Podcasts about imic

Sylviana Gerlich, German-based Ghanaian and President of IMIC, faces accusations of misusing her NGO platform for personal gain. She responds to the claims. [Listen]

Řimice jsou nevelkou obcí, která se rozkládá na úpatí vápencového masívu kopce Třesína. Katastr vesnice uzavírá údolí Mohelnické brázdy a právě tady vstupují poutníci do jednoho z nejcennějších přírodních území Litovelska.Všechny díly podcastu Od Pradědu na Hanou můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

V rámci pořadu Nejste na to sami voláme lidem z celého Plzeňského kraje, tedy i do Plzně. V tomto případě jsme se telefonicky spojili s Vítem Mojžíšem, starostou městského obvodu Plzeň-Křimice.  Zeptali jsme se ho, jak Křimice prožívají postupné rozvolňování bezpečnostních opatření?

Aimee Cabo Nikolov is a Cuban American who has lived most of her life in Miami. She is a trained nurse and the president and owner of IMIC, Inc, a medical research company in Palmetto Bay, Florida.  She lives with her husband, Dr. Boris Nikolov, and her three children, Danielle, Sean and Michelle.  Love is the Answer, God is the Cure is her first book. To learn more about Aimee Cabo Nikolov and her book, Love is the Answer, God is the Cure, visit her website at www.godisthecure.com. Topics of Conversation: Writing her memoir The different forms of abuse and how to recognize it Consequences of abuse Healing Helping Others Inspiration

Join the host of The Cure, Aimee Cabo, as she shares her story of healing from sexual abuse. Aimee Cabo's life is a testament to the power of honesty, love, and belief. At age 15, Aimee was part of what the Miami media dubbed "The Case from Hell"—a sexual abuse case that pitted her parents against Aimee and her sister. To this day, Aimee credits her faith in God and the love of her support network for helping her through surviving child abuse.Aimee Cabo Nikolov is a Cuban American, graduated nursing from the University of Miami. Love is the Answer, God is the Cure is her first book, a memoir. Currently lives in Miami with his 3 kids - Danielle, Sean and Michelle and her husband Boris. Aimee is the president of Imic research, a clinic in Miami. Aimee is a radio talk host of The Cure, an inspirational radio show providing safe space for people that have endured hardship and showing them that there is hope. The show is syndicated through The Total Truth Network on more than 200 radio stations, including Sirius XM channel 131 and Salem Radios. Her show is now a part of Mental Health News Radio Network.www.aimeespurpose.com

Griffin's iMic USB has been a favorite device for podcasters. The new iMic brings all the same features to USB-C MacBooks, ChromeBooks, and other PCs.

News: Levelator now works in OSX 10.11 - Doug Kaye from Conversations Network did a small update on Levelator, a free audio levelling software that has not been maintained since 2012. He said he just wants to make sure it still runs on all modern OS’s. Levelator is available for WIndows, Mac and Linux here: http://www.conversationsnetwork.org/levelator (make sure you get 2.1.2 if you are on a Mac) *** Bumper Music by Airmen of Note affiliate link -------------- Promote YOU or Your brand, Not your podcast company’s brand! What would you rather have on YOUR website? I like the PowerPress player I use, much better :) -------------- Review swaps - UGH! Someone asked me to be a guest on their Blog Talk Radio show. They sent me a “Guest Intake Form” to fill out and part of the form is a $10 payment that YOU have to pay to be on their show. I didn’t fill it out. -------- Blubrry Tip Handling Stats redirects in PowerPress The way PowerPress works with the statistics redirect with a single show is that you sign into your blubrry.com account from the services and stats area of the powerpress settings (in advanced mode). This automatically puts the stats redirect in front of your media URL. This only works this way if you only have 1 podcast coming from your wordpress site. If you have more than one coming from your wordpress site using categories or channels, ALL podcasts from all categories or channels get the redirect from the show selected when you signed in to your blubrry.com account from PowerPress. If you don’t mind your stats all in one account, you can leave it like this. If you want them separate, you must do one of two things. Option 1. Create another listing for each show (category or channel) at blubrry.com and the main one will still catch all shows, but you manually put the redirect URL for the show you are posting in front of the media URL when posting. That way you will have 1 catch all that gets all the stats and another stats account for each of your shows that are separate. Option 2. Unlink your blubrry.com account from your wordpress blog. Then, put the redirect in manually each time you post. This option also requires that you come to blubrry.com to upload your file if you are using blubrry hosting. -------------- Soundcard bingo I got a Behringer UCA222 Soundcard to replace one of my Griffen iMics so i could tell them apart. On the Mac, the sound cards are named by the system and you can’t change them. So having 2 soundcards with the same name was screwing me up when I tried to do skype interviews using mix-minus (I will go over mix-minus again in a future episode). Problem mostly solved with the UCA222 and 1 iMic. now I have a very slight (you might hear it, you may not hear it) ground loop hum now. I just ordered a Boss B25N RCA to RCA Ground Loop Isolator for the setup, so that VERY slight hum will be gone by the next episode.

This is show # 15 for April 18th, 2014 - Podcast Workflow at PHD Today I am answering a question from Mark. Mark Writes: “I am just thinking of starting a podcast and would really like to hear what goes into the production of your podcast. What software, hardware and workflow do you use?” I am going to answer your question step by step. I start out a few days before I record with an idea of what I'm going to cover in the next episode (most of the time). I begin by creating a document in Google Drive with the show name/number. I then paste in any questions I have received relating to that topic. This will be the basis of my Show Notes for the episode. I don't really use it as a script. Just sort of an outline (which is mostly good enough for shownotes). As far as equipment I use, I record mainly into my computer. I have a 27” iMac with Adobe Audition. I have a Mackie 1202VLZ3 mixer, Audiocom Pro XL Compressor, Limiter Gate. Hooked into that is my Heil Pr40 mic on a boom. To hook that to the computer, I use a griffen iMic for the Aux channel (the sound effects if I want to go live to the harddrive) and I use the line input on the mac from the mixer's output. I also plug the second output (the tape out) on the mixer to my Roland R-05 digital recorder. I use that as a backup recording. As a lot of people will tell you, you shouldn't rely on your computer because if you do, you will, someday, lose a recording. If it's just you, that isn't so bad, but if you are recording an interview, you may not be able to re-do it. I would say 90% of the time, I don't need the backup recording and I delete it after the episode is released. Here is where I do things one of two ways… I can, and sometimes do, record live to the hard drive. This is an old podcasting term for recording as if the show was a live radio show. Putting in the intros and other sounds in as you go so that when you hit stop, you are done. Very limited post-edit needed. The way I get the intros in is via that griffen iMic hooked to the mixer on another channel. I use a program called SoundBoard (for Mac) that I can load up my spots, music and whatever. It plays out the iMic and into the channel on my mixer and gets recorded on the computer and the recorder. The other way I do it (and this is most of the time) is record segments. Then in post edit, put in the intros, outros, ad spots and other things in post-edit. Either way is good and I have it setup both ways. In setting up the compressor, limiter, gate, I only use the Gate portion. This is the reason you don't hear anything when I'm not talking (or playing a track from the Soundboard program). It cuts the mic off at a certain level. It keeps the room noise off the recording when I'm not talking. This works well in a moderately noisy room, but will not sound right if there is too much noise in the room. Recording levels are also something you should watch for. I record at -12 to -6 db peaks. Then when I process the file, I add a little compression to the finished file and boost up the level to -3 on the peaks. This is the level that most radio stations (other than NPR) use for voice. The music on music stations sometimes pushes -0 on the peaks. I edit (if needed) in Audition. You can use Audacity (a free cross platform audio editor) and encode my mp3 at 96khz @ 44100hz sample rate. (not quite CD quality which is 128khz). This keeps the file smaller and I don't think anyone is going to notice on a voice only file. You can even go as low as 64 if you are tight on space for hosting. Once I have the file done, I take it into iTunes to write the ID3 tags. I made a playlist called “edit” and I drag it right in there. Right click on the file in itunes and select Get Info. I fill in the “info” tab and the “Artwork” tab (uploading my image to the file) Once I close the window, I am done and I upload and post the episode in wordpress using powerpress. This show brought to you by Blubrry.

Ho prenotato le mie vacanze - quindi l'argomento va da se: L'episodio di oggi parla di vacanze e poi chiedo agli appassionati della tecnologia: quale hardware mi consigliereste per registrare degli Sound-Seeing-Tour? Inoltre: quale tipo di cuffie con microfono usate insieme al iMic e Skype? Ich...

The second episode of Continental Drift Radio featuring some more tunes I've liked during the last few months. This show is my first with my new iMic so the quality of the links is better (in sound at least!). No jazz this time around despite the promises I made, maybe next time.

We recorded Live From the Formosa Tea House: Episode 4 this afternoon over lunch. At the Formosa Tea House. Live. We recorded in the coveted back room of the Formosa, with a very simple technical setup. We all sat around Dan James’ APEX435 microphone, which ran into Steven Garrity’s Behringer Eurotrack UB802 mixer. We took the output of the mixer and plugged it into my iMic, which was plugged into a USB port on my laptop. I did the recording in Sound Studio, saved as an AIFF file, then imported the file into iTunes and converted to an MP3 (24 kbps mono, VBR medium quality). This episode runs one and a half hours. It didn’t feel “too long” when we were recording it, so we’ve decided to release it completely unedited to maintain the “three guys having lunch” feel. It may feel too long to listen to. Things we discuss: Our technical setup. Recent travels by Dan to Peru and Peter to France and upcoming travel by Steven to London and Paris (for his honeymoon). [starts 2:42] London bombings, “terrorists are people too.” [starts 28:30] Steven’s Canon PowerShot S330 digital camera motor goes bad [starts 36:00] Queen Street Commons update (and QSC vs. ATC). [starts 37:15] An extended riff on the differences between employees, entrepreneurs and freelancers, the responsibility to be “open” about what we do, charging for “mind share” vs. “billing by the hour,” refusing to write proposals for new projects, “adults don’t really know what’s going on,” how we price our services, how we select our clients. [starts 43:50] Steven is getting married. [starts 1:13:00] Wikis, Wikipedia coverage of London bombings, the Rukapedia, the silverorange wiki. [starts 1:14:48] A brief mention of Plazes. [starts 1:28:45] You can subscribe to the Live from the Formosa Tea House RSS feed if you want to become a regular listener. We’re also in the iTunes 4.9 podcast directory — just search for Formosa.

Just playing around with the built-in loops and amp and synth. Before I had the Oxygen8 and Tascam US-122, so used Yamaha YPR-9 for MIDI and iMic for guitar.