Podcasts about ID3

Dans cet épisodeDeux interviews, une start-up et un retour d'expérience.Tout d'abord je reçois un responsable de la start-up Cardino, une plateforme numérique qui facilite la vente de voitures électriques d'occasion. Ensuite, dans le huitième épisode de notre série Le Retex, j'ai le plaisir d'échanger avec Patrice, qui parcourt plus de 50 000 km par an au volant de sa Volkswagen ID5 GTX, après avoir découvert l'électrique avec une ID3.Bienvenue dans le Podcast Watts Up par Automobile Propre, épisode 142 du 9 novembre 2024 !

Der Volkswagen-Konzern steht mit dem Rücken zur Wand: Im ersten Halbjahr ist der Gewinn der Marke VW eingebrochen. In Deutschland verdient sie mit der Produktion von Autos kein Geld, ließen die Manager durchblicken. Das Stammwerk in Wolfsburg ist ausgelegt auf die Produktion von mehr als 800.000 Autos pro Jahr, allerdings läuft es momentan nur auf halber Kraft. In anderen Fabriken ist die Auslastung sogar noch geringer! Besonders bei der E-Mobilität hat Volkswagen große Probleme: Die Aufträge für das Leitwerk in Zwickau reichen nur noch für zwei Schichten am Tag. Und Konkurrenten wie BYD geben Gas, haben viel beliebtere Modelle, die sich viel besser verkaufen als beispielsweise der ID3 oder der ID4 von Volkswagen. Und BYD greift nun auch mit der Produktion in Europa an und wird bald in Ungarn Elektroautos fertigen lassen. Das beliebteste Elektroauto 2024 ist aber weiterhin das Model Y von Tesla. Vor Jahren hatten die VW-Bosse Elon Musk und Tesla noch belächelt. Auch wenn Ex-Cehf Herbert Diess als großer Fan von Elon Musk gilt. Fazit: VW fehlen in Europa 500000 Autos pro Jahr – das sind die Verkäufe für rund zwei Werke! Ist das das Ende von VW? Oder bietet sich eine große Chance? Besonders die Bewertung und die Beteiligung an Porsche sind für Anleger spannend...

In deze 69ste podcast rijden we met de vernieuwde Golf 8, heeft Audi de nieuwe A5 voorgesteld en is er ook nieuws vanuit Bentley en Porsche. Verder bespreken Michael en Nicolas duurdere autoverzekeringen, het thuis installeren van een snellader en meer in Autoblog Podcast 69! 00:00 Intro 01:47 De week van Wouter en Nicolas 07:03 Het allerheetste Autoblog Nieuws 07:30 De nieuwe Audi A5 10:14 De beste ID3 is een VW Golf 14:35 Bentley Flying Spur nieuws 17:22 Panamera Turbo S E Hybrid 21:07 Mercedes werkt samen met Starbucks 23:22 Subisidiepot tweedehands EV's op 25:24 De Ierse oplichtingstruc 28:06 Autoverzekering duurder door EV's 31:10 Snellader thuis installeren 33:25 Bentley W12 is niet meer 36:12 Formule E 39:50 Pech met elektrische auto 42:25 De leukste vakantiefoto's 44:08 Formule 1 48:17 Occasions 51:42 Reactie van de Week

Si vous ne l'avez pas lu, je vous invite à aller lire mon essai de la BYD Atto3, essai de la BYD Atto3, la version SUV de la BYD Dolphin, issue de la même plateforme. En substance, la synthèse de mon essai était : rien de génial, rien de mauvais, mais au global une auto bien mais chère face à l'épouvantail Tesla, voire même aux ID3 et Mégane aux tarifs 2024 repositionnés. Si la BYD Dolphin a été développée sur la même plateforme technique que l'Atto3, vous verrez tout au long de cet essai que le résultat n'est pas tout à fait le même.

Si vous ne l'avez pas lu, je vous invite à aller lire mon essai de la BYD Atto3, essai de la BYD Atto3, la version SUV de la BYD Dolphin, issue de la même plateforme. En substance, la synthèse de mon essai était : rien de génial, rien de mauvais, mais au global une auto bien mais chère face à l'épouvantail Tesla, voire même aux ID3 et Mégane aux tarifs 2024 repositionnés. Si la BYD Dolphin a été développée sur la même plateforme technique que l'Atto3, vous verrez tout au long de cet essai que le résultat n'est pas tout à fait le même.

Si vous ne l'avez pas lu, je vous invite à aller lire mon essai de la BYD Atto3, essai de la BYD Atto3, la version SUV de la BYD Dolphin, issue de la même plateforme. En substance, la synthèse de mon essai était : rien de génial, rien de mauvais, mais au global une auto bien mais chère face à l'épouvantail Tesla, voire même aux ID3 et Mégane aux tarifs 2024 repositionnés. Si la BYD Dolphin a été développée sur la même plateforme technique que l'Atto3, vous verrez tout au long de cet essai que le résultat n'est pas tout à fait le même.

Toyota is gewoon weer de grootste autobouwer ter wereld! Verder bespreken we het mogelijke einde van de ID3, de subsidieregeling voor EV's is volgens Natuur & Milieu 'niet sociaal', de BYD Seal U is goedkoper dan een Tesla Model Y, er is flink wat tegenwind op de EV-markt, nieuwe softwareproblemen bij Volvo en de Golf bestaat 50 jaar. Breek de week is een midweekse podcast waarin Meindert Schut, Wouter Karssen en Noud Broekhof je bijpraten over het wel en wee in de autowereld. Een nieuwe aflevering van De Nationale Autoshow hoor je iedere vrijdag om 15:00 uur live op BNR of luister achteraf de podcast terug via je favoriete podcastapp.  Meer luisteren? Petrolheads | Bas van Werven en Carlo Brantsen bespreken op geheel eigen wijze het autonieuws. Abonneer hier. Auto Update | Het laatste autonieuws, met Bas van Werven en Noud Broekhof. Abonneer hier.See omnystudio.com/listener for privacy information.

Le facelift de la VW ID3 est arrivé au second semestre 2023, le changement de la règle du Malus pour 2024 et une grosse baisse tarifaire nous donne l'occasion de l'essayer et de la comparer en particulier avec ses rivales chinoises et américaines. Le bon moment pour réessayer la plus vendue des VW électriques et la première de la série des ID. Un facelift esthétique léger après 2 ans et demi de vie et surtout l'arrivée d'un nouvelle batterie 77kwh qui charge plus vite que l'ancienne.

Le facelift de la VW ID3 est arrivé au second semestre 2023, le changement de la règle du Malus pour 2024 et une grosse baisse tarifaire nous donne l'occasion de l'essayer et de la comparer en particulier avec ses rivales chinoises et américaines. Le bon moment pour réessayer la plus vendue des VW électriques et la première de la série des ID. Un facelift esthétique léger après 2 ans et demi de vie et surtout l'arrivée d'un nouvelle batterie 77kwh qui charge plus vite que l'ancienne.

Le facelift de la VW ID3 est arrivé au second semestre 2023, le changement de la règle du Malus pour 2024 et une grosse baisse tarifaire nous donne l'occasion de l'essayer et de la comparer en particulier avec ses rivales chinoises et américaines. Le bon moment pour réessayer la plus vendue des VW électriques et la première de la série des ID. Un facelift esthétique léger après 2 ans et demi de vie et surtout l'arrivée d'un nouvelle batterie 77kwh qui charge plus vite que l'ancienne.

Le facelift de la VW ID3 est arrivé au second semestre 2023, le changement de la règle du Malus pour 2024 et une grosse baisse tarifaire nous donne l'occasion de l'essayer et de la comparer en particulier avec ses rivales chinoises et américaines. Le bon moment pour réessayer la plus vendue des VW électriques et la première de la série des ID. Un facelift esthétique léger après 2 ans et demi de vie et surtout l'arrivée d'un nouvelle batterie 77kwh qui charge plus vite que l'ancienne.

table td.shrink { white-space:nowrap } hr.thin { border: 0; height: 0; border-top: 1px solid rgba(0, 0, 0, 0.1); border-bottom: 1px solid rgba(255, 255, 255, 0.3); } New hosts There were no new hosts this month. Last Month's Shows Id Day Date Title Host 4000 Fri 2023-12-01 New Orleans Ahuka 4001 Mon 2023-12-04 HPR Community News for November 2023 HPR Volunteers 4002 Tue 2023-12-05 Today I learnt - 2023-11-24 Dave Morriss 4003 Wed 2023-12-06 My road recording setup Some Guy On The Internet 4004 Thu 2023-12-07 Wayland to X11 bridge Ken Fallon 4005 Fri 2023-12-08 Sgoti's reply to multiple shows. Some Guy On The Internet 4006 Mon 2023-12-11 Holiday Challenges Ep 3 SANS Holiday Hack Challenge and KringleCon Trey 4007 Tue 2023-12-12 Advent of code day 1-5 catchup Daniel Persson 4008 Wed 2023-12-13 Sextortion. Good Heavens! Some Guy On The Internet 4009 Thu 2023-12-14 Reolink CCTV Cams operat0r 4010 Fri 2023-12-15 Playing Alpha Centauri, Part 3 Ahuka 4011 Mon 2023-12-18 The Intel Hex file format Brian in Ohio 4012 Tue 2023-12-19 RE: show comments. Some Guy On The Internet 4013 Wed 2023-12-20 Smart Watches gross operat0r 4014 Thu 2023-12-21 Post-Quantum Cryptography Update 1st November 2023 Ahuka 4015 Fri 2023-12-22 Value of life, part 0. Some Guy On The Internet 4016 Mon 2023-12-25 Today I learnt MrX 4017 Tue 2023-12-26 Advent of code day 6-10 catchup Daniel Persson 4018 Wed 2023-12-27 A comment about other shows and Aliases Reto 4019 Thu 2023-12-28 Fairy lights and Powerful Pixies Ken Fallon 4020 Fri 2023-12-29 Alabama to Florida Ahuka Comments this month These are comments which have been made during the past month, either to shows released during the month or to past shows. There are 22 comments in total. Past shows There are 5 comments on 4 previous shows: hpr262 (2008-12-31) "Programming 101: The Basics" by Xoke. Comment 1: Ne01sfree on 2023-12-24: "Thankyou" hpr3972 (2023-10-24) "Thunderbird inbox filtering: keeping a clean/orderly inbox." by Some Guy On The Internet. Comment 1: frank on 2023-12-12: "Why unsubscribe?" Comment 2: Some Guy On The Internet on 2023-12-14: "RE: Why unsubscribe?" hpr3985 (2023-11-10) "Bash snippet - be careful when feeding data to loops" by Dave Morriss. Comment 1: Ken Fallon on 2023-12-04: "using this now in" hpr3998 (2023-11-29) "Using open source OCR to digitize my mom's book" by Deltaray. Comment 2: Deltaray on 2023-12-03: "Thanks" This month's shows There are 17 comments on 5 of this month's shows: hpr4000 (2023-12-01) "New Orleans" by Ahuka. Comment 1: brain-in-ohio on 2023-12-02: "wow!" hpr4007 (2023-12-12) "Advent of code day 1-5 catchup" by Daniel Persson. Comment 1: norrist on 2023-12-13: "Brute Forece will only get you so far" hpr4008 (2023-12-13) "Sextortion. Good Heavens!" by Some Guy On The Internet. Comment 1: Another Guy on the internet on 2023-12-13: "This show is very opinionated"Comment 2: hpr listener on 2023-12-13: "Poor quality."Comment 3: Some Guy on the Internet on 2023-12-14: "RE: This show is very opinionated."Comment 4: Some Guy on the Internet on 2023-12-14: "RE: Poor quality."Comment 5: hpr listener on 2023-12-16: "RE: Poor quality."Comment 6: Ken Fallon on 2023-12-17: "Opinions are allowed on HPR"Comment 7: Bob on 2023-12-17: "Great Show"Comment 8: X on 2023-12-18: "You missed some points"Comment 9: Kevin O'Brien on 2023-12-18: "Great show"Comment 10: Another Guy On The Internet on 2023-12-20: "Controversy is a good thing" hpr4012 (2023-12-19) "RE: show comments." by Some Guy On The Internet. Comment 1: hpr listener on 2023-12-19: "Just when the disappointment couldn't get worse, it did."Comment 2: Ken Fallon on 2023-12-20: "I am unable to comply as..."Comment 3: hpr listener on 2023-12-21: "Re: I am unable to comply as..." hpr4019 (2023-12-28) "Fairy lights and Powerful Pixies" by Ken Fallon. Comment 1: Trey on 2023-12-28: "Nicely done."Comment 2: Reto on 2023-12-29: "Audacity is overkill" Mailing List discussions Policy decisions surrounding HPR are taken by the community as a whole. This discussion takes place on the Mail List which is open to all HPR listeners and contributors. The discussions are open and available on the HPR server under Mailman. The threaded discussions this month can be found here: https://lists.hackerpublicradio.com/pipermail/hpr/2023-December/thread.html Events Calendar With the kind permission of LWN.net we are linking to The LWN.net Community Calendar. Quoting the site: This is the LWN.net community event calendar, where we track events of interest to people using and developing Linux and free software. Clicking on individual events will take you to the appropriate web page. Any other business Developments in the last month Repairing shows which had no ID3 and similar tags on the audio Enhancements to the comment system Thanks to all 58 HPR contributors in 2023! Ahuka, Andrew Conway, Archer72, Bookewyrmm, Brian in Ohio, Celeste, Claudio Miranda, Clinton Roy, Daniel Persson, Dave Morriss, David Thrane Christiansen, David Whitman, deepgeek, Deltaray, dnt, enistello, folky, Fred Black, gemlog, Hipernike, hobs, Honkeymagoo, HopperMCS, HPR Volunteers, HPR_AudioBookClub, Jon Kulp, JWP, Keith Murray, Ken Fallon, Klaatu, knightwise, Lee, Lurking Prion, Mechatroniac, Mike Ray, minnix, Mr. Young, MrX, Noodlez, norrist, one_of_spoons, operat0r, Paul Quirk, Reto, Rho`n, Ryuno-Ki, screwtape, Shane Shennan, Some Guy On The Internet, Stache_AF, StarshipTux, Steve Saner, Thaj Sara, ToeJet, Trey, Trixter, Tuula, Zen_Floater2.

Data storage plays a crucial role in enhancing the efficiency and success of an audio podcaster by providing a myriad of benefits. Firstly, it ensures seamless accessibility to a vast repository of media files, allowing podcasters to swiftly retrieve and organize their content. This not only saves time but also facilitates easy updates and modifications to episodes. Additionally, robust data storage enables podcasters to maintain high-quality audio files without compromising on clarity or resolution. This is especially crucial for preserving the integrity of the podcast's sound, enhancing the overall listening experience for the audience. Furthermore, reliable storage solutions offer a secure backup for all media files, guarding against potential data loss or technical glitches. In essence, efficient data storage empowers audio podcasters with the tools they need to streamline their workflow, maintain content integrity, and ensure a seamless and enjoyable experience for their audience. Organizing your workflow is crucial for efficient podcast production. Here are five ways audio podcasters can organize their workflow using files and storage solutions: Establish a Folder Structure: Create a clear and consistent folder structure for your podcast files. This could include main folders for each season, with subfolders for individual episodes. - Within episode folders, organize files by type, such as raw recordings, edited files, transcripts, show notes, and promotional materials. Naming Conventions: Adopt a systematic naming convention for your files. Include episode numbers, titles, and relevant dates in your file names. - Consistent naming makes it easier to locate specific files and maintain a logical order in your storage. Metadata Embedding (ID3 Tags): Embed metadata (ID3 tags) into your audio files. Include information such as episode numbers, titles, descriptions, and cover art. - This enhances the professionalism of your podcast and ensures that crucial information is attached to the audio files. Version Control: Implement version control for your podcast episodes. This is particularly important if multiple people are working on the same project. - Use tools or naming conventions to differentiate between drafts and final versions, and keep a record of changes made during editing. Cloud-Based Collaboration: Leverage cloud storage solutions (Google Drive, Dropbox) for seamless collaboration. These platforms enable real-time sharing and editing of files, facilitating teamwork, especially if team members are working remotely. - Ensure that access permissions are appropriately set to control who can view, edit, or comment on files. By incorporating these practices into your workflow, you can maintain an organized and efficient podcast production process. Consistent folder structures, clear naming conventions, metadata embedding, version control, and cloud-based collaboration contribute to a streamlined workflow, making it easier to manage, share, and locate podcast files. Thanks so much for listening, I really appreciate it so much. If you need any help with your podcast, feel free to reach out. My email is podtasticaudio@gmail.com  The Kris and Kristine Show Podtastic Audio Twitter Instagram LInkedIn      

Coming to you from Chicago, IL – #ELEVATION is a monthly LIVE recorded mix series presented by local Producer & DJ Jeff Osimitz AKA ‘Jeff Ozmits'. The series showcases the latest and best in Progressive House, and Progressive Trance from all around the world.Get involved on Twitter be using @JeffOzmits or #GetElevated.Sign up for the ELEVATION Newsletter HERE ▷ eepurl.com/b2-fQLCONNECT with Jeff OzmitsFacebook @ Jeff OzmitsSoundcloud @ Jeff OzmitsInstagram @ Jeff OzmitsTwitter @ Jeff OzmitsMixcloud @ Jeff OzmitsHashtag: #GETELEVATED1. ID2. ID3. Stone Van Brooken, Marcus Cito - REJ (Extended Mix) [Exx Muzik]4. ADZ & Rion S - I Believe In You (Extended Mix) [Anjunabeats]5. ID6. ID7. Binary H Feat. Eleonora - Otherside (Extended MIx) [Hiato Music]8. ID9. Jeff Ozmits & Robert B. Feat. EMME - Your Lights (Extended MIx) [ASOT]10. 3LAU Feat. XIRA - Easy (Extended Mix) [Anjunabeats]11. ADZ - Falling (Extended Mix) [Anjunabeats]12. ID

Günstige Elektroautos sind bisher Mangelware. Ein gebrauchtes E-Auto könnte daher für viele potenzielle Käufer eine Lösung sein. Interessenten müssen sich aber vorab mit sehr anderen Fragen beschäftigen als beim Kauf eines gebrauchten Verbrenners. Martin Weiss (DAT) und Matthias Vogt (ADAC) klären auf über den Gesundheitszustand der gebrauchten Hochvoltbatterie, die Restreichweite und die Preisstabilität.

Samedi 8 juillet, Pauline Ducamp a reçu Olivier Chicheportiche, journaliste BFM Business, Quentin Leblond, fondateur de Mecanicus, Julien Bonnet, journaliste BFM Business et Nicolas Clatot, responsable commercial de Technomap. Ils se sont penchés sur le plan de la SNCF pour allonger la durée de vie de ses TGV, le courtier de la voiture de collection Mecanicus, l'essai de la nouvelle ID3 et Technomap, l'hybride au service de la performance, dans l'émission En route pour demain sur BFM Business. Retrouvez l'émission le samedi et réécoutez la en podcast.

Hello again, my name is André Jaenisch, also known as Ryuno-Ki. Last week I recorded my first episode for Hacker Public Radio, the podcast you are listening to right now. This one is recorded on 15th May 2023. Again I'm publishing it under a Creative Commons Attribution Share-Alike 4.0 International License. Getting contacted I was surprised to get mentioned on the Fediverse after submitting my show. You can find me there at RyunoKi@layer8.space (no dash, eight as digit, link in the shownotes) in case you want to reach out to me. I'm also delighted to have received an email even before my last episode was airing. I was asked whether I am interested in recording an episode on my experience with contributing to Hacker Public Radio for the first time. So this is going to be the topic for today. As a warning upfront: I have a reputation of overthinking stuff. I blame my neurodiversity for it. That being said I'm positive that sharing my thought process can help make the service better for everyone. About recording software I'm recording this episode again using Audacity. Now there is choice about which software you can use for a podcast. Online based as well as offline one. Audacity was in the news for sending analytics home. However I couldn't find any indication in the settings for it (to opt-out). The forks of the software weren't packaged up for Debian as far as I could tell. Or perhaps they require an additional sources.list entry, I don't know. Before recording my very first podcast here I had only experience with some video recording. Oftentimes done by the host but I also prepared a few videos for an online course (which I couldn't publish because life happened) and talks I gave during the pandemic years. Learning about how to podcast As I often do when I enter a new subject, I went to the library and grabbed some books to learn more. In particular I lended Podcasts by Dirk Hildebrand. A small book in German published at Haufe. I add a link in the shownotes. Reading through it I learned that I'm doing okay. It's really easy to start a podcast as HPR promises! The thing I should spend some attention on is keeping a consistent distance to the microphone, enable some level of feedback during the recording so that I can listen to what is recorded while speaking (using my gaming headset Logitech G230) and prepare a script. I don't have to think about designing images for the show or episode because HPR will take care of that for me. It might be different if I start my own podcast. Perhaps using Funkwhale or Castopod. Right now I'm not taking steps towards that. Mainly because I need to rent some webspace first. In my experience streaming media takes considerable amount of bandwidth. Pair that with hosters that try hard to convince you to buy your domains with them as well and the choice shrinks. I have my DNS provider already, thank you very much. Adapting lessons learned I looked into how to do that in Audacity and I think the best I could do for now is hitting on the microphone icon next to the meters in the upper right of the interface and enable observation before I start recording. Also leaving a little bit of time before and after the recording allows me to cut keyboard clicks for starting and stopping the recording. In HPR 3802 I also learned about skipping silences which is a Effect in the Special category here. I hope I don't have pauses so long that it warrants to truncate them. My main thought about going with Audacity was post-processing directly after the recording. I learned from my talks that I already feel comfortable with a script in front of me. It gives me the security I need to avoid too many ums. What's missing on HPR However, I feel like a few things are missing. Considering that this is a podcast that is distributed through HPR and its partners I would like to have chapter markers. I couldn't find a hint on how to add them in the form I was presented. Using timestamps it allows to easily see the outline of a recording which aids in the decision making process on whether it's worth the time to listen to a particular episode. I hope you consider the episodes here useful to make time for them :) Thank you. Another question mark I had when preparing the recording were the settings. I'm used to have a guideline when recording videos for an online talk. Things like preferred format and container, to technical details like stereo or mono to the sampling rate (value and whether static or variable). The only thing I found is a hint that submissions will be transcoded to mono. I record in stereo with the default 44,1 kHz sampling rate here. There was no recommendations on the format so I went with OGG Vorbis instead of MP3 because of license freedom. Audacity appear to not support FLAC so I have to use a lossy format. It's true that MP3 enjoys wide support, but I want to encourage freedom when given the choice. I could have chosen WAV files but those tend to become huge really fast. Adding metadata Now I also add metadata to the recording. Vorbis offers comments for that. You can compare it to ID3 tags for MP3 files. Given that I couldn't find a way to enter these chapter information in HPR web forms I'm experimenting with EasyTAG from the debian repository. From reading the source code of my podcatcher of choice (AntennaPod for Android as distributed in the F-Droid app store) I can tell that it parses these comments at least. If that doesn't yield results I hope to see, there is vorbiscomment of the vorbis-tools package for the command line. And Kid3 with a Qt or CLI interface. Expect some slightly different metadata by me over the course of my contributions. Writing shownotes Last thing I want to highlight before ending this episode is shownotes. Now I have more experience with blogging than recording a podcast. When researching recommendations online there is all this SEO fluff that goes into writing subtitles. Usually with catchy titles, clickbait and all the rest. I have opinions here. However, I enjoy that there is no „leave a rating and a review” part in the episodes I listened to so far, because a podcast is a special RSS feed basically. Why would I want to bind myself to a special platform? But then I also want to be able to read up and search through the content of a podcast episode. Right now I'm sharing my prepared script as a shownote. It could come off as a wall of text. I'm open to feedback on this front. You can find my Keyoxide profile below. Please do reach out to me. Closing And that's it for today. I thank you for listening to me. Looking forward to hear from you. Be it in writing or as an episode on HPR. Homepage: jaenis.ch E-Mail: andre.jaenisch.wdc@posteo.net Keyoxide: andre.jaenisch@posteo.de Mastodon: @RyunoKi@layer8.space

【节目简介】2035年欧盟禁售化石燃料车的决定在2023年2月14日通过一场投票在欧洲议会达成了，但随之而来的问题就是，油车全部被电车替代的话，电池打哪儿来？很显然欧洲并不愿意把这块市场拱手让给中国或韩国，那欧洲本土的gigafactory准备好了么？本期《孤岛车谈》我们请来在德国的电池工业化咨询专家刘子达，让他帮我们梳理一下欧洲电池生产的现状，顺便展望一下（不那么光明的）未来。2022年12月欧洲电池工厂分布2023年4月欧洲电池工厂分布沃尔沃C40 Recharge电动车全生命周期分析报告的二氧化碳排放对比（汽油车 VS 全球平均电 VS 欧盟28国平均电 VS 纯风电）【话题成员】罗新雨 底盘电子（ESP、ADAS、自适应避震器）标定工程师刘子达 电池工业化咨询专家片尾音乐 Northern Star by Melanie C【时刻文稿】0:00 欧盟2035年禁燃的大背景4:36 子达从汽车工程到电池生产的经历10:17 欧洲Gigafactory规划分布和电池总需求14:58 欧洲Gigafactory的现实情况19:29 欧洲电池厂的问题24:42 电池厂的最佳区位四要素：能源、原材料、人力、政府补助30:13 中国电池工厂的劣势：碳足迹49:44 中国电池工厂的优势：产业链、原材料53:52 电池电化学技术在中国的飞速演进57:57 中国电池的“卷”是全方位的1:02:25 不会做电池的整车厂就不是一家好的电池厂1:04:01 展望：欧洲规划建厂的电池公司至少死一半，Northvolt不能倒，中国电池公司必须走出去【参考链接】1. 2023年欧洲议会投票表决2035年禁售内燃机（英文，2023）：https://www.lemonde.fr/en/european-union/article/2023/02/14/eu-parliament-votes-to-ban-petrol-car-sales-by-2035_6015745_156.html2. 沃尔沃C40 Recharge全生命周期分析报告（英文，2021）：https://www.volvocars.com/images/v/-/media/Market-Assets/INTL/Applications/DotCom/PDF/C40/Volvo-C40-Recharge-LCA-report.pdf3. 大众ID3全生命周期分析报告（英文，2021）：https://www.volkswagenag.com/en/news/stories/2021/02/e-mobility-is-already-this-much-more-climate-neutral-today.html4. 宝马i4全生命周期分析报告（德语，2021）：https://www.bmwgroup.com/content/dam/grpw/websites/bmwgroup_com/responsibility/downloads/de/2021/Umweltbericht_BMW-i4M50.pdf5. 奔驰EQS全生命周期分析报告（英文，2021）：https://group.mercedes-benz.com/documents/sustainability/product/daimler-environmental-check-mb-eqs.pdf6. Green NCAP全生命周期分析报告（英文，2021）：https://www.greenncap.com/press-releases/lca-how-sustainable-is-your-car/7. IIGF观点 |我国绿电交易发展情况、问题及建议（中文，2022）：http://iigf.cufe.edu.cn/info/1012/5050.htm8. 全国政协委员曾毓群：加快电池碳足迹研究 建立产品碳排放管理体系 (中文，2022）：https://www.sohu.com/a/528095356_1180819.「P3研报」欧盟电池护照 - 电动汽车可持续发展的关键因素！（中文，2022）：https://mp.weixin.qq.com/s/VNH__CASoFaCpm6bveSe1Q10. 欧洲电池工厂地图来源（德语，2022）：https://battery-news.de/index.php/2023/04/28/zellchemien-und-formate-in-europa-stand-april-2023/

Biometric identification is a technology that is becoming increasingly popular in the modern world. It is used in a variety of applications, such as authentication and access control. The most commonly used biometric identification technology is facial recognition. This technology is based on the unique characteristics of a person's face. However, it is not without its weaknesses. A major concern with facial recognition is the potential for identity theft. This is where FaceAlive comes in.Secure biometric identificationFaceAlive is a company that is working to secure biometric identification. Their goal is to minimize the risk of identity theft by implementing security measures at the time of acquisition. This includes the use of smart lighting, 2D cameras, and AI algorithms. They also use a technique called "time of light", which is a complex process that uses shadows to reconstruct a 3D view of the person. Their goal is to provide a solution that is not only performant but also easy to use. They want to make sure that people can go through the process quickly and easily.The applications of FaceAlive's technology are vast. It can be used for security purposes, such as at airports and borders. It can also be used for authentication and access control. This is because the goal is to make sure that the person being analyzed is the person that the software says they are.Overall, FaceAlive is a company that is working to secure biometric identification. They are using innovative techniques, such as time of light, to provide a reliable and secure solution. Their goal is to make sure that people can go through the process quickly and easily, while also being secure. In the end, their technology has the potential to make a huge impact on the way we use biometric identification.Biometrics for security and privacyBiometric identification is becoming increasingly popular as a way to secure access to services. It is a form of identification that uses a person's unique physical characteristics, such as fingerprints, facial features, and iris scans, to verify their identity. This is a much more secure form of identification than traditional methods, such as passwords and pins, as it is far harder to use social engineering to acquire someone's face or fingerprint details.However, with the increased use of biometric identification comes the need for increased security and privacy. Many people are concerned about the privacy implications of using biometric identification, as it requires the collection of personal information. In the EU, this concern is even greater, due to the strict regulations of the General Data Protection Regulation (GDPR).FaceAlive is aware of these concerns and is working to ensure that their technology is secure and respects the privacy of their customers. They have partnered with ID3, which has a biometric system that stores biometric information in a secure, encrypted form. This ensures that the biometric data is not stored in the cloud, and is only accessible to the person who owns it.In addition, FaceAlive is looking to expand their technology to include mobile devices, so that people can use biometric identification on the go. This would make it even easier and more convenient for people to use biometric identification.Learn moreOverall, FaceAlive is working hard to make sure that their technology is secure and respects the privacy of their customers. Their goal is to make biometric identification as convenient and secure as possible, so that it can be used to its fullest potential. With their innovative solutions, they are making sure that biometric identification is a secure and safe way to access services. To learn more, check out their website.Interview by Todd Cochrane of Geek News Central.Sponsored by: Get $5 to protect your credit card information online with Privacy. Amazon Prime gives you more than just free shipping. Get free music, TV shows, movies, videogames and more. The most flexible tools for podcasting. Get a 30 day free trial of storage and statistics.

Biometric identification is a technology that is becoming increasingly popular in the modern world. It is used in a variety of applications, such as authentication and access control. The most commonly used biometric identification technology is facial recognition. This technology is based on the unique characteristics of a person's face. However, it is not without its weaknesses. A major concern with facial recognition is the potential for identity theft. This is where FaceAlive comes in.Secure biometric identificationFaceAlive is a company that is working to secure biometric identification. Their goal is to minimize the risk of identity theft by implementing security measures at the time of acquisition. This includes the use of smart lighting, 2D cameras, and AI algorithms. They also use a technique called "time of light", which is a complex process that uses shadows to reconstruct a 3D view of the person. Their goal is to provide a solution that is not only performant but also easy to use. They want to make sure that people can go through the process quickly and easily.The applications of FaceAlive's technology are vast. It can be used for security purposes, such as at airports and borders. It can also be used for authentication and access control. This is because the goal is to make sure that the person being analyzed is the person that the software says they are.Overall, FaceAlive is a company that is working to secure biometric identification. They are using innovative techniques, such as time of light, to provide a reliable and secure solution. Their goal is to make sure that people can go through the process quickly and easily, while also being secure. In the end, their technology has the potential to make a huge impact on the way we use biometric identification.Biometrics for security and privacyBiometric identification is becoming increasingly popular as a way to secure access to services. It is a form of identification that uses a person's unique physical characteristics, such as fingerprints, facial features, and iris scans, to verify their identity. This is a much more secure form of identification than traditional methods, such as passwords and pins, as it is far harder to use social engineering to acquire someone's face or fingerprint details.However, with the increased use of biometric identification comes the need for increased security and privacy. Many people are concerned about the privacy implications of using biometric identification, as it requires the collection of personal information. In the EU, this concern is even greater, due to the strict regulations of the General Data Protection Regulation (GDPR).FaceAlive is aware of these concerns and is working to ensure that their technology is secure and respects the privacy of their customers. They have partnered with ID3, which has a biometric system that stores biometric information in a secure, encrypted form. This ensures that the biometric data is not stored in the cloud, and is only accessible to the person who owns it.In addition, FaceAlive is looking to expand their technology to include mobile devices, so that people can use biometric identification on the go. This would make it even easier and more convenient for people to use biometric identification.Learn moreOverall, FaceAlive is working hard to make sure that their technology is secure and respects the privacy of their customers. Their goal is to make biometric identification as convenient and secure as possible, so that it can be used to its fullest potential. With their innovative solutions, they are making sure that biometric identification is a secure and safe way to access services. To learn more, check out their website.Interview by Todd Cochrane of Geek News Central.Sponsored by: Get $5 to protect your credit card information online with Privacy. Amazon Prime gives you more than just free shipping. Get free music, TV shows, movies, videogames and more. The most flexible tools for podcasting. Get a 30 day free trial of storage and statistics.

In this episode of the [i3] Podcast, we look at machine learning and artificial intelligence. Our guests are Kaggle Founder Anthony Goldbloom and Stanford CS Professor Chris Manning, who are both involved in venture capital firm AIX Ventures, as investment directors. We speak about the state of play in machine learning and artificial intelligence, the most interesting applications, including ChatGPT, and opportunities for investors in this space, covering smart sensors, travel agents and personal assistants. Overview of the podcast: Anthony Goldbloom: 04:00 The idea for Kaggle came from a conference competition 06:00 Looking for the most accurate algorithms 07:30 Before Kaggle, every academic discipline had their own set of machine learning techniques 08:00 One technique won problem after problem 09:00 Rise of neural networks: 2012 is often called the annus mirabilis for machine learning 10:30 I'm mind blown by what you can do with ChatGPT 11:30 Using summarization through ChatGPT 12:30 We are in a world right now where the capabilities of these models run far ahead of the applications. People haven't really build companies around these models yet 14:50 The rise of chat-powered travel agents? Adding databases to ChatGPT 17:00 Why was Google interested in Kaggle? 19:00 Tweaking the value estimation algorithm for US real estate website Zillow 21:00 Surpassing physicians on diagnosing lung cancer 22:30 Two Sigma and Optiver also used Kaggle to solve problems 23:00 Hedge funds who crowdsourced investment problems 24:00 Being a one person band is hard in investing: you need to not only find the alpha signal, but also implement the trade in a way that doesn't move the market 27:00 Does machine learning work in time series? Yes, but it requires more babysitting if your algorithm works in an adversarial setting 32:00 What I bring to AIX Ventures is the understanding of where the gaps are in the tools for machine learning 33:00 Examples of companies we invested in 35:00 Embedding ultra light machine learning into appliances Chris Manning: 37:24 I was interested in how people learn languages, while I was always playing around with computers. Then I became interested in Ross Quinlan's ID3 algorithm for natural language processing 40:00 I started to work with large digital language databases slightly before the world wide web really kicked off 43:00 The combination of neutral networks and predictive text led to the revolutionary breakthroughs we see now with ChatGPT 45:30 You can use ChatGPT for text analysis, such as sentiment analysis or summarization of specific information 46:00 These models are just wonderful, but of course there are still problems. On occasion these models tend to hallucinate. They are just as confident producing made up stuff. And at times they lack consistency in thinking. They will say things that contradicts what they said previously 47:00 Human learning is still far more efficient in getting signal from data than machine learning 50:00 The majority of businesses are conducted through human language, whether it is sales or support. These models can help people work fast and better. 52:00 The case of Google and zero shot translation 57:00 Facebook experimented with two systems talking to each other, but they found the systems would not stick to English, but developed a more efficient symbol system 1:00:00 Interesting businesses we've invested in: weather prediction 1:02 A lot of computing that was previously done in the cloud is now done on the device, which is much quicker 1:04 Can NPL read the sentiment of a market by consuming just a lot of text? Well, a lot of mob mentality is expressed in language rather than numbers 1:07 The start of AIX Ventures and the two Australians 1:11 What might be the next big thing in NPL? 1:13 Future applications of language models might potentially look at video and personal assistants

On episode 342 of the BSP I discuss the new YouTube podcasting features, why I believe youtube is getting into podcasting and speculation on what this means for pocasting. I then rant about ID3 tagging your podcast episodes and verifying features are working, discuss my new Clips channel @clipscastage, and then answer some questions like "Handheld Condenser or Small Diaphragm Condenser?".   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Neumann KMS105: https://geni.us/kms105 Universal Audio x8: https://imp.i114863.net/zMg2r Rode NTH-100: https://geni.us/rnth100   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 00:55 - YouTube Podcasting Update 11:27 - Speculation on YouTube Podcasts Impact on Podcasting 14:53 - RANT: ID3 Tag Your Files & Verify Features are Working 20:45 - WIBT: Clipscastage 24:45 - ASK BANDREW 25:45 - Voice Submission 1 26:37 - Handheld Condenser of Small Diaphragm Condenser? 32:13 - Email Submission 2 33:15 - Why Don't I Compare Miced up Guitar Cab to D.I.? 36:03 - What's the Best Mic in Every Category Ever? 38:20 - Where Was I / Outro

Episode  163- The ID3 Update Episode. It's been 8 months since Gary took delivery of his ID3. What's the good, the bad and the just plain ugly?  This season of the podcast is sponsored by Zap-Map, the free to download app that helps EV drivers search, plan, and pay for their charging.   LINKS Episode 90 The ID3 Episode https://evmusings.libsyn.com/90-the-id3-episode Episode 102 The 1000km trip (2): https://evmusings.libsyn.com/102-the-1000km-road-trip-ii Cool thing: The Vegan Egg : https://www.fastcompany.com/90844668/this-poached-egg-has-a-perfectly-runny-yolk-and-its-vegan Episode produced by Arran Sheppard at Urban Podcasts: https://urbanpodcasts.co.uk Social Media: Patreon Link: http://www.patreon.com/evmusings Ko-fi Link: http://www.ko-fi.com/evmusings EVMusings: Twitter https://twitter.com/MusingsEv and Facebook http://www.facebook.com/The-EV-Musings-Podcast-2271582289776763 Octopus Energy referral code (Click this link to get started) https://share.octopus.energy/neat-star-460 'So, you've gone electric?' on Amazon : https://www.amazon.co.uk/dp/B07Q5JVF1X 'So, you've gone renewable?' on Amazon : https://amzn.to/3LXvIck    

Direction la Capitale portugaise, au plus près des spots de surf pour prendre les clés de notre premier VW ID. Buzz : life is a beach, et la météo clémente de ce mois de novembre sur la côte lusitanienne nous met en joie. Le design du nouveau VW ID. Buzz aussi : de couleur verte et blanche, il attire les regards. A peine arrivés à Lisbonne sur la Place du Commerce, non seulement les badauds s'arrêtent et le prennent en photo, mais un policier municipal nous ouvre la route pour nous faire poser quelques minutes sur la place normalement interdite aux véhicules ! Un arrêt express pour ne pas gêner mais qui aura attiré des dizaines de passants, des questions, des photos et des sourires en pagaille. Tout le monde n'a pas une histoire avec le VW Combi, mais tout le monde connaît le VW Combi, l'utilitaire ou minibus culte dérivé de la mythique Coccinelle. Nostalgie ? Mais pas no future : voici enfin le rejeton néo-rétro de la lignée des bons vieux Combi de baba cools.

Direction la Capitale portugaise, au plus près des spots de surf pour prendre les clés de notre premier VW ID. Buzz : life is a beach, et la météo clémente de ce mois de novembre sur la côte lusitanienne nous met en joie. Le design du nouveau VW ID. Buzz aussi : de couleur verte et blanche, il attire les regards. A peine arrivés à Lisbonne sur la Place du Commerce, non seulement les badauds s'arrêtent et le prennent en photo, mais un policier municipal nous ouvre la route pour nous faire poser quelques minutes sur la place normalement interdite aux véhicules ! Un arrêt express pour ne pas gêner mais qui aura attiré des dizaines de passants, des questions, des photos et des sourires en pagaille. Tout le monde n'a pas une histoire avec le VW Combi, mais tout le monde connaît le VW Combi, l'utilitaire ou minibus culte dérivé de la mythique Coccinelle. Nostalgie ? Mais pas no future : voici enfin le rejeton néo-rétro de la lignée des bons vieux Combi de baba cools.

Direction la Capitale portugaise, au plus près des spots de surf pour prendre les clés de notre premier VW ID. Buzz : life is a beach, et la météo clémente de ce mois de novembre sur la côte lusitanienne nous met en joie. Le design du nouveau VW ID. Buzz aussi : de couleur verte et blanche, il attire les regards. A peine arrivés à Lisbonne sur la Place du Commerce, non seulement les badauds s'arrêtent et le prennent en photo, mais un policier municipal nous ouvre la route pour nous faire poser quelques minutes sur la place normalement interdite aux véhicules ! Un arrêt express pour ne pas gêner mais qui aura attiré des dizaines de passants, des questions, des photos et des sourires en pagaille. Tout le monde n'a pas une histoire avec le VW Combi, mais tout le monde connaît le VW Combi, l'utilitaire ou minibus culte dérivé de la mythique Coccinelle. Nostalgie ? Mais pas no future : voici enfin le rejeton néo-rétro de la lignée des bons vieux Combi de baba cools.

This week we turn the mics on ourselves, kind of. Lars Wikman joins the show to give us a guided tour through ID3 esoterica and the shiny new open source Elixir library he developed for us. We talk about what ID3 is, its many versions, what it aims to be and what it could have been, how our library project got started, all the unique features and failed dreams of the ID3v2 spec, how ID3v2 and Podcast 2.0 are solving the problem differently, and how all of this maps back to us giving you (our listeners) a better experience while listening to our shows.

This week we turn the mics on ourselves, kind of. Lars Wikman joins the show to give us a guided tour through ID3 esoterica and the shiny new open source Elixir library he developed for us. We talk about what ID3 is, its many versions, what it aims to be and what it could have been, how our library project got started, all the unique features and failed dreams of the ID3v2 spec, how ID3v2 and Podcast 2.0 are solving the problem differently, and how all of this maps back to us giving you (our listeners) a better experience while listening to our shows.

In today's Kaizen episode, we talk about shipping Adam's Christmas present: chapter support for all Changelog episodes that we now publish. This feature was hard because there are many subtle differences in how the ID3 spec is implemented. Of course, once the PR shipped, there were other issues to solve, including an upgrade the world kind of scenario. Since Lars Wikman did all the heavy ID3 lifting, he is here with us too.

In today's Kaizen episode, we talk about shipping Adam's Christmas present: chapter support for all Changelog episodes that we now publish. This feature was hard because there are many subtle differences in how the ID3 spec is implemented. Of course, once the PR shipped, there were other issues to solve, including an upgrade the world kind of scenario. Since Lars Wikman did all the heavy ID3 lifting, he is here with us too.

Big news on Libsyn, Apple and the Apple Podcasts Delegated Delivery, the Boomplay Destination, the iPod discontinued and why that's #heartbreak for podcasters, Facebook broke up with podcasting, new contest with Amazon Music to get you featured! IAB podcast revenue report, what Apple Podcasts rankings are based on, insight into gender parity in your podcasts guests, liability in podcasting! And finally Stats! Median and mean numbers! Audience feedback drives the show. We'd love for you to contact us and keep the conversation going! Email thefeed@libsyn.com, call 412-573-1934 or leave us a message on Speakpipe! We'd love to hear from you! SIGN UP FOR OUR NEWSLETTER HERE! Quick Episode Summary :13 Intro 2:26 PROMO 1: Her Business, Her Voice, Her Conversation 2:57 Rob and Elsie conversation 3:31 We have a new destination! Boomplay! 5:11 The iPod is dead 13:41 Apple bringing Apple Podcasts Delegated Delivery to Libsyn 20:41 Facebook broke up with podcasting 26:59 Where did the ID3 tags go? 30:36 Amazon Music contest info! 36:25 The IAB podcast advertising revenue report 39:26 Determining why a rank in Apple Podcasts dropped 41:25 Why are there RSS feed errors sometimes? 42:41 Men and women guest ratios on podcasts 46:50 PROMO 2: Cracking the Code Of Spy Movies 47:32 Insight into video podcasts vs audio podcasts 50:12 Liability in podcasting and why it matters for you to learn about it 58:07 PROMO 3: Legends From The Pacific Episode 11 58:43 Stats: mean and median numbers Advertisecast's latest podcast advertising rates 1:02:01 Where have we been? Where are we going? Featured Podcast Promo + Audio PROMO 1: Her Business, Her Voice, Her Conversation PROMO 2: Cracking the Code of Spy Movies PROMO 3: Legends From The Pacific Episode 11 Thank you to Nick from MicMe for our awesome intro! Podcasting Articles and Links mentioned by Rob and Elsie Leave us voice feedback! What is Boomplay? Connecting your show to Boomplay on Libsyn Apple to discontinue the iPod after 21 years - BBC News Apple Podcasts Delegated Delivery Libsyn to Support Apple Podcasts Delegated Delivery Be notified about Apple Podcasts Delegated Delivery How to schedule a Tweet from your Libsyn Dashboard Prime number calculator U.S. Podcast Advertising Revenue Report: FY 2021 Results & 2022-2024 Growth Projections Erik Hoffner on Twitter: "We work to build the most interesting & diverse guest list for @mongabay's podcasts, a metric that shows @MikeG2001 @MikeDiGirolamo & I are succeeding is the nearly even gender ratio over the last 80 shows from 2020 on w/ 54% women. Hear our results here: https://t.co/Hb46qLssK2 https://t.co/hfNzdB9agt" / Twitter Libsyn's AdvertiseCast Marketplace Unveils April 2022 Podcast Advertising Rates Podcast Advertising Rates 2022 Elsie workshop with BIPOC Podcast Creators: How to build a podcast promotion strategy that works PODWORK Make Real Money Podcasting HELP US SPREAD THE WORD! We'd love it if you could please share The Feed with your Twitter followers. Click here to post a tweet! If you dug this episode, head over to Podchaser and kindly leave us a review and follow the show! Follow The Feed wherever you listen to audio! → Follow via Apple Podcasts → Follow via Google Podcasts → Follow via Spotify → Here's our RSS feed! FEEDBACK AND PROMOTION ON THE SHOW You can ask your questions, make comments and create a segment about podcasting for podcasters! Let your voice be heard. Download The Feed App for iOS and Android Call 412-573-1934 Email thefeed@libsyn.com Use our Speakpipe Page

Big news on Libsyn, Apple and the Apple Podcasts Delegated Delivery, the Boomplay Destination, the iPod discontinued and why that's #heartbreak for podcasters, Facebook broke up with podcasting, new contest with Amazon Music to get you featured! IAB podcast revenue report, what Apple Podcasts rankings are based on, insight into gender parity in your podcasts guests, liability in podcasting! And finally Stats! Median and mean numbers! Audience feedback drives the show. We'd love for you to contact us and keep the conversation going! Email thefeed@libsyn.com, call 412-573-1934 or leave us a message on Speakpipe! We'd love to hear from you! SIGN UP FOR OUR NEWSLETTER HERE! Quick Episode Summary :13 Intro 2:26 PROMO 1: Her Business, Her Voice, Her Conversation 2:57 Rob and Elsie conversation 3:31 We have a new destination! Boomplay! 5:11 The iPod is dead 13:41 Apple bringing Apple Podcasts Delegated Delivery to Libsyn 20:41 Facebook broke up with podcasting 26:59 Where did the ID3 tags go? 30:36 Amazon Music contest info! 36:25 The IAB podcast advertising revenue report 39:26 Determining why a rank in Apple Podcasts dropped 41:25 Why are there RSS feed errors sometimes? 42:41 Men and women guest ratios on podcasts 46:50 PROMO 2: Cracking the Code Of Spy Movies 47:32 Insight into video podcasts vs audio podcasts 50:12 Liability in podcasting and why it matters for you to learn about it 58:07 PROMO 3: Legends From The Pacific Episode 11 58:43 Stats: mean and median numbers Advertisecast's latest podcast advertising rates 1:02:01 Where have we been? Where are we going? Featured Podcast Promo + Audio PROMO 1: Her Business, Her Voice, Her Conversation PROMO 2: Cracking the Code of Spy Movies PROMO 3: Legends From The Pacific Episode 11 Thank you to Nick from MicMe for our awesome intro! Podcasting Articles and Links mentioned by Rob and Elsie Leave us voice feedback! What is Boomplay? Connecting your show to Boomplay on Libsyn Apple to discontinue the iPod after 21 years - BBC News Apple Podcasts Delegated Delivery Libsyn to Support Apple Podcasts Delegated Delivery Be notified about Apple Podcasts Delegated Delivery How to schedule a Tweet from your Libsyn Dashboard Prime number calculator U.S. Podcast Advertising Revenue Report: FY 2021 Results & 2022-2024 Growth Projections Erik Hoffner on Twitter: "We work to build the most interesting & diverse guest list for @mongabay's podcasts, a metric that shows @MikeG2001 @MikeDiGirolamo & I are succeeding is the nearly even gender ratio over the last 80 shows from 2020 on w/ 54% women. Hear our results here: https://t.co/Hb46qLssK2 https://t.co/hfNzdB9agt" / Twitter Libsyn's AdvertiseCast Marketplace Unveils April 2022 Podcast Advertising Rates Podcast Advertising Rates 2022 Elsie workshop with BIPOC Podcast Creators: How to build a podcast promotion strategy that works PODWORK Make Real Money Podcasting HELP US SPREAD THE WORD! We'd love it if you could please share The Feed with your Twitter followers. Click here to post a tweet! If you dug this episode, head over to Podchaser and kindly leave us a review and follow the show! Follow The Feed wherever you listen to audio! → Follow via Apple Podcasts → Follow via Google Podcasts → Follow via Spotify → Here's our RSS feed! FEEDBACK AND PROMOTION ON THE SHOW You can ask your questions, make comments and create a segment about podcasting for podcasters! Let your voice be heard. Download The Feed App for iOS and Android Call 412-573-1934 Email thefeed@libsyn.com Use our Speakpipe Page

In this solo inbetweenisode of The Indy Author Podcast, I discuss CREATING AN AI-NARRATED AUDIOBOOK. I talk about Google Play's instructions for AI audio, tips for better AI narration, working around the AI-narration's quirks, selling beyond Google Play, and file names and ID3 tags. Do any of those topics pique your interest? Check out 2 MINUTES OF INDY https://bit.ly/2MinutesOfIndy, where over the week following the airing of the episode, you'll find brief video clips from the interview on each of those topics. You can also catch up on some highlights of previous episodes there. For a transcript of this interview and links to more information, go to https://www.theindyauthor.com/podcast.html. Did you find the information in this video useful? Please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple Matty Dalrymple podcasts, writes, speaks, and consults on the writing craft and the publishing voyage as The Indy Author. She is the host of THE INDY AUTHOR PODCAST and the author of THE INDY AUTHOR'S GUIDE TO PODCASTING FOR AUTHORS. She is also the co-author, along with Mark Leslie Lefebvre, of TAKING THE SHORT TACK: CREATING INCOME AND CONNECTING WITH READERS USING SHORT FICTION. Matty is a member of the Alliance of Independent Authors.

This month on Episode 35 of Discover CircRes, host Cynthia St. Hilaire highlights two original research articles featured in the April 1 issue of Circulation Research, as well as highlights from the Stroke and Neurocognitive Impairment Compendium in the April 15th issue.  This episode also features a conversation with Dr Shubing Chen and Dr Yuling Han from Weill Cornell Medical College to discuss their study, SARS-CoV-2 Infection Induces Ferroptosis of Sinoatrial Node Pacemaker Cells.   Article highlights:   Pabel, et al. Effects of Atrial Fibrillation on the Ventricle   Pattarabanjird, et al. P62-Mediated B1b Cell Atheroprotection   Iadecola, et al. Introduction to the Compendium on Stroke and Neurocognitive Impairment   Cindy St. Hilaire:        Hi and welcome to Discover CircRes, the podcast of the American Heart Association's Journal, Circulation Research. I'm your host, Dr Cindy St. Hilaire, from the Vascular Medicine Institute at the University of Pittsburgh. And today I'm going to be highlighting articles from our April issues of Circulation Research.                                     I'll also speak with Dr Shubing Chen and Dr Yuling Han from Weill Cornell Medical College, and they're with me to discuss their study, SARS-CoV-2 infection induces ferroptosis of Sinoatrial node pacemaker cells.   Cindy St. Hilaire:        The first article I want to share is titled, Effects of Atrial Fibrillation on the Human Ventricle. The first author is Steffen Pabel and the corresponding author is Samuel Sossalla and they're from Regensburg University. Atrial fibrillation, or AFib, is the most common form of heart arrhythmia. Patients with AFib may experience shortness of breath, dizziness and weakness. And they're also at risk for more life-threatening complications, such as clot-induced stroke and heart failure. Focusing on heart failure, this study investigated how disruptions to rhythm in the atria might lead to changes in the ventricular myocardium. The team studied ventricular muscle tissue from 24 patients with AFib and 31 without AFib. While the levels of fibrosis were equivalent in ventricular myocytes from both the AFib and the non AFib patients, other cellular features were distinct. For example, patients with AFib had reduced systolic calcium release, prolonged action potential duration and increased oxidative stress, compared with the non AFib patient controls. These differences were largely recapitulated in ventricular myocytes derived from human induced pluripotent stem cells that had been electrically stimulated to either mimic AFib or normal sinus rhythm. The results indicate that AFib affects the ventricles just as well as the atria and might therefore be best studied and treated with the whole heart in mind.   Cindy St. Hilaire:        The second article I want to share is titled B-1b Cells Possess Unique bHLH-Driven P62-Dependent Self-Renewal and Atheroprotection. The first author is Tanyaporn Pattarabanjird and the corresponding author is Colleen McNamara, from the University of Virginia.   Atherosclerosis is a complex and dynamic chronic inflammatory condition. However, not all immune cells exacerbate this disease. Some immune cells are actively dampening the inflammation. B-1 cells are such cells that do this, and they produce IgM antibodies that bind cholesterol, preventing its uptake into macrophages and therefore limiting macrophage driven inflammatory responses. Increased number of B1 cells, therefore, might be atheroprotective. In mice, deletion of the transcription factor ID3 leads to a boost in B-1 cell IgM production.   Cindy St. Hilaire:        In this work the authors investigated the molecular mechanism underlying this effect and found that upon deletion of ID3 in mice B-1b cells, the level of P62 protein was increased. B-1b cell proliferation was found to be dependent on P62 and over expression of P62 in mouse B-1b cells increased cell numbers, raised plasma IgM levels and importantly, ameliorated diet-induced atherosclerosis in animals. The team went on to show that people with an ID3 mutation had an unusually high level of serum IgM and B-1b cell P62. This suggests that results from mice may hold true for humans, and if so, could inform the development of immunomodulatory treatments for atherosclerosis.   Cindy St. Hilaire:        So the April 15th issue of Circulation Research is our Stroke And Neurocognitive Impairment Compendium. The last Circulation Research Compendium on Stroke was published about five years ago. In this year Dr Costantino Iadecola, Dr Mark Fisher and Dr Ralph Sacco focused this update on advances made over the past five years, with a focus on topics that were not addressed in the previous compendium, that best reflect the leading edge of basic in clinical science related to cerebral vascular diseases. Seemant Chaturvedi, Brian Mac Grory and colleagues provide an overview of preventative strategies according to stroke mechanism, including stroke of unknown cause. And the challenges of stroke prevention with antithrombotic therapy and subjects with increased hemorrhage risk are also considered.   Cindy St. Hilaire:        Stéphanie Debette and Hugh Markus provide an account of the most recent developments in the genetics of cerebrovascular diseases. The gut microbiota is another factor that has recently been linked to stroke risk and Pedram Honarpisheh, Louise McCullough and colleagues provide a comprehensive overview of the microbiology and the microbiota, and the influence that stroke risk factors exert on its composition and homeostatic relationship with mucosal surfaces. Karin Hochrainer and Wei Yang provide a systematic review of the large amount of data and stroke proteomic from animal models and human patients. Matthias Endres and colleagues cover the dramatic effect that innate and adaptive immunity exert on stroke risk and on acute brain damage and post stroke sequelae, such as post-stroke cognitive impairment and depression.                                     Cindy St. Hilaire:        Manuela De Michele, Alexander Merkler and colleagues discuss the cerebral vascular diseases that have emerged as a frequent manifestation of the maladaptive immune response to severe SARS-CoV-2 infection. Jessica Magid-Bernstein and Lauren Sansing review the current concepts on epidemiology, risk factors in etiology, clinical features, as well as the medical and surgical interventions for cerebral hemorrhage. Yunyun Xiong and Marc Fisher cover the progress that has been achieved in the treatment of acute ischemic stroke and Natalie Rost and Martin Dichgans and colleagues address the long term impact of stroke on cognitive function, which is becoming a significant healthcare challenge in the world's aging population.   Cindy St. Hilaire:        So today I have Dr Shubing Chen and Yuling Han from Weill Cornell Medical College. And they're with me to discuss their study SARS-CoV-2 infection induces ferroptosis of Sinoatrial node pacemaker cells. And this article is in our April 1st issue of Circulation Research. So thank you both for joining me today.   Shubing Chen:             Thank you. It's really nice to join the program, and it's really a great honor.   Cindy St. Hilaire:        It's a really great article. I'm so excited to talk about. So there's a lot of research happening regarding SARS-CoV-2 virus and the patients who are infected and have COVID-19. And this paper is focusing on the impact of viral infection on the heart and specifically on the sinoatrial node, which is the primary cardiac pacemaker that keeps our hearts beating. So I was wondering if you could tell us what led you to focus on this particular aspect of COVID-19 symptoms, and also how early in the pandemic did you start this?   Shubing Chen:             Yeah, so we started working on SARS-CoV-2 through back to early 2020 when very unfortunately, New York City was a pandemic center and we had a lot of patients in the hospital unit, and also postdoc students working very hard in the lab. So that's the time we start working on SARS-CoV-2. And I was trained as a stem cell biologist. And what we're really interest is to set up a platform to basically understand which type of cells can be infected by SARS-CoV-2 and if they can, how they respond to SARS-CoV-2 infection. Not only for SARS-CoV-2, we sent it as like a viral infection platform, but SARS-CoV-2 is one of the virus we study now. And it's kind of very surprising. We have a pretty broad platform. We have a lung organoid, we have colon organoids, we have pancreas, we have cardiomyocytes, pacemaker cells. And as expected, we see lung can be infected like colon and because patient had GI tract, liver can be infected, but very surprisingly we see very high cardiomyocytes infection as well as pacemakers.                                       So as we'll know that still big controversy in the field, whether we can detect SARS-CoV-2 like viral protein or viral RA in the heart, in particular, cardiomyocytes. But I think now everyone agree that the cardiomyocytes really can be very well infected actually. Because it's very difficult to get the pacemaker tissue and the sinoatrial tissue from the COVID patient. So we collaborate with Dr Ben Andora's lab at NYU to get this hamster model. So we basically take SA tissue from hamster and then other colleagues basically did the section imaging, and we confirm that the hC4 polymerase cells can be infected by SARS-CoV-2. And at that time we start to learn a more clinical studies they report the COVID patient, they develop arrhythmia, or some other problem, not only with cardiomyocyte, as well as the conduction system. So at that time, that's the time that we say maybe we should do something on the pacemaker and focus on that. So that's how the project was developed.   Cindy St. Hilaire:        That is so interesting. And so I know humans infected, like you just said with SARS-CoV-2, they can develop arrhythmias. What's that timeframe? Is there a common timeframe that this happens? Does it normally happen very close to the infection or only in later stage? What's that window of when these arrhythmias are happening?   Shubing Chen:             At least based on the clinical study we show right now, actually the patient can develop acute arrhythmia. So it can be very soon after they developed symptom for COVID.   Cindy St. Hilaire:        Wow. That's amazing. So you mentioned this, your study utilized a hamster model, which you actually don't see a lot of. Most studies use a lot of rats or most studies I'm familiar with, especially in Circulation Research, they use more rats or more mouse models. So what advantages does that hamster model have and why were you interested in using it?   Shubing Chen:             Yeah, that's actually really specific for SARS-CoV-2. As SARS-CoV-2 mainly use ACE2 as a key entry factor to enter the cells. Of course, there's additional receptor, like neutrophils is one. Like all this enzyme involved, but human and mouse ACE2, they have very different structure. So the SARS-CoV-2 virus combine with human ACE2 very well but not mouse ACE2. So from the beginning, the rat and mouse was not used as a very good model to study SARS-CoV-2 infection. Of course there are other models, like knockin human ACE2 in the mouse and also like ACE2 transgenic mice. That's how different mouse model use. But hamster you don't need any modification, but they are very promising to SARS-CoV-2 infection. And so that's a reason we decide to use that as an animal model to basically run in parallel with our human stem cell model.   Cindy St. Hilaire:        We joke in my lab, mice are not little humans, but it's really true in a lot of cases, they're beautiful models in so many ways, but then when they don't work, they really don't work.   Shubing Chen:             Yeah. Before COVID every time when we try to talk about our human stem cell, derived cells, organoids as a disease model. People always ask, why do you want to work on human organoids? Right? It's that we have all these beautiful animal models like as you mentioned, mouse or rats, that's very broadly used. And we have to find different reasons. And now when we start working on SARS-CoV-2, which is very clear example, that mouse are not identical to human. Yeah.   Cindy St. Hilaire:        Yeah. That's great. I love finding additional models to use that are the best one for the question. So in order to investigate, I guess kind of the mechanism of how this was happening in the SAN cells, the sinoatrial node cells, you had to develop a new differentiation protocol that took the human embryonic stem cells, I think it was the H9 line you used, and essentially differentiate that cell line into a sinoatrial node-like cell. So I was wondering if you could tell us a little bit about A) how did you figure out that protocol and B) how does it work?   Shubing Chen:             So it's actually a long story to cell line.   Cindy St. Hilaire:        We can condense it. Let's get-   Shubing Chen:             At least based on the clinical study we show right now, actually the patient can. Let's condense it. But it's as you can imagine, we did not develop this cell line only for this particular project. Actually, we start working on this cell line back to maybe six, seven years ago. The first postdoc we have who basically knockin the mCherry, Myh6. Which basically label the atrial cardiomyocytes. And another postdoc, Zanir, he basically put a GFP in the SARS2 locus. So now we have this duel reporter line we can visualize the SA nodal cells. And we really spend a lot of time on that because we think that unfortunately in our hand, there is not really no good antibody for SARS2. We think it's very, very important that you can see these cells. So after developing these lines and because my lab run a lot of chemical screening, where we run Zanir, we run several chemical screening to develop the protocol.                                       And Jialing Zhu, another postdoc in the lab, also pick up the project to further develop the protocol. And there is several years' work. We do have this good protocol to make pretty efficiently to make the cells. And it's not only our work. I want to say that. For example, Dr Sean Wu from Stanford, they did this beautiful study on the single cell RNC mouse conduction system and Dr Gordon Keller and many other labs also basically published protocol in the field. We are very excited about this duel reporter line. I think they gave us a lot of new opportunity and we are very happy to share this line. Yeah. So if anyone in the field are interested in that, just contact us.   Cindy St. Hilaire:        Yeah. Anyone listening. That's great. So were you surprised to find the entry factors that SARS-CoV-2 uses to get into a cell, were you surprised to find them on these sinoatrial node cells? And I guess in the context of comparing these particular cells to other cells in the heart, are those entry factors higher in the sinoatrial node cells?   Shubing Chen:             So it can be either surprised or not surprised let's say this way. So because one, we see the cardiomyocytes that can be infected, we were kind of surprised. And then we find actually several type of cells in the heart can be infected, like endothelial cells. I will say that the ACE2 expression of like ACE2 aminophenol in pacemaker cell, it's not significantly higher than cardiomyocytes. So we are not really saying, or seeing that SA nodal cells are more permissive to SARS-CoV-2 infections compared to cardiomyocytes, even in the petri dish, but they can be infected.   Cindy St. Hilaire:        So you found SARS-CoV-2 infection in these sinoatrial nodal cells induces a process called ferroptosis. So Yuling, I was wondering if you could tell us what is ferroptosis and what is it doing in these pacemaker cells?   Yuling Han:                 For the ferroptosis, they was surprised so far that its by the RA sequencing of the SARS-CoV-2 infection make our cells. And the first process is mainly caused by the-   Shubing Chen:             Error in iron.   Yuling Han:                 Yes. So more intake of the iron error and induced the RA's pathway and caused the cell deaths. So by our RA sequencing, we found the key factor involved in ferroptosis pathway is the GPS score was checked after the SARS-CoV-2 infection. So we focused on the ferroptosis pathway and found other key factors or checked after the infection makes in the pacemaker cells.   Cindy St. Hilaire:        What is the ferroptosis doing that disrupts the SNA cells?   Shubing Chen:             Ferroptosis is a type of cell death mechanism. So eventually it will cause cell death. And we think something that is really surprising, but we think it's very interesting, is we only see ferroptosis in the SARS-CoV-2 infected general atrial cells. So SA cells, we actually, as Yuling mentioned, when we develop this platform, we see different type of cell can be affected. And we are very curious what happened. So we see that we run a sequence on each individual cells we can see infection and along, we can see cell death like apoptosis in cardiomyocytes. We see apoptosis and only in SA nodal cells, we actually see the ferroptosis pathway as we come up.   Cindy St. Hilaire:        Why do you think that is in that cell type versus in another? Do you have any ideas about why?   Shubing Chen:             No, we don't have any idea yet to be honest, but we are working on that. But at least I think that it gave us some clue that we really need to use different type of whole cells to study the whole cell response. Because traditionally when we study viral infection and when we see lung, we always say, oh, the cell died. It's fairly simple. But now if we really study the details and we think it's maybe over simplified way to think about how cells can respond to viral infection, not only to SARS-CoV-2 infection. So it gives us the motivation, very strong motivation to now really study how different host tissues response to viral infection.   Cindy St. Hilaire:        I thought that was really interesting, not all cell death is the same.   Shubing Chen:             Yeah. And another thing is kind of a little bit surprising is we actually did a very careful comparison between the SA nodal cells and the cardiomyocyte. We only see ferroptosis come up as SA nodal cell, but not cardiomyocyte. Again, we don't understand why as maybe some host factor that is specific, we're working on that.   Cindy St. Hilaire:        So in addition to working out this mechanism of what is going wrong when these cells are infected with the virus, you also used this embryonic stem cell like tool for a drug screen. So can you walk us through that process in terms of what you did to do that? Did you focus in on one specific type of drugs or was it just kind of an unbiased screen?   Yuling Han:                 For the sinoatrial pacemaker cells, we focus on the antiviral drugs screening. And we also did several other projects, like lot of night or some neuron cells. For the [they did drug screening to find some drugs to inhibit the SARS-CoV-2 entry. And for the dominic neuron, we found SARS-CoV-2 infection can cause neuro cells synapses. So we focus on the synapses associated drug screening, but for the pacemaker cells, they only did the antiviral drug screen.   Cindy St. Hilaire:        And you came up with two drugs that you wrote about in the paper, deferoxamine and imatinib. So what are the mechanisms of action of those drugs? Are they targeting the same thing or are they targeting slightly different things?   Yuling Han:                 For the imatinib, we also found this drug inhibit SARS-CoV-2 entry and we did several other screenings, like the lung organoids and neuro cells. We also found this drugs. And the six drug, the mechanism is kept and the spec protein of SARS-CoV-2. And this was found by several other groups and published some paper this year. And we found this in 2020 maybe. And we published this paper before and we found this mechanism. And for another drug, we checked the RA sequencing data of SARS-CoV-2 affect the peacemaker cells. And we did several run of RA sequencing. And we compared the key factors, involved in SARS-CoV-2 entry. Several key factors like CTSL and like TMPS2 and among several run of RA sequencing. We only found the drug can decrease the expression of CTSL. So we also did PTR immunostaining, and then we found the drug decrease the expression level of CTSL.   Shubing Chen:             Yeah. So actually the other drug, it's also an antiferroptosis drug. So we did the mechanism study and it's very nice to see, we also identify the drug from an unbiased chemical screen. And for the chemical screening, we actually have a pretty large platform and we have around 1200 FDA approved drugs. We have like a 2000 anatrofin amino acid that signal pathway regulators for most of the SARS-CoV-2 screening, as you did mention, we have multiple screening platform. We focus on FDA approved drug. So it's more like for the drug repurposing and for other screening we also write larger skills.   Cindy St. Hilaire:        So we got a mechanism, we got a super specific cell type and we now have some drugs. So what are the translational implications of these findings? And I guess I'm thinking about that in terms of the time course of when a patient gets infected, has symptoms, has arrhythmia, like where could you possibly target this ferroptosis pathway? Meaning if someone already is exhibiting AFib as a result of the infection, is that actually too late? Or can you start to treat it to reverse it or prevent it from getting worse? Like what do you see as a therapeutic potential for using these drugs?   Shubing Chen:             That's a very good question. I will say this way, I think when we identify all these drugs, it's very, very exciting. But for antiviral drug development perspective, we definitely want a drug that show broader spectrum. So for COVID patient, of course we want to protect their heart, but we also want to protect their lungs.   Cindy St. Hilaire:        Exactly. Protect everything.   Shubing Chen:             Exactly. Exactly. So for the real drug that can clinical use, I think the lack of broad spectrum antiviral drug, I think that will be the way to go for drug development and for the cardioprotective respective. So if the patient do have very severe cardio symptom, particularly like arrhythmia symptom, I think that can be considered. But I don't want to really say this is the drug to treat the COVID patient. I don't think that's a way to go, particularly for ferroptosis is a cell type. This is a phenotype, very specific for the pacemaker. And I think for us, as a basic scientist, is very, very important that we understand the biology and we can identify these normal chemical tools that we can manipulate the system that can facilitate the future drug development.   Cindy St. Hilaire:        So do you think your findings and I mean findings at multiple levels, that a viral infection can induce apoptosis in one cell, but ferroptosis in another cell, but also the findings of viral infection in general, sufficient enough to drives sinoatrial node cell dysfunction. Do you think this is specific to SARS-CoV-2 and corona viruses or do you think this is something that is more broad with other viruses that maybe we just haven't recognized possibly because we don't have the tools yet?   Shubing Chen:            That's a great question. I will say some other type of virus can also infect heart, at least cardiomyocyte, like a Coxsackie virus, regular virus three. And there's actually a lot of study on the viral infection on the cardiomyocytes. And for us, the most exciting part is we really have now in serious, limited starting materials to get these pacemaker cells. Like I SA nodal cells. So we can use this as a platform to study how other virus infect, how the viral infection in general cause cell dysfunction. Because in the study we also do the calcium blocks assay, we can monitor their beating and then we can do RN-seq to monitor their transcription changes. Because this we have this still reporting system, we can purify cells, we can even run larger scale, like epigenetic level, how they change. So that's a very useful tool to study how cell responds to viral infection. I'm very excited about that.   Cindy St. Hilaire:        That's great. Well, Dr Chen and Dr Han, thank you so much for joining me today. Congratulations on a beautiful story. And I look forward to hearing more out all these different organoid and cell models you have.   Shubing Chen:            Cindy, thank you. Thank you for so much for having us.   Cindy St. Hilaire:        That's it for the highlights from the April issues of Circulation Research. Thank you for listening. Please check out the CircRes Facebook page and follow us on Twitter and Instagram with the handle @CircRes and #DiscoverCircRes. Thank you to our guests, Dr Shubing Chen and Dr Yuling Han. This podcast was produced by Ishara Rantikac edited by Melissa Stoner and supported by the editorial team of Circulation Research. Some of the copy text for highlighted articles was provided by Ruth Williams. I'm your host, Dr Cindy St. Hilaire, and this is Discover CircRes, you're on the go source for the most exciting discoveries in basic cardiovascular research. This program is copyright of the American Heart Association, 2022. The opinions expressed by speakers in this podcast are their own and not necessarily those of the editors or of the American heart Association. For more our information visit ahajournals.org.  

Welcome to NicholsonCast 901. Sneijder - Bring The Noize2. ID3. John Askew - When The Darkness Comes4. Ben Gold Feat Plumb - Same Sky, Same Starts5. Nicholson - Listen To Your Pain6. Clarke & Nicholson x Chelsea Holland - In Your Arms7. Prime Mover - Black Dogs/Nicholson Remix8. Tiesto - Lethal Industry/Nicholson Remix9. BBE - 7 Days and One Week/Nicholson Remix10. KLF - What Time Is Love/America (Nicholsons Dreamstate Mix

Elektromobilność w szybkim tempie zmienia oblicze współczesnej motoryzacji. Zespół analityczny InsightOut Lab wraz z marką Volkswagen od dwóch lat prowadzi projekt badawczy poświęcony elektromobilności. Najnowszy raport rozprawia się m.in. z mitami dotyczącymi samochodów jeżdżących na prąd, a przede wszystkim porusza kluczowe aspekty dotyczące elektrycznej rewolucji na rynku motoryzacyjnym. O tym, czy hybryda zalicza się do samochodów elektrycznych? Czym są BEV-y i PHEV-y i dlaczego 97 proc. użytkowników elektryków nie zamieniłoby ich na auta spalinowe,opowiada w rozmowie z Tomaszem Szmandrą Mariusz Pleban, szef InsightOut Lab. Partnerem podcastu jest marka Volkswagen, dostawca samochodów elektrycznych, ID3 i ID4.

Allen Wyma talks with Roel, creator of id3. id3 is a Rust library used for reading id3. Contributing to Rustacean Station Rustacean Station is a community project; get in touch with us if you'd like to suggest an idea for an episode or offer your services as a host or audio editor! Twitter: @rustaceanfm Discord: Rustacean Station Github: @rustacean-station Email: hello@rustacean-station.org Timestamps [@0:44] - Roel's Bio [@1:59] - What is ID3? [@4:41] - What does ID3 tech consists of and what is its structure? [@09:08] - What got Roel interested in ID3? [@10:49] - What are some notable projects that use ID3? [@19:57] - ID3 Future Roadmap [@24:37] - The Rust Community in the Netherlands [@25:30] - Go vs Rust [@29:23] - Roel's programs and upcoming events [@31:37] - Hackerspace and Roel's parting thoughts Other Resources Roel's Github Credits Intro Theme: Aerocity Audio Editing: Plangora Hosting Infrastructure: Jon Gjengset Show Notes: Plangora Hosts: Allen Wyma

GUESTS:  James O. BoggsAndy BowersNEWS: Spooler's "dynamic, real-time audio" publishing system launched last week. According to an analysis by John Spurlock, on its first day, Spooler helped The Refresh from Insider to produce five editions of their podcast. A new podcast platform, Spooler, has launched. It's founded by a who's who of podcasting, including CEO James O. Boggs, formerly Head of Podcasts at Apple; CCO Andy Bowers, co-founder of Slate Audio and Megaphone; CTO Dan Benjamin, founder of Fireside·fm and the 5by5 podcast network, and Exec Producer Kerry Donahue, former EP at WNYC.  Amazon has released Amp, a “live radio app” seen as their version of Clubhouse or TwitterSpaces. It's available in the US for iOS users only in a waitlist; it'll enable you to DJ your own music show (with “tens of millions of licensed songs” they say), and you can take callers, too. Amp's website is live, and you can download the app to join the waitlist.YouTube is offering podcasters up to $50,000 to film their shows and paying podcast networks up to $300,000, according to Bloomberg's Ashley Carman.TikTok on the clock, but the party don't stop: except, says Rephonic, podcasters are ignoring TikTok. Twitter is significantly over-represented across all podcasts, the company summarises; but TikTok has by far the highest average number of followers.Is TikTok getting into podcasting? TikTok is hiring for someone to work in their “Podcast Operation” in Sydney NSW, Australia.TikTok is launching its own music marketing and distribution platform, SoundOnHow many podcasts use chapters? About 1.22% of all episodes, says new data from John Spurlock's Livewire. ID3 tags within MP3 are the most popular method.A cross-app specification that could be added to the Podcasting 2.0 namespace.Justcast adds support for Seasons and you can pick the season from a list, and create a new one on the fly.

I wish I could tell you that starting a podcast is as easy as pressing “record”. Unfortunately, there's a hell of a lot more that goes into it than that. The good news is that the sooner you shake out your audio prep strategies, the easier recording gets. Welcome to Should I Start A Podcast. I'm Ronsley Vaz. Each week you'll hear me, and a star-studded guest lineup, dig deep into the podcasting process. We'll bring you tactics, tips, and tricks to use in your own podcasting journey. We'll teach you how to build an audience. And we'll show you how to keep them coming back, show after show. So if you want to start a podcast, or expand your current audience, this is the show for you. A little prep goes a long way. A lot of prep goes even further. If you've got a podcast in the works, you're probably anxious to launch. I get it. But here's the thing, you've got to do the work first. And not just for the launch. It's essential to understand the systems that need to be in place before you record, every time you record. I'm not just talking about the technical stuff here, although that is a major part of it. I'm talking about rituals, checklists, templates, and backup plans.  This episode is chock-full of tactical information to prepare you for audio prep. I'm talking a laundry list of useful tips. I even lay them out step by step. We go over DAW setup, interview prep, pre-recording checklists, ID3 tagging, plugins and SO much more. So if you want to be super prepared and set yourself up with rewarding habits, grab a pen and paper and listen carefully.  Topics in this episode: Repeatable Templates Apps and programs to use Must-have Plugins Tips for clearer recordings DAW tips Pre and Post Recording Checklists Interview prep tips that can save you from awkwardness Host Rituals Why ID3 tagging is essential Links: Blubrry Podcasting Pretty Links For all your DAW questions, drop an email to kaili@amilifyagency.media or thiago@amilifyagency.media When it comes to your podcast, isn't it about time you're compensated for all your hard work? Get the 7 Funnel Maps you need to successfully market and monetize your podcast so you can focus on making the best show possible.

※ 本文章发布于订阅号：百车全说，订阅号阅读更加方便，欢迎关注2021一开年，埃隆马斯克就搞了一个大新闻，公布了国产Model Y的正式售价：长续航全轮驱动版，指导价33.99万，1月份开始交付；Performance高性能全轮驱动板指导价36.99万，三季度开始交付。价格一出，所有人都忘了特斯拉“割韭菜”的往事，无论买不买电动车的，所有人都在叫好，以至大家拖家带口都跑去展厅，反正也在商场里，因此出现了人满为患的场面，跟菜市场似的。因为长续航版之前特斯拉官网的价格是48.8万，这次下调了14.81万，而高性能版之前是53.5万，这次下调了16.51万。这么看，所谓的预定价格就是一颗烟雾弹，不仅骗了消费者，还骗了所有的新造车势力。王炸不止于此，Model 3也跟着不讲武德。新款标准续航后驱升级版指导价并没有什么变动，按照目前30万内补贴政策后依然是24.99万，但是增配了热泵空调、电动尾门、双层玻璃，同时还来了个全车“黑化”，轮毂和内饰也进行了小幅更新，算是加量不加价。但这次Model 3的重点还是高性能版，在取消了原先的长续航后轮驱动版的同时，将新款高性能全轮驱动版的指导价从41.98万降到33.99万，下调了7.99万（这样一来，不仅Model 3的准车主们拍手叫好，同时又给Model Y腾出了市场空间）。Model 3现在等于说就两个极端可以选，要么单电机的代步版本，很便宜但没什么乐趣。要么就是高性能版，看着挺香，但又似乎花这么多钱买它，不如买Model Y。不过，长期关注高性能版的肯定夜里笑醒了，因为曾经Model 3 高性能版还是进口的时候，50多万落地的大有人在，这次真是“等等党”的又一次胜利，以至于我们的小伙伴看到这个价格之后，觉得自己花大价钱买台A45是买了个寂寞。当然，今天的主角还是Model Y，埃隆马斯克的王炸……Model Y是什么车，与Model 3的差别在哪关于Model Y这台车，先简单聊一下，Model Y其实就可以看作是一台换壳的Model 3，这一点毋庸置疑，之前马斯克在评价Model Y的时候就说过：“这台车（Model Y）比Model 3大了10%，成本增加了10%，续航略微减少，就像Model X之于Model S。”并且马斯克还表示：“Model Y和Model 3共用了超过75%的零件。”现款的Model 3和Model Y 换装了全新的内饰（特斯拉有内饰吗，其实没多大差别），同时全系标配电动尾门，高配内饰配有方向盘加热，而且Model Y 现在的两款车型差价只有 3 万元，这 3 万元带来的变化在于百公里加速从 5.1 秒提升至 3.7 秒、最高车速从 217 提升至 241公里每小时、轮毂升级为 21 英寸旋风涡轮轮毂、更高级的刹车系统（其实就是Brembo F50，最入门的4活塞刹车）、碳纤维扰流板、更低的悬架、铝合金踏板。那么，Model Y和之前的Model 3有什么区别，除了一个是轿车一个是SUV之外，我认为更多的在于Model 3是一个强调个性、运动的小车，或者说Model 3就是一个四门小钢炮，而Model Y就像我们买包子的时候，总希望老板卖的包子能“皮薄馅大、价格实惠”一样，这台车所追求或满足的，就是用户对于实用性的追求，而这也是两台车之间最为明显的区别。从我角度来看，这两台车从技术上可以说没什么创新，如果你硬是觉得Model Y比Model 3有更先进的白车身、更优化的细节，那只能说你被特斯拉洗脑了。从产品和市场上来说，平台化生产带来的成本摊薄，更有利于Model Y现在的定价，甚至以后还会随着产量扩大、成本摊薄，然后再降价一次甚至很多次，毕竟30万内的电动车是可以拿补贴的。同时，Model Y作为一款和Model 3共享平台的产品，这台车的使命和Model 3一致，就是提升特斯拉对中端电动车市场的渗透，进一步扩大市场流量和销量（现在基本确定的是，未来Model Y会出单电机版本，售价我个人预计在27-30万之间，30万以内还可以拿到政策补贴，估计最快明年上半年就会上市这个版本）。Model Y动了谁的蛋糕Model Y的轰动性在于，首先它是很多人喜闻乐见的SUV，更重要的是价格太过“流氓”了，这已经不是中美同价的问题了，现在的Model Y已经比美国本土还要便宜，再放大到所有在中国建厂的品牌，除了通用，似乎也没有谁敢说自己卖得比国外还便宜，所以我说它是马斯克的王炸。Model Y动了谁的蛋糕？首当其冲就是新造车势力了，关键词：SUV、30-40万，这不就是蔚来的主力市场吗？所以，这次直接承压的就是蔚来，Model Y将在价格上直接骑脸ES6与EC6，而其中ES6又是蔚来销量的基本盘，这何止是动了蛋糕，简直就是把桌子都掀了（虽然后来李斌接受采访的时候，假装镇定的说，Model Y定价比他预想的还要高一些，本以为特斯拉直接会定价30万以内，但随后又补充了一句，他们应该不送充电桩吧，是吧，应该不送吧）。至于小鹏，其实Model Y对小鹏的影响并不大。因为小鹏的主力是P7，从上市第一天起就与Model 3近身肉搏，已经习惯了竞争的日子，而Model Y在小鹏那里目前更是没有直接的竞争对手。同时P7定位是个性化轿跑，这种偏小众的车型在开拓细分市场初期时，难度会比较大，但同时竞争对手少，一旦站稳脚跟，后进的搅局者反而难以动摇它，所以看似是劣势实际是优势。如果非要说有什么影响，只能说Model Y让小鹏以后的路变窄了，小鹏如果想要推出一款与Model Y同级别、同价位的SUV就要好好掂量掂量了。MODEL Y对威马和理想的影响就更小了，威马的几款车在价格上和Model Y就不是一路的，消费群体也不是一路的（威马主要客户群体还是在15-20万区间），而理想仅有的理想ONE是非常特殊的增程式电动车，同时也是比较传统的6/7座中大型SUV，我一直说这是典型的政策型车，就是专供限购城市的居民。除了新造车势力，Model Y对传统燃油车企的杀伤力更是巨大的，尤其是BBA（微博上我已经更新了一条，奔驰E级客户要转买Model Y，还明确表示自己可以装充电桩，而且没什么长途需求）。对于那些还在挣扎转型电动化的传统车企来说，如果Model 3是给他们敲响了警钟，那么Model Y就已经直接杀到对方家门口了。都说科技是豪华在这个时代背景下的一种独特表达，比如最早通过科技诠释豪华的奥迪，还有奔驰s级为首的，带头玩科技的下一代奔驰，这种理念也直接影响到了BBA的新能源车型，比如奔驰EQC、宝马iX3和奥迪e-tron，但传统豪华品牌玩电动车，在品牌溢价方面还是不肯让步，价格劝退太多人。他们宁宁愿定个高价，然后通过经销商7折，8折的往外甩，也不愿一步到位，放低姿态……而Model Y也是典型的科技豪华路线（你说特斯拉外观，炫酷不炫酷，至少身边人看到都认识，而且知道不便宜。你说它内饰有多高级，其实啥也没有，就一块大屏）。不过我们得清楚一点，虽然BBA这些豪华品牌的标很值钱，但特斯拉最早通过Roadster打入市场，调性就不低，然后正式量产开始，是通过Model S、Model X这两款百万级的车型高价入市，树立起来的品牌形象，一点也不比BBA差。同时BBA在电动核心技术方面还有很长的路要走，强如大众集团在MEB平台上砸了这么多钱之后，也会在平台首款车型ID3上遇到“重大软件问题”，虽然特斯拉也经常出现大小问题，但它仍然是市面上最成熟的新能源车之一，加上背后还有马斯克的“个人魅力”，以及Space X诸多非常吸粉的事迹可以吹牛逼。这么看，在新能源车领域，BBA的标也不是那么不可替代了，价格远低于BBA的Model Y反而会让人觉得更有噱头。考虑到Model Y不仅是特斯拉，还是一台SUV，再加上这么一个价格，是不是可以大胆预测一下，Model Y会与Model 3和五菱宏光MINI EV一起长期霸占国内新能源车的销量前三？对于以BBA为首的传统车企来说，网上有一句话非常扎心：敌人都已经全副武装打到门口了，某些车企还搁这儿玩油改电呢……当然，Model Y敢放出这么劲爆、惊悚的价格，并不是因为老板厚道、做慈善的，这一切都源自一场“对赌”：我们都知道，特斯拉独资在上海建工厂，地价近乎于白菜价，同时还有效避免了40%的进口税。但上海政府也不会让特斯拉白白拿地，于是提出在未来5年内，特斯拉需要完成对上海工厂140.8亿的投资，以及从2023年底开始，上海工厂每年须上缴不低于22.3亿的税收。这两项条件如果办不到怎么办？那就相当于押宝输了，特斯拉要归还这块土地，所有投资就全部打水漂。为了实现对赌，上海工厂大概需要达成每年50万台的年产能和年销量。产能不是问题，因为2020年上海工厂一期规划年产能是15万台，虽然之前年底上海工厂为了追赶交付还被曝出了什么“血汗工厂”，什么“不合格零件莫名消失”的说法，但随着二期建成和三期开建，2021年的年产能预计会达到55万台，包括30万台Model 3和25万台Model Y，还附带出口业务。其实最大的问题是销量，特斯拉2020全球年销量预计最高也就刚刚突破50万台，而前11月作为绝对销量主力的Model 3国内销量是11.16万台，虽然11月的月销量突破2万台、环比暴涨78%，大概率锁定新能源车的年度销冠，无限逼近“3、4、C”这样的BBA主流车型销量。但是，目前国内的新能源车市场整体规模摆在这里，Model 3的市场占比已经够高了，50万的年销量不仅自己要努力，还需燃油车发展不给力、国家强推新能源等大环境的推动，余下的路还很远啊……所以，特斯拉往后在中国走低价路线是必然的，必须把价格直接打成白菜价，给消费者留下超高性价比的第一印象，让那些将新能源车视为燃油车替代品、不到万不得已不会选择的人也拉进来考虑新能源车，至少对于在上海工厂生产的Model 3和Model Y是这样的。所以，Model Y的价格也就不难理解了，甚至以后可能还会继续官降，比如大概率会推出单电机的版本，定价一下打入30万以内（个人预计27-30万），顺便还能拿一手补贴。 蔚来退订单事件还有一件有意思的事情，元旦那几天，在蔚来ES6、EC6论坛上出现了大量转让订单的帖子，大家吵成一团，这里面有蔚来粉、有特斯拉粉、也有临时转投特斯拉的原蔚来粉。甚至网上还出现了一个段子：Model Y一公布售价，特斯拉的官网就被大量订单挤爆了，蔚来官网也被大量退单挤爆了。这个消息的真假有待商榷，因为元旦的时候我尝试过登录特斯拉和蔚来的官网，都没有什么问题。很多人都盼望着蔚来在短期内可以来一波降价，用更低价格的ES6和EC6回怼一下特斯拉的Model Y，但面对特斯拉的价格“屠刀”，蔚来官方已经不止一次表态：官网爆掉是谣言，订单量目前很稳定，我们不会降价（越说不会，就越可能降价，看看老罗的锤子手机就知道了）。蔚来的股价并没有因为Model Y受到什么影响，甚至还在上涨，李斌表示情绪稳定，他自己做出的回应是：“我觉得Model Y的价格应该在30万以内，我感觉它产能上来了应该还会降价，它的目标是成为大众和福特，从蔚来来说我们还是会坚守自己的定位，宝马、奔驰、奥迪的油车卖多少钱，我们用电车卖它同样的价格……”所以，有些人说蔚来短期内降价可能性并不大，就算为了维持形象和口碑也不会立马降价（但是，我不这么认为，蔚来背后的投资人不会像李斌那么镇定）。从李老板的话中可以看出，蔚来的目标是打造一个新能源领域的豪华品牌，这个目标并不会因为特斯拉的某一款车而动摇，至于特斯拉的目标就很明显了，就是通过低价跑量将自己打造成一个规模庞大的新能源巨头，类似丰田和大众在燃油车领域的地位。说到底，蔚来和特斯拉的路子本就是不一样的，但话说回来有特斯拉挡在前面，蔚来也没法去复制特斯拉的路子。从长期角度看，蔚来ES6和EC6的销量，一定会大幅度受到Model Y的冲击。而对于蔚来来说，打造豪华品牌需要调性，但追求豪华并不代表放弃销量，所以我们是不是可以大胆预测一下，蔚来往后一定会通过一些方法去提高旗下车型的吸引力？比如增配、服务、降价等等。增配，说实话ES6和EC6在配置上的操作空间并不大；服务，这一直都是蔚来的优势。相比之下降价反而是最有可能且最有可行性的方法，虽然蔚来目前嘴上说不会降价，但个人觉得这更多是为了当前的稳定。蔚来这次是碰到硬茬儿了，但在这场与特斯拉的这场竞争中，蔚来的新老车主们其实都有可能成为受益者，具体收益多少就要看蔚来下一步的应对策略了……大家也可以给蔚来支支招。让燃油性能车哀嚎的高性能版最后来说说高性能版，现在Model 3和Model Y的高性能版的价格分别是33.99万和36.69万，但是能给到用户的性能表现（比如百公里加速）却比百万级性能车还要强（Model 3高性能版3.3秒，Model Y高性能版3.9秒）。这不禁让我有一些惋惜，在过去的内燃机时代里，如果想要在原厂状态下，做到百公里加速4秒内的成绩，这是一件非常困难的事情，并且你如果想要拥有这样的性能，所要付出的费用是极高的，但是，如果把这个标准放在电动化时代里，“性能”不再是高昂售价的代名词，取而代之的是越来越多的人能够体验和拥有性能，并且以后电动车的性能会越来越强，而这势必会对传统燃油性能车的市场形成打击，毕竟以现在特斯拉Model 3和Model Y的价格，在传统燃油车阵营里可以买到的性能车似乎也只有奥迪S3（还得是优惠后的S3），然后奥迪S3想要做到这样的零百成绩，还得进行性能化的改装，最后算下来的费用又比特斯拉高不少。我就这个问题，问了一下我们公司的几位性能车主，他们有的人觉得只要能跑得快就挺好，如果有机会可以换一台高性能的电动车体验一下，有的人就摇摇头，觉得还是接受不了。其中，兔子说的话让我觉得很有意思，他说：“电动车确实很快，尤其是零百加速上非常强，之前开野马还能嘲笑一下电动车的续航，然而现在电动车续航越来越高，看看自己的野马加满油也就380公里左右的续航，发现在续航这件事情上都比不过电动车，但是，用纯电动车去和传统燃油车比性能，总让人有种玩游戏的时候打不过人家，然后就去开外挂一样，只不过这个外挂官方默许，你用了也不会担心被封号，甚至还有补贴。”写在最后我觉得特斯拉现在的角色，就像周星驰的电影《破坏之王》里的断水流大师兄，坐在会议桌前对着那些老牌的汽车厂商说：“我不是针对你，我是说在座的各位都是乐色。”本来，特斯拉还差个20万内的电动车来打低端市场，结果在2020年特斯拉电池日上，马斯克就透露：特斯拉将在未来3年内推出2.5万美元（约合17万元人民币）的新车型，也就是说只要这台20万内的电动车问世，特斯拉从高端到低端的产品线就可以形成闭环，而且这种闭环还不仅仅是产品闭环，更是一个生态闭环。我们都知道，iPhone刚推出的时候，主要利润是靠卖手机，但是现在苹果已经将重心转移到服务上，很多人都会每个月在iCloud、Apple Music以及各种APP上进行付费，这些付费项目都会被苹果公司抽走一定的金额，特斯拉这种无限接近于“科技产品”的汽车，未来也会车子越做越“平价”，甚至是不赚钱，但是主要利润都集中在软件上。这也是特斯拉现在正在做的事情，比如：2000美金的OTA加速包、300美金的OTA座椅加热功能、9.9美金/月的高级连接服务等等。但是，特斯拉和苹果不一样的是，苹果不会因为自己的技术更新、成本摊薄而大幅度降价然后抢占市场，反而我们看到现在的iPhone越卖越贵，但是特斯拉不一样，只要成本降低之后，它的售价就可以十分果断的进行下调，进而用后续的软件和服务去进行盈利。这一点是不是有点像贾跃亭说过的“生态化反”？那么，会不会出现一个类似《破坏之王》里面“何金银”一样的角色，用“无敌风火轮”去打败断水流？我觉得极其有可能，但是至少不是现在。因为如果想在技术层面上打败特斯拉，难度实在太大了，特斯拉现在光是在产品上、性能上的综合体验就已经满足了很多人的需求，更不用说特斯拉的品牌力还摆在那里，想要一下子秒杀掉实在太难，所以目前很多电动车厂商就从差异化上寻求突破口，比如更加本土化的智能驾驶辅助系统、更加本土化的车机系统……或者至少在品质上找突破口，比如保证车顶不会漏水，并且期待特斯拉的漏水问题继续下去。综合而言，特斯拉Model Y的上市和Model 3的降价，确实对很多车企造成了冲击，不过这种冲击是不是真的很大，我觉得两说，毕竟现在绝大多数人对于电动车的接纳度还有待商榷，至少在我们团队里真正去买了电动车的也就我一个，而我目前对于Model Y暂时还无感，30多万的Model Y真的香吗？我觉得小鹏P7开着也挺好啊，蔚来ES6如果服务免费，电池租赁费用再低点，我也愿意接受啊。我这样对特斯拉没什么忠诚度的客户，大有人在。我反而觉得，新能源车企在这一波特斯拉Model Y价格王炸之后都受益了，反而是燃油车，特别是豪华品牌燃油车企业，真的是慌了，受冲击最大的是他们，并且这个冲击会持续震荡整个豪华品牌燃油车企。2021年的电动车市场，还有豪华品牌燃油车市场，有一场好戏可以看了。音频图文更新在订阅号： 百车全说每期抽三条留言，每人赠168元的“芥末绿”燃油添加剂一瓶点击订阅，每周三，周六更新会有提醒新听友可以搜索：百车全说2014，百车全说2015，百车全说2016，往期300多个小时的节目可供收听

Portia Hoeg, Commissioner of the Cenntenial Conference and a champion for all hops on the ID3 show with Morgan. Portia is a tenured vet in the field of NCAA DIII athletics and few share her level of success and knowledge within the field. Portia and Morgan get into a discussion of Black Women in sport and much more. Portia is a river of knowledge and gems of wisdom!

Today's tip: Give yourself plenty of lead time to get your podcast mic - there's a SHORTAGE!For starters, I recommend a dynamic mic with a USB connection, like:Samson Q2U: http://www.samsontech.com/samson/products/microphones/usb-microphones/q2u/Audio Technica ATR-2100x https://www.audio-technica.com/cms/wired_mics/55eee3e0b0d5a960/index.htmlIf you strike out on Amazon, check outSweetwater: https://www.sweetwater.com/B&H: https://www.bhphotovideo.com/TV Owner E.W. Scripps has a buyer for Stitcher - it's SiriusXM (who recently bought Simplecast) - looks like we might have another big player in the space. https://podcastbusinessjournal.com/siriusxm-to-purchase-stitcher-for-300-million/Omnicom Media Group will invest $20 million in Spotify advertising. It's a drop in the bucket compared to their overall ad budget, but it shows people are taking Spotify as an advertising venue seriously. https://podcastbusinessjournal.com/spotify-announces-20-million-ad-partnership-with-omnicom/Podcast Movement has a virtual event next week, called "Shift." https://podcastmovement.com/events/shift-sessions-announcement/?utm_source=podnews.net&utm_medium=email&utm_campaign=podnews.net:2020-07-09James Cridland of PodNews says ID3 tags on your show's final MP3 -  that's the Metadata in Adobe Audition - are not necessary for SEO. https://podnews.net/article/id3-tags-podcast-search-engine-optimisation-seo?utm_source=podnews.net&utm_medium=email&utm_campaign=podnews.net:2020-07-09JAG in Detroit Website with contact info: http://www.jagindetroit.com/

Download the Innovid 2020 State of Connected TV ReportLearn about InnvoidTal Chalozin LinkedIn profileRelated episode: Direct-to-consumer streaming service launches and first impressionsListen to Episode 20 for more information on interactive advertising and video monetization technology--------------------------------------The Video Insiders LinkedIn Group is where thousands of your peers are discussing the latest video technology news and sharing best practices. Click here to joinWould you like to be a guest on the show? Email: thevideoinsiders@beamr.comLearn about Beamr--------------------------------------TRANSCRIPT: (edited lightly to improve readability)Tal Chalozin:       00:00          Innovid is what we call a video marketing platform. It's a technology platform sold to marketers, brands executives, and agencies that lets them do three things. First and foremost what is called an ad server. It's a technology that actually streams the ad to every website. So if a marketer, let's say Chrysler, or Proctor & Gamble or Best Buy, or others is advertising on YouTube or Hulu or Fox or NBC or New York Times there's a centralized platform that you can actually manage the campaign, upload the MP4's and actually do the streaming and make decisions on now on which video file to serve. So right now we're very fortunate to be the largest video ad server in the world and in many other countries in the United States and many other countries that we operate in. Tal Chalozin:       00:51          A little over a third of all video ads in the United States are being streamed by Innovid. So if you tune into every website and every app, let's say Hulu, one out of three ads, and as a matter of fact on Hulu, it's probably even higher than that. Almost one of every two ads would be, one's coming from Innovid every day. We stream roughly 450 years' worth of ads. And this is just ads content. So we stream a lot of videos. To complete the story of our platform. At a core it's an ad server. And then on top of that there are two applications. One is around creative and the other one is around measurement. Announcer:          01:31          The video insiders is the show that makes sense of all that is happening in the world of online video as seen through the eyes of a second generation codec nerd and a marketing guy who knows what I-frames and macro blocks are. And here are your hosts, Mark Donnigan and Dror Gill. Dror Gill:          01:51          Today we have a very special guest and an old friend of mine Tal Chalozin who is the CTO of Innovid. Hi Tal. Welcome to The Video Insiders. Tal Chalozin:       01:59          Hello Dror. Hello Mark. Thanks for having me. It's a true honor. Mark Donnigan:      02:03          Yeah, welcome Tal. So tell us about Innovid. Tal Chalozin:       02:07          Innovid is a software company that I had the honor of starting together with my two friends and co founders, Zvika Netter our CEO and Zack Zigdon who runs all of our international business. And myself, it's a company that we started back in 2007. Before I explain what we do, just to take you back almost 13 years ago, this is the time after Google acquired YouTube and Hulu as a streaming site was kind of an inception mode. NBC and News Corp started this operation to bring streaming television into the internet. Tal Chalozin:       02:49          And what we said back then is that we believe that the future of television is over IP and to be streamed. We thought that when this would happen the one thing that we really want to tackle is the viewing experience around the advertising. Because it was clear that marketers and ad dollars take a very, very important part of the experience of television subsidizing content and creating the access to so many different people. But it's also clear that sitting through a pretty boring 30 second spot and that every person around the United States in a broadcast time window would see the exact same ad. It's kind of silly. And so we went on a journey to build a software that helps to create a better viewing experience around commercials. Tal Chalozin:       03:44          So we started with the technology, with technology that allows what is called in kind of layman terms virtual product placement. It was a computer vision technology that lets you process videos and reconstruct the 3D. So understanding occlusions and backgrounds and foregrounds and planes and allow you to render a product a 3D product in 3D images into the shot. And it looks like as if it was there while the content was shot while reproducing all the shades and lighting and again, occlusion and, and things like that. This was where we started. We got a bunch of patents. This is how we raised our A round back then. We got so many awards. It was awesome. But then what we learned is that it's amazing, but advertising is a business of scale for marketers to actually play. Tal Chalozin:       04:38          One of the main things that marketers gain out of television is a massive megaphone that lets you tell your story to millions, if not hundreds of millions of people in 30 seconds. So then we went on a journey to better learn this business and expanded more and more capability and fast forward to today. Innovid is what we call a video marketing platform. It's a technology platform sold to marketers, brands executives and agencies that lets them do three things. First and foremost what is called an ad server. It's a technology that actually streams the ad to every website. So if a marketer, let's say Chrysler or Procter and Gamble or Best Buy or others is advertising on YouTube or Hulu or Fox or NBC or New York times there's a centralized platform that you can actually manage the campaign, upload the MP4's and actually do the streaming and make decisions on which video file to serve to the individual that is streaming the content. Tal Chalozin:       05:48          So right now we're very fortunate to be the largest video ad server in the world. And in many other countries in the United States, many other countries that we operate in a little over a third of all video ads in the United States are being streamed by Innovid. At a core it's an ad server. And then on top of that, there are two applications. One is around creative and the other one is around measurement. Our headquarters in New York. There's 350 people, a big R&D center in Israel and then offices across the U S and in Europe. And in APAC. If you read the trades, it seems like the future of television has no ads. Disney Plus, Netflix, Amazon, Apple, all of the big services that made a lot of splash in the press toot the horn of no ads. Tal Chalozin:       06:43          This is very nice for marketing, but in reality advertising dollars pays the bills that makes so many pieces of content to be streamed. The subscription services could not really thrive on subscription alone, let alone when you're talking about a massive global service that would like to reach hundreds of millions of subscribers. You cannot do that only with subscribing. With subscription dollars or advertising is a very strong market and in the future will be that. Easy testament is that just last week NBC launched or Comcast launched there foray into that game called Peacock. And the main thing that they said is that, Hey there's so much noise around advertising, about no ads. This cannot work. We will include ads. Tal Chalozin:       07:36          And this makes to the second part of what I wanted to say about the future is that, but they put a lot of emphasis around ed experience. So it's not that you will see ads in the same way that you're used to watching television. There will still be ad breaks, but it will look and feel very, very different than what it used to be on television. And we play a very big role there and in other places. And we think that yes, the future of television is over the internet, over IP. The future of television is with ads, or at least in some capacity of it, but it would look and feel much different. Dror Gill:          08:14          I want to ask a question regarding the, the ad server component. And these ads go interleaved into content experiences sometimes before or after or during the actual streaming of the content. So how do you match the resolution and the quality of the ad that you provide to the actual content that is being streamed? Because I don't assume that somebody watching a 4K movie would like to be interrupted by like an, you know, an SD, low quality ad. It would probably be quite annoying. Tal Chalozin:       08:52          I have so many things to say about this stuff. First of all, before I answer exactly how we did it I can tell you that people think that the internet is so advanced in 2020 so all of this problem is practically solved. And there is no real problem to bring television over the internet and it's not really true. I'm sure you know you know, very well the general standard in the video ads industry right now is that we as the server that generated the file and hosts them, would create an XML template called vast V A S T and put multiple video renditions in a file and create a manifest that would have different renditions of and actually different encoders as well. Tal Chalozin:       09:44          Of the file. It used to be, we used to put FLV and other stuff. But right now it's all MP4 containers. But anyway, you put multiple renditions and then the actual player picks the right one and the player, essentially what it's doing is doing playlisting. So picking the right ad at the right time and there is a, in the last, the last few years, but honestly, just in the last year, there is a big change in the way video ads are being streamed. Moving from what used to be called CSAI client side ad insertion, AKA playlisting. So on the client you download some, some type of playlisting and then you just move between different files even if it's the main content - it doesn't matter the rendition, you would still switch between different files that you do progressive downloads for. Tal Chalozin:       10:45          Most of the very large sites and today apps are what is called SSAI server-side ad insertion. Essentially it doesn't matter what file we bring. You convert it into an HLS stream, create TS files, and then do kind of the, the term that everyone is using is manifest manipulation. So just manipulate the M3u8 and swap packets, TS files inside the M3u8. I hope that I don't need to explain everything that I'm just saying, but stop me if you want me to. So essentially let's say on Hulu, this is how it works. You will tune into a stream and you hit play on an episode of a, I don't know, The Good Wife on Hulu. What they will do, they will go, let's say this is 48 minutes of an episode or 21 minutes of an episode with multiple ads that need to be weaved throughout. So what they will do, they will do a server side call to all the different ads and then get either an MP4 and do just in time transcoding for it. Or, if it's pre-prepared, like a lot of the things that we do you would get the actual TS file and then just merge it into a single M3u8 with content TS files in the right rendition and the ads. Mark Donnigan:      12:09          So Tal, are you actually able to get the, you know, I'll call it the mezzanine file of the ad, and then you can create a high quality or at least the highest quality possible for the, you know, target resolution and bit rate or are you limited by the fact that sometimes, you know, you may get a mezzanine quality and other times it may just be a 1080p in which case Dror's example of like a 4K. You're just limited. I mean, you have the quality you have. So can you tell us, shed some light on that? Tal Chalozin:       12:43          It's a fascinating point. This is an uphill battle for us because we are, we're still an intermediary. We're not the post production shop at that makes the video file, so we're limited to whatever you would get. So yeah, the intention is to get a Pro Res or a mez file, mezzanine file, of the ad that allows us to do transcoding into whatever we want. But, that's not the reality all the time. In many cases we would get to your example, a 1080p is a good case. In some cases we get 720 and sometimes we even need to up convert it, which clearly is not really working. Tal Chalozin:       13:34          And the reality is that the 4K streaming of ad supported content is not a real thing as of right now. But, 1080p is definitely one that is. And again, we're in 2020 right now and you can open whatever app without naming names, but you can open one of the biggest apps out there and I'm sure you would get to an ad break and even an unaided eye can see that it's a totally different rendition of the ad, even different audio, let alone volume normalization. But even just the quality of the encoding is significantly different or lower than the actual content. And this is a common case or the state of the internet right now. Dror Gill:          14:24          But this is something you're trying to avoid? Tal Chalozin:       14:26          We're definitely trying to avoid the way that we're doing it is that if you think about it, there are two inputs to our system. One is the ad itself, literally, again the mez file, Pro Res, whatever container that is, an MP4. And then, what is called in ad terms a media plan. Media plan is saying that we are Chrysler, the campaign starts in this date and ends on this date, there is X number of million impressions on YouTube, then on Snapchat, then on Hulu, and then the full list. It's a very complicated meta data of the whole campaign. So those are the two inputs that we're getting. Historically that was just an upload. So in our system, you would go and just upload the files. Tal Chalozin:       15:13          More and more we're trying to get down to the source and create some type of an integration with the, with the DAM, the digital asset manager. Let's say, again, this is a Chrysler commercial, Chrysler 300 commercial. Someone actually did the post for it, and they do have the approved asset at the best quality possible. But those are not our customers. So sometimes we don't get access to that and we need to beg the customer to get that and try to explain what's the outcome if they don't get it. So what we're trying to do is to get down to the source as close as possible. So then that post-production shop would actually have an API to us, or even if they upload, they would upload the source and not have a downsample of it. Mark Donnigan:      16:05          So our audience, are largely encoding engineers, video engineers, and we just hear over and over again incredible frustration about this. Dror and I were just talking to a very large live sports streaming service last week and the person responsible for encoding was lamenting that whenever there's issues with quality, it's because he can't do any better. It's a source issue! The high quality asset exists. Why can't we get access to it so that we can provide an incredible advertising experience. And I'm just wondering, how do we fix this? Tal Chalozin:       16:50          How do we fix that? As more hours per day continues to pour into the connected, let's call it the connected television space, and as more and more ad dollars flow in there, and then more and more people cut their cord or shave their cord or are cord nevers and haven't even been exposed to traditional television, this becomes the norm and not the new thing. It's essentially a supply chain or a workflow problem because as you said, the file is there. It's not that someone is shooting on an SD camera and now you, you're stuck with a shitty file. People are using RED cameras to shoot it. So yeah, so it's more of a workflow problem. And this is what we set out to do is to just remove the clutter and connect everything in an industry that wasn't connected. Ads on television, still are being delivered predominantly through FedEx with cassette tapes that are being sent to local TV stations. Tal Chalozin:       17:50          This is still a thing. We're moving from this world and now talking about getting a mezzanine or 4K file. I'll tell you about one thing that I'm very keen on, is that another thing is getting the raw asset is one thing. And then another thing, if you look at it, there's multiple parties on the internet that are getting an asset and transcoding it. So let's say that we get the video file. Probably Facebook got the video file as well, maybe not through Innovid. And they also transcoded the video file and then YouTube or Tik Tok got the video file somehow. And then sometimes clients would use Innovid. Sometimes you would go directly into YouTube and upload the raw file. And maybe NBC would get it through some other distribution channel to the broadcast side. Tal Chalozin:       18:44          And then when they run it online, they would take the broadcast file and transcode it as well. So there was multiple people or organization that got the raw footage and then they're in charge of transcoding. This is pretty stupid. It should be some type of a centralized repository because there is an ID to every file and there is an initiative called the Ad ID to make sure that there will be a unified numbering system, and a catalog. And by virtue of that, meta data and tracking just in the ad space so in every ad and then not only did you have a catalog, you can access all different resolutions in a centralized place. So then if YouTube wants a a downsampled version, then you just pick the resolution you want. You don't take the raw and then encode it as well. Tal Chalozin:       19:32          There's an initiative. There are several companies trying to do that. It's kind of a hurding cats type of an initiative. But it's almost a necessity because unless you do that, you will always have those artifacts. Mark Donnigan:      19:46          Yeah, that's right. And that Ad ID in your experience does that travel, I'll use the word seamlessly, you know, between these various systems or is that even an issue of keeping that ad ID intact? Tal Chalozin:       19:59          You know that it is a meta data but in reality again, we are one of the largest platforms that actually accesses files and stream them out and encode them. Most people that do encoding do not carry on all the meta data. That's one thing. Second thing is that most people, actually, most platforms don't even look into that meta data. So don't even expose that or do anything with it. Tal Chalozin:       20:22          Several encoders do not put it in there. So right now, yes, it is there, but it's not fully available. So the solution that is used mostly right now, which you would laugh, is putting it in the actual file name. So literally as an unstructured text on the file before the dot and before you put an underscore and then the the actual file, which clearly doesn't carry through anywhere. So that's the reality again, right now in 2020. It's almost like Dror do you remember Yossi Vardi's example of pigeons carrying DVDs in order to transfer a lot of files, large files? Dror Gill:          21:04          He also did another experiment. He took a snail and he stuck a USB drive on the back of the snail. And then he had two computers connected with a crossed ethernet cable and he was trying to see how the data will go faster through the cable or the snail that is moving slowly between the computers with the USB drive on his back. And I'm sorry to say, but the snail won! Tal Chalozin:       21:28          The industry from the outside seems like, again, it all problems are solved, but it's far from it. You know, the Superbowl is coming up very soon and Fox is going to air the Superbowl and like every year you can access it in streaming as well. And it's still a discussion every year. Is the internet already for that? The term for ad serving in real time in the world of television is called DAI dynamic ad insertion. Every broadcaster that gets the right to stream the Superbowl is asking, are we ready or are we safe to do DAI for the ads or to play it safe are we gonna take the broadcast feed and then just retransmit? I Can tell you a funny story, that last year we did a really cool experiment. Tal Chalozin:       22:19          CBS had the rights for the Superbowl and they use a system that takes the SCTE tone and converts it into an ID3 tag for digital systems. And then on the ID3 we put the marker of the ads, we put the actual Innovid URL of the the ad that is about to play. Originally the system was architected for measurement. So you can do measurements from the client side. So there is something on the client side, gate the ID3 tag and then fire that just do an HTTP get call that URL in order to track track the ads from the client in the most accurate way. But then what we did last year together with CBS is add the ability to also run overlays on top of the video. Tal Chalozin:       23:09          So that URL was not just for measurement, but also downloaded graphics to be displayed as a kind of, as a transparent layer on top of that on the device itself. So if you stream live stream. This is not VOD or anything like that. You do live stream of the Superbowl. Last year many devices on CBS Sports had a small SDK that again, took the SCTE tone converted to an ID3 tag, get a URL for a PNG file or whatever that is rendered in near real time. And then every house on the United States gets something else. We did an experiment together with Pringles. The whole commercial was some type of a game with Pringles. So you would get a message that is tailored to you. Tal Chalozin:       24:00          So, it literally featured the name of your city on it. And then it allows it to use your remote, let's say Apple TV. You can use your remote to left and right to swipe and play some, some kind of a funky game as the ad was playing. So funny thing again, this is 2019. You would imagine that we would have that technology available. This is not rocket science. We're talking about a lot more advanced things on the internet. But even that was super revolutionary and this year this capability will not be available because the way that Fox works is different. But that count is super cutting edge. Mark Donnigan:      24:40          Now Tal, I know that you're working very closely with Roku, so why don't you share with us what you're doing with them. Mark Donnigan:      24:49          Share what you can and tell us about what's happening on the Roku platform because I think that's very important to all of us in, in streaming media streaming video. Tal Chalozin:       25:00          Roku is a streaming device. It is divided into two parts of their platform. One is a device a streaming stick and streaming box. But, Roku first and foremost is an operating system that runs on that device or licensed to TV manufacturers, to TV OEMs. And right now there's eleven OEMs that carries that. Anything from TCL, or Insignia, all the way to LG, and on some SKUs from Sharp as well. And by numbers, Roku is the largest television operating system right now in the United States. The most amount of TV's purchased in 2019 was Roku powered or TVs or streams were powered by Roku. Tal Chalozin:       25:47          So this is larger than Amazon Fire, way way larger than Apple TV or Xbox or PlayStation or whatnot. So this is, this is Roku. Back in the early, early days of Roku this dating back to, to 2014 or 15, we did the first advertising oriented deal with Roku to create a small library and SDK that would be part of their firmware that many years later, the name is Roku ad framework, or RAF. Which is a set of libraries that lets app developers, Roku app developers get access to to stuff they need to run ads inside the app without a lot of work that allows us to create a technology for like, for example, interactive television, something that can be done in a very scalable way because now every app on Roku has the ability to render ads that can have overlays. Tal Chalozin:       26:47          You can press the remote and you can purchase things or send things to your phone or whatever activity you would like. So this is the first thing we've done with Roku and enabled that technology at a mass scale. This is many, many years before Roku was a big success. But at the end of last year, in September we, together with Roku, we announced kind of the second, second act of the innovation on the future of television, which is around measurement. I mentioned at the beginning, the top of the, of the show that we have three parts to our platform, the ad server, which we talked a lot about, different tools around creative. And the third one would be measurement capabilities. On the measurement side this is an area that the television industry, we talked a lot about things that require innovation. Tal Chalozin:       27:41          Measurement is maybe at the top of the list cause right now measurement on television is dominated by a company called Nielsen, which I'm sure many people know that the way they measure television because of lack of connectivity is by putting a people meter or a device in people's home. In very, very few households in the United States that act as a sample or as a panel which presumably should represent every household in the United States. So there's roughly 20,000 families in the United States that represent the television ecosystem, which there is north of 100 million households in the United States. And maybe 80 or 90 million households that are watching broadcast television and they're being paneled by 20,000 that essentially measuring what do people actually watch. Tal Chalozin:       28:42          So, we want to change that. We, and many other important, an important point is that many other companies are, are at it. Because, it's obvious this needs to be changed. But we teamed up with Roku that every one of the devices that carries their operating system, so every one of those TVs that have Roku as an operating system have a small chip called ACR. Stands for automatic content recognition that essentially knows what you're watching. So it records everything that hits the glass. And it doesn't matter if it hits the glass because it's an app on the Roku platform, let's say Hulu or YouTube or Netflix, or you plugged in via HDMI, your set top box or you plugged in an antenna to to the TV or even you have a DVR or VHS plugged into your television. Tal Chalozin:       29:32          Doesn't matter if it's rendered on the screen, then Roku would know what it is. They do a second by second or almost a frame by frame to a catalog. And then know what exactly you're watching and at what time code. We can talk about privacy as well, which is a very important part of it. But this is all opted in. You don't have to contribute this data, but most people do. And then we get this data. We don't care about the individual household, but we can use that as you don't, you don't need a panel anymore where every television is telling you what exactly you're watching. So we are, we're on a mission to reinvent that television measurement in a much better way. Dror Gill:          30:15          That's really amazing. So the television is actually watching what you are watching. Even if it's not streamed through that Roku platform, it's watching everything that is projected to the screen and not only you know, like recording the pixels or they're actually using this automatic content recognition system. Analyzing and knowing what content, what piece of content this is, whether it's a live broadcast or a video on demand. It could be a DVD or a VHS, time shifted or it's an ad. Exactly. Mark Donnigan:      30:51          Where is that fingerprint happening Tal? Tal Chalozin:       31:01          And by the way, a disclaimer, I don't work for Roku and I don't know any internal data about Roku. We have a strong partnership with them. So Roku is unique technology. And by the way, other TV manufacturers are doing the same thing. This is not limited to Roku. Vizio who made a lot of noise around that as well. And many others, Sony and Toshiba and others. Are using similar technologies. What's on the device is mainly picking up multiple pixels, hashing it together and sending it to the cloud. The matching to the catalog is not happening on the device. There's clearly no need for that. And there are several companies that create this catalog and does essentially the pattern matching between the set of temporal data of that set of frames, consecutive frames to a catalog to know exactly what you're watching. Tal Chalozin:       31:55          Is it - what show? What episode? Is it an ad? So one thing is to know the catalog. The other one is to know what is on right now in every... It's a very complicated problem, because sometimes you are you, you may be watching it live. Again, tuning into, I dunno, ABC, but right now because that show is a local show, you would watch it streamed by the Kansas city, Missouri ABC affiliate and it's not a national show. So you can't really match it to a catalog and know is it live or not live? And then when it comes to ads, it gets even more complicated because some of the ads are inserted in real time. So you need to know that that ad is inserted in real time so then it doesn't impact the idea of the stream. You didn't really change the channel. It's just dynamic insertion. Dror Gill:          32:48          So doing all of this measurement, I think it probably puts a lot of responsibility on your part of the value chain on the software that you create, on the reports that you generate. Because based on this I guess is how the content providers get paid right. For showing those ads, as you said. Tal Chalozin:       33:12          We are what is called the system of record for billing. So I mentioned that roughly a third of the ads are being transacted by us. This is a very rough number because the dollars don't go through us. We're just creating the billing. We are the actual counter of something like $5 billion of of ad dollars. So again, YouTube and Snapchat and New York times and NBC and Fox and TubiTV and many other channels and apps are being paid based on our numbers. And in order for that, we need to do a lot of filtration, detecting what is fraud, and making sure there's no false positives, and and many other things like that. And for it, we go through an audit process. So Ernst & Young is the auditor and there's an organization called the Media Rating Council that we go through an audit every year to make sure that what we say we do, we actually do. Tal Chalozin:       34:12          And there's no there's no problems in the counting. And yeah, it happens all the time that we are counting, but also clearly broadcasters or apps would count for their own use as well. And sometimes, unfortunately, the numbers are not the same. So we would say that P&G ran 10 million ads and the broadcaster, NBC, Discovery, what have you, would say that actually it's 10 and a half million ads. So then they need to get paid more. But the way that the contract is written is that Innovid numbers because we're unbiased is what is what will dictate the payment. So you're like the gold standard in measurements. But it's a very interesting, a very interesting world. Tal Chalozin:       35:08          It's an ever changing world. So counting ads 10 years ago and counting ads today is a very, very different business. Mark Donnigan:      35:14          There's a lot of studies and I think you even have one that you can cite if you'd like to that say very clearly that consumers are not opposed to ads. This whole notion that people "hate ads" is actually not true. What they hate is a bad or an irrelevant experience. If the platform happens to know that I'm looking for a new car and I get served a great car ad, guess what? And especially if it piques my interest, that's actually a good experience. Tal Chalozin:       35:48          100%. Yeah. We always use exactly the same term that you mentioned. People don't hate ads, they just hate bad ads. And that's absolutely true. And when you ask people, when you again, when you read the trades, it looks like ads are a very gloomy thing. Tal Chalozin:       36:06          And then you go to platforms like, in my mind, Instagram is the best ad experience ever made. When you see ads on Instagram, it's significantly better. And it's not disruptive at all. You have your thumb there and you can continue scrolling. And then many, many people choose to actually watch that. So completely reverse model. It's not that I'm forced to watch the ad. I literally can continue scrolling the same way that I'm scrolling there. But people literally are choosing to watch that because it's good ads. Mark Donnigan:      36:43          This has been a really amazing discussion and you know we have to do a part two. Yeah, there are few issues we did not cover and we must cover them and it's really been fascinating. Yeah, absolutely. Thanks for joining us Tal. Tal Chalozin:       36:57          I'd love to, thank you so much. Thanks, Mark. Thanks Dror. Thanks everyone that listened. Thanks Beamr. Announcer:          37:04          Thank you for listening to The Video Insiders podcast, a production of Beamr limited. To begin using Beamr's codecs today. Go to beamr.com/free to receive up to 100 hours of no cost HEVC and H.264 transcoding every month.

We begin by addressing whether or not podcasting has a plagiarism problem, podcast hosts not providing a 301 redirect, when you are ready to start offering premium content, the latest RODEcaster Pro firmware update, getting your Spotify stats, Apple Podcasts metadata best practices, plus our recap of Podcast Movement! Audience feedback drives the show. We'd love for you to email us and keep the conversation going! Email thefeed@libsyn.com or call 412–573–1934. We'd love to hear from you! Quick Episode Summary Plagairism and podcasting, is it a problem :( Kudos to Oprah Magazine for doing their homework Can one activate ID3 tags after an episode is published? What if your RSS feed description gives you issues? The long time issue of podcast hosts not offering 301 redirects Can a podcast be penalized for using click farms? Audio feedback from Neil Acast raising 25 million euro and what that means for building a profitable podcasting business When new companies pose privacy problems and are not GDPR or CCPA compliant When are you ready to start offering Premium content? Is there a benefit to being listed in a sub-category versus the general category in Apple Podcasts RØDECaster Pro Firmware Update! 2.0 baby! Where have you been? Alain Where have you been? Carey Is there a way for me to tell in the Libsyn stats how many are native subscribers versus the number that are being re-directed from an old feed? All kinds of details on how to use the Spotify for Podcasters dashboard Apple Podcasts meta data best practices Stats: breakdown of unique vs IAB certified stats Gene shares some amazind data with us! Podcast Movement 2019 recap Featured Podcast Promos + Audio Promo 1: Learn From Others Promo 2: Disney Discussions Promo 3: Global Studio Marketing Podcast Neil from The Mourning DJ Pilar from 21st Century Worklife Alain from Alain Guillot Show Carey from Podcast Fast Track Thank you to Nick from MicMe for our awesome intro! Podcasting Articles and Links mentioned by Rob and Elsie Our SpeakPipe Feedback page! Leave us feedback :) Is Podcasting Getting A Black Eye From Plagiarism? The Best Spanish and Latino Podcasts for Learning—and Laughing RØDECaster Pro Firmware Version 2.0 Is Here! Check Out The Powerful New Features Metro Detroit podcasts you should be listening to now Twelve Minute Conversations featuring Rob Walch 082 Rob Walch; The ins and outs of the podcasting business Podcasting: It's A Matter Of Legacy Where is Libsyn Going? (In Real Life) She Podcasts Conference DragonCon Content Marketing World Military Influencer Conference HELP US SPREAD THE WORD! We'd love it if you could please share #TheFeed with your twitter followers. Click here to post a tweet! If you dug this episode head on over to Apple Podcasts and kindly leave us a rating, a review and subscribe! Ways to subscribe to The Feed: The Official Libsyn Podcast Click here to subscribe via Apple Podcasts Click here to subscribe via RSS You can also subscribe via Stitcher FEEDBACK + PROMOTION You can ask your questions, make comments and create a segment about podcasting for podcasters! Let your voice be heard. Download the FREE The Feed App for iOS and Android (you can send feedback straight from within the app) Call 412 573 1934 Email thefeed@libsyn.com Use our SpeakPipe Page!

Episode #018We translate eight different podcasting languages and try to make them easy for anyone to understand.Did we do that?You tell us!What did we learn?DAW or not to DAW?Interview questions that matterThe “Pick-Your-Brain over Coffee” free masterclass requestThe “This show is not for me” 1 Star listenerPodcaster jargon (LUFS, Heil PR-40, ID3) questions in FacebookPaid hosting versus Free hostingHey, Bra! I just uploaded and got 10,000 downloads! Is that normal?It Depends… Length… Format… Gear… There are no right answers, only wrong answers!Quotes“Death is only the end if you assume the story is about you.”― The Nightvale Podcast - #welcometonightvaleAdditional ReadingAdobe AuditionHindenburg JournalistAudacitySquadcastSupport the ShowEvery episode is a work of passion that requires a lot of coffee! We research, read, record, mix, edit, and produce every episode ourselves.We would greatly appreciate it if you could do two things for us:FEEDBACK: Send us a quick note of encouragement to us. This keeps us going when times get tough!VISIT: If you enjoy this podcast, please consider visiting our website at podwrecked.com!Thank you for taking the time to listen. You are appreciated!Start Your Own PodcastPodwrecked is an Oncetold Production. If you need a partner in telling your podcast story, consider using oncetold.us.

Audience feedback drives the show. We'd love for you to email us and keep the conversation going! Email thefeed@libsyn.com or call 412–573–1934. We'd love to hear from you! Quick Episode Summary: :07 Intro 1:53 Audio Rockin' Libsyn Podcast: Collected Clan 7:17 How you can be featured by Libsyn! 8:34 PROMO 1: The Author Inside You 9:03 Elsie and Rob Conversation Rob has new AirPods New information for the summary iTunes tag! (description vs summary) Unknown season updates When do you start showing up in the Apple Podcasts Analytics? Big issues with people's iTunes/Apple Podcasts charts - what could be going on? Checking your podcast on Google Podcasts on a desktop It looks like Google Podcasts is going to be transcribing your episodes! 35:21 Audio Feedback from Ron on adding ID3 tags with Audacity and is there anything better? The Blacklist Exposed recently moderated a panel with The Blacklist series creator Jon Bokenkamp! And so much more from them 40:44 Audio Feedback from Shawn about the connections made with our business cards table! How to deal with unusual numbering in Apple Podcasts 49:49 Audio Feedback from Steve: can you shrink your RSS feed? How to make sure that if you replace an episode it updates on Spotify Spotify is still doing some shopping Support Emily Prokop from The Story Behind! Get her to win a Webby! 1:06:14 Audio Feedback from Craig: permalinks The BBC is pulling their content from Google Podcasts 1:17:54 PROMO 2: Beyond Westworld 1:18:43 Audio Feedback from Seniortopia on copyright notices Worst email of the week! Update on Rob's MDrill One Microphone with built in Noise Canceling purchase Finding your stats for your smartphone app 1:31:03 PROMO 3: Suspicious Circumstances Stats, stats, stats! Mean and median numbers Featured Podcast Promos + Audio Audio Rockin' Libsyn Podcasts: Collected Clans Promo 1: The Author Inside You Promo 2: Beyond Westworld Promo 3: Suspicious Circumstances Ron from Ethical & Sustainable Investing News to Profit By! Shawn from The Crushing Debt Podcast Steve from SteveStewart.me Julie from Seniortopia Craig from The Inglespodcast Thank you to Nick from MicMe for our awesome intro! Podcasting Articles and Links mentioned by Rob and Elsie Our SpeakPipe Feedback page! Leave us feedback :) Google Podcasts is available on desktop web with playback and syncing How To Access Hidden Browser Tools In Google Podcasts Spotify to Acquire Parcast, a Premier Podcast Storytelling Studio My Show Isn't Showing Up In Apple Podcasts. Why? Vote for The Story Behind! The end of open: BBC blocks its podcasts on Google Rob on Podlords Episode 3! The article that Elsie is quoted extensively on: Is Podcasting More Diverse Than We Thought? She Podcast LIVE!!! Kickstarter Campaign Directions for checking Google Podcasts on your desktop How to check your show on Google Podcasts if you do not have an Android device. Get your shows Google Podcast link by going to: https://search.google.com/devtools/podcast/preview Put in your RSS feed and get the URL for your show. It will be something like this: https://www.google.com/podcasts?feed=aHR0cDovL3RoZWZlZWQubGlic3luLmNvbS9yc3M%3D To get the website URL cut “podcasts” from where it was and paste it over “www” https://podcasts.google.com/?feed=aHR0cDovL3RoZWZlZWQubGlic3luLmNvbS9yc3M%3D Where is Libsyn Going? (In Real Life) Proclaim 19 NAB in Las Vegas Outlier Conference in Austin Utah Podcast Summit Military Influencer Conference HELP US SPREAD THE WORD! We'd love it if you could please share #TheFeed with your twitter followers. Click here to post a tweet! If you dug this episode head on over to Apple Podcasts and kindly leave us a rating, a review and subscribe! Ways to subscribe to The Feed: The Official Libsyn Podcast Click here to subscribe via Apple Podcasts Click here to subscribe via RSS You can also subscribe via Stitcher FEEDBACK + PROMOTION You can ask your questions, make comments and create a segment about podcasting for podcasters! Let your voice be heard. Download the FREE The Feed App for iOS and Android (you can send feedback straight from within the app) Call 412 573 1934 Email thefeed@libsyn.com Use our SpeakPipe Page!

Audience feedback drives the show. We'd love for you to email us and keep the conversation going! Email thefeed@libsyn.com or call 412–573–1934. We'd love to hear from you! Quick Episode Summary: :07 Intro 1:36 Audio Rockin' Libsyn Podcast: Hashtag Questions 6:45 How you can be featured by Libsyn! 8:31 PROMO 1: Collected Clan 9:10 Elsie and Rob Conversation Apple Podcasts iOS 12.2 beta supports the episode number tag! Expect update in the Spring Apple updated their Terms of Service and we give you the exact paragraphs that changed 16:31 Rob finally used the Samson Q2U and did a test recording Who is best suited for the Samson Q2U? If you wanna know if your podcast is ok for Google Podcasts use the official site for checking Tip from Billy about using HTML tags for creating nicely formatted shownotes Himalaya Media launched a new app for iOS and Android, now if we could get them to focus on the listeners not the producers 25:56 Voice Mail from Troy about whether or not most podcasts started after 2014 Interesting article all about how only 17% of consumers believe personalized ads are ethical Feedback on adding artwork to your ID3 tags and how not to get an error when uploading to Libsyn 33:22 PROMO 2: Secular Soup Talking premium services and how very resourceful people get when trying to get access to premium feeds We have MyLibsyn as a solution which locks down the URLs, making it secure Where have YOU been? We hear from Ricardo and his podcast Astronomia y also mas winning best podcast for 2018 in Chile 42:38 Voice feedback from Carey Green about best use cases for tracking codes There is a really bad article on Adage about Pandora and Spotify that is full of mistakes In other odd and unverified news Libsyn is now hosting over 40% of all new podcasts that will still be producing content a year from now (get it?) 47:42 Finally getting into the news about Spotify buying Gimlet and Anchor breaking down insight into Gimlet and Anchor based on numbers Looking at the future of podcasting and the strategy of creating premium only content and how it gives us indie podcasters an opportunity to fill the void 1:06:24 PROMO 3: The Jeep Talk Show Stats! Geographic and user agent Where have we been? Featured Podcast Promos + Audio Audio Rockin' Libsyn Podcasts: Hashtag Questions Promo 1: Collected Clan Promo 2: Secular Soup Promo 3: Jeep Talk Show Troy from Front Porch Studios Carey Green from Podcast Fast Track Thank you to Nick from MicMe for our awesome intro! Podcasting Articles and Links mentioned by Rob and Elsie Our SpeakPipe Feedback page! Leave us feedback :) Official Site for checking your Google Podcasts listing Only 17% Of Consumers Believe Personalized Ads Are Ethical, Survey Says Spotify and Pandora duke it out for podcasting prominence This is an article with mistakes and wrong data, not to be quoted or referenced Blubrry CEO: This Is Good For The Industry Life Lessons with Rob Walch, VP Podcaster Relations- Libsyn Rob Walch on How the Biggest Podcasts Grow Without Advertising | YouX Podcast 061 Embrace the Power of Vulnerability with Elsie Escobar Where is Libsyn Going? (In Real Life) Podfest in Orlando Proclaim 19 NAB in Las Vegas HELP US SPREAD THE WORD! We'd love it if you could please share #TheFeed with your twitter followers. Click here to post a tweet! If you dug this episode head on over to Apple Podcasts and kindly leave us a rating, a review and subscribe! Ways to subscribe to The Feed: The Official Libsyn Podcast Click here to subscribe via Apple Podcasts Click here to subscribe via RSS You can also subscribe via Stitcher FEEDBACK + PROMOTION You can ask your questions, make comments and create a segment about podcasting for podcasters! Let your voice be heard. Download the FREE The Feed App for iOS and Android (you can send feedback straight from within the app) Call 412 573 1934 Email thefeed@libsyn.com Use our SpeakPipe Page!  

Dr. Lori Barr answers a question doctors ask her about podcast production and digital audio files: what are ID3 tags?

EP501. Wolves [Reece Low & SND Bootleg] - Marshmello & Selena Gomez2. Mi Crusade [Valo Mash Up] - COMBO! Vs Orkestrated3. De Ja Vu [Joel Fletcher remix] - Timmy Trumpet & Savage4. ID - ID5. Dark Beat - Joel Fletcher & Reece Low6. Badman - Mr . Black & 22 Bullets7. Party People - Mr. Black & Ale MoraReece Low Guestmix1. Shape of you [ Reece low ID edit] - ID2. Scared to be lonely [ID remix] - ID3. Bailar - Deorro4. Toca [Uberjakd edit] - Timmy Trumpet, Carnage & KSHMR5. ID - ID6. Longest Road [Joel fletcher remix] - Morgan page7. Restriced [Krunk! Remix] - Kronic8. Boom [Mr Black remix] - Tiesto & Sevenn9. Baddest Behaviour [Timmy Trumpet remix] - Throttle10. Original Don [ID remix] - Major LazerUberjakd 2nd mix1. Dat Sh*t Cray [Uberjakd Edit] - Coming Soon!!!2. ID - ID3. Angels of Destruction [Neelix remix] - Phaxe4. ID - ID5. La Menta - Krunk!6. Love Escape [Dimatik remix] - Paul Oakenfold & Amba Shepherd7. Insane [Binary Finary Remix] - Dark Monks8. Feel the Volume [Ben Nicky remix] - Jauz9. Every time we Higher [Chris Royale edit] - Cascade & Kayzo10. This time [GOMMI Vs TYEGUYS remix] - Kayzo11. Punjabi - Timmy Trumpet & Dimatik12. Shadow Particles - Arctic Moon & Purple Stories13. Adhana - Vini Vici & Astrix14. ID - ID15. Mind Dimension [Phantric remix] - Tiga16. Ayla [Ben Nicky & Luke Bond remix] - Ayla

Creating Consistency – My Podcast Workflow – Episode 166   How do you find time to record your podcast? Consistency is an important part of building an audience. This week, I thought I would share my podcast workflow to help you create more consistency with your show.   Before we begin, I want to share with you two things.   First, I launched a Facebook group last week for podcast interviews. If you conduct interviews on your podcast, join our group here:   [PODCAST TALENT COACH INTERVIEWING FACEBOOK GROUP]   We are helping each other find great guests and become better interviewers.   Next, I received a great e-mail from one of my coaching clients. This shows the power of taking action.   Erik,   I'm listening to the episode on how to get guests while driving home last night. As u go thru each tip, I say “yeah yeah yeah” until u said those magic words “make the ask short and offer something of value to the guest” and it was like a lightening bolt.   I pulled off on the side of the road and messaged a top-of-the-food-chain guest I've been chasing w no results for a while ,,,,,, and said, “Hey I have an opportunity to highlight your vision (something I know he is pushing) and if u can give me a 30 second sound bite I can record it and put it out.”   It worked. I got the clip today and a commitment for an interview As I reflect on it, I've been trying to impress him w how good my podcast is instead of figuring out what he needed so I could offer that thing of value.   One of your most important messages is of being a servant of guests and listeners and giving the something. Thanks Erik.   Rick Sizemore VR Workforce Studio   Regardless of the information and training I provide you, none of it will matter unless you actually put it to work.   That is why I love working with Rick and his co-host Anne. When I make recommendations to them in our coaching sessions, they put the suggestions into effect and see results. They do the work. I'm so proud of them.   If you would like information on my coaching services, get details here.   [PODCAST TALENT COACH COACHING SERVICES]   Now, let's talk about your podcast workflow and consistency.   Many podcasters will post episodes consistently. Then life will get in the way causing them to miss a few. They will then get back on track.   When this inconsistency happens, they will often reach out to me wondering why they cannot get their downloads to grow.   Listening is a habit. Help your listeners to develop that habit.   THE BENCHMARK   Have you ever listened to a radio show where they do a bit at the same time every day? You know you are on time on the way to work if you hear the game or joke or trivia question when you are at the corner of 16th and Broadway.   In news radio, the network news typically airs right at the top of the hour. These stations sometimes do "traffic on the tens", where they air the traffic report every ten minutes at ten past, twenty after, etc. Morning shows on music stations might play their contest every morning at 7:20, creating consistency on the show. The station might do a lunchtime feature playing nothing by 80s music.   In radio, we call these a benchmark. The definition of a benchmark is a standard or point of reference against which things can be compared or assessed. When the radio feature happens at the same time each day, that is the point of reference for the show.   The benchmark tells listeners they are in the right spot at the right time. It becomes a habit, because listeners are listening at the same time each day. The feature provides stability and consistency in the life of your listener.   Your show can do the same thing when you are consistent. Listeners may not listen every Tuesday at 6pm when you post. However, they might listen every Thursday at 7am on their way to work, because they know a new episode is there when they tune in. When you don't publish, the promise and habit are broken.   To create consistency, I have found focus is critical. My podcast is the center of all I do. If I do not create the podcast episode, nothing else matters. Therefore, I have scheduled a specific time each week to record the podcast. I built my podcast workflow to streamline the process. If it doesn't get scheduled, it doesn't happen.   You should do the same thing. Schedule the time. Build your podcast workflow. Make it happen.   There is another step that helps me create consistency. I batch my recording. Each time I go into the studio, I record three episodes. This step also helps me work ahead just in case life gets in the way.   I use the podcast time during the weeks I am not recording to write the outlines for new episodes.   Let's go over my podcast workflow for each episode. This will help you plan your episodes and schedule your time to record. Most of all, a plan will help you create consistency with your show and a habit for your listener.   A good rule of thumb is one hour of preparation for every hour of show. That involves gathering your information and outlining it for the show.   Once your show is recorded, you will probably spend another hour or two posting it and promoting it. If you want traffic, you need to spend most of your time promoting and marketing your content.   MY PODCAST WORKFLOW   60-second blog content plan Show prep planning worksheet Write the outline Topic development worksheet Develop the lead magnet Write the show notes Set up my studio Record the episode Edit the episode Add the ID3 tags Post the show to Libsyn Create the cover art for the episode using 123RF.com and Canva Post the show to my website Add the appropriate links Send out a broadcast to my list Share on Facebook and Twitter   If you wish to create more engagement and increase downloads with your podcast, begin focusing on consistency. Schedule your podcasts. Create a podcast workflow. Then, begin to market your show as much as you can.   Do you need help with your podcast? E-mail me any time at Coach@PodcastTalentCoach.com. Let's see what we can do.   You can find my podcast and other tools to help you create great content at www.PodcastTalentCoach.com.   Let's turn your information into engaging entertainment.