Podcasts about llewelyn moss

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! Today, we're diving into the flashy and often thrilling world of cinematic money scenes as we count down our Top 5 Cash Scenes in movies. We'll also discuss the complexities of financial manipulation in The Laundromat (2019) and switch gears to the animated high stakes of Thunderbirds Are Go.Top 5 Cash Scenes in Movies:The Dark Knight (2008) - The Joker's notorious scene where he burns a mountain of cash is not only visually striking but also serves as a profound statement on his anarchistic views towards money and power.No Country for Old Men (2007) - The suspenseful scene where Llewelyn Moss discovers a case full of cash amidst a drug deal gone wrong is pivotal. It sets the tone for the cat-and-mouse chase that underpins the movie's tension.Scarface (1983) - Tony Montana's famous “money laundering” montage showcases his rise to power. The visual of cash flowing through counting machines as he builds his empire is iconic in cinema history.The Wolf of Wall Street (2013) - Jordan Belfort's indulgent lifestyle fueled by ill-gotten gains is epitomized in the scene where he and his cohorts toss cash around their office, highlighting the excess and moral decay of his financial practices.It's a Mad, Mad, Mad, Mad World (1963) - The chaotic scramble for cash buried under the "big W" provides not only comedic gold but also a critical look at greed and desperation as every character vies for the hidden treasure.The Laundromat, directed by Steven Soderbergh and starring Meryl Streep, delves into the shadowy world of financial fraud and the repercussions of the Panama Papers. The film intertwines multiple narratives to explore how money laundering affects people from different walks of life. While it aims to shed light on complex financial deceptions, the film's sprawling approach to storytelling sometimes dilutes its impact, leaving us wishing for a tighter narrative focus. Shifting to a more family-friendly portrayal of high-tech adventures, Thunderbirds Are Go revisits the beloved world of the Tracy family and their life-saving missions. Although not focused on cash per se, the show's funding by the secretive and wealthy Tracy family and their high-stakes rescues offer a lighter way to discuss the power and responsibilities that come with great wealth. We hated it.Whether you're drawn to the dramatic flair of cash flying around in films or intrigued by the intricate depictions of financial malfeasance in modern cinema, today's episode promises a rich exploration of money's cinematic allure and its real-world implications. Join us as we unravel the tales of treasure and treachery that make these cash scenes so compelling.

NO COUNTRY FOR OLD MEN While out hunting, Llewelyn Moss  finds the grisly aftermath of a drug deal. Though he knows better, he cannot resist the cash left behind and takes it with him. The hunter becomes the hunted when a merciless killer named Chigurh picks up his trail. Also looking for Moss is Sheriff Bell an aging lawman who reflects on a changing world and a dark secret of his own, as he tries to find and protect Moss. Craig and Alan talk about nihilistic endings, fate, VOD making theaters DOA and the movie “No Country for Old Men” on this week's Matinee Heroes! Show Notes 1:06 Craig and Alan talk about the theater vs. VOD war. 8:15 Craig and Alan discuss "No Country For Old Men" 39:40 Recasting 55:55  Double Feature 59:35 Final Thoughts 1:02:119 A preview of next week's episode "The Departed" Next week, we go to Boston to talk rats and finks with "The Departed"

With the 2024 Oscar nominees being released yesterday, the A24 rocks crew looks back at a previous Best Picture winner and a film that inspired many A24 films: No Country For Old Men. Written and directed by the Coen Brothers, and based off a Cormac McCarthy book: No Country For Old Men won Best Picture, Best Director, Best Supporting Actor (for Javier Bardem), and Best Adapted Screenplay. It follows Vietnam veteran Llewelyn Moss (portrayed by Josh Brolin) after he finds a suitcase full of money from a drug deal gone wrong. The money isn't without strings, though, as he soon realizes crazed psychopath Anton Chigurgh (portrayed by Javier Bardem) is tracking him down for the money. Film-buff Ray Neeman joins the A24 Rocks crew to discuss one of the best movie's of the last 25 years. Caution: movie spoilers. Intro: 0 to 2:26. Film Discussion: 2:26 to 1:10:20. Film Ratings and Outro: 1:10:20 to End. --- Support this podcast: https://podcasters.spotify.com/pod/show/a24otr/support

Episode 50: NO COUNTRY FOR OLD MEN Not really a Halloween movie, but pretty scary nonetheless. This week we talk about the Coen brothers' lone Best Picture winner, No Country for Old Men. Released in 2007, it follows Josh Brolin as Llewelyn Moss, a Texas man on the run from a deadly assassin, Anton Chigur, played menacingly by Javier Bardem. Tommy Lee Jones plays the weary lawman desperately trying to keep the evil at bay. No Country for Old Men ranks #20 on our countdown.* Come back again next week. We get into the 'teens with the highest-ranking Best Picture winner of the 1980s, Amadeus. Spoiler Alert: We talk about the movie in its entirety, so if you haven't yet seen it, check it out. Or not. That ball is in your court. *What is this list? We explain it in more detail in our Trailer and its Description, but as a high-level answer: we aggregated several different lists that rank the ninety-four winners of the Best Picture Academy Award in a rough attempt to get a consensus. It is not intended to be rigorous or definitive. It's just a framework to guide our journey through cinema history.

You can't stop what's coming - and that's a 4 plus hour runtime.  Join your favourite TransAtlantic podcasting crew: Ian, Liam, Ethan, and Georgia (Megs is in the ICU) as we head to West Texas in 1980 in search of fate or nihilism or God or meaning in The Coen Brothers' seminal work "No Country For Old Men." We're also celebrating our 200th episode with some Friends of the Podcast and with a runtime this high, you know there's probably a special someone coming on.  We're telling you to 'call it' in our 200th episode as we discuss: The difference between active and passive spectatorship and how directors usually manipulate our response Whether or not we as viewers are obligated a story that ties up with any respect to the story being told Who was the original first choice of the Coens for Llewelyn Moss and the backup choice for Anton Chigurh We're building our communal word power as we forsake brevity in the spirit of levity We're joined by Friends of the Podcast: Andy Dickson, James DeGuzman and Hermes Auslander We discuss again how Liam and Georgia watch films as opposed to Ian and Ethan's perspective Someone didn't set a Fantasy Football lineup.  Guess who. The group pick their Mount Rushmore of Scary Disney Scenes Whether or not No Country For Old Men is the Best Film Ever Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Lina Oberholzer Ensign Ian Davies Chris Pedersen  Duane Smith (Duane Smith!) Randal Silva The Yeetmeister Nate The Great Rev Bruce Cheezy (with a fish on a bike) Andy Dickson Holly Callen Richard Ryan Kuketz Dirk Diggler Shai Bergerfroind Stew from the Stew World Order podcast Norfolk Dom AJ from Nova Scotia Catch more from Hermes in his pod "The Scuttlebutt Podcast" at https://podcasts.apple.com/us/podcast/the-scuttlebutt-podcast/id1503504933 Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/ Massive thanks to Lex Van Den Berghe for the use of 'Mistake' by Luckydog.  Catch more from Lex's new band, The Maids of Honor at https://soundcloud.com/themaidsofhonor Also massive thanks to Moonlight Social for our age game theme song.  You can catch more from them at https://www.moonlightsocialmusic.com/

Do you think it's getting harder to do good deeds in our modern society? Is the world getting worse, or has it always been this bad? In this second part to our previous episode, we continue our discussion on the Crime genre with an analysis of the Coen Brothers' thought-provoking film No Country For Old Men. We wrestle with this challenging commentary about the nature of arbitrary violence in our chaotic world.  Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide. Check out Joseph's stop-motion films Want Derrick to analyze a film of your choice? Check out our Patreon: https://www.patreon.com/allthingsnarrativepodcast/membership  All Things Narrative cultivates personal development through storytelling. Become more purpose-driven by learning how to better understand and communicate your life story. Offerings include: The ‘Live A Meaningful Story' Coaching Program, workshops for organizations, storytelling classes, the All Things Narrative Podcast, 1-on-1 Narrative Coaching, speaking engagements, and facilitating storytelling events. Led by award-winning Narrative Practitioner Derrick Hatch, we will be your guide towards telling and living a meaningful story. Learn more at allthingsnarrative.com and schedule a FREE consultation to see how we can support you! Like us on Facebook @allthingsnarrative Follow us on Instagram @allthingsnarrative Read my Film Diary (including reviews and rankings) on Letterboxd

This week we had a special request for a Coen Brothers classic - "No Country for Old Men"! Directed by (that's right) The Coen Brothers, "No Country for Old Men" was a staple for its time in 2007 winning the Academy Awards for Best Picture as well as Best Supporting Actor for Javier Bardem's performance in the film. But what is it about this western film that drew audiences and critics in for numerous views? We discuss this and more on our episode this week! Plot: While out hunting, Llewelyn Moss finds the grisly aftermath of a drug deal. Though he knows better, he cannot resist the cash left behind and takes it with him. The hunter becomes the hunted when a merciless killer named Chigurh picks up his trail. Also looking for Moss is Sheriff Bell, an aging lawman who reflects on a changing world and a dark secret of his own, as he tries to find and protect Moss.

A fascinating movie dealing with interweaving themes, No Country For Old Men is an award winning piece of cinema for a reason. In this episode, Maverick Dickson and his co-host Avalon Dickson delve into why this is the case, as we explore Llewelyn Moss's frantic scramble from death together.

The fellas weigh up over this flawless 2007 Oscar winning movie. Josh Brolin stars at Llewelyn Moss, while out hunting stumbles upon a bag of $2 Million after a drug deal gone bad. Though he knows better, he cannot resist the cash left behind and takes it with him. The hunter now becomes the hunted when a merciless killer name Chigurh picks up his trail. Also looking for Moss is Sheriff Bell, an aging lawman who reflects on a changing world and a dark secret of his own, as he tries to find an protect Moss.

Will Collins (screenwriter for Wolfwalkers) and Kevin Lehane (screenwriter for Grabbers) from The Best Bits podcast return to Flixwatcher remotely to review Will's choice No Country for Old Men. No Country for Old Men is the multi award-winning (Best Picture, Best Performance by an Actor in a Supporting Role, Best Director and Best Adapted Screenplay at the Oscars) 2007 neo-Western crime thriller from Joel and Ethan Coen. Based on the novel of the same name by Cormac McCarthy it stars Tommy Lee Jones as a local sheriff Ed Tom Bell, Josh Brolin as Llewelyn Moss - a Vietnam vet who stumbles across a large amount of money from a drug deal on bad and a terrifying Javier Bardem as Anton Chigurh - a psychopath hitman hired to track down the missing drug deal money.   [supsystic-tables id=225] No Country for Old Men is violent, detached, bleak but also absurdly funny in places and widely considered the Coen's greatest achievement in cinema. Less easy to recommend to people than say Fargo, Flixwatcher and guests score No Country for Old Man highly on recommendability with (caveats) but low on the small score to give an overall score of 3.96. What do you guys think? Have you seen No Country for Old Men? What did you think? Please let us know in the comments below! Episode #214 Crew Links Thanks to Episode #214 Crew of  Will Collins (@WillumsFillum) and Kevin Lehane (@KevinLehane) from (@bestbitspod)  Find their Websites online at https://linktr.ee/bestbitspod   And at https://www.casarotto.co.uk/clients/collins-will And at https://www.kevinlehane.com/ Please make sure you give them some love More about No Country for Old Men For more info on No Country for Old Men, you can visit  No Country for Old Men IMDb page here or No Country for Old Men Rotten Tomatoes page here.   Final Plug! Subscribe, Share and Review us on iTunes   If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below.

On this episode, we discuss the eightieth Best Picture Winner: “NO COUNTRY FOR OLD MEN.”"No Country for Old Men" is neo-Western crime thriller film based on Cormac McCarthy's 2005 novel of the same name. While out hunting, Llewelyn Moss finds the grisly aftermath of a drug deal. Though he knows better, he cannot resist the cash left behind and takes it with him. The hunter becomes the hunted when a merciless killer named Anton Chigurh picks up his trail. Also looking for Moss is Sheriff Bell, an aging lawman who reflects on a changing world as he tries to find and protect Moss. Directed by Ethan & Joel Coen, the film stars Josh Brolin as Llewelyn Moss, Javier Bardem as Anton Chigurh, Tommy Lee Jones as Sheriff Ed Tom Bell, Kelly Macdonald as Carla Jean Moss, Woody Harrelson as Carson Wells, and Stephen Root as Man who hires Wells.Here on The Envelope, we discuss & review every Best Picture Winner in the Academy Awards History. You can reach anyone here at TheEnvelopePodcast.com – Just go there to email us, check our bios, and keep up with the latest episode. 

Cormac McCarthy kaufte 1964 in Knoxville eine gebrauchte Olivetti-Schreibmaschine, auf der er dann über Jahrzehnte seine Romane schrieb. 2009 wurde sie versteigert, und das Auktionshaus rechnete mit maximal 20.000 Dollar Höchstgebot. Es wurden 254.000 Dollar. Sogar noch deutlich mehr Geld findet Llewelyn Moss, der in der texanischen Wüste auf die Spuren eines schiefgegangenen Drogendeals stößt. Die Leichen ignoriert er, den Geldkoffer nimmt er mit. Doch der emotionslose Auftragskiller Anton Chigurh ist ihm und den Millionen im Koffer schon auf den Fersen. Womit McCarthy, inzwischen 86 Jahre alt, heute schreibt, wo er seine Olivetti versteigert hat? Einer anderen Olivetti, die ihm ein Freund gekauft hat. Für 11 Dollar. Viel Spaß mit der neuen Folge! Timecodes und Kapitelmarken: 00:00 - Zu McCarthy, Genre und Stil 34:36 - Charaktere und die Grenze zwischen Autoren und ihrem Werk 1:04:39 - Handlungsmotive Shownotes: Englischer Trailer zur Verfilmung der Coen-Brüder Cormac McCarthy im Gespräch mit Oprah Winfrey

Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. In 2005, the novel NO COUNTRY FOR OLD MEN, written by Cormac McCarthy, was released. Oddly, the novel received mixed reviews since it was a departure from the author’s usual prose. Unlike his other works, this one had originally been written as a potential screenplay prior being turned into a novel. Almost immediately the Coen brothers took the property, writing the screenplay and adapted it into the 2007 film. Llewelyn Moss, while hunting pronghorn in the desert of Southern Texas, stumbles upon the aftermath of a drug deal gone wrong. When he leaves the scene with a million dollars of drug money, he soon has a group of cartel men and bounty hunters after him, including the peculiar Anton Chigurh. Sheriff Bell is soon piecing together what has happened and is on a journey to save Llewelyn before he lands up dead. The cast includes Tommy Lee Jones, Josh Brolin, and Javier Bardem in leading roles. Considered by many to be one of the greatest thrillers of all time, the movie went on to win a number of awards. Now considered a classic, the movie continues to be listed on “best of” lists. Dark Discussions takes a look at this amazing film and gives their thoughts. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

Action Movie Anatomy hosts Ben Bateman and Andrew Ghai break down No Country for Old Men (2007). No Country for Old Men: "No Country for Old Men" begins when Llewelyn Moss finds a pickup truck surrounded by a sentry of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law--in the person of aging, disillusioned Sheriff Bell--can contain. As Moss tries to evade his pursuers--in particular a mysterious mastermind who flips coins for human lives--the film simultaneously strips down the American crime drama and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning's headlines. Follow Action Movie Anatomy on Twitter: @AMApodcast HELPFUL LINKS: Website - http://popcorntalk.com Follow us on Twitter - https://twitter.com/thepopcorntalk Merch - h --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Hosted by Andrew Quinn and Darren Mooney, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them. This time, Joel and Ethan Coen's No Country for Old Men. Lives are thrown into chaos when a drug deal in Texas goes horribly wrong. Llewelyn Moss stumbles across two million dollars in drug money, and finds himself drawn into a world of violence and chaos as cartel hitman Anton Chigurh is on his trail. If this is not the mess, it'll do 'til the mess gets here. At time of recording, it was ranked the 171st best movie of all time on the Internet Movie Database.

‘Funny looking’ is a perfectly good way to describe, say, Steve Buscemi in FARGO – or countless other memorable characters that make up the Coen Bros. universe. With their latest, HAIL, CAESAR!, Josh and Adam consider the whole funny looking bunch and force themselves to pick their Top 5 Coen Bros. Characters. Plus, a review of HAIL, CAESAR!, Massacre Theatre and more! This episode is brought to you by Squarespace.   0:00-3:17 - Billboard / Sponsors3:24-33:19 - Review: "Hail Caesar!"Music: Josh Rouse, "You Walked Through the Door"33:19-46:58 - Notes / Massacre Theatre46:58-53:48 – Top 5: Coen Bros Characters.Music: Josh Rouse, "Some Days I’m Golden All Night"1:03:00-1:11:19 - Donations1: 11:19 -1:33:46 - Top 5: Coen Characters cont.1:33:46-1:36:02 - Close MUSIC - Josh Rouse NOTES Massacre Theatre winner: Beth Etter, Twin Cities, MN CORRECTIONS - Yes, Adam said "Llewyn" Moss when he meant "Llewelyn" Moss. LINKS - Mike Nichols quote about directing - Josh's review of "Hail, Caesar!" - Indiewire's Best Coen Brothers Characters - Rolling Stone's 25 Best Coen Characters - Kevin B. Lee's "Big Short" video essay - Laura's Squarespace quilting website - Mary-marry-merry merger - Kate chiding Rooney on Kimmel Learn more about your ad choices. Visit megaphone.fm/adchoices

"No es pais para viejos" de Cormac McCarthy (2005) es un libro ambientado en los años 80, en el que la creciente violencia en el mundo actual es un tema central. En este libro seguimos a Llewelyn Moss, un veterano de la guerra de Vietman que sin planearlo, se encuentra con el resultado de un trato entre narcotraficantes que ha salido muy mal. Moss decide robar el dinero de estos criminales y con ellos desencadena una serie de eventos que lo ubican en una persecucion para salvar su propia vida Conoce mas sobre esta obra de uno de los autores norteamericanos mas reconocidos de los ultimos tiempos, la cual tambien ha sido llevada al cine, en este episodio de "A la aventura". Como musica de fondo, extractos del disco "To Duke With Love" de Art Farmer (1978).   Contactowww.alaaventura.net/contactofacebook.com/alaaventurapodcastTwitter: @alaaventurajboscomendoza@gmail.com