Podcasts about art directors club

Ugo and Léo reveal how they turned their youthful skateboard years into a (two time winning) design studio of the year. Hear about the Montreal design scene, the FORUM festival they launched, and getting inked. ABOUT OUR GUESTS:Léo Breton-Allaire and Ugo Varin Lachapelle are Partners & Creative Directors at Caserne.Léo is partner and creative director at Caserne. His role involves guiding teams and clients through identity-focused and applied design exercises. He has actively contributed to shaping brands both locally and internationally, including the Canadian Council for Refugees (CCR), Moment Factory, the Montreal Museum of Fine Arts (MBAM), the Montreal Museum of Contemporary Art (MAC), Adisq, Orage, 2K Games, and many others. Over the past 12 years, his work has earned more than a hundred and fifty awards in various national and international competitions, including Art Directors Club, Type Directors Club, Dieline, Communication Arts, Advertising and Design Club of Canada, Applied Arts, and Idéa. Léo has participated in design workshops and conferences, such as Adobe Live in San Francisco, RDV Design and The Open House. In 2022, he chaired the design jury for Idéa Awards and co-founded Forum, an annual event dedicated to graphic design, featuring renowned international speakers such as Mirko Borsche, Elizabeth Goodspeed, and Andrea A. Trabucco Campos. In 2023 and 2024, Caserne was named ADCC Design Studio of the Year two years in a row, further solidifying its reputation for excellence in design. In 2024, Léo's profile was selected for Parcours, an exhibition celebrating the 50th anniversary of the UQAM School of Design, which highlighted 50 graduates from the school since its founding in 1974. That same year, Léo was honored with the TDC Ascenders Award by The One Show in New York. The award recognizes emerging talent, with winners joining the prestigious and exclusive Type Directors Club—an esteemed community of creatives at the pinnacle of their craft.Ugo is a passionate designer with an unwavering commitment to crafting at scale. He stands out for his strong design expertise and unwavering commitment to excellence. He co-founded Caserne in 2012 and now leads the studio alongside Léo Breton-Allaire and Sébastien Paradis. He has served on numerous design competition juries and has won over a hundred awards for his work. He is also the co-founder of FORUM, a design event. Held annually in Montreal, it brings together designers and artists on a mission to network, educate, and create. ADCC Created is brought to you by The Advertising & Design Club of Canada, hosted by Lyranda Martin Evans (Fellow Human), with music and studio care of Grayson Music. Follow us on Instagram @theadccEmail us at created@theadcc.ca

The ad that has everyone saying, "whoa."Lyle Yetman | Co-CCOThe best thing that ever happened to Lyle's advertising career was not getting hired as an account person at BBDO. He would have sucked at that. Instead, he became a writer. After getting his master's at the VCU Brandcenter, Lyle left his Boston roots, moved out west, and started his career at BSSP, where he worked on MINI, Chipotle, and El Pollo Loco, created the Priceline Negotiator and made award-winning spots for Google, among others. His work has been recognized by the One Show, Cannes Lions, Clios, Art Directors Club, Communication Arts, and the Effies. At McKinney, he is Co-Chief Creative Officer, overseeing all the work from the Durham and New York offices, including Little Caesars, Puma, Popeyes, and ESPN, where he continues to do award-winning work. He's got a deep and abiding love of telling stories and finding the untapped potential in every brand. After 19 years in the business, he could probably hack it as an account person now. No, he couldn't. That's a lie.Kerry O'Connor | Group Strategy DirectorKerry started her career working in communications for the Navy in Washington, D.C., before deciding to pursue a career in advertising. She attended the VCU Brandcenter where she graduated with an MS in business and a concentration in branding and strategy. Kerry joined McKinney in 2015 and honed her passion for insights on brands like CarMax, Jared, and ESPN. She was promoted to strategy director in 2021 and is creating award-winning work using her strategy smarts on Sherwin-Williams and Little Caesars. Outside of advertising, Kerry is working her way through the NYTimes Cooking archives.

In Episode #84, Ross is joined by Kevin Swanepoel, CEO of The One Club for Creativity.The One Club for Creativity is the world's foremost non-profit organisation devoted to supporting and celebrating the successes of the global creative community.Since taking on the role in 2015, after being the organisation's President for more than eight years, Kevin oversaw the merger between The One Club and The Art Directors Club, as well as the expansion of its various education, inclusion and diversity, gender equality and professional development initiatives, both in the United States and around the world.Ross and Kevin discuss what great looks like globally, how you can use culture to make your work outstanding and how a diverse creative team is a better team and a business multiplier for brands.Find show notes and episode highlights at https://nwrk.co/omq-kevin. To listen to previous episodes go to https://nwrk.co/omq.If you enjoyed this episode, please leave a review and share it with your friends.

This episode features Perniclas Bedow, the founder and creative director behind Bedow, a Stockholm-based design and branding studio. We cover topics such as Bedow's approach to crafting visual identities, their studio culture and growth, work routines and organization of the studio, career advice for young creatives, lessons that Perniclas got from the “Grafisk Design,” a podcast which he hosted, and much more.Perniclas Bedow is the founder and creative director behind Bedow, a Stockholm-based design and branding studio. Founded in 2005 and currently run by Perniclas and his partner Anders Bollman, Bedow transcends the stereotypical Scandinavian style, blending handcrafted elements with innovative design techniques. The British magazine “It's Nice That” dubbed their work as “simple, thoughtful, practical design that's easy to engage with and comfortable to have around.”Renowned for its progressive approach, Bedow's portfolio boasts an impressive array of Swedish and international clients, including Aller Media, Coop, Neko Health, Unesco and Unicef. Their work has been featured in esteemed publications such as Fantastic Man, Monocle, and The Washington Post. And, over the years, they've also won many prestigious design awards from the Art Directors Club, Cannes Lions, D&AD, One Show, Type Directors Club and more.In addition to their design work, Bedow has also made a mark in the world of podcasting, with Perniclas hosting the acclaimed series Grafisk Design. During its run, Grafisk Design featured interviews with fifteen prominent designers in the Swedish graphic design community, further solidifying Bedow's reputation as a leader in the field.Full transcript and more at https://creative.voyage/

"Oliviero Toscani è stato il primo a fare brand activism quando ancora non se ne parlava. Alle marche con cui lavorava chiedeva un impegno sociale". Così Giuseppe Mastromatteo, Chief Creative Officer e Presidente di Ogilvy Italia, vicepresidente dell'Art Directors Club, sintetizza l'eredità spirituale del grande fotografo, suo amico personale, in pubblicità. Il suo è il racconto di una grande sintonia, professionale e umana, ricco di aneddoti e punti di vista preziosi sulla figura di Toscani. Focus sui trend dedicato invece alla comunicazione anti-ageismo. L'ageismo è la discriminazione basata sull'età, fatta di pregiudizi e stereotipi in grado di dar luogo ad atteggiamenti non imparziali nei confronti di persone anziane, ma anche giovani. È un tema sociale importante, che anche il mondo dei consumi sta presidiando, perché le prese di posizione sul tema dell'età diventeranno sempre di più un fattore competitivo per i brand, in grado di fare la differenza sul mercato, così come è stato per la sostenibilità. Perché è l'età l'ultima frontiera della discriminazione, quindi l'ultimo tabù da abbattere nel mondo dei consumi.

Have you seen - the Jason Kelce ads with the B-Dubs buffalo at the bar? Or maybe you've seen something a little more “pinkies out” such as the holiday campaign for Tiffany & Co featuring Anya Taylor Joy. Do you like Super Bowl commercials? If any of these interest you, then today is your day, cause we're talking to industry pro - Mike Byrne, Founding Partner and Global Chief Creative Officer of Anomaly. Anomaly has in their portfolio: THIRTY-ONE Super Bowl commercials - with more on the way. Budweiser, the Lance Armstrong Live Strong campaign, Buffalo Wild Wings, Top Golf, so much Nike, Converse, SONY, Six offices around the world and 800+ employees - ALL with Mike at the helm.Look up Anomaly.  Look up Mike. This is a good one. Mike Byrne is a founding partner of Anomaly and Global Creative Chief, where he helped lead Anomaly to Agency of the Year in 2022, Ad Age A-list #1 in 2017 as well as seven top ten placements seven years in a row. He helped lead Anomaly to two-time Fast Company Most Innovative Companies on top of other industry accolades.He spent his formative years in advertising at Wieden & Kennedy NY then Portland where he served as the co-creative chief for the agency's cornerstone Nike Account from 2000 – 2006. **During his tenure, W+K Portland amassed more awards than any other agency in the United States. W+K Portland was Agency of the Year two times in this tenure. While at W+K, Mike managed creative development for Nike in the US, Latin America and Europe.Mike has been recognized throughout his career for creative excellence, being awarded numerous Grand Prix at Cannes International Advertising Festival, D&AD, The One Show, Art Directors Club, Clios, and CA amongst others. Mike is also a multiple Emmy award winner.Beyond advertising, Mike has helped launch multiple companies spanning, from cannabis to fashion brands to food and beverage.Some of Mike's WorkNike TagNike Angry ChickenNike MoveJW Gentleman's Wager II "The race"Converse "Made By You"Budweiser "Best Buds"Budweiser "Prohibition"Sony "This is 3DTV"Dick's Sporting Goods Every PitchConverse Lunch MoneyEpisode Edited by Dylan Giovanetto@dylangio  |  Dylangio.comIf you want a shoutout in a future episode please leave us a written review on Apple podcasts. From CRY, a Creative, Production, and Post house based in New York City. Brought to you by CRY www.filmcry.com Intro mixed by Micheal Hartman - michaelhrtmn4@gmail.com

“Wir sind täglich 5 Stunden im Internet und erinnern uns an nichts.” Die ADC Digital Conference 2024 bewies eindrucksvoll, dass die Zukunft der Kreativwirtschaft in der Verschmelzung von Künstlicher Intelligenz und humaner Kreativität liegt. Als Kernkompetenzen der AI wurden Effizienz und Qualitätssteigerung vielfach benannt. Im Umgang betonten zahlreiche Redner:innen die Bedeutung, die AI angstfrei und in co-kreativen Prozessen zu nutzen. Insgesamt fanden sich im Kunstpalast Düsseldorf 50 Speaker:innen sowie mehr als 1.000 kreative Köpfe und Branchenexpert:innen zusammen, um auf der siebten Art Directors Club (ADC) Digital Conference die neuesten Trends und Technologien im Bereich der digitalen Transformation zu erleben – ein neuer Besucherrekord! Als Abschluss unserer Medienkooperation waren wir live vor Ort dabei. Wir bedanken uns beim Art Directors Club (ADC) für die Zusammenarbeit, empfehlen einen Blick in unser Podcastarchiv zum Nachhören der gemeinsamen Folgen und sind gespannt, in welche Welten uns AI noch bringen wird. 

On this episode, Sarah and Ian sit down with Suzanne McKenzie! Suzanne is an award-winning entrepreneur, Chief Creative Officer and designer, passionate about using design and collaboration to make the world a better place.She is Founder and CCO of Able Made, the Original Off Pitch Soccer Style brand that combines soccer-inspired apparel and accessories with responsible manufacturing and giving back.Suzanne's 24 years of experience includes work in the advertising and design consultancy worlds for numerous national and global brands, including Tom Ford, Timberland, Puma, Supergoop with Maria Sharapova, the Olympic Games, ESPN, Museum of Modern Art (MoMA), Titleist, and many more leading brands. Suzanne's Purposely Podcast on iheartradio features conversations with her Able Made creative collaborators on how they help build stronger communities.Suzanne has been on the jury for numerous international design award shows, including the 2022 One Show and the Ad Club. She was selected and recognized at the White House by President Obama as a Global Emerging Entrepreneur, and also is a Sappi Ideas that Matter North America Grant recipient. Suzanne has taught Design and Social Entrepreneurship at the School of Visual Arts (SVA) in New York City, and is Founder and Board Chair for award-winning nonprofit, Ucal McKenzie Breakaway Foundation.Her work has been featured in Business Week, Vanity Fair, Graphic Design USA, Vogue, WWD and more. Her work has been recognized by the Art Directors Club, the Hatch Show, the One Show, WebAwards, and Mobius Awards. Suzanne is a 2024 AIGA Fellows Award recipient.Listen along as they discuss her incredible brand, Able Made, and how it was inspired by the life of her late husband, Ucal McKenzie. Able Made and the foundation honor his legacy. Her creativity, genius, and hardworking ethic are apparent in all of the projects she has taken on. We loved this conversation and hope you do too! Hosted on Acast. See acast.com/privacy for more information.

Sustainable fashion is a complex issue, but women are the ones leading the charge. Join Roanne Adams and Amber Asay as they shed light on fashion industry's 4 most influential women designers, who are putting in the work to be kinder to the earth.––––Description: For today's episode, I'm joined by the inspiring Roanne Adams, as we dive deep into the ebbs and flows of her career journey and then we also talk about the world of sustainable fashion, discussing the impact and contributions of esteemed women designers like Stella McCartney, Eileen Fisher, Gabriela Hearst and Mara Hoffman. We explore the intersections and moral impact of creativity, entrepreneurship, and sustainability in this enlightening episode.About:Roanne Adams is an acclaimed designer and creative director known for her innovative approach to branding and visual identity. She is the founder of RoAndCo, a New York-based design firm that collaborates with leading fashion, beauty, and lifestyle brands. With a talent for storytelling and community building, Roanne has established herself as a prominent figure in the design industry. Her work has earned several awards, including a prestigious Young Guns win from the Art Directors Club, as well as recognition from AIGA.Thank you Roanne for joining!@roanneadams  /  @roandcostudio  / roandco.com 4 Women Designers who are at the forefront of Sustainable Fashion:Stella McCartney — @stellamcartneyEileen Fisher — @eileenfisherGabriela Hearst — @gabrielahearstMara Hoffman — @marahoffman ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Today I am joined by Catherine Casalino to talk about the life and work of the incredible graphic designer and artist, Barbara Kruger. From her graphic design background, how that influenced her art, to the meaning and impact of her collaged artwork. We even dive into the ironic cycle of her regurgitated work being regurgitated by the skateboard brand, Supreme, and their head-scratching lawsuit story.____Barbara Kruger was born in 1945 in Newark, New Jersey. Kruger briefly attended Syracuse University, then Parsons School of Design in New York City, where she studied with artists and photographers Marvin Israel and Diane Arbus. Kruger worked in graphic design for Condé Nast Publications at Mademoiselle magazine, and was promoted to head designer within a year, at the age of twenty-two. Kruger has described her time in graphic design as “the biggest influence on my work…[it] became, with a few adjustments, my ‘work' as an artist.”In the early 1970s, Kruger started showing artwork in galleries in New York. At the time, she was mainly working in weaving and painting. However, she felt that her artwork lacked meaning, and in 1976, she quit creating art entirely for a year. She took a series of teaching positions, including at University of California, Berkeley. When she began making art again in 1977, she had moved away from her earlier style into photo and text collages. In 1979, Kruger developed her signature style using large-scale black-and-white images overlaid with text. She repurposed found images, juxtaposing them with short, pithy phrases printed in Futura Bold or Helvetica Extra Bold typeface in black, white, or red text bars. In addition to creating text and photographic works, Kruger has produced video and audio works, written criticism, taught classes, curated exhibitions, designed products, such as T-shirts and mugs, and developed public projects, such as billboards, bus wraps, and architectural interventions.Kruger addresses media and politics in their native tongue: sensational, authoritative, and direct. Personal pronouns like “you” and “I” are staples of Kruger's practice, bringing the viewer into each piece. “Direct address has motored my work from the very beginning,” Kruger said. “I like it because it cuts through the grease.” Kruger's work prompts us to interrogate our own positions; in the artist's words, “to question and change the systems that contain us.” She demands that we consider how our identities are formed within culture, through representation in language and image.______Thank you Catherine for joining me!catherinecasalino.com@cat.casalino Catherine Casalino is the principal and creative director of Casalino Design, an independent design company in New York City, focusing on book design and branding.Prior to founding Casalino Design in 2016, Catherine worked in-house as an art director and designer at Simon & Schuster, Random House, and Hachette Book Group, and she began her career at Rodrigo Corral Design.Over the past two decades, Catherine's work has been recognized by numerous international design organizations and publications. She has served as a competition chair and judge for The Type Directors Club, The One Club, The Art Directors Club, and the Association of American University Presses.She frequently speaks about design at art schools and organizations, is an instructor on Domestika.com, and volunteers as a mentor for Alphabettes—a community that supports women in type. 

Follow us on social to learn more about "A Dose of Support" from the American Association of Advertising Agencies. As an award-winning creative leader, she has spent over 20 years moving brands forward with creative solutions that deepen consumer engagement and emotional connectivity. Currently she is the SVP, Creative, New York Times Advertising. As the creative lead of the department, she oversees T Brand Studio, the creative team and operations responsible for building bespoke creative content, bringing brands closer to the prolific storytelling of the New York Times. Previously, she held the posts of Chief Creative Officer at Fake Love and HelloSociety– the Brand Experience and Influencer agencies of New York Times Advertising. Both agencies enabled T Brand to expand its “off platform” capabilities and further enable brands to have impact in the world. In addition to her time with The New York Times, her creative leadership roles at global brand, The Walt Disney Company and advertising giant, DDB Chicago, have fueled her career with a trifecta of publisher, brand and agency side creative experiences. Throughout her career she has serviced blue-chip brands spanning a wide range of consumer categories. She has created award-winning work garnering awards, accolades and recognition from Cannes Lions, The Effies, Communication Arts, The Art Directors Club, Chicago Creative Club, London International Awards and others. She has contributed op-eds to industry publications and provided thought leadership as an award show juror, featured panelist, sought-after mentor, and speaker at national industry events.

„Sie haben uns in Reihen aufgestellt und über Minenfelder laufen lassen. Und erzählt, alles ist gut, weil du kommst jetzt in den Himmel. Mein bester Freund ist 50 Meter vor mir von einer Mine zerfetzt worden. Und ich habe es live gesehen.“ Es ist die unfassbare Geschichte von Amir Kassaei. Er war Kindersoldat und stieg auf zum besten Werber der Welt. Zwei Leben in einem, wie sie unterschiedlicher nicht sein können. Mit 13 Jahren wird er in Teheran aus der Schule gerissen und vom Regime zwangsrekrutiert. Als Kindersoldat. Mit 15 können ihn seine Eltern retten. Sie riskieren ihr eigenes Leben, in dem sie einen Schlepper bezahlen. Der bringt ihn heimlich nach Istanbul und weiter nach Wien. Ganz allein. Mit 42 ist Amir ganz oben. Er wird der jüngste Chef von DDB worldwide in New York, der erste Nicht-Amerikaner auf diesem Werbe-Thron. Über 15000 Werber berichten an ihn. Amir jettet 280 Tage pro Jahr um die Welt, verantwortet ein Milliarden-Business, erfindet Werbekampagnen für Kunden wie Mercedes, VW und Telekom. Die Branche wählt ihn zum Präsidenten des Europäischen Art Directors Club. Jetzt ist er ausgestiegen, freiwillig und hat ein Buch geschrieben. Titel: „Vom Unsinn des Lebens“. Und darüber reden wir. Amir lebt mittlerweile auf Ibiza. Wir haben uns im KPM-Hotel der Königlichen Prozellan-Manufaktur in Berlin getroffen. Ein intensives Gespräch. Über seine unfassbare Karriere. Warum alle dachten, er hätte kein Talent. Bis er bei Springer & Jaboby auf eigene Kosten zu Mercedes flog, um Entwürfe zu zeigen, die sein Chef André Kemper ablehnte – und damit alle begeisterte. Wieso ihm Jean-Remy von Matt für ein Gespräch mit Konstantin Jacoby einen Stahlhelm mit kugelsicherer Weste schenkte. Und warum er nach seiner Kündigung bei Springer & Jacoby viele Stellen in seinem Buch lieber schwärzte. Dazu: Sein Blick auf die Werbebranche und wie sie sich selbst abschafft. Dass sie mit Tempo 300 auf eine Wand zurast und immer noch hupt, statt zu bremsen, wie Amier sagt. Wie mit Awards betrogen wird und Quantität mit Qualität verwechselt wird – seine schonungslose Abrechnung. Und der Blick auf die besten Kampagnen aller Zeiten. Und natürlich sein einzigartiger Lebensweg. Oder Über-Lebensweg. Jetzt hier in TOMorrow. Deine Gedanken dazu: Schreib mir gern in die Kommentare oder hier auf Social Media: http://lnk.to/TOMorrow-Podcast und abonniere den Channel. Lasst uns jetzt alle etwas mitnehmen für unser Leben: Hier ist Werbe-Papst und Kind des Krieges Amir Kassaei!

Object Subject Form is a series of conversations exploring the human side of creativity at the evolving intersection of art, technology, and finance. As exponential technologies continue to impact how we create, share, and interact, host Simon Clowes discusses with his guests what it takes to consistently perform, grow and adapt amidst the challenges and intricacies of living and operating as a creative. — Simon is a Creative Director and Graphic Designer. A graduate of Central Saint Martins College of Art and Design and The London College of Printing, Simon has over two decades of leadership experience in film, animation, and visual effects. His work has earned him an Emmy® Award for Apple TV+'s ‘For All Mankind Season 3 Experience' along with global recognition from D&AD, Art Directors Club and SXSW to name a few. Born and raised in London, England, Simon now resides in Los Angeles, where he serves as Creative Director at Apple. — Connect with me: https://linktr.ee/simonclowes

Anastasia Kalensky ist 1998 in Bryn Mawr in den USA geboren, in Konstanz aufgewachsen und hat von 2018-2023 an der Hochschule Augsburg Kommunikationsdesign (B.A.) studiert. Während ihres Studiums hat sie Studierende in der Bleisatzwerkstatt der Hochschule Augsburg betreut und als Grafikdesignerin bei dem Keramik-Start up Motel a Miio in München gearbeitet. Derzeit wohnt sie als Freelance Designerin sie in Zürich. Sie hat ihren Schwerpunkt auf Editorial- und Brand Design gelegt und hat eine besondere Leidenschaft für Print, Typografie und das Gestalten von Büchern und Magazinen. 2021 wurde sie für das Comic-Magazin „A Taste of Your Own Medicine“, das humorvoll Genderstereotypen in der Designbranche thematisiert, vom Art Directors Club ausgezeichnet und 2022 für das Brand Design der Spielzeitgestaltung der bayerischen Staatsoper mit einem silbernen Nagel des Art Director Clubs ausgezeichnet. Für Ihre Abschlussarbeit „We are all able to pleasure. We are pleasurable.“ erhielt sie 2023 eine Auszeichnung des Deutschen Designer Clubs. Ein großes Interesse gilt feministischen Themen und Aufklärungsarbeit besonders im Bereich Gender Equality und sexueller Gesundheit. Wenn sie Menschen zum Nachdenken anregen kann oder ein Gefühl von „gehört werden“ und Inklusivität vermitteln kann, zusammen mit dem Erfüllen eines ästhetischen Anspruchs, dann ist das für sie die ideale Umsetzung von Design. Dies zeigt sich besonders in ihrer Abschlussarbeit: „We are all able to pleasure. We are pleasurable.“ in der sie sich lösungsorientiert mit ungewollten Schmerzen beim Sex befasst. Da bis zu 30 % aller Frauen und Menschen mit Vulva/Vagina regelmäßig von Schmerzen betroffen sind ist es ein Thema, das sehr viele betrifft und dem bislang viel zu wenig Beachtung geschenkt wurde. Ziel des Buches ist es das zu ändern, Betroffene aufzuklären und zu empoweren und zu vermitteln: jeder hat ein Anrecht auf eine schmerzfreie, erfüllende Sexualität. Im nächsten Schritt möchte sie „We are pleasurable.“ publizieren. Es gibt eine limitierte Anzahl für 37 Euro pro Exemplar zu verkaufen, ansonsten gibt es die Möglichkeit zum Druck auf Anfrage.

Anja Abicht hat 2017 die Tomorrow Academy gegründet. Diese bietet seither Seminare und Workshops für die Kreativszene zu aktuellen Themen - von Schulungen zu Künstlicher Intelligenz über Nachhaltigkeit bis zu Klassikern wie Text, Konzept, Design ist alles dabei.  Über Veränderungen, Themen wie Nachhaltigkeit und KI in der Kreativszene und wie Weiterbildung funktioniert, hat Host Birgit Schaller mit Anja Abicht im MCÖ-Podcast gesprochen. Die gebürtige Deutsche leitete zunächst die Seminarschiene beim Art Directors Club in Deutschland und hat davor Medien- und Kommunikationswissenschaften in Halle-Wittenberg studiert und einen Master in Sustainability Management in Lüneburg absolviert. "Nachhaltigkeit ist mein Herzensthema", sagt sie im Gespräch und weiter, "Nachhaltigkeit meint immer das Core Business, aber das ist leider vielen immer noch nicht klar", so Abicht. Sie geht auch zu rechtlichen internationalen und nationalen Vorgaben ins Detail. Auch das Thema Künstliche Intelligenz beschäftigt die Kreativszene und die Tomorrow Academy. Abicht ist vorsichtig, was Zukunftsprognosen betrifft, meint aber: "KI beeinflusst die Szene spürbar. Tätigkeiten wie Konzept oder strategische Aufgaben werden noch länger relevant bleiben, aber gerade kreative Kernelemente, wie Text, die grafische Gestaltung oder Videoproduktionen, da verändert sich die Welt. Die Kreativen von Morgen werden wohl andere Aufgaben haben." Gerne reinhören und mehr erfahren.  

This episode is a compilation of 6 of the most powerful women featured on the So This Is My Why podcast, discussing the milestones that led them on their journey to successEp 124: Jacqueline Novogratz Jacqueline is the founder & CEO of Acumen - a non-profit global venture capital fund that aims to use entrepreneurial approaches to address global poverty. As the OG of impact investing, she shares her experience in Rwanda and learning that the most important thing is to build something where you leave no footprint behind.And how there is no such thing as black & white. Everyone has an angel and demon within them that comes out at different times.

In episode 293 UNP founder and curator Grant Scott is in his shed reflecting on listening to experts, and learning from those with experience. He also notes the passing of Ross McDonnell, Larry Fink, Elliott Erwitt and Shane McGowan. Plus this week, photographer Arthur Meyerson takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Since 1974, native Texan Arthur Meyerson has travelled throughout the world, creating award winning advertising, corporate and editorial photographs, as well as an extensive body of art based imagery. A three-time winner of Adweek's Southwest Photographer of the Year award, Meyerson is on Communication World's list of top 10 corporate photographers and was named one of the 30 best advertising photographers by American Photo. His awards are numerous including gold medals from the New York Art Directors Club, the Art Directors Club of Houston, the Dallas Society of Visual Communications and the Stephen Kelly Award for his work on the Nike advertising campaign. Meyerson was selected by Nikon to their illustrious Legends Behind the Lens list and honoured by the Houston Advertising Federation as the inaugural recipient of the Only In Houston award for individuals. In 2008, the Houston Decorative Center named him as the first photographic recipient of their annual Stars Of Design celebration. Besides his commercial work, Myerson's fascination with light, colour and the moment culminated in his 2012 book, The Color of Light. His second book, The Journey, was published in 2017. Meyerson's photographs are in the public collections of several major institutions and have been exhibited internationally. Today, he teaches workshops, undertakes individual mentoring and participates in speaking engagements throughout the U.S. and abroad. Meyerson is a former member of the Advisory Council for the Santa Fe Center for Photography and the Houston Center for Photography as well as continuing to serve on the Board of Advisors for the Santa Fe Photographic Workshops. www.arthurmeyerson.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Under-Graduate and Post-Graduate Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of At Home With the Makers of Style (Thames & Hudson 2006), Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019) and What Does Photography Mean to You? (Bluecoat 2020). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com and he is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. Scott's next book Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing), is on pre-sale now. © Grant Scott 2023

EPISODE 1824: In this KEEN ON show, Andrew talks to Nora Krug, author of DIARIES OF WAR, about the contrasting realities of a Ukrainian journalist and a Russian artist in the first year of the Russian invasionNora Krug is a German-American author and illustrator whose drawings and visual narratives have appeared in newspapers, magazines and anthologies internationally. Her illustrations have been recognized with gold and silver medals by the Society of Illustrators and the NY Art Directors Club. Krug is a recipient of fellowships from Fulbright, the John Simon Guggenheim Memorial Foundation, the Pollock-Krasner Foundation, the Maurice Sendak Foundation, and others. Her books are included in the Library of Congress and the Rare Book and Manuscript Library at Columbia University. Krug was named Moira Gemmill Illustrator of the Year and 2019 Book Illustration Prize Winner by the Victoria and Albert Museum. Her visual memoir Belonging: A German Reckons with History and Home (Scribner, 2018, foreign edition title Heimat), about WWII and her own German family history, was chosen as a best book of the year by the New York Times, The Guardian, NPR, Kirkus Review, the San Francisco Chronicle, and the Boston Globe. It was the winner of the 2018 National Book Critics Circle Award, the Lynd Ward Graphic Novel Prize, the Art Directors Club gold cube and discipline winner cube, the Society of Illustrators silver medal, and the British Book Design and Production Award, among others. Her collaboration with historian Timothy Snyder, a graphic edition of On Tyranny: Twenty Lessons from the Twentieth Century (Ten Speed Press, 2021), was named a Best Graphic Novel of 2021 by the New York Times, a New York Times Editor's Choice, one of Germany's Most Beautiful Books of 2022 and won a gold medal from the Society of Illustrators. Diaries of War, her Pulitzer Prize-nominated book of graphic journalism that chronicles the contrasting experiences of a Ukrainian journalist and a Russian artist, both grappling with the realities of Russia's renewed invasion of Ukraine in 2022, won the Oversea's Press Club's Best Cartoon Award runner-up citation. Her visual biography, Kamikaze, about a surviving Japanese WWII pilot, was included in Houghton Mifflin's Best American Comics and Best Non-Required Reading, and her animations were shown at the Sundance Film Festival. Krug is Associate Professor of Illustration at the Parsons School of Design in New York City. Prior to her professorship at Parsons, Krug served as a Professor of Illustration at Muthesius University of Fine Arts and Design in Kiel, Germany. She holds a B.A. Honours degree in Performance Design from the Liverpool Institute for Performing Arts, a Diplom in Visual Communications from the University of Arts Berlin, and an M.F.A. in Illustration as a Visual Essay from the School of Visual Arts in New York.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Creatives are often seen as the crazy ones, and creativity as a nice-to-have in the context of business. But that's not going to be enough for businesses and individuals in an age where creativity may be the only job left for humankind.On this week's episode, we welcome back David Lee, Chief Creative Officer of Squarespace, to hear about the importance of creativity at the adult's table, effective ways to understand a company's value proposition and what it truly cares about, and insights on companies placing ads during the Super Bowl.David Lee is the Chief Creative Officer of Squarespace, leading their award-winning creative team. David has been honored as Brand CCO of The Year by Ad Age in addition to his team becoming Ad Age In-House Agency of the Year. During his time, Squarespace has been honored as the Brand of the Year by the Art Directors Club, and the number one globally awarded in-house agency of the year at the One Club for Creativity. David has won an Emmy Award, been included in the Adweek Creative 100 List and named as one of the Most Creative People in Business by Fast Company. He has also been recognized by the Gold House A100 list, honoring Asian Pacific leaders who made the greatest impact on culture and society. David graduated from the Rhode Island School of Design and currently serves on their Board of Trustees.◆Instagramhttps://www.instagram.com/reiinamoto/◆Twitterhttps://twitter.com/reiinamotoTimestamps:00:00:00 Intro00:02:06 Defining creativity at the adult's table and what that meant for David00:07:13 Company founders are the answer to what a company cares about00:08:52 Specifics that convinced a new beginning00:10:34 Work and life spaces are the best brand expressions00:19:27 Moments where creativity propelled business at Squarespace00:28:45 Is an ad spot during the Super Bowl worth it for companies?00:36:19 Career questions and a Midlife crisis00:43:55 Lightning Questions00:48:12 Three takeawaysSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The world around us keeps changing, and that's unlikely to slow down any time soon. What does it take to remain relevant in a deindustrialized world increasingly automated age of AI and machines?On this week's episode, we welcome David Lee, Chief Creative Officer of Squarespace, to hear his journey from designer to leader at one of the most successful tech companies in the US, his thoughts on why creativity is the only job left for humankind, and the increasing importance of working close to decision-makers to have a meaningful impact on business.David Lee is the Chief Creative Officer of Squarespace, leading their award-winning creative team. David has been honored as Brand CCO of The Year by Ad Age in addition to his team becoming Ad Age In-House Agency of the Year. During his time, Squarespace has been honored as the Brand of the Year by the Art Directors Club, and the number one globally awarded in-house agency of the year at the One Club for Creativity. David has won an Emmy Award, been included in the Adweek Creative 100 List and named as one of the Most Creative People in Business by Fast Company. He has also been recognized by the Gold House A100 list, honoring Asian Pacific leaders who made the greatest impact on culture and society. David graduated from the Rhode Island School of Design and currently serves on their Board of Trustees.◆Instagramhttps://www.instagram.com/reiinamoto/◆Twitterhttps://twitter.com/reiinamotoTimestamps:00:00:00 Intro00:02:37 David's leap from advertising to tech00:04:09 Brand is a culmination of touch points00:05:48 David's journey to become CCO at Squarespace00:08:58 Initial learnings about critical thinking00:19:45 Transitioning from an independent agency to a big holding company00:27:00 Creativity is the only job left for humankind00:28:09 Machines are good at analyzing patterns, Humans are good at breaking patterns00:31:26 Humanity needs to move upstream00:32:26 Creativity is about coming up with unique ideas to solve a problem00:37:02 Three takeawaysSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Laurie is an incredibly accomplished creative person. She has work in every major publication, author of several books, important design awards... I could go on. Nowadays she is focused on her book and workshop, How to Make Mistakes on Purpose  Dr. Lisa is upfront about her counter-transference. She identities with Laurie as far as age and career in commercial art, except Laurie soared where Dr. Lisa feels she flailed partly because of her self-esteem. Well, also, Laurie IS exceptionally talented. Laurie is unusual as a creative person in that she is so grounded and forward moving with her abilities. Laurie gives us insight as to how she got that way — her ability to thrive through her childhood with strong survival skills. More about Laurie HERE: www.rosenworld.com Follow Laurie HERE: https://www.instagram.com/rosenworld Get Laurie's Book: How to Make Mistakes on Purpose HERE: https://found.ee/howtomakemistakesonpurpose LAURIE ROSENWALD BIO Laurie Rosenwald is an author, designer, painter, and educator whose impressive body of work encapsulates her vivacious, outspoken, and colorful personality. Her most recent book, How to Make Mistakes on Purpose, which was the subject of her TEDx Talk and is accompanied by a touring workshop of the same name, gives readers and audiences insight into the beautiful world of creating through intentional acts of randomness - a way of working that helps individuals get unstuck and discover new skill sets. The workshop has been conducted for major businesses and brands like Google, Starbucks, Scholastic, Buzzfeed, and Johnson & Johnson, to name a few.  Fast, loose, and fun ultimately sums up Laurie's one-of-a-kind design style. Additional written works include: All The Wrong People Have Self-Esteem, And to Name But Just a Few: Red Yellow Green and Blue, and New York Notebook, as well as several essays for Communication Arts and other notable publications. Over her career, Laurie's work has included animation, product design, and both online and print media for companies like The Atlantic, Bloomingdale's, the city of Paris, Coca-Cola, Fiorucci, Ikea, JWT, Knopf, Neiman Marcus, Nickelodeon, Ogilvy, Random House, Shiseido, Sony, Sundance Channel, Virgin, The Wall Street Journal, Warner Brothers, The Whitney Museum. Her typeface, Loupot, designed in collaboration with Cyrus Highsmith, is published by Occupant Fonts. Her illustrations have appeared in The New Yorker, The New York Times, New York Magazine, The Atlantic, The Wall Street Journal, and Vanity Fair, among many other publications.  Outside of her career as a designer, Laurie has taught both Graphic Design and Illustration at The School of Visual Arts and Parsons School of Design, as well as Pratt Institute and New York University. She has been awarded by the Type Directors Club, Art Directors Club, American Illustration, Print Magazine, Communication Arts, and AIGA, and was nominated for the medal of AIGA and an Emmy Award.

Born in Bosnia. In Europe illustrated and art directed posters, record covers, books and comics. Arrived in U.S. in 1986. Was commissioned as an illustrator for many of the major magazines and newspapers in the U.S. and around the world.  In 1991 became an Art Director at Time Magazine, in charge of International editions.  In 1992 became an Art Director of New York Times Op-Ed pages. In 1995 established Mirko Ilic Corp., graphic design and 3-D computer graphics and motion picture title studio. Received Medals from Society of Illustrators, Society of Publication Designers, Art Directors Club, I.D. Magazine, Society of Newspaper Design, and others His work is in collections of institutions such as Smithsonian Museum, SFMOMA in San Francisco and MoMA in New York has 38 of his designs in their collection. He taught advanced design classes at Cooper Union with Milton Glaser, and master degree classes in Illustration at the School of Visual Arts. He also organizes and curates shows and lectures around the world. The most known of them is the Tolerance Project: A Traveling Poster Show, which appeared more than 157 times in 46 countries around the world. He is the co-author of the following books with Steven Heller: “Genius Moves: 100 Icons of Graphic Design With”  (North Light Books, USA, 2001) “Handwritten” (Thams & Hudson, UK, 2004) “The Anatomy of Design”  (Rockport, USA, 2007) “Stop, Think, Go, Do”  (Rockport, USA, 2011) “Lettering Large: The Art and Design of Monumental Typography” (The Monacelli Press, USA, 2013) “Presenting Shakespeare: 1,100 Posters from Around the World” (Princeton Architectural Press, USA, 2015) “Head to Toe: The Nude in Graphic Design” (Rizzoli, USA, 2018) “Milton Glaser: POP“ (The Monacelli Press, USA, 2023) And also he has co-authored these books with Milton Glaser: “The Design of Dissent“ (Rockport, USA, 2005) “The Design of Dissent, Expended Edition“ (Rockport, USA, 2017) On this episode, Mirko shares his one way ticket into the light. He also talks about the origins and the importance of the Tolerance Project, why great ideas are often right under our noses, shares how good design is something we don't notice, and more. Mirko is just one of the exceptional individuals featured on the podcast where Host Steven Shalowitz explores with his guest where they would go if given a one way ticket, no coming back! Their destinations may be in the past, present, future, real, imaginary or state of mind.  Steven's guests have included: Nobel Peace Prize Winner, President Jose Ramos-Horta; General David H. Petraeus, US Army (Ret.); Legendary Talk Show Host, Dick Cavett; Law Professor, Alan Dershowitz; Fashion Expert, Tim Gunn; Broadcast Legend, Charles Osgood; International Rescue Committee President & CEO, David Miliband; Former United States Senator, Joseph I. Lieberman; Playwright, David Henry Hwang; Journalist-Humorist-Actor, Mo Rocca; SkyBridge Capital Founder & Co-Managing Partner, Anthony Scaramucci; Abercrombie & Kent Founder, Geoffrey Kent; Travel Expert, Pauline Frommer, as well as leading photographers, artists, chefs, writers, intellectuals, etc.

Jochen Rädeker gehört als Designer, Stratege, Lehrender und Autor zu den profiliertesten Kreativen in Deutschland. Er studierte 1988-1994 Grafikdesign an der Kunstakademie Stuttgart und machte sich noch im Studium selbständig. 1996 gründete er neben einer Eventagentur zusammen mit Kirsten Dietz die Designagentur strichpunkt und 2013 das Designlabel type hype. Bis heute ist er Geschäftsführer der Firma Strichpunkt, die mit Hauptsitzen in Stuttgart und Berlin zu den größten und renommiertesten Designagenturen der Republik gehört. Strichpunkt betreut heute mit rund 130 Mitarbeiter:innen als globale Leadagentur die Marken u.a. von Audi, DFB, DHL, der F.A.Z, Otto Group oder Skoda. Strichpunkt hat darüber hinaus vielfach ausgezeichnete Markenauftritte u.a. für die Commerzbank, Daimler, delivery hero, die Ruhrtriennale, die Staatstheater Stuttgart und Dresden, den SWR oder Vorwerk sowie für große chinesische Unternehmen wie deli oder Weima geschaffen und rund 500 Geschäfts- und Nachhaltigkeitsberichte für Unternehmen von A wie adidas bis Z wie Zalando konzipiert. Aufsehen erregten u.a. das erste komplett digital gedachte und vollständig gecodete Corporate Design (für Audi 2016, auch der Relaunch 2021 stammt von Strichpunkt) und der erste Einsatz von künstlicher Intelligenz für ein Brand Portal (für die DHL 2018). Seit 2021 ist Strichpunkt Teil der myty group ag, deren Strategy Board Jochen leitet. Seit 2012 ist er außerdem Professor für Corporate Design und Corporate Identity an der hochschule konstanz, forscht u.a. zur Wahrnehmungspsychologie und ist seit 2019 Dekan der Fakultät für Architektur und Gestaltung. Zuvor war er neun Jahre Vorstandsmitglied des Art Directors Club für Deutschland (adc), von 2009-2012 als dessen Präsident. Jochen Rädeker berät Unternehmen und Institutionen in der Marken- und Kommunikationsstrategie, gibt Seminare und führt Workshops durch. Er hat mehrere Bücher geschrieben, ist regelmäßig Keynote Speaker bei internationalen Kongressen und Juror bei diversen Awards. Er ist verheiratet, hat einen erwachsenen Sohn und zwei kleine Kinder und lebt am Bodensee. Neben seinen Kindern, Professur und Agentur beschäftigt er sich mit eigenen Kunst- und neuen Buchprojekten, Kulinarik und nachhaltiger Gemeinschaftsverpflegung, kocht und segelt gerne und renoviert eine alte Mühle.

A cheeky Blind Shovel, this one with prolific cartoonist and animator Roman Muradov. We discuss Brooklyn, young Stalin, linguistics, suicide, and a pissing snake.Roman is an Armenian artist based in Brooklyn, NY. He has received numerous awards from various institutions like the Art Directors Club and the Society of Illustrators, and his books have been translated into a number of languages. His clients include the New Yorker, the New York Times, Penguin Random House, Criterion, Vogue, Paris Review, Wired, NYC Opera, Lucky Peach, Apple, Google, Notion.Header image: Roman Muradov, 2022

Jeffrey Everett is a successful designer, illustrator, and author working outside of Washington, DC. Jeffrey has had the pleasure of designing and illustrating for a wide variety of entertainment, corporate, and non-profit clients. Jeffrey has created designs for such bands as Jason Mraz, Social Distortion, Foo Fighters, The Decemberists, Flight of the Conchords, Gaslight Anthem, Lou Reed, The Bouncing Souls, and A Day to Remember. He has created work for companies such as RedBull, Simon and Schuster, The New York Times, The Washington Post, The Washingtonian, Variety, Universal Records, LiveNation, Dreamworks, and more.Jeff's work has been published in numerous books such as "New Vintage Type" and "Design Entrepreneur," and seen in major magazines including Print, Rolling Stone, Rock Sound, Alternative Press, New Noise, HOW, and Step Inside Design. He has his MFA in Graphic Design from The School of Visual Arts in New York City, NY.He is the recipient of gold and silver awards from The Art Directors Club and “best-in-categories” from the AdClub (Addys), and is included in multiple AIGA Fifty Show from 2006 to present. His work has been stapled on walls of acclaimed rock clubs, inked into brave people's skin, and framed in high-end galleries around the world. Jeff is the author, curator, and designer of “1,000 Garment Graphics” for Rockport Press, and has taught and lectured for American University, University of Baltimore, Maryland Institute College of Art, and the AIGA. His work has sold in galleries in New York City, Los Angeles, Chicago, Boston, and Washington, DC.Mentioned in the episodeRockets Are RedThe Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture.To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory.SPONSORSforaged. a hyper-seasonal eatery: Farm-fresh seasonal plates, beer & wine served in a warm, casual space lined with greenery. each item on the menu is comprised of local and seasonal ingredients. the concept is true to chef Chris Amendola's ethos in the kitchen, one that is deeply rooted in the woods. foragedeatery.com ★ Support this podcast ★

In der heutigen Sonderfolge von #allinnft ist Schauspieler und Comedian Uke Bosse zu Gast.Wir sprechen u.a. über das vergangene Art Directors Club #ADC Event "#metaverse Heaven or Hell", das am 28.11.2022 in Düsseldorf stattfand. https://www.adc.de/events/digital-experience/ALL IN NFT Homepage:https://www.allinnft.de/ALL IN NFT Genesis NFT Mint Seite/ Kauf:https://smartminty.io/all-in-nft-genesisALL IN NFT T-Shirt Mint Seite/ Kauf:https://smartminty.io/all-in-nft-tshirtsOpensea Kollektion ALL IN NFT T-Shirtshttps://opensea.io/de-DE/collection/all-in-nft-tshirtsOpensea Kollektion ALL IN NFT:https://opensea.io/assets/ETHEREUM/0x71608b3551895385637d59c3713e7369ecac2e97/0Social Media, Discord und offizielle Affiliate Links von All in NFT:Linktree :https://linktr.ee/mic_sebDiscord: https://discord.gg/4js6Pg7FJkTikTok: www.tiktok.com/@allinnft77Instagram: Mic_Sebhttps://instagram.com/mic_seb?igshid=...LinkedIn:https://www.linkedin.com/in/sebastian-michelsTwitter: @Mic_Seb91https://twitter.com/MicSeb91Twitch: https://www.twitch.tv/allinnft77YouTube: All in NFThttps://youtube.com/user/VRK226Kontakt:Sebastian@allinnft.deWhatsApp:+491733544148Bei den oben genannten Themen handelt es sich um keine Anlageberatungen. Der Podcast dient lediglich der Unterhaltung.Erläuterung zu Affiliate Links:Die mit ** gekennzeichneten Links sind sogenannte Affiliate Links. Kommt über einen solchen Link ein Einkauf zustande, werde ich mit einer Provision beteiligt. Für Dich entstehen dabei keine Mehrkosten. Wo, wann und wie Du ein Produkt kaufst, bleibt natürlich Dir überlassen.** weitere freiwillige Unterstützung:https://www.patreon.com/user?u=86396667Newsletter Barista Insights by Mic_Sebhttps://tab728b31.emailsys1a.net/247/735/e3ee874dc3/subscribe/form.html?_g=1695576545ALL IN NFT Homepage:https://www.allinnft.de/ALL IN NFT Merchandising Shop:https://all-in-nft.myshopify.com/Opensea Kollektion ALL IN NFT:https://opensea.io/assets/ETHEREUM/0x71608b3551895385637d59c3713e7369ecac2e97/0Linktree :https://linktr.ee/mic_sebDiscord: https://discord.gg/4js6Pg7FJkTwitter: @MicSeb91https://twitter.com/MicSeb91Twitch: https://twitch.tv/mic_sebYouTube: All in NFThttps://www.youtube.com/@Mic_Seb**Blockpit Code für deine einfache Steuererklärung mit Krypto und NFT Wallets:https://blockpit.cello.so/v7peWE3ssIIKontakt:Sebastian@allinnft.deGM Coffee Handy:+491733544148Bei den oben genannten Themen handelt es sich um keine Anlageberatungen. Der Podcast dient lediglich der Unterhaltung.Die mit ** gekennzeichneten Links sind sogenannte Affiliate-/ oder Unterstützungs-Links. Kommt über einen solchen Link ein Einkauf zustande, werde ich mit einer Provision beteiligt. Für Dich entstehen dabei keine Mehrkosten. Wo, wann und wie Du ein Produkt kaufst, bleibt natürlich Dir überlassen. --- Send in a voice message: https://podcasters.spotify.com/pod/show/sebastian-michels7/message

#ueberdentellerrand – der PodcastNews aus der Digital-, Kreativ-, Innovations- und Konsumwelt In diesem Podcast teilen wir unser Wissen, recherchieren und diskutieren und möchten zum Nach- oder Umdenken anregen.„Wir als ADC wollen mit Future Females möglichst viele kreative Frauen fördern!“ Dominik und Florian sprachen mit Dörte Spengler-Ahrens, Präsidentin vom Art Directors Club und CCO Jung von Matt SAGA, über ihr Herzensprojekt im ADC: die Förderung von weiblichen Kreativen und die Bewegung zur Gleichstellung und gegen Sexismus in der Werbebranche. „In den Agenturen gibt es wahnsinnig viele herausragende weibliche Kreative, die wir mit unserer Initiative Future Females erreichen wollen.“ Außerdem spricht sie über den Fachkräftemangel und wohin sich die Branche bei all dem angestoßenen Wandel wohl bewegen könnte. Apropo Wandel: Obendrauf gibt Dörte Tipps für eine Markenkommunikation in bewegten Zeiten – wie sollten Marken bei Corona, Krieg und wirtschaftlichen Sorgen kommunizieren. Alles und noch mehr in der neuen Folge #ueberdentellerrand. Viel Spaß dabei wünschen, Dominik Böcker,Florian Schleinig Links: Art Directors Club:https://www.adc.de Jung von Matt SAGA: https://www.jvm.com/de/agencies/jvm-saga/ #ueberdentellerrand ► Website: https://www.hamburg-news.hamburg/ueberdentellerrand► Newsletter: https://www.hamburg-news.hamburg/newsletter Die Hamburg Marketing GmbH übernimmt keine Haftung für die Inhalte externer Links. Für den Inhalt der verlinkten Seiten sind ausschließlich deren Betreiber verantwortlich. Das Gesprochene gibt die Meinung der einzelnen Personen wieder und repräsentiert nicht unbedingt die Meinung der Hamburg Marketing GmbH.

In der heutigen Sonderfolge ist Burkhard Müller zu Gast.Wir sprechen u.a. über das anstehende Art Directors Club (ADC) Event "Metaverse Heaven or Hell", das am 28.11.2022 in Düsseldorf stattfinden wird. https://www.adc.de/events/digital-experience/ALL IN NFT Homepage:https://www.allinnft.de/ALL IN NFT Genesis NFT Mint Seite/ Kauf:https://smartminty.io/all-in-nft-genesisALL IN NFT T-Shirt Mint Seite/ Kauf:https://smartminty.io/all-in-nft-tshirtsOpensea Kollektion ALL IN NFT T-Shirtshttps://opensea.io/de-DE/collection/all-in-nft-tshirtsOpensea Kollektion ALL IN NFT:https://opensea.io/assets/ETHEREUM/0x71608b3551895385637d59c3713e7369ecac2e97/0Social Media, Discord und offizielle Affiliate Links von All in NFT:Linktree :https://linktr.ee/mic_sebDiscord: https://discord.gg/4js6Pg7FJkTikTok: www.tiktok.com/@allinnft77Instagram: Mic_Sebhttps://instagram.com/mic_seb?igshid=...LinkedIn:https://www.linkedin.com/in/sebastian-michelsTwitter: @Mic_Seb91https://twitter.com/MicSeb91Twitch: https://www.twitch.tv/allinnft77YouTube: All in NFThttps://youtube.com/user/VRK226Kontakt:Sebastian@allinnft.deWhatsApp:+491733544148Bei den oben genannten Themen handelt es sich um keine Anlageberatungen. Der Podcast dient lediglich der Unterhaltung.Erläuterung zu Affiliate Links:Die mit ** gekennzeichneten Links sind sogenannte Affiliate Links. Kommt über einen solchen Link ein Einkauf zustande, werde ich mit einer Provision beteiligt. Für Dich entstehen dabei keine Mehrkosten. Wo, wann und wie Du ein Produkt kaufst, bleibt natürlich Dir überlassen.** weitere freiwillige Unterstützung:https://www.patreon.com/user?u=86396667Newsletter Barista Insights by Mic_Sebhttps://tab728b31.emailsys1a.net/247/735/e3ee874dc3/subscribe/form.html?_g=1695576545ALL IN NFT Homepage:https://www.allinnft.de/ALL IN NFT Merchandising Shop:https://all-in-nft.myshopify.com/Opensea Kollektion ALL IN NFT:https://opensea.io/assets/ETHEREUM/0x71608b3551895385637d59c3713e7369ecac2e97/0Linktree :https://linktr.ee/mic_sebDiscord: https://discord.gg/4js6Pg7FJkTwitter: @MicSeb91https://twitter.com/MicSeb91Twitch: https://twitch.tv/mic_sebYouTube: All in NFThttps://www.youtube.com/@Mic_Seb**Blockpit Code für deine einfache Steuererklärung mit Krypto und NFT Wallets:https://blockpit.cello.so/v7peWE3ssIIKontakt:Sebastian@allinnft.deGM Coffee Handy:+491733544148Bei den oben genannten Themen handelt es sich um keine Anlageberatungen. Der Podcast dient lediglich der Unterhaltung.Die mit ** gekennzeichneten Links sind sogenannte Affiliate-/ oder Unterstützungs-Links. Kommt über einen solchen Link ein Einkauf zustande, werde ich mit einer Provision beteiligt. Für Dich entstehen dabei keine Mehrkosten. Wo, wann und wie Du ein Produkt kaufst, bleibt natürlich Dir überlassen. --- Send in a voice message: https://podcasters.spotify.com/pod/show/sebastian-michels7/message

Philipp Thesen ist Designer und Stratege und zählt zu den profilierten Vordenkern für strategisches Design und die digitale Transformation von Produkten, Prozessen und Geschäftsmodellen. Er ist Professor für Mensch-System-Interaktion an der Hochschule Darmstadt und Leiter des Human Factor Labs. Das von ihm 2020 gegründete Lab erforscht digitale Technologien und deren Anwendung in menschlichen Bedarfssituationen mit dem Ziel der Verbesserung von Mensch-Technik-Interaktion. Thesen ist weiterhin Unternehmensberater und Gründer von Prenew, einer Strategieberatung für den digitalen Wandel. Er hilft Unternehmen dabei, Design in ihren Organisationen effektiv zu führen und auf den Ebenen Formgebung, Prozess und Strategie nachhaltig zu verankern. Zu seinen Kunden gehören internationale Beratungsfirmen sowie Unternehmen wie SAP, Porsche, Merck, EnBW, Siemens oder Viessmann. Zuvor war er Designchef von Europas größtem Telekommunikationskonzern Deutsche Telekom. Hier verantwortete er das Produktdesign, die Designstrategie und die weltweite Implementierung von Design-Prinzipien. Er transformierte die Designfunktion im Konzern in eine strategische Rolle, gründete die Telekom Design Academy und führte eine konzernweite Ausbildung in Design Thinking ein. Unter seiner Leitung entstanden international eingeführte Hardware-Software-Service Innovationen, die mit mehr als 200 Designpreisen ausgezeichnet wurden. Philipp Thesen ist Autor zahlreicher Publikationen zu Design, Innovation und digitaler Zukunft. 2019 erschien sein Buch “the digital shift” im Steidl Verlag. Er ist als Sprecher auf Konferenzen und Mitglied zahlreicher Internationaler Designjuries tätig, u.a. beim ADC, ADC of Europe, Annual Multimedia, DDC, German Design Award, iF und Design Effectiveness Award der British Design Business Association. Er ist Mitglied des Art Directors Club, war 2020 bis 2022 Präsidiumsmitglied und zuvor Advisory Board Member des Design Management Institutes Boston. Seit 2022 ist er im Beirat des Bundespreis Ecodesign des Bundesumweltministeriums.

Orion Tait is a Director and Partner at Buck, leading its New York studio in creating commercials and content for major brands from all over the world. With a background in filmmaking, fine arts and graphic design, his varied body of work is rooted in visual storytelling and continues to push the boundaries of innovation and quality in the commercial realm.  A champion and steward of Buck's well regarded culture of collaboration, Orion has led teams large and small, developing campaigns and directing work for Google, Nike, IBM, Mastercard, Umbro, Oreo, and Sherwin Williams. As a respected leader in his industry, Orion has lectured at numerous schools and festivals across the globe and served or chaired on several awards juries, including YCN, AICP and the Art Directors Club. In this Podcast, Allan McKay interviews Orion Tait, Director and Partner at Buck, about making creative choices as a company, people and relationships as the most important asset, innovation and technological disruption, effects of COVID-10 of creative businesses – and collaborating with Tim Miller on Love Death + Robots Season 3. For more show notes, visit www.allanmckay.com/365.

Zu Gast im OOH!-Podcast ist Benjamin Lommel. Er ist Gründer & Geschäftsführer der Agentur Lommel Ludwig und darüber hinaus Teil der PlakaDiva-Jury und Mitglied im Art Directors Club. Im OOH!-Podcast spricht er über die Bedeutung von Kreativität und die neuen Herausforderungen, die sich dabei aus der Digitalisierung der Aussenwerbung ergeben.

This episode of #TheNewAbnormal features Gustav Martner, Head of Creative (Nordics) at Greenpeace.  Having worked with numerous leading agencies (inc being Exec Creative Director , EVP (Europe) and MD (Sweden) at CP+B ), he's also been a member of numerous award juries, including The ONE Show, Art Directors Club, Cannes Lions, D&AD, and NY Festivals.  Gustav has also been the Chairman of the Swedish Association of Communication Agencies and a featured speaker at conferences such as Eurobest, Web 2.0 Berlin, Hong Kong Kam Fan Awards and the TechCrunch50 in San Francisco. In addition, he's been an advisor for the Swedish government in regulatory issues related to digital media ,and co-founded 'Refugee Phones'. However, today, Gustav is Head of Creative at Greenpeace (Nordic) and you'll no doubt have seen / heard / read about his activity at the #CannesLions2022, which we discuss in this episode along with his perspectives on a wide range of issues impacting campaigning and activism, and his viewpoints on the future...

Ignacio is a former executive, and for years he led the world-famous Art Directors Club, marketing and other business adventures. After a successful 15-years career, Ignacio decided to give all that up to live in a camper and travel the world before returning a few years later as an entrepreneur.He is now a mixologist and owner of an adventure coffee company called The Troubadour. The company is a roving coffee cocktail that is built from a combination of passion for mixology and travel. The Troubadour is a Great Gatsby party on wheels whose mission is to create a five-dimensional party experience with handcrafted cocktails, art, light show and music to elevate celebrations. Ignacio's father committed suicide when he was 22, and this sealed a deal in his head that life was really short, which disallowed him from doing what really fed his soul. He always had the idea of what his life is built-in now, and quitting his executive life to tap into the unknown led to the many miracles and breakthroughs in his entrepreneurship journey. Segmented timestamps:[01:39] - About Ignacio, his journey and how he found his passion in life[07:38] - Ignacio shares about the time when the odds were against him and was uncertain about the future, but he carried on to his rebirth[19:21] - Why your perfect life might weigh much better than what they told you to write on the vision board[22:21] -Ignacio's most important lesson that inspires him the most in his pursuit of success [26:55] - Some practical tips on finding your core and balance by doing things that give you pleasure [20:19] - Ignacio advice on how to build the skills you need to cultivate the resilience to go out and live the life that you desire[33:52] - How to reach out, connect, support and get Troubadour coffee  Notable Quotes:"You can't build a new house from an old one; you have to destroy the old." ~ Ignacio Oreamuno"Sometimes we take life so seriously, but we're here just to play; pleasure is where we find all the beautiful things about ourselves." ~ Ignacio Oreamuno“There will always be resistance, hesitation, and uncertainty when shifting your identity and making a rebirth.” ~ Noah Scott“Just do the things that you love even if they seem crazy or ridiculous at some point." ~ Ignacio OreamunoReach Ignacio at:Website: https://troubardour.com/pages/our-coffeeLinkedIn: https://www.linkedin.com/in/ihaveanidea/Instagram: https://www.instagram.com/thetroubardour/Facebook: https://web.facebook.com/troubardour/?_rdc=1&_rdr Get more from The Big Possible show:Website: https://www.thebigpossible.com   RSVP for our next epic retreat here Follow us on social: @follownoah @thebigpossible

Allan Chochinov is an educator, writer, speaker, and advocate for the power and capacity of design. He is the Founding Chair of the MFA in Products of Design graduate program at the School of Visual Arts in New York City, and a partner of Core77, the design network serving a global community of designers and design enthusiasts since 1995. Allan has moderated and led workshops and symposia at venues from the Aspen Design Conference to the Rockefeller Center at Bellagio, and has been invited to speak on design at organizations from frog Design and SYPartners to the Robert Wood Johnson Foundation, The New York Times, and the National AIGA. A frequent lecturer and critic, he has worked with students at schools including MIT, Yale School of Management, Columbia School of Business, RMIT, IIT, and Carnegie Mellon. Prior to SVA and Core77, his work in product design focused on the medical, surgical, and diagnostic fields (early work focused on HIV/AIDS, and later projects included work for Johnson & Johnson, Oral-B, FedEx, and Herman Miller). He has been named on numerous design and utility patents, and has received awards from The Art Directors Club, The One Club, I.D. Magazine, and Communication Arts. He has also served on the boards of the National AIGA organization, Designers Accord, Design Ignites Change, and NYCxDESIGN. Episode Mentions: Tanaka Kapec Design Group http://www.wedesigntosimplify.com/ Change Everything You Hate About Meetings With This One Single Word Follow Allan on Twitter | Instagram | LinkedIn Show website link: https://mailchi.mp/designlabpod/allanchochinov This episode is sponsored by: Fortune Brainstorm Design, to be held May 23-24 in Brooklyn is a curated experience for passionate and successful design and design-minded professionals. Join Fortune and be inspired by diverse examples of design excellence, explore how design thinking and practice can be challenged and advanced, meet and network with high-level peers, and leave with concrete ideas and partnerships to drive transformation within your organization. Listeners of Design Lab with Bon Ku can use code “designlab” for a 20% discount on registration!  For more information or to register go to FortuneBrainstormDesign.com. More episode sources & links Sign-up for Design Lab Podcast's Newsletter Newsletter Archive Follow @DesignLabPod on Twitter Instagram and LinkedIn Follow @BonKu on Twitter and Instagram Check out the Health Design Lab Production by Robert Pugliese Cover Design by Eden Lew Theme song by Emmanuel Houston

This week on the Design Driven Life, Wendy Yates speaks with Arjun Rai. Arjun is a New York City based entrepreneur originally from West Windsor, New Jersey (aka Princeton Junction). Since high school, Arjun has been networking with some of the most well known entrepreneurs and even worked on a few projects and startups of his own.Upon graduation, Arjun pursued his career opportunities and came to New York City where he enrolled at the New York Institute of Technology in 2011 with scholarships and grants. Following a few weeks into college, Arjun launched his second startup, fuelbrite.com, a social media agency focused on small businesses and startups, and a student-focused organization, TheBizDen.After interning at a PR and ad agency in the summer of 2012, Arjun quickly saw the need for yet another startup within the tech space and raised a seed investment round to build it out. That startup became Wrkbench.io which was a virtual collaboration space designed for creative and visual people (we liked to say we make visual conversations).After spending a few years and learning the ins and outs of running a venture backed startup, Rai set out to modernize another industry related to his former passion of social media. The startup would be known as HelloWoofy.com which is a social media management platform driven by artificial intelligence to help small to medium sized businesses with digital marketing.Arjun currently lives in New York City. Arjun went to the NYIT School of Management (majoring in Small Business and Entrepreneurship). He also holds several notable awards and has been previously or is currently a member of the Phi Eta Sigma Honor Society and Golden Key International Honour Society. Professionally, Arjun has also been a member of The One Club, The Art Directors Club, The Advertising Club of NY, Social Media Marketing Society, IVY Connect Club etc.Featured on: Entrepreneur Magazine, Forbes, Inc Magazine, MarTech Today, Search Engine Land, NASDAQ, Small Business Trends and more.the Design Driven Life is sponsored by Well Fit Human Retreats. Well Fit Human combines travel, fitness, and humanitarian work in vibrant destinations. Create positive impact through personal growth during our life-changing experiences. elevate yourself on their upcoming retreats.Buzzsprout - Let's get your podcast launched!Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Rob Wengel the CEO of GutCheck, founder of Experience Innovation, and iced tea drinker extraordinaire sits down with Craig Dubitsky, Chief Innovation Strategist at Colgate-Palmolive, the founder of Hello Products and likely the friendliest guy you'll ever meet. In this inaugural episode, Craig and Rob take a spirited and fast-paced look at the importance of being human-centric in designing and marketing everyday products.From how Method soap was launched through to the reason why his favorite book is an anthology of design patents, Craig reveals why every touch point between a brand and its audience matters, why being rooted in empathy is so important, and why you should reject those who tell you can't do something.Craig's BioCraig is obsessed with design, transformational brands, and elevating the everyday things around us. He was an early investor and board member in method, the co-founder and creative lead at eos Products, the CMO of Popcorn, Indiana, and a board member of the Art Directors Club. He is Chairman of Lexicon's Advisory Board because he digs names and was named to Advertising Age's Creativity 50 as one of the Most Influential and Innovative Creative Thinkers and Doers. Craig's a lover, not a fighter, and started Hello Brands because he was tired of hearing about a war in his mouth. So, let's dig in and see what makes Craig Dubitsky tick, why he's so darn successful, and why GutCheck thinks he and the brands he leads are gutsy. To learn more about what it means to be gutsy, check out the Gutsiest Brands webpage.Check out Craig's recommended song by visiting the Spotify – Gutsiest Brands Podcast Playlist . Don't forget to like and share it! We'll regularly be adding our guest's recommended songs.  

Lauren Hom is a California-born designer, illustrator & hand lettering artist with a 250k strong following on Instagram. She is known for her use of bright colour palettes & playful letterings and has worked for clients such as Starbucks, YouTube, TIME Magazine, Google and AT&T. She has also been recognised by Communications Arts, the Art Directors Club, the One Club, the Type Directors Club and the Webby Awards. But how did it all start?As with all STIMY episodes, we start from the very beginning: with Lauren's childhood & how she ended up studying at the School of Visual Arts for, of all courses, advertising! While there, she met influential figures who had a deep influence on her decision to become a freelance artist. Turns out, being the junior director of a big ad agency in New York wasn't the dream job she'd thought it would be!  Lauren also peels back the layers on some of her most popular passion projects, beginning with Daily Dishonesty - which landed her a book deal upon graduation! That proved pivotal, as it gave her a financial cushion to launch a freelance career. Three things stood out with Lauren's life story:her talent in lettering;her ability to use passion projects to change the trajectory of her freelance career, repeatedly; andher willingness to be open about how she executes her projects, markets them and what she earns! And finally, why she is now going on a sabbatical and entering culinary school.If you've ever been curious about the business side of an artist's career, then this is the episode for you.Highlights4:58 Work hard, snack hard5:38 Doing advertising11:40 Becoming a Junior Art Director in a big New York city ad firm13:36 Daily Dishonesty16:52 Seeing Daily Dishonesty go viral18:51 Getting an illustration agent20:14 Knowing when to say no to a client22:59 Planning to go freelance24:17 Earning $100,000 by Year 3 of freelancing25:12 Growing an audience on Instagram28:27 “Will Letter for Lunch” side project31:28 Getting clients like Microsoft & LinkedIn in less than 1 year34:12 Flour Crown & Peen Cuisine39:30 Traveling 1.5 years around the world40:47 Being inspired more by every day life44:35 Taking Back Sunday46:36 Taking a creative sabbatical to go to culinary school54:48 Would Lauren ever do street art?

Highlights from the conversationI think Wrapped is a magical project because it's one of the only marketing projects where you have millions of people sharing their own experience of the year through the share cardStart with guiding principles – What does your brand stand for? What are you trying to do? How does that come to life?That's part of the magic of Wrapped – you release it to the world and then it just kind of takes its own life.We have this lens where we don't really talk about Spotify. We don't say ‘we're great, we have millions of songs'. We tell stories, and majority of the stories we tell are through the lens of what's happeningThe brand is always, in one way or another, echoing the sentiment of the company and its foundersSimple, graphic, colorful became three fundamentally important words that we could apply to all of the design work we were doing More about Rasmus Wängelin Originally from Sweden, Rasmus is a New York based designer & director currently working as Global Head of Brand Design at Spotify. In his role at Spotify, Rasmus leads a team of designers, art directors and design directors to spearhead Spotify's brand and marketing design-initiatives globally. Since joining in 2016, the Spotify in-house team has been recognized as “In-house agency of the year” 4 times — 18'(Ad-Age) & 19' 20' 21'(ADC).Prior to Spotify Rasmus spent 8 years at R/GA leading design-teams across clients like Nike, Samsung and Google.His work has been globally recognized and awarded by Cannes Lions, One Show, Art Directors Club, D&AD and more. Rasmus has taught classes at Hyper-Island, School of Visual Arts, Columbia University and was a design jury for 2018 The One Show.Find Rasmus here:Website | LinkedIn | Instagram Show NotesPeople:Alex BodmanAlex TanguayBen CrickBen Crick on One More QuestionBrian CollinsCompanies and organisations:COLLINSMiscellaneous:Spotify Wrapped How you can help:There are four ways you can help us out.Give us your thoughts. Rate the podcast and leave a comment.Share this as far and wide as you can - tell your friends, family and colleagues about us (caveat: if you own a family business, these may all be the same people)Tell us how we can create a better podcast - tell us what you liked, didn't like, or what you'd like to hear more (or less) ofTell us who you'd like to hear on the podcast. Suggest someone that you think we should interview.One More Question is a podcast by Nicework, a purpose-driven company helping people who want to make a dent in the world by building brands people give a shit about.One of the things we do best is ask our clients the right questions. This podcast came about because we want to share some of the best answers we have heard over the last 13 years. We talk to significant creators, experts and communicators we encounter and share useful insights, inspiration, and facts that make us stop and take note as we go about our work.Hosted by our founder Ross Drakes.Subscribe iTunes, Spotify, Stitcher, Google PodcastsMusic by: @dcuttermusic / http://www.davidcuttermusic.com

“You have to see this.” That's the message I see alongside a link sent to me by a friend. “Umm… I'm kind of busy, you know? I'm in the middle of things, working and I don't have time for links.” I fire back. He insists, “No, you really need to see this.” So I open up the link and see... an inkblot. An inkblot?!? Big deal! Then he tells me to play the video, and I do. I find myself completely enthralled as this inkblot suddenly becomes a creature that turns into an adorable monster. Oh, and the artist creating it is drawing it upside-down and backward! From white pages to inkblots to monsters, this art comes to life before my eyes. And each monster clearly has its own story behind it. I have to know who the artist is. I want to talk to him and find out everything I can because anyone with the talent to turn inkblots into monsters has won me over. How do you organically create something from nothing like that? Find out in this episode as I sit down with that incredible artist, Stefan G. Bucher. We discuss why starting your story in the middle helps you overcome resistance and why doing things for yourself without an audience might be the better way for you to go. You'll also hear about the role of storytelling in highlighting the common experience, how you can do things to feel less alone in the world, and Stefan's incredibly amusing technique to help you uplevel your storytelling game. What you will learn in this episode: Why your task is to find something, not create something Why connection is such an essential part of great storytelling How different mediums can unlock new ways to approach storytelling Who is Stefan? Stefan G. Bucher is a writer, graphic designer, illustrator, and all-around bookaholic. Born in Germany, he came to California and studied at the Art Center College of Design. His first introduction to book design happened as a child when he poured over the catalogs of the Wilhelm Busch Museum in Hannover. That early access began a lifelong journey to design and produce books in the same delightful and fascinating fashion that those early catalogs did for him. Stefan has received rewards, features, and recognition from design books and magazines and prestigious institutions in the literary world. He won the Yellow Pencil Award for Book Design from British Design and the Art Direction and the Art Directors Club of New York. Numerous book design exhibitions have featured his work such as those hosted by the American Institute of Graphic Arts, Minneapolis' Walker Art Center, and the Cooper Hewitt Smithsonian Design Museum. Stefan's most popular work, however, is the online animation series Daily Monster where he filmed himself drawing a new monster from random inkblots for 100 days. This series has enjoyed millions of views and downloads and inclusion in the Communication Arts Illustration and American Illustration annuals, and even new life in book form. In addition, he has worked with a wide range of entertainment, advertising, educational, and institutional clients and collaborated on projects with big names like Sting, director Tarsem, and The New York Times. Links and Resources: 344 Books @344books on LinkedIn @stefangbucher on YouTube 100 Days of Monster by Stefan G. Bucher Stefan's Skillshare Class Storytelling School Website @storytellingschool on Instagram @storytellingSchool on Facebook

Highlights from the conversation:Since it's a living organism, a brand can behave really well if it's managed well. But it can also misbehave. There's also no such thing as a perfect brandIn the industry, we hand out brand manuals and they're sometimes treated as the Bible that the in-house design team has to conform to, but I actually don't see style guide that way – I see style guide as parameters[On research] What I want to do is get down to the very bottom of it. What is this thing? What is this subject? What is this topic? And a lot of times these projects came to us as something that is so alien that we [asked] – are we really qualified to do this?The total body of the work doesn't have a singular style to it. But rather, we always design very contextually, very specifically. But within that specific context, we want to be as creative and as expressive as possibleI think that's a fascinating way of thinking about our craft. That part of it is creating the visual, but part of it is also convincing human beings to understand, to make the leap, or to communicateI think sometimes clients hold the designers at an arm's length. They don't necessarily let them into the building. They don't let them see the bad stuff or, you know, actually understand how things work More about Natasha Jen Natasha Jen is an award-winning designer, an educator, and a partner at Pentagram. Born in Taipei, Taiwan, she joined Pentagram's New York office in 2012. A four-time National Design Award nominee, Natasha's work is recognized for its innovative use of graphic, verbal, digital, and spatial interventions that challenge conventional notions of media and cultural contexts. Her work is immediately recognizable, encompassing brand identity systems, packaging, exhibition design, digital interfaces, signage and wayfinding systems, print and architecture. Her recent clients include high-profile tech companies and startups, such as Google, Waze, Magic Leap, Essential Products. Past clients include a wide range of collaborators from cultural and consumer segments, including Nike, Puma, Target, Ralph Lauren Home, Kate Spade, Chanel, Tata Harper, The Costume Institute at the Metropolitan Museum, Harvard Art Museums, Guggenheim Foundation, Fernando Romero Enterprise/FR-EE and OMA/Rem Koolhaas. Natasha he has earned awards from every major design competition and is frequently published in publications, including Wired, Fast Company, Kinfolk Magazine, Print Magazine, Creative Review, Metropolis, She was a winner of Art Directors Club's Young Guns 4 and also served as a judge for the competition in 2007, 2011, and 2017. In 2014, Wired Magazine named her as one of nine “Designers Who Matter.” She serves on the board of Storefront for Art and Architecture in New York. She also served as Board of Directors of the New York Chapter of the American Institute of Graphic Arts (AIGA) from 2014 to 2017. She is a faculty member at the School of Visual Arts BFA Graphic Design Program and is a guest critic at Harvard Graduate School of Design, Yale University School of Art, Cooper Union, Rhode Island School of Design, and the Maryland Institute College of Art.Find Natasha here: Website | LinkedIn | Instagram Show NotesCompanies and organisations:Calvin KleinDonna KaranMiscellaneous:Taipei, Taiwan How you can help:There are four ways you can help us out.Give us your thoughts. Rate the podcast and leave a comment.Share this as far and wide as you can - tell your friends, family and colleagues about us (caveat: if you own a family business, these may all be the same people)Tell us how we can create a better podcast - tell us what you liked, didn't like, or what you'd like to hear more (or less) ofTell us who you'd like to hear on the podcast. Suggest someone that you think we should interview.One More Question is a podcast by Nicework, a purpose-driven company helping people who want to make a dent in the world by building brands people give a shit about.One of the things we do best is ask our clients the right questions. This podcast came about because we want to share some of the best answers we have heard over the last 13 years. We talk to significant creators, experts and communicators we encounter and share useful insights, inspiration, and facts that make us stop and take note as we go about our work.Hosted by our founder Ross Drakes.Subscribe iTunes, Spotify, Stitcher, Google PodcastsMusic by: @dcuttermusic / http://www.davidcuttermusic.com

Named “one of the most creative people in business” by Fast Company, and “one of the most influential designers working today” by Graphic Design USA, Debbie Millman is also an author, educator, curator and host of the podcast Design Matters. Debbie's podcast, Design Matters is one of the first and longest running podcasts, and as host and founder, Millman has interviewed nearly 500 of the most creative people in the world over the past 17 years. Design Matters won a 2011 Cooper Hewitt National Design Award, in 2015 Apple designated it one of the best overall podcasts on iTunes, and in 2021 designated it one of their “All Time Favorite Podcasts.” In addition, the show has been nominated for six Webby Awards, and has been listed on over 100 “Best Podcasts” lists, including one of the best podcasts in the world by Business Insider and Vanity Fair. Debbie is the author of seven books, including two collections of interviews that have extended the ethos and editorial vision of Design Matters to the printed page: How to Think Like a Great Graphic Designer and Brand Thinking and Other Noble Pursuits. Both books have been published in over 10 languages. Her most recent book, Why Design Matters: Conversations with the World's Most Creative People, will be published by Harper Collins in Fall 2021.  She is also the co-owner and Editorial Director of PrintMag.com. Debbie co-founded the world's first graduate program in branding at the School of Visual Arts in New York City in 2010. Now in its eleventh year, the program has achieved international acclaim. The inaugural class wrote and designed the Rockport book Brand Bible: The Complete Guide to Building, Designing and Sustaining Brands, in 2013 the students created branding for the Museum of Modern Art's retail program, Destination: New York, the class of 2015 worked to reposition a Kappa Middle School in Harlem, the class of 2016 rebranded Mariska Hargitay's Joyful Heart Foundation, the class of 2017 worked with Kholsa Ventures, Performance Space New York and Chobani Incubators, and the class of 2018 worked with Brian Koppelman to design a logo for the television show Billions. The class of 2021, along with selected alumni, created the most recent design of the Sundance Institute Film Festival. For 20 years, Debbie was the President of Sterling Brands, one of the world's leading branding consultancies. She arrived in 1995 when the company was two years old and had 15 employees in one office. Under her leadership, Sterling grew to 150 employees in five offices and she was instrumental in the firm's acquisition by Omnicom in 2008. Omnicom is one of the world's largest holding companies. While there she worked on the logo and brand identity for Burger King, Hershey's, Haagen Dazs, Tropicana, Star Wars, Gillette, and the No More movement. Debbie's writing and illustrations have appeared in publications such as The New York Times, The Washington Post, New York Magazine, Print Magazine, Baffler and Fast Company. She is the author of two books of illustrated essays: Look Both Ways and Self-Portrait As Your Traitor; the latter of which has been awarded a Gold Mobius, a Print Typography Award, and a medal from the Art Directors Club. Her artwork is included in the Boston Biennale, Chicago Design Museum, Anderson University, School of Visual Arts, Long Island University, The Wolfsonion Museum and the Czong Institute for Contemporary Art. She has been critic-in-residence at Cranbrook University, Old Dominion University and Notre Dame University, and has conducted visual storytelling workshops all over the world. Debbie is also President Emeritus of AIGA, one of five women to hold the position in the organization's 100-year history and was awarded a lifetime achievement award from AIGA in 2019. She is a frequent speaker on design and branding and has spoken at TED Women (her talk was one of the Top Ten most popular talks of 2020), moderated Design Yatra in India, presented keynote lectures at Rotman School of Management, Princeton University, Michigan Modern, the Hong Kong Design Association, the Melbourne Writers Festival, Design Thinkers in Toronto, the Festival of Art and Design in Barcelona, Webstock in New Zealand, QVED in Munich, ING in Dubai, ND2C in Pakistan, PS One in China, Web Summit in Lisbon and many more. She has been a juror for competitions including Cannes Lions, The Clio's, the One Club, the D&AD awards and many, many more. Debbie is currently working with Law & Order SVU actor and activist Mariska Hargitay's Joyful Heart Foundation to eradicate sexual assault, domestic violence, child abuse and the rape-kit backlog. On this episode, Debbie shares her one way ticket to the few minutes before the “Big Bang”. She also talks podcasting, branding and her fabulous new book, Why Design Matters: Conversations With the World's Most Creative People. Debbie is just one of the engaging personalities featured on The One Way Ticket Show, where Host Steven Shalowitz explores with his guests where they would go if given a one way ticket, no coming back. Their destinations may be in the past, present, future, real, imaginary or a state of mind. Steven's guests have included: Nobel Peace Prize Winner, President Jose Ramos-Horta; Legendary Talk Show Host, Dick Cavett; Law Professor, Alan Dershowitz; Fashion Expert, Tim Gunn; Broadcast Legend, Charles Osgood; International Rescue Committee President & CEO, David Miliband; Former Senator, Joe Lieberman; Playwright, David Henry Hwang; Journalist-Humorist-Actor, Mo Rocca; SkyBridge Capital Founder & Co-Managing Partner, Anthony Scaramucci; Abercrombie & Kent Founder, Geoffrey Kent; Travel Expert, Pauline Frommer, as well as leading photographers, artists, chefs, writers, intellectuals and more.    

Learn about HelloWoofy and automated social media. This week's guest is Arjun Rai, founder of HelloWoofy. HelloWoofy is on a mission to support small businesses and is a social media tool that allows you to use AI to create, curate and schedule content anywhere. Arjun is a New York City based entrepreneur originally from West Windsor, New Jersey (aka Princeton Junction). Since high school, Arjun has been networking with some of the most well known entrepreneurs and even worked on a few projects and startups of his own. Upon graduation, Arjun pursued his career opportunities and came to New York City where he enrolled at the New York Institute of Technology in 2011 with scholarships and grants. Following a few weeks into college, Arjun launched his second startup, fuelbrite.com, a social media agency focused on small businesses and startups, and a student-focused organization, TheBizDen. After interning at a PR and ad agency in the summer of 2012, Arjun quickly saw the need for yet another startup within the tech space and raised a seed investment round to build it out. That startup became Wrkbench.io which was a virtual collaboration space designed for creative and visual people (we liked to say we make visual conversations). After spending a few years and learning the ins and outs of running a venture backed startup, Rai set out to modernize another industry related to his former passion of social media. The startup would be known as HelloWoofy.com which is a social media management platform driven by artificial intelligence to help small to medium sized businesses with digital marketing. Arjun currently lives in New York City. Arjun went to the NYIT School of Management (majoring in Small Business and Entrepreneurship). He also holds several notable awards and has been previously or is currently a member of the Phi Eta Sigma Honor Society and Golden Key International Honour Society. Professionally, Arjun has also been a member of The One Club, The Art Directors Club, The Advertising Club of NY, Social Media Marketing Society, IVY Connect Club etc. Featured on: Entrepreneur Magazine, Forbes, Inc Magazine, MarTech Today, Search Engine Land, NASDAQ, Small Business Trends and more. Key Takeaways: The future of social media How to build a brand in startup mode How to fundraise capital How to build community Sign up for https://hellowoofy.com (HelloWoofy). Connect with https://www.instagram.com/arjunraime/ (Arjun). Music: Tuesday by Sascha Ende, Music.io

Many of you won't recognise that name. You won't find it attached to tweets his latest ‘hot' campaign, or next to a picture of his latest lunch; he doesn't do social media. You won't find his agency in any new business tables; they only handle three clients at a time, so tend to have long client relationships. You won't find their scripts in any production companies; they direct them in-house. This is because, when, 23 years ago, the goal for his new agency was that the clients should be in the limelight, not the agency. While I've heard many say that kind of thing, I've never seen anyone actually do it. They gave themselves an undercover name; The Kowloon Wholesale Seafood Co. Then disguised the outside of the agency like a run-down seafood operation, just to throw off any potential clients who happen to be in the area. And just to be awkward, he changed his name from Dick to Rick Sittig. You won't find either of them in any of advertising's Hall of Fame's. Which is weird. Because between them they've done some of the best, most famous, longest running ad campaigns ever. Jack In The Box, Joe Isuzu, the Energiser Bunny and the Nissan Pathfinder campaign to name but a few. So at the risk annoying Rick by bringing on some unwanted adulation – if anyone out there works for the One Show, Art Directors Club or Clios; come on, induct this man immediately. It's embarrassing. Wed had a great chat, I hope you enjoy it.

Highlights from the conversation:A brand is an organism composed of hundreds of elements, logos, copywriting, photography, colours, and of course, typographyBig companies spend millions of dollars on their fucking brand. Why can't they spend a little bit more money to make sure they have a font that is recognisable?They don't even have to say anything. They just have to put type on a page and people would immediately recognise the brand It's very difficult to maintain what's good about the brandThey're rooted in this idea of being digital-friendly but they're falling in line with everybody elseIf you spend $250,000 for a photo campaign, that gets used for one season. If you spend the same amount for a font that you use for 20 years, the cost is negligible More about MatteoMatteo Bologna is the Founder and Creative Director of New York-based branding studio Mucca, a singular personality whose multidisciplinary background in architecture, graphic design, illustration, and typography has helped him build one of the most respected companies in design. Over his celebrated career, Matteo's focused but fun-loving approach has earned strong client partnerships across countless industries, from startups, small retailers and beauty powerhouses to hospitality where he has designed for various renowned hotels and restaurants. This includes work for Sephora, Barnes & Noble, Target, WeWork, Whole Foods, Adobe Systems, the legendary Balthazar in NY and many others.Matteo is also a former board member of AIGA NY and president emeritus of the Type Directors Club, frequently lecturing around the world about his passion for typography. For his efforts, he has been widely recognized by industry publications, competitions and exhibitions, including: Communication Arts, Eye, Graphis, HOW, PRINT, the Art Directors Club, and the James Beard Foundation.Find Matteo here: Website | LinkedIn | Instagram Show NotesPeople:Rainer ScheichelbauerCompanies and organisations:MuccaGlyphsBalenciagaAbsolut VodkaMiscellaneous:FontographerMatteo's course – Type Design for Non-Type designersMatteo's workWhole FoodsRise by WeWorkSephoraFarmer's Fridge How you can helpThere are four ways you can help us out.Give us your thoughts. Rate the podcast and leave a comment.Share this as far and wide as you can - tell your friends, family and colleagues about us (caveat: if you own a family business, these may all be the same people)Tell us how we can create a better podcast - tell us what you liked, didn't like, or what you'd like to hear more (or less) ofTell us who you'd like to hear on the podcast. Suggest someone that you think we should interview. One More Question is a podcast by Nicework, a purpose-driven company helping people who want to make a dent in the world by building brands people give a shit about.One of the things we do best is ask our clients the right questions. This podcast came about because we want to share some of the best answers we have heard over the last 13 years. We talk to significant creators, experts and communicators we encounter and share useful insights, inspiration, and facts that make us stop and take note as we go about our work.Hosted by our founder Ross Drakes.Subscribe iTunes, Spotify, Stitcher, Google PodcastsMusic by: @dcuttermusic / http://www.davidcuttermusic.com

In this episode, we are joined by Kerry Feuerman. He is a Creative Director and author of The Five Deadly Sins of Presenting Creative Work. Kerry's past experience includes creative director at Fallon Minneapolis, Vice Chairman and Group Creative Director at The Martin Agency, and Global Creative Director at TBWAChiatDay.He's been deservingly celebrated with awards from the One Show, CA, Cannes, Clios, Art Directors Club of New York, London International Awards, Kelley Awards, Obies, ADDYS, Advertising Festival of New York, IF4 Film Festival.And Kerry has worked with global brands such as Mercedes-Benz, Citi, U.S. Army, UPS, Saab, Wrangler, Infiniti, Seiko, Nissan.Kerry is the founder of Last Hurdle presentation skills workshops.Together we will discuss what's trending in business and marketing and learn more about Kerry in the process.

Konstantin Groznov is a designer and art director with over 10 years of experience in communication and digital design. Prior to design, he was engaged in graffiti and was one of the leading Russian graffiti artists. In 2018, he launched his own design studio groznov.co, which manages to combine collaboration with major brands and work for clients in the fields of culture, art, music, cinema and science. Among the clients are samokat.ru, aliexpress.ru, sports.ru, dasreda.ru, sit.org, vodorodfilm.ru, etc. The studio's works have repeatedly received awards from international and Russian design and advertising festivals: Art Directors Club of Europe, FWA, Awwwards, Art Directors Club Russia, Great Eight Festival, etc. The studio is in the top 33 creative agencies of the country according to the Association of Communication Agencies of Russia. In 2020, with partner Ruslan Bakiev, he focused on launching his own digital services in the field of culture and art. He devotes a significant part of his time to travel, surfing and music. Plays guitar and piano. FIND KONSTANTIN ON SOCIAL MEDIA Facebook | Instagram ================================ SUPPORT & CONNECT: Support on Patreon: https://www.patreon.com/denofrich Twitter: https://twitter.com/denofrich Facebook: https://www.facebook.com/denofrich YouTube: https://www.youtube.com/denofrich Instagram: https://www.instagram.com/den_of_rich/ Hashtag: #denofrich © Copyright 2022 Den of Rich. All rights reserved.

Konstantin Groznov is a designer and art director with over 10 years of experience in communication and digital design. Prior to design, he was engaged in graffiti and was one of the leading Russian graffiti artists.In 2018, he launched his own design studio groznov.co, which manages to combine collaboration with major brands and work for clients in the fields of culture, art, music, cinema and science.Among the clients are samokat.ru, aliexpress.ru, sports.ru, dasreda.ru, sit.org, vodorodfilm.ru, etc. The studio's works have repeatedly received awards from international and Russian design and advertising festivals: Art Directors Club of Europe, FWA, Awwwards, Art Directors Club Russia, Great Eight Festival, etc. The studio is in the top 33 creative agencies of the country according to the Association of Communication Agencies of Russia.In 2020, with partner Ruslan Bakiev, he focused on launching his own digital services in the field of culture and art.He devotes a significant part of his time to travel, surfing and music. Plays guitar and piano.FIND KONSTANTIN ON SOCIAL MEDIAFacebook | Instagram

Caleb Bennett is a graphic designer with a passion for storytelling and genuine connection. He most recently held the title of Design Director for Condé Nast Traveler and previously the same title for WIRED. Bennett also held art director positions at The New York Times Magazine and Texas Monthly. He hails from Del Rio, Texas, and studied Communication Design at Texas Tech University. He was named one of Print magazine's “20 Under 30 New Visual Artists” and also selected as an Art Directors Club Young Gun in 2012. His work has been awarded and recognized by various organizations such as the Art Directors Club including a gold for cover design, the Type Directors Club, as well as The Society of Publication Designers (SPD) and the American Society of Magazine Editors (ASME). Bennett led a redesign effort for Condé Nast Traveler in 2016 that went on to win gold at SPD's annual competition. While at The New York Times Magazine, Bennett was a part of the 2011 redesign team and also a member of the Design Team of the Year for 2010 and 2011, as selected by the Art Directors Club. He has lectured at the HOW Design Conference and judged various competitions including the ADC Young Guns, SPD, and the Society of Illustrators. He also served as the Southwest Region judge for Print Magazine's 2014 Regional Design Annual and co-chaired SPD's 52nd annual competition and gala in 2017. --- Send in a voice message: https://anchor.fm/theholoholopodcast/message Support this podcast: https://anchor.fm/theholoholopodcast/support

„Jeder Fakt wird faszinierender, wenn du ihn in irgendeiner Art von Geschichte erzählst.“ Davon ist mein Gast Hannah Johnson fest überzeugt. Hannah erzählt im Podcast, wie sie eine riesige Dankesanzeige anspornte, in der Kreativbranche was zu verändern – und wie sie darüber auch den Weg auf die Bühnen fand. Sie ermutigt, in Vorträgen die eigene Lebenserfahrung und Verletzlichkeit zu zeigen, denn das schaffe Verbindung zu den Menschen. Außerdem sprechen wir darüber, wie sie mit Aufregung umgeht und warum man nicht immer nur tun sollte, was man liebt. Hannah ist Director Interactive Storytelling bei der Digitalagentur Demodern in Hamburg. Ihre Aufgabe: Sie erzählt begeisternde Geschichten via Augmented und Virtual Reality. Außerdem ist sie Botschafterin für Diversität und Inklusion – unter anderem für den Art Directors Club für Deutschland - ADC. Das Branchenmagazin W&V kürte sie kürzlich zu einem der „100 Köpfe, die bewegen“, die Horizont zählt sie zu den „35 Kreativen, die die Branche aufrütteln" und das Lifestyle-Magazin emotion nominiert sie zum "Female Leader 2020". Hannah rockt die Kreativbranche – und das mit ganz viel Herz und einer riesigen Expertise.

In dieser Episode geht es um eine Kampagne, die aktuell erst anläuft – mit dem #letsnailit und rund um das Motto „Superkraft Kreativität“. Wer den Art Directors Club bereits etwas besser kennt, weiß, dass dieser jedes Jahr ein großes Kreativfestival veranstaltet – und im Rahmen der Festivalwoche auch die Gewinner*innen der ADC Wettbewerbe auszeichnet – und zwar mit den ADC Nägeln.Auf dem diesjährigen Festival wird Kreativität gefeiert – denn Kreativität findet immer einen Weg. Kreativität schafft Lösungen über Kommunikation hinaus: für Wirtschaft, Gesellschaft, Wissenschaft. Kreativität ist die Voraussetzung für Wandel, für neues Denken, für jede Form von Innovation. Kreativität ist Intelligenz, die Spaß hat und Spaß macht. Kreativität ist ansteckend, im besten Sinne. Kreativität ist Leistung und Aufgabe zugleich – heute vielleicht mehr als je zuvor. Das Ziel? Innovationen kreieren, für die Zukunft motivieren und Aufbruch kommunizieren.Aber auch: Eine Kampagne gestalten und orchestrieren, die inspiriert und überzeugt, Strahlkraft hat und – nicht ganz nebensächlich – die uns das ADC Festival im Mai schmackhaft macht. Und über diese Kampagne, die das Unmögliche möglich macht und den Pudding tatsächlich an die Wand nagelt spricht unsere Host Sara Kelly-Husain mit Jo Marie Farwick, Gründerin und Geschäftsführerin von Überground in Hamburg, einem Kreativkollektiv, das anders, neu und holistisch denkt und Dirk Weyer, der Fotos und Filme für weltweit bekannte Brands wie Versace, Porsche, Rimowa, Miele kreiert.Hier einige Auszüge:Jo Marie: „Ich glaube, dass dieses ganze Ding Kreativität in jedem Menschen schlummert und deswegen so eine geile Superkraft ist.“Jo Marie: „Meine eigene Kreativität hege und pflege ich – und ich spiel mit ihr.“Dirk: „Dieses Rumgeschreie, die Überforderung – ich glaube das ist auch nichts für Erwachsenenköpfe.“Jo Marie: „Wenn ich jetzt eine intelligente Frage stellen sollte: Wann fragen wir uns wieder nach dem Wie und dem Was – und nicht allein nach dem Wann.“Dirk: „Was ich an der Kollaboration toll finde ist, dass es grundsätzlich erstmal um schlaue Ideen geht. Die Idee steht im Vordergrund.“Jo Marie: „Mit so einem wackeligen Pudding, kann man sich schon vorstellen, wie toll das gerade digital funktioniert. Das ist ein richtiger Thump-Stopper.“ Die Credits des Kreativkollektivs, die diese Kampagne möglich gemacht haben:Idee & Konzept: Überground; Creative Direction: Anna Meissner, Jo Marie Farwick; Art Direction: Anita Müller, Jo Marie Farwick; Beratung/PM: Susann ErmesFoto & Motion: Studio Dirk Weyer; Fotograf: Dirk Weyer; Fotoassistenz: Mirko Kräft; Foodstyling & Setdesign: Volker Hobl; Studiomanagement: Carolin Sonnenschein; Post Production: POP – Florian Schmucker, Jonas Ellerbrock, Malte Frank, Timo Falke; Equipment: MBF FilmtechnikFilmproduktion: Überground; Location: Studio Dirk Weyer; Foodstyling: Volker Hobl; DOP: Zamarin Wahdat; Kamera Assistentin: Katharina Elvers; Beleuchter: Christopher Sälzer; Regie: Jo Marie Farwick, Michael Eilers, Zamarin Wahdat, Anita Müller, Anna Meissner; 3D/Animation/Post Production: Mädchenfilm - CGI (Fliegender Nagel): Fred Schuler, Benjamin Lach, Eleven VFX; Concept Support: Youndes Marquardt, Mädchenfilm; Edit Film: Michael Eilers; Musik: Simon Heeger, René Billotin (2WEI Music)Alle Infos zum ADC Festival 2021 findet ihr hier: www.adc.de/festival Über den Art Directors Club (ADC)Im Art Directors Club für Deutschland e.V. haben sich rund 750 führende Köpfe der kreativen Kommunikation zusammengeschlossen. Clubmitglieder sind renommierte Designer, Journalisten, Architekten, Szenographen, Fotografen, Illustratoren, Regisseure, Komponisten, Produzenten, Spezialisten für digitale Medien und Werber. Der ADC sieht sich als Maßstab der kreativen Exzellenz und zeichnet herausragende Kommunikation aus. Dazu veranstaltet er Wettbewerbe, Kongresse, Seminare, Vorträge, Events, B2BVeranstaltungen und gibt diverse Publikationen heraus.Mehr Infos unter: adc.de See acast.com/privacy for privacy and opt-out information.

Atzīmējot savu simtgadi, Jāzepa Vītola Latvijas Mūzikas akadēmija pērn izdeva grāmatu Stories in Sounds. Pavisam nesen tā Art Directors Club of Europe apbalvojumā ieguva zelta godalgu kategorijā Editorial design. Pie grāmatas tapšanas strādāja vesela komanda, taču šoreiz fokusējamies uz tās dizainu. Raidījumā ciemojas Stories in Sounds līdzradītāja — dizaina praktiķe, Latvijas Mākslas akadēmijas dizaina nodaļas vadtāja, kā arī dizaina studijas Nord ID partnere un dizaina direktore Maija Rozenfelde. Ar Maiju mēs runājam gan par veltījumu Mūzikas akadēmijas simtgadei, gan iedziļināmies grafikas dizaina aktualitātēs Latvijā un pasaulē.

Die aktuellen Politspielchen sind eine reine Männerveranstaltung. Das ist eigentlich ziemlich aus der Zeit gefallen – aber kein Einzelfall. Auch in der Bundesliga der Werber herrscht das „Machobusiness“, sagt Dörte Spengler-Ahrens. Die Topwerberin der Agentur Jung von Matt ist als erste Frau zur Präsidentin des Art Directors Club gewählt worden. Die oberste Werberin Deutschlands zitiert gerne Heidi Kabel und liebt es, für einen Werbespot einem unschuldigen Pony Hair-Extensions ins Fell zu flechten (sie schwört, dass das Pony dabei glücklich war). Im Podcast erzählt Dörte Spengler-Ahrens, wie viel Provokation in der Werbung noch möglich ist, wie die Agenturen durch die Coronakrise kommen, wie sie Frauen fördern will und was ihre schlimmste Erfahrung mit einem Mann im Job war. Spoiler: Es geht um eine Vorstandssitzung und einen derben Spruch übers Kaffeekochen. Die ganze schockierende Wahrheit hören Sie in dieser Folge. Eine Übersicht über alle Folgen des Chefgesprächs finden Sie hier: https://www.wiwo.de/podcast/chefgespraech/

Suzanne McKenzie  Website: https://www.ablemadeshop.com/  Instagram: https://www.instagram.com/ablemade/   Facebook: https://www.facebook.com/ablemade   YouTube: https://www.youtube.com/channel/UCqPzVAd87OnXt4_5z56p10A  Suzanne McKenzie is an award-winning entrepreneur, Chief Creative Officer and designer, passionate about using design and collaboration to make the world a better place. She is Founder and CCO of Able Made, an active lifestyle brand that inspires healthy living and combines bold design with responsible manufacturing and giving back. While leading Able Made, Suzanne has designed eco-friendly and domestically-produced products and secured designer collaborations that have helped raise awareness, loyalty and funds for Pencils of Promise, VH1 Save the Music Foundation, CFDA Fashion Targets Breast Cancer, Guggenheim Museum, The Met, High Line and her 11-year-old non profit, Ucal McKenzie Breakaway Foundation.Suzanne's 21 years of leadership experience includes work in the advertising and design consultancy worlds for numerous national and global brands at Arnold Worldwide and Continuum. As VP Creative Director, Design and Strategy Consultant, she has worked for Museum of Modern Art (MoMA), Tom Ford, IDEO, 1 hotel, FEED Projects, Supergoop with Maria Sharapova, the Olympic Games, AIGA, ESPN, and Institute of Contemporary Art. As Co-Founder of Farm to Home/VP Creative of ECOfashion Corp, Suzanne oversaw the launch, branding and product development of its affordable organic home and lifestyle GOTS-certified product offering, produced responsibly in India. Its Farm to Home collection launched in 2019 and sold out on QVC.Suzanne has been on the jury for numerous international design award shows, including the One Show and the Ad Club. She was selected and recognized at the White House by President Obama as a Global Emerging Entrepreneur, and also is a Sappi Ideas that Matter North America Grant recipient. Suzanne has taught Design and Social Entrepreneurship at the School of Visual Arts in New York City, and leads the Ucal McKenzie Breakaway Foundation, a non profit that gives city youth access top soccer, health and art education in collaboration with Puma, Jaden Smith's JUST Water, Whole Foods, MLS, Children's Hospital, and more.Suzanne’s Purposely Podcast on iheartradio features conversations with her creative collaborators on how they help build stronger communities. Her work has been featured in Business Week, Vanity Fair, Graphic Design USA, Vogue, and WWD. Her work has been recognized by the Art Directors Club, the Hatch Show, the One Show, WebAwards, and Mobius Awards. In this episode, we discuss: How to partner and collaborate to fund your business How to work the strategy of your relationships Retail development in 2020 Staying local to grow business Pivoting to online by leveraging technology and creative experiences How passion gives the strength to get through the hard days

Community • Education • Arts' @theroundtable interview with visual artist Andrea Haydon Studio Haydon LLC is a multifaceted art and design firm in Indianapolis. President/Founder, Andrea Haydon, has been studying and creating art for nearly 30 years. She has studied experiential art and design in Hesse, Germany, was a part of the design team that created the graphics for Super Bowl XLVI in Indianapolis, has served as an adjunct professor at Herron School of Art + Design, and was named one of the Top 100 Best Young Advertisers in the Country by the Art Directors Club of New York. Andrea lives in Garfield Park, where you'll find her enjoying a pint at Garfield Brewery, playing her violin, practicing yoga, painting, or hanging out with her cat/roommate Karl. For more about Andrea and her artwork, go to http://www.studiohaydon.com/ @theroundtable is a podcast & short videos series hosted by Community • Education • Arts (@4CEArts), where we discuss the Arts with writers, musicians, artists, and all kinds of creatives! Podcast episodes air on our website (https://cearts.org/theroundtable-podcast ) on Fridays at 4pm, and corresponding videos are uploaded to our YouTube channel: https://www.youtube.com/channel/UCKGauoE3k3ssNBmeCnYGH2Q/playlists?view=1&sort=da&flow=grid Contact us at info@cearts.org if you are interested in being a guest @theroundtable! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/attheroundtable/support

About the guest: Debbie Millman is an American writer, educator, artist, curator, and designer who is best known as the host of the podcast Design Matters. She has authored six books and is the President Emeritus of the American Institute of Graphic Arts (AIGA) and chair and co-founder of the Masters in Branding Program at the School of Visual Arts in New York City. She was previously the editorial and creative director of Print magazine. Follow @debbiemillman: https://www.instagram.com/debbiemillman/ Hosted by: Ananya Khaitan About the host: Ananya Khaitan is a graphic designer and writer. His work has been recognized by the likes of D&AD, Art Directors Club, Design Indaba, Forbes India 30 Under 30, CII, and Kyoorius. Follow @ananyakhaitan: https://www.instagram.com/ananyakhaitan/ Presented by Baatein: Baatein, which translates to ‘a conversation' is the National Institute of Design's unique interactive platform to learn and share. From telling us about your experiences and passions to showcasing what you do; it can be anything you want it to be! Follow us on Instagram @baatein.nid: https://www.instagram.com/baatein.nid/ Subscribe to our YouTube channel: www.youtube.com/c/BaateinNID Follow us on LinkedIn: https://www.linkedin.com/company/baatein-nid

Many of you won’t recognise that name. You won't find it attached to tweets about how hot his latest campaign is next to a picture of his latest lunch; he doesn't do social media. You won't find his agency in any new business tables; they only handle three clients at a time, so tend to have long client relationships. You won't find their scripts in any production companies; they direct them in-house. This is because, when, 23 years ago, the goal for his new agency was that the clients should be in the limelight, not the agency. While I've heard many say that kind of thing, I've never seen anyone actually do it. They gave themselves an undercover name; The Kowloon Wholesale Seafood Co. Then disguised the outside of the agency like a run-down seafood operation, just to throw off any potential clients who happen to be in the area. And just to be awkward, he changed his name from Dick to Rick Sittig. You won't find either of them in any of advertising's Hall of Fame's. Which is weird. Because between them they’ve done some of the best, most famous, longest running ad campaigns ever. Jack In The Box, Joe Isuzu, the Energiser Bunny and the Nissan Pathfinder to name but a few. So at the risk annoying Rick by bringing on some unwanted adulation - if anyone out there works for the One Show, Art Directors Club or Clios; come on, induct this man immediately. It’s embarrassing.

Meet Nigel Parry. He is an award-winning photographer who has been privileged to photograph not only celebrities but also the most important and influential figures of our time, like Donald Trump, Meryl Streep, Robin Williams, Barack Obama, and Leonardo DiCaprio. Nigel Parry began his photographic career in London in 1988 and moved to New York City in 1994. Since then, he has been commissioned by the most distinguished publications, advertising agencies, entertainment, corporate and music companies worldwide. And here’s a fun fact: the logo for my podcast, the image of me on the sofa, is a Nigel Parry. This week, I am honored and excited to share with you my conversation with Nigel. Everyone has a pivotal moment in their journey that sets them on a path to greatness.  In this episode, Nigel shares the gutsy moment that set him on the course to become a photographer. He also shares his commitment to his craft and how he believes maintaining integrity throughout his work no matter who he is photographing. Nigel also talks about his work with Operation Smile and the importance of giving back to the community. The question I would love for you to ponder as you listen to Nigel share his story and insights is this: Are there opportunities in your life and your career where you can begin to bring your talent and your boldness to help the world around you?  Here is more about Nigel: His accolades include, The European Magazine Award, The Award of Excellence from the U.S. Society of Newspaper Design, The American Society of Magazine Editors Portrait Award, Hasselblad Master Photographer, Communication Arts, ASME, Graphis, Photo District News, Art Directors Club, International Photography and American Photography Awards among others. His work has been exhibited worldwide at various art galleries, museums and festivals including; The National Portrait Gallery in London, The National Galleries of Scotland, a show at The National Museum of Film & Photography, Le Festival Pour l'image Perpignan, and the Premier exhibit at the NY Photo Festival. He has also had the pristine honor of being the first portrait photographer to be invited to exhibit his work at the prestigious Cannes Film Festival. Nigel has been involved in several global children’s charities including the Starlight Foundation and Operation Smile. He has donated his time attending several missions on behalf of Operation Smile photographing children in the far remotes of China, Brazil, and India. His powerful photographs help to create further awareness of the charity. In 2010, Operation Smile honored him with the Universal Smile Award for his photographic and charitable contributions. His first book Sharp was published in December 2000 and is considered to be one of the most exceptional celebrity portrait books. His second book Precious was published in the fall of 2004. His third book BLUNT was published in the fall of 2006 with multiple exhibitions following the release in New York City. In 2007 his fourth book A Journey of Smiles was published on behalf of Operation Smile to benefit the charity with an exhibition following its release in New York. All books have received worldwide critical acclaim. Tune in to hear Nigel’s thoughts pertaining to: How he got started with photography, his career taking photographs of infamous people, and his opinion of Donald Trump. (6:21) What happens if a sitter is not happy with the results of the photograph. (8:18) Nigel’s mantra, “Integrity should always be intact.” (10:28) The use of props when photographing comedians and how comedians can be difficult to photograph. Plus, Nigel talks about photographing Conan O’Brien - visit Nigel’s website to see some of the photos mentioned during our conversation! (11:16) He talks about pairing the portraits of Monica Lewinski and Hillary Clinton on his Instagram account. (15:00) One move Nigel made that was gutsy. He shares how he got his start in photography and who helped him make his gutsy move. (18:00) The importance of fulfilling your responsibilities and then exploring your wild ideas. (23:00) Nigel describes his specific photograph style. Refer to the resources below to see a screenshot of his description. (25:00) He then takes us around his home office (this was unplanned) and showcases some of his work. Check out the video clip below to take the virtual tour! (27:00) You learn how to read people and make connections quickly. (33:03) Nigel explains why when he is taking a photograph, there is nothing else more important. (34:25) His experience with photographing Luciano Pavarotti and Barack Obama. (35:19) Operation Smile, the effects on the children, and when Nigel realized he’d love to give back. (40:00) We ended our conversation with this BIG question: Is there room for more dignity in today's media and our consumption of it?   Links to quench your curiosity: Nigel’s website  Nigel’s Portraits on Instagram Nigel on Instagram Blunt Sharp Operation Smile: A Journey Of Smiles Learn more about the BOOST Your Market Value: An End-To-End On Demand Job Search System Focused On Helping You Stand Out. Code PODCAST for $100 off.

This week Tim and Chris talk with Jeffrey Everett of rockets-are-red.com.Jeffrey Everett is a successful designer, illustrator, and author working outside of Washington, DC. Jeffrey has had the pleasure of designing and illustrating for a wide variety of entertainment, corporate, and non-profit clients. Jeffrey has created designs for such bands as Jason Mraz, Social Distortion, Foo Fighters, The Decemberists, Flight of the Conchords, Gaslight Anthem, Lou Reed, The Bouncing Souls, and A Day to Remember. He has created work for companies such as RedBull, Simon and Schuster, The New York Times, The Washington Post, The Washingtonian, Variety, Universal Records, LiveNation, Dreamworks, and more.Jeff’s work has been published in numerous books such as "New Vintage Type" and "Design Entrepreneur," and seen in major magazines including Print, Rolling Stone, Rock Sound, Alternative Press, HOW, and Step Inside Design. He has his MFA in Graphic Design from The School of Visual Arts in New York City, NY.He is the recipient of gold and silver awards from The Art Directors Club and “best-in-categories” from the AdClub (Addys), and is included in multiple AIGA Fifty Show. His work has been stapled on walls of acclaimed rock clubs, inked into brave people’s skin, and framed in high-end galleries around the world. Jeff is the author, curator, and designer of “1,000 Garment Graphics” for Rockport Press, and has taught and lectured for American University, University of Baltimore, Maryland Institute College of Art, and the AIGA. His work has sold in galleries in New York City, Los Angeles, Chicago, Boston, and Washington, DC.Select Clients include:Dreamworks, Universal Records, National Public Radio (NPR), Redbull, Washington Post, New York Times, Simon and Schuster, The Washingtonian, Politico, The American Civil Liberties Union (ACLU), LiveNation, SideOneDummy Records, Rise Records, Mercury Records, The Fillmore, Wilco, Lou Reed, Flight of the Conchords, Foo Fighters, Jason Mraz, A Day to Remember, The Gaslight Anthem, The Decemberists, The National, Wilco, Lou Reed, Phish, Placebo, and many more.

Christopher Hoffmann, Koblenz, Katholische Kirche: Eva Jung ist Kommunikationsdesignerin in Hamburg und Mitglied im renommierten „Art Directors Club“. Die engagierte Christin sieht Gott als...

Christopher Hoffmann, Koblenz, Katholische Kirche: Eva Jung ist Kommunikationsdesignerin in Hamburg und Mitglied im renommierten „Art Directors Club“. Die engagierte Christin sieht Gott als...

In unserer allerersten Folge spricht Ulli mit Simon Stahl, seines Zeichens Creative Director bei fischerAppelt, Jurymitglied im Art Directors Club und frischgebackener Wirtshausbesitzer. Was spielt bei Agentur-Pitches wirklich eine Rolle? Welche Aufgaben hat man als Creative Director? Und was, wenn man nebenher noch Wirt wird? All das und vieles mehr erfahrt ihr in unserem Podcast-Debüt!

Fernando Machado is Global Chief Marketing Officer of Burger King. In just six short years, Fernando has led some of the all-time most famous and awarded campaigns, including 'McWhopper', 'Whopper Neutrality', and most recently 'Whopper Detour', winner of three Grand Prix at Cannes in 2019, including Titanium. Under Fernando’s leadership, Burger King has been honored as Client/Brand of the Year at every major award show. Fernando is the first person ever to be awarded two separate times by Adweek as Grand Brand Genius. He’s been recognized by Business Insider as the #1 Most Innovative CMO, by the Art Directors Club as Marketer of the Year, by AdAge’s Top 50 Most Creative People in Business, and by both Forbes and Fast Company’s Top 100 Most Creative People in Business. Prior to joining Burger King, Fernando worked his way up at Unilever for 18 years, starting as an intern, and culminating with the groundbreaking Dove 'Beauty Sketches', 2013 Titanium Grand Prix winner at Cannes.