Kern (music) 8) Body And Soul by Carly Simon / Johnny Green (music) & Edward Heyman, Robert Sour, and Frank Eyton (lyrics) [1930] 9) The Song Is Ended (But the Melody Lingers On) by Nat King Cole / Irving Berlin (music) & Beda Loehner (lyrics) [1927] 10) 'Deed I Do by Sue Raney / Fred Rose (music) & Walter Hirsch (lyrics) [1926] 11) Long Ago And Far Away by Rod Stewart / Jerome Kern (music) & Ira Gershwin (lyrics) [1944] 12) Only Love by Linda Eder / Frank Wildhorn (music) & Nan Knighton (lyrics) 13) Am I Blue? By Vic Damone / Harry Akst and Grant Clarke (1929) 14) Something's Got To Give by Rosemary Clooney / Johnny Mercer (words & music) [1954] 15) Good Thing Going (Going Gone) by Frank Sinatra / Stephen Sondheim (words & music) [1981] 16) I Wish I Didn't Love You So by k. d. lang / Frank Loesser (1947) 17) They Can't Take That Away From Me by Diana Krall / George Gershwin (music) & Ira Gershwin (lyrics) [1937] 18) In A Sentimental Mood by Doc Severinsen & His Big Band / Duke Ellinton (music) [1935]

Cada uno en su casa Alejandro Dolina, Patricio Barton, Gillespi Introducción Presentaciones 3:10 Segmento Inicial "Consejos para reconquistar a tu ex" 9:30 Saludos de los oyentes 46:10 Segmento Dispositivo Prostitutas de Boulogne (Francia) 1:04:05 "Taquito Militar" ♫ (Mariano Mores) 1:16:00 Segmento Humorístico "Mamá, me voy a visitar a un amigo" 1:21:30 Sordo Gancé / Manuel Moreira / Gillespi Presentación 1:39:48 "Puente Alsina" ♫ (Benjamín Tagle Lara) 1:42:55 "Los ejes de mi carreta" ♫ (Atahualpa Yupanqui) 1:49:30 "Tu casa ya no está" ♫ (Virgilio y Homero Expósito) 1:52:45 "The sunny side of the street" ♫ (Jimmy McHugh) interpretado por Gillespi 1:55:10 "Cuando los santos vienen marchando" ♫ interpretado por Gillespi 1:57:20 "Lo veremos triste y amargado!" ♫ (Juan Ramón) interpretado por Gillespi 1:59:18

Here is a special 420 podcast (a day late). Nick gets so f@k*ng high that we weren't going to put this out. But here it is, enjoy this retard being dosed out of his mind. Email us: alteredcognitionpodcast@gmail.com Stay Tuned: Nick - Broadway Comedy Club April 19TH 26TH and May 3rd & 10th at 9:40 PM. Located 318 W 53rd St, New York, NY 10019 DJ LOS - Stream DJ Lack Of Sleep and Tha Red Baron on all platforms https://open.spotify.com/artist/2RvVIniVCvDz0p0hvFcHSY?si=uwuS3awyQ5alJVxeJEC6EA https://open.spotify.com/artist/2IiZCCyY9aXjoajUFCgnMa?si=aud1Me2ORUa-QkiF6Yv0jg Follow us: Jimmy McHugh - www.instagram.com/jimmy__mchugh Ross Popick - www.instagram.com/rossgojanekins The Grove- www.instagram.com/thegrovect Altered Cognition - www.instagram.com/alteredcognition Nick Breen - www.instagram.com/nick_am_ DJ L.O.S - www.instagram.com/djlackofsleep Tha Red Baron - www.instagram.com/tharedbaronct

durée : 00:58:53 - "On the Sunny Side of the Street", musique de Jimmy McHugh, paroles de Dorothy Fields - par : Laurent Valero - réalisé par : Antoine Courtin

Jimmy McHugh was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. One of the most important songwriting partners McHugh had was lyricist Dorothy Fields, with whom he wrote "I Can't Give You Anything but Love" (1928), "On the Sunny Side of the Street" (1930), and "I'm in the Mood for Love" (1935). We will be taking a look at the career and listening to many of his hit songs on the program today. If you are a fan of the Great American Songbook then you are sure to enjoy this show. Thank you for listening. Please visit this podcast at http://bigbandbashfm.blogspot.com

It’s holiday season and the perfect time for a podcast about gifts. The story of an extraordinary gift – a very special piano – is a favorite of Cal’s and will bring good cheer to all who listen. The story revolves around songwriter Jimmy McHugh, who was highly successful until the stock market crash in 1929 that set off The Great Depression. McHugh was forced to sell everything he owned to survive, and the loss of his piano left him unable to work because he could no longer write songs without one. He moved into a flat and was sleeping on a straw mattress, wondering how he was going to get through the calamity. And then, a gift came along that changed his life, and a lot of other lives. That gift – an upright piano – led McHugh to write an optimistic song that helped America get through The Depression. The song turned into an anthem. It’s called: On the Sunny Side of the Street. It would come to be performed by Frank Sinatra, Louie Armstrong, Ella Fitzgerald and Rod Stewart, and the lesson in the lyrics is just as relevant today, as told by McHugh’s grandson, Lee Newman, and the musician Dave Damiani. Please pass this episode on, for everyone it touches will feel better and be a little bit luckier for it.

Dr. Jay Keyser is known to many as MIT Professor Emeritus of Linguistics. He’s written several books and countless essays and poems throughout his prolific career centering in his love for language. Jay is a jazz trombonist in the highly regarded Aardvark Jazz Orchestra, which happens to be one of the oldest continuous jazz ensembles in the country. Whether you know Jay as a writer, poet, musician, philosopher or teacher, it’s clear when you talk with him there is a thirst for knowledge and true love of life. Jay talked to us about his experience with a life changing event in 2014, when an accident left him without any movement of his extremities at the age of 79. Defining resilience, Jay candidly reports on his incredible recovery, his difficult yet exciting new chapter in music and writing and also his relationship with his wonderful wife. Song List: All songs performed by the Aardvark Jazz Orchestra Composer Mark Sumner Harvey Song 1: Spaceways (Passages) Song 2: March of the Booboisie (Exocations) Song 3: I Hear America Calling (Evocations) Live Song: Song 1: Sunny Side of the Street (music composed by Jimmy McHugh and lyrics by Dorothy Fields)

Stína Ágúst syngur sex erlend lög við íslenska texta sem hún samdi sjálf: Vísa um veginn, sænskt þjóðlag, Kysstu mig að morgni eftir George Gershwin, Ég veit þú hugsar um mig eftir Jimmy McHugh, Hver vill ást eftir Cole Porter, Fargan eftir Charlie Parker og Vesen eftir Olle Adolphson. ASA tríóið flytur fimm lög: Stuð og Newsong eftir Agnar Má Magnússon, What Was I Thinking? og It's Alright eftir Scott McLemore og MC Lemúr eftir Andrés Þór Gunnlaugsson. Charlie Haden kvartettinn flytur lögin: Body and Soul eftir Johnny Green, Robert Sour og Edward Heyman, The Blessing eftir Ornette Coleman, Hermitage eftir Pat Metheny, My Foolish Heart eftir Victor Young og Ned Washington, Bay City eftir Charlie Haden og Passion Flower eftir Billy Strayhorn.

Stína Ágúst syngur sex erlend lög við íslenska texta sem hún samdi sjálf: Vísa um veginn, sænskt þjóðlag, Kysstu mig að morgni eftir George Gershwin, Ég veit þú hugsar um mig eftir Jimmy McHugh, Hver vill ást eftir Cole Porter, Fargan eftir Charlie Parker og Vesen eftir Olle Adolphson. ASA tríóið flytur fimm lög: Stuð og Newsong eftir Agnar Má Magnússon, What Was I Thinking? og It's Alright eftir Scott McLemore og MC Lemúr eftir Andrés Þór Gunnlaugsson. Charlie Haden kvartettinn flytur lögin: Body and Soul eftir Johnny Green, Robert Sour og Edward Heyman, The Blessing eftir Ornette Coleman, Hermitage eftir Pat Metheny, My Foolish Heart eftir Victor Young og Ned Washington, Bay City eftir Charlie Haden og Passion Flower eftir Billy Strayhorn.

We're continuing our song-by-song exploration of our newly-released album, Laughing at Life, with this episode's chat about "On the Sunny Side of the Street," penned in 1930 by Jimmy McHugh, with lyrics by Dorothy Fields. Our producer/arranger, Oded Lev-Ari, shares how the Three Cohens' collective improvisations inspired his arrangement, as well as why he opted not to include the song's original verse for the Duchess rendition of this jazz standard.

This rare item is untypical of the type of session that Prestige Records put out in the 50's. The head honcho of Prestige was Robert Weinstock and he preferred the "one take" jam session approach as he felt that too many "takes" would spoil the feel. Vibist/composer/bandleader Teddy Charles produced a number of Prestige recordings in the 50's and his sessions were much more organized and rehearsed yet still sounded spontaneous. Perhaps Teddy encouraged his musicians to rehearse or perhaps he paid them to do this but it worked and a Charles produced session was always well organized and he always contributed some of his own compositions to the date. This one features, as the title suggests four alto saxophonists. All of these men were in one way or another influenced by Charlie Parker but they had their own identities and sounds. Phil Woods is still with us and is the most identifiable voice and is arguably the most developed stylist. The wonderful and passionate Gene Quill plays with great swing. Sahib Shihab is on tap and although he reflects Parker, his sound is influenced by some earlier players like Tab Smith. Hal Stein, who worked with Teddy Charles and Charles Mingus is a thoughtful and cliche-free player. These four men blend into a great sound and are backed by Mal Waldron on piano who also contributes two compositions to the date. Tommy Potter is solid on bass and a very young, 19 year old Louis Hayes mans the drums.Teddy Charles contributes two tunes and arranges Hal Stein's "Kinda Kanonic" and the ballad of the date Jimmy McHugh's "Don't Blame Me". Waldron arranges his own two tunes. All in all a fun and well organized date that swings and and is interesting at the same time. "Four Altos" indeed!

The life and work of songwriter, Jimmy McHugh, including: I'm In the Mood For Love, I Can't Give You Anything But Love, On the Sunny Side of the Street, Coming In On a Wing And a Prayer and Where Are You. Artists include: The Mills Brothers, Duke Ellington, Francis Langford, Mildred Bailey, Gene Austin and Guy Lombardo.