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So who boycotted and who just didn’t get invited? Yes, we’re rounding out the Met Gala gossip with a rundown of protests (SJP?), basic-b*tch heartbreak (Hugh & Sutton) and bathroom selfies (alllll the hot ones). VOTE FOR US: Help Out Loud win the People’s Choice category of the Australian Audio Awards. Find the link to vote RIGHT HERE. Plus, who actually won in the finally-finished court battle of Lively vs Baldoni vs Lively? And what James Valentine’s Year Of Living Gratefully taught us about living (and dying) well. And, Cameron Diaz is a mum again at 53 and no-one is calling it a 'miracle!' Have we turned a page on older parents’ double standards? Don’t forget that if you SUBSCRIBE to Mamamia, you get access to extra Out Loud segments, every single one of our podcasts, and every MM story ever written. https://www.mamamia.com.au/subscribe/ SUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: Fake Nips & Wandering Hands: Mia’s Met Gala Verdict Listen: We Do Not Agree On The Taxi Cab Theory Listen: She Opened The Fridge. What She Found Ended Her Friendship. Listen: The Real Reason You Resent Your Friends Listen: The One Minute Of Live TV That Undid A Noughties Icon Listen: Scurrilous Gossip: An Engagement, An Affair & A Royal F-You Listen: The Family Ritual That Has Us Divided Listen: The Most Honest Dating Questionnaire We've Ever Seen Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: Blake Lively just got the last laugh at the Met Gala. Blake Lively and Justin Baldoni have just settled their lawsuit. The timing says everything. Cameron Diaz quit Hollywood for 10 years. When she returned, she noticed one major difference. 'As a fashion editor, I urgently need to discuss these 9 Met Gala looks in excruciating detail.' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast. - - - - - - - - - - - - - - - - -AUTO GENERATED TRANSCRIPT: Speaker 1: Hello and welcome to Mamma Mia out Loud. It's what women are actually talking about on Wednesday, sixth of May. I'm Holly Wainwright and the first thing I'm going to do, the first order of business, very simple out louder is if you love your show, please vote for us in the upcoming Australian Audio Awards as a People's Choice category. It's really straightforward. We're going to put a link in the show notes, We're probably going to put it on social We're going to put it everywhere. We would love your support to help us get there. That is the end of my manifesto for the day. Speaker 2: Okay, Well, I just would like to say as a lazy girl that there are all these things to fill out. Speaker 3: You only have to fill us out. Speaker 1: Yeah, you don't have to do everything is just tick Mama Mia out Loud. Speaker 3: So important for the lazy girls out there, and as as a bossy girl, I just concur with Holly. I know you can make that ask of people, and I think that's a great step towards greet our self assertive. Speaker 1: I'm growing, I'm growing, Amelia Growing. I'm Amelia Lester and I'm Claire Stephen and here's what's made our agenda for today. So now that it's all over and many damning text messages scatter the ruins of what was the biggest celebrity story for a couple of years, Just who did win in the whole? Blake Lively and Justin Baldoni court case drama. Speaker 3: Plus Cameron Diaz is a mother again at fifty three, and Holly has some thoughts. Speaker 2: And veteran broadcaster James Valentine filmed the last year of his life for the ABC, and between a living wake and his openness around voluntary assisted dying, he's opened a conversation around what it means to die a good death. Speaker 1: But first, Amelia Lester, the Mecgala. Speaker 3: Did it feel different this year? A lot of people said that it did. Amy Odell, a fashion writer, wrote in her background newsletter that the Metgala was all money, no soul, and she wasn't alone in this criticism. Basically, people are saying that because Jeff Bezos and his wife Lauren Sanchez Bezos sponsored the event, it just started to feel a little craven, a little gross, and less fun than it used to be. So there were a lot of protests in New York. In the lead up to the event, they were all centered around Amazon's labor practices, its environmental damage. And then there are those who say, no, that's not true. The mech color's always been about rich people giving their money towards a good cause, which is the Metropolitan Museum's Costume Institute. And look, they did raise a lot of money on Monday night. The Bezos has bought the event for about ten million dollars, but then the event itself raised about forty one million. This is US dollars, which is a lot for this event. It's apparently kind of record breaking. So are we just complaining about nothing, Holly? Do you feel like celebrities stayed away? Did they agree that this was a sort of off event this year? Speaker 1: So I'm going to give you a list of the celebrities who people say boycotted, because none of the people so far who everyone is saying has boycott had actually verbalized that they were boycott. Speaker 3: Well, we are boycotted, which we just had to take a stand because. Speaker 1: I do feel a little bit like what soul when you said it's all money those salt like, I do feel a bit that I don't think this is the first year. It has been pointed out in the culture, particularly since trump Ism and all those things, that this feels very hunger games. Yes, yes, and I know although there's a more direct link here, you know, with the Bezos is buying it. I do feel like Jeff sort of bought it for Lauren as a gift, which is a nice gift. Nice, but it feels more avert. So anyway, let's look at this because when I was watching it on Tuesday and then I did a subscriber episode with me as straight afterwards, I was like, well, all the celebrities are there, like Beyonce's there. All the famous people I was expecting to be there were there. Speaker 2: Well, actually a lot of famous feom we didn't expect to be there were there. Speaker 1: Yeah. And then it was pointed out to me who was not Billie Eilish. Now that tracks because she doesn't like billionaires, and she remembers she gave a speech a while ago where she said, you lot give more of your money away. So I don't think she would have been either welcome or willing to go, because Jeff might have worried that she was going to shake him down in the bathroom to share more of his money. Zoe Saldana, she is somebody who is usually there. She was not there. She is almost as rich as the billionaires. She is an unbelievably well paid actress because of her Marvel and Avatar connections. So Zoe's at home count of dollars. Olivia Rodrigo that tracks too. She is political, That would not be surprising. She's in the middle of an album promo, so you might have usually expected her to be there. Lady Gaga an interesting one because she could have been expected to be there because she's in The Devil Wears prior of Too and the rest of the Well. Meryl wasn't there, but Meryl never goes, so that's not surprising. But Anne Hath the way Emily Blunt Stanley Tucci were all there. Speaker 2: Stanley Tucci with Emily blount sister, it's always fun. Speaker 1: So maybe Gaga, but also she's kind of said lately that she's going to focus on promoting things she wants to promote rather than just being around. Lewis Hamilton come on, like he's literally dating Kim Kardashian, who's extremely bezos adjacent. I don't think that was a political. Speaker 3: Let's get to the big guns. Some were missing, right, some who we might have realized. Sarah Jessica Parker. Speaker 1: Yeah, so, Sarah Jessica I reckon. That is probably I would say that's almost definitely a boycott. But she went to support Anna at a dinner, but she didn't. Speaker 3: Go to the There was a dinner on the weekend before the gala. It probably would have been more fun. Speaker 1: Anyways, she said anything, No, she hasn't, but she I think she was in support of the New New York mayor. Right, And obviously he didn't go, but then I wouldn't have expected him to go, and he did post about it. They posted a series of let's sell a the real heroes of fashion and you know, celebrated workers behind the scenes and particular designers and things. So yes, so Sarah Jessica Parker I reckon could be a boycott. But then they're saying, you know, j Lo, I don't think Jalo was boycotting. I just think she's tired. Speaker 3: Harry Styles. Speaker 1: Harry Styles is in the middle of record of rehearsing for his tour. He's in a studio in bethnal Green running through it. Not that I've been stalking him. Justin Bieber, he's just done Coachella. Boy needs to lie down. Miley Taylor Swift, she never goes, and I don't think she's so. I think that some of the boycott cots are not boy I. Speaker 3: Think that's right. But it's interesting that some of the tech billionaires it clearly got to them a little bit. So it's interesting that Jeff did not walk the red carpet with Lauren. That's very unusual. They do everything together. We've learned this from various pieces about them and Lauren's dress being very boring. Do we think that was intentional. Speaker 1: A little bit understated for Lauren, Yeah, but I think it was had a very specific art reference. It was the same dress as someone called Madame X and it's like scandalous women. Speaker 3: Yep. It's interesting though, because Jeff did walk the carpet in twenty thirteen when Amazon sponsored the event. There was no outrage back then when Amazon sponsored the event and he walked with Mackenzie then Mackenzie Bezos his wife at the time. Mark Zuckerberg also made his Met Gala debut with his wife, Priscilla Chan, and they also didn't walk the red carpet, which I thought was interesting because it's kind of like, well, you want to be at the glamorous event, but you don't want the attention of being there. Speaker 1: Do you think they might have been encouraged not to. Speaker 3: I don't think anyone encourages Mark Zuckerberg and Jeff Bezos to do anything would have worked exactly. But there were some tech willionaires who did walk the carpet. Google founder Sergei Brinn. He showed up on the red carpet with his girlfriend. Her name is Gaylyn Gilbert Soto. The New York Times describes her as a con conservative gut health influencer. Speaker 1: That is one of the six job title Claire. Speaker 3: Do you think that there's something inherently conservative about gut health? Speaker 2: Yeah, because gut health is very don't take antibiotics and don't take antibiotics is very That's what it's. Speaker 1: Yeah, yeah, yeah, yeah, which used to be a sort of crunchy hippie vibe, but these days has come back around it. Speaker 3: I thought it was just you know, drink your com your chart, but no, it means it can. Speaker 2: Be very I feel like there's it's a short road from like gut health gut health to to anti vacs. Don't ever give your children antibiotics with my sour crow. Speaker 3: And of course I'm AROUNDA was there. I just have to add she was there with Snapchat founder Evanstein on the carpet, of course. Speaker 1: Possibly the biggest gun that I haven't mentioned though, is Zendaya. She does always go. Usually she didn't go, and that read like a boycott. And some people are saying, if your boycotting, say you're boycotting. I don't think so necessarily. You don't want to necessarily make everything about your politics. But I just have one question. I think that big charity galas of all types have always been, have always reflected the moment therein and they've always been a path to accessing status in a particular society. Watch the Gilded Age, It's all about that. Speaker 3: And Nixon notably said that she thought it was great that the mayor didn't go. Speaker 1: Yes, but like you know, you're reflecting the time. So you're going a big gala ball is the way you get all the fancy people together. This being a tech bro billionaire ball is very reflective of the moment we're living in, right, So is it surprising in any way in the nineteen eighties New York society. It was all about glitz and flash and Donald Trump, and now we're like again, I don't know. I kind of feel like, what did we expect to happen? Speaker 3: No, that's right, But I think that the group that people are most angry at it's not the people who went in their pretty dresses. It's not the people who didn't go and stay quiet about it. It's the people who went but then tried to have their cake and eat it too. See. Speaker 2: I'm not as frustrated about this because Sarah Paulson is getting a hole at a crap because she wore a dress that then and then had a blindfold that was a dollar bill, and it was people like it's making a statement about about like eating the rich. Speaker 3: Well, she herself said that it was a statement about the one. Speaker 2: Besides yes, and and I thought that was like a far swing. But the dress is actually called like the one percent by the artist, the designer who designed it, and the mask was called blinded by Money, and it was a statement on greed and corruption that comes with extreme power. I think it's a little bit unfair to look at her and say, well, you've got a net worth of twelve million dollars at which how does anyone calculate anyone's net worth on the internet? But you have a net worth of that you're at this event, how dare you then make a protest when it's like, well, isn't that exactly how how you do it? Speaker 3: Don't you go in? And well, people do have a history of using that platform. So Alexandra Ocazio Cortez, who is a Democratic congresswoman from New York, famously wore a dress on the Megala red carpet a couple of years ago which said tax the rich. But people actually have the same criticism for her. To your point, Holly, the met Gala in some corners has always been seen as a kind of repulsive show of excess and decadence, and she got a lot of aoc got a lot of flak for even attending the event back then, reading the canapasey while saying. Speaker 1: You guys are discussing while Charlie free directions. Speaker 2: But if you're not there, you don't have a microphone to say anything about the event, do you know? Well, I guess you do. I guess like Vende could opposed to something on Instagram. Speaker 3: If you want Zendaya not going definitely took the air out of the room when that announcement came out, And I guess it wasn't an announcement so much as a news update. Everyone kind of went, that's big. When Zendeia's not there, it's big. Speaker 2: Because she's always one of the coolest on the carpet. Does something really original, remember that, like bloody light up dress and she. Speaker 3: Oh, but there was a bathroom selfie. Some things always stay the same, right, and you saw this by Yes, it's always an iconic bathroom selfie. It's always the thing you want to look for. And there was an amazing one that had you know, the Margo Robbie all the people in it. But one of the things that was most striking about that And so I saw that in the wild last night and I was like, why is there an exceptionally beautiful woman in the middle of that who is wearing a quarter zip sweatshirt? I was like, was she at that party? Speaker 1: And then it's having a lot of headlines today because she is actually a very famous model. Speaker 3: Yeah, I actually love the story behind this. Her name is Bavitha Mandava and she that what she wore was a quarterzip jumper essentially and what looked like jeans. It turns out they weren't just any jeans. The jeans were made with silk muslin and had a blue denim effect. My jeans today have a blue denim effect. And it's a very important iconic look because she opened Chanell's show in December, which was on the New York City Subway, wearing essentially that outfit, and the fashion world lost their mind. That show was like considered extremely groundbreaking, and she was the first Indian model to open a Chanel show and she is now the first South Asian ambassador for Chanel. And incidentally, did you notice that Margot Robbie, who was also Chanel ambassador, It was right next to her in that photo. So Chanell must have been just so happy about the whole thing. Speaker 1: I know, but it just she just looked so out of place. Speaker 3: But that's what made it so good. Speaker 1: Yeah, but I was like wandered into the shop. But she also read all about it and I was amazing. Yet she didn't have to have a bubble machine boobs. Speaker 3: And then that look that she wore on the Chanel catwalk was actually a nod in turn to how she was discovered. I love this so much. She was a grad student m YU and she was discovered on the New York City subway waiting for a train. One would imagine probably wearing a similar outfit to the one she is now wearing in a much more fabulous incarnation at the metgala. Speaker 1: But you were obsessed with another red carpet walk. Speaker 2: Yes, because I am a basic bitch. If, like I swear, if there was like a thermometer for like, what's what does the basic bitch think about anything that's happening in the world right now? It comes over me and it's like bing bing bing bing bing because I saw the red carpet photos of Hugh Jackman in Suton Foster and I think I was sitting opposite you and Holly and I. Speaker 3: Said, oh oh, was like I don't and I'm like, howm my. Speaker 1: Here has it been? Speaker 3: Now? Not that many at least well he was. Speaker 2: Hugh Jackman was on the Red carpet with Debory Furnace in twenty twenty three. Speaker 3: My group chats are very divided on this. Some love the two of them together and some are talking about deb Prowley. Speaker 1: Do you have to not debut your relationship after a divorce five years, ten years? What do we want? Speaker 2: There are no rules, but I am allowed to go oh poor deb Oh, no, I hate that I am allowed. And then the tabloids, because again I'm a basic bitch. The tabloids were like, hey, basic bitches, We've made up a story for you. So there are sources in Inverata commas who say that Debrale Furnace was a huge fan of the event and the decision to bring Sutton Foster was a final blow to deb And what I didn't realize when I went really deep on this was some Foster's wearing a ring, like they think that you proposed in January and they think they're going to have some trend in your wedding. Speaker 1: And is that all are not allowed? He's not allowed to marry again, not ever, not ever. Speaker 3: I I don't know about that. Speaker 1: How do you know that, Deborah Lee Furness. This is what I don't like about this narrative is it victimizes a woman who maybe is totally done with that, you know what I mean. She obviously she made up some statements that made it clear she was not happy when that relationship broke down, But again three years ago, so now she might be living her absolute best life. Thank god I don't have to go to the met gala with that guy. Speaker 3: She disagrees politically too. We don't know anything about it, like she was kind of famously a conservative political voice because he is the godparent of Rupert Murdock and Wendy Dang's children. Also, he's very close with Avanka Trump. So no one was surprised to see Hugh at the slightly maga codd metgala. Speaker 1: Oh wow, he's unfair, And I know no one's crying for the celebrities, but I think it's unfair to brand everybody who was at that red carpet as maga. Speaker 3: Co Oh no, no, no, I did too, But I just I'm saying that he's not exactly Alexandra Orcasio Cortez. No one would be expecting him to make a big political statement about the taxing the rich. No, he's very like to promote. Speaker 1: In a moment, what the heck was all that Baldoni Lively business about? If we've both basically ended with nobody winning and no money changing hands. So moments before one Blake Lively swept onto the met gala carpet looking a bit like Cinderella, very trademark minus the bluebird. She didn't happen. She always said exactly body, She's pretty good all that stuff. But moments before that, a statement dropped into the inboxes of major press outlets, including People, New York Times and so on, and it read the end product the movie. It ends with Us is a source of pride to all of us who worked to bring it to life. And with no context, Everyone's like, why are we reading this? Raising awareness and making a meaningful impact in the lives of domestic violence survivors and all survivors is a goal that we stand behind. It becomes clear this is a joint statement from Blake Lively's team and Justin Baldoni's team about the court case we've all been obsessed about for years. We acknowledge the process, presented challenges, did it. Speaker 3: Recollections and recognized concerns raised by mes Lively deserved to be heard. Speaker 1: We remain firmly committed to workplaces free of improprieties and unproductive environments. This is one of those statements that so many lawyers were involved in drafting that it. Speaker 3: I hate an unproductive environment and I'm with that. Speaker 1: That's fair. It is our sincere hope that this statement brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online. And in the hope of moving forward constructively and in peace, Blake goes to the met gal Yeah, yep. Now we'll get to whether or not they got their respectful environment online, But just a very quick catch up, because we would be here for a year if we went into all the ins and outs of what's been going on here. But it all started when Blake Lively. Do I need to explain who she is? Significant star actress, possessor of wonderful hair, one half of a very powerful Hollywood power couple, made a movie called It Ends with Us, based on one of the best selling books in the past decade by Colleen Hoover. Speaker 2: And you guys are weird about it because I said this morning that it's objectively one of the worst movies I've ever seen. And you guys, it's fine. You guys were so mad well. I didn't stop you so mad well. Speaker 1: I'm gonna get to that in a minute. The thing is is that making a movie based on one of the best selling books of the decade is smart business and lots of people wanted to do it. But the man who owned the rights was Justin Baldoni, who's a lesser known dude. He's an actor, producer, self proclaimed feminist. Done. Some Ted talks about it. Speaker 3: Everything I know about this man I've learned against my will exactly done. Speaker 1: Some Ted talks about it podcast with Liz Plank something something something. Anyway, the movie itself is about domestic balance. That is not a mystery or a surprise at his front and center in the plot. The movie got made, and the movie was a huge hit, proving Claire Stephens wrong. Speaker 3: All I need to say. Speaker 1: Against the modest production budget of twenty five million, it grossed around three hundred and fifty one million dollars. Huge movie, right, But before the hit part happened, obviously, it was obvious that things were for apart. Behind the scenes, everything had gone very very wrong. We're not going to take you through because again I know Klas Stevens has a PowerPoint on this somewhere. You It went very deep at the time. You were a great source of it. Speaker 3: It was great. A lot of this was going down. Speaker 2: I think maybe just as I submitted my books, and my reward to myself was finish your book and you can read all the legal poculars. Speaker 1: Yes, and there was this press tour that was like separate red carpets and warring factions and all this stuff. And then in December twenty twenty four, Lively sued Baldoni, accusing him of harassment, sexual misconduct, and a smear campaign on the set of their movie. She claimed that Baldoni conspired with publicists to preemptively destroy her reputation, hence the dodgy press tour after she privately accused him of sexually harassing her on the movie set. There were a lot of damning texts released, all hell broke loose. Then Baldoni countersued. He basically alleged that Lively and her husband Ryan Reynolds always wanted to take over this movie, the control of the script, to the edit, all the things that they had it in for him, and they used their very famous friends to intimidate and harass him. Speaker 3: I'll never forget the email that when unanswered, that she sent to Matt Damon. Speaker 1: Oh, I know. There were a lot of damning texts revealed. Speaker 2: Again, sorry, the one to Ben Affleck where she like, oh, she just made an awkward joke about how she had sent the email to Matt Damon and how great Matt Damon was, and I was like, honey, that's like Ben Affleck's biggest point of in security is comparing himself to Matt Damon and you don't know the idiots and your correspondence with Ben. Speaker 1: And so here we are suddenly, just weeks before this mess was all going to go to court, all these cases have been it. Speaker 3: Hadn't even gone to court. Speaker 1: No, some things had been dropped dropped. So first of all, Baldoni's case against Lively got dropped, and some elements of Lively's case against him got like so there was all that was stuff, but it was it was meant to go to court I think on May eighteen, so soon. Wow, And days before it's been disappeared. Lawyers have made millions, reputations have been trashed and nobody apparently no money exchanged hands between the two parties, and no one, as you as evidenced by that really confusing press release, nobody is saying that they've won or not. Claire does the fact that Blake Lively stepped onto the met Gala carpet the minute that happened signaled that she sees this as victory or that she'd liked to pretend the whole thing didn't happen, And how the hell does she move forward? Speaker 3: Yeah, Claire, what does that mean that she shot up at the Metgala? Speaker 1: One? Speaker 2: I think it's genius. I always think that the best publicity in response to this stuff is to be around and change the narrative, like changing a different direction. Celebrities are so clever that it is no coincidence that this statement came out when it did and that then she was on a red carpet, because you just you know that there's so much going on in the world. People are going to be all the celebrity reporters are going to be distracted, just like the zones. Speaker 3: Yes, yes, And. Speaker 2: It's the same reason it always happens. When I was editor in chief, the local Australian celebrities would always announce their breakup at like five pm on a Friday, and it's like, you know. Speaker 3: The journals have gone to drinks or boxing day. Speaker 2: Yeah, yeah, you know, we've gone to drinks, you know that West Skeleton stuff on the weekends. Speaker 3: We're not going to go as hard on this story. Speaker 2: So I think it was smart that it was released when it was, and it was smart that she turned up at the met gala and that she reminded everyone I look really good in address. Speaker 1: You to figure but disagree because what immediately happened the minute she opened her mouth. Speaker 2: Well, this is what's interesting that depending on your algorithm, and depending on what side of the Internet you're on, there are two very different stories. So on certain apps, the story I'm saying is this was a win for Blake Lively that, for example, the line at the end of that statement including a respectful environment online, that that was very much acknowledging what had happened to her, which was all the allegations about manufactur orchestrated campaign. Speaker 1: Because that is the thing that I will take away from this mess the most, is that seeing the messages between Baldoni's press people and him about ways that you can use and manipulate social media to dent somebody's reputation is not just like when you see suddenly start seeing everywhere lots of tiktoks around of like, look at this interview with this person, doesn't she come across a bit like this but there can be a lot more behind it. And this is also things that we pointed out about amber Hood joining the amber Hood Johnny deppcayse that there can be a really orchestrated dark arts going on there, and certainly the examples that were pinging back and forward between Justin Baldoni and his reps suggested that I knew that. Speaker 2: Yeah, And so there's there's a lot of arguments that that line in particular is about what she went through, because she really has been torn apart on the internet. However, I couldn't believe that she turns up at the met Gala. She there's she clearly you could actually tell from her speaking when she was interviewed that she was nervous, that she was trying, like, I can't put my foot in it. Speaker 3: I can't like that. Speaker 2: There have been viral interviews of her for a couple of years now all over the Internet of her just saying slightly the wrong thing in an interview, and it becomes that she's an awful person. Blake Lively did an interview on the met Gala red carpet and it has been analyzed to death, and people think she was rude to the interviewer in this instance, well, you look gorgeous. Speaker 4: I am wearing Jackson weederhot gorgeous, thank you beautiful hair. She yeah, you look studying. And this is archival versace, but they met a fid it by adding a big beautiful train. So it's a piece from two thousand and six. And it was just such an honor to be able to wear this gorgeous, gorgeous gown. It looks like a sunrise and a sunset and watercolor and gorgeous range shworts, jewelry. But this this, but these, this is a Judith leberbag. And we were trying to find a piece of famous iconic art to put on and make it look like it was in a frame. And then I said, would you actually, if you're gonna make it custom, would you do my kid's art? So my kids each painted a painting, a watercolor painting. So each of my four kids did this. Speaker 1: That is so spoo especial. Speaker 4: So I have them with me. Speaker 2: And that has been interpreted as her being a bit, as her being dismissive, as her being self scentered. The other thing that's been I think we want to know what this is. Speaker 1: So here's my challenge to your strategy, be public, give them things to talk about, because she can't get away from this narrative now for some time, it's been years of her lit like every time she opens her mouth. There's a lot of people invested in you're a terrible person, as you say, so they're just going to find ways to say that over and over again. In the way that the Internet is now very invested in hating Blake Lively a certain so, just in the way that the internet's very invested in hating Megan Markele. It doesn't matter what she does, what she says, where she goes. You can't win that game. Speaker 2: One of the great arguments was it costs one hundred k for a plate at the Met gala, and part of her claim was the financial stress caused by Baldoni smear campaign. And it's like she's not paying for that one hundred k plate, neither is anyone people being like I thought you were arguing you were locked out of Hollywood. Speaker 3: Doesn't look like you're locked out of Hollywood. Speaker 2: And she had a bag where her interpretation of the art theme was that she got her four kids to draw a picture on each side of the back no self centered, made it about you. Speaker 3: You wanted to. Speaker 2: Claim authorship over this event, So there are people. Speaker 1: This is why I think her best strategy is to go away for a few years. Speaker 2: Yeah, because I think the weird thing is I think if Justin Baldoni had turned up, I think there's something, there's an anonymity that we give men that we just don't give women like I just don't think he is going to be plagued in the same way. And I think it's Marina Hyde who says he'll probably do some low budget it. Speaker 1: Will definitely have dented his possibilities of becoming a big name. I think that because, as Marina Hyde says in that story in The Guardian, she wrote a column about this, saying that the overarching lesson of this whole thing is never ever go to court, never ever ever. And they didn't actually end up in court, but still is that for the rest of time. Their names are now linked, every interview, every pro file, every project they do. This will always be part of the story in a way that it wouldn't if it hadn't entered the courts. But when I say I think go away free, I don't mean disappear like I don't mean silencing women. I mean work on projects, work on producer projects, hustle behind the scenes, do all your hollywoody stuff until you can come back to address this with more nuanced Look at Lena Dunnan. We've been talking about that a lot lately. Famously one of the most hated women on the internet for a period of time, couldn't put a foot right, couldn't do anything right, opened her mouth, everybody jumped on her. We know how the culture treats women who speak out about all kinds of things. There are local examples of this too. In a way. You've got to like let the air out of it and then come back when there's some nuance and distance. Speaker 3: You know what I mean That her while best friend Taylor Swift would have told her that too, because Taylor, of course also famously disappeared and was getting around in large boxes for a while just to stay out of the public eye. That comment of Marina Hides about never go to court is interesting because a few years ago, someone in a professional context did something to me that made me want to take them to court, and so I went to talk to a lawyer about it, who have been recommended to me, and the lawyer heard me out. I was very grateful for the advice she gave me. She said, look, I think you have a strong case, but if you did this, everyone in your field would say that you were a nightmare, no matter what happened in the court case, no matter how right you are, and I do think you're right, it would affect you professionally and it would follow you professionally for the rest of your life. And I think getting that advice from someone who had kind of a monetary gain to taking the case on was something I really appreciated. And I just wonder if Blake Lively's legal advice turned out to be deeply misguided. Speaker 1: I know. The sad thing about this argument I've never taken to court is, of course, that women putting up with sexual harassment at work are just always this guy from ever doing anywhere with it, because you're going to get your character smeared. And it might be on the scale of a Blake Lively, or it might be just the local gossip at the football club, like whatever it is, and that it's like we've seen this play out in massive letters across the sky that watch out, women will get you one way or another, and whether or not Blake Lively is particularly likable, is always nice to everybody? Blah blah blah, isn't the point? Speaker 2: Yeah, it is quite scary for women knowing that if you pursue, which is what an element of what Blake Lively was pursuing, a sexual harassment claim, that all your texts will be looked over and mocked and made fun of. Like, that's a really scary cost to pay. After the break James Valentine and why everyone's talking about the concept of a living wake. On the twenty second of April of this year, cast out musician and author James Valentine died age sixty four, leaving behind his son, his daughter, and his wife. The ABC veteran had terminal cancer, and he was widely loved by his audience, who had been listening to him for three decades. He had been transparent over the last two and a half years about his health. He was a very talented saxophone player and anyone who grew up in the eighties in Australia probably knows him as part of the band The Models and their iconic songs Barbados and Out of Mind, Out of Sight, and he was a Sydney radio presenter. Emilia and Holly, what was your connection to James Valentine as a radio personality? Speaker 3: He was a really important figure in my childhood. He hosted a thing called the Afternoon Show on ABC when back when there were forty TV channels in this country. I remember those days, and he would host and it was cartoons, it was variety. And I never really listened to him on the radio, but I have such you know, in the way that those childhood figures loom large for you. I've always held such fondness and affection for him. And how about you, Hollie. Speaker 1: He's clearly just an incredibly skilled communicator. I mean, I would be lying if I said I listened to that show. But anyone who knows how radio works, how the ABC works, so many people I know who know him. He was just clearly exceptionally good at what he did and very loved. Speaker 2: It's a reminder I think that parasocial relationships have existed long before the Internet. The fact that when the news of his death came out there was a widespread kind of public grieving and a lot of listeners who called in the next day, and his wife and his kids were kind of saying how much that meant to have people remember their dad through sense of humor and his energy. So two and a half years ago he was diagnosed with esophagal cancer and he was given two different treatment options, and he chose the one that was a bit less invasive and would preserve the things he loved in life, which were presenting radio, playing saxophone and enjoying food. Then in January of this year, he's given a terminal diagnosis and his response to that diagnosis and what he planned to do next was documented in Monday's episode of Australian Story, presented by Lee Sales, and it started a huge conversation about the concept of a living wake, which he very fittingly held on Valentine's Day of this year. Here's what he said on the show stage. Speaker 5: Four, terminal, inoperable, uncurable. I don't want to hear any of those words, let alone in the one sentence. So a friend suggested Tommy, maybe you should do a living wake, and oh, that sounds like fun. I will know the time and the day and so it'll be the last weekend. What do you do on that last weekend's dinner? Before? What do you think is that the last meal, I will probably know exactly when I'm going. Speaker 1: That's so moving. So seeing the footage of his reference at the end there was due to the fact that he ultimately chose the time he was going to die, right. Speaker 2: Yeah, he chose voluntary assisted dying and was very transparent around how he made that decision and what that decision entailed. For context, voluntary assisted dying is legal in all states in Australia and the Act except the Northern Territory, and obviously it's an incredibly complex and incredible, incredibly personal decision that has sparked. It's sparking more and more conversation the more we have and aging population and the more people are getting certain diagnoses that may keep them alive for a very long time, but the quality of that life may be poor, and him kind of taking people through that decision was a huge part of the Australian story. But it meant that he got to plan this living wake and there's footage of it, and he's got his family and friends there and there are so many familiar ABC faces and he's really good friends with Norman Swan, who he had on radio to discuss his diagnosis, like what all the different parts of the body were and what they did. And there was something so moving about seeing him on stage with a microphone at his own wake, basically saying, please come up to me and tell me stories and memories about us, because they are what's going to carry me through the next few weeks. And I guess I thought it must be such a relief for his family that then when you do a funeral, he's heard all the beautiful things that you're then going to say about him. I think this is really something we should we should all be looking at. Speaker 1: If it's possible, this episode of Australian Story is really recommended viewing. I think, whether you know who James Valentine is or not, in a world where we hate to talk about death, and yet it touches everybody obviously, I mean that's a ridiculous thing to say, but it does touch everybody. I'd lost a friend to this same cancer when he was only forty six. It's like all cancers. It's a it's it's cruel and the idea that we're also we don't like talking about illness, we don't like talking about death, and seeing somebody such a skilled communicator like James Valentine in this episode talking about why he wanted to do the things he did, and they document the year so very like him talking about how very much clarified for him that he loved his work, so he didn't want to stop working. He loved playing his saxophone, so he wanted to try and avoid procedures that were going to stop him from doing that. That he really wanted to work, play and be with his family, and those are the things he wanted to spend his last year doing. It's just it's very powerful, it's very clarifying. And then to see him at his living way and he says, you know, it wakes People always say, oh, he would have loved me there, and he says, so I wanted to be there, And I just think it's very refreshing. I think, you know, I, as I said, I didn't have a direct listenership with Joe's Valentine, but people who do, and people I know who've worked with him said he brought joy all the time. And it feels like a gift to give be so honest and so open and so clear eyed in talking about this thing that nobody wants to talk about. Is like the last incredible gift that a great communicator could give, and his family is so amazing in it. I really recommend watching the show. Speaker 2: There's a great quote in one of the ABC articles about his kind of decision making towards towards the end, where I think, as a psychologist says, dying people are not the actual act of dying is not the thing they're most scared of. They're scared of the invisibility and the absence of conversation around it. They're scared of people turning away and not wanting to be around them because of how confronting it is. And this was just such a reminder to look it straight in the eye and have the existential conversations with the people around you. The way that he spoke to his kids, and his kids were able to say, what do you think is going to happen afterwards? Speaker 3: And I bet that that's so much harder to do than even it looks. It doesn't look easy, but I bet it's even harder to actually enact these principles that we can all agree are worthwhile. Speaker 1: I love that his kids say that this was perfect for him in particular, this living weight, because he loved being center of attention. He loved a party, He loved being told I'm brad he was. I love the way they you know that families are really kind of I mean, I'm sure no families are perfect, but they're really healthy and loving when they can just call out that stuff about you and be like, he would love this because he just loves everybody tell him how great he is. Speaker 3: So good. Speaker 2: Yeah, And I loved that it wasn't a sanitized version because I think something I always bristle at is when you hear of somebody getting a terminal diagnosis or of you know, knowing that they're going to die. I bristle at the narrative of I guess almost toxic positivity that they're just like, well, I'm completely grateful and joyful. And then I feel for the people who don't have that response, which is completely bloody normal. But I loved there was a lot of light and shade in this. They talked about they went on a holiday, a family holiday to Bali, just before he was meant to get the surgery for his esophagus, and that the whole family's like, oh so bloody terrible holiday. Everyone was sick, everyone had covid Dad. Speaker 3: Had BALI belly like. It's sort of I like that. Speaker 2: In documenting this time, they've been able to show the highs and lows of what happened. But the nort Yeah, how normal it is. But the fact that he was able to do it his way, and that those conversations around what you want, what you don't want, they give so much empowerment in those in those final months and final days. Speaker 1: Something completely different. There was celebrity baby news this week that I must mark because it was interesting. Cameron Diaz and Benji Madden just welcomed their third child. And it's interesting because Cameron is fifty three. Now. When I say that, I don't mean it's interesting in that way of like, oh, miracle baby, how did she do that? Why did you do that? Cameron Diaz. They announced that their little boy had come. They announced what his name was. His name is Nortous and he joins Raddix and Cardinal, which are all just the most rock star names of all time. They announced it. They didn't give any more details than that. It is safe to assume just because Cam's been on a press tour lately, she's been quite visible on a tour for a movie called Outcome, So she's been very visible, and it's safe to assume possibly that she wasn't heavily pregnant during that time, so likely that a surrogate was involved, but none of our business. But the thing that I found really interesting and refreshing that I wanted to unpack a little bit here is I wrote an essay a while ago when Sienna Miller was on the Red Carpet with her beautiful baby bump at I think forty three, and saying how we're entering a bit of an era of agelessness because perhaps of fertility technology, because of the different options that are open to us now, because of Hollywood and the wellness world's obsession with longevity, that we're in a different era now when it comes to age and women and kids. And I think nothing illustrates that more clearly than the fact that there haven't been a whole waterfall of stories about like, oh my god, a mom at fifty three and how could she and why would she? And da da da da. Is that now we're much more kind of like in the way that we might be about a man becoming a father at fifty three, because if you remove the biological complication from the advance for chility technology and all those things. It isn't really any different than the guy who's been doing that forever. Yeah, am I right? Yeah? Speaker 2: No, I think so too. The interesting thing is, as well, when I've looked at this story, how old Benji Madam? Well, nobody ever, as I don't know, I don't know, why didn't I. Speaker 1: Google similar age? I think, well, let's find it happen. Speaker 2: Yeah, because you're seven, so being a little bit younger Benji's forty seven, bloody spring chicken. But I it's interesting because whenever I see pregnancy baby news, it's obviously the life stage. Speaker 3: I'man, I always google. Speaker 1: How old is how? Speaker 3: How old is that? Speaker 1: Money is she? Speaker 2: And you're right that we don't when we wouldn't blink an eye at a man having a child at fifty three. And obviously, if you want to think about any of the things that make rearing children. Speaker 3: Difficult, the older you get. Speaker 2: I mean, Amaran Diaz looks like a bloody pillar of health. She's gonna live forever, She's gonna live till she's undred. Speaker 3: Well, I think what's interesting is that you said no one will blink, and I about a man. I wonder if, now, because women are also having babies older, all of a sudden, we're starting to blink her eyes at men having babies older. Men were allowed to do it for all of human history, but now that women are starting to do it, we're starting to revisit the whole idea of older parents because. Speaker 2: We are interested, and there is actually more and more scientific research going into the health impacts of older because you know how, I'm called geriatric. Just for the record, I'm a geriatric mother. What age, I'm thirty five years old. No, they don't. They call it advanced material. Speaker 3: They definitely call it just it's kind of coolrophistic. Speaker 1: They definitely did call it geriatric though, when I had my second child at forty, I that's interesting. Speaker 2: But if they call Brent geriatric, no, but they should have done it because he's elderly, I think. Speaker 1: I think that's interesting. But then that also assumes. Speaker 3: Like the judgments creeping in for both sexes now, is what I'm saying. Speaker 1: Yes, and that assumes the idea about like we're becoming aware of the risks of older parents assumes assumes a lot about what might be going on here biologically. Yes, exactly, whereas if Cameron Diaz and Benji Madden and whoever else may be in their cohort are having are assessing all the risks, I'm sure they are. We know how health obsessed Hollywood is and making those choices, and there I think. I don't know that's interesting though, Amelia, where you say that that maybe the judgment, instead of fading away, just attaches itself to both genders. Speaker 3: Well, because I don't think it is just about biology. I think it would be we need to put on the table to not be disingenuous. That a lot of people listening to this may have a reaction of if you have a baby at a more advanced age, shall we say, in your fifties, you automatically do a bit of maths, and you think, well, when that child in school, Cameron Diaz will be sixty three. I don't know how old Benji Madden will because I'm not that good at maths, but he'll be also kind of old. And so I think that's one of the concerns that people are now voicing a little bit more when no one ever used to say, well, Mick Jagger is going to be so old when his kids graduate but now we are starting to say that or feeling perhaps feeling more comfortable to say that. Speaker 1: I think that's really interesting. But then I think in this privileged bubble that we're talking about, longevity is an obsession. So I think that that is also changing. This right is that people are thinking rightly, wrongly whatever that with all the right advances and all the right supplements and all the right that they're imagining themselves at seventy three, at this kid's twenty first, like leaping around, I'm doing yoga and pilate, particularly if they. Speaker 2: And Brian Johnson says he's got what is it the sperm of a twenty old? Think about that, man, Yeah, So I'm sure Cameron and Benji are having the same conversation. Speaker 3: So Cameron has remember she literally wrote a book about sort of how to be healthy as you get older, so she's this is clearly on her radar that she's sort of anticipating she will be living a long time. Speaker 1: That's always got time for on this Wednesday. Speaker 3: At births, deaths, any marriages, No. Speaker 1: There weren't any couples at the met gala, were they? They all went. Speaker 2: Solo boycotting, boycotting marriage on the metal, or. Speaker 1: Maybe it was like, unless that engagement wing comes from Amazon, we don't sink, perhaps in her body, her head and she did anyway. Thank you for being with us. Thank you for to our amazing team for helping us put the show together. We're going to be back in your ears on Friday, of course, and for subscribers with some scorelous gossip with Mia tomorrow. That's all. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Esta madrugada, el MET, el Museo Metropolitano de Arte de Nueva York, ha celebrado su gala benéfica anual para recaudar fondos para el Costume Institute. Por ello, hemos invitado a Inés Lorenzo, directora de Vogue España, para que nos desvela los entresijos tanto del gran evento, como de la alfombra roja previa, que reúne a las celebridades en las emblemáticas escalinatas del museo. También hemos hablado con Carlos Lamela, uno de los arquitectos más prestigiosos de España y cofundador del estudio Lamela, responsable proyectos reconocidos a nivel internacional como el diseño de la T4 de Barajas o una de las remodelaciones del estadio Santiago Bernabéu.

The Met Gala is the Super Bowl of red carpets, the most photographed, dissected, and mythologized night in fashion. But most of what we think we know about it isn't quite right.I'm joined by Amy Odell, journalist and author of Anna: The Biography, for a conversation that pulls back the curtain on what really happens behind fashion's biggest night. From how Anna Wintour actually approves looks, to who makes it onto the invite list, to why tech money is suddenly funding the whole thing, Amy decodes it all.In this episode, we get into:The biggest misconceptions about the Met Gala (and what really happens behind the scenes)How Anna Wintour actually approves looks — and what she doesn't seeWho gets invited, who gets crossed off the list, and how the seating really worksWhy Met Gala tickets jumped to $100K this year and what tables actually costThe Bezos era: how tech money is reshaping fashion's biggest nightWhy brands like LVMH and Kering aren't buying tables the way they used toThe Devil Wears Prada Vogue cover and what it tells us about Vogue's futureThe real story of how Lauren Weisberger went from Anna's assistant to writing the bookWhy the Costume Institute has to raise its own funds (and Anna's role in changing that)Met Gala vs. Oscars: how fashion superseded Hollywood on the red carpetBehind-the-scenes rules: the no-phones policy, green rooms, and rider requestsThe Zendaya x Anna Sui matching look moment and how it slipped throughWhat to expect from "Costume Art" and the "Fashion Is Art" dress codeHow to actually watch the Met: Amy's go-to live stream and second-screen setupTimestamps:00:00 Intro: Why the Met Gala has so many misconceptions 01:00 The biggest myth — does Anna really approve every look? 01:58 Why the Met has superseded Vogue in cultural relevance 03:40 Met Gala vs. the Oscars and the rise of theme dressing 05:23 Inside the room: how the Met Gala became a networking event 06:40 How brands and Vogue decide who sits where 07:59 Anna's list: how the invite list actually gets made 08:31 Can you pay your way in? The Bezos era explained 10:00 OpenAI, Snap, and Meta: why tech is buying tables now 11:26 Taste, relevancy, and the Hiltons and Kardashians question 12:30 The Kim Kardashian Vogue cover backlash, then and now 13:30 The Devil Wears Prada Vogue cover and what it signals 14:54 The real story: how Lauren Weisberger wrote the book 17:30 How Anna handled the original movie in 2006 19:30 Met Monday speculation and Meryl Streep rumors 20:50 Why the Costume Institute has to fund itself 22:34 Why fashion is finally getting respect in the art world 23:40 New Costume Institute galleries — out of the basement 24:00 Why luxury brands aren't buying tables this year 25:30 The math: what $6M means to Bezos vs. an average household 27:50 Inside the room: nerves, dress codes, and bathroom breaks 28:42 Green rooms, rider requests, and Karl Lagerfeld's Diet Coke 30:30 The forgotten history of the Met Gala after-party 31:30 Why every celebrity now has their own after-party 32:15 How Andrew Bolton and Anna pick the theme 34:45 Theme vs. dress code: Costume Art and Fashion Is Art explained 35:13 Why brands and politics decide what celebrities wear 36:22 The Anna Sui x Zendaya twin moment, decoded 37:30 Predictions: naked dresses, theatrics, and what to expect 38:30 How Amy watches the Met: the live stream + X combo 39:00 OutroLet's Get DressedYouTube: https://www.youtube.com/@livvperezInstagram: https://www.instagram.com/letsgetdressedpod/Newsletter: https://substack.com/@livvperezLiv Perez Instagram: www.instagram.com/livvperezTikTok: www.tiktok.com/livv.perezShopMy: https://shopmy.us/livvperez Hosted on Acast. See acast.com/privacy for more information.

The star-studded event is a fundraiser for the Costume Institute at New York's Metropolitan Museum of Art.With the latest, entertainment journalist Kate Rodger spoke to John Campbell.

It is fashion’s biggest night of the year, but the Met Gala is much more than just a parade of celebrities on a red carpet. As we prepare for the 2026 event, we explore why this exclusive party is actually a vital fundraiser that bankrolls fashion as an art form. We dive into this year’s conceptual theme, and the dress code that's expected to ditch 'pretty dresses' for sculptural, gallery-level installations. Plus, we look at the power players making headlines this year; with Beyoncé returning to co-chair for the first time in a decade, and Jeff Bezos’ controversial sponsorship causing a stir, the guest list is as much about cultural tension as it is about couture.

Episode #146 | Shannon Mirabelli-LopezShannon Mirabelli-Lopez grew up in the East Bay punk scene of the '80s and '90s. Starting off managing local bands, she handled distribution for Primus and worked on music videos for Green Day and INXS. That background, along with degrees in Anthropology and Visual Culture: Costume Studies, led her to two decades among elite New York City art institutions, where she moved from a junior role into a 12-year tenure at the Costume Institute at the Met, followed by leadership positions at Pratt and Parsons.In this conversation, Shannon traces her journey from punk shows and music videos to the Met, shares her reasons for leaving the "rarefied" air of New York City and returning home to the Bay Area, and explains why schools like Cilker are crucial in changing the landscape of art and design.As Dean of the Cilker School of Art and Design at West Valley College, Shannon is focused on democratizing arts education, from state-of-the-art makerspaces to tuition-free access. 2026 marks the 10th anniversary of the Cilker School's founding and the 5th year of the Cilker Art + Design EXPO.Learn More: westvalley.edu/schools/art-design/Instagram: @wvccilkersoad | @contentmag

This week we're joined by Steph to talk about fashion and librarianship: how it works, how they intersect, and how fashion is interdisciplinary. We also learn about how you get into this gig! Media mentioned Good general article: Frederiksen, Linda. “Fashion by Design.” Library Journal, vol. 131, no. 10, June 2006, pp. 79–81. EBSCOhost, research.ebsco.com/linkprocessor/plink?id=297645b9-2580-3b4f-bdae-8ee2344a2633. Costume Institute article: Kazmi, Sahar. “A CENTURY OF FASHION: Library Collections Reflect the Evolution of 20th-Century American Style.” Library of Congress Magazine, vol. 13, no. 1, Jan. 2024, pp. 14–19. EBSCOhost, https://www.loc.gov/lcm/pdf/LCM_2024_0102.pdf  ARLIS article: King, Lindsay M., and Russell T. Clement. “Style and Substance: Fashion in Twenty-First-Century Research Libraries.” Art Documentation: Journal of the Art Libraries Society of North America, vol. 31, no. 1, Mar. 2012, pp. 93–107. EBSCOhost, doi.org/10.1086/664912   Library Journal's September By The Numbers focused on fashion libraries: “Fashion and Beauty.” American Libraries, vol. 56, no. 9/10, Sept. 2025, p. 11 https://americanlibrariesmagazine.org/2025/09/02/by-the-numbers-fashion-and-beauty/  All previous transcripts: https://podscripts.co/podcasts/librarypunk  Join the Discord: https://discord.gg/qWPTurTnkT

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Pulitzer Prize-winning cultural critic Robin Givhan joins Monica L. Miller, professor and co-curator of Superfine: Tailoring Black Style, the Costume Institute exhibition now on view at The Met, for a conversation about the crossroads of fashion, culture, identity, and art — and the life of the great designer Virgil Abloh, as told in Givhan's new biography, Make It Ours: Crashing the Gates of Culture with Virgil Abloh. The first Black designer to serve as artistic director of Louis Vuitton in the brand's 164-year history, Virgil Abloh's appointment as head of menswear in 2018 shocked the fashion industry. Blurring the lines between luxury and streetwear, Abloh embodied a new way forward for his industry — and in her spellbinding new biography, Givhan shows that Abloh's story is the story of a revolution in fashion and culture, a story that upends a century's worth of ideas about race, class, creativity, and taste. Hear Givhan tell that story — from his early career as an architect to his complex relationship with mentor Kanye West to his meteoric rise and tragic death at 41 of a rare form of cancer — honoring the legacy of a singular creative force whose influence is still rippling through American culture. "Robin's look into the life and work of the late, great, Virgil Abloh is thoughtful, intelligent, honest, and masterfully crafted. Virgil's freethinking and influence on the possibilities of what creativity can be was a tour de force." — Marc Jacobs

MUSICWendy Dio—the wife and longtime manager of the late, great Ronnie James Dio—shared some incredible stories about Ronnie's career, including a wild "what if" scenario from his time with Black Sabbath on The Magnificent Ones with Billy Corgan. Dave Mustaine has an out-of-this-world choice for Megadeth's final concert. https://loudwire.com/megadeth-final-concert-space/ Congratulations to Disturbed frontman David Draiman and his new bride, Sarah, who were married over the weekend. https://loudwire.com/disturbed-david-draiman-married-sarah-uli/ ROCK BOOKS:Bob Dylan coffee table book of black-and-white drawings Point Blank (Quick Studies) publishes.TVDavid Letterman‘s next subject on his Netflix interview series My Next Guest Needs No Introduction is Adam Sandler. https://deadline.com/2025/11/netflix-my-next-guest-with-david-letterman-adam-sandler-1236618160/ Johnny Knoxville married costume designer Emily Ting on Nov. 16, and his friend and A Dirty Shame costar John Waters officiated the ceremony. https://people.com/johnny-knoxville-marries-costume-designer-emily-ting-with-john-waters-officiating-11850638 HGTV announced it was shaking things up for Season 7 of Rock the Block by adding a celebrity twist. The show's design pros will be paired with Hollywood stars in the upcoming season. https://entertainmentnow.com/hgtv/brooke-hogan-rock-the-block-hulk/ MOVING ON INTO MOVIE NEWS:Ryan Coogler confirmed that Black Panther 3 is in development and will be his next film. https://deadline.com/2025/11/ryan-coogler-black-panther-3-next-movie-1236618702/ Tom Cruise received an Academy Honorary Award at the 2025 Governors Awards held on Sunday (November 16) in Hollywood, Calif. https://people.com/tom-cruise-honorary-oscar-at-2025-governors-awards-11850067 The next Costume Institute exhibition will examine the longstanding dialogue between fashion and the body it dresses. https://www.vogue.com/article/costume-art-is-the-first-exhibition-in-the-costume-institutes-new-permanent-galleries-at-the-met Check out the first trailer for the live-action "Moana". https://www.hollywoodreporter.com/movies/movie-news/moana-live-action-trailer-catherine-lagaaia-dwayne-johnson-1236428901/ AND FINALLY People are voting over at Ranker.com on the best late night hosts of all time. And it does my heart good to note that Conan O'Brien is whooping Jay Leno BIG TIME. AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Monica L. Miller joins us all this week to discuss her groundbreaking exhibition ⁠Superfine: Tailoring Black Style⁠, which celebrates over 300 years of Black style through the lens of dandyism. On view now at the Costume Institute at the Metropolitan Museum of Art until October 26th, 2025. Further learning: ⁠Monica's tour of the exhibit tour⁠ ⁠Superfine catalog⁠ ⁠Slaves to Fashion⁠ book Learn more about your ad choices. Visit megaphone.fm/adchoices

Monica L. Miller joins us all this week to discuss her groundbreaking exhibition Superfine: Tailoring Black Style, which celebrates over 300 years of Black style through the lens of dandyism. On view now at the Costume Institute at the Metropolitan Museum of Art until October 26th, 2025. Further learning: Monica's tour of the exhibit tour Superfine catalog Slaves to Fashion book Learn more about your ad choices. Visit megaphone.fm/adchoices

---The Met Gala 2025----The **2025 Met Gala** celebrated **Black Dandyism** with its theme, *Superfine: Tailoring Black Style*, honoring 250 years of Black fashion history. This episode explores **the evolution of Black style—from enslavement to modern menswear**, highlighting fashion's role in **identity, rebellion, and empowerment**. We break down iconic red carpet moments, like **Rihanna's menswear-inspired masterpiece and Colman Domingo's tribute to André Leon Talley**. Beyond the fashion, we uncover the **financial success of this year's gala**, raising a record **$31 million** to fund **exhibitions, conservation, and education at the Met's Costume Institute**. We examine the **power of Black spending**, the top 30 donors—including **Louis Vuitton, Jay-Z & Beyoncé, and Oprah Winfrey**—and how **Black creatives continue to shape arts and entertainment**. --From the Harlem Renaissance to hip-hop couture, this episode dives into **why Black fashion deserves institutional recognition** and how the Met Gala's historic financial success strengthens **Black archives, museums, and cultural education**. Tune in to hear why **this gala changed fashion history and set a new standard for cultural preservation**. Don't forget to subscribe, rate, and follow us for more deep dives into **fashion, culture, and history**!

The 2025 Met Gala dress code was ‘Tailored for You' and on the night, many of the guests were inspired by the themes and concepts on show at the Metropolitan Museum of Art's Costume Institute exhibition ‘Superfine: Tailoring Black Style.'On the night we saw heavy influences of the Black Dandy, a little international flavour and a lot of tailoring with highlights coming from the likes of Zendaya, Lewis Hamilton and Teyana Taylor.In this Met Gala special I chat with fashion creator Aston Em, beauty editor Kayla A. Greaves and stylist Justin Friedman to find out their top 5 blue carpet looks. As well as sharing my own favourite moments, I also share information on the history of the Met Gala and how Monica L. Miller's book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity formed the basis of the exhibition.LinksFind Aston on Instagram: https://www.instagram.com/astonemmmFind Kayla on Instagram: https://www.instagram.com/kaylaagreavesFind Justin on Instagram: https://www.instagram.com/tomfordforgucciWHERE TO FIND MESubstack: https://beautymenotes.substack.comThreads: https://www.threads.net/@charisse_kenion/Instagram: https://www.instagram.com/charisse_kenion/TikTok: https://www.tiktok.com/@charissekenionFind me on ShopMy: https://shopmy.us/beautymeBusiness inquiries: info@charissekenion.com  

We bring you Part II of our annual coverage of the most anticipated fashion history event of the year: the 2025 Met Gala which accompanies The Costume Institute's sure to be blockbuster exhibition Superfine: Tailoring Black Style. Want more Dressed: The History of Fashion?  Our ⁠⁠website⁠⁠ and ⁠⁠classes⁠⁠ Our ⁠⁠Instagram⁠⁠ Our ⁠⁠bookshelf⁠⁠ with over 150 of our favorite fashion history titles Dressed is a part of the ⁠⁠AirWave Media⁠⁠ network Learn more about your ad choices. Visit megaphone.fm/adchoices

It's here...The Super Bowl of fashion! THE MET GALA was on Monday, May 5th, and in this exciting episode, Holly shares her everlasting love and devotion for the Met Gala this year  - and her fashion insights on this year's theme, “Superfine: Tailoring Black Style," encouraging guests to interpret menswear and tailoring in a creative way. The theme is inspired by the Costume Institute's spring exhibition, which explores the importance of clothing and style in forming Black identities.    HOT TIP: Follow along with Holly's “Blue Carpet Fashion Review” on our YouTube channel to see all the details discussed in this episode. You can also see every outfit on our Pinterest board for this week's episode.    Honoring Monica L. Miller's book, Slaves to Fashion, Black Dandyism and the Styling of Black Diasporic Identity, this book was inspired by the influence of Black dandyism, exploring the history and impact of Black style in the Western world. It highlighted the power of fashion as both a tool for enslavement and liberation, while also focusing on the art of tailoring, particularly in menswear.   Holly dives super deep into her favorite looks of the night and dissects the sartorial masterpieces on the blue carpet, celebrating the creativity and boldness of the attendees.   From Coleman Domingo's stunning Valentino Zoot Suit to Zendaya's flawless Louis Vuitton tuxedo, we're raving about nearly every look, with just a few fashion crimes.  Tune in now to hear which fashion choices left her in awe and which celebs committed the worst fashion crimes of the night.   Who wore it best? Who knocked us off the couch? Who made us cry? Listen in for the full breakdown...you won't want to miss a second   Be sure to follow us on our YouTube channel for a visual experience of the fabulous fashion moments from the night, and catch this episode wherever you get your podcasts.     The Fashion Crimes Podcast is your best fashion friend you never knew you needed!     Hosted by ‘the only Holly You Need to Know,' Holly Katz, we bring you the latest trends and fashion tips for free. Every. Single. Week.   Tune in every Friday for fresh episodes wherever you listen to podcasts, and join the Fashion Crimes Podcast "Fashion Besties" online. Connect with us on all social media and find us at www.fashioncrimespodcast.com.  

We bring you Part I of our annual coverage of the most anticipated fashion history event of the year: the 2025 Met Gala which accompanies the Costume Institute's sure to be blockbuster exhibition ⁠Superfine: Tailoring Black Style⁠. Want more Dressed: The History of Fashion?  Our ⁠website⁠ and ⁠classes⁠ Our ⁠Instagram⁠ Our ⁠bookshelf⁠ with over 150 of our favorite fashion history titles Dressed is a part of the ⁠AirWave Media⁠ network Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the first Wednesday in May, which means it's time to unpack this year's Met Gala, celebrating the Costume Institute's new exhibition, “Superfine: Tailoring Black Style.” To help break it all down, Alyssa is joined by Jalil Johnson — the stylish mind behind Consider Yourself Cultured on Substack, as well as a general man about town — who shares a wealth of insights about Black dandyism, the menswear and artwork on display inside the exhibit, the work of Monica L. Miller, the legacies of the late André Leon Talley and Virgil Abloh, and much more. Plus, a discussion about the evening's best dressed, honest thoughts on the content ecosystem surrounding the red carpet, and Alyssa recaps her chaotic Monday night in the Louis Vuitton suite at the Mark Hotel with Pharrell and co. Til next year!This episode was recorded in the podcast studio at The SQ @ 205 Hudson. Get full access to The New Garde with Alyssa Vingan at thenewgarde.substack.com/subscribe

Styling duo Wayman Bannerman and Micah McDonald are some of the most exciting voices working in red carpet fashion today. They're known for bold, experimental, and thoughtful looks that have repeatedly landed them on The Hollywood Reporter's Power Stylists List. The pair, who originally met in Harlem and bonded over their love of fashion, have been working together for over a decade and have curated an incredible roster of clients—from Tessa Thompson to Jodie Turner-Smith to Regina King. In this special bonus episode, Who What Wear Vice President of Social MacKenzie Green sits down with them a week before this year's Met Gala to discuss their personal connections to this year's theme, Superfine: Tailoring Black Style, and the impact of putting Black designers and style in the spotlight. Plus, we'll get a sneak peek into their styling process with some of their nine clients who attended the Gala, including, of course, the Met Gala's 2025 Co-Chair Colman Domingo.Shop our editor's picks here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Writer, publicist, and leading authority on being a respectable person, Bonnie Morrison, joins Lauren on the pod. Naturally, they share their favorite (and least favorite) Met Gala red carpet looks, featuring Oswald Boateng, Sabrina Carpenter, Patrick Schwarzenegger, Ayo Edibiri, and pretty much everyone else. They also chat about Bonnie's recent newsletter exploring complexities of the Costume Institute exhibition and the party theme. Bonnie also offered some wise words about the situations embroiling LA-based, high-minded merch brand Online Ceramics and the fashion designer Riccardo Tisci, who was recently accused of sexual assault in a New York court. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

It's the first Monday in May. AKA it's time for the annual MET Gala. Or as some call it, "fashion's biggest night." Celebrities will walk the steps of the Metropolitan Museum of Art hoping their looks live up to the annual theme of the gala. This year's theme is a special one. It's called "Superfine: Tailoring Black Style," and it's the very first Black fashion tradition to be selected for the theme of the Costume Institute's fundraiser. Brittany and her guests, culture writer Shelton Boyd-Griffith and editor-in-chief of Black Fashion Fair Antoine Gregory, discuss how celebrities can be sure to be on theme and how the theme is rooted in the very first fashion statements made by enslaved people.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This is a free preview of a paid episode. To hear more, visit cocomocoe.substack.comThe 2025 Met Gala is more than fashion's biggest night—it's a blueprint for branding through exclusivity, mystique, and cultural impact. In this episode of Ahead of the Curve, I unpack what makes the Met Gala such a powerful case study in marketing—and why this year's theme is one of the most important in recent history.TIME STAMPS + TOPICS:* Introduction + the History of the Met Gala - 0:00* Anna Wintour's Takeover - 5:42* Princess Diana's Influence on the Met Gala - 8:05* The Rise of Themes at the Met - 10:04* The Met Gala in the 2000's - 12:14* The Met Gala in the 2010's Digital Age - 16:25* How does one get invited to the Met Gala - 19:31* First time attendees of 2024 — 22:07* Specific Rules of the Met Gala — 25:35PAID PORTION AT COCOMOCOE.SUBSTACK.COM/PODCAST* The Art of Exclusivity in Branding — 28:19** What New Faces Will We See in 2025 — 40:55* A-List Celebs Who Have Not Attended the Met Gala — 53:03

AP correspondent Julie Walker reports on the MET Gala and it's Costume Institute show “Superfine: Tailoring Black Style.”

Send us a textThe MET Gala is an annual fundraising event for the Costume Institute at the Metropolitan Museum of Art in New York City where celebrities, designers, and cultural icons show up dressed to embody a specific theme that aligns with the Costume Institute's newest exhibit.This year's theme for 2025 is Black Style and dandyism.Originating in the 18th and 19th centuries, dandyism is a cultural and aesthetic movement that champions elegance, refinement, and self-expression — particularly through clothing. But for Black men, especially in the Atlantic diaspora, dandyism wasn't just style — it was resistance. A way to reclaim power, pride, and identity in the face of oppression.This year's theme, “Superfine: Tailoring Black Style”, centers around Black excellence, Black creativity, and Black identity. It explores how Black individuals across the U.S. and Europe have used fashion not just to express themselves, but to rewrite the narrative. Support the showhttps://www.youtube.com/@lifeonpodcast/videos

Bad Bunny, the acclaimed Puerto Rican singer and rapper, has been announced as one of the chairs for the 2024 Met Gala, a prestigious event held annually at the Metropolitan Museum of Art in New York City. The Met Gala is one of the most prominent fashion events in the world, known for its exclusive guest list and extravagant fashion displays. Joining Bad Bunny as co-chairs are popular figures Jennifer Lopez, Chris Hemsworth, and Zendaya, all of whom are recognized for their contributions to entertainment and fashion.This announcement marks another milestone for Bad Bunny, whose influence extends beyond the music industry. As a leading figure in Latin music, he has amassed a vast global audience with his chart-topping hits and genre-defying style. Bad Bunny, whose real name is Benito Antonio Martínez Ocasio, is celebrated not just for his musical prowess but also for his bold fashion choices and advocacy for social and cultural issues. His participation in the Met Gala spotlights his diverse talents and showcases his impact as a cultural icon.The Met Gala serves as a fundraiser for the Costume Institute of the Metropolitan Museum of Art and is renowned for its thematic approach, which guides the dress code and artistic presentations for the evening. Each year, the event draws celebrities and fashion industry leaders who creatively interpret the theme through their attire, making it a spectacle of innovation and glamour.Bad Bunny's inclusion as a chair highlights his growing prominence within the fashion industry. He has previously collaborated with major fashion brands and designers, bringing his unique flair and perspective to the fashion world. His style is often described as eclectic and boundary-pushing, incorporating vibrant colors, patterns, and non-traditional elements that challenge conventional fashion norms. This fearlessness makes him a fitting choice to help lead a celebration of artistic and cultural expression at one of fashion's most influential gatherings.Bad Bunny's involvement in an event of this magnitude underscores the global reach and cross-cultural appeal of Latin artists in contemporary pop culture. His participation in chairing the Met Gala is expected to attract even more attention from diverse audiences, further solidifying his status as a multifaceted artist capable of inspiring and shaping current trends in fashion and music alike.Overall, the 2024 Met Gala will be an exciting event to watch, as Bad Bunny and his fellow co-chairs are likely to bring their distinct styles and creative visions to the forefront, celebrating fashion as a dynamic and powerful form of art and expression.

Send us a textThe Noras kick off with a revisit with Kelsey mix cereal and the unexpected reality of serving sizes—thanks to a little thing called portion control. From guilty pleasure snacks to the quirky concept of "tasteful tantrums" as a stress-relief method, we explore the joyous chaos of navigating family life. Nora does her best to get Nora motivated to visit some of her favorite art museums. She in face gets so excited to share about her favorite spots that she barely lets Nora get a word in!  She tries to her best to "paint a picture" of the excitement of strolling through the Art Institute of Chicago or admiring Monet's water lilies at the Musée de l'Orangerie in Paris. We celebrate the beauty found in diverse art forms, from Chicago's architectural wonders to the fashion-forward exhibits at the Met's Costume Institute. Whether it's the grandeur of the National Portrait Gallery in London or the miniature marvels in Chicago, this episode is a love letter to the art that inspires and moves us.Then the Noras welcome their friend Rebecca Rivera to the studio for a real life example of the trendy world of customizable jewelry! She holds their hands as they choose their permanent bracelets and which wrist to put it on.  Rebecca explains all the customizable options J Bloom has to offer and how these versatile items cater to all ages with endless design and engraving options. We explore the sentimental value of matching sets and discuss the practicality of these pieces that can be easily removed and reattached. Wrapping up, we reflect on the joy of unexpected family time when soccer gets canceled and encourage you to join us on Instagram for more digital art inspiration.Mike Haggerty Buick GMCRight on the corner, right on the price! Head down to 93rd & Cicero & tell them the Noras sent you!Rosaria BeckerRosaria will provide uncompromised service & attention for your real estate needs.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

This week, Nicole Phelps and Mark Holgate are joined by the 2024 CFDA/Vogue Fashion Fund winners Dynasty and Soull Ogun, the twin sisters behind L'Enchanteur, a line of jewelry and ready-to-wear that quickly captivated the judges. They discuss their career trajectory, growing up in Flatbush, and their unique creative approaches to the design process. Their designs will also be featured in “Superfine: Tailoring Black Style,” the Costume Institute exhibition at the Metropolitan Museum of Art, which will open next May. 

On today's episode, we discuss the ever-controversial Victoria's Secret Fashion Show, the new lesbian housewife on RHONY, the Costume Institute's upcoming exhibition Superfine: Tailoring Black Style, Jojo Siwa and Interview's respective Liza Minnelli tributes, the new Menendez Brothers doc, and Tesla's underwhelming new robots. Plus: the ladies discuss the premiere of Lauren's film Sugar Baby and Chelsea reports back from the SWEAT tour.   North American Fuckettes, watch Lauren's film Sugar Baby on AppleTV, Amazon, or Fandango at Home

Breaking FARSHUN news; the Costume Institute has announced its 2025 exhibition which means we have our Met Gala theme and ooh boy are we pumped. In adjacent gallery news, the long held question "is this art?" has not been asked by a Dutch gallery worker. Whoopsies.Fat Bear Week has crowned its incumbent champion (we luv u Grazer), and a Qantas in-flight entertainment fail has us remembering the olden days of forced viewing.It's shaping up to be a big summer of music movies too, with Paul Kelly, Robbie Williams, Bob Dylan, and Pharrell all having their stories told in different ways. And we're banging on about a heartbreaking film you shouldn't watch on a plane, and the latest season of Slow Horses.Oh, and if you see this in time, you can still vote for Bang On in the listeners' choice at the Australian Podcast Awards: https://www.australianpodcastawards.com/votingMet Gala theme announced: https://www.vogue.com/article/superfine-tailoring-black-style-costume-institute-spring-2025-exhibitionGallery worker bins art: https://www.theguardian.com/world/2024/oct/08/beer-can-artwork-lam-museum-thrown-out-all-the-good-times-we-spent-togetherFat Bear Week: https://www.abc.net.au/news/2024-10-09/fat-bear-week-2024-winner-128-grazer/104448686Qantas in flight fail: https://www.nytimes.com/2024/10/08/business/qantas-airlines-australia-r-rated-movie.htmlHow to Make Gravy movie: https://www.abc.net.au/news/2024-10-09/how-to-make-gravy-movie-trailer-paul-kelly-hugo-weaving-binge/104448648A Complete Unknown: https://www.youtube.com/watch?v=73rHRm5uTQ0&ab_channel=IGNBetter Man: https://www.abc.net.au/news/2024-10-03/robbie-williams-biopic-better-man-cgi-monkey-teaser-trailer/104427364Piece by Piece: https://www.youtube.com/watch?v=xDlnwQCkiSA&ab_channel=UniversalPicturesAustraliaOasis tour dates: https://www.abc.net.au/news/2024-10-08/oasis-australia-tour-2025-reunion-dates-tickets/104440066LDR married: https://www.theguardian.com/music/2024/sep/27/lana-del-rey-married-jeremy-dufreneAll Of Us Strangers: https://www.youtube.com/watch?v=O97iSjvqBlY&ab_channel=SearchlightPicturesSlow Horses S04: https://www.youtube.com/watch?v=xo27sE2fdvs&ab_channel=AppleTVBang Back to us: bangon.podcast@abc.net.auBang On is an ABC podcast, produced by Double J. It is recorded on the lands of the Gadigal and Wurundjeri peoples. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

In this episode, Hannah Carlson, author of “Pockets: An Intimate History of How We Keep Things Close,” discusses the historical and social significance of pockets. Inspired by a personal experience where she had no pockets during an emergency, Carlson explores how pockets have evolved from medieval times to modern days, highlighting their gender disparity. She delves into how pockets in women's clothing were often inadequate or non-existent, contrasting with men's standardized pocketed garments. Carlson also examines pockets in historical contexts, like women's sports and military uniforms, and how pockets have influenced and reflected societal norms and gender roles.Key PointsHistorical Evolution: Pockets have evolved from medieval pocket slits to modern integral pockets in clothing, with men often having more practical pockets than women.Gender Disparity: Women's clothing historically lacked pockets, reflecting societal views on femininity and practicality, and influencing how women carried their belongings.Pockets and Society: Pockets were banned in some eras due to their association with concealed weapons, and they influenced how people moved and interacted with the world.Modern Pockets: Despite advancements, women today still face issues with inadequate pockets, often expressed through social media and fashion movements. Related Episodes:Episode 220: Dress Codes and Fashion Rule Through History with Richard Thompson FordEpisode 215: The Story Behind Twentieth Century Skirts with Dr. Kimblerly Chrisman CampbellLinks:Sign up for my newsletter.Need help preserving your photos? Check out Maureen's Preserving Family Photographs ebook Need help identifying family photos? Check out The Family Photo Detective ebook.About My Guest:Hannah Carlson teaches dress history and material culture at the Rhode Island School of Design. After training as a conservator of costume and textiles at the Fashion Institute of Technology, she received a PhD in material culture from Boston University. She is the author of Pockets: An Intimate History of How We Keep Things Close and has contributed articles to Commonplace: The Journal of Early American Life; Dress: The Journal of the Costume Institute of America; Design Observer; and MacGuffin: The Life of Things.About Maureen Taylor:Maureen Taylor, The Photo DetectiveTM helps clients with photo related genealogical problems. Her pioneering work in historic photo research has earned her the title “the nation's foremost historical photo detective” by The Wall Street Journal and appearances on The View, The Today Show, Pawn Stars, and others.   Learn more at Maureentaylor.com I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Support the show

[REBROADCAST FROM July 10, 2024] The latest exhibit at the Met's Costume Institute brings (note: not all pieces are old or historical) pieces of fashion to life through innovative techniques, including holograms. Andrew Bolton, curator in charge of The Costume Institute, joins us to discuss Sleeping Beauties: Reawakening Fashion, on view now at the Metropolitan Museum of Art through September 2.

There is a lot to unpack—literally and figuratively—in the Metropolitan Museum's Sleeping Beauties: Reawakening Fashion” which closes on September 2. It's about nature and the cycle of life (and as it turns out, there is a lot about death). It also touches on chemistry, biology, mythology, and so much more, all told through the lens of fashion. Added to this litany of themes, the show also tells the story of The Met itself, and the goings-on behind the scenes. It's about how archived garments are preserved and how they are disintegrating. It's not just about clothes, but about how they were worn and who wore them. It tells the story of us. It's a visceral exhibition of over 400 years of fashion that engages the senses. It can be a heady experience. There are the sounds of waves crashing, and birds calling, and poems being read aloud. There is textured wallpaper you can touch—and courtesy of the German artist Sissel Tollas, wallpaper you can scratch and sniff and tubes you can snort. Frankly, this portion of the exhibit kicks like a mule and is unforgettable, with scent being such a powerfully triggering memory force. “Sleeping Beauties” was curated by this week's guest Andrew Bolton, the Curator in Charge of The Costume Institute at The Metropolitan Museum of Art, who previously helmed such blockbusters as “Alexander McQueen: Savage Beauty,” “China Through the Looking Glass,” and “Heavenly Bodies: Fashion and the Catholic Imagination,” which were some of the most visited exhibitions in the museum's entire history. Today's fashion-exhibit-heavy museum landscape has a lot to do with Bolton's successes, but with his trained anthropologist's eye, he never fails to zero in on the intellectual and human connotations in the garments.  

Uncover the incredible journey of Iris Apfel, whose design career spans textiles and fashion, from transforming the White House interiors to becoming a global style icon, joined by special guest designer Adam Vicarel._______Join the Patreon community for bonus features and video versions: patreon.com/womendesignersyoushouldknow Sources:The CEO Magazine “How Iris Apfel, 100, defies her age in the business world”South China Morning Post “Meet Iris Apfel”2014 Documentary “IRIS” by Albert Maysles About Iris Apfel:Iris Apfel, born on August 29, 1921, in Queens, New York, is a renowned American businesswoman, interior designer, and fashion icon. Alongside her husband Carl, she founded Old World Weavers in 1950, a textile firm celebrated for its reproduction of antique fabrics. Their work included notable projects like the restoration of the White House under nine presidents, enhancing its historical elegance.Iris's distinctive personal style, characterized by bold accessories and eclectic fashion choices, made her a fashion muse and a beloved figure in the industry. Her influence was further cemented by the 2005 Costume Institute exhibition at the Metropolitan Museum of Art titled "Rara Avis: The Irreverent Iris Apfel."In addition to her work in design, Iris has collaborated with brands like MAC Cosmetics and H&M, bringing her unique aesthetic to a broader audience. She continues to inspire with her memoir "Iris Apfel: Accidental Icon" and a modeling contract with IMG signed at age 97, showcasing her enduring appeal and influence.For more information, explore her memoir or the New York Times article.About Adam Vicarel:Adam Vicarel is a brand designer, lettering artist and mural painter who is obsessed with merging the worlds of fine art and strategic design. In his personal work Adam infuses his love for travel and the outdoors into his typography, illustration and storytelling to create visceral experiences for his audience. That's visceral, not Vicarel.His graph design studio, Vicarel Studios works on visual identity systems, packaging art installations, and more, and they've created for brands like NBC, Twitter, Lululemon, United Airlines and Sharpie. Their unique process of combining fine art with design allows them to craft provocative brands and artful experiences unbound by industry or medium. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

In a world where beauty standards are constantly evolving and societal pressures can feel overwhelming, makeup artist Molly R. Stern brings a refreshing perspective to the conversation. With a career spanning over two decades and a client list that includes some of Hollywood's most iconic faces, Molly has witnessed firsthand the struggles women face with self-perception and the impact of the beauty industry on mental well-being. In this candid and insightful episode Erin and Molly dive deep into the complexities of beauty, aging, and self-love.Join us for an eye-opening discussion as Molly shares her wisdom on navigating the beauty industry while staying true to oneself. We explore:Why negative self-talk is so pervasive among women, regardless of fame, wealth, or appearance and the importance of shifting towards self-love and acceptance.The role of societal pressures and marketing in creating insecurity, and how to combat these influences.Molly's approach to her work as a makeup artist: prioritizing making her clients feel good about themselves and focusing on their individual needs and empowerment.The changing ideals of beauty over time and the importance of being inspired rather than emulating unattainable standards.The impact of the body positivity movement, and the rise of weight loss drugs on beauty standards.Practical beauty tips, including self-massage and nurturing skincare routines as acts of self-love and self-care.OUR GUEST: For over 30 years, Molly R. Stern has been a trusted artist and influencer in Hollywood with an engaged social media audience of over 60K followers. Molly has been recognized with numerous industry accolades. She was awarded Makeup Artist of the Year at the prestigious Hollywood Style Awards, and her outstanding makeup on the acclaimed HBO series Big Little Lies was nominated twice for an Emmy. A couture piece from her cult apparel line, m.r.s, was selected for the Goddess exhibition at the Costume Institute of the Metropolitan Museum of Art. The stunning makeup Molly created for the Disney blockbuster film, A Wrinkle In Time, was immortalized in a collectible signature Barbie doll line by toy manufacturer Mattel. Her #LOVEyourself mantra led to the collaboration with renowned jewelry brand Sarah Chloe. Molly resides in Los Angeles, CA with her husband, 3 children and 2 dogs.Want more Molly? Find her online at https://www.mollyrstern.com/ and shop her Sarah Cole Love Yourself Collection HERE. Follow her on:Instagram: @mollyrstern TikTok: @mollyrstern Facebook: @MollyRSternMakeup X/Twitter: @TheMollyRStern Want more Hotter Than Ever? Subscribe to the Hotter Than Ever Substack to dive deeper. Find episode transcripts at www.hotterthaneverpod.com Follow us on:Instagram: @hotterthaneverpod TikTok:

The latest exhibit at the Met's Costume Institute brings old pieces of fashion to life through innovative techniques, including holograms. Andrew Bolton, curator in charge of The Costume Institute, joins us to discuss Sleeping Beauties: Reawakening Fashion, on view now at the Metropolitan Museum of Art through September 2.

Join Moni and Kat this week as they delve into the glittering world of the MET Gala, tracing its origins back to 1948 when it began as a modest fundraiser for the Metropolitan Museum of Art's Costume Institute in New York City. Discover how Anna Wintour's visionary leadership since 1995 transformed the event into a global cultural phenomenon, intricately tied to the opening of the Costume Institute's annual exhibition. The ladies will explore the meticulous planning behind the scenes, iconic themes and moments that have shaped its legacy, and fun trivia like the strict "no selfie" policy. Plus, our hosts will share and discuss some of their favorite looks from this year and past Galas. Tune in to learn how the MET Gala continues to push boundaries at the intersection of fashion, art, and celebrity. Cheers!*Please be advised this episode is intended for adult audiences and contains adult language and content. We are expressing opinions on the show for entertainment purposes only.Dedication: To our patrons as always, thank you!!Moni: To Nic, my sister-friend since 9 years old, and her amazing daughter Kache', who recently graduated from the iconic HBCU Spelman College!! Congrats and I love you both!Kat: To Gou Pei https://www.guopei.com for her impecable taste and style! Guopei documentary:Yellow is Forbidden  Notes: First Monday in May Documentary (MET GALA):http://www.magpictures.com/thefirstmondayinmay/**Stranger than Fiction:

A week ago, the Metropolitan Museum of Art held its 2024 Met Gala — a yearly event to raise money for the Costume Institute. The gala also marks the opening of the Costume Institute's annual show, which this year is called "Sleeping Beauties: Reawakening Fashion." The idea behind this exhibit is to showcase pieces from the museum's collection that are too delicate to show on mannequins. Instead, the exhibit will feature recreations of the pieces using AI and 3-D techniques, along with sound and smell. But what about textiles that museums choose to display — how is science used to maintain these incredible, often fragile, pieces of the past?In this episode of Tiny Matters, Sam and Deboki cover the fascinating textile landscape, from  plant-based fibers to the evolution of modern synthetic materials and the investigative approaches used to preserve not just these fabrics but also the stories they tell and the cultural significance they hold.We have a YouTube channel! Full-length audio episodes can be found here. And to see video of Sam, Deboki, and episode guests, check out Tiny Matters YouTube shorts here!Links to the Tiny Show & Tell stories are here and here. Pick up a Tiny Matters mug here! All Tiny Matters transcripts are available here.

Another Met Gala has come and gone. The annual charity fundraiser for the Metropolitan Museum of Art's Costume Institute always draws the world's attention as notable artists, entertainers and the wealthy elite parade in lavish and often ridiculous outfits.Despite not being in attendance this year, Lady Gaga  managed to be the top shared celebrity on the Internet for her Guggenheim Museum inspired dress. The catch? It was all done with AI, while Gaga probably stayed home nice and cozy in a bath full of bubbles and a dart board with Madonna's face on it. Today we take a look at all the wet and wild news stories, like Lady Gaga and Rhianna's fake Met Gala gowns, and how Pride Celebrations this year are shrinking in New York and Chicago. Feast of Fun is made possible because of listeners like you, thank you!Check out Shameless Care:shamelesscare.com/feasts Plus–• Madonna's last stop in Rio for her Celebration Tour surpasses the Rolling Stones as the 5th biggest music concert in history. • Twitter/X Ceo Elon Musk tells JK Rowling to post interesting and positive content on the site. • Republicans wear diapers in support of President Trump.• Good vibrations- fiddler crabs send vibrations through the ground to attract a mate.

There is a lot to unpack—literally and figuratively—in the Metropolitan Museum's new Costume Institute show, “Sleeping Beauties: Reawakening Fashion” which opens on Friday May 10. It's about nature and the cycle of life (and as it turns out, there is a lot about death). It also touches on chemistry, biology, mythology, and so much more, all told through the lens of fashion. Added to this litany of themes, the show also tells the story of The Met itself, and the goings-on behind the scenes. It's about how archived garments are preserved and how they are disintegrating. It's not just about clothes, but about how they were worn and who wore them. It tells the story of us. It's a visceral exhibition of over 400 years of fashion that engages the senses. It can be a heady experience. There are the sounds of waves crashing, and birds calling, and poems being read aloud. There is textured wallpaper you can touch—and courtesy of the German artist Sissel Tollas, wallpaper you can scratch and sniff and tubes you can snort. Frankly, this portion of the exhibit kicks like a mule and is unforgettable, with scent being such a powerfully triggering memory force. “Sleeping Beauties” was curated by this week's guest Andrew Bolton the head curator of the Anna Wintour Costume Center at the Met, who previously helmed such blockbusters as "Alexander McQueen: Savage Beauty," "China Through the Looking Glass," and "Heavenly Bodies: Fashion and the Catholic Imagination," which were some of the most visited exhibitions in the museum's entire history. Today's fashion-exhibit-heavy museum landscape has a lot to do with Bolton's successes, but with his trained anthropologist's eye, he never fails to zero in on the intellectual and human connotations in the garments.

In this episode, Gavôn explains how the Met Gala became the most hyped night in fashion through the lens of Met Gala 2024. You'll learn about the history of the Met Gala and the Costume Institute, an exhibition breakdown, a recap of the red carpet, and how his obsession with superheroes inspired him to study theater in college. To hear from Gavôn directly, join his email list at https://www.gavonowen.com/righthype.

Fashion's biggest podcast. This week, Jimmy and Larry don't have to bother shilling the new Throwing Fits summer shirt(s)—dropping Friday, May 10th at 12pm EST—because they sell themselves but we're gonna do it anyway because we're professionals, beers the size of your head, Lawrence got grillz, James attends a bachelor party in Fort Lauderdale featuring a variety of cursed vibes which leads to a healthy debate on the worst states, a chance encounter with the boss man James Dolan himself, breaking down the Met Gala and The Costume Institute, a scene report from a bunch of high-powered after parties, a new song of the summer emerges, zesty photoshoot themes, the best chili in the city and much more. For more Throwing Fits, check us out on Patreon: www.patreon.com/throwingfits.

Pre-Loved Podcast is a weekly vintage fashion interview show, with guests you'll want to go thrifting with! For more Pre-Loved Podcast, subscribe to our Patreon!On today's show, we're chatting with fashion conservator, Sarah Scaturro, the Chief Conservator at the Cleveland Museum of Art, and previously, the head of the fashion conservation laboratory in the Costume Institute at the Metropolitan Museum of Art.  Today is the first Monday in May, which means – if you're listening to this live – tonight is the Met Gala, and we're talking all things archival fashion at the Met Gala with Sarah.  We discuss the famous Kim Kardashian incident – wearing Marilyn Monroe's dress to the Met Gala – what to make of the Sleeping Beauties exhibition theme this year, and fashion preservation. This is such a fascinating episode with a real subject matter expert, and I think you're going to really enjoy it, so let's dive right into it!  DISCUSSED IN THE EPISODE: [2:29] Sarah grew up with a love of clothes, costumes, and playing dress-up. [7:47] Sarah's career path into textile preservation. [12:10] How fashion items are acquired by museums, and what makes an archive collection unique. [17:27] What it means when an object becomes “singularized.” [24:15] On Kim Kardashian wearing Marilyn Monroe's ‘Happy Birthday, Mr. President' dress to the 2022 Met Gala. [32:49] Why “absolute prohibitions” around interacting without artifacts is not the answer, either. [37:36] The Met Gala's exhibition “Sleeping Beauties: Reawakening Fashion,” and dress code theme “The Garden of Time," and what to expect to see this year. EPISODE MENTIONS:  Sarah Sc:aturro Sarah's research  Cleveland Museum of Art FIT Studies: History, Theory & Museums Renée Zellweger wears a vintage yellow Jean Desses dress at the 2001 Oscars. @chloesevigny Rihanna's Met Gala Guo Pei gown LET'S CONNECT: 

It's one of the most photographed events of the year… The Met Gala. What was once a fundraiser for Costume Institute, the first Monday in May has now evolved into an all-out feast of Celebrities donning wild fashions on the red carpet. But what exactly goes into preparing for this event? We've got the inside story from someone whose designs have actually been at ground zero. To read more about what goes into the Met Gala, click here Subscribe to Mamamia GET IN TOUCH Share your story, feedback, or dilemma! Send us a voice note or email us at podcast@mamamia.com.au and one of our Podcast Producers will come back to you ASAP. CONTACT US Got a topic you'd like us to cover? Send us an email at thequicky@mamamia.com.au CREDITS Host: Claire Murphy  With thanks to: Paul Vasileff - Founder & Designer at Paolo Sebastian  Producers: Claire Murphy  Executive Producer: Taylah StranoAudio Producer: Thom LionBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

The Met Gala is one of the most star studded events in the world. In 2023, the annual fashion event raised $22 million for the Metropolitan Museum of Art's Costume Institute.This year's event is projected to raise $25 million.And when you have a fundraising event this big it can have many ripple effects for the nonprofit world.In today's episode host Swim Karim takes a look at what is formerly known as The Costume Institute Gala and why this invite-only event (that costs $75,000 to attend) represents one of the many ways nonprofits continue to be in every fabric of American life, influence, money, and power.Be sure to subscribe on Spotify or Apple podcasts.If you're anything like me you like a nice cup of tea to start and finish your day in the nonprofit world. That's why host Swim Karim goes to ArtofTea.com for all his tea needs. Visit Art of Tea for 10% off your next purchase of tea and tea accessories today, right here: https://artoftea.go2cloud.org/SHC

In this episode we go behind the scenes at the Met for the Costume Institute's new exhibition “Women Dressing Women” with curator Melina Plottu, textiles conservator, as our guide. Learn about the process of preparing garments for display and discover the secrets of this extraordinary role that plays such an important but often unseen part of fashion exhibitions at this scale. Links Visit our website Follow @dressfancypodcast on Instagram Follow @mslucyclayton on Instagram Follow @melina.plottu on Instagram Book your ticket to the exhibition Conserving Gallenga's Theodosia The book accompanying the exhibition

The Metropolitan Museum of Art's new exhibition celebrates women in fashion throughout the ages including Ann Lowe, Claire McCardell, Pia Davis and Autumn Randolph for No Sesso, and Vivienne Westwood, among many others. It's titled, Women Dressing Women. Mellissa Huber, the associate curator of The Costume Institute at The Met, joins us to preview the show. Women Dressing Women is on view through March 3.  

The Metropolitan Museum of Art's new exhibition celebrates women in fashion throughout the ages including Anne Lowe, Claire McCardell, Pia Davis and Autumn Randolph for No Sesso, and Vivienne Westwood, among many others. It's titled, Women Dressing Women. Mellissa Huber, the associate curator of The Costume Institute at The Met, joins us to preview the show. Women Dressing Women is on view through March 3.  

Behind the scenes at the Costume Institute, we see how long it really takes to dress a mannequin. And learn about a few famous mannequins from the past. For images, links, and more, go to articlesofinterest.substack.com

T Lo dive into the life and career of legendary fashion designer Karl Lagerfeld, whose work inspired this year's Met Gala. From his work revitalizing classic old houses to his love of celebrity and his history of problematic statements, they uncover why he never deserved the honor of a Costume Institute exhibition and give their picks for who deserved it more.