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0:00 - Cat mud butt. 4:00 - LIGHT RECOMMENDATIONS - “The Accountant”, “The Accountant 2”-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
1242. De-Esser es una herramienta imprescindible en la edición de audio, sobre todo si grabas podcast con cierta frecuencia. En este episodio del glosario podcastero, dedico un buen rato a explicar cómo funciona esta herramienta, para qué sirve, en qué casos es recomendable utilizarla y cómo evitar que se nos vaya la mano al aplicarla. Todo ello, como siempre, desde mi experiencia personal editando audio y con ese estilo cercano que intento mantener cada día aquí, en Al otro lado del micrófono.La sibilancia —ese molesto silbido que generan algunas eses, zetas o incluso las ch— puede parecer una tontería si solo escuchas tu podcast una vez. Pero créeme, si un oyente habitual se topa con un audio lleno de sibilancias durante varios episodios, es muy probable que se canse, se quite los auriculares... y no vuelva. Por eso, entender bien qué es un De-Esser y cómo usarlo correctamente puede ayudarte a conservar oyentes y a que tu contenido suene más profesional sin perder naturalidad.Intento explicar qué es exactamente esta herramienta, describiéndola como un compresor selectivo que actúa únicamente en determinadas bandas de frecuencia. No modifica todo el audio, sino solo la parte que concentra esos silbidos tan característicos entre los 5.000 y los 9.000 Hz, aunque esto puede variar ligeramente en función de la voz o del equipo con el que trabajes. Comparto también cómo suelo configurarlo yo personalmente en Adobe Audition, utilizando la vista espectral para detectar esas zonas de “calor” donde se esconden las sibilancias.Además, advierto de los riesgos de pasarse con su uso: si lo configuramos mal o lo aplicamos con demasiada intensidad, se puede perder brillo en las voces, claridad en las palabras e incluso eliminar sonidos que no deberían tocarse. Como digo en el episodio, pasa un poco como con los retoques fotográficos: si se nota que está retocado, es que algo hemos hecho mal. Pues en el audio, lo mismo. También he incluido un ejemplo práctico, con un fragmento real que en su día envié a un cliente, para que se note la diferencia entre un archivo sin tratar y otro tras pasar por el De-Esser. Creo que escuchar ese antes y después ayuda mucho más que mil explicaciones técnicas. Aprovecho para recordar que, si no quieres o no puedes aprender a usar esta herramienta, puedes delegar esa parte del proceso. Ya sabes que desde EOVE Productora puedo ayudarte a dejar tu audio limpio, equilibrado y sin sustos para los oídos._____________Consigue tu entrada para el directo de 'Estamos al mando' el 14 de noviembre en las Podnights Madrid a través de Eventbritehttps://www.eventbrite.es/e/entradas-estamos-al-mando-en-podnights-madrid-1547995098009?aff=oddtdtcreator_____________ ¡Gracias por pasarte 'Al otro lado del micrófono' un día más para seguir aprendiendo sobre podcasting! Si quieres descubrir cómo puedes unirte a la comunidad o a los diferentes canales donde está presente este podcast, te invito a visitar https://alotroladodelmicrofono.com/unete Además, puedes apoyar el proyecto mediante un pequeño impulso mensual, desde un granito de café mensual hasta un brunch digital. Descubre las diferentes opciones entrando en: https://alotroladodelmicrofono.com/cafe. También puedes apoyar el proyecto a través de tus compras en Amazon mediante mi enlace de afiliados https://alotroladodelmicrofono.com/amazon La voz que puedes escuchar en la intro del podcast es de Juan Navarro Torelló (PoniendoVoces) y el diseño visual es de Antonio Poveda. La dirección, grabación y locución corre a cargo de Jorge Marín. La sintonía que puedes escuchar en cada capítulo ha sido creada por Jason Show y se titula: 2 Above Zero. 'Al otro lado del micrófono' es una creación de EOVE Productora.
0:00 - Intro and direct shaming of Disney.1:50 - REVIEW - “Lilo & Stitch” (2025). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - This is our last scheduled recording before our winter hiatus. Enjoy our previously recorded, unreleased backlog while we're away doing other stuff until the spring! Keep us in your feeds because there will still be new episodes out for a while before we run out of reviews! 2:45 - REVIEW - “One Battle After Another” (2025). Our overall thoughts on the film and the level of recommendation we give it.28:55 - SPOILERS BEGIN - Favorite moments.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Brief into by Conner about the significance of this show and the significance of Harry Bosch's signature motto. 3:00 - CAUTIONARY TALE - “Bosch: Legacy”.10:55 - We transition into talking about streaming platforms in general and their absolutely fucked business model that makes minimal money and supports minimal creativity. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Conner's water heater troubles. 8:20 - Dustin had COVID over the weekend.14:25 - STRONG RECOMMENDATION - “The Studio” (1 season). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Conner lost his voice while traveling. Part 2 of Conner's journey home through Georgia in the middle of the fucking night. 27:10 - LIGHT RECOMMENDATION - “Nobody 2” (2025). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
In this episode, the Playmakers discussed DJ Lagway's poor performance and the Florida Gators' struggles. They also marveled at Georgia's miraculous comeback victory over Tennessee. To conclude the show, they featured their beloved segment called the Adobe Audition ambassador segment. They predicted the winners of the upcoming week 3 of the NFL season.
0:00 - This is our first in-person podcast! Why am I at Dustin's house, in Georgia, in the middle of the night? 7:42 - REVIEW - “KPop Demon Hunters” (2025). Spoiler-free. 27:30 - We talk about the business end of this movie. Sony's role, Netflix's role, and the continuing model of streaming.38:55 - SPOILER TALK.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - When you burn your tongue real bad. 1:25 - Conner has made progress with the cat! 2:15 - Cat Saga #3! The Kitten Saga. 16:00 - RECOMMENDATION - “Weapons” (2025). No Spoilers. 30:20 - BEGIN SPOILERS. We talk about the mystery revealed, the ending, and fan theories about what the movie is trying to say. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Struggling to keep up with your youth group's social media? In this episode, I'll show you how to build a student-led social media team for your youth ministry—from recruiting Gen Z content creators to assigning creative roles like studio recruiter, sermon recap editors, and “man on the street” interviewers. Plus, I'll show you how my Fall Social Media Pack (available on Patreon) gives you 3 months of done-for-you content your students can run without you lifting a finger. //Social Team Checklist https://www.patreon.com/posts/social-media-138081327?utmmedium=clipboardcopy&utmsource=copyLink&utmcampaign=postsharecreator&utmcontent=join_link
0:00 - Hi!3:00 - LIGHT RECOMMENDATION - “Daredevil: Born Again” (S1, 2025). 15:45 - Coffee Update from Conner: Coffee as a local anesthetic. MAHA? 22:00 - We shift, for some reason, to the topic of the Mississippi River, and books Conner has recently read on the subject.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Dustin would like to discuss “The Parent Trap” (1998), and how it's an excellent movie, even though the plot makes absolutely no sense. 23:00 - LIGHT RECOMMENDATION - “Together” (2025).35:30 - SPOILERS BEGIN. We discuss the ending, the themes, and fan theories. Dustin and I ultimately find another way to do this film that would have made the story a lot more cohesive for us. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - First we talk about our awareness of the Naked Gun franchise. 11:30 - LIGHT RECOMMENDATION - “The Naked Gun” (2025) 25:00 - We discuss comedy movies in general, their relative absence from Hollywood, and why “get Smart” never got a sequel. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - We briefly assess Jack Quaid, the man. No trailer music for these films tonight, because they are very spoiler-heavy, and I actually want to see these at some point. 1:47 - RECOMMENDATION - Dustin - “Companion” (2025). 8:55 - RECOMMENDATION - Dustin - “Novocaine” (2025). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Conner took one of those naps that completely disorient you upon waking. 3:00 - Welcome to our film and television podcast. We're going to discuss Dustin's janky stove. 9:14 - Nosey neighbors are fun, there. 11:08 - REVIEW/DISCUSSION - “Wolf Man” (2025). 41:30 - Dustin explains “The Wolfman and Donna” to me. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - And now: An update on the Great Stray Cat Saga of 2025! 30:40 - LIGHT RECOMMENDATION - “Love is Blind” (Netflix). 39:16 - Dustin finds out someone is a real person and we write some “Family Guy” jokes.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Should Conner get a new mixer? 2:30 - NON-SPOILER RECOMMENDATION - “The Fantastic Four: First Steps” (2025)22:12 - BEGIN SPOILERS! 47: 47 - We talk about the future, about “Avengers: Doomsday”, “Avengers Secret Wars”, and a Marvel universe reset? https://variety.com/2025/film/news/marvel-kevin-feige-robert-downey-jr-miles-morales-1236465488/https://variety.com/2025/film/news/marvel-x-men-recasting-secret-wars-1236465269/-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - A quick experiment involving coffee and pain. 10:35 - Eye masks. 14:35 - LIGHT RECOMMENDATION - “The Vast of Night” (2019)26:50 - Food go out, poop go in.Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
In Episode 257 of The Business Development Podcast, Kelly Kennedy delivers Part 5 of the Podcast Playbook series, focused on choosing the right hosting and recording tools to launch, grow, and monetize your podcast. He breaks down the often-confusing world of podcast technology, sharing hard-earned insights from producing over 250 episodes. Kelly offers a detailed, no-fluff comparison of the top hosting platforms—including Captivate, Buzzsprout, and Libsyn—emphasizing the importance of selecting a tool that fits both your current needs and long-term growth. He also highlights why a proper hosting platform is the backbone of your show, how AI tools are reshaping the landscape, and why podcast websites are essential for brand control.Shifting into recording software, Kelly outlines a comprehensive list of both AI-driven and manual options—from Descript and Adobe Podcast to Riverside.fm and Adobe Audition—giving creators the flexibility to choose tools that align with their workflow and technical comfort. He stresses that there is no perfect solution, only the one that works best for your goals and process. Whether you're a beginner or a seasoned podcaster, this episode is packed with clarity, guidance, and behind-the-scenes wisdom to help you avoid the common tech pitfalls and set yourself up for long-term success. Part 6 will cover stepping up to the mic with confidence—mindset, planning, and recording your first episode.Key Takeaways: 1. Your hosting platform is the backbone of your podcast—it stores your content, distributes it, and tracks your analytics.2. Don't chase the cheapest or flashiest hosting option—choose one that matches your growth goals and workflow.3. All hosting platforms work... until they don't. Expect to pivot as your show evolves, and that's completely normal.4. AI tools in podcast hosting can save hours per week by auto-generating titles, show notes, and audiograms—use them.5. Your podcast website matters—it's your show's digital home and a platform you actually control.6. There's no best recording software—only the best one for your comfort level, tech skills, and editing style.7. Platforms like Descript, Alitu, and Adobe Podcast simplify editing and cleanup using AI for those new to audio production.8. Tools like Riverside.fm and Squadcast offer pro-level remote recording with local audio that avoids internet issues.9. Manual editing in Adobe Audition or Audacity gives unmatched control for creators who want to master their sound.10. Podcasting is an iterative process—set yourself up for long-term success by thinking beyond your first episode.Companies mentioned in this episode: Capital Business Development Captivate FM Buzzsprout Transistor Libsyn Podbean Spotify rss.com RedCircle CoHost Simplecast Megaphone PodPage PodcastPage IO Descript Alitu Adobe Podcast Podcastle Clean Voice AI Adobe Audition Riverside.fm Squadcast Zencast Audacity GarageBand Links referenced in this episode:capitalbd.cakellykennedyofficial.com/thecatalystclub
I try to just give a simple review of "The Secret Life of Walter Mitty", a delightful movie, but I simply can't, because my attention is wholly consumed with consternation towards frivolous ad breaks DURING THE FILM on a service I already pay for.And I think I'm done. I think I'm finished watching any films on streaming that I can access physically elsewhere. I'm done. That's it. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Our wonderful neighbors moved away this week, and so I'm pouring one out for them.5:00 - NON-SPOILER REVIEW - “Superman” (2025). We give our general thoughts, recommendations, and pass/fail for seeing this movie in theaters.29:35 - SPOILERS BEGIN - We go deep into the story elements, the choices made, and Dustin in particular has a lot of suggestions that would have made this film better fit his own vision.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FM (or “Spotify for Podcasters”, whatever)FOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Double sleepovers and burned feet. 2:30 - STRONG RECOMMENDATION - “F1” (2025). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
1:45 - MORE BAD BEHAVIOR AT THE THEATER. Are we doing enough to discourage this as a society? 13:17 - LIGHT RECOMMENDATION - “Megan 2.0” (2025). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Before the main film, Kellan and Dustin talk about their thoughts on the first film, “28 Days Later” (2002), and its influence on culture and zombie media. 11:30 - We then get into thoughts on “28 Weeks Later” (2007). 16:04 - NON-RECOMMENDATION - “28 Years Later” (2025). No spoilers! -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - We talk about the premise of “Jurassic World: Rebirth”, opening this weekend in theaters. 4:22 - RECOMMENDATION - Dustin - “Superman and Lois” 4 Seasons. 24:07 - Conner has become attached to one or two of the stray cats living in his yard. We discuss this feeling and what you're supposed to do about it.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Sorry, we're eating real quick while we intro this episode.1:25 - NON-RECOMMENDATION - “The Life of Chuck” (2025). No spoilers, but Conner gives as many thoughts as he can on this movie, which is difficult to explain without giving away the plot. 19:20 - We react to the casting of the “Clayface” movie, a DC Studios film written by Mike Flanagan. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Welcome to Voice Acting Stories! On this week's episode, we have George Whittam aka George The Tech. This is a special two-part series talking about audio tech and us nerding out a bit. We talk about audio interfaces, what mics to get, and so much more. Join us for a two-part adventure and learn a few things as well. A huge shout out to VA for VO for sponsoring today's episode. If you need help with your VO business check them out at https://www.vaforfo.com/! https://georgethe.tech/ https://www.theproaudiosuite.com/ https://georgethe.tech/gtt-youtube https://navavoices.org/ Gear Mentioned in this podcast: Headphones: Beyer Dynamic DT 770 Pro, Audio Technica ATH M40 X Editing Software: Audacity, Twisted wave, Adobe Audition, Wav Pad, Ocenaudio Interfaces: SSL 2, Scarlett i2-4, iox series, Yamaha AG03, Apollo Universal Audio Mics: LDC Mic, AT2020 Mic, AT2035 Mic, Rode NT1 -5th Gen, NTI Sign, V4 Vanguard, Rosswell v87, U87, Austrian Audio AKG-OC818 Mic, Sennheiser MKH 416, AT875R – Shotgun If you want links to most of these suggestions. Check out George's Resources page. https://georgethe.tech/gear-recommendations How to connect with our podcast: Facebook Podcast Group: https://www.facebook.com/groups/631972061329300 Facebook Podcast Page: https://www.facebook.com/profile.php?id=100082776574281 Instagram Podcast: @voiceactingstories If you want a The Voice Straw check out these affiliate links. Thanks! https://voicestraw.com/?ref=ctQaTgfR https://voicestraw.com/discount/VERONICABARRERA?ref=ctQaTgfR
In this video, Nick Clason breaks down Which Microphone Youth Pastors Should Use—comparing budget phone mics, mid-tier gear like the Rode Wireless Go II, and pro options like the Sennheiser G4 and MKE 600. Whether you're filming TikTok devos, sermon recaps, or launching a youth ministry podcast, Nick gives real-world demos and witty insights so your church content sounds clear, not cringey. If you're investing in custom content through tools like Nick's Seasonal Social Media Pack, this mic guide ensures your message lands with excellence and clarity—not broom closet vibes. ☀️ SUMMER SOCIAL MEDIA PACK https://www.patreon.com/hybridministry/shop/summer-seasonal-social-media-1540452?utmmedium=clipboardcopy&utmsource=copyLink&utmcampaign=productsharecreator&utmcontent=join_link *
0:00 - Some days are hard, and it's hard to be informed without feeling overwhelmed. Our best antidote this week is listening to Dustin fix “Karate Kid: Legends”. Wouldn't life just be happier in The Shire? 2:52 - (Dustin) NON RECOMMENDATION - “Karate Kid: Legends” (2025) - Dustin saw the film and gives some spoiler-free thoughts, in case you're considering seeing this film. 20:00 - BEGIN SPOILER DISCUSSION - Dustin begins spoiling the film, and then he begins explaining how he would have fixed the story. And as usual, it sounds a lot better than what we got. 1:00:20 - Brief technical issue, and then I explain what it means. 1:04 :27 - We fulfill our obligation to follow up on the updated international box office for this movie.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Welcome to Voice Acting Stories! On this week's episode, we have George Whittam aka George The Tech. This is a special two-part series talking about audio tech and us nerding out a bit. We talk about his favorite piece of audio tech, what he has been up to since he was last on the show, and so much more. Join us for a two-part adventure and learn a few things as well. A huge shout out to VA for VO for sponsoring today's episode. If you need help with your VO business check them out at https://www.vaforfo.com/! https://georgethe.tech/ https://www.theproaudiosuite.com/ https://georgethe.tech/gtt-youtube https://navavoices.org/ Gear Mentioned in this podcast: Headphones: Beyer Dynamic DT 770 Pro, Audio Technica ATH M40 X Editing Software: Audacity, Twisted wave, Adobe Audition, Wav Pad, Ocenaudio Interfaces: SSL 2, Scarlett i2-4, iox series, Yamaha AG03, Apollo Universal Audio Mics: LDC Mic, AT2020 Mic, AT2035 Mic, Rode NT1 - 5th Gen, NTI Sign, V4 Vanguard, Roswell Mini K87, U87, Austrian Audio AKG-OC818 Mic, Sennheiser MKH 416, AT875R – Shotgun If you want links to most of these suggestions. Check out George's Resources page. https://georgethe.tech/gear-recommendations How to connect with our podcast: Facebook Podcast Group: https://www.facebook.com/groups/631972061329300 Facebook Podcast Page: https://www.facebook.com/profile.php?id=100082776574281 Instagram Podcast: @voiceactingstories If you want a The Voice Straw check out these affiliate links. Thanks! https://voicestraw.com/?ref=ctQaTgfR https://voicestraw.com/discount/VERONICABARRERA?ref=ctQaTgfR
0:00 - Advertise “Life of Chuck”, you cowards! 1:30 - REVIEW - “Ballerina” (2025). No spoilers!27:00 - We wanted to chat about the new Stunt Design category at the 100th Oscars. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Conner had a strange dream where he ruined a celebrity's party. 4:40 - REVIEW - “Heretic” (2024). Spoiler-free. 24:05 - SPOILER DISCUSSION. We talk about the second half of the movie, the ending, and a healthy dose of theology.44:00 - This is where we get opinionated. Does the movie make atheism the villain, and are we fine with that? -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Running is hard. 1:00 - REVIEW - “Mission Impossible: The Final Reckoning” (2025). SPOILER FREE. We're simply talking about our overall opinions on the film, and who we feel this film is most made for. 20:05 - BEGIN SPOILERS. We're going to talk plot spoilers, more detailed discussions about story choices, and what we would have done differently. We spoil every Mission Impossible film.1:08:34 - Dustin and I get into a gigantic discussion about the insufferability of press junkets, podcast trailers, podcasts, and film and TV culture in general. It all sucks. But not us. We're different. Got it?-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - An update on my electricity situation. TLDR, I'm alive. 7:00 - The “Mission Impossible” review is coming up next. Tune in on Friday! 9:00 - RECOMMENDATION - “Silo” (2 Seasons). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Electrical Fires! 6:23 - Dustin's Blueberry Bush. 9:18 - REVIEW - “The Day the Earth Blew Up”. 43:24 - “Coyote vs Acme” gets a second life, possibly will be released in theaters! Also, a tacit commitment for me to rewatch “Simon Birch”. https://variety.com/2025/film/global/coyote-vs-acme-cannes-market-kinology-1236391123/-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
"The more you do it, the more comfortable you are, the more you learn." "A good story was like, some shock and awe!" "You need positive projects." "I try not to yuck anyone's yum." In this special rebroadcast episode of Better Call Daddy, hosts Reena Friedman Watts and Wayne Friedman flip the mic as they take a turn in the hot seat. The Daddies podcast, Greg and Erik, and I have a candid conversation about the intricacies of podcasting, personal branding, and the evolution of our shows. Reena shares her journey from interning with Jerry Springer to building a platform that showcases the wisdom of her father, Wayne, while also interviewing a diverse range of guests. The duo discusses their unique approach to selecting guests, the challenges of early podcasting, and how their experiences have shaped their storytelling. With humor and authenticity, they reminisce about their first guest experiences, the learning curve of editing, and the importance of finding one's voice in the podcasting realm. Wayne provides his signature insights, emphasizing the value of open communication and the beauty of evolving perspectives through shared stories. Listeners will enjoy the light-hearted banter, personal anecdotes, and the relatable challenges faced by podcasters at every level. This episode is a celebration of growth, connection, and the power of storytelling in the digital age. Join us for this engaging episode that reminds us all to embrace our journeys and, of course, to Better Call Daddy! (00:00) Reena Friedman Watts is getting interviewed by the Daddies Podcast (05:25) Dr. Squatch is a multi-million, if not billion dollar company (08:48) William Hung was the first person to love American Idol. I feel like I always tell this story (11:38) There are four or five things about me that people remember (13:15) Jerry Springer: Valentine's Day probably trumps Father's Day (15:20) How did you get involved with Jerry Springer? I started off as an intern (19:58) When I first started my podcast, I did not know anyone (23:12) In Delaware, the biggest band to come out of Delaware is who (25:50) The podcast has helped me come out of my shell, right (29:03) At the end of each episode, we would do a snack review (32:49) My wife was not embarrassed whatsoever. You can't embarrass her at all (33:42) How did you meet your wife? I met her at a house party (37:42) One episode that we didn't air. Right. Erik and I were both recording at our house (42:05) Greg: I accidentially muted on Zencaster (45:50) Let's switch it over to Daddy. So what do you think, Daddy, how. Uh, Am I a little red? (46:11) I spend so much time with my dad just editing those clips (49:24) Reena says she edits her audio through Adobe Audition (53:06) Bad audio will make or break a podcast, Daddy says (57:33) So my son is 9 years old and he plays a lot of Fortnite (01:00:24) Kendall Breitman is the head of community at Riverside.fm (01:04:06) For those wanting to get into podcasts, you can do it on your phone (01:07:52) For the everyday, what, uh, we're doing is perfectly fine (01:08:25) There are lots of schools of thought on how to start your podcast (01:14:21) Sometimes uniqueness is just as valuable as perfection, Better Call Daddy says Episode with Lunden Roberts (Hunter Biden's ex) episode 400 https://open.spotify.com/episode/1nuSqr1wUUhipfcfff0FRo?si=U32YFvEUQAm5iLPBmfhGuA Don't forget to like, subscribe, and share this episode with someone who needs a dose of inspiration and wisdom! Connect with Reena and Wayne on social media to follow their journeys and stay updated on future episodes. Show notes created by https://headliner.app
0:00 - We went from having a Pope, to not having a Pope, to hopefully having a Pope by the time you're hearing this! 2:45 - RECOMMENDATION - “Conclave” (2024)-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Colored lights will keep the middle class alive and happy. 1:15 - REVIEW - “Severance” (Seasons 1 & 2). No spoilers. We discuss the effect of having a show that reminds us of “Lost”, but that's so much better than “Lost”. 41:00 - BEGIN SPOILER DISCUSSION. We talk plot details and more specific character moments. Also our fun theories, such as “Ricken is the Board”. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - We attempted free Zoom once. Never again. Also, I failed at exercising in the morning. I just can't do it. Go ahead and make fun of me, unless you can't either. 3:50 - REVIEW - “Thunderbolts” (2025). No spoilers yet! 21:00 - SPOILER TALK Begins. We discuss the characters more deeply, the ending, the post-credit scene, and the future of the MCU. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - We're getting worse at doing the show (speaking for myself). Hey, let's talk about Cobra Kai! 2:15 - REVIEW - “Cobra Kai” (Series Review). 25:06 - How long do you watch a show before it gets good/ how many episodes do you give it before you give up?https://www.statsignificant.com/p/how-many-episodes-should-you-watch?utm_campaign=mb&utm_medium=newsletter&utm_source=morning_brew-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - RECOMMENDATION - “Sinners” (2025). 26:44 - We then discuss Ryan Coogler's deal for this film, which some are claiming will end the studio system as we know it. We talk about what the deal was and what it may actually mean. -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Meow Wolf, Pickle Boys, and Hats. Dustin and Kellan are over here essentially designing their own clothes. What the heck. Why didn't I know about this? 7:18 - Why is my memory of “Doctor Sleep” so clouded? 9:10 - REVIEW - “The Electric State” (2025). -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - Intro. Skype is coming to an end, and so we have to learn new ways to make this show. Also, Slack is far better than Teams. Everything Sucks. 4:50 - Tomatoes. Eat them. 10:10 - REVIEW - “Anora” (2024). 25:22 - RECOMMENDATION - “Good Hang with Amy Poehler” (podcast). Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - It's time for Spring Cleaning, and Conner's clothes no longer fit. What's that about? 13:06 - This is the “Saturday Night” episode. 14:55 - REVIEW - “Saturday Night” (2024). 46:00 - We begin speaking about SNL as an institution, its role as a talent factory, and how best to continue the show.53:10 - This section is more geared towards the show today, and the future of its operations, post-Lorne. I have ideas for how they could staff the writers.-----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - A horrifying dream where Conner murdered his brother. 5:40 - RECOMMENDATION - “Grand Theft Hamlet” (2024). Thanks for joining us! If you enjoy our show, please tell your friends.If you're interested in my writing, visit https://jconnor.substack.com/ -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - The young people are beginning to notice Conner's tattoos. Mixed results. 5:40 - RECOMMENDATION - “The Substance” (2024).—Thanks for joining us! If you enjoy our show, please tell your friends.If you're interested in my writing, visit https://jconnor.substack.com/ -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.—
0:00 - Hello! Dustin and Conner discuss Dustin's Bible miniseries idea.6:23 - REVIEW - “The Wild Robot” (2024).Thanks for joining us! If you enjoy our show, please tell your friends.If you're interested in my writing, visit https://jconnor.substack.com/ -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.—
This week, we're reviewing “Longlegs” (2024). Thanks for joining us! If you enjoy our show, please tell your friends.If you're interested in my writing, visit https://jconnor.substack.com/ -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
0:00 - “Poop” and “Pee”.2:35 - REVIEW - “Juror #2” (2024) We discuss the film, but the larger discussion here is about the further devaluation of films and filmmakers by the streaming economy. Why wasn't this given a wide release? It's Clint Eastwood, for chrissake!Why do streaming services have to make money? Wouldn't they be better utilized as platforms for independent projects that otherwise have no distribution? Wouldn't that feed the ecosystem as a whole? Couldn't we just go back to theatrical releases, home media, buying movies at film festivals and discovering new talent, thereby exposing the public to more interesting films that are less seme-y than what we have today, thus minimizing the reliance on corporate-owned IP?Thanks for joining us! If you enjoy our show, please tell your friends.If you're interested in my writing, visit https://jconnor.substack.com/ -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
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