Podcast appearances and mentions of Brian Hamilton

How many sport editions of Trivial Pursuit are too many? This many. Erika Ensign and Steven Schapansky with Brian Hamilton, Heather Berberet, Helen Zaltzman, Sandra Wong and Scott Ensign.

Join us for a new experimental game show: Bracket Case. In our inaugural episode, five players try to decide who’s our Zaddy. Annette Wierstra and Kathy Campbell with James Thomson, Brian Hamilton, Kelly Guimont, Erika Ensign and Glenn Fleishman.

Join us for a new experimental game show: Bracket Case. In our inaugural episode, five players try to decide who’s our Zaddy. Annette Wierstra and Kathy Campbell with James Thomson, Brian Hamilton, Kelly Guimont, Erika Ensign and Glenn Fleishman.

In the early 1920s, Americans owned 80 percent of the world's automobiles and consumed 75 percent of the world's rubber. But only one percent of the world's rubber grew under the U.S. flag, creating a bottleneck that hampered the nation's explosive economic expansion. To solve its conundrum, the Firestone Tire and Rubber Company turned to a tiny West African nation, Liberia, founded in 1847 as a free Black republic. Empire of Rubber: Firestone's Scramble for Land and Power in Liberia (New Press, 2021) tells a sweeping story of capitalism, racial exploitation, and environmental devastation, as Firestone transformed Liberia into America's rubber empire. Historian and filmmaker Gregg Mitman scoured remote archives to unearth a history of promises unfulfilled for the vast numbers of Liberians who toiled on rubber plantations built on taken land. Mitman reveals a history of racial segregation and medical experimentation that reflected Jim Crow America—on African soil. As Firestone reaped fortunes, wealth and power concentrated in the hands of a few elites, fostering widespread inequalities that fed unrest, rebellions and, eventually, civil war. A riveting narrative of ecology and disease, of commerce and science, and of racial politics and political maneuvering, Empire of Rubber uncovers the hidden story of a corporate empire whose tentacles reach into the present. Gregg Mitman is the Vilas Research and William Coleman Professor of History, Medical History, and Environmental Studies at the University of Wisconsin–Madison. An award-winning author and filmmaker, his recent films and books include The Land Beneath Our Feet and Breathing Space: How Allergies Shape Our Lives and Landscapes. He lives near Madison, Wisconsin. Website. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the early 1920s, Americans owned 80 percent of the world's automobiles and consumed 75 percent of the world's rubber. But only one percent of the world's rubber grew under the U.S. flag, creating a bottleneck that hampered the nation's explosive economic expansion. To solve its conundrum, the Firestone Tire and Rubber Company turned to a tiny West African nation, Liberia, founded in 1847 as a free Black republic. Empire of Rubber: Firestone's Scramble for Land and Power in Liberia (New Press, 2021) tells a sweeping story of capitalism, racial exploitation, and environmental devastation, as Firestone transformed Liberia into America's rubber empire. Historian and filmmaker Gregg Mitman scoured remote archives to unearth a history of promises unfulfilled for the vast numbers of Liberians who toiled on rubber plantations built on taken land. Mitman reveals a history of racial segregation and medical experimentation that reflected Jim Crow America—on African soil. As Firestone reaped fortunes, wealth and power concentrated in the hands of a few elites, fostering widespread inequalities that fed unrest, rebellions and, eventually, civil war. A riveting narrative of ecology and disease, of commerce and science, and of racial politics and political maneuvering, Empire of Rubber uncovers the hidden story of a corporate empire whose tentacles reach into the present. Gregg Mitman is the Vilas Research and William Coleman Professor of History, Medical History, and Environmental Studies at the University of Wisconsin–Madison. An award-winning author and filmmaker, his recent films and books include The Land Beneath Our Feet and Breathing Space: How Allergies Shape Our Lives and Landscapes. He lives near Madison, Wisconsin. Website. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the early 1920s, Americans owned 80 percent of the world's automobiles and consumed 75 percent of the world's rubber. But only one percent of the world's rubber grew under the U.S. flag, creating a bottleneck that hampered the nation's explosive economic expansion. To solve its conundrum, the Firestone Tire and Rubber Company turned to a tiny West African nation, Liberia, founded in 1847 as a free Black republic. Empire of Rubber: Firestone's Scramble for Land and Power in Liberia (New Press, 2021) tells a sweeping story of capitalism, racial exploitation, and environmental devastation, as Firestone transformed Liberia into America's rubber empire. Historian and filmmaker Gregg Mitman scoured remote archives to unearth a history of promises unfulfilled for the vast numbers of Liberians who toiled on rubber plantations built on taken land. Mitman reveals a history of racial segregation and medical experimentation that reflected Jim Crow America—on African soil. As Firestone reaped fortunes, wealth and power concentrated in the hands of a few elites, fostering widespread inequalities that fed unrest, rebellions and, eventually, civil war. A riveting narrative of ecology and disease, of commerce and science, and of racial politics and political maneuvering, Empire of Rubber uncovers the hidden story of a corporate empire whose tentacles reach into the present. Gregg Mitman is the Vilas Research and William Coleman Professor of History, Medical History, and Environmental Studies at the University of Wisconsin–Madison. An award-winning author and filmmaker, his recent films and books include The Land Beneath Our Feet and Breathing Space: How Allergies Shape Our Lives and Landscapes. He lives near Madison, Wisconsin. Website. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In the early 1920s, Americans owned 80 percent of the world's automobiles and consumed 75 percent of the world's rubber. But only one percent of the world's rubber grew under the U.S. flag, creating a bottleneck that hampered the nation's explosive economic expansion. To solve its conundrum, the Firestone Tire and Rubber Company turned to a tiny West African nation, Liberia, founded in 1847 as a free Black republic. Empire of Rubber: Firestone's Scramble for Land and Power in Liberia (New Press, 2021) tells a sweeping story of capitalism, racial exploitation, and environmental devastation, as Firestone transformed Liberia into America's rubber empire. Historian and filmmaker Gregg Mitman scoured remote archives to unearth a history of promises unfulfilled for the vast numbers of Liberians who toiled on rubber plantations built on taken land. Mitman reveals a history of racial segregation and medical experimentation that reflected Jim Crow America—on African soil. As Firestone reaped fortunes, wealth and power concentrated in the hands of a few elites, fostering widespread inequalities that fed unrest, rebellions and, eventually, civil war. A riveting narrative of ecology and disease, of commerce and science, and of racial politics and political maneuvering, Empire of Rubber uncovers the hidden story of a corporate empire whose tentacles reach into the present. Gregg Mitman is the Vilas Research and William Coleman Professor of History, Medical History, and Environmental Studies at the University of Wisconsin–Madison. An award-winning author and filmmaker, his recent films and books include The Land Beneath Our Feet and Breathing Space: How Allergies Shape Our Lives and Landscapes. He lives near Madison, Wisconsin. Website. Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website Learn more about your ad choices. Visit megaphone.fm/adchoices

We return to 1995 not to hack into the Net but to wander, Netless, around Vienna with Ethan Hawke and Julie Delpy. Palm readers! Street poets! Plays featuring cows! It’s “Before Sunrise,” a movie in which nothing happens… except maybe the most extraordinary thing in two people’s lives. Jason Snell with Brian Hamilton, Erika Ensign, Annette Wierstra and Steven Schapansky.

We return to 1995 not to hack into the Net but to wander, Netless, around Vienna with Ethan Hawke and Julie Delpy. Palm readers! Street poets! Plays featuring cows! It’s “Before Sunrise,” a movie in which nothing happens… except maybe the most extraordinary thing in two people’s lives. Jason Snell with Brian Hamilton, Erika Ensign, Annette Wierstra and Steven Schapansky.

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

Pastor Brian Hamilton returns!  He takes the next sermon in our Hands and Feet series with the message, The Way He Worshipped.  He teaches us how worship was conducted back during Jesus' time, how Jesus worshipped during His ministry here on Earth, and how we should worship as well.  

https://www.youtube.com/watch?v=Cihnyk5LyLE&list=RDCihnyk5LyLE&start_radio=1Suicide Star Live at OLG Fallsview Casino Formed in late 2020 and comprised of veteran musicians Rob Barton, Dakota Prince, Aki Maris, Gary Borden and Brian Hamilton, Suicide Star has a dynamic and cutting-edge hard rock sound, mixing the familiar with the new while delivering a heavy bite with catchy ear-splitting melodies.Having played in multiple bands and recording acts as well as touring through Canada and parts of the U.S. Suicide Star are no strangers to success. Aki and Brian are ex members of long-time recording act, Step Echo, who's two studio albums gained considerable popularity in their native Canada and overseas. Gary Borden has had prolific success playing as a member of such bands as Sass Jordan, Helix and Gowan. Dakota Prince, also familiar with the spotlight has shared the stage with such bands as George Canyon, Big Sugar and Headley while having his music played country wide on such stations as 97.7 HTZ FM and 91.3 FM. When Step Echo split in late 2018 Brian and Aki felt they still had some music left in them to write and after a brief hiatus, decided the time was right for something new. In early 2020, excited about the prospect of a fresh start, the band needed a new lead vocalist. Founding member and drummer of Step Echo, Brian Hamilton, reached out to high school friend, Rob Barton--himself a veteran of the Ontario music scene who played alongside bands such as Collective Soul, Lee Aaron and Killer Dwarfs--asking if he would be interested in providing lead vocals for a new project. Realizing he was enthusiastic to write and record again, Rob readily agreed. After a successful meeting with the guys over a few drinks on a local patio, Suicide Star was formed.A year in the making and recorded individually in their own homes, Suicide Star's debut album—aptly named Isolation—is a labor of love. It defies conventional categorization, while delivering a bombastic thrill ride most listeners would find pleasingly recognizable.With the recent release of their new single ‘Auntie Anxiety' as a precursor to their second album entitled ‘Generation Doom', Suicide Star will continue to bring their hard-hitting sound to stages throughout Ontario and beyond.

With the guiding hand of Prof. Siracusa choosing the curriculum, we watch select animated shorts from the Netflix series “Love, Death + Robots.” John’s quest to find the perfect photorealistic CGI animation continues. Tony does his companions a solid if he’s ever killed on a moon. The others debate if they represent love, death, or robots. We try to reconnect with our inner pool-polishing robots. It’s a real team effort. Jason Snell with John Siracusa, Annette Wierstra, Brian Hamilton and Tony Sindelar.

With the guiding hand of Prof. Siracusa choosing the curriculum, we watch select animated shorts from the Netflix series “Love, Death + Robots.” John’s quest to find the perfect photorealistic CGI animation continues. Tony does his companions a solid if he’s ever killed on a moon. The others debate if they represent love, death, or robots. We try to reconnect with our inner pool-polishing robots. It’s a real team effort. Jason Snell with John Siracusa, Annette Wierstra, Brian Hamilton and Tony Sindelar.

Welcome back to “Inconceivable!”, the show that tests two teams’ knowledge of the nerdy, the useless, and the obscure. In our latest episode, our panelists must find the Star Wars rhymes, reach back to their Saturday morning cartoons of youth, and untangle some mashed-up musicals and TV shows. Liz Myles, Cicero Holmes, and Kelly Guimont fight it out against Brian Hamilton, Kathy Campbell, and Tony Sindelar under the watchful eye of host Dan Moren and scorekeeper Lex Friedman. Dan Moren and Lex Friedman with Lizbeth Myles, Cicero Holmes, Kelly Guimont, Brian Hamilton, Kathy Campbell and Tony Sindelar.

Welcome back to “Inconceivable!”, the show that tests two teams’ knowledge of the nerdy, the useless, and the obscure. In our latest episode, our panelists must find the Star Wars rhymes, reach back to their Saturday morning cartoons of youth, and untangle some mashed-up musicals and TV shows. Liz Myles, Cicero Holmes, and Kelly Guimont fight it out against Brian Hamilton, Kathy Campbell, and Tony Sindelar under the watchful eye of host Dan Moren and scorekeeper Lex Friedman. Dan Moren and Lex Friedman with Lizbeth Myles, Cicero Holmes, Kelly Guimont, Brian Hamilton, Kathy Campbell and Tony Sindelar.

Season 2 of The Last of Us has officially come to a close, and Ben and Brian are joined by John Siracusa to talk about Seattle Day 3, the season overall, and (in a very special extended spoiler slot) how we think Season 3 can turn out. We’ll see you in a few years! Ben Rice McCarthy and Brian Hamilton with John Siracusa.

A massive oil spill in the Pacific Ocean near Santa Barbara, California, in 1969 quickly became a landmark in the history of American environmentalism, helping to inspire the creation of both the Environmental Protection Agency and Earth Day. But what role did the history of Santa Barbara itself play in this? In Natural Attachments: The Domestication of American Environmentalism, 1920–1970 (U Chicago Press, 2025), Pollyanna Rhee shows, the city's past and demographics were essential to the portrayal of the oil spill as momentous. Moreover, well-off and influential Santa Barbarans were positioned to “domesticate” the larger environmental movement by embodying the argument that individual homes and families—not society as a whole—needed protection from environmental abuses. This soon would put environmental rhetoric and power to fundamentally conservative—not radical—ends. Pollyanna Rhee is assistant professor of landscape architecture at the University of Illinois, Urbana-Champaign, and affiliate faculty in history, sustainable design, and theory and interpretive criticism. Twitter.  Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Once again, it’s “Inestimable,” a show that answers the question: how many? how big? and, never, why???? On this episode, host Glenn Fleishman tortures guests Brian Hamilton, Liz Myles, Jason Snell, and Annette Wierstra about how many things fit inside other things, the Top 100 Billboard chart, sewage, movie math madness, and which came first. Scorekeeper Tony Sindelar abetted. Glenn Fleishman and Tony Sindelar with Brian Hamilton, Lizbeth Myles, Jason Snell and Annette Wierstra.

Once again, it’s “Inestimable,” a show that answers the question: how many? how big? and, never, why???? On this episode, host Glenn Fleishman tortures guests Brian Hamilton, Liz Myles, Jason Snell, and Annette Wierstra about how many things fit inside other things, the Top 100 Billboard chart, sewage, movie math madness, and which came first. Scorekeeper Tony Sindelar abetted. Glenn Fleishman and Tony Sindelar with Brian Hamilton, Lizbeth Myles, Jason Snell and Annette Wierstra.

Who’s ready for a nice calm break from the chaos of Seattle? Casey Liss joins Ben and Brian for an all-flashback episode where we finally get the context for Joel and Ellie’s falling out that we’ve been missing up until now. Grab your Walkman and a cassette, we recommend listening to this one with your eyes closed in a lunar module. Ben Rice McCarthy and Brian Hamilton with Casey Liss.

A massive oil spill in the Pacific Ocean near Santa Barbara, California, in 1969 quickly became a landmark in the history of American environmentalism, helping to inspire the creation of both the Environmental Protection Agency and Earth Day. But what role did the history of Santa Barbara itself play in this? In Natural Attachments: The Domestication of American Environmentalism, 1920–1970 (U Chicago Press, 2025), Pollyanna Rhee shows, the city's past and demographics were essential to the portrayal of the oil spill as momentous. Moreover, well-off and influential Santa Barbarans were positioned to “domesticate” the larger environmental movement by embodying the argument that individual homes and families—not society as a whole—needed protection from environmental abuses. This soon would put environmental rhetoric and power to fundamentally conservative—not radical—ends. Pollyanna Rhee is assistant professor of landscape architecture at the University of Illinois, Urbana-Champaign, and affiliate faculty in history, sustainable design, and theory and interpretive criticism. Twitter.  Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Seattle, Day Two. This week’s episode is designed to get Ellie from one place to another, both physically and emotionally. Bella Ramsay’s performance finally pays off after weeks of setup, which has Ben and Brian very excited for the rest of this season. Plus, what’s the difference between a culty Seraphite and a fair-weather Seraphite? What happens when the video game makes you push the Square button? Ben Rice McCarthy and Brian Hamilton.

A massive oil spill in the Pacific Ocean near Santa Barbara, California, in 1969 quickly became a landmark in the history of American environmentalism, helping to inspire the creation of both the Environmental Protection Agency and Earth Day. But what role did the history of Santa Barbara itself play in this? In Natural Attachments: The Domestication of American Environmentalism, 1920–1970 (U Chicago Press, 2025), Pollyanna Rhee shows, the city's past and demographics were essential to the portrayal of the oil spill as momentous. Moreover, well-off and influential Santa Barbarans were positioned to “domesticate” the larger environmental movement by embodying the argument that individual homes and families—not society as a whole—needed protection from environmental abuses. This soon would put environmental rhetoric and power to fundamentally conservative—not radical—ends. Pollyanna Rhee is assistant professor of landscape architecture at the University of Illinois, Urbana-Champaign, and affiliate faculty in history, sustainable design, and theory and interpretive criticism. Twitter.  Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A massive oil spill in the Pacific Ocean near Santa Barbara, California, in 1969 quickly became a landmark in the history of American environmentalism, helping to inspire the creation of both the Environmental Protection Agency and Earth Day. But what role did the history of Santa Barbara itself play in this? In Natural Attachments: The Domestication of American Environmentalism, 1920–1970 (U Chicago Press, 2025), Pollyanna Rhee shows, the city's past and demographics were essential to the portrayal of the oil spill as momentous. Moreover, well-off and influential Santa Barbarans were positioned to “domesticate” the larger environmental movement by embodying the argument that individual homes and families—not society as a whole—needed protection from environmental abuses. This soon would put environmental rhetoric and power to fundamentally conservative—not radical—ends. Pollyanna Rhee is assistant professor of landscape architecture at the University of Illinois, Urbana-Champaign, and affiliate faculty in history, sustainable design, and theory and interpretive criticism. Twitter.  Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

A massive oil spill in the Pacific Ocean near Santa Barbara, California, in 1969 quickly became a landmark in the history of American environmentalism, helping to inspire the creation of both the Environmental Protection Agency and Earth Day. But what role did the history of Santa Barbara itself play in this? In Natural Attachments: The Domestication of American Environmentalism, 1920–1970 (U Chicago Press, 2025), Pollyanna Rhee shows, the city's past and demographics were essential to the portrayal of the oil spill as momentous. Moreover, well-off and influential Santa Barbarans were positioned to “domesticate” the larger environmental movement by embodying the argument that individual homes and families—not society as a whole—needed protection from environmental abuses. This soon would put environmental rhetoric and power to fundamentally conservative—not radical—ends. Pollyanna Rhee is assistant professor of landscape architecture at the University of Illinois, Urbana-Champaign, and affiliate faculty in history, sustainable design, and theory and interpretive criticism. Twitter.  Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

The highest-grossing film of all time is straight-up sci-fi and yet in 15 years at this place we’ve never talked about it. That ends now, as we put on our oxygen masks and venture out into the moon of Pandora to meet the local Na’vi and the interloper Sky People and discuss why James Cameron’s “Avatar” became an enormous hit and then disappeared entirely (other than the theme-park attactions) until re-emerging with a sequel that was also an enormous hit. Jason Snell with Erika Ensign, Brian Warren, Brian Hamilton and Chip Sudderth.

The highest-grossing film of all time is straight-up sci-fi and yet in 15 years at this place we’ve never talked about it. That ends now, as we put on our oxygen masks and venture out into the moon of Pandora to meet the local Na’vi and the interloper Sky People and discuss why James Cameron’s “Avatar” became an enormous hit and then disappeared entirely (other than the theme-park attactions) until re-emerging with a sequel that was also an enormous hit. Jason Snell with Erika Ensign, Brian Warren, Brian Hamilton and Chip Sudderth.

Welcome back to “Inconceivable!”, the show that tests two teams’ knowledge of the nerdy, the useless, and the obscure. In this battle for the ages, our panelists try to figure out which item doesn’t belong, consider some superhero recasting, and suss out some popular movies from bad reviews. It’s Brian Hamilton, Kelly Guimont, and Mikah Sargent versus Glenn Fleishman, Shelly Brisbin, and Jason Snell as host Dan Moren and guest scorekeeper Kat Benesh oversee proceedings. Dan Moren and Kat Benesh with Brian Hamilton, Kelly Guimont, Mikah Sargent, Glenn Fleishman, Shelly Brisbin and Jason Snell.

Welcome back to “Inconceivable!”, the show that tests two teams’ knowledge of the nerdy, the useless, and the obscure. In this battle for the ages, our panelists try to figure out which item doesn’t belong, consider some superhero recasting, and suss out some popular movies from bad reviews. It’s Brian Hamilton, Kelly Guimont, and Mikah Sargent versus Glenn Fleishman, Shelly Brisbin, and Jason Snell as host Dan Moren and guest scorekeeper Kat Benesh oversee proceedings. Dan Moren and Kat Benesh with Brian Hamilton, Kelly Guimont, Mikah Sargent, Glenn Fleishman, Shelly Brisbin and Jason Snell.

Seattle, Day One. It’s time for a pretty big conversation about the Seraphites and the WLF, but we also get some incredible recreations of jaw-dropping moments from the video game. Plus, how warped are the records in the record store? Does U-Haul still exist in the apocalypse? How will the rest of the season be structured? Ben Rice McCarthy and Brian Hamilton.

How could somebody describe S2E3 of The Last of Us as a “filler episode”? Sometimes, a chance to catch our breath and mourn is a good thing. Ben and Brian are surprised by one character’s redemption arc, grateful for some beautiful Western cinematography, and extremely excited about a scene in a tent, for some reason. No, F is not for Fleetwood Mac. Plus, what could Washington need to be liberated from? Ben Rice McCarthy and Brian Hamilton.

This episode of The Last of Us is the emotional equivalent of a barrel of gasoline being thrown at the audience and set on fire. We hope you’re doing okay and that this conversation can help you process some of your feelings, because your hosts certainly needed this. Plus, Seth makes a mean steak sandwich and a wire fence is the second worst villain of the episode. Ben Rice McCarthy and Brian Hamilton.

Huff some ether, dress for an ORTBO, and always keep an eye out for a private place beneath a tarp—we’re here to discuss the second season of “Severance,” a story that goes beyond the first season with some twists and turns that might be Kafkaesque, but are definitely Kafka-ish. Jason Snell with Brian Hamilton, Brian Warren, Dan Moren, Glenn Fleishman and Heather Berberet.

Huff some ether, dress for an ORTBO, and always keep an eye out for a private place beneath a tarp—we’re here to discuss the second season of “Severance,” a story that goes beyond the first season with some twists and turns that might be Kafkaesque, but are definitely Kafka-ish. Jason Snell with Brian Hamilton, Brian Warren, Dan Moren, Glenn Fleishman and Heather Berberet.

The Last of Us is back with Season Two, and so is The Cast of Us! Despite how much we want to talk about the entire second game, Tiff, Ben, and Brian will keep each episode spoiler free for those who haven’t played The Last of Us Part II. How faithful is this first episode to the video game? How are they going to deal with the non-chronological nature of the story? How many White Stripes songs exist in the apocalypse? Tune in to find out! Ben Rice McCarthy, Brian Hamilton and Tiff Arment.

In a world full of creative projects turned into intellectual property, our panelists join together to choose remakes and reboots that please us, those that displease us, and those items that are out there, waiting to be remade. Jason Snell with Brian Hamilton, David J. Loehr, Erika Ensign, Lisa Schmeiser, Moisés Chiullán, Monty Ashley, Philip Michaels, Shannon Sudderth and Chip Sudderth.

In a world full of creative projects turned into intellectual property, our panelists join together to choose remakes and reboots that please us, those that displease us, and those items that are out there, waiting to be remade. Jason Snell with Brian Hamilton, David J. Loehr, Erika Ensign, Lisa Schmeiser, Moisés Chiullán, Monty Ashley, Philip Michaels, Shannon Sudderth and Chip Sudderth.

Mind Meld goes to eleven! Prepare yourselves for an extra chaotic episode of America’s favorite game show, full of ruining of game shows, not melding at all, and far too many animals. Tony Sindelar and Kathy Campbell with Lizbeth Myles, Lex Friedman, Brian Hamilton, Shelly Brisbin and Glenn Fleishman.

Mind Meld goes to eleven! Prepare yourselves for an extra chaotic episode of America’s favorite game show, full of ruining of game shows, not melding at all, and far too many animals. Tony Sindelar and Kathy Campbell with Lizbeth Myles, Lex Friedman, Brian Hamilton, Shelly Brisbin and Glenn Fleishman.

Building Heart-Centered Customer Relationships  Shep Hyken interviews Brian Hamilton, chairman of LiveSwitch. He talks about creating a heart-centric company culture led by leadership that genuinely cares about both employees and customers.  This episode of Amazing Business Radio with Shep Hyken answers the following questions and more:    What is the biggest enemy of good customer service?  How can companies get better customer feedback?  What should companies look for when hiring customer service employees?  How can businesses move beyond customer satisfaction metrics?  What role does empathy play in customer service?   Top Takeaways:    To provide excellent customer service, you have to genuinely care about people. Start with the mindset of serving the other person by understanding what it is like to be in their shoes.     No matter how good your product is, if you don't have the experience and service to support it, and if you don't have people who love what they do and love the customers, you will fail.    Your employees are just as valuable sources of feedback as your customers. While customer surveys and digital feedback are helpful, the most valuable insights often come from direct observation and conversations. Watch customers interact with your product or service, and regularly check in with your frontline staff who interact with your customers daily. Your employees on the front lines can often spot patterns, challenges, and opportunities for improvement that might not show up in a survey.     Pay attention to what customers are not telling you. Sometimes, customers accept inconveniences but don't voice them. Mystery shop your own company and call your customer support line to learn what your customers experience when they do business with you.     Pride is the biggest obstacle to providing excellent customer service. When employees or businesses let pride take precedence, they block out constructive feedback and hinder growth. Everyone in the organization, from new hires to top executives, must be open to learning and change .    Embracing technology should enhance, not replace, the human connection. Technology like video conferencing, AI, or automated systems should be used to simplify processes and build meaningful connections.     If you want to lead, you have to love people. Training employees to care about customers is important, but true leadership is about setting an example.     Plus, Shep and Brian discuss why empathy and interpersonal skills are just as valuable as technical experience. Tune in!  Quote:    "Before you think about customer satisfaction scores and metrics, focus on truly understanding the customer. Train your people to be "the other guy" and see through your customers' eyes."    About:    Brian Hamilton is the chairman of LiveSwitch, a leading expert on entrepreneurship, and the founder of America's first fintech company, Sageworks.    Shep Hyken is a customer service and experience expert, New York Times bestselling author, award-winning keynote speaker, and host of Amazing Business Radio.    Learn more about your ad choices. Visit megaphone.fm/adchoices

Blending classic Disney animals with a mysterious Miayazki forest, “The Wild Robot” is a story of overcoming your programming and not allowing yourself to become trapped in loops of behavior—whether you’re a robot or maybe even a human being. Jason Snell with Brian Warren, Brian Hamilton, Annette Wierstra and Katie Mack.