Podcast appearances and mentions of oma rem koolhaas

Viviano Villarreal es un arquitecto mexicano de renombre internacional egresado del Tec de Monterrey, fue colaborador del estudio de arquitectura OMA/Rem Koolhaas en Hong Kong, y fue ahí donde la cultura y la innovación forjaron su filosofía.En el episodio de hoy Jorge Diego y Viviano Villarreal hablan sobre su paso por Hong Kong, y como ha ido construyendo su filosofía de diseño.Este episodio es patrocinado por VibiaNo te pierdas nuestros episodios, publicamos todos los Martes.Síguenos en: Instagram https://www.instagram.com/designaholic.mxFacebook https://www.facebook.com/designaholicmx/Twitter https://twitter.com/designaholicmx Suscríbete a nuestro newsletter semanal “Las 5 de la Semana” aquí: https://bit.ly/30yyPD0Nuestra página web es: http://designaholic.mxTambién te dejo mi cuenta personal donde además de publicar sobre mi estudio y los proyectos que hacemos, comparto mucho más sobre Arte, Arquitectura y Diseño. Instagram https://www.instagram.com/jd_etienneTwitter https://www.twitter.com/jd_etienne Hosted on Acast. See acast.com/privacy for more information.

Welcome back to "Unlocking Your World of Creativity." In this episode, host Mark engages in a captivating conversation with Joana Sa Lima, an architect and designer based in Oslo, Norway. They explore the multifaceted nature of creativity, delving into the process of getting inspired, organizing ideas, and building confidence to make impactful connections.Joana's Website @comte_bureau on Instagram Highlights:1. **Diverse Creative Background:** Joana shares her unique journey from Portugal to Italy, Berlin, Holland, and finally, Oslo. Each experience enriched her creative thinking, providing a unique blend of architectural influences and technical expertise.2. **Impact of Design on Sustainability:** The discussion focuses on the societal impact of design, particularly in addressing environmental causes and sustainability. Joana emphasizes the importance of research-driven design and how it extends beyond creating aesthetically pleasing structures.3. **Social Sciences in Design:** Joana's company, Comte Bureau, is a bridge between architecture and social sciences. They use design thinking, sociology, anthropology, and psychology to inform their decisions, solving societal issues through innovative and thoughtful design.4. **Collaboration and Innovation:** Collaboration emerges as a key theme, both in the academic realm and in addressing global challenges like COVID-19. Joana underscores the need for continued collaboration to overcome societal issues, encouraging a shift from individual achievements to collective impact.5. **Challenges in the Current Climate:** Joana addresses the challenges posed by the current geopolitical climate, emphasizing the importance of sustained innovation and investment in solving societal problems. She warns against the dangers of defunding innovation and the potential loss of progress made during critical times.6. **Encouragement for Creatives:** The conversation concludes with a call for creatives to listen actively, break out of echo chambers, and embrace diversity. Joana emphasizes that, now more than ever, understanding different perspectives is crucial for personal and societal growth.Key Quote from Joana Sa Lima:*"More than ever, we should be listening. We are in these echo chambers, and we are creating even deeper echo chambers. We only care about those that actually speak the same tone of voice that we do and that care about the same colors that we do. And that is the wrong thing to do, in my opinion. We should actually be much more aware, making this cross or opening up to the differences that we all have is what's going to make us better and what's going to make us survive, in a way."*In this insightful episode, Joana Sa Lima provides a thought-provoking perspective on the intersection of creativity, design, and societal impact, urging listeners to consider the broader implications of their creative endeavors.Joana, educated in Porto, Rome, and Berlin, has had a dynamic career with experiences in the Netherlands, New York, and Norway. Working with OMA-Rem Koolhaas, she developed a passion for research-driven design. In 2008, she co-founded 'CONDITIONS,' a Scandinavian architecture magazine, shortlisted for the CICA Pierre Vago Journalism Award and participating in the III Moscow Architecture Biennale and Venice Biennale. In 2012, Joana co-founded Comte Bureau to address societal challenges. This consultancy integrates social sciences and design thinking with architecture to foster conscious innovation and human-centric solutions, shaping policies, services, and urban spaces. Joana's impact extends to academia and architectural competitions, lecturing, and serving as a jury member. She...

2022年的8月是一個令人振奮的月份，除了疫情逐漸趨緩邁向解封之外，在台北，一棟令人驚豔的建築，在經過10年的建設後，也正式開幕了。這棟建築就是被大家俗稱"皮蛋豆腐"的台北表演藝術中心。工程自2012年動工，中間經歷了承包商倒閉停工，重新檢討工程進度及圖面、分標發包等重重難關，終於在2021年完工。今年3月開始試營運，並在8月正式開幕。 本集節目邀請大家跟著我一起去台北表演藝術中心， 與建築師 Rem Koolhaas & David Gianotten 面對面對話！ | 特別感謝 | OMA 大都會建築師事務所 | Rem Koolhaas、David Gianotten、Sylvia Chan 臺北表演藝術中心 行銷部 | 蔡忠駿 贊助夥伴 | 徐楷昕、精鷹建築模型有限公司、丰宇影像有限公司、方于嘉、李燕姍、與隱藏夥伴 腳本協助 | 牛光宇、盧德真、王進坤 後製剪輯 | 王伯維 翻譯協助 | 錢佳緯 還有收聽的你。 Image Copyright OMA / ■ 用小額贊助應援我｜ https://pay.firstory.me/user/archpluspodcast ■ 合作洽談｜archpluspodcast@gmail.com 官方網站｜https://www.archpluspodcast.com 社群平台｜https://linktr.ee/archpluspodcast Powered by Firstory Hosting

Highlights from the conversation:Since it's a living organism, a brand can behave really well if it's managed well. But it can also misbehave. There's also no such thing as a perfect brandIn the industry, we hand out brand manuals and they're sometimes treated as the Bible that the in-house design team has to conform to, but I actually don't see style guide that way – I see style guide as parameters[On research] What I want to do is get down to the very bottom of it. What is this thing? What is this subject? What is this topic? And a lot of times these projects came to us as something that is so alien that we [asked] – are we really qualified to do this?The total body of the work doesn't have a singular style to it. But rather, we always design very contextually, very specifically. But within that specific context, we want to be as creative and as expressive as possibleI think that's a fascinating way of thinking about our craft. That part of it is creating the visual, but part of it is also convincing human beings to understand, to make the leap, or to communicateI think sometimes clients hold the designers at an arm's length. They don't necessarily let them into the building. They don't let them see the bad stuff or, you know, actually understand how things work More about Natasha Jen Natasha Jen is an award-winning designer, an educator, and a partner at Pentagram. Born in Taipei, Taiwan, she joined Pentagram's New York office in 2012. A four-time National Design Award nominee, Natasha's work is recognized for its innovative use of graphic, verbal, digital, and spatial interventions that challenge conventional notions of media and cultural contexts. Her work is immediately recognizable, encompassing brand identity systems, packaging, exhibition design, digital interfaces, signage and wayfinding systems, print and architecture. Her recent clients include high-profile tech companies and startups, such as Google, Waze, Magic Leap, Essential Products. Past clients include a wide range of collaborators from cultural and consumer segments, including Nike, Puma, Target, Ralph Lauren Home, Kate Spade, Chanel, Tata Harper, The Costume Institute at the Metropolitan Museum, Harvard Art Museums, Guggenheim Foundation, Fernando Romero Enterprise/FR-EE and OMA/Rem Koolhaas. Natasha he has earned awards from every major design competition and is frequently published in publications, including Wired, Fast Company, Kinfolk Magazine, Print Magazine, Creative Review, Metropolis, She was a winner of Art Directors Club's Young Guns 4 and also served as a judge for the competition in 2007, 2011, and 2017. In 2014, Wired Magazine named her as one of nine “Designers Who Matter.” She serves on the board of Storefront for Art and Architecture in New York. She also served as Board of Directors of the New York Chapter of the American Institute of Graphic Arts (AIGA) from 2014 to 2017. She is a faculty member at the School of Visual Arts BFA Graphic Design Program and is a guest critic at Harvard Graduate School of Design, Yale University School of Art, Cooper Union, Rhode Island School of Design, and the Maryland Institute College of Art.Find Natasha here: Website | LinkedIn | Instagram Show NotesCompanies and organisations:Calvin KleinDonna KaranMiscellaneous:Taipei, Taiwan How you can help:There are four ways you can help us out.Give us your thoughts. Rate the podcast and leave a comment.Share this as far and wide as you can - tell your friends, family and colleagues about us (caveat: if you own a family business, these may all be the same people)Tell us how we can create a better podcast - tell us what you liked, didn't like, or what you'd like to hear more (or less) ofTell us who you'd like to hear on the podcast. Suggest someone that you think we should interview.One More Question is a podcast by Nicework, a purpose-driven company helping people who want to make a dent in the world by building brands people give a shit about.One of the things we do best is ask our clients the right questions. This podcast came about because we want to share some of the best answers we have heard over the last 13 years. We talk to significant creators, experts and communicators we encounter and share useful insights, inspiration, and facts that make us stop and take note as we go about our work.Hosted by our founder Ross Drakes.Subscribe iTunes, Spotify, Stitcher, Google PodcastsMusic by: @dcuttermusic / http://www.davidcuttermusic.com

OMA / Rem Koolhaas & David Giannoten’s MPavilion 2017 reinvents the ancient amphitheatre for 21st-century Australia. In this dynamic reimagining, MPavilion becomes a platform for exploring interactions in today’s society. The design is conceptual spolia—defined as ‘the reinterpretation of earlier forms and imagery in a new context’—at its contemporary best. But MPavilion 2017 is not the first example of this approach in the city. Melbourne is filled with buildings that refer to the past as a way to respond to the present. Not only is it arranged on a Roman-grid plan, Melbourne’s urban environment transplants classical forms and ideals into a new context. In the process, the traditional visual concepts are abstracted and they gain new meaning. What role does the past have in informing our modern city and the lives we lead within it? How are external and historic ideals made relevant to the contemporary Australian landscape? This MTalks presented by Monique Webber—State Library of Victoria La Trobe Society Fellowship; and an honorary fellow, principal instructor, and assistant coordinator at The University of Melbourne—will reveal the conceptual spolia of Melbourne’s streets.

OBJECT is an art fair in Rotterdam presenting limited edition pieces in design, art and fashion. The location of this years' event was the "Rotterdam", a new building by architectural firm OMA (Rem Koolhaas). Visitors could wander through the vacant apartments on the 30th floor and see the design labels combined with the spectacular views of the city. Featuring the works of: Kranen / Gille, rENs, Prooff, Makkink & Bey, Functionals, Beeldenstorm, EKWC, House of Ababa, Lex Pott. www.objectrotterdam.nl

OBJECT is an art fair in Rotterdam presenting limited edition pieces in design, art and fashion. The location of this years' event was the "Rotterdam", a new building by architectural firm OMA (Rem Koolhaas). Visitors could wander through the vacant apartments on the 30th floor and see the design labels combined with the spectacular views of the city. Featuring the works of: Kranen / Gille, rENs, Prooff, Makkink & Bey, Functionals, Beeldenstorm, EKWC, House of Ababa, Lex Pott. www.objectrotterdam.nl

OBJECT is an art fair in Rotterdam presenting limited edition pieces in design, art and fashion. The location of this years' event was the "Rotterdam", a new building by architectural firm OMA (Rem Koolhaas). Visitors could wander through the vacant apartments on the 30th floor and see the design labels combined with the spectacular views of the city. Featuring the works of: Kranen / Gille, rENs, Prooff, Makkink & Bey, Functionals, Beeldenstorm, EKWC, House of Ababa, Lex Pott. www.objectrotterdam.nl

Bart Lootsma vergleicht in einer kulturellen Analyse das Maison à Bordeaux von OMA/Rem Koolhaas mit der Villa Tugendhat von Ludwig Mies van der Rohe.

Bart Lootsma vergleicht in einer kulturellen Analyse das Maison à Bordeaux von OMA/Rem Koolhaas mit der Villa Tugendhat von Ludwig Mies van der Rohe.

Studio Banana TV interviews Ole Bouman, director of the Netherlands Architecture Institute (NAI), Holland. Ole Bouman has been director of the Netherlands Architecture Institute (NAI) since April 2007. Before taking up that position he was editor-in-chief of the periodical Volume, a cooperative venture of Stichting Archis, AMO (the research bureau of OMA/Rem Koolhaas) and the Graduate School of Architecture, Planning and Preservation of Columbia University. He has curated a series of public events for the reconstruction of the public domain in cities that have been hit by disasters, such as Ramallah, Mexico City, Beirut and Prishtina. Bouman has been lecturing Design at the Massachusetts Institute of Technology in the United States.