Podcast appearances and mentions of ludwig mies

This is PART 2 of the Podcast episode about Ludwig Mies van der Rohe. It puts a magnifying glass over a specific period of time in Mies's life: his commissions for the Nazis after the Bauhaus had closed in July 1933 and his final emigration to the US in 1938. For this episode, the art-historian Aya Soika shares her expertise. She published a book about this time of Mies's life with the title „Mies van der Rohe in the Third Reich. The Brussels Project, 1934" (link in the show notes). Aya Soika doesn't denounce Mies van der Rohe for his commissions for the Nazis but emphasizes the circumstances in which Mies found himself as a modern architect and as a person that didn't necessarily want to leave his home. But she also underlines his naivety in thinking that as an architect he could be apolitical. Although Mies never won the competition and the pavilion was never even built due to a financial lack of Nazi Germany to come up with enough foreign currency, this project – and some others – that Mies van der Rohe accepted to plan for the Nazis, those projects were, of course, hotly disputed by architecture historians. And what did Mies himself say about this after the end of the Second World War? Well, that's what you will find out in the 2nd part of my podcast about Ludwig Mies van der Rohe.

In der zweiten Bonusfolge zum eigentlichen Podcast über Ludwig Mies van der Rohe spricht Fritz Neumeyer, promovierter Architekt und Mies-Forscher. Diese Folge enthält Zusatzmaterial, das im englischen Podcast nicht enthalten ist.

In der ersten Bonusfolge zum eigentlichen Podcast über Ludwig Mies van der Rohe spricht Wita Noack, seit über 30 Jahren Leiterin des Mies van der Rohe Hauses in Berlin mit Sitz im ehemaligen Haus Lemke. Diese Folge enthält Zusatzmaterial, das im englischen Podcast nicht enthalten.

Ludwig Mies van der Rohe (1886–1969) was a pioneering modernist architect. Born in Aachen, he started as a bricklayer before moving to Berlin, where he worked for Bruno Paul and Peter Behrens. His first major commission, the Riehl House (1907), showed early signs of modernism. In 1921, he changed his name, marking his shift to modern architecture while maintaining classical influences. As vice president of the German Werkbund, he led the Die Wohnung exhibition (1927), cementing his reputation. In 1930, he became Bauhaus director, striving to protect it from Nazi repression. After the school closed in 1933, Mies attempted to continue working in Germany, even accepting Nazi commissions, a decision he later had to justify. In 1938, he emigrated to the U.S., becoming director of the Armour Institute (later IIT) in Chicago. There, he designed iconic buildings like the Farnsworth House and the Seagram Building, defining modernist architecture. In the 1960s, he returned to Berlin to design the Neue Nationalgalerie, his final masterpiece, blending classical and modern elements. Asked if he'd return to Germany permanently, he replied, “It was difficult enough to find new roots once.” His legacy, rooted in simplicity and structural clarity, continues to shape architecture today. For the first part of the Mies podcast, I invited Wita Noack, as head of the Mies van der Rohe Haus in Berlin a true expert about House Lemke where the institution is situated, and Fritz Neumeyer, THE Mies expert in Germany, who published several books about Mies van der Rohe and his work during the past 40 years. This episode has been supported by The Mies van der Rohe house.

One of the world's most precious architectural gems rests on the banks of the Fox River in northern Illinois. Maybe you've seen the Edith Farnsworth House in Plano: It's a mid-century glass and steel marvel designed and constructed by Ludwig Mies van der Rohe. The Under Rocks team got a chance to visit and learn more about the woman who commissioned her glass get-away in the woods, Edith Farnsworth.

Bruce Springsteen's song Glory Days lyric, “Boring stories of Glory days yeah, they'll pass you by” pops into my head sometimes, when I hear a speaker reminiscing about their glorious past.  I was sitting there at a chamber function when the speaker began to talk at length about his start in sales and his experiences.  It was fascinating for him no doubt, but it made him sound dated. He seemed to have become covered in dusty cobwebs too all of a sudden.  Talking about ourselves is great and dangerous at the same time.  Usually when we speak, there will be our introduction done by the hosts.  If we are on the ball, we don't place ourselves in their hands, so we write what we want them to say.  That doesn't mean they are on the ball and can carry out a simple task.  If we make it too long, the hosts usually manages to murder it by dropping bits or getting things wrong.  I am always astonished that they cannot successfully read a piece of paper with words on it. The audience is also on danger alert because they know the propaganda offensive is about to hit them.  It is hard to write about yourself though, because there are so many things you want to include.  Why is that?  We are desperate to establish our credentials with the audience, so that they will become more accepting of what we are saying.  We believe that volume is important so we should cram as much in there as we can.  In fact, we are defeating our own efforts because either the host mangles the text or the audience switches off. Avoiding the chronology approach is always a good start.  Sometimes these details are included in the programme flyer and you don't need to mention them at all or you can organise your own flyer for the attendees.  This is a good tactic and not hard to do.  When we are speaking about ourselves, we should focus on the key points only.  These are the things which relate to our expertise on this specific topic.  I am a 6th Dan in Shitoryu karate, which is wonderful, but probably doesn't have anything to with a topic like presenting.  I could instead say this is my speech number #342 and that would be congruent with establishing I am a real world expert of the dark art of public speaking and have the experience required to tell others how to do it. Often we are using powerpoint, so we can bring up some slides about our company.  This should also be brief.  Simple clear slides are what we want and the selection of information should be limited to the most powerful USPs or unique selling points of our firm.  Slide after slide makes an audience restless.  They are sitting there thinking, “enough already, get on with it”.  When I worked for a long established Australian Bank which was rather unknown in Japan, I would show a photograph of the establishment of the first branch back in the 19th century.  It was a black and white photograph with people dressed in the fashion of the Victorian era and it oozed with longevity.  I also attached the date in the Japanese Imperial reign format, rather than the Gregorian calendar, to make it seem even more ancient and venerable.  That one photo showed my Japanese audience we had stood the test of time and could be trusted with their money. The CEO cowardly public speaking escape route of reliance on the souped-up corporate video at the start of the talk should be avoided at all cost.  These videos are rarely a good match with the specific topic for that day, because there is usually only one video. It has to be the Swiss Army Knife of propaganda videos, to travel around the world boring people of every persuasion.  If there is a particular section in the video which is really powerful, then just cue that part and don't bother with the left over detritus. Giving our own examples is a good idea in the talk, but again, we have to steer away from too much recalling of our glorious triumphs.  The audience is only interested in how what you are telling them will result in their own glorious triumphs, now and into the future.  We have to get a balance struck between talking about ourselves for effect and not for the stroking of our own massive speaker ego.  Where possible, use client examples of what you did for them, rather than droning on about what you did. It is a tricky equation of how much is too much, which bits are more important than other bits and how much time should I allow for it.  Err on the side of caution and go minimalist, recalling Ludwig Mies van der Rohe, “less is more”.  

Descubre la Escuela Bauhaus: El Movimiento que Redefinió el Diseño y la Arquitectura" La Bauhaus es una de las instituciones más influyentes de la historia del diseño moderno, y en este vídeo te llevamos a un recorrido fascinante sobre su origen, su impacto global y cómo sus principios revolucionaron el arte, la arquitectura, la moda y mucho más. ¿Qué hizo tan especial a la Bauhaus? ¿Cómo transformó el concepto de funcionalidad y estética en el siglo XX? Hablaremos sobre los grandes maestros de la Bauhaus como Walter Gropius, Ludwig Mies van der Rohe y Marcel Breuer, y cómo sus innovaciones siguen influyendo en el diseño contemporáneo. ¡No te pierdas este análisis profundo sobre una de las escuelas de arte y diseño más importantes de todos los tiempos!

This episode of bauhaus faces is about the Bauhaus educated architect Pius Pahl. After being trained as carpenter and interior designer, he decided it was time to go to the Bauhaus and become an architect. He studied with Ludwig Mies van der Rohe and Ludwig Hilberseimer, who would both became essential for his approach towards designing buildings. Pius Pahl is also one of the students who made the Bauhaus move from Dessau to Berlin. After successfully graduating with his Bauhaus diploma in 1933 he went on a journey to Switzerland, Italy and North Africa before starting to work in different architecture offices. In World War II he was drafted by the military and became a prisoner of war. Although he set up his own building office in 1946 in fear for his four sons to also become soldiers in a war – it was the time of the Cold War between the Soviet Union and the West – Pius Pahl decided it was time to emigrate. While he wasn't allowed to go to the US to work with Mies van der Rohe in Chicago (this was his dream) the choice fell on South Africa, because his wife Jeanette was born there and could speak English fluently. Pius, however, struggled during the first years as his language skills were underwhelming. Once he and his family had relocated to Stellenbosch and he had started – once again – his own office Pius Pahl planned several public and private houses, adapted to the possibilities and materials there. Two of his four sons, Jan-Peter and Tyll Pahl invited me into their houses to talk to me about their father and his work.    ________________________________________ SHOW NOTES @bauhausfaces | bauhausfaces.com | YouTube https://www.vervemagazine.co.nz/african-bauhaus/ http://oharchitecture.blogspot.com/2011/07/oh6-pius-pahl-monograph.html https://www.stellenboschheritage.co.za/resource/pius-pahl-architectural-biography-part-1-pg-1-12 https://artefacts.co.za/main/Buildings/archframes.php?archid=2113 https://artefacts.co.za/main/Buildings/bldgframes_mob.php?bldgid=15093 COVER PHOTO: Pius Pahl, Detail of a self-portrait, Bauhaus Berlin, 1933, Bauhaus-Archiv Berlin

In the eyes of the architecture critic Paul Goldberger, a building is a living, breathing thing, a structure that can have a spirit and even, at its best, a soul. It's this optimistic perspective that has given Goldberger's writing a certain ineffable, captivating quality across his prolific career—first at The New York Times, where he served as the paper's longtime architecture critic, winning a Pulitzer Prize in 1984; then as the architecture critic at The New Yorker from 1997 to 2011; and now, as a contributing editor at Vanity Fair. Goldberger is the author of several books, including Building Art: The Life and Work of Frank Gehry (2015), Why Architecture Matters (2009), and Building Up and Tearing Down: Reflections on the Age of Architecture (2009). He is also the chair of the advisory board of the Glass House in New Canaan, Connecticut, where we recorded this episode, our third “site-specific” interview on Time Sensitive.On the episode, Goldberger discusses the Glass House's staying power as it turns 75, the evolution of architecture over the past century, what he's learned from writing architects' obituaries, and the Oreo cookie from a design perspective.Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Paul Goldberger[05:17] Glass House[05:17] Philip Johnson[07:06] Ludwig Mies van der Rohe[07:06] Farnsworth House[08:42] Brick House[12:37] Gordon Bunshaft[12:37] Lever House[12:37] Frank Lloyd Wright[12:37] Guggenheim Museum[13:18] TWA Flight Center[13:18] Kevin Roche[13:18] Ford Foundation building[13:18] CBS Building[15:17] Noyes House[16:17] U.N. Headquarters[17:50] Centre Pompidou[17:50] I.M. Pei[17:50] Louvre Pyramid[17:50] Frank Gehry[17:50] Guggenheim Bilbao[20:00] Walt Disney Concert Hall[23:20] Stuyvesant Town[24:24] “Oreo, at 75, the World's Favorite Cookie; Machine Imagery, Homey Decoration”[25:46] “Quick! Before It Crumbles!: An architecture critic looks at cookie architecture”[25:46] Nora Ephron[26:18] “Design Notebook; Commonplace Things Can Be Great Designs”[27:16] Bauhaus[29:10] Fallingwater[29:10] Richard Neutra[29:10] Lovell House[29:10] Gehry House[29:10] Louis Kahn[32:38] “Philip Johnson, Architecture's Restless Intellect, Dies at 98”[32:38] “Louis I. Kahn Dies; Architect Was 73”[35:30] Paul Rudolph[36:50] Zaha Hadid[37:22] “New Police Building”[38:19] Henry Geldzahler[41:31] Why Architecture Matters[43:21] Chrysler Building[47:28] Vincent Scully[48:18] Lewis Mumford[1:00:47] The City Observed: A Guide to the Architecture of Manhattan[1:00:47] World Trade Center[1:02:49] “Here Is New York” by E.B. White[1:05:33] Design: The Leading Hotels of the World[1:07:25] Ritz Paris[1:07:25] The Dylan Amsterdam[1:09:01] “Why Buildings Grow On Us”

Freddi und Ruben sprechen über die großen Brecher der Architekturzitate: "form follows function" - Louis Henry Sullivan "So wie Du bist, so sind auch Deine Gebäude" - Louis Henry Sullivan "less is more" - Ludwig Mies van der Rohe Aus der Folge: Möbel nach Enzo Mari: https://www.cucula.org/enzomari/#:~:text=Als%20Gegenentwurf%20zum%20Formalismus%20und,Das%20ist%20die%20Idee. Leider hat eine Aufnahme ein leichtes piepen auf der Spur, das tut uns leid! Die Folge lässt sich aber trotzdem gut hören. Viel spaß damit! Instagram: https://www.instagram.com/jour.fixe/

Als Thomas Anfang des Jahres eine Schreinerin fand, die seiner Tochter zum Geburtstag ein Custom-Puppenhaus in den Proportionen des neuen tatsächlichen Hauses bauen konnte, ahnte er nicht, dass es sich bei Joy Ludorf um die Sängerin des Superhits „Schnappi“ von 2004 handelte. Nach dem Umzug luden Hazel und Thomas Joy in ihr Haus im Maßstab 1:1 ein. Inhalt: 00:00 Kennenlerngeschichte Hazel, Thomas und Joy 03:49 Joy als Tischlerin und Sängerin von Schnappi 13:53 Erfolgsgeschichte Schnappi 19:15 Joys Highlights und Erfahrungen zu Schnappi 27:03 Schnappis Social Media Accounts und Lama aus Yokohama 29:40 Joys Parallelen: Musik und Handwerk 34:22 Inspiration Architektur 39:55 Kontroverse Gebäude 43:53 Hausbau oder Umbau? 53:51 Konkrete Ideen Hausgestaltung 01:02:14 Grenzen bei Aufträgen Innenarchitektur 01:06:57 DamiLee und Sims 01:12:13 Stadtentwicklung und Joys Zukunft als Architektin Die Zeitstempel können variieren. Artikel zum Puppenhaus von Hazels Tochter https://www.schweizer-illustrierte.ch/family/familien-geschichten/hazel-brugger-und-thomas-spitzer-schenken-ihrer-tochter-ein-haus-687109 Joy Ludorf Design https://www.instagram.com/this.is.concept.joy Über die Wanderjahre https://de.m.wikipedia.org/wiki/Wanderjahre Schnappi auf Instagram https://www.instagram.com/p/CUIe42OAv71/?hl=de Joy spricht über den Architekten „Ludwig Mies van der Rohe“ https://de.wikipedia.org/wiki/Ludwig_Mies_van_der_Rohe Sagrada Familia https://de.wikipedia.org/wiki/Sagrada_Família Düsseldorfer Medienhafen von Frank Gehry https://de.wikipedia.org/wiki/Neuer_Zollhof Stadthaus Ulm https://de.wikipedia.org/wiki/Stadthaus_Ulm Thomas empfiehlt diese Architektin auf Social Media https://www.youtube.com/@DamiLeeArch Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/hoererlebnis

What is your success rate? Would you like it to go up? Today, Nikki shares an approach designed to do exactly that. It's the “less is more” approach. Sometimes we get into a mindset of “more is more.” There are times when we need to pull back a little bit, and that's what today's show is all about. From the poet Robert Browning to the architect Ludwig Mies van der Rohe, “less is more” has been used to promote simplicity, restraint, and direct expression. It is also a powerful sales approach. Nikki shares three real-life scenarios where “less is more” is the better strategy. She talks about why we don't need to put everything, including the kitchen sink, in our offers and why it's better not to. We learn the disadvantages of putting too much information in our sales conversations. Finally, this strategy is perfect for those times when a mistake is made, and we need to express concern and make a correction. Tune in to tighten up your language when selling and interacting with clients, and get inspired to use the “less is more” approach for improved sales and communication. Nikki invites you to join the Sales Maven Society. Take advantage of this opportunity for you and Nikki to work together. Bring your questions, concerns, and sales situations; she provides answers and guidance to boost your confidence. Join the Sales Maven Society here, click Join Today, and then checkout and use coupon code 47trial to get your first month for $47.00!   In This Episode: [01:40] -  Scenario #1. Offers and packages. Nikki recently put together a comprehensive one-on-one coaching package. She wanted to give it all, so she included a bunch of additional features. [02:29] -  She received feedback from someone who didn't sign up because they didn't have time to take advantage of all the extras she added to the package, even though they actually needed one-on-one coaching. [03:10] -  Sometimes, we want to throw everything into the offer, yet it can actually slow down the sales process. [05:45] -  Scenario #2. "Less is more" works in your favor during your sales conversations. [06:28] -  Educating potential customers about everything you know can overwhelm them and prevent sales. [07:01] -  More is more will slow people down or overwhelm them, and they'll find someone else who made it easier for them to buy. [08:02] -  Don't give advice or coach during your consultation calls. Great responses include, "That is a fantastic question. That is definitely something that we will cover in your strategy session." [10:19] -  What about this would be helpful for you to know? What haven't we covered yet that you would like more information on? [11:47] -  Scenario #3. When you have to acknowledge or apologize for a misstep. [13:13]—Be direct and apologize; don't share all of the details. In sales, it's about making things easy for the client and giving them the information they want. [17:48] -  It's better just to acknowledge and apologize. Don't feel compelled to share all of the information and reasoning behind the mistake. [20:19] -  When you find yourself in these scenarios, ask whether “less is more.”   For more actionable sales tips, download the FREE Closing The Sale Ebook.   Find Nikki: Nikki Rausch nikki@yoursalesmaven.com Facebook | Twitter | LinkedIn | Instagram Sales Maven Society Work With Nikki Discussion To download free Resources from Nikki: www.yoursalesmaven.com/maven    Resources: Simple Pin Media  

In this weeks mission Holden seated on the Marshmallow Sofa, designed by Irving Harper of Herman Miller Inc and Jake sitting upon his Barcelona Chair, designed by Ludwig Mies van der Rohe and Lilly Reich tread into the espionage/assassin/telepath filled world of Tatsuya Endo's SPY×FAMILY! Want even more WizBru? Support us on Patreon! Patreon.com/WizBru 

During the past year in New York, I've explored countless stunning buildings, each with its own unique story. In this episode, I'm excited to be joined by my friend Riccardo Palma to dive into some of the city's most iconic modern buildings. Riccardo, an architect at the Bjarke Ingels Group, constantly challenges me with his unique perspective on space and architecture. Riccardo and I always discuss the places we visit, so join us as we share our New York must-see favorites to add to your list. We'll be talking about the Seagram Building, designed by Ludwig Mies van der Rohe and completed in 1958; Donald Judd's estate in SoHo, a landmark of minimalist design completed in 1968; and the Ford Foundation Building, designed by Kevin Roche and completed in 1967.Follow us on Instagram under the name Architecture.Talk to get a visual experience of our conversation. Hosted on Acast. See acast.com/privacy for more information.

Bauhaus is one of the most influential art and design movements of these days. Walter Gropius, Ludwig Mies van der Rohe, and Marcel Breuer are all prominent and common names – but what about Marianne Brandt, Lilly Reich, Gunta Stölzl, and many more? These women are mostly remembered as wives and assistants but not for their significant contributions to the Bauhaus movement. This episode by Lenja Charlotte Burmeister (@lenjacharlotte) will dive into the role of women at the Bauhaus school, especially highlighting their significant influence and position at the school and outlining the most important principles, beliefs, and history of the Bauhaus school.  --- Send in a voice message: https://podcasters.spotify.com/pod/show/maastricht-diplomat/message

In the last segment of UnMind, the second installment discussing the sameness and differences I have noted in teaching Zen or design as a profession, I wrapped up the essay by mentioning the concept of “control,” as it might apply to either or both: In meditation circles, we often hear phrases such as “controlling the breath” or “emptying your mind of thoughts.” These represent attitudes 180-degrees from that in Zen meditation, which is not one of exerting control, but rather relinquishing any real or imagined level of control. Using that as a springboard for this segment, let's examine our approach to Zen meditation, in the context of the well-known adage from minimalist design, “Less is more.” According to Google: Minimalism is exemplified by the idea of “less is more” as first coined by architect Ludwig Mies van der Rohe. The idea that less may be more, in applying the method of zazen, is implicit in many dimensions of the character of Zen training, from Buddha's Middle Way of moderation to the “chop wood, carry water” practicality of the Chinese history, the seven items a monk was allowed to own, and the sparse serenity of the zendo interiors of Japan, with their starkly minimalist sand and rock gardens. The Institute of Design, during my years there in undergraduate and graduate studies, was housed in the basement of Crown Hall, while the Mies school of architecture was on the upper floor. His contribution to minimalist architecture lay in the combination of glass and steel to construct high-efficiency buildings, of which Crown Hall was an early archetype.Another aphorism from design thinking that I mentioned: ...there are many design ideas that are simple in concept, but difficult in execution. Zen may be the poster boy for this truism. Zazen is irreducibly simple in design, but Zen can be maddeningly difficult in daily execution. This is where I would like to begin this segment. Thinking about meditation, particularly Zen's zazen — as I understand this “excellent method,” as Master Dogen repeatedly referred to it — it occurred to me that during zazen, as a process of “unlearning,” or “subtracting” the preconceptions we harbor as to our conventional take on reality, we might usefully question a variety of such attitudes and concepts, as to whether we are unintentionally, perhaps even unconsciously, striving to attain something as a presumed goal of our practice. Only if we recognize that we are doing so, can we then consciously relinquish that particular problematic attitude or opinion, and see what it is like to sit without it getting in our way. A number of these came up for me, which we can consider one at a time, perhaps extending into the next segment. They are expressed herein with the suffix of “-less,” which implies “the absence of.” Let's begin with the very idea of goals in general, embracing the approach of “letting go” of our predilections. GOALLESS MEDITATIONOf course, we all sit in meditation with some kind of goal, whether simply to calm the mind under stress; to get back to normal; or more deeply, to “wake up” to reality, which might be said to be the principle goal of Buddhism. But Master Dogen cautions us, in “Principles of Seated Meditation—Fukanzazengi,” to avoid taking goal-setting too far: ...think neither good nor evil, right or wrong thus stopping the functions of your mind give up even the idea of becoming a Buddha In other words, resist setting up what seems a more lofty goal, in place of the pedestrian objectives we might associate with meditation. Which begs the question, can we do away with all goals and objectives, at least while we are sitting? We might say that it is not that Zen meditation has no goal, but it is just that the actual goal is too deep and too broad to be expressed in words, especially a priori. We meditate to discover the goal. TIMELESS MEDITATIONMost instructions for meditation include imposing time constraints on it, for example by setting a timer, using an app with a built-in alarm, burning a stick of incense, or following the schedule of timed sessions on retreat, or during daily practice at a Zen center. When we experience the latter, sitting with somebody else tracking the time, we feel somewhat liberated from the necessity of thinking about the time, or paying attention to the clock; someone else is doing that for us. When we take a turn as time-keeper (“doan” in Soto Zen), we experience the discipline of being responsible for others' time on the cushion. Both are highly recommended. But someone once said that in zazen, “the barriers of time and space fall away.” When I see someone restively glancing at their watch in the zendo, I will often ask to borrow it. Then, they are unable to indulge their fidgeting obsession with time, at least while sitting. This goes to the larger question of all the measurables associated with our meditation — such as how long we sit, how often, how regularly, et cetera — which are not as important as the immeasurable aspects: that we simply never give up. We keep returning to zazen, in good times or bad, for whatever time we have available for it. I recommend that occasionally, perhaps the next time you sit in meditation, that you forego your tendency to time the period. Sit without any stopping time in mind. Then you may finally reenter real time, which is not measured; indeed, it is not even measurable. You may find that time is all you really have; that in fact, you have all the time there is. This reality of real time versus measured time is captured in the sardonic expression — “The man who has one watch always knows what time it is; the man who has two never knows for sure” — attributed, as many such wisecracks are, to Chinese origin. EFFORTLESS MEDITATIONIn his paraphrase of a brief Ch'an poem about meditation, titled “Zazenshin,” meaning something like an “acupuncture needle” or “lancet” for zazen — something exceedingly sharp or pointed — Master Dogen points to the true meaning of “right effort” toward the end of the poem: Intimacy without defilement is dropping off without relying on anythingVerification beyond absolute and relative is making effort without aiming at it “Making effort” includes assuming the posture, which is not always easy, especially when we overdo it; and breathing, which can be labored, especially when we catch a cold, or during flu season. I have heard that the posture should feel more like a stretching sensation than physical effort, and that the breath should be more like a sigh than belabored breathing. My root teacher, Matsuoka Roshi, said “the breath should be like a gate swinging in the breeze, first this way, and then the other way,” a rather pleasant, languid, relaxed image. And, he would say, “Zazen is the comfortable way.” This should give us pause, in our pursuit of overweening effort, characterized as “macho Zen,” which we get from our impression of Rinzai's more driven practice of externally-imposed discipline. I suspect that this meme is more a social dimension of the culture, than having anything to do with the reality of Zen practice — other than inculcating a sense of urgency: that we have no time to waste, in getting after this most important and central “great matter.” In the next segment of UnMind we will continue with this exploration of the “less” side of the practice. As a semantic curio, the English meaning of the prefix “un” — which in my dharma name means “cloud” — connotes the “opposite” of something, or something very different, as in the “un-cola” campaign promoting the soft drink Seven Up, which I know dates me. It is similar in effect to the suffix “-less,” which connotes the “absence” of something. If you have any suggestions along these lines for me to entertain in the next segment, let me know. My list is quite long, but there is always room for one more consideration to eliminate, from distracting us from our meditation. * * * Elliston Roshi is guiding teacher of the Atlanta Soto Zen Center and abbot of the Silent Thunder Order. He is also a gallery-represented fine artist expressing his Zen through visual poetry, or “music to the eyes.”UnMind is a production of the Atlanta Soto Zen Center in Atlanta, Georgia and the Silent Thunder Order. You can support these teachings by PayPal to donate@STorder.org. Gassho.Producer: Shinjin Larry Little

DEVOCIÓN MATUTINA PARA JÓVENES 2023“CARÁCTER”Narrado por: Daniel RamosDesde: Connecticut, Estados UnidosUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church 09 DE DICIEMBRE                                                YA QUEDA MENOS «Tened también vosotros paciencia, y afirmad vuestros corazones, porque la venida del Señor se acerca.» Sant. 5:8 Hemos imaginado a Dios de mucha manera. Quizás la más solemne de la historia sea la del Pantocrátor de la Edad Media, donde se le representa con un rostro serio, distante y con la mano derecha levantada. Otra es la del Dios de Miguel Ángel en la Capilla Sixtina. O la de ese dios bonachón de la posmodernidad al que muchos llaman Papá Noel. Al principio de Génesis, sin embargo, se presenta como quien cultiva la tierra. ¿Os lo imagináis? Con un sombrero de paja, una azada en la mano, una piel broncínea y un porte atlético. Colocando un plantón aquí y un árbol allá. Cuidando con esmero los pétalos de una amapola, guiando el crecer de una parra, abonando multitud de orquídeas. Un Dios agricultor habla mucho de lo armónico con la vida.El Edén era una mezcla de jardín con un huerto. Sin embargo, en la provincia de Granada (España) se pueden observar pequeñas fincas llamadas «cármenes» que, entre parras y claveles, hacen las delicias de los que las habitan. El Edén era un Carmen especial. ¡La palabra significa, entre otras cosas, ¡delicia! Pero no una delicia cualquiera, una delicia sumamente exquisita, propia de sibaritas. Y, allí, puso al hombre y le pidió que, como Él, fuese un jardinero-hortelano.Algunos dicen que soy un jardinero impaciente. Me gusta el jardín tanto como la huerta, pero no soy de campo. Crecí en una ciudad y me cuesta dejar de ser de ciudad. Como buen urbanita quiero las cosas ya, pero así no funciona la naturaleza. En el campo las cosas llegan con sus ritmos. Puedo plantar tomates y quedarme mirando a que crezcan inmediatamente, pero eso no va a suceder. Pasarán muchos días de cuidados atención y hasta que vea enrojecer sus frutos.En la vida de cada día pasa igual. Pretendemos una religión de la inmediata y, nos guste o no, Dios se toma sus tiempos. Y son los tiempos correctos porque él no produce ninguna cosa, sino lo mejor y más fino que se pueda crear, delicias. Hasta hoy observamos su obra y exclamamos con Ludwig Mies van der Rohe: «Dios está en los detalles».Cuando saco un tomate de la mata y siento la intensidad de su olor, la textura de su piel y el rojo intenso que lo colorea, recuerdo que nuestro lugar es otro: un Carmen al oriente. Y pienso en mi Dios con su sombrero de paja, con su plantón en la mano y su sonrisa inmensa. ¿No os entra nostalgia? Bueno, ya queda menos.

In another life, the German-born architect Annabelle Selldorf might have been a painter or a profile writer. In this one, she expresses her proclivity for portraiture as the principal of the New York–based firm Selldorf Architects, which she founded in 1988. Renowned for its work in the art world—from galleries for the likes of David Zwirner and Hauser & Wirth to cultural institutions including The Frick Collection in New York, the National Gallery in London, and the Hirshhorn Museum and Sculpture Garden in Washington, D.C.—Selldorf's firm has also designed a wide variety of residential projects and civic buildings. Many of these designs serve as architectural depictions of their respective clients, revealing each one's inner nature and underlying ethos.On this episode, Selldorf discusses the links she sees between Slow Food and her architecture, the intuitive aspects of form-making, and why she considers architecture “the mother of all arts.”Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes: [00:31] Selldorf Architects[08:19] The Frick Collection[10:42] Lucian Freud[17:45] Dia Beacon[18:43] Art Gallery of Ontario expansion[18:54] Two Row[18:57] Diamond Schmitt[26:08] Sunset Park Material Recovery Facility[30:03] CSO Red Hook[30:05] CSO Owls Head[34:31] National Gallery, London[35:17] One Domino Park[37:15] John Russell Pope[37:28] Thomas Hastings[43:13] I.M. Pei[55:38] Ludwig Mies van der Rohe[58:54] Neue Galerie

zum Abschluß unserer Reihe Ostsee stelle ich noch den Kulturtipp unserer Redakteurin Mareike Dietrich vor. Am Südstrand Fehmarns ist ein Schatz der Nachkriegsmoderne zu finden: Die Feriensiedlung Burgtiefe zeugt vom innovativen Gestaltungswillen des dänischen Architekten und Designers   Arne Jacobsen. Er galt als leidenschaftlicher Gestalter und kompromissloser Ästhet. Die Entwürfe des gebürtigen Kopenhageners waren Gesamtkunstwerke, die er bis ins Detail perfektionierte. Sein Stil war vom modernen Funktionalismus, der Bauhaus-Bewegung und Architekten wie Ludwig Mies van der Rohe und Le Corbusier beeinflusst. Sechs Jahrzehnte lang prägte Jacobsen maßgeblich die dänische Architekturlandschaft und schuf visionäre Gebäude, die mehr als 50 Jahre später noch modern und zukunftsweisend wirken. Mehr Infos zum Artikel: https://charmingplaces.de/kulturtipp-ostsee-burgtiefe-fehmarn/

Asymmetrical.Of necessity it is —But need not stay so.* * *Welcome back to UnMind, the podcast in which we tap into Design Thinking to inform our approach to Zen practice and daily life in modern times, especially in America. After the last series posted at midsummer last year — five episodes in which we summarized thirty-two prior segments on the intersection of Design Thinking and Zen — we decided to take a much-needed hiatus to reconsider the overall direction of the podcast itself. The prior three segments on the Three Treasures of Buddhism — Buddha, Dharma, and Sangha — were the inaugural series of the reboot, examining what we would refer to as their “design intent.” That is, how “Buddha practice,” interpreted primarily as time in meditation, is designed; what effect it is intended to have; and the same analysis applied to Dharma and Sangha. These ancient concepts are subject to misunderstanding in a culture underpinned by Judaic and Christian memes. I chose to approach them from a “form follows function” perspective, an established meme in Design circles. An evolutionary biologist tells me this is reversed in biology: function follows form, sans Designer.In the next series of segments we will take up various pairs of associated concepts to likewise hopefully shed some light on the connections between them that I glean from both Zen and Design angles. With this week's installment we will examine the most dispositive and determinative — and often fraught — relationships within the professional field of Design as well as that of formal Zen training, those you enjoy with your mentors. AKA the teacher-student/student-teacher relationship.In “Follow the Meander – An Indirect Route to a More Creative Life,” by Keisei Andrew Dietz, a long-time member of Atlanta Soto Zen Center (ASZC) who is a creativity and branding consultant as well as an excellent writer, he relates that following a long and feckless interview of my teacher, Matsuoka Roshi, by an FBI interrogator, the Enemy Alien Board of WWII in 1944 concludes by recommending:The Board particularly wants to point out to the Department that in their opinion this subject is a dangerous alien enemy.In the years leading up to the declaration of war with Japan, incoming Zen priests were suspected of being spies, as was eventually the entire Japanese population, which led to their infamous internment. When you read the text of the interview, especially if you knew Sensei, you can see that he was just honestly answering loaded questions by questioning why he would do any such thing as the interrogation suggested, such as going to Mexico, if such an order came from Japan. Why would he? That the interrogator concluded that Sensei posed a threat is truly laughable. His intent in coming to America was entirely altruistic, bringing the compassionate teachings of Zen and its practical method of meditation, zazen, to the people of his adopted country. The FBI agent did not understand that Sensei was, indeed, a “dangerous alien enemy,” but on a whole ‘nother level. His mission to America was indeed dangerous, in that it was intended to inculcate — in those Americans who became his students — an independence of thought, combined with an interdependence of action, that is truly subversive to any governmental effort to propagandize, or brainwash, its citizens. Political or ideological systems require dependent thought and codependent action on the part of their subscribers to be effective. Thus, introducing Zen to any society is the most subversive thing you can do. But no harm no foul. Sensei harbored no ill will. Zen's subversive influence has little to do directly with the social dimension, other than as a side-effect, but instead operates on the personal level. The nesting spheres model puts this in context (see diagram). Matsuoka Roshi would often say, “The Zen person has no trouble following the sidewalks.” In other words, it is not necessary to be nonconformists on the social level, e.g. fomenting a political movement as such, because Zen practitioners constitute such radical anomalies on the personal level. The propagation of Zen in America is taking place on a near-subliminal level, like the innovative selling of Tupperware through invitational parties in peoples' homes, instead of through retail stores. Zen followers do not usually make a public display of their practice, and its values do not provide a basis on which we would mount a campaign to reform society in our image. The real revolution begins at home, remaining virtually undetectable on the surface. True independence is as alien to conventional society as you can get. After all, society itself is subject to the three cardinal marks of Buddhism's dukkha: impermanence, imperfection, and insubstantiality. Further, any society's intentional evolution is exacerbated by human venality, as we witness on a daily basis here in the USA and all over the globe. Zen's embrace of this kind of humility is illustrated in the closing lines of an ancient Ch'an poem, Hokyo Zammai—Precious Mirror Samadhi, by Tozan Ryokai, founder of Soto Zen in 9th century China:Ministers serve their lords; children obey their parentsNot obeying is not filial; failure to serve is no helpWith practice hidden, function secretly like a fool like an idiotJust to continue in this way is called the host within the hostVery Confucian, the take on serving and obeying in the first two lines, but this does not amount to an unthinking endorsement of mindless conformity. “Fool” here is akin to “God's fool,” which does not constitute a pejorative but indicates the highest praise. The term “idiot” in the modern idiom denotes “a person of low intelligence,” an “ignorant person,” or simple, abject stupidity. But the Greek root term stresses the “private person,” the aspect of simply being a layperson. The “host within the host” is the most intimate sphere of conscious awareness, being the person within the person, having little to do with any social interaction. Both can be true at the same time, as in “inner person vs. outer person.”In Andrew's estimable book, which lays out his recommended nonlinear approach to the creative life, he emphasizes the importance of finding and appreciating one's mentors. After noting that he considers himself a “subversive in training,” he quotes my latest online Dharma Byte of that time (https://storder.org/dharma-bytes/), in which I wrote about Zen and revolution:Zen is countercultural. The main social or political issue with Zen practice, fully understood, is that it leads to true independence. Not only of thinking, but even of motive. The personal revolution that zazen can bring about can also knock the supports out from under our unthinking obedience to the dictates of the culture.“Follow the meander.” Highly recommended, both the book and the process. Admittedly it is a bit odd to be quoting another writer quoting myself. But Keisei is here treating me as a mentor, his mentor, one of several he mentions in the book. His sweeping account of the meandering role of mentors includes some interesting factoids about R. Buckminster Fuller, and my encounters with the great man, including one that a fellow Institute of Design student, studying photography under the direction of Harry Callahan and Aaron Siskind — two of my erstwhile and estimable mentors — captured on film (see photo).Andrew notes the starburst clock apparently emanating from my skull while talking with Bucky, an intentional capture by my photographer friend, Steve Hale. Bucky always had this effect of blowing the minds of his audience, and still does. Search and find his recorded monologs in the cloud to see for yourself. In training, in both Design and Zen, your relationships to your mentors become all-important, shaping your views of the profession, as well as the practice and meaning of Zen and meditation, respectively. Of course, there are many other fields in which this holds true, basically for any apprentice mode of training with a journeyman or master of the trade. But in Zen, mentors are regarded as familial-level relations of some degree of intimacy, such as “dharma-father” or -mother, -sister, -brother, -grandfather, -uncle, et cetera. Shakyamuni himself was said to regard others as his “children,” and not in a condescending way, and would often refer to his followers as “good sons,” if we are to believe the written record. But Buddha was also known for not suffering fools gladly — “fool” being defined as “a person who acts unwisely or imprudently” or “a silly person” — in contrast to the “fool” in the great Zen poem above, where it connotes “a person devoted to a particular activity,” in this case, the secret practice of Zen. This point was illustrated several times in Buddhism's early history, when upon one occasion — ostensibly the last major teaching that Buddha gave, now referred to as the Lotus Sutra — he was told that certain pundits had come to debate. He is said to have said something like, “They are free to go.” Even Buddha realized that he would not reach everyone with his message, and as Matsuoka Roshi would often say, “Zen is not up for debate.” Buddha also explained — when asked by his devout followers why it was that some people did not show him the respect they thought he deserved — that these recalcitrant seekers had been his students in past lives, and that he had treated them badly, and so they were unwilling to follow him in this lifetime. Master Dogen likewise admonishes senior monks not to treat juniors unfairly, a more modern variation on this same theme, from 13th Century Japan. Perhaps the most neutral comment Buddha is said to have made on the teacher-student relationship arose from a confrontation he had with a young man he met on the road. This wannabe monk pressed the Great Sage to answer the “Ten Cosmic Questions,” as they were known — such as how it all began, how it will all end — et cetera. But Buddha demurred, explaining that these questions were really beside the point, irrelevant as well as hopelessly speculative, and bore no relation to the problem at hand, that of the suffering prevalent in this life. The young man insisted that unless the Buddha answered these questions, he, the young man, could not consider him, the Buddha, to be his teacher. Buddha responded with a clarification that should be the hallmark of all mentoring relationships. He told the earnest but misguided youth that he, the young man, was under no obligation to be his student; and he, Buddha, was under no obligation to be his teacher. This resonates with a contemporary teaching from Fritz Perls, the founder of Gestalt therapy, expressed in the so-called “Gestalt Prayer”: I do my thing and you do your thing. I am not in this world to live up to your expectations, and you are not in this world to live up to mine.I witnessed one memorable example of such an exchange in person, while pursuing my undergraduate degree at the Institute of Design at Illinois Tech. One of my most influential design mentors, the independent thinker, designer and education innovator, Ken Isaacs, had been invited to lead a special class, on the industrial design side of the program. As I was on the graphic design side, I had to jump through some hoops in order to be able to cross over and take his class. But I was determined to do so, knowing some of Ken's history, and having read a cover story in Life Magazine on his work, specifically the “Knowledge Box” that he later installed at ID+IIT (see photo). My persistence had the side effect of opening up the ID curriculum for future students to custom design their curriculum across disciplines and moving away from specialization, and so turned out to be worth the hassle, on both personal and social levels. In the eclectic class, which was held in a small auditorium in the basement of Crown Hall, the famous steel-and-glass architectural innovation by Ludwig Mies van der Rohe (see photo), Ken put us through a series of mind-bending exercises he called “set-breakers.” Meaning not only thinking out of the box, but within the box, over and above and beyond the box, redefining and redesigning the box itself, so to speak. The first assignment was to “Translate yourself into terms other than verbal and present them to the class.” The second was to translate someone you knew in the class into terms other than verbal, and present that. As you might imagine, this led to considerable introspection on the personal level, and presenting a fellow student, a serious aspiring artist and my closest friend, led to some upheaval in our student-student relationship. But back to the teacher-student thing.Another student in the class, with whom I had become close, and will refer to as JJ, was the son of a colonel in the army, if memory serves. In that familiar groove of rebellion against strong parental influence, he was a sincere and decent folk-singer and guitar-player who had hitchhiked from the far West to attend ID. With the long, unruly hair to finish the portrait. His attitude was also unruly, leading him to frequently and repeatedly interrupt Ken's penetrating lectures and commentaries, with well-meaning but somewhat snarky comments of a critical nature. This he saw as his duty to truth, and speaking it to power, I assume. Finally one day, about midway through the term, Ken stopped abruptly in mid-sentence with one of JJ's remarks, and walked gracefully over to where he sat, standing in front of him. He leaned down face-to-face with his arms on the back of JJ's front-row auditorium chair and said, very quietly and sympathetically, that he could try to address all of JJ's problems directly, and would probably be able to help him out with them. But in order to do that, it would consume all of his time and — indicating the rest of us with a sweep of his head — he would have to turn his back on all the other students in the room. And that, unfortunately, he could not in good conscience do that. So he said I have no choice but to ask you to leave. Talking with JJ later, it was apparent that he had learned his lesson, a painful one, but too late.In the next segment we will continue this discussion of the all-important mentoring relationship of teachers to students, and that of students to teachers, pivoting to the asymmetrical relationship in Zen training. * * *Elliston Roshi is guiding teacher of the Atlanta Soto Zen Center and abbot of the Silent Thunder Order. He is also a gallery-represented fine artist expressing his Zen through visual poetry, or “music to the eyes.”UnMind is a production of the Atlanta Soto Zen Center in Atlanta, Georgia and the Silent Thunder Order. You can support these teachings by PayPal to donate@STorder.org. Gassho.Producer: Shinjin Larry Little

Episode 46 of Feel Free to Deviate features architectural power couple Valentina Fantini and Giulio Margheri. Both of them work for notable Dutch architecture firms and have their own career trajectories. They share their experiences of how they ended up working for their current firms, and how their relationship evolved with their careers over the years. The conversation provides insight into the world of architecture and what it's like to work for well-known firms like MVRDV and OMA without sacrificing personal relationships. Also, we have a fun little chat about architects and buildings near the end, so make sure you listen to the whole thing!!! Topics include: OMA MVRDV Architecture Architects Rotterdam Pasta compromise - sacrifice - cooperation “It's a man's world” Women in male dominated workspaces Networking at the biennale! working for large firms So much more!!! Look these up / Voor de liefhebber… Ludwig Mies van der Rohe Frank Gehry Le Corbusier Renzo Piano Frank Lloyd Wright Alvar Aalto Louis Kahn Tadao Ando Zaha Hadid Philip Johnson Antoni Gaudi Robert Venturi I.M. Pei Rem Koolhaas https://www.mvrdv.nl/ https://www.oma.com/ That should keep you busy for awhile… Feel Free to Deviate is the podcast about people, their careers, and their relationships with success. My name is Jim Turbert, and I am the host. You can find me at https://feelfreetodeviate.com or on Instagram, Facebook, Tiktok, and Youtube @feelfreetodeviate Also check out https://buymeacoffee.com/feelfree if you'd like to buy me a coffee or slide a few units of fiat currency my way!Thanks for listening. Feel free to send inquiries to mail@feelfreetodeviate.com

This week, Norah joins Ben to talk about a subjective… subject.  The word is art, so prepare yourself for a more philosophical episode than you're used to.  The hosts share their love of observing, appreciating, making, and talking about art.  Ben tells a few stories, Norah brings her research, and they both drop many artist and architect names.  For details about the episode's "video game bookends," see below!  Video games mentioned or discussed (albeit briefly) in this episode include:  Mahjong Dimensions - by Arkadium Pocket Card Jockey: Ride On! - GAME FREAK The Grand Theft Auto franchise - Rockstar Games World of Demons - PlatinumGames Odin Sphere: Leifthrasir, 13 Sentinels: Aegis Rim, and Dragon's Crown - Vanillaware Jet Set Radio - Smilebit and Sega The Borderlands franchise - Gearbox Software 00:00:21 - Chicago snowstorms, gauntlets, removable hands, and one big wind tunnel 00:02:30 - What we are playing these days: Mahjong Dimensions and Pocket Card Jockey 00:05:27 - An impromptu endorsement of Apple services and products 00:06:40 - Art according to Oxford Languages, the 13 Bhutanese Arts, and the Art of War 00:10:30 - Subjectivity, relativity, no abbreviations, “art thou,” and ars  00:12:20 - Personal meanings of the word, Ben's arts of podcasting, and NFT-like episode titles 00:15:30 - Ben asks, “when you follow a pattern, are you creating art?” 00:17:42 - Norah's “not normal people” when drawing and painting, and Ben's modern art  00:20:46 - Paint by numbers is so much easier with iPads, and representative art philosophy 00:26:28 - Impressionism, art as form, Norah loves Frank Gehry, and noisy mimes 00:33:32 - Architecture of Louis Sullivan, Frank Lloyd Wright, and Ludwig Mies van der Rohe  00:35:47 - Ben's Mister 20 / POÄNG chair diversion, and an architect's furniture designs  00:38:51 - HEY GRAHAM!  Do you know what would make this podcast better? 00:40:42 - Norah's experiences at this year's International Puppet Festival in Chicago 00:43:19 - Bad puppet show criteria, Tony Scott, and thinking about what isn't art 00:45:51 - Paul's impressive latte art, art student Dread Scott, and the movie “So Fine” 00:50:38 - The use photorealism and other stylistic choices in video games 00:54:09 - Ben loves Vanillaware Ltd.  games, and talks about the company's history 00:57:25 - Ben tries to explain hand painted images, RTS games, and pointless teasers  01:00:01 - “Better Off Ted,” Jabberwocky, and Ben loses his train of thought 01:02:20 - Norah impressed by the art style of “World of Demons” 01:04:28 - The cel shading game art style, ne'er-do-wells, graffiti art, and Jean-Michel Basquiat  01:08:40 - Perceptions of art, closing thoughts, the art of shame  If episode graphics are not displayed or supported by your preferred podcast app, you can check them out at www.twovaguepodcast.com .

(00:00) Welcome(00:10) Suzy Chase(00:12) Dining Room Table in NYC(00:20) The Brutalists(00:43) Decorating by the Book Podcast(00:50) The Brutalists Book(01:20) Hilton Carter(01:38) Buy the Book(02:16) Owen Hopkins(02:38) DBTB(02:56) Brutalism(03:19) Béton Brut(03:53) The Podcast(04:06) Modernism after WWII(04:11) Color Television(04:26) Owen(04:54) Suzy(05:03) Social Housing(05:13) Le Corbusier(05:27) Brutalists Cover(05:33) Corbusier(05:58) Large Social Housing(06:36) Buy The Book Here (06:46) Hunstanton School(06:57) Reyner Banham(07:03) Ethic or Aesthetic?(07:11) Founder of New Brutalism in the '50's(07:24) The New Brutalism Book(07:36) Steel and Glass(07:38) Ludwig Mies van der Rohe(07:42) IIT Chicago(07:49) Banham(08:02) The Hunstanton School(08:17) Purchase the Book Here(08:32) Aesthetic or Ethic?(08:52) DBTB(09:18) The Big Brutalist Question(09:29) Hopkins(09:41) Zvi Hecker(09:44) Krakow, Poland(09:48) Samarkand, Uzbekistan(09:53) City Hall(10:07) Inverted Ziggurat(10:14) Library of Birmingham(10:18) Boston City Hall(10:23) Repeating Diamond Pattern(11:04) Hecker(11:24) Buy The Book Here(11:43) Agustín Hernández Navarro(11:52) Praxis(12:16) UK Brutalism(12:19) US Brutalism(12:20) Soviet Brutalism(12:24) Japanese Brutalism(12:42) Pre Columbian Architecture(12:49) Praxis House(13:58) Your Host Suzy Chase(14:06) The Barbican(14:19) Medieval Gatehouse(14:29) Three Towers(14:58) Narrow Windows(15:05) Castle Windows(15:23) Concrete Towers(15:46) Romanesque Columns(15:58) Classic Capital(16:15) Old and New (16:32) The Show (16:43) Georges Adilon(16:50) Lycée Sainte Marie-Lyon(17:36) Adilon's Work(18:01) Sainte Marie(18:54) Fernando Menis(19:00) Holy Redeemer Church(19:02) Canary Islands(19:08) Tenerife(19:36) Menis(19:45) Redeemer Church(19:56) Purchase Book (20:13) Trinity Square Car Park(21:09) Owen's Website(21:31) Follow The Show on IG(21:49) Brutalist Interior Example(22:05) Brutalist Social Housing Interior Example(22:11) Balfron Tower(22:16) Ernö Goldfinger(22:25) Balfron(22:38) Wade & Tilly Hemingway(22:56) Balfron Interior(23:10) Balfron National Trust Interior(23:22) Tower(23:39) Suzy Chase Your Host(24:13) Hopkins(24:21) Farrell Center(25:25) Purchase The Book(26:07) Website(26:12) Owen Hopkins on Twitter(26:17) Owen Hopkins on Instagram(26:23) Suzy Chase Podcaster(26:32) The Brutalists Purchase Here(26:37) Thanks For ListeningChapters, images & show notes powered by vizzy.fm.

Chi è Angelo Mangiarotti? La vita dell'architetto e designer milanese tra i tumulti della guerra, gli anni a Chicago e gli incontri con Walter Gropius, Le Corbusier, Frank Lloyd Wright e Ludwig Mies van der Rohe.

1926 schuf Ludwig Mies van der Rohe auf dem Zentralfriedhof Friedrichsfelde ein Denkmal zur Erinnerung an die 1919 ermordeten KPD-Führer Karl Liebknecht und Rosa Luxemburg sowie weitere gestorbene Revolutionäre der Arbeiterbewegung. 1935 wurde das Monument von den Nationalsozialisten zerstört, Pläne für den Wiederaufbau gab es, realisiert wurden sie bis heute nicht. Marc Lippuner spricht mit Wita Noack und Simon Behringer, der Leiterin und dem wissenschaftlichen Volontär des Mies van der Rohe Hauses, über die wechselvolle Geschichte des Denkmals und über die Kontexte, in die Mies' Bauten stets zu setzen sind, weil sich hieraus auch Chancen einer künftigen Nutzung ableiten lassen. Darüber hinaus werden auch andere Denkmalentwürfe des Architekten betrachtet.

Saya membahas buku Subtract: The Untapped Science of Less karya Leidy Klotz. Buku ini membahas rahasia dari memilih sedikit yang dikerjakan, justru bisa membawa kita kepada kehidupan yang lebih baik. Apakah kamu pernah dengar istilah,”Less is More.” Konsep ini pertama kali dipopulerkan oleh Ludwig Mies van der Rohe, tokoh arsitektur modern dunia. Artinya, sedikit justru lebih baik. Banyak orang mulai mengadopsi prinsip ini dalam hidupnya, misalnya dalam hal mengatur perabotan yang ada di rumah. Tapi bagaimana kita mengadopsi prinsip ini dalam hal apa yang kita lakukan? Kita mulai mempertimbangkan untuk menulis hal apa saja yang tidak lagi kita lakukan. Kita mengumpulkan ide baru, lalu menghilangkan ide lama yang tidak relevan. Kita berhenti menuliskan to do list, tapi mulai menuliskan stop doing list. Ketika kita menghapus atau menghilangkan sesuatu dari hidup, kita baru punya ruang untuk hal yang baru dan pada akhirnya bisa membawa kita kepada tempat yang menyenangkan.

Ludwig Mies van der Rohe fue un arquitecto de origen alemán y estadounidense. Se le considera uno de los pioneros de la arquitectura modernista. Buscó establecer su propio estilo arquitectónico particular que pudiera representar los tiempos modernos tal como lo hicieron el Clásico y el Gótico para sus propias épocas. El estilo que creó hizo una declaración con su extrema claridad y simplicidad. Se esforzó por lograr una arquitectura con un marco mínimo de orden estructural equilibrado con la libertad implícita de un espacio abierto de flujo libre y sin obstrucciones. Llamó a sus edificios como la arquitectura de "piel y huesos". De él seguramente has oído antes aforismos como "menos es más" y "Dios está en los detalles". Bueno, pues. Hoy nos alimentaremos del primero:“Menos es más.”

Since he became Creative Director back in 2008, Christian Knoop has been responsible for the subtle and sophisticated task of shepherding IWC's design direction into a new era. Designers, as Knoop says, see the world differently, viewing the world through a discerning lens of function and form. We spoke to Knoop in the midst of Watches & Wonders about the challenges of updating iconic designs, the need to stay relevant while resisting trends and his favourite releases so far. The episode is sponsored by IWC, discover more via IWC.com or contact your nearest IWC boutique. Artem Straps make some of the most exciting sailcloth straps in the business — check them out here. Want to be part of the OT: The Podcast community? Join our Discord! No ragrets. Show Notes: Better Call Saul season 6 trailer Ru Paul's Drag Race All Stars Season 7 Winning Time, the Rise of the Lakers Dynasty Chris Hall's Substack, The Fourth Wheel IWC AUS & NZ on Instagram IWC's 2022 releases Ludwig Mies van der Rohe's Berlin Neue Nationalgalerie https://www.otpodcast.com.au/show-notes/   How to follow us: Instagram: @ot.podcast Facebook: @OTPODCASTAU Follow hosts: @fkscholz + @andygreenlive on Instagram. Submit an application to our quasi-professional watch match making service, by email: otthepodcast@gmail.com If you liked our podcast - please remember to like/share and subscribe.

Elaine Lustig Cohen got an unconventional start as a graphic designer. After deciding not to pursue a career in art education, she began working as an assistant to her first husband, noted modernist designer Alvin Lustig. Her early work in the industry was far from glamorous, as she was mostly doing paste-up and assembling Alvin's designs. She described her position as more of an “office slave”. As Alvin began to lose his sight due to complications with diabetes, he began to rely on Elaine and his other assistants more and more. When Alvin passed away, Elaine took over the business. Her first commission was to complete the design for signage of the Seagram building in NYC working with architects Philip Johnson and Ludwig Mies van der Rohe. The success of this work turned into more commissions. She took on some of Alvin's other clients, leading to a close relationship with, and later marriage to Meridian books editor and founder Arthur Cohen. Elaine closed her studio in 1969 to focus on a career in art, but continued creating designs for Ex Libris, the antiquarian book business she started with Arthur, which imported rare books and documents of the European Avant Garde to America. Though she began her career with little formal training as a designer, Elaine designed over 150 book covers, a number of promotional and catalog designs for exhibitions, pioneered what she called Architectural Identification Design and has since had her work honored through many well-deserved exhibitions and awards.TIMELINE1927 – b 1927, Elaine Firstenberg1948 – Married Alvin Lustig1955 – Alvin Lustig Died1956 – Married Arthur Cohen (Meridian Books editor) 1969 – closed design studio to focus on art1972 – Started Ex Libris w/ Cohen1995 – retrospective at Cooper Hewitt curated by Ellen Lupton1998 -  Closed Ex Libris2011 – Awarded AIGA Medal2014 – P! show2015 – paintings shown at Philip Johnson's “Glass House”2016 – d 20162018  – Jewish Museum Show, exhibition of art and design workREFERENCEShttps://elainelustigcohen.com/Barron, M. (2013, May 8). Elaine Lustig Cohen Interview. Bomb Magazine. Retrieved August 7, 2019 from: https://elainelustigcohen.com/bomb-magazine-elaine-lustig-cohen-interview/Belen, P. & D'Onofrio, G. (2012) Elaine Lustig Cohen: The art of modern graphics. The Shelf Journal. Issue N. 2. Retrieved August 7, 2019 from: https://elainelustigcohen.com/the-art-of-modern-graphics/Campbell, A. (2015). Elaine Lusting Cohen. Art in America (1939), 103(8), 153.Gates, A. (2016). Elaine Lustig Cohen, Modernist Designer, Dies at 89. The New York Times, pp. The New York Times, 2016-10-09.Hagerty, J.. (2016). Elaine Lustig Cohen Designed Elegant Signage and Book Covers; Influenced by European avant-garde, she later turned to painting. The Wall Street Journal. Eastern Edition, pp. The Wall Street journal. Eastern edition, 2016-10-14.Heller, S. (2007). Modern pioneer. Print, 61(2), 14. Heller, S. (2011, December 5). Elaine Lustig Cohen. AIGA.org Retrieved August 7, 2019 from https://www.aiga.org/medalist-elainelustigcohenHeller, S., & Cohen, E. (2010). Born modern : The life and work of Alvin Lustig. Chronicle books.Lupton, E.  (1995). Elaine Lustig Cohen, Modern Graphic Designer. Eye Magazine Retrieved August 7, 2019 from: https://elainelustigcohen.com/modern-graphic-designer/MacAdam, B. (1995). Showcasing a New Type of Designer: Lustig Cohen's International Style at Cooper-Hewitt. Forward (New York, N.Y.), pp. Forward (New York, N.Y.), 1995-03-10.Sherin, A., & Cohen, E. (2014). Elaine Lustig Cohen : Modernism reimagined (Graphic design archives chapbook series; 5) RIT Press: Rochester, New York.And special thanks to Tamar Cohen, Elaine's daughter, for clarifying some additional details for us. Tamar's amazing work can be found at http://tamarcohen.com/

Travelle is a casually elegant restaurant & bar/lounge on the second floor of the luxurious Langham hotel, one of Chicago's iconic skyscrapers designed by Ludwig Mies van der Rohe. Chef de Cuisine Qi Ai discusses Travelle's seasonal American menu and signature artisanal cheese board paired with AIX Vin de Provence Rosé, AOC Coteaux d'Aix-en-Provence. Travelle was named Hemisphere's magazine's Reader's Choice Awards ( 2021) “Best American Restaurant.” www.travellechicago.com www.vinsdeprovence/enThe Connected Table SIPS! Podcast is brought to you by Talk 4 Podcasting (www.talk4podcasting.com/) on the Talk 4 Media Network (www.talk4media.com/).The Connected Table Live Radio Show is broadcast live at 2pm ET Wednesdays on W4CY Radio (www.w4cy.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). This podcast is also available on Talk 4 Podcasting (www.talk4podcasting.com).

Las sillas son cruciales para configurar la identidad de los espacios. Con Andrea conversamos sobre qué elementos convierten a una silla en un objeto icónico: desde sus procesos de elaboración hasta sus materiales, así como la historia de quiénes se han sentado ahí. También elogiamos la ubicuidad de la silla monobloque y del butaco, hablamos de ergonomía y exploramos ejemplos de arquitectura defensiva. A Andrea la encuentran en Twitter como @AndreaYepesC y en Instagram como @andreayepescuartas y @neapapel. Pueden encontrar sus productos de papel como @neapapel en Instagram. Pueden encontrarnos en su aplicación de podcasts favorita, o como @expertosdesillon en Instagram, @ExpertoSillon en Twitter o también pueden escribirnos a expertosdesillon@gmail.com. Nos sostenemos gracias a sus oyentes como ustedes. Si quieren apoyarnos, pueden unirse a nuestro grupo de Patreons en patreon.com/expertosdesillon. Expertos de Sillón es un podcast donde conversamos con nuestros invitados e invitadas sobre sus grandes obsesiones, sus placeres culposos o sus teorías totalizantes acerca de cómo funciona el mundo. Es un proyecto de Sillón Estudios. Conducen Alejandro Cardona y Sebastián Rojas. Produce Sara Trejos. REFERENCIAS Sobre las sillas monobloque https://ethanzuckerman.com/2011/04/06/those-white-plastic-chairs-the-monobloc-and-the-context-free-object/ https://www.flickr.com/groups/those-white-plastic-chairs https://www.youtube.com/watch?v=JwApFGwMIMQ Sobre la silla peacock https://www.youtube.com/watch?v=_V10kWLh71U Otras sillas: tolix, curul romana, thonet, Barcelona (de Ludwig Mies van der Rohe y Lilly Reich), Panton (de Verner Panton), sillas Eames, Whiggle (de Frank Ghery), Diseño: Bauhaus, Vitra, HAY, bd (Barcelona design) Libros: At Home de Bill Bryson, 1000 sillas de Charlotte y Peter Fiell

Travelle is a casually elegant restaurant & bar/lounge on the second floor of the luxurious Langham hotel, one of Chicago's iconic skyscrapers designed by Ludwig Mies van der Rohe. Chef de Cuisine Qi Ai discusses Travelle's seasonal American menu and signature artisanal cheese board paired with AIX Vin de Provence Rosé, AOC Coteaux d'Aix-en-Provence. Travelle was named Hemisphere's magazine's Reader's Choice Awards ( 2021) “Best American Restaurant.” www.travellechicago.com www.vinsdeprovence/enThe Connected Table SIPS! Podcast is brought to you by Talk 4 Podcasting (www.talk4podcasting.com/) on the Talk 4 Media Network (www.talk4media.com/).The Connected Table Live Radio Show is broadcast live at 2pm ET Wednesdays on W4CY Radio (www.w4cy.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). This podcast is also available on Talk 4 Podcasting (www.talk4podcasting.com).

Every two years, architects turn their attention to Barcelona. This is because it is here inside the German Pavilion – designed by Ludwig Mies van der Rohe and Lilly Reich for the 1929 Barcelona International Exposition – that the "European Union Prize for Contemporary Architecture – Mies van der Rohe Prize" is awarded. The prize is considered Europe's most important award for groundbreaking architecture. It is therefore both a seismograph of future developments and a snapshot of the diversity of the current construction tasks. Established offices compete alongside young, up-and-coming architects, with entries selected in a multi-stage, interdisciplinary selection process. The focus of the competition is on the cultural role of architecture in the construction of our towns and cities, and prize-winners receive confirmation from the professional world while being provided with a springboard with which to reach a broader public. Since 2016, architect Anna Ramos has been the director of the Fundació Mies van der Rohe. In our podcast today, we talk to Anna Ramos about the balancing act of fulfilling the public mission for the goals set by the Fundació and at the same time developing new formats and themes for the architectural discourse.

“Architecture starts when you carefully put two bricks together. There it begins.” – Ludwig Mies van der Rohe Get hip on this special episode of UAPSALitaan as we try to RECONNECT with our very own Pioneers, Ms. Patricia Mae Gailo and Mr. Alfredrick Cruz in our “Online Kamustahan”, together with our very own Guests speakers from UAPGA, Ms. Sharmaine Baes and Mr. Bryan Anthony Laquinto, as they expound their ideas about the possible changes and innovation into a much deeper topic of Housing and Public spaces. Hosted by Ms. Eliza Bistal and John Lenard Cuna. Don't forget to like and share the podcast with your friends and follow us on our official social media accounts on Facebook, Twitter, and Instagram @uapsanational and Haligi Publication on Facebook @uapsa.haligipublication for more updates! #UAPSAlitaan #RECONNECTwithUS

Habt ihr euch schon einmal auf die Reise in die zweitgrößte Stadt Tschechiens begeben? Ihr werdet es nicht bereuen, denn Brünn (Brno) schlägt einen Bogen zwischen Tradition und Moderne. Hier könnt ihr nicht nur wie Könige und Königinnen speisen, sondern lernt Tschechien von seiner stimmungsvollen Seite kennen. Nachdem Dagmar und Matthias euch von einigen Höhepunkten in Mähren berichtet haben, bringen sie euch nun auf die Spuren von Ludwig Mies van der Rohe, um architektonische Geschichte erfahrbar zu machen. Des Weiteren geht es tief unter Tage in die Katakomben der Altstadt, um einen unterirdischen Friedhof zu besichtigen. Wem dies zu nervenauftreibend ist, kommt im Wissenschaftszentrum VIDA vollkommen auf seine Kosten, wenn er oder sie Experimente mag oder selbst gern ausprobiert, wie physikalische Gesetze in der Praxis nachvollzogen werden können. Wer nochmal alles in Ruhe nachlesen möchte: Hier zwei hilfreiche Webseiten, welche auch garantiert nicht im Stich lassen, wenn ihr kurzweilige Tipps sammeln wollt: https://www.gotobrno.cz/de/ https://www.sommertage.com/bruenn-tipps-sehenswuerdigkeiten/

On this week's show we will explore the development of Modernism in New York - the new architecture based on International and Chicago models that swept up Park Avenue and redefined the New York City skyline. From Lever House to the Seagram Building, to Expressionist landmarks such as the Guggenheim Museum and the TWA Terminal at JFK International Airport, we will discuss the buildings that created a new era of American design.My solo guest will be Rediscovering New York regular and the show's Special Consultant, David Griffin of Landmark Branding, and the special consultant for Rediscovering New York.Tune in for this fascinating conversation at TalkRadio.nyc or watch the Facebook Livestream by clicking here.Show NotesSegment 1Today's guest is David Griffin who is a regular of the show. He is the founder and CEO of Landmark Branding and the special consultant of Rediscovering New York. Landmark Branding provides creative sales-enhancing services. He first got interested in this industry when he was young and one of the first employees of the Park's department in Long Island. Sometimes he got the opportunity to stay overnight in one of the old structured buildings which he loved. His mother also made it a point of concern to educate him on history. Today's main topic is modernism which is a branch or art that symbolized revival or a new era.Segment 2In 1939, the Museum of Modern Art was designed by Edward Darrell Stone. He had the assistance of the trustee Phillip Godwin. It eventually moved from its former location on 5th avenue to a custom built home on W 53 Street where it still remains today. The garden was designed by the Architectural Curator named John McAndrew. All together it is found to be one of the most beautiful small scale environments in New York City. Public housing is also discussed, including the Williamsburg houses in Brooklyn. They were built during 1936-1938.Segment 3David founded Landmark Branding in 2013 and ever since he has offered marketing support for real estate brokers, developers, designers and architects. He also writes articles, has a blog and offers VIP tours. Next, the Lever House is brought up. It is the first building in the city to be entirely glass. Its construction took about a decade and stood as a renowned milestone for American architecture. In 1982, it was designated an official landmark. The Seagram building is also discussed. It is made of bronze and stained glass which are expensive materials. The place was designed by Ludwig Mies van der Rohe and completed in 1958.Segment 4To end the show, the two banter about famous American architects. Frank Lloyd Wright was the first. He had no formal training but was still one of the best. He did not call himself a modernist architect because he did not want to put himself into a certain category. When Wright was collaborating with Solomon R. Guggenheim, Wright did not love the location being in New York at first but they settled on 5th Avenue and loved it because of its close proximity to the famous Central Park. This ended up being one of Wright's most famous buildings.

00:25min - “Less is more” ~ Ludwig Mies van de Rohe-01:30min - Gastvorstellung: Bettina Bönte(von Strenesse und Jil Sander bis Escada, AMD etc.)-29:30min - Wie wichtig ist es, abwechslungsreich bzw. anpassungsfähig zu sein? -42:00min - Talent vs. Hard-Work-51:10min - Alles immer sofort machen zu wollen und der Druck, der dabei entsteht-54:15min - Wie wichtig ist es, die “Augen offen zu halten”?-01:03:10min - Woher kommt für uns (Yannick & Dan) die Lust, uns mehrseitig aufzustellen?-01:14:10min - Anekdoten über Raf Simons

L'architettura moderna è nata nella Vienna cosmopolita di fine '800 per rispondere al bisogno di ambienti che rispettassero i nuovi standard sanitari richiesti dai medici: spazi ampi, più luce e migliore areazione. Oggi, mentre ci lasciamo lentamente alle spalle una lunga pandemia, il legame tra architettura, salute e stile di vita è tornato a essere un tema cruciale. Costantino e Francesco ci raccontano una storia laterale dell'architettura contemporanea, parlando di anarchitetti batterici come Gordon Matta-Clark e archistar mancati come gli italiani di Archizoom, dell'architettura senza architetti di Yona Friedman e dell'architettura per i poveri promossa da Hassan Fathy e Laurie Baker.In questa puntata si parla di Sigmund Freud, Egon Schiele, Arnold Schönberg, Beatriz Colomina, Josef Hoffman, Adolf Loos, Gordon Matta-Clark, Mark Wigley, Holly Solomon, Roberto Matta, Benjamin Ward Richardson, Ludwig Mies van der Rohe, Gunter Sachs, John Zorn, Luis Barragán, Jill Magid, Rolf Fehlbaum, Federica Zanco, Harald Szeemann, Laurie Baker, Josef Albers, Anni Albers, Banksy, Kaws, Takashi Murakami, John Hilliard, Hassan Fathy, Superstudio, Archizoom, Poltronova, Ufo, Gianni Pettena, Rem Koolhaas, Mario Dezzi Bardeschi, Stefano Boeri, Gianandrea Barreca, Rachel Whiteread, Bruce Nauman, Sant'Agostino, Yona Friedman, Toni Negri, Renzo Piano, Richard Rogers, Minecraft, Bernard Rudofsky e Jeff Wall.

收听提示 1、大家为什么喜欢打卡建筑？ 2、建筑到底丑不丑，谁说了算？ 3、建筑让人们更冷漠了吗？ 4、我们应该怎么理解人和建筑的关系？ 本集相关 冯果川 《你没听过的人类居住简史》主讲人。筑博建筑设计有限公司首席建筑师，著名学者，城市规划专家。重庆建筑大学城市规划学士，北京大学建筑学研究中心建筑学硕士。 路德维希·密斯·凡德罗 路德维希·密斯·凡德罗（Ludwig Mies van der Rohe，1886年3月27日－1969年8月17日）生于德国亚琛，过世于美国芝加哥，原名为玛丽亚·路德维希·密夏埃尔·密斯(Maria Ludwig Michael Mies)，德国建筑师，亦是最著名的现代主义建筑大师之一，自1930年至1933年在德意志国德绍与柏林时期的包豪斯建筑学校为最后一任校长。 安藤忠雄 安藤忠雄（日语：安藤忠雄／あんどう ただお Andou Tadao，1941年9月13日－），日本建筑师，1995年普利兹克奖得主，东京大学名誉教授。21世纪临调特别顾问，东日本大震灾复兴构想会议议长代理，大阪府与大阪市特别顾问。 住吉长屋 住吉的长屋（或译为住吉长屋）是一栋坐落于日本大阪府大阪市住吉区的两层楼私人住宅建筑，是知名日本建筑师安藤忠雄最早期的作品之一。由于该住宅的业主姓"东"，因此又常被称为东邸（Azuma House）。安藤忠雄因此建筑表现的设计理念，而获得了1979年的日本建筑学会奖。 萨哈·哈帝 扎哈·穆罕默德·哈迪德女爵士，DBE（英语：Dame Zaha Mohammad Hadid；阿拉伯语：زها حديد‎，1950年10月31日－2016年3月31日），香港译萨哈·哈帝，台湾译札哈·哈蒂，生于伊拉克巴格达，伊拉克裔英国建筑师，后来定居英国，于2004年成为首位获得普利兹克建筑奖的女性建筑师。她于2010年和2011年获得英国建筑的最高荣誉－斯特灵奖（Stirling Prize）。 普利兹克建筑奖 普利兹克建筑奖（英语：Pritzker Architecture Prize）是一年一度由凯悦基金会颁发，以表彰"在世建筑师，其建筑作品展现了其天赋、远见与奉献等特质的交融，并透过建筑艺术，立下对人道与建筑环境延续且意义重大的贡献"，于1979年由杰·普利兹克和妻子辛蒂设立，由普利兹克家族资助；普利兹克建筑奖被公认是全球最主要的建筑奖项之一，有"建筑界的诺贝尔奖"的美誉。 上集回顾 281. 强人政治下的印度，疫情为什么控制不住？ 本集推荐 冯果川·你没听过的人类居住简史 | 限时6折 《八分》每周三、周五晚8点更新 欢迎留言说出你的问题和建议

收听提示 1、大家为什么喜欢打卡建筑？ 2、建筑到底丑不丑，谁说了算？ 3、建筑让人们更冷漠了吗？ 4、我们应该怎么理解人和建筑的关系？ 本集相关 冯果川 《你没听过的人类居住简史》主讲人。筑博建筑设计有限公司首席建筑师，著名学者，城市规划专家。重庆建筑大学城市规划学士，北京大学建筑学研究中心建筑学硕士。 路德维希·密斯·凡德罗 路德维希·密斯·凡德罗（Ludwig Mies van der Rohe，1886年3月27日－1969年8月17日）生于德国亚琛，过世于美国芝加哥，原名为玛丽亚·路德维希·密夏埃尔·密斯(Maria Ludwig Michael Mies)，德国建筑师，亦是最著名的现代主义建筑大师之一，自1930年至1933年在德意志国德绍与柏林时期的包豪斯建筑学校为最后一任校长。 安藤忠雄 安藤忠雄（日语：安藤忠雄／あんどう ただお Andou Tadao，1941年9月13日－），日本建筑师，1995年普利兹克奖得主，东京大学名誉教授。21世纪临调特别顾问，东日本大震灾复兴构想会议议长代理，大阪府与大阪市特别顾问。 住吉长屋 住吉的长屋（或译为住吉长屋）是一栋坐落于日本大阪府大阪市住吉区的两层楼私人住宅建筑，是知名日本建筑师安藤忠雄最早期的作品之一。由于该住宅的业主姓"东"，因此又常被称为东邸（Azuma House）。安藤忠雄因此建筑表现的设计理念，而获得了1979年的日本建筑学会奖。 萨哈·哈帝 扎哈·穆罕默德·哈迪德女爵士，DBE（英语：Dame Zaha Mohammad Hadid；阿拉伯语：زها حديد‎，1950年10月31日－2016年3月31日），香港译萨哈·哈帝，台湾译札哈·哈蒂，生于伊拉克巴格达，伊拉克裔英国建筑师，后来定居英国，于2004年成为首位获得普利兹克建筑奖的女性建筑师。她于2010年和2011年获得英国建筑的最高荣誉－斯特灵奖（Stirling Prize）。 普利兹克建筑奖 普利兹克建筑奖（英语：Pritzker Architecture Prize）是一年一度由凯悦基金会颁发，以表彰"在世建筑师，其建筑作品展现了其天赋、远见与奉献等特质的交融，并透过建筑艺术，立下对人道与建筑环境延续且意义重大的贡献"，于1979年由杰·普利兹克和妻子辛蒂设立，由普利兹克家族资助；普利兹克建筑奖被公认是全球最主要的建筑奖项之一，有"建筑界的诺贝尔奖"的美誉。 上集回顾 281. 强人政治下的印度，疫情为什么控制不住？ 本集推荐 冯果川·你没听过的人类居住简史 | 限时6折 《八分》每周三、周五晚8点更新 欢迎留言说出你的问题和建议

Today is the 135th birthday of one of my personal favorite architects: Ludwig Mies van der Rohe. You know his Farnsworth House and Barcelona Chair designs. I have always found his sharp corners and Less is More approach to design very modern, calming, and just plain non-fussy. The world is a better place because he was in it and still feels the loss that he has left. This episode is also available as a blog post. --- Send in a voice message: https://anchor.fm/waldina/message

"Less is more." Why this is one of my favorite sayings. Today Benjamin Douglas Ray discusses this philosophy from Ludwig Mies van der Rohe, as well as ideas from the Japanese architect Tadao Ando, and why Steve Jobs was called the "radical simplifier" on [Sustainable Cannabis TV Ep. 44]. Other topics: Should the status quo govern our sustainability thinking and actions? You can't make large moves in sustainability just by cutting expenses and thinking you are doing your part. A 3 part sustainability challenge for the month of February: Watch and let me know your thoughts in the comments below. #cannabis #linkedinlive #benjamindouglasray #packaging #sustainability ___ This show is brought to you by: Eight Saints Brand - Organic Hemp CBD https://lnkd.in/eBV5huP LinkedIn For Leaders - https://lnkd.in/db352Ce and Budsfeed.com - BudsFeed surfaces the best new cannabis related products, every day. It's a place for cannabis enthusiasts and entrepreneurs to share and geek out over the latest products, services, events, and content created for the cannabis community. If you are interested in being a guest or partner sponsor for the show send me a DM and we can talk. Thanks for listening, Ben --- Send in a voice message: https://anchor.fm/sustainablecannabistv/message Support this podcast: https://anchor.fm/sustainablecannabistv/support

"Comment penser l'introduction de corps étrangers dans un espace privé qui conserve toujours dans ses tréfonds la mémoire du nid, de l'antre, de la tanière ? Nous nous rappellerons du Terrier, la nouvelle de Franz Kafka, dont le personnage principal – humain ou animal – vit dans une galerie souterraine, hanté par la terreur d'une intrusion fatale. Et nous reviendrons sur les différentes manières d'inviter les autres à pénétrer dans son propre territoire tout en les maintenant savamment à distance. Un double mouvement qui conditionne l'organisation de l'habitat traditionnel méditerranéen comme les constructions modernes et contemporaines. Nous analyserons comment les maisons iconiques de Le Corbusier, Ludwig Mies van der Rohe, Oscar Niemeyer, Lina Bo Bardi et Paulo Mendes da Rocha ou celles plus récentes de Lacaton & Vassal, Éric Lapierre et Valerio Olgiati, réglementent l'accès des autres dans leur intimité. Sans oublier que l'hospitalité reste au fondement du projet démocratique. Comme le met en évidence la double signification du mot hôte qui définit aussi bien celui qui reçoit que celui qui est reçu." Richard Scoffier, mai 2020.

Bruce Springsteen's song Glory Days lyric, “Boring stories of Glory days yeah, they'll pass you by” pops into my head sometimes, when I hear a speaker reminiscing about their glorious past.  I was sitting there at a chamber function when the speaker began to talk at length about his start in sales and his experiences.  It was fascinating for him no doubt, but it made him sound dated. He seemed to have become covered in dusty cobwebs too all of a sudden.  Talking about ourselves is great and dangerous at the same time.    Usually when we speak, there will be our introduction done by the hosts.  If we are on the ball, we don't place ourselves in their hands, so we write what we want them to say.  That doesn't mean they are on the ball and can carry out a simple task.  If we make it too long, the hosts usually manages to murder it by dropping bits or getting things wrong.  I am always astonished that they cannot successfully read a piece of paper with words on it.   The audience is also on danger alert because they know the propaganda offensive is about to hit them.  It is hard to write about yourself though, because there are so many things you want to include.  Why is that?  We are desperate to establish our credentials with the audience, so that they will become more accepting of what we are saying.  We believe that volume is important so we should cram as much in there as we can.  In fact, we are defeating our own efforts because either the host mangles the text or the audience switches off.   Avoiding the chronology approach is always a good start.  Sometimes these details are included in the programme flyer and you don't need to mention them at all or you can organise your own flyer for the attendees.  This is a good tactic and not hard to do.  When we are speaking about ourselves, we should focus on the key points only.  These are the things which relate to our expertise on this specific topic.  I am a 6th Dan in Shitoryu karate, which is wonderful, but probably doesn't have anything to with a topic like presenting.  I could instead say this is my speech number #342 and that would be congruent with establishing I am a real world expert of the dark art of public speaking and have the experience required to tell others how to do it.   Often we are using powerpoint, so we can bring up some slides about our company.  This should also be brief.  Simple clear slides are what we want and the selection of information should be limited to the most powerful USPs or unique selling points of our firm.  Slide after slide makes an audience restless.  They are sitting there thinking, “enough already, get on with it”.  When I worked for a long established Australian Bank which was rather unknown in Japan, I would show a photograph of the establishment of the first branch back in the 19th century.  It was a black and white photograph with people dressed in the fashion of the Victorian era and it oozed with longevity.  I also attached the date in the Japanese Imperial reign format, rather than the Gregorian calendar, to make it seem even more ancient and venerable.  That one photo showed my Japanese audience we had stood the test of time and could be trusted with their money.   The CEO cowardly public speaking escape route of reliance on the souped-up corporate video at the start of the talk should be avoided at all cost.  These videos are rarely a good match with the specific topic for that day, because there is usually only one video. It has to be the Swiss Army Knife of propaganda videos, to travel around the world boring people of every persuasion.  If there is a particular section in the video which is really powerful, then just cue that part and don't bother with the left over detritus.   Giving our own examples is a good idea in the talk, but again, we have to steer away from too much recalling of our glorious triumphs.  The audience is only interested in how what you are telling them will result in their own glorious triumphs, now and into the future.  We have to get a balance struck between talking about ourselves for effect and not for the stroking of our own massive speaker ego.  Where possible, use client examples of what you did for them, rather than droning on about what you did.   It is a tricky equation of how much is too much, which bits are more important than other bits and how much time should I allow for it.  Err on the side of caution and go minimalist, recalling Ludwig Mies van der Rohe, “less is more”.

本集主題：「芝加哥：芝加哥大學、西北大學、伊利諾理工學院、聖母大學（最新版）」新書介紹 專訪作者：林云也 內容簡介： －市面上最詳盡的芝加哥旅遊導覽專書，最新版新裝上市－ 芝加哥旅遊景點、美食情報、購物街區update再出擊， 帶你欣賞經典建築、體驗熱門體育賽事、聆聽古典、爵士&藍調美聲， 漫步密西根湖畔、品嘗人氣美食咖啡、走逛知名博物館與美術館…… 還可跳上鐵路往郊區出發，感受周邊特色市鎮的迷人風光！ 本書特色： 【生動的建築導覽】 世界旅人到芝加哥，絕不能錯過的就是欣賞建築。本書大量介紹近代美歐大師在芝加哥留下的傑出作品，如萊特(Frank Lloyd Wright)的橡樹園自宅與工作室、密斯(Ludwig Mies van der Rohe)的伊利諾理工學院、曾出現在電影《變形金剛》的瑞格里大樓與論壇報大樓……讓你看見建築師的巧思與設計美學，以及全美最佳建築城市的榮光。 【豐富的歷史介紹】 芝加哥為何叫做芝加哥？400多年來，有哪些人參與這座城市的建立？它為何能在20世紀搖身一變，成為世界摩天大樓的先驅？小熊隊的山羊魔咒是怎麼一回事？一書在手，宛如身邊多了位導覽員，為你的芝城之旅增添更多在地小知識。 【優質的藝文資訊】 當地有許多展出豐富、設備完善的國際級博物館與文化機構，從天文、海洋、自然科學，到歷史、藝術等一應俱全。這裡也有各式的音樂與戲劇表演，甚至特殊節慶、藝術節、Open House Chicago等，蒐錄完整介紹，讓熱愛知性或藝文活動的你，知道該往哪裡去。 【必遊的免費景點】 新奇有趣的千禧公園與瑪姬‧戴利公園，免費；150年歷史的林肯公園動物園，免費；擁有美麗提芬尼彩繪玻璃圓頂、可欣賞午間音樂演奏會的芝加哥文化中心，免費；還有遊客如織的河濱步道、可賞開闊湖景與城市天際線的湖濱步道、高空綠園步道606……這些深受大眾喜愛的開放式景點，都在本書一一呈現。 【熱鬧的體育活動】 芝城除了有MLB小熊隊、白襪隊，NBA公牛隊、美式足球、冰上曲棍球等職業比賽，也有不少民眾可參加的體育活動，如芝加哥馬拉松、鐵人三項、湖濱大道慢騎日等。想看熱血的NCAA大學美式足球賽？到南灣的聖母大學準沒錯。 【繽紛的購物大街】 從最貴氣的Oak Street、經典的Magnificent Mile和State Street，到年輕族群愛逛的Armitage & Halsted購物街、Southport Corridor、Broadway Street等，以及該區特色店家，本書都有介紹，滿足精品愛好者、書店控、漫威迷、二手黑膠收藏者等不同族群的購物需求。 【知名的在地大學簡介】 許多台灣人是因求學而與芝加哥結緣。芝加哥大學是全美最多諾貝爾獎得主的院校；西北大學在法、商、醫、音樂等方面表現優異；伊利諾理工學院以建築系最負盛名；而位於印第安那州南灣的聖母大學，是全美公認最好的天主教大學。作者以親身造訪過的學校做介紹，帶你認識它們的環境與校內景點。 【充滿樂趣的鐵路之旅】 6條地鐵與火車路線，帶你前往市中心以外值得一遊的地區，體驗市井小民的生活環境，欣賞有別於繁華大城的郊區景致，例如歐巴馬總統住過的海德公園、以萊特建築出名的橡樹園，或是占地385公頃的芝加哥植物園等，都不能錯過。 【實用的美食住宿資訊】 從平民小吃披薩、熱狗、咖啡、甜點、麵包、冰淇淋、精釀啤酒，到經典老店、熱門餐廳、米其林推薦餐廳等都有囊括。遊客眾多的芝加哥，旅館業也非常蓬勃，本書在每個分區裡都有住宿情報，提供你價格、地點、房型、服務內容的多樣參考。 作者簡介：林云也 來自台南安平，常與貓咪喵喵叫的水瓶人。畢業於台灣大學農藝系、伊利諾理工學院食品安全碩士，曾任報社編譯、食品業與製藥業品質管理。 曾到芝加哥留學，愛上了它的美麗與自在氛圍，返國後由於未見台灣人編寫的芝加哥旅遊專書，遂向太雅出版社毛遂自薦，出版了個人的第一本小書。由於喜愛可以增廣見聞的翻譯工作，跨入了譯界人生；印象深刻的作品之一，為與人合譯探討動物權的經典書籍《打破牢籠》(Empty Cages)。因太雅出版社總編輯的一句話，加入了編輯的行列，常在紙上與作者們遨遊世界。

Welcome to Retro 20! These retro episodes are a perfect way for you to sample some of the past Flipping Dreams content without listening to each entire episode. I introduce each segment and then give you a sneak peak into each episode. Do you hear something you like? Check out the full episodes through your podcast player or on our YouTube channel.Episode #12: Joyful Pride w/ Elena ThurstonQOW: "True happiness is the absence of the search for happiness." - Peter CroneYouTube: https://youtu.be/fAsaCjaIDZMEpisode #13: Kicking Glass w/ Pattie GrimmQOW: "Do what you love and the money will follow." - Marsha SinetarYouTube: https://youtu.be/mRiH4kClzkYEpisode #14: Aligning Alchemy w/ Diana OlynickQOW: "Less is more." - Ludwig Mies van der RoheYouTube: https://youtu.be/0EcmDzdL-WIEpisode #15: Passion Pursuits w/ Tash Turner FoxQOW: “Don’t focus on others, just run your own race.”YouTube: https://youtu.be/3CxKp_GK4_MEpisode #16: Breaking Limits w/ Paul ForchioneQOW: "If you believe you can achieve." YouTube: https://youtu.be/aoCYN_TXeZ8Episode #17: Composting Change w/ Cathy NesbittQOW: "Without awareness, action becomes impossible.”YouTube: https://youtu.be/gQlGy2O8exsEpisode #18: Flipping Roles w/ Kabrina & Jimmy BudwellJimmy’s QOW: “Keep Moving Forward.” - Disney (Meet the Robinson’s)Kabrina's QOW: “Do the next right thing.” - Disney (Frozen2)YouTube: https://youtu.be/IHhCBJ22-8sEpisode #19: Talking Bones w/ Ashley Peake WellmanQOW: “All our dreams can come true if we have the courage to pursue them.” - Walt DisneyYouTube: https://youtu.be/lg2UreS-pQEEpisode #20: Funding Futures w/ Katie MildQOW: “The vision you glorify in your mind, the ideal you enthroned in your heart, this you will build your life by, and this you will become.” -James Lane AllenYouTube: https://youtu.be/SuhLp_ckUb4Thank you for tuning into this episode of Flipping Dreams! I can’t wait to bring you more content next week, and please subscribe & share this with any of your network of friends and family whom you think may be interested! Web: https://heatherreneemay.comFB: @heatherreneemayIG: @_everydayismayT: @flippingdreamsShow theme song, “Run Again” by Heather Ré Music: https://heatherreneemay.com/music"It's never too late to transform your past, and empower your future!"

„Less is more” e un slogan bun. E suficient de scurt pentru a deveni memorabil. E paradoxal, deci extra-ordinar. Și inspiră optimism. E și foarte adevărat, cel puțin pentru Ludwig Mies van der Rohe, care a transformat sloganul în doctrină: arhitectura minimalistă chiar e de maxim efect. Dar „less is more” nu e o axiomă. Nu funcționează mereu, în orice situație. Se poate face mai multă cultură cu bani mai puțini? Asta i-am întrebat pe Raluca Iacob și pe Horea Avram. Context: sesiunea de finanțare AFCN I/2021.Un produs Radio România Cultural.

In this episode, you meet Diana Olynick. A native from Columbia with dreams of becoming a journalist, who graduated with a degree in Engineering only to move to Canada and find she not only had to navigate the language, but also could not be an engineer for a number of years. She pivoted into the banking industry, had a family, and ultimately became an engineer and then an entrepreneur. We talk about minimalism, the importance of following your life flow and how alchemy is all around us and has the ability to shape our lives for the good.She has a blog: https://programs.dianaolynick.com/blog podcast: https://podcasts.apple.com/ca/podcast/the-alkimia-success-show/id1511321028, and coaches clients, helping them to streamline processes in their lives and embrace their true potential. https://programs.dianaolynick.com/Quote of the Week: “Less is more.” - Ludwig Mies van der RoheThis episode is available on YouTube at: https://www.youtube.com/watch?v=0EcmDzdL-WI&feature=youtu.beCheck out my course “Flipping Dreams” on Teachable! 15% off: DREAM15https://flipping-dreams.teachable.com/Thank you for tuning into this episode of Flipping Dreams! I can’t wait to bring you more content next week, and please subscribe & share this with any of your network of friends and family whom you think may be interested! Web: https://heatherreneemay.com/FB: @heatherreneemayIG: @_everydayismayT: @flippingdreamsShow theme song, “Run Again” by Heather Ré Music: https://heatherreneemay.com/music

In this weeks episode Jess and Alex talk about what's "Suddenly Strange" in current news, why you should always read a package thoroughly, and ways to feel good when leaving the house. Then Alex tells Jess the history and construction of the Lafayette Park "super block." Who was Ludwig Mies van der Rohe? What does the Bauhaus have to do with any of it? And why were only some of the planned buildings created? Tune in and find out! staystrange

durée : 00:59:53 - Toute une vie - par : Camille Juza - Bâtiment après bâtiment, et plus qu'aucun autre architecte de la modernité, Ludwig Mies van der Rohe est parvenu à mettre en forme son époque, en érigeant de grands temples modernes, symboles du mode de production capitaliste… - réalisation : Lionel Quantin - invités : Jean-Louis Cohen historien de l'architecture et de l'urbanisme du XXème siècle.; Dominique Perrault architecte; Phyllis Lambert architecte, directrice de la planification de l’édifice Seagram de New York (1954–1958) et fille de l'homme d'affaire Samuel Bronfman. Elle a fondé le Centre Canadien d’Architecture, à Montréal.; Stephan Zimmerli architecte, scénographe.; Alexandra Midal commissaire d’exposition, historienne du design; Anne Monier conservatrice, Musée des arts décoratifs.

1. Beatmakin'troopa - New soul 2. Jack Kerouak - One mother 3. Vladislav Delay - Vastaa 4. Julio Cortázar - Me caigo y me levanto 5. Gerry Mulligan - The lonely nights [night lights] 6. Del Close and John Brent - Field Trip 1 7. XXYYXX - About you 8. Fidel Castro - Lee carta de despedida de Ernesto Guevara (1965) 9. DJ Shadow - Midnight In A Perfect World 10. Ludwig Mies van der Rohe - On architecture as language 11. Flying Lotus - Tiny Tortures 12. Juan Rulfo - Diles que no me maten --- Send in a voice message: https://anchor.fm/dominiopublico/message

Ludwig Mies van der Rohe. Storia di un "influencer di successo" nel mondo dell'architettura e del design, ma completamente negato con le donne.

Though tragic, if it hadn't been for the Great Fire of 1871, it's unlikely Chicago would have had the opportunity to redesign the city with the modern skyline it has today.

"Less is more" is an aphorism often associated with the German-American architect Ludwig Mies van der Rohe. He might be better known as the last director of the Bauhaus, the famous school of modern architecture in Germany in the interwar period. But before emigrating to the United States, Mies left an indelible mark in the heart of Moravia: the Villa Tugendhat in Brno.

"Ich habe keine Überzeugungen." Dieser Satz des amerikanischen Architekten und Theoretikers Philip Johnson könnte über seinem Gesamtwerk stehen. Denn er ließ sich nicht festlegen auf einen Stil, baute streng modern und verspielt postmodern, gotisch und nicht selten genauso wie seine Kollegen, weshalb sein langjähriger Partner, Ludwig Mies van der Rohe, ihm vorwarf gar keine eigenen Ideen zu haben. Autor: Jörg Biesler

Där står den! I de exklusiva möbelbutikerna, i de lyxigaste inredningarna och de dyraste takvåningarna. Barcelona-fåtöljen med tillhörande dagbädd och bord. Och alla vet vi vem formgivaren är - Ludwig Mies van der Rohe. Men någonstans i skuggorna lurar en person vars namn idag är okänt för de flesta - Lilly Reich. Utan henne hade knappast några av de fantastiska möblerna vi idag förknippar med Mies kommit till. I veckans avsnitt av DesignPodden pratar vi om Lilly Reich, och ställer oss samtidigt frågan varför vi låter henne förbli en skuggfigur i designhistorien? I avsnittet medverkar Wera Grahn, universitetslektor vid Linköpings Universitet. Litteratur och vidare läsning:  - Johnson, ’Mies van der Rohe’, The Museum of modern art, 1947  - McQuaid, ’Lilly Reich - designer and architect’, The Museum of modern art, 1996  - Schulze, ’Mies van der Rohe’, University of Chicago Press, 2014  - Zimmerman, ‘Mies van der Rohe’, Taschen, 2016  Ni följer väl DesignPodden på Instagram @designpodden. Det går också utmärkt att maila oss på designpodden@gmail.com. Vinjett: Heftone Banjo Orchestra 'Dill Pickles'

在節目開始之前，如果您喜歡提供的內容，不管您從什麼管道收聽，您的訂閱就是對我最大支持，喜歡的話，請記得訂閱我的頻道並留好評，喜歡的話也分享、推薦給您的好友圈，更歡迎您告訴謙信您有興趣的話題，會在後續的內容中加入您的意見。節目的文字稿與我自己讀過的延伸閱讀建議，請在瀏覽器輸入kshin.co ，來到『謙信的歷史廣場』，都會有您想要的資料，現在也在網站將我的著作《從杜甫的眼中看見真實三國》電子書第一卷，以pdf的方式提供給大家線上閱讀，只要回答幾各位問題，也會在每週一收到謙信的電子報，有上週的Podcast與推薦延伸閱讀的書籍，讓我提醒您補充有用的歷史知識。如果有想要討論節目內容或是抒發想法，FB也有開設『謙信自由討論廣場』社團，歡迎加入一起討論切磋歷史，期待與您相遇！這次是從藝術來說歷史，主題是從極簡生活運動看Less is more 真髓的建築大師密斯·凡· 德羅 從2014年開始歐美開始吹起極簡生活與工作的風潮，像是英國康奈爾就有著作《Simply Brilliant》(翻譯本是極簡主義-風靡歐美的工作與生活趨勢)，到了2016年韓國的職業女性黃運貞從家中斷捨離掀起極簡生活潮流；到了2018年由於長年經濟不振，也有反抗資本主義不斷洗腦購物、媒體無時無刻誘惑的一群人，開始鼓吹「極簡主義」(Minimalists)，提倡減法人生，也就是藉由清除原本充斥在自己生活、工作環境周遭的無用物品，將家中原本該有的空間找回，只留下自己需要的，認為沒有太多物質慾望的生活，能給自己更大更長久的快樂。 謙信也是這種生活的實踐者，資本主義就是要不斷的購物才能維持運作，但是通常是各種資訊媒體告訴你應該要買房子、車子、奢侈品等，但是往往快樂在買下那個物品後就消失了。像是謙信熟悉的日本人佐佐木典士，原本和許多人一樣愛好收藏，現在只留下自己生活所需物品過著簡樸的生活。這樣的人有些士受到日本禪宗、或是新美學主義影響，但是共通點就是「少就是好」，說出簡約主義代名詞「Less is more」的現代主義建築大師Ludwig Mies van der Rohe 路德維希·密斯·凡德羅，是全世界最有資格解釋簡約這個詞的人。....... 您喜歡這次謙信提供的內容嗎？或者什麼意見或是建議可以提供給我嗎？如果可以在您收聽的管道或是打kshin.co，在『謙信的歷史廣場』留下您的意見，幫助我改進缺點以提供更好的節目，或者您有想聽的內容，也可以與我分享，會盡量在往後節目中提供。網站除了有文字稿外，還有謙信讀過的延伸閱讀，對於主題有興趣的朋友，記得去看看喔！如果喜歡還是請您分享給朋友喔！再次謝謝您的收聽，期待下一期節目與您相遇！

在節目開始之前，如果您喜歡提供的內容，不管您從什麼管道收聽，您的訂閱就是對我最大支持，喜歡的話，請記得訂閱我的頻道並留好評，喜歡的話也分享、推薦給您的好友圈，更歡迎您告訴謙信您有興趣的話題，會在後續的內容中加入您的意見。節目的文字稿與我自己讀過的延伸閱讀建議，請在瀏覽器輸入kshin.co ，來到『謙信的歷史廣場』，都會有您想要的資料，現在也在網站將我的著作《從杜甫的眼中看見真實三國》電子書第一卷，以pdf的方式提供給大家線上閱讀，只要回答幾各位問題，也會在每週一收到謙信的電子報，有上週的Podcast與推薦延伸閱讀的書籍，讓我提醒您補充有用的歷史知識。如果有想要討論節目內容或是抒發想法，FB也有開設『謙信自由討論廣場』社團，歡迎加入一起討論切磋歷史，期待與您相遇！這次是從藝術來說歷史，主題是從極簡生活運動看Less is more 真髓的建築大師密斯·凡· 德羅 從2014年開始歐美開始吹起極簡生活與工作的風潮，像是英國康奈爾就有著作《Simply Brilliant》(翻譯本是極簡主義-風靡歐美的工作與生活趨勢)，到了2016年韓國的職業女性黃運貞從家中斷捨離掀起極簡生活潮流；到了2018年由於長年經濟不振，也有反抗資本主義不斷洗腦購物、媒體無時無刻誘惑的一群人，開始鼓吹「極簡主義」(Minimalists)，提倡減法人生，也就是藉由清除原本充斥在自己生活、工作環境周遭的無用物品，將家中原本該有的空間找回，只留下自己需要的，認為沒有太多物質慾望的生活，能給自己更大更長久的快樂。 謙信也是這種生活的實踐者，資本主義就是要不斷的購物才能維持運作，但是通常是各種資訊媒體告訴你應該要買房子、車子、奢侈品等，但是往往快樂在買下那個物品後就消失了。像是謙信熟悉的日本人佐佐木典士，原本和許多人一樣愛好收藏，現在只留下自己生活所需物品過著簡樸的生活。這樣的人有些士受到日本禪宗、或是新美學主義影響，但是共通點就是「少就是好」，說出簡約主義代名詞「Less is more」的現代主義建築大師Ludwig Mies van der Rohe 路德維希·密斯·凡德羅，是全世界最有資格解釋簡約這個詞的人。....... 您喜歡這次謙信提供的內容嗎？或者什麼意見或是建議可以提供給我嗎？如果可以在您收聽的管道或是打kshin.co，在『謙信的歷史廣場』留下您的意見，幫助我改進缺點以提供更好的節目，或者您有想聽的內容，也可以與我分享，會盡量在往後節目中提供。網站除了有文字稿外，還有謙信讀過的延伸閱讀，對於主題有興趣的朋友，記得去看看喔！如果喜歡還是請您分享給朋友喔！再次謝謝您的收聽，期待下一期節目與您相遇！

Weniger ist mehr! Dieses Motto Ludwig Mies van der Rohes beeinflusst bis heute Architektur und Design. Die Idee dahinter ist die, dass Architektur mit den ihr eigenen Mitteln gestaltet werden soll, mit Logik und ohne disziplinfremde Ornamente, Malereien oder Skulpturen. Autor: Jörg Biesler

0:23min - “Weniger ist mehr.” von Ludwig Mies van der Rohe bezogen auf Mode3:30min - Erklärung der Plisse Technik “shiburu”7:41min - Hat Musik einen Einfluss auf Mode?16:20min - Welche Kriterien muss ein Kleidungsstück erfüllen damit du es kaufst?23:28min - Wieso sollte man “Berluti” kaufen?33:23min - Last Cop: A Girl is a Gun T-Shirt und Vans OldSkool low36:33min - Fauxpas der Woche: Maison Margiela Square Toe Boots44:10min - Porträt: Marc Goehring 48:51min - Gäste: Wann? Wer?

The IWC CEO opens up about his passion for modernist architecture, the company's current direction, and his beloved collection of Hot Wheels cars. Show Notes (1:00) Inside The New IWC Manufakturzentrum (7:18) Ludwig Mies van der Rohe (21:34) @chrisgraingerherr on Instagram (23:30) 'Safari' Tribute to 5002 (28:40) The IWC Pilot's Watch Spitfire Collection (28:50) New Additions To The IWC Pilot's Top Gun Collection (39:30) IWC Silver Spitfire, The Longest Flight Promo (43:00) Hot Wheels Limited Editions

Vi har alle en ven på sociale medier, som uploader for mange grimme billeder med motivational quotes. Men er der alligevel ikke noget om, at alle mennesker har et citat eller en floskel, som har ramt dem på det helt rigtige tidspunkt? Så denne gang smider vi omkring os med citater og ordsprog. Der er ingen rigtige gæster i studiet, men vi har på sin vis besøg af Kierkegaard, Jim Carrey, Ludwig Mies van der Rohe og Lester Freamon fra The Wire.

On a writing retreat in Santa Fe with Natalie Goldberg and Rob Wilder, I learned a lot about writing as a spiritual practice and the importance of details. This applies to all forms of creativity, including the construction of the Mishkan (Tabernacle/Sanctuary) in the desert, which begins in this week's parsaha, Terumah (Exodus 25:1-27:19). What does it mean to create? With the help of Natalie Goldberg and the German-American architect Ludwig Mies van der Rohe, we explore that question.

Ludwig Mies van der Rohe är idag förmodligen mest känd för fåtöljen "Barcelona", som presenterades i den tyska paviljongen på världsutställningen i Barcelona 1929. I veckans avsnitt pratar vi om arkitetken, vars vadspråk 'less is more' genomsyrar såväl byggnader, inredningar och möbler. Litteratur: Claire Zimmerman, "Mies van der Rohe", Taschen, Köln, 2016 Följ DesignPodden på Instagram @designpodden för bilder och vidare lästips. DesignPodden kommer varje vecka göra nerslag i designhistorien med fokus på 1900-talet och Skandinavien.

A new, original, unusual, fresh, unfamiliar, unconventional, imaginative, innovative episode of Good Point. Mega Gallery Podcasts https://news.artnet.com/opinion/mega-gallery-podcasts-1311104 New Models Podcast https://newmodels.io/ The Essential Phone 2 Cancelled https://www.theverge.com/2018/5/24/17391734/essential-cancels-phone-development-considers-sale-report Marina Abromovic https://en.wikipedia.org/wiki/Marina_Abramovi%C4%87 Richard Serra https://en.wikipedia.org/wiki/Richard_Serra Mies Van Der Rohe https://en.wikipedia.org/wiki/Ludwig_Mies_van_der_Rohe Tabor Robak http://www.taborrobak.com/2017/ Supreme store line https://www.youtube.com/watch?v=ZQdp5tFMy-o Diddy “I never wear the same pair twice” https://www.youtube.com/watch?v=Lsrrc_ru4CM Peter Halley https://www.peterhalley.com/ Sol Le Witt https://en.wikipedia.org/wiki/Sol_LeWitt Jeremy’s bad review https://canadianart.ca/reviews/jeremy-bailey/ Pipilotti Rist https://pipilottirist.net/ On Kawara https://paddle8.com/work/on-kawara/114005-thanatophanies-complete-portfolio Laurie Anderson interview where she talks about audiences https://soundcloud.com/designmatters/design-matters-with-debbie-millman-laurie-anderson Top 100 Artists (many have a diverse body of work) https://artfacts.net/en/artists/top100.html  Nam June Paik’s birth of video art myth http://www.experimentaltvcenter.org/sites/default/files/history/pdf/ShermanThePrematureBirthofVideoArt_2561.pdf

We must remember that everything depends on how we use a material, not on the material itself… New materials are not necessarily superior. Each material is only what we make it. Ludwig Mies van der Rohe, German Architect and Educator (from the Fountain Pen Tips & Favorites post on Sketchbook Skool Blog) This week's episode is sponsored by ArtSnacks and Pen Chalet. Feedback Mind of Watercolor Jake Parker Follow-Up #aspink tjasalan ArtSnacks We're on the October Menu! Main Topic: Fountain Pens for Drawing Platinum Carbon Desk Pen Other Options: Rotring Art Pen, Sailor Desk Pen Sketchbook Skool: Fountain Pen Tips & Favorites Jane Blundell’s Fountain Pens for Drawing Lamy Joy discovered via Liz Steel's Video Interview with Brian Goulet Lamy Safari TWSBI 580 or Mini Platinum Preppy or Pilot Petit or Pilot Varsity Jinhao X750 Hack Sailor Fude de Mannen Namiki Falcon Namiki Justus Karas Kustoms Render/Fountain K Andrew Tan AKA Drewscape My experiences with permanent fountain pen inks Liz Steel on DeAtramentis Document Inks Jane Blundell Mixing DeAtramentis Document Inks Nina Johannson writes about her experiences with Platinum Pigmented Sepia, Platinum Carbon Black and Noodlers and Lexington Gray Mostly Drawing on Platiunum Carbon and Lexington Gray Citizen Sketcher's watercolor-like effects Parka Blogs experiments with Pilot Iroshizuku colored inks for linework

We must remember that everything depends on how we use a material, not on the material itself… New materials are not necessarily superior. Each material is only what we make it. Ludwig Mies van der Rohe, German Architect and Educator (from the Fountain Pen Tips & Favorites post on Sketchbook Skool Blog) This week's episode is sponsored by ArtSnacks and Pen Chalet. Feedback Mind of Watercolor Jake Parker Follow-Up #aspink tjasalan ArtSnacks We're on the October Menu! Main Topic: Fountain Pens for Drawing Platinum Carbon Desk Pen Other Options: Rotring Art Pen, Sailor Desk Pen Sketchbook Skool: Fountain Pen Tips & Favorites Jane Blundell’s Fountain Pens for Drawing Lamy Joy discovered via Liz Steel's Video Interview with Brian Goulet Lamy Safari TWSBI 580 or Mini Platinum Preppy or Pilot Petit or Pilot Varsity Jinhao X750 Hack Sailor Fude de Mannen Namiki Falcon Namiki Justus Karas Kustoms Render/Fountain K Andrew Tan AKA Drewscape My experiences with permanent fountain pen inks Liz Steel on DeAtramentis Document Inks Jane Blundell Mixing DeAtramentis Document Inks Nina Johannson writes about her experiences with Platinum Pigmented Sepia, Platinum Carbon Black and Noodlers and Lexington Gray Mostly Drawing on Platiunum Carbon and Lexington Gray Citizen Sketcher's watercolor-like effects Parka Blogs experiments with Pilot Iroshizuku colored inks for linework

The Pritzker Prize-winning architect Kevin Roche sits down with Steve Bloomfield to discuss his early years in his native Ireland and moving to the US. He also talks about working with some of the greatest names in the field, including Ludwig Mies van der Rohe and Eero Saarinen, and explains why retirement is not on his mind.

Bart Lootsma vergleicht in einer kulturellen Analyse das Maison à Bordeaux von OMA/Rem Koolhaas mit der Villa Tugendhat von Ludwig Mies van der Rohe.

Bart Lootsma vergleicht in einer kulturellen Analyse das Maison à Bordeaux von OMA/Rem Koolhaas mit der Villa Tugendhat von Ludwig Mies van der Rohe.

The Daily Quote Podcast will highlight a quote every day. I'll discuss how it has moved me and how it can also be meaningful to listeners also. "God is in the details." -- Ludwig Mies van der Rohe Leave us a comment www.dailyquotepodcast.com listener line (786) 693-2290 email contact@dailyquotepodcast.com

Aspire Episode 3: Nov 24, 2006 From Walt Disney to the World's Fair. We have some listener feedback about the World's Fair and Expos. Topics include the Barcelona Pavilion by Ludwig Mies van der Rohe, the 1851 Crystal Palace Exhibition at the first World's Fair by Sir Joseph Paxton. Listener Feedback at aspire@szilverwolf.com or 813-249-9222 Copyright © 2006 Szilverwolf LLC

Aspire Episode 3: Nov 24, 2006 From Walt Disney to the World's Fair. We have some listener feedback about the World's Fair and Expos. Topics include the Barcelona Pavilion by Ludwig Mies van der Rohe, the 1851 Crystal Palace Exhibition at the first World's Fair by Sir Joseph Paxton. Listener Feedback at aspire@szilverwolf.com or 813-249-9222 Copyright © 2006 Szilverwolf LLC