Podcast appearances and mentions of Elmore Leonard

Hosts Josh and Jamie and special returning guest critic and author Jason Bailey discuss a 90s John Travolta/James Gandolfini double feature of Barry Sonnenfeld's effortlessly charming merging of Hollywood industry satire, Elmore Leonard gangster crime-thriller and laid-back hangout movie GET SHORTY (1995) and Steven Zaillian's procedural courtroom drama A CIVIL ACTION (1998) Next week's episode is a patron-exclusive bonus episode on Gene Hackman in THE FRENCH CONNECTION (1971) and NIGHT MOVES (1975), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-14:14 GET SHORTY // 14:14-1:19:10 A CIVIL ACTION // 1:19:10-2:29:52 Outro // 2:29:52-2:32:58 BUY JASON'S BOOK "Gandolfini: Jim, Tony, and the Life of a Legend": https://store.abramsbooks.com/products/gandolfini MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. GET SHORTY and OUT OF SIGHT weren't the only high-profile Elmore Leonard adaptations of the 1990s. Quentin Tarantino's long-awaited follow up to PULP FICTION was a race- and setting-swapped adaptation of Rum Punch retitled JACKIE BROWN, starring exploitation icons Pam Grier and Robert Forster. Podcasting's preeminent Elmore Leonard discusser Jane Altoids returns to the show to talk race, class, and Ray Nicolet in what might be Tarantino's best film! Follow Jane Altoids: https://x.com/staticbluebat Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork. Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart

It's the OUT OF SIGHT episode, and our guest is Bilge Ebiri. Do we need to sell you on this? OK, fine: in 1998 Steven Soderbergh took a job for hire directing an Elmore Leonard adaptation and ended up finding the style that would define much of his career, minting George Clooney as a movie star, capturing Jennifer Lopez's best-ever performance, working with Don Cheadle and Luis Guzman and a bunch of other people for the first time, and making one of the most watchable films of the 1990s. Jake also read the whole book. We talk about Leonard's moral universe, prison stuff, cop stuff, crime fiction stuff. I mean, come on. It's the OUT OF SIGHT episode with Bilge. Further Reading: Out of Sight by Elmore Leonard Getting Away With It by Steven Soderbergh Steven Soderbergh: Interviews, ed. Anthony Kaufman "Louisiana's Angola: Proving ground for racialized capitalism" by W. T. Whitney, Jr.   Further Viewing: POINT BLANK (Boorman, 1967) DON'T LOOK NOW (Roeg, 1973) GET SHORTY (Sonnenfeld, 1995) JACKIE BROWN (Tarantino, 1997) THE FARM: ANGOLA, USA (Garbus, Rideau & Stack, 1998) "Karen Sisco" (2003) "Justified" (2010)   Follow Bilge Ebiri: https://x.com/BilgeEbiri https://www.vulture.com/author/bilge-ebiri/   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. We're talking more Gene Hackman and getting into the 1990s Elmore Leonard boom with Barry Sonnenfeld's GET SHORTY, and our friend Forrest Tiffany is here to help! Join us as we plot the line from PULP FICTION to GET SHORTY to JACKIE BROWN to OUT OF SIGHT, sing the praises of the cast, and check in with a particularly juicy Pine Cone Crime Zone. Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork.   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Charlie and Amy Engel (I Did It For You) discuss her literary thriller wherein the killer did it but it isn't that simple, wherein both the victim's and killer's families are given empathy, and wherein the sister of the victim and the brother of the killer start a romance. Please note that whilst there are no references to detailed violence, this episode looks at various issues surrounding murder cases. A transcript is available on my site General references: It was indeed Elmore Leonard who said, "You take out the parts that people skip when they're reading". This link has more information. Books mentioned by name or extensively: Amy Engel: The Familiar Dark Amy Engel: I Did It For You Release details: recorded 17th December 2024; published 28th April 2025 Where to find Amy online: Website || Twitter || Instagram || Facebook Where to find Charlie online: Website || Twitter || Instagram || TikTok Discussions 01:15 The inspiration - location and character 02:37 Creating Greer 04:50 Creating Ludlow and the well-drawn townspeople 07:53 How Amy works with secrets and reveals 09:24 How was it writing Greer in terms of her being an unreliable narrator? 11:10 The different extra narratives 12:33 Roy, the killer's, difference, his potential neurodivergence, and the importance of looking at this 15:41 Did you ever consider not having Roy 'do' it? 17:33 The grief in the book, including a look at the different sets of parents 19:46 Including Dean and humanising the family of the murderer 22:30 Amy tells us more about how her career in law influenced her writing 24:35 The slower pacing, which isn't so usual for a thriller, and how Amy categorises her novels. We then move on to what Amy added to the novel in editing 27:59 Amy's thought process and planning in regards to the bad guy (different person to the killer) 34:03 Amy deciding to end Greer and Dean's romance 36:29 Where Greer and Dean may end up, separately, beyond the pages of the book. We then move on to Greer's parents in the same vein 39:03 What Amy is writing and planning now

Happy BIG-40 to Burt Reynolds kicking-off his middling bid to become a Bronson/Norris-level 80s action star and pulling double duty as director in the Elmore Leonard adapted potboiler STICK, and Bruce Springsteen's former girlfriend (who knew?!) Joyce Hyser in the gender-swap teen comedy granddaddy JUST ONE OF THE GUYS. Please remember to Rate, Like, and Subscribe; and we'll be back next week with another three-fer: CODE OF SCILENCE, PRIVATE RESORT, and GYMKATA!

Saddle up—it's Book Club Month on So Many Sequels, and this week, we're diving into Elmore Leonard's gritty Western adaptation, 3:10 to Yuma (2007). Featuring powerhouse performances from Christian Bale and Russell Crowe, this film offers more than gunfights—it's a tense exploration of honor, fatherhood, and redemption.We explore the film's themes of masculinity in crisis, the dynamic between Dan Evans and Ben Wade, and the surprising emotional core at the heart of this modern Western. Is this one of the best genre remakes of the 2000s? Does the short story adaptation expand or stretch too far? And how does the ending compare to Leonard's original vision?Whether you're a Western fan or a curious newcomer, this one's worth the ride.

This is Play That Rock n' Roll's interview with author C.M. Kushins about his book "BEAST: John Bonham and The Rise of Led Zeppelin". In this conversation, we talk about why he wanted to write about John Bonham, how Chad navigated the myths and legends that surround Led Zeppelin, and what sets this book apart from all the other biographies about this band. We also discuss the new documentary “Becoming Led Zeppelin” and Chad shares his thoughts about what Zeppelin might have done if Bonham had not tragically passed away when he did. Also, Chad has a new book that will be released later this year called “COOLER THAN COOL: The Life and Work of Elmore Leonard”. We talk a bit about this one as well. Learn more at https://www.harperacademic.com/book/9780063306868/cooler-than-cool/ Our Links: https://linktr.ee/playthatpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Exactly one year after his historic comeback in the seminal Pulp Fiction (which he received an Oscar nomination for), John Travolta followed it up with this slick and crime caper/satire adapted from the Elmore Leonard novel of the same name.  Here he plays Chili Palmer, a mob enforcer from Miami who LOVES movies, is visiting Los Angeles for the first time, and finds himself very eager to get into the movie business.  Once there, he meets a schlock producer (Gene Hackman - RIP), a scream queen (Rene Russo), a pretentious movie star (Danny DeVito), and a menacing wanna-be producer (Delroy Lindo)....among several others.  And wouldn't you know it....Chili finds himself getting involved in the movie business. :) Directed by Barry Sonnenfeld (The Addams Family, Men In Black), this would go on to be on of the more quotable and fondly remembered crime comedies of the '90's featuring a cast including several other legends including Bette Midler, the late great Dennis Farina, and the late, great James Gandolfini.  Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

EPISODE 198: We celebrate the life of an absolute legend of the acting world, by covering a film that not a lot of people talk about, and a genre that said actor didn't dip his toe in so often. The film GET SHORTY. The actor Gene Hackman. Join us, along with podcast extraordinaire Corey Morrissette, as this week we look at the film that took the words of Elmore Leonard, a best-selling author and brought them to life. When the mob meets Hollywood, all hell breaks loose! Does it translate well 30 years later?   What we discuss: Is this John Travoltas' best role? Was Gene Hackman made for comedy? Why doesn't Barry Sonnenfeld direct anymore? ...and so much more!   Follow Corey Morrissette and all the podcasts he runs: https://podcastwillrock.com https://ultimatecatalogueclash.com https://shows.acast.com/the-power-of-positive-geeking   Join our Patreon for as low as $1 for UNCUT versions of the episodes. https://patreon.com/dissectthatfilm Join any tier, including the free tier, for access to the DTF Discord Follow Dissect That Film on social media: https://instagram.com/dissectthatfilmpod https://x.com/dissectthatfilm https://bsky.app/profile/dissectthatfilm.bsky.social https://thread.net/@disectthatfilmpod https://facebook.com/dissecthatfilm For more go to our Linktree: https://linktr.ee/dissectthatfilm Intro/Facts: 0:00:00-0:20:19 Plot Breakdown: 0:20:19-1:43:09 Final Thoughts, Comments and Outro: 1:43:09-2:10:20

Get a copy of One Man's Treasure - https://a.co/d/9MrNxip Suit Up! With Sam Whitfield and Night of the Vigilante! His latest book of vengence against the cartel is a spin-off of his larger espianoge fiction writing. Available on Amazon. Today's episode we discuss the influences in Sam's writing, Ian Fleming and Elmore Leonard, crime fiction, pulp, the state of James Bond and much more! Follow Sam Order Night of the Vigilante! - https://a.co/d/2eHSDlU The Whitfield Report - https://open.spotify.com/show/4DIcoDO0BIDyuH7SWIsAB8 Instagram - https://www.instagram.com/samw_ngc/ X (Twitter) - https://x.com/samw_ngc?s=21 Linktree - https://linktr.ee/samwhitfield Follow The Show! https://terrancelayhew.com/suitup/ https://www.instagram.com/suitup.podcast/ https://www.facebook.com/tlayhew

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review!This episode, we're diving into one of Quentin Tarantino's most underrated films—Jackie Brown (1997). Adapted from Elmore Leonard's novel Rum Punch, this crime thriller showcases Tarantino's signature style but with a more mature and restrained approach compared to Pulp Fiction or Reservoir Dogs.Setting the Scene: A Game of SurvivalPam Grier stars as Jackie Brown, a flight attendant caught smuggling money for arms dealer Ordell Robbie (Samuel L. Jackson). When she's busted by the ATF, she finds herself caught between law enforcement and Ordell, who won't hesitate to eliminate loose ends. With the help of bail bondsman Max Cherry (Robert Forster), Jackie hatches a plan to outmanoeuvre both sides and secure her own future.Why It Stands OutPam Grier's Iconic Performance – A true 70s blaxploitation star, Grier delivers a powerhouse performance that cements Jackie Brown as one of Tarantino's best-written characters.Samuel L. Jackson as Ordell Robbie – Charismatic, chilling, and endlessly quotable, Jackson's villain is both funny and terrifying.Robert Forster's Career Revival – As the world-weary Max Cherry, Forster brings a grounded, heartfelt presence that earned him an Oscar nomination.A Different Tarantino – While still packed with sharp dialogue and memorable characters, Jackie Brown leans more into slow-burn tension and character depth rather than hyper-stylized violence.Elmore Leonard's Influence – The film stays true to the novel's sharp plotting and richly drawn characters, making for a crime thriller with real emotional weight.Themes: Trust, Betrayal, and Second ChancesUnlike Tarantino's usual revenge-driven stories, Jackie Brown is about survival and reinvention. Jackie isn't looking for payback—she's trying to carve out a better life for herself in a world stacked against her. The film explores aging, regret, and loyalty, particularly in Jackie's dynamic with Max Cherry, whose quiet admiration adds an unexpected layer of romance.A Dad's TakeJackie Brown is a must-watch for fans of Tarantino, crime thrillers, and smartly written characters. While it may not have the explosive action of his other films, it offers something even better—a masterfully crafted, character-driven story with a killer soundtrack and one of the coolest leading ladies in cinema.So, grab a beer, settle in, and join us as we unpack one of Tarantino's finest films on Bad Dads Film Review!

Send us a textGeorge Feltenstein joins us to reveal the Warner Archive's exciting plans for the Looney Tunes Collector's Vault series and discuss their ongoing preservation efforts for classic animation and film.• Collector's Vault Volume 1 will feature 50 fully restored cartoons - double the content of previous collections• First disc contains 25 cartoons never before released in remastered form• Second disc includes 25 shorts previously only on DVD, now in HD• Warner's preservation team is actively working to resurrect the original Bugs Bunny Show from 1960-62• Both Pepe Le Pew and Speedy Gonzales will appear in the new collection• Complete cartoon list will be announced in a month or so• Review of Gabriel Over the White House (1933) - a politically prescient drama with Walter Huston• Review of Last Stand at Sabre River (1997) - Tom Selleck stars in this TNT Western based on Elmore Leonard's novelPurchase Links:Pre-order THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE Blu-rayGABRIEL OVER THE WHITE HOUSE (1933) Blu-rayLAST STAND AT SABER RIVER (1997) Blu-raySupport for these releases ensures Warner will continue preserving and releasing more classic animation and films from their vast library.REVIEW - THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE with Tim Millard, host of The Extras Podcast. The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Russell Little was a boy from Amarillo, Texas who met the right woman and moved to Houston. He's also an attorney with over 40 years of practice experience in domestic and criminal law. While we do share some war stories and lawyer talk, among other things, our focus was on his two Amazon best sellers in the Mystery and Thriller category. Described as a combination of Elmore Leonard and Carl Hiaasen, Little weaves a tapestry of schemes, double crosses, corrupt lawyers, detecting and countermoves, all in the environment of Houston, Texas. There's crime. sex, hurricanes, and all manner of scenarios that you'll want to absorb before his third book comes out later this year. He's also a huge fan of The Expanse. Nuff said. 

Send us a textWe had to postpone our interview with Mahesh Patel, author of Relocate Adjust Repeat.  Mahesh will be with us next time. In the meantime, buy his book on Amazon. You'll love it. The Bucks do a road trip looking for another bike for Dave and find a self-taught artist and all-around sweet guy.Dave builds the courage to actually sell a bike so his car can fit in the garage. Seller's remorse?Del tangles with an AI chatbot...and loses. Get used  to it.Del recommends Elmore Leonard books. Dave was not enthralled by Slow Learner, the first short story collection by Thomas Pynchon. 2 of 5 stars. Go with Gravity's Rainbow instead.Dave is watching the series, Shrinking, with amusement. Elmore would have liked this bonus track.For something mellower, try this.Look at some of our video clips on our YouTube channel:  @two_oldbucks4617Give us your thoughts: BUCKSTWOOLD@GMAIL.COM Find Two Old Bucks on Facebook and YouTubeLeave a Voice message - click HEREWHAT ARE YOU GOING TO DO WITH THE REST OF YOUR LIFE?

WES BROWNE chats to Scott Blackburn & Paul Burke about his noir THEY ALL FALL THE SAME, (US Amazon link) why it wasn't called Spoon, the Appalachians, North Carolina, pizza and community.They All Fall the Same: Cannabis kingpin Burl Spoon has reigned over the Jackson County area for three decades, building a powerful backwoods empire. But behind a well-run organization, his personal life is crumbling - his daughter can't stay clean; his son has hated him since coming out; and after enduring years of infidelity, his wife is straying too. The only person not on his payroll who still adores him is his six-year-old granddaughter, Chelsea. When his daughter overdoses on heroin laced with fentanyl and one of his employees is murdered, Burl's retaliation against Clovis Begley, the patriarch of the heroin-dealing family involved in both deaths, is inevitable. As Burl's plan spirals into a firestorm of vengeance that threatens the safety of his granddaughter, his drive for revenge conflicts with his longing for redemption. On the brink of losing everything, Burl must find a path between retribution and protecting what's left of his family.Wes Browne has lived and practiced law as a criminal defense attorney, prosecutor, and public defender in Appalachian Kentucky for over twenty-four years. He also helps run his family's pizza shops.Mentions and recommends: Mark Westmoreland, Henry Wise, SA Cosby, Silas House, Wiley Cash, David Joy, Tom Franklin, Ron Rash, Robert Gipe, Barbara Kingsolver, Chris Offutt, Leah Hampton, Annette Clapsaddle, Eryk Pruitt, Kelly J Ford, Steve Weddell, Benjamin Percy, James DF Hannah, Ted Flanagan, Dom Nolan, Donald Ray Pollock, Elmore Leonard. Breonna Taylor RIPScott Blackburn's Scott Blackburn is an English instructor and a 2017 graduate of the Mountainview MFA program. His debut novel, It Dies with You, released in 2022 and in Germany in 2024. Scott has contributed to Crime Reads, Criminal Element, Mystery Tribune, and Shotgun Honey. He has been a featured speaker at conferences, universities writer camps.Paul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network, Punk Noir Magazine (fiction contribution). He is also a CWA Historical Dagger Judge 2024. His first book An Encyclopedia of  Spy Fiction will be out in late 2025.Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023 & 2025CrimeFest 2023CWA Daggers 2023 & 2024 & National Crime Reading Month& Newcastle Noir 2023 and 20242024 Slaughterfest,

Send us a textDel discusses Mr. Majestyk by Elmore Leonard. He thinks they're talking about him.Dave salutes the SRQ Bike Boys, who assembled 477 bikes for Xmas presents handed out by Salvation Army. Great job, guys. Listeners recall a bad teacher and outdoor plumbing in winter. What's your bad teacher story?Dave recalls a couple stories from his youth in Smalltown, America. Don't try this.Del is up in the air about drones. Is he one of the pilots?Mocha Mousse? Really? Can't we call it brown?HOA travesties. Get a life, folks.Luigi: Hero or Villain? Dave says he's a murderer. What are your thoughts?Dave recommends Bright Eyes by Bridey Thelen-HeidalHAPPY HOLIDAYS TO ALLYour bonus track about friends and lovers and things that went before.Give us your thoughts: BUCKSTWOOLD@GMAIL.COM Find Two Old Bucks on Facebook and YouTubeLeave a Voice message - click HEREWHAT ARE YOU GOING TO DO WITH THE REST OF YOUR LIFE?

A New Zealand side invigorated by their last two wickets adding 75 put a rather lacklustre England side under the cosh to build a lead of 340 by the end of the second day in Hamilton. It was the result of what Michael Atherton called 'hooptedoodle cricket' (a word borrowed from Elmore Leonard to mean meaningless or skippable prose) in the morning. Special podcast series on the 1974/5 Ashes - 50 years ago - at patreon.com/theanalyst25 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Part of Jimmy's DC December, Phillip Kennedy Johnson is on the podcast today to talk about writing Batman and Robin beginning with issue #14 that was out on October 9th. PKJ and Javier Fernandez kick off an all new adventure for Bruce and Damian. PKJ chats with Jimmy about how he wanted to take Batman back to his role as World's Greatest Detective and showcase those abilities. Jimmy also asks about his run on Superman and how he looks back on his time writing the character. Lastly, they chat about the Boom! Studios series Crocodile Black, with a main character very different from Superman or Batman and Robin. The trade for the Crocodile Black is out February 26, 2025.  Batman and Robin From the publisher Damian Wayne is the son of the Bat, grandson of the Demon, and Robin—but as he nears the age at which his father traveled the world, one question is on his mind: Who is Damian outside of the crusades his family has tasked him with fighting since birth? When he starts to look beyond his life of endless violence, a different way to help the world begins to present itself—but when an enigmatic new murderer begins reenacting traumatic crimes from Gotham's history, Batman will need Robin more than ever before! It's a whole new dynamic for the Dynamic Duo as the powerhouse team of Phillip Kennedy Johnson (Superman: Warworld Saga) and Javier Fernandez (King Spawn, Nightwing) bring you the dark and mystifying next chapter in the lives of Bruce and Damian Wayne! You are not ready for what's in store. Crocodile Black From the publisher What makes someone turn to crime–especially in a modern, pandemic-riddled dystopia? Danny, a seemingly mundane young man lost in escapism, with a spiraling lack of control over his life, witnesses something during a delivery job that will change him forever, turning things as dark as the black, crocodile skin boots that he can't take his eyes off of… In this criminal thriller perfect for fans of Kill Or Be Killed and A Righteous Thirst For Vengeance from Eisner-nominated writer Phillip Kennedy Johnson (Superman, Incredible Hulk) and rising star artist Somnath Pal (Brigands) give birth to an iconic new noir lead in the tradition of Elmore Leonard. PATREON We have a new Patreon, CryptidCreatorCornerpod. If you like what we do, please consider supporting us. We got two simple tiers, $1 and $3. I'll be uploading a story every Sunday about some of the crazy things I've gotten into over the years. The first one dropped last week about me relocating a drug lord's sharks. Yes, it did happen, and the alligators didn't even get in the way. Want to know more, you know what to do. Our episode sponsors COMICS OVER TIME Make sure to give a listen to our friends with Comics Over Time. Arkenforge Play TTRPG games? Make sure to check out our partner Arkenforge. They have everything you need to make your TTRPG more fun and immersive, allowing you to build, play, and export animated maps including in person fog of war capability that let's your players interact with maps as the adventure unfolds while you, the DM get the full picture. Use the discount code YETI5 to get $5 off your order. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Roy Scheider stars in an Elmore Leonard adaptation from acclaimed action/thriller filmmaker John Frankenheimer (and reuniting with his OUTSIDE MAN co-star Ann-Margret while he's at it) - it's time for 52 PICK-UP!

In this week's episode, we continue our November Writing Challenge, and take a look at the most common roadblocks writers face. We also check in with our transcriptionist, and see how she is progressing in our November Writing Challenge. TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 227 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November the 15th, 2024, and today we are discussing part three of our November Writing Challenge, which will deal with overcoming roadblocks in your writing progress. First we'll have an update on my current writing projects and then we will have Question of the Week, and then we'll get to our main topic of overcoming roadblocks. First up, writing projects. I am almost/very nearly done with Cloak of Illusion. In fact, I would have finished completely yesterday, but I had some unexpected home repairs come up and now that those are resolved, as soon as this podcast recording is completed, I'm hoping to finish up completely on Cloak of Illusion and publish it this weekend. So hopefully when this show comes out on Monday the 18th, the book should be showing up on the various ebook stores. Be sure to subscribe to my new release newsletter as well and you will get a free Nadia short story called Trick or Treat in ebook form. I am 24,000 words into Orc Hoard, which will be the next Rivah book, and I'm hoping to have that out in December as my final book of 2024. My secondary project while I'm working on that will also be Shield of Deception because I am hoping to have that out as my first book in 2025. Hard to believe we're about halfway through the 2020s already. In audiobook news, Shield of Conquest came out this week and you should be able to get it at all the usual audiobook stores, and that is excellently narrated by Brad Wills. Cloak of Spears, as excellently narrated by Hollis McCarthy, should be out before too much longer as well. So that is where I'm at with my current writing projects.   00:01:36 Question of the Week Now on to Question of the Week, which had a lot of responses this week. Question of the Week is designed to inspire interesting discussions of enjoyable topics. This week's question: do you buy any hardback books? No wrong answers, obviously. I asked this question because I was reading an article about for many traditionally published authors, hardbacks used to be the primary source of royalties. Nowadays, for many authors, that has been superseded by audiobooks. Since I'm indie, my main source of revenue has always been ebooks. We had many different responses to this question. JL says: I only read ebooks now. I have not bought a physical book in over a decade. Surabhi says: Hardcovers, being very expensive, are a big no-no for me. I'd love to be able to afford hardcovers, it's always either paperbacks or ebooks. Justin says: If I'm getting paper, I will do my best to make it hardback. Paperback books have a limited lifespan and number of readings in them compared to hardback books. Most of my book purchasing is ebooks but reference works and great stories get the hardback treatment. Mary says: Only if there's no paperback. Dave says: Ebooks and audiobooks all the way. They're generally cheaper or easier to read, or with audiobooks I can do other things while I listen. Also as I get older, being able to increase the font size makes it easier to read. I definitely agree with Dave on that, let me tell ya. Jenny says: Can't afford it usually. My hardcover budget goes to RPG books. I myself do have quite a few RPG books, which is amusing because I don't actually play the game but I just like looking at the artwork. Juana says: Yes. I have 60+ signed editions of authors I like. Some paperbacks of the Frostborn series (Wonder who wrote those?). That is indeed a mystery. Catriona says: I used to collect hardbacks of favorite authors- buy each new release e.g. Terry Pratchett. But when I moved from Hong Kong to Thailand I got rid of most of my fiction books and bought the Kindle versions. Shipping after COVID was just extortionate! Morgan says: I don't really buy physical books anymore. My brain is too fried to read so I mostly do audiobooks while I work. I only have so much money, so it is hard to justify buying a physical copy of a book I already have the audio copy for when I know I probably won't physically read it. Gary says: I prefer hardbacks. When buying new though, I generally buy paperbacks unless it is for reference or one of my favorite authors. I always check though because now the hardbacks are often not much more. Jeanne says: Depends on the book. I would totally invest in hardcover copies of Lord of the Rings, for example. I am currently investing in leatherbound versions of the Word on Fire Bible, which is a step up from the hardcover. Authors I don't know or who I read for light fun, I'll get as ebooks. Marilyn says: No, but used to buy only hardback books. Ran out of room on my bookshelves and didn't like to get rid of my books. I ended up buying an ereader. I have 1,729 books. I do have a few hardbacks but not many. Not everything is in an electronic format. When I used to travel, my suitcase would be full of books. Now I have room for clothes. That is one nice advantage of the ebook revolution. Back in the day when I would pack for a trip, I would have to choose which books I would bring but now you can just bring your phone and you're set. MG says: If I can get a hardback I do, but I haven't bought any recently. Barbara says: I purchase very few print books these days and those I do purchase tend to be theology related. Whether I purchase hard or soft bound print books will depend on the availability and price. And since I'm no longer in seminary (I graduated in 2021), my theology books tend to be digital because that's what I read. If I purchase print books, I'd run out of room to store them. Especially since I'm already out of bookshelf space. Michael says: Not really, not anymore. They take up too much space. I might buy a very posh one if it looks amazing (stuff from the Folio Society perhaps) but that's it. Bonnie says: I mainly read ebooks now. I think the last hardcover I bought was Zora Neale Hurston's Barracoon. Jeff says: Since I got a Kindle in 2010, I haven't bought a physical book. I am approaching 500 ebooks. I was a SF Book Club member for many, many years so I do have hundreds of hardcover books. A lot of them are stored in totes because of lack of room. Juan says: Used to. Space is a factor now. So now only for my son because I don't want him to have an electronic device in his face so much, but usually the first thing I do at a bookstore when I see a good book is look for it on Apple Books. Usually half the price or so. Always less expensive as well. Barbara says: Used to buy lots of books, got at least 3,00 but with arthritis in my hands, I'm now stuck with ebooks. Got at least 3,000 of them, too. I've got to get rid of some of my physical books, but I'll still keep the ones that aren't replaceable. John says: I only buy collectible editions at this point, or if there isn't an ebook for something I want to reread (but then it's usually paperback). Sometimes old hardbacks have been cheaper than the Kindle versions. When I reread Wheel of Time a few years ago in anticipation of the Amazon series that was the case. Ended up just donating the books just a couple of years later. Carol says: I do love the feel of a hardcover book, the smell, the sound of pages turning, but I'm fully converted to ebooks. So convenient, can read anywhere, carry everywhere, so sadly I haven't bought a physical book for years. Cheryl says: I only have hardbacks of the “classics” as collections to hand down to my grandchildren. Haven't bought any paper versions of books for a few years now and they were paperbacks. Most were on Kindle. Venus says: I will buy certain books in hardcover but only the ones I wish to have available after a collapse of society. David says: I have always preferred hardback, but space constraints have left only those of my favorite authors. I have over 2,000 books on my Kindle. Michael says: I do. For myself, I do buy hardbacks but still very, very selectively. If Timothy Zahn, Jim Butcher, and a few other select authors I've been reading for decades have a new hardcover, I'll buy it. Otherwise, it's ebooks or paperbacks. For nonfiction books, I'm a bit less choosy. If I read say, a historical ebook and liked it, I might get the hardback or possibly the paperback to keep as a reference book. It's interesting from the general consensus of the comments that it seems like ebooks are the dominant format for books now and that if you really want to know if you're someone's favorite author or not, see if they buy your hardbacks. Given the expense and space premium of hardbacks, that's how you know they really like your book.   00:07:43: Main Topic of the Week: November Writing Challenge Now on our main topic of the week, week three of our November Writing Challenge. The topic we are discussing this week is overcoming roadblocks. If you're not familiar with our podcast series for November, you can listen to the previous two episodes, and we have a short summary here. If you feel like you're missing out when others are working on bigger writing challenges this month and you want to start writing but not to feel overwhelmed, a smaller writing challenge for the absolute beginner, 300 words a day (or some other small number of your choosing). The key is that it should be small and something you can manage daily. As I mentioned on previous episodes with this topic, I wonder if National Novel of Writing Month is akin do a sort of crash diet for people where you can lose weight very quickly, let's say like five pounds in a month, but then once you do that, you go back to your old habits. In fact, you go back to your old habits with as much force as before and you end up gaining 10 pounds and you're worse off than you were before. I think a more gradual writing challenge might be akin to losing one pound a month, but you keep it off and that adds up over time. So follow along with our podcast transcriptionist who has never finished writing a book and feels overwhelmed at the ideas of starting one. We can follow her progress and see what advice I have for her as she faces writing challenges. So week three, overcoming roadblocks. If you've ever done any writing or you've ever had anything to write, as you know, there are many roadblocks that can come up to impede your writing progress. The first ones we'll address are logistical roadblocks and we'll recap some points from Episode 220: 8 Tips For Finishing Your Rough Draft. Perhaps one of the biggest roadblocks is time. It's trying to find the time to write. I found is a good idea to schedule your writing time and take advantage of smaller moments of opportunity to write. There is a difference between the perfect time to write and the available time to write. As I've said many times before, the perfect is the enemy of the possible or even the achievable. You might have in your head the image of the perfect time to write and the perfect environment. That may take a lot of work to achieve and be difficult to find. Additionally, I found that many people in their days have what tend to be wasted chunks of time that you kind of have to waste based on the circumstances, like you're in a waiting room, you're on hold, or you are sitting in a room with nothing to do. You have to watch for somebody to arrive or wait for the phone to ring, that kind of thing. There are a lot of ways to pass the time that way. If you're in, for example, the doctor's waiting room, you see everyone sitting on there on their phones reading the news or whatever, but that could be an excellent time to get some writing done. You could obtain a cheap laptop like a netbook type laptop or you could even teach yourself to write on your phone with your thumbs. Those kind of chunks of wasted time throughout the day are an excellent time to squeeze out a couple hundred words and if you can squeeze out a couple hundred words every day, that will add up very quickly. The biggest enemy of finding writing time I found are the many distractions we have in our day-to-day lives. And in fact, I was just talking about your phone. If you have your phone with you, that's a built-in distraction machine where you could maybe write 15 words and then reward yourself by checking your email or your Facebook or whatever. And then before you know it, you've been on your phone for 20 minutes and your writing time has disappeared. The same thing obviously can happen if you're writing on a laptop or a desktop computer or whatever. To manage these distractions, there's a couple of different tricks. You could just shut off the internet on your phone for a while and not turn it on again until you've reached your writing goal. If you find being distracted on your phone or your computer is a consistent problem, you could use apps or browser extensions to manage digital distractions that will prevent, say notifications from interrupting you, whether from email or turning off the internet and keeping from getting into it until a set period of time has passed. For environmental distractions (and what I mean by environmental distractions are noise, people interrupting you and so forth), it can be a good idea to find a place where you'll face fewer interruptions. At various times, I have written in a school or a university or a public library where people tend not to bother strangers too much and therefore, if you sit quietly and get on with your typing, no one's going to bother you. Some people enjoy writing in a coffee shop. I've never really found that to be an enjoyable experience. I have done that many times based on what the circumstances were at the time, but if it was up to me, my favorite writing place would be in my office with the door shut and headphones on and music playing and I'm just writing away. But life doesn't always give us that luxury, so I have written in other locations, but if you can figure out the best way to give yourself a distraction free writing environment, even if it's just noise canceling headphones, that might be the way to go.   Another thing to watch out for that can eat up your time is writing adjacent tasks, things that are connected to writing but not actually writing itself, such as researching, outlining, reading about writing, listening to podcasts about writing, et cetera. These are all keeping you from the goal of getting your words down, which is and the ultimate purpose of our November Writing Challenge, to get your words done every day. Some of these things may be necessary, but you can do them later and some of them are not necessary and not helpful to your productivity, like reading about writing or social media relating to writing or authors is only giving you the illusion of productivity rather than actual productivity. There may be value in these activities, but they are not helping you get the words down on the page.   So let's move on to what could be a more difficult type of roadblocks, the mental roadblocks, roadblocks where you just don't feel confident or you don't feel like you want to write or you don't even feel like you're good at writing and you're wasting your time by writing. So motivation is a thing to consider. It's like you might want to write down a few reasons why you started a writing challenge in November. Why do you want to write? Why is this important to you? Do you want to be able to finish a novel and say that you finished a novel? Do you want to create something cool that's similar to the vision of the creative things you see in your head when you think about it? And what's the best outcome of you writing each day and what's the best-case scenario of what will happen if you keep writing? It might be a good idea to consider all of these things. If you feel bad at writing or feel that you're not good enough, that seems to be a bigger problem for many people. There are a couple tips and tricks that you can use to work around that. The first thing is to don't revise as you go. Don't revise, don't look back. Just keep going. Get it all down on page as fast as you can and then keep going. And the secret is if you're writing a rough draft, you can ignore your inner critic because the point of the rough draft is to get all the words on the page and then you fix them later in editing. An amusing anecdote about that-one of my audiobook narrators wanted to get caught up on projects and he asked if I could send him the rough draft chapters and then as I was writing the book and then he could narrate the rough draft chapters and then he could make any changes I made in editing later. I had to turn him down because the truth is I do a lot of editing on my rough drafts, like Cloak of Illusion was originally 96,000 words, and I think when all the editing is done, it'll be like 94,000 words, maybe 93,500. So that's a lot of things eliminated. I moved around a lot of scenes. I changed a character's name six times, which is one of the reasons why I had to turn down that idea from the narrator because when I introduced a new character, sometimes I change the character's name four or five times during the course of writing until I'm finally satisfied that this is what the character's name should be. So imagine having to go back and rerecord that all the time, but that returns to my original point, where it's best to just ignore your inner critic while you are writing and just get all the words down on page and you can sort them through later. I found editing to be something of a less harrowing process than writing the rough draft. A metaphor I've used before is that a couple years ago, actually, well more than a couple years now, I moved into a third-floor apartment with no elevator, and so I had to carry all my books up those stairs to the new apartment, which since I had a lot of books at the time, was a lot of work (this was before ebooks). Once all the books were carried upstairs to the apartment, only then could I take them out of the boxes and put them on the shelves. That was a lot easier than carrying all those books up three flights of stairs, let me tell you. But I use that as a metaphor to compare the writing process, the first draft is carrying all the books up the stairs and then arranging them on the library shelves as the editing process. Another metaphor that people have found helpful is that the rough draft is like building a sand castle. You first have to drag all the sand to your sandbox and only then is it time to start building the sandcastle. You got to fill up that sandbox first. Now what to do if you hate what you're writing, you absolutely hate it. You don't like what you're doing and you're dragging yourself to the word processor every day. It might be time to ask yourself a couple of hard questions. And the hardest one is, is this really what you want to write? Are you writing something that you want to write or are you trying to write something that you think would sell well or market well to the audience? I talked a bit about this way back in Episode 191: The Worst Writing Advice, about writing to market. Writing to market, if you go too far with it, is a bad idea because by the time you finish and the book is ready to sell, the market may have already grown tired of the trend and moved on to dystopian mermaid stories or something else. Readers also have a sense of when a story is rushed or written in a way that the author hates, not always but very often sort of picked up that the writer hated what they were writing and didn't want to be doing it. It's much better to write something that you're excited to write. You can do a little bit of writing to market in that you look what's popular and say something like, hey, romantic suspense is popular and I enjoy romantic suspense and I want to write romantic suspense. So go ahead and do that. Something else to keep in mind is that tastes change. I saw an interesting article the other day arguing that sort of cynical anti-heroes and deconstruction of popular tropes is going to become less and less popular because that was very popular in the US in the 2000s and the early 2010s when the US in general was more stable and more prosperous. Although I don't think anyone would disagree to say that the United States in the 2020s, thanks to Covid and a variety of other factors, seems to be less stable and less prosperous than it was 20 years ago. And so times are more troubled, then people have less of an appetite and troubled times for cynical anti-heroes and are more drawn to straightforward tales of noble heroes prevailing over evil, whatever the genre might be, whether fantasy or mystery or thriller or whatever. That's the kind of thing to keep in mind with how taste change. So you're really better off writing what you want to write rather than chasing trends because the trends we were just talking about went over a 20 year period. But trends on a smaller level can change very quickly within the space of a few years or even a few months. So you should write in a genre that interests you and you should write characters that you respect and characters that are dealing with an action and conflict that you find interesting. That is one way to hold your interest as you're writing is because you like the characters, you like what you're writing, and you want to see what happens next.   Another problem that you might face if you hate what you're writing is that you might be writing something boring that doesn't need to be in the book. Mystery writer Elmore Leonard famously said in his rules for writing, try to leave out the parts that readers skip. In other words, leave out the boring stuff. So if you're writing a scene and you don't enjoy writing the scene, and you're not looking forward to writing the scene, and you find it boring, maybe it's time to ask yourself: does this scene really need to be in the book? We've all read books that had scenes where it was clear the writer was trying to fill space or thought necessary to go into more detail of, for example, a thousand mile river journey than was really necessary for the plot. If something's boring, just cut it out. There's a famous story that veteran actors who are really good at their craft will sometimes convince the director to cut out dialogue when they say that the actor can convey the meaning of the scene with just the look or expression rather than clunky dialogue. And that is often the case for these experienced actors and is very often the case for writers as well. So if you find yourself struggling with a particular scene, it might just be a good idea to cut it out or sum it up in a paragraph. Like if you have difficulty writing a journey, you could say, just sum it up in a paragraph that they got on a plane and went from New York to Los Angeles. There's no reason to devote two chapters to that. So those are our tips this week for overcoming roadblocks in your writing. Let's have an update from our transcriptionist on her progress with our November writing challenge. “An episode on roadblocks is good timing because I hit some roadblocks last week. There was a day where I wasn't able to get time to write because of what was happening in real life, but since I have been averaging over my goal a day, I still averaged 363 words per day this week, even with missing a day. It took me an average of 13 minutes each day. I wrote out a plan for the challenge that said I could miss a day under specific circumstances and my word count for previous days could apply to that day or if I didn't have extra words, I would make up the words on a Saturday, so I didn't beat up myself or feel like I failed the challenge for missing a day. I had a plan for if I missed a day.” So that seems like a good approach to planning the challenge. And she had a few questions for me actually. The main question for me was: how do you manage distractions? For myself, I use a couple of different techniques. I've mentioned before when I'm writing new stuff, my main method is the Pomodoro method. That's where you set up a timer for 25 minutes, turn off the internet, and just focus on your task for 25 minutes. And I found that if I adhere properly to the Pomodoro method, I can usually get about 1,000 to 1,100 words every Pomodoro for 25 minutes. To reset my brain between Pomodoros, I will usually play Classic Super Mario Brothers on the Switch for five minutes (because you're supposed to take breaks between Pomodoros) and then back to a 25 minute Pomodoro. I do try to hit a minimum word count during the day, ideally 5,000 to 6,000. If I get more, great. If something goes wrong, I tend to have a fallback position if of like 3,000 words. That's usually good on a busy day. I do revise my goals if something comes up because sometimes things come up that you have to pay attention to immediately and it can't wait. Home repair is a big one. For example, a couple times I have this very old wooden fence on my property that I really need to get replaced, and sometimes the wind will knock something loose and a couple times I've had the wind knock the beams of a segment loose from a fence post. If I spot that right away and fix it immediately, it's not a problem. But if I miss it and the entire fence segment falls over, then that's like a couple hours, maybe even a half a day repair job to fix that. So sometimes you come across things like that that need to be addressed immediately. And if that happens, I just roll with it. I try to fix the problem as quick as I can and then try to get as many words as I can in the time that's left, which is why I talked about having a fallback position of 3,000 words if something goes wrong. Sometimes you just lose the entire day to writing until something more important comes up and that's just the way it is. But if you have a no writing day, don't despair and remember the words of Scarlet O'Hara from Gone with the Wind: Tomorrow is another day. If you have a bad writing day, that doesn't mean tomorrow has to be a bad writing day and you get another swing at the ball, so to speak. So that is it for this week. Thank you for listening to The Pulp Writer Show and Week Three of our November Writing Challenge. I hope you found the show useful. A reminder that you can listen to all back episodes on https://thepulpwritershow.com, often with transcripts. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

"I can't blame anybody for anything I do." For Episode 339, David and Brandon cover their first Quentin Tarantino movie on the show with JACKIE BROWN. Listen as they discuss Tarantino's adaptation, the film's cast, and how the movie showcased Los Angeles as part of their series on LA Noir.  Buy your tickets for our SUNSET BOULEVARD screening today: Also, don't forget to join our Patreon for more exclusive content:  Sunset Boulevard Announcement (00:00:00) Opening Banter - Substack and Visual Structure -  (00:00:36) Recap of LA Noir Month (00:06:47) Intro to Jackie Brown (00:11:50) How Jackie Brown Got to Production (00:17:09) Favorite Scenes (00:27:25) On Set Life - (01:07:26) Aftermath: Release and Legacy (01:14:16) What Worked and What Didn't (01:21:31) Film Facts (01:28:06) Awards (01:29:17) Final Questions on the Movie (01:38:09) Wrapping Up the Episode (01:50:46) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

The second-best movie based on an Elmore Leonard novel, Out of Sight (1998) does what Netflix and other platforms try to do all the time: throw a bunch of stars together in an effort to increase the quality of the “content.” But those half-assed efforts never come close to Out of Sight, which has a roster of A-list actors, a terrific screenplay based on quality source material, a great score, and a director who makes us feel as cool as his characters. Like Mozart, Steven Soderbergh makes complicated artistic maneuvers look effortless–and like Elmore Leonard, Soderbergh knows the difference between good bad guys and bad bad guys. Out of Sight was adapted by Scott Frank from Elmore Leonard's 1996 novel, found here. Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The second-best movie based on an Elmore Leonard novel, Out of Sight (1998) does what Netflix and other platforms try to do all the time: throw a bunch of stars together in an effort to increase the quality of the “content.” But those half-assed efforts never come close to Out of Sight, which has a roster of A-list actors, a terrific screenplay based on quality source material, a great score, and a director who makes us feel as cool as his characters. Like Mozart, Steven Soderbergh makes complicated artistic maneuvers look effortless–and like Elmore Leonard, Soderbergh knows the difference between good bad guys and bad bad guys. Out of Sight was adapted by Scott Frank from Elmore Leonard's 1996 novel, found here. Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

My special guest tonight is a former TV investigative reporter and current part-time private investigator Glen Meeks to discuss his book called 'Wrong Numbers'.   "Wrong Numbers is an intriguing and well-researched crime story detailing the intersection of big money and quick sex in the city that contains a lot of both." - Jack Sheehan, author of Skin City   Was a hacker diverting phone calls meant for Las Vegas escort services? The FBI wanted to know, and so did associates of a New York Mafia family.  In one of the most unusual undercover operations ever, the FBI had an agent acting as a manager in a real Las Vegas escort service.  Federal agents expected to find prostitution and drugs in the Las Vegas escort industry. What their investigation uncovered was even more serious.     "Wiseguys and wannabes are on the hunt for a shadowy hacker who may hold the keys to control of Las Vegas' multi-million dollar call girl racket, while FBI agents are hunting them. The result is a gripping true-life crime story that reads like a collaboration between Elmore Leonard and Williams Gibson told with the knowing savvy of two longtime chroniclers of Sin City's hidden underbelly." - Kevin Poulsen, author of KINGPIN: How One Hacker Took Over the Billion-Dollar Cybercrime Underground"In '90s Vegas, call girls worked for “entertainment” services that were little more than phone numbers, dispatchers, and drop safes. When a mystery hacker started diverting customer's calls to one service's number, it launched a series of dangerous events that involved the Mob, feds, hackers, service owners, and the phone system itself. This slice of Sin City history is as little-known as it is thrilling, and it's well-told by investigative journalist Glen Meek and crime writer Dennis Griffin." - Deke Castleman, author of Whale Hunt in the Desert: Secrets of a Vegas SuperhostFollow Our Other ShowsFollow UFO WitnessesFollow Crime Watch WeeklyFollow Paranormal FearsFollow Seven: Disturbing Chronicle StoriesJoin our Patreon for ad-free listening and more bonus content.Follow us on Instagram @mysteriousradioFollow us on TikTok mysteriousradioTikTok Follow us on Twitter @mysteriousradio Follow us on Pinterest pinterest.com/mysteriousradio Like us on Facebook Facebook.com/mysteriousradio]

Literacy Month continues with screenwriters Bryan Cogman (Game of Thrones) and Milla Bell-Hart (Bad Monkey) ranking the best films ever made from the work of acclaimed crime writer ELMORE LEONARD! Joining Clay at the commissioner's table is Screen Drafts legend and writer of The Draftland Scene, Mr. Darren Franich. 

On today's show, John talks about NaNoRiMo's new AI policy, the lameness of relatability as a value, and Elmore Leonard's 10 rules for writing, plus Fred Lambert shares a booze news roundup!

Welcome to another episode of Inglourious Blue Balls: A Basterds Work Left Undone, the monthly series dedicated to exploring the gargantuan pile of unfulfilled project announcements, spewed from the mouth of Quentin Tarantino. Joining me on this daunting journey is my co-host, Friar Wheeler (Splatterhouse Podcast & Owner of Scare Flair Records). Next up on the docket is an announcement Tarantino made back in 2000 about his desire to adapt Elmore Leonard's western novel "Forty Lashes Less One" into a film. Listen to the Splatterhouse Podcast: https://open.spotify.com/show/38MSH4gnr6BU0uSrw3SuT7?si=bb155e1a67d5404b Follow the Splatterhouse Podcast on their Socials: Facebook: @Splatterhousepodcast Instagram: @the_splatterhouse_podcast Twitter: @SplatterPodcast Follow Scare Flair Records on their Socials: Facebook & Instagram: @scareflairrecords Website: www.scareflair.com Become a member of The Church of Tarantino by following us on our socials: Facebook / Instagram / X(Twitter) & Letterboxd: @ChurchOfQTPod Email: TheChurchOfTarantino@gmail.com We're also on the Deluxe Edition Network: https://www.deluxeeditionnetwork.com/home/the-church-of-tarantino --- Support this podcast: https://podcasters.spotify.com/pod/show/thechurchoftarantino/support

Paul Schrader. Elmore Leonard. Tom Arnold. Dave Grohl. It's like the freaking Traveling Wilburys had a baby! Four babies, I guess. Anyway what I'm saying is Schrader's 1997 faith healer comedy TOUCH involved a weird bunch of people. Luckily we have the great Jane Altoids joining us to sort it all out! We're talking stigmata, daytime TV, self-parody, tonal control, and more. Everything goes very normally on this episode and Jake behaves in a way that is completely fine and actually impressive. Not only does he come across as rhetorically powerful, he also sounds pretty handsome. He doesn't basically start crying when Ian lightly disagrees with him at all. You'll find all this out when you listen to the episode, which you should do! Further Reading: "Touch: Paul Schrader adapts Elmore Leonard's quirky novel of faith & healing" by David Skal Talking Trash: The Cultural Politics of Daytime TV Talk Shows by Julie Engel Manga "The Social Gospel and Socialism" by Jacob H. Dorn The Century of the Holy Spirit : 100 Years of Pentecostal and Charismatic Renewal by Vinson Synan Further Viewing: GET SHORTY (Sonnenfeld, 1995) JACKIE BROWN (Tarantino, 1997) OUT OF SIGHT (Soderbergh, 1998)   Follow Jane Altoids: https://x.com/staticbluebat https://x.com/pacino_pod   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart    

Book Vs. Movie: 3:10 to YumaThe 1953 Elmore Leonard Short Story Vs.The 2007 Movie"3:10 to Yuma" (2007) is a Western film directed by James Mangold, based on a short story by Elmore Leonard. It is a remake of the 1957 film of the same name. Here are some key details: The story is set in the late 19th century. It follows Dan Evans (Christian Bale), a struggling rancher and Civil War veteran who volunteers to escort the captured outlaw Ben Wade (Russell Crowe) to the town of Contention, where Wade is to board the 3:10 train to Yuma for his trial. Along the way, they face numerous challenges, including Wade's gang, led by his loyal second-in-command, Charlie Prince (Ben Foster), who is determined to rescue him. Which did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:Author Elmore LeonardThe 1957 film adaptation    The 2007 Movie Cast: Russell Crowe (Ben Wade,) Christian Bale (Dan Evans,) Logan Lerman (William Evans,) Dallas Roberts (Grayson Butterfield,) Ben Foster (Charlie Prince,) Peter Fonda (Byron McElroy,) Vinessa Shaw (Emma Nelson,) Gretchen Mol (Alice Evans,) Kevin Duran (Tucker,) and Luke Wilson as Zeke. Clips used:“Even Bad Men Love Their Mama” 3:10 to Yuma (2007 trailer)“One tough son of a bitch!”Hollander (Lennie Loftin) is selling the farmChristian Bale & Russell Crowe bondingBen Wade wants the singing to stop…Music: “3:10 to Yuma” by Frankie Lane Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing. Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: 3:10 to YumaThe 1953 Elmore Leonard Short Story Vs.The 2007 Movie"3:10 to Yuma" (2007) is a Western film directed by James Mangold, based on a short story by Elmore Leonard. It is a remake of the 1957 film of the same name. Here are some key details: The story is set in the late 19th century. It follows Dan Evans (Christian Bale), a struggling rancher and Civil War veteran who volunteers to escort the captured outlaw Ben Wade (Russell Crowe) to the town of Contention, where Wade is to board the 3:10 train to Yuma for his trial. Along the way, they face numerous challenges, including Wade's gang, led by his loyal second-in-command, Charlie Prince (Ben Foster), who is determined to rescue him. Which did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:Author Elmore LeonardThe 1957 film adaptation    The 2007 Movie Cast: Russell Crowe (Ben Wade,) Christian Bale (Dan Evans,) Logan Lerman (William Evans,) Dallas Roberts (Grayson Butterfield,) Ben Foster (Charlie Prince,) Peter Fonda (Byron McElroy,) Vinessa Shaw (Emma Nelson,) Gretchen Mol (Alice Evans,) Kevin Duran (Tucker,) and Luke Wilson as Zeke. Clips used:“Even Bad Men Love Their Mama” 3:10 to Yuma (2007 trailer)“One tough son of a bitch!”Hollander (Lennie Loftin) is selling the farmChristian Bale & Russell Crowe bondingBen Wade wants the singing to stop…Music: “3:10 to Yuma” by Frankie Lane Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing. Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Edna Buchanan joined the Miami Herald in 1973, working the police beat. And she was good at it. She won the Pulitzer Prize in 1986 for her reporting. By the late 1980s, she had turned to fiction writing, The real life stories she had covered became the raw material for her fiction. And it turned out she was really good at that, too. Many of her books became best sellers, and a couple were turned into movies. In this 1992 interview Buchanan discusses her career, crime in Miami, and why she never learned to speak Spanish. Get Never Let Them See You Cry by Edna BuchananAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Elmore Leonard and Pat Brown For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube #memoir #crime #Miami #Florida

[School of Movies 2024] Cloon June finally comes to a close with a magnificent romantic thriller, written by Elmore Leonard, the author of Get Shorty, 3:10 to Yuma and Rum Punch, which became Jackie Brown. This one hit at the tail end of the 90s, and became a significant landmark in the careers of George Clooney, director Steven Soderbergh and George's co-star, a relative newcomer named Jenifer Lopez. Deliberately stylised to evoke the crime thrillers of the 1970s, we do time with smooth-talking bank robber Jack Foley, finally hitting a point of realisation that he is going to die of old age in prison. However, in striking out against that eventuality with an audacious piggybacked prison jailbreak he crosses paths with Karen Sisco, a U.S. Marshal with a shotgun and a Chanel Suit. Against all odds, after spending time in the trunk of a getaway car, the two of them wind up separated, with thoughts dwelling on each other. Karen pursues Jack from Miami to Detroit, but does she want to lock him up forever or bed him and find herself a new way of life? This absolute cherished favourite has been hugely influential on my work, especially The Princess Thieves: Available on Bandcamp.

Welcome to the Nick Taylor Horror Show!As always, each episode of The Nick Taylor Horror Show explores how today's horror filmmakers are getting their movies made while deconstructing their methods and career strategies into practical insights that you can use on your own horror filmmaking journey. This includes their creative processes, funding resources, favorite books & tools, key life lessons, and much much more.Francis Galluppi is the director of The Last Stop In Yuma County, a southern-fried, hard-boiled crime thriller that plays within the traditions of Tarantino, The Cohen Brothers, Taylor Sheridan, and Elmore Leonard while still establishing a feel and style all its own. I loved this movie - it's a fun, lean and mean piece of cinema bolstered by an incredible ensemble cast including Richard Brake, Jim Cummings, Jocelin Donahue, Barbara Crampton and many more.The Last Stop in Yuma County is Francis' feature debut and the film caught the eye of Sam Raimi and ultimately led to Francis being handed the reins of an upcoming installment in the Evil Dead franchise which is really awesome news.Prior to Last Stop in Yuma County, Francis' short film High Desert Hell, won several awards, including the Wes Craven Award at the Catalina Film Festival in 2019 while his followup, The Gemini Project, won Best Science Fiction/Fantasy Short Film' at the Burbank International Film Festival in 2020.In this conversation, Francis and I get into the grueling story behind the making of Last Stop in Yuma County, which was a four plus year labor of love involving blood, sweat, tears, and mortgaged houses. This is an excellent account of true indie filmmaking, the importance of preparation, working with an all-star cast, and never giving up. I owe a big thank you to my friend David Guglielmo for putting me in touch with Francis, thank you David. Now, please enjoy my conversation with Francis Galluppi.Prepare Extensively: Preparation was crucial to Francis' process, and his level of prep was extensive and very impressive. Every shot was meticulously storyboarded and diagrammed with detailed blocking directions made months before production began. Ultimately, this prep enabled him to achieve complex and high-production value work on a relatively low budget. Francis also engaged in extensive conversations with the actors, fully fleshing out the script and characters and every line of dialogue over zoom. By the time everyone arrived on set, the team was well-prepared to hit their marks which is critical on a lower budget. Francis' process demonstrates that there's no such thing as over-preparing. All of this ensured a fairly smooth production and Francis' ability to pivot when things went wrong.Set a Deadline and Make It Happen: Francis stresses the importance of setting a hard deadline and committing to it. Waiting for perfect conditions or resources can delay or prevent the realization of a project. He emphasizes the importance of prepping before you're greenlit, which may seem counterintuitive to filmmakers hesitant to invest time in a project that may not happen. However, extensive preparation increases the likelihood of your film coming to fruition. This preparation not only creates a sense of reality and momentum for your project but also impresses producers and investors, making your project appear more tangible and ready to go and ultimately easier to greenlight.Edit Your Own Work. Francis quickly mentioned that early on directors should edit their own work because doing so is a valuable learning experience. It forces you to confront your mistakes and understand what works and what doesn't about your shooting style and directorial capability. Being able to be objective at this level will ultimately make you a better...

First broadcast on July 31, 1991.

Bobby, Yobo, new guest Joe, and Mike talk about what many on letterboxd deems the "worst Burt Reynolds movie". Based on an Elmore Leonard novel (and screenplay) Burt finds himself fresh out of prison and getting caught up in the local Miami crime scene. Strap in for lot of horrible jokes, the return of Jai alai to the bin, the weakest of insects, and Burt getting splinters in his mouth from the most wooden performance ever on the Grindbin. 

Steven Soderbergh's sexy crime comedy "Out of Sight" comes to the club. Husband and wife Embee & Alex Marmur tell Host and COmedian Steve Mazan why it's so great. Is this Soderbergh's best? Is it Clooney's Best? Is it Lopez's best? What's a "One & Done"? Is Steve Zahn ever bad? Is it basically a sister to "Get Shorty"? All these questions and more get answered on this week's Mazan Movie Club Podcast. "Out of Sight" on IMDb Home of the Mazan Movie Club Steve Mazan on Instagram Home of Corporate Comedian Steve Mazan

Let's take a trip to the scariest place on Earth and check out Dark Ride from Image Comics! We talk that picture that has everyone up in arms! We also review Crocodile Black #1 from BOOM! Studios, Crave #6 from Image Comics, and Rodrigo checks in on Delicious in Dungeon! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) NEWS View this post on Instagram A post shared by James Gunn (@jamesgunn) REVIEWS STEPHEN CROCODILE BLACK #1 Writer: Phillip K. Johnson Artist: SOM Publisher: BOOM! Studios Cover Price: $4.99 Release Date: May 08, 2024 What makes someone turn to crime–especially in a modern, pandemic-riddled dystopia? Danny, a seemingly mundane young man lost in escapism, with a spiraling lack of control over his life, witnesses something during a delivery job that will change him forever, turning things as dark as the black, crocodile skin boots that he can't take his eyes off of… In this criminal thriller perfect for fans of Kill Or Be Killed and A Righteous Thirst For Vengeance from Eisner-nominated writer Phillip Kennedy Johnson (Superman, Incredible Hulk) and rising star artist Somnath Pal (Brigands) give birth to an iconic new noir lead in the tradition of Elmore Leonard. [rating:3.5/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3WwT6WT MATTHEW CRAVE #6 Writer: Maria Llovet Artist: Maria Llovet Publisher: Image Comics Cover Price: $3.99 Release Date: May 1, 2024 David arrives just in time to cancel Charlotte's craving and have the conversation they should've had long ago. Alexandra steps in to assist Sofia and Albert, successfully driving Duncan away from his office.But will they manage to stop Crave for good? Or will all their efforts be in vain? [rating:4/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3QDlKSC RODRIGO DELICIOUS IN DUNGEON Ep. 18 Adapted from: Delicious in Dungeon First episode date: January 4, 2024 (Japan) Language: Japanese Writers: Kimiko Ueno Publisher: Netflix Dungeons, dragons… and delicious monster stew!? Adventurers foray into a cursed buried kingdom to save their friend, cooking up a storm along the way [rating: 5/5] DISCUSSION DARK RIDE Volume 1 Writer: Joshua Williamson Artist: Andrei Bressan, Andriano Lucas Publisher: Image Comics Release Date: March 21, 2023 Devil Land has been the world's premiere horror-themed amusement park for over 50 years, home to the scariest ride ever created – The Devil's Due. Family owned and operated by the reclusive creator, Arthur Dante, and his two children Samhain and Halloween, Devil Land is seeing some financial stress with low park attendance. Samhain wants Devil Land to expand its brand beyond the park gates, and a rejection from his father in tandem with a request to design a new ride for the park, lead Samhain to uncover the sinister secrets of the park and the role his family, including his sister, has played in a myriad of unsolved deaths and disappearances at the park over the last 50 years. You can purchase this issue via our Amazon affiliate link - https://amzn.to/3QvYs0X CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

Let's take a trip to the scariest place on Earth and check out Dark Ride from Image Comics! We talk that picture that has everyone up in arms! We also review Crocodile Black #1 from BOOM! Studios, Crave #6 from Image Comics, and Rodrigo checks in on Delicious in Dungeon! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) NEWS View this post on Instagram A post shared by James Gunn (@jamesgunn) REVIEWS STEPHEN CROCODILE BLACK #1 Writer: Phillip K. Johnson Artist: SOM Publisher: BOOM! Studios Cover Price: $4.99 Release Date: May 08, 2024 What makes someone turn to crime–especially in a modern, pandemic-riddled dystopia? Danny, a seemingly mundane young man lost in escapism, with a spiraling lack of control over his life, witnesses something during a delivery job that will change him forever, turning things as dark as the black, crocodile skin boots that he can't take his eyes off of… In this criminal thriller perfect for fans of Kill Or Be Killed and A Righteous Thirst For Vengeance from Eisner-nominated writer Phillip Kennedy Johnson (Superman, Incredible Hulk) and rising star artist Somnath Pal (Brigands) give birth to an iconic new noir lead in the tradition of Elmore Leonard. [rating:3.5/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3WwT6WT MATTHEW CRAVE #6 Writer: Maria Llovet Artist: Maria Llovet Publisher: Image Comics Cover Price: $3.99 Release Date: May 1, 2024 David arrives just in time to cancel Charlotte's craving and have the conversation they should've had long ago. Alexandra steps in to assist Sofia and Albert, successfully driving Duncan away from his office.But will they manage to stop Crave for good? Or will all their efforts be in vain? [rating:4/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3QDlKSC RODRIGO DELICIOUS IN DUNGEON Ep. 18 Adapted from: Delicious in Dungeon First episode date: January 4, 2024 (Japan) Language: Japanese Writers: Kimiko Ueno Publisher: Netflix Dungeons, dragons… and delicious monster stew!? Adventurers foray into a cursed buried kingdom to save their friend, cooking up a storm along the way [rating: 5/5] DISCUSSION DARK RIDE Volume 1 Writer: Joshua Williamson Artist: Andrei Bressan, Andriano Lucas Publisher: Image Comics Release Date: March 21, 2023 Devil Land has been the world's premiere horror-themed amusement park for over 50 years, home to the scariest ride ever created – The Devil's Due. Family owned and operated by the reclusive creator, Arthur Dante, and his two children Samhain and Halloween, Devil Land is seeing some financial stress with low park attendance. Samhain wants Devil Land to expand its brand beyond the park gates, and a rejection from his father in tandem with a request to design a new ride for the park, lead Samhain to uncover the sinister secrets of the park and the role his family, including his sister, has played in a myriad of unsolved deaths and disappearances at the park over the last 50 years. You can purchase this issue via our Amazon affiliate link - https://amzn.to/3QvYs0X CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

On this second episode of the Steven Soderbergh season, we are talking about Elmore Leonard adaptation of OUT OF SIGHT with George Clooney and Jennifer Lopez!  Please send any and all feedback to anotherlookpod@gmail.com.  Please follow us on Instagram @anotherlookpod, and check us out on Facebook.  Rate/review/subscribe wherever you get your podcasts.

This episode we get to discuss the only adaptation in Quentin Tarantino's filmography, Jackie Brown, based on the novel Rum Punch by Elmore Leonard! This story of crime and likable anti-heroes feels typical for Tarantino, so it's surprising how faithful it is to the source material, but we still have plenty to discuss, including genre influences, fantastic performances and THE MALL!

Joshua is joined by comedian and stoke activist JT Parr from Chad and JT Go Deep on Netflix, a comedic duo known for their amazing viral videos, often addressing city councils across America with urgent pleas for services like public yachts. Beneath his comedic characters, JT is lowkey well-read. He and Joshua discuss Elmore Leonard, life before social media, David Foster Wallace after cancellation, Mary Karr's devastating poem about DFW, JFK's legendary status, and learning to own our issues and apologize for past mistakes as bullies and the ones bullied. Joshua talks about a Terry Tempest Williams book that made him cry for 3-5 seconds the night before and a photo book about bros he bought his girlfriend for Christmas.Books Discussed Include:CUBA LIBRE by Elmore LeonardTHE GREAT MOVIES by Roger EbertJFK: COMING OF AGE IN THE AMERICAN CENTURY 1917-1956 by Fredrik LogevallJOE COLLEGE by Tom PerrottaEROSION by Terry Tempest WilliamsAMERICAN BACHELORS by Michael RababyINFINITE JEST, A SUPPOSEDLY FUN THING I'll NEVER DO AGAIN, BROOM OF THE SYSTEM etc by David Foster Wallace Hosted on Acast. See acast.com/privacy for more information.

Barry Sonnenfeld and Scott Frank's adaptation of Elmore Leonard's 1990 crime novel 'Get Shorty' was the 2nd film that John Travolta made after returning to top stardom with a bang in Tarantino's 'Pulp Fiction'.  This vibe-y, enjoyable, smartly-written and brilliantly-acted mid-90's example of the $20-30 million-dollar studio movie that now seems like a vestige of another time and place.  

In the Monday Morning Memo for Oct. 10, 2022, I wrote,“Do you want to be one of the world's great ad writers? Don't read ads. Read the poems, short stories and novels written by the winners of the Pulitzer and Nobel prizes in Literature.”My friend Tom Grimes – the waterboy of Amarillo – texted me this insightful correction:“I've heard you teach in class that magicians, stand-up comedians and the creators of comic strips always structure their storytelling in that same tight economy of words used by the world's great poets. ‘And then what happened, and then what happened, and then what happened…'”I stand corrected. Thank you, Tom.Yes, comedians, magicians, and the creators of comics are three different types of writers who know how to capture and hold our attention, just as the world's great poets have done for centuries. These writers show us possible futures, imaginary pasts, or an exaggerated present; realities that exist entirely in our imaginations.And they do it in a brief, tight, economy of words.Likewise, the best ad writers take us on journeys that begin and end quickly, but leave us altered, changed, modified, different.I don't list AI in my pantheon of persuasive writers for the same reason that I don't list the makers of movies.Great movies are created from great plays and great books. Even Disney's animated cartoon adventuresbegin with great stories.Stories are written by writers.The actors, directors, and illustrators who portray those stories are called artists and they are assisted by technicians. Artists and technicians don't write the stories; they adapt stories to fit a format and then show them to us.AI is not a writer. AI is an artist and a technician.Dune was written by Frank Herbert 59 years ago and has sold nearly 20 million copies worldwide. Artists and technicians adapted it into a 1984 film, a 2000 television miniseries, and then a major motion picture in 2021 with a sequel that was released in theaters just last week.The Lord of the Rings was written by Tolkien and adapted by artists and technicians.The Godfather was written by Puzo and adapted by artists and technicians.Harry Potter was written by Rowling and adapted by artists and technicians.Charles Schultz, Bill Watterson, Neil Gaiman, Stan Lee, Scott McCloud and Tom Fishburne are writers who tell stories in comic panels.Robin Williams, Chris Rock, Eddie Murphy, Richard Pryor, Ellen DeGeneres and Dave Chappelle are writers who tell stories in short bursts while standing behind a microphone.Penn and Teller, Siegried and Roy, David Blaine, Brian Brushwood, David Copperfield and Nate Staniforth are writers who stand on stage and tell stories while proving that you cannot believe your eyes or trust your logical mind.Ian Fleming, Cormac McCarthy, Stephen King, Truman Capote, and Elmore Leonard are writers who tell stories using only words.Artists and technicians adapt their stories for stage, film, and video.Shakespeare wrote 38 stories that artists and technicians have adapted for the past 450 years. The artists who gave faces and voices to Shakespeare's characters include Judi Dench, Patrick Stewart, Elizabeth Taylor, Richard Burton, Kenneth Branagh, David Tarrant, Derek Jacobi and Peter O'Toole.We have writers. We

“Let's be realistic. Now, sooner or later, they're going to get around to offering me a plea deal, and you know that. That's why you are here to kill me.”Jackie Brown Rides High in Tarantino's Homage to BlaxploitationQuentin Tarantino burst onto the film scene in the 1990s with unique stylistic choices and sharp dialogue. After achieving critical acclaim for Reservoir Dogs and Pulp Fiction, Tarantino turned to Elmore Leonard's novel Rum Punch for his third directorial effort, Jackie Brown. Set in the seedy underworld of gun runners and bail bondsmen, Jackie Brown pays homage to 1970s blaxploitation films while putting Tarantino's signature spin on the crime thriller genre.Join us – Pete Wright and Andy Nelson – as we continue our 1998 NAACP Image Awards Outstanding Lead Actress in a Motion Picture Nominees series with a conversation about Tarantino's 1997 film Jackie Brown.Fun With Time, Great Performances, and ControversyWe dive deep into Tarantino's playful use of time jumps, split screens, and flashbacks to reveal the intricacies of the heist plot. The stellar cast shines, especially Pam Grier in the title role and Robert Forster as the bail bondsman helping her out, not to mention turns by Robert De Niro, Samuel L. Jackson, Bridget Fonda, and Michael Keaton. We also touch on the controversy around Tarantino's use of the N-word. Overall, we find lots to love in this homage-filled film.More Topics From Our ChatBeautiful cinematography and lighting choicesForster and Grier's heartbreaking final sceneKeaton's surprising but perfect castingThe fantastic soundtrackTarantino's masterful directing skills on displayGreat discussion of awards snubs and box office numbersFinal Thoughts on Jackie BrownWith its loving homage to 1970s blaxploitation films, great soundtrack, and stellar cast, Jackie Brown shows Tarantino at the height of his powers. We have a great time talking about this underappreciated gem. Check it out, then tune in to hear our conversation. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal Material: Rum Punch by Elmore LeonardLetterboxd Start your own podcast journey with the best host in the business. Try TRANSISTOR today!Become a Member Today! $5 monthly or $55 annuallyWant to upgrade your LETTERBOXD account? Use our PROMO CODE to get a DISCOUNT and help us out in the process!Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?What are some other ways you can support us and show your love? Glad you asked!You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.

Amy & Paul jam to The Delfonics with 1997's Quentin Tarantino crime saga Jackie Brown! They learn what Elmore Leonard thought of this Rum Punch adaptation, praise a sneakily scary Samuel L. Jackson performance, and discuss how this film, which initially befuddled critics expecting the next Pulp Fiction, became one of Tarantino's most beloved works. Plus: was Sylvester Stallone really up for a role? Next week, Paul & Amy kick off a Best Picture winners series with Amadeus! You can join the conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6. Check out this week's spotlight episode from the Unspooled archives, Pulp Fiction: https://www.earwolf.com/episode/pulp-fiction/. Paul's book Joyful Recollections of Trauma is on presale now! Find it at https://www.paulscheer.com/my-book Learn more about the show at unspooledpod.com, follow us on Twitter @unspooled and Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts.

Paul & Amy get in the trunk with 1998's sly George Clooney & Jennifer Lopez crime comedy Out of Sight! They discuss why Elmore Leonard's stories lend themselves so well to Hollywood adaptations, learn how Lopez's fearlessness made her the perfect match for Clooney, and ask if this is the Steven Soderbergh movie that deserves to go to space. Plus: How to have charisma like Clooney. Next week, Paul & Amy are talking about Jackie Brown! You can join the conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6. Check out this week's spotlight episode from the Unspooled archives, Mean Girls: https://www.earwolf.com/episode/mean-girls/. Paul's book Joyful Recollections of Trauma is on presale now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Learn more about the show at unspooledpod.com, follow us on Twitter @unspooled and Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts.

From now until the end of 2023, we're listening back to some stand-out interviews from this year. Timothy Olyphant is best known for portraying lawmen in cowboy hats. He reprises the role of U.S. marshal Raylan Givens in the eight-part sequel, Justified: City Primeval, based on Elmore Leonard's novel. He also played Sheriff Seth Bullock in Deadwood. He spoke with Dave Davies about the roles. Film critic Justin Chang reviews The Zone of Interest.

Timothy Olyphant is best known for portraying lawmen in cowboy hats. He reprises the role of U.S. marshal Raylan Givens in the eight-part sequel, Justified: City Primeval, based on Elmore Leonard's novel. He also played Sheriff Seth Bullock in Deadwood."We won't heal until we make sense of the crack epidemic," Donovan X. Ramsey says. His book, When Crack Was King, examines the drug's destructive path through the Black community.

Olyphant is best known for portraying lawmen in cowboy hats. He reprises the role of U.S. marshal Raylan Givens in the eight-part sequel, Justified: City Primeval, based on Elmore Leonard's novel. He also played Sheriff Seth Bullock in Deadwood.