Podcast appearances and mentions of sam riviere

Last week I had an interview with the acclaimed poet Sam Riviere on his new collection Conflicted Copy. As AI technology continues to evolve, many artists feel apprehensive about its impact on their craft. However, Sam has chosen a different path by embracing AI as a unique writing companion, culminating in his innovative poetry collection, Conflicted Copy.Join us as Sam shares his journey of curiosity and experimentation, exploring how he navigated the creative process with an earlier, less sophisticated AI model during the second wave of COVID-19. We discuss the blurred lines between human authorship and machine-generated text, the challenges of steering AI away from predictable patterns, and the unexpected beauty that emerges from these digital collaborations.In our conversation, we touch on:The inspiration behind Conflicted Copy and its unconventional creation.The interplay between human intention and AI's linguistic capabilities.The emotional resonance and aesthetic value found in AI's "hallucinations."The broader implications of AI in the literary world and the future of creative writing.Sam also gives us to a reading of "Safe Poem," a standout piece from his collection that encapsulates the mysterious and multifaceted nature of AI-assisted poetry.Whether you're a poetry enthusiast, an AI aficionado, or simply curious about the future of artistic expression, this episode offers a fascinating glimpse into the collaborative possibilities between humans and machines. Tune in to discover how Sam Riviere is redefining the boundaries of poetry in the digital age.Follow SamFollow the Podcast:SubstackFollow the Podcast On InstagramFollow the Podcast on X/TwitterFollow the Podcast on Tiktok Hosted on Acast. See acast.com/privacy for more information.

"There is a genuine search for something - much of the time it turns out to be distraction." Duncan Wiese joins me from Denmark to discuss his new collection of poetry based on Virgil's Eclogues, Tityrus: A Pastoral. Published by Lolli Editions (more info here!), the poems were translated by Max Minden Ribeiro (Pelle Hvenegaard's Dear Zoe Ukhona and Finn Juhl: Life, Work, World by Christian Bundegaarand) and  Sam Riviere (81 Austerities, Kim Kardashian's Marriage) Enjoyed this episode - why not send a small donation to support with the running costs! Thank you! - https://ko-fi.com/liambishop Rippling Points Life in the twenties: Tityrus as an emblem of finding your way in life, sitting alongside pop culture. Driven to distraction: how 'Rome's great poet's' ideas of the pastoral influenced a story of today. Reference Points Writers Anne Carson Virgil's Eclogues - You can read on Project Gutenberg for free here:  TV Shows Beverly Hills 90210 Friends That 70's Show.   

Jo and Adam are joined by poet, author and academic Sam Riviere for a wide ranging conversation about satire, originality, plagiarism, the inherent challenges of existing in a world where performance and genuine participation have become indistinguishable and, well, just about all of the problems with everything really... In addition to being a celebrated, award-winning author, Sam is also often described as writing satire "fueled by genuine rage." Adam and Jo talk about the long-standing relationship between satire and rage (or at the very least, the performance of rage) before asking Sam if he feels like "genuine rage" is really the engine of his own satire, with particular reference to his recent debut novel Dead Souls. Dead Souls appears, on the surface, to satirize the contemporary poetry/small art publishing scene but, as the novel progresses its satirical impulses spiral outwards to skewer almost everything about life in later-stage capitalism including but not limited to: the culture sector, higher education and social media. Elsewhere in the episode Jo and Adam offer the internet's very last take on Will Smith slapping Chris Rock at the Oscars (is it a useful analogy for how satire works???) and reflect on their recent experience of interviewing the viral internet comedian and animator Alistair Beckett King.

Christmas isn't Christmas until everyone is dead of a new mutant variant! Only kidding. Christmas isn't really Christmas until Jo and Adam have dropped their self-indulgent Christmas episode, and this year they've pulled out all of the stops and thrown a big illegal party in 10 Downing Street during a national lockdown and the police are refusing to investigate. Only kidding. It isn't a party, it's a gathering. It's cheese and wine. Ok, it's not really any of those, it's a podcast, but as you can imagine the question of whether a party quacks like a duck, and whether that duck can be satirised, is occupying a lot of Adam and Jo's headspace this Christmas. But never mind that now. All you need to know is Jo and Adam are here with some Christmas consumer advice on what to get the satire fan in your satirical fam: Armando Iannucci's mock-epic satire on COVID-times, Pandemonium, and Sam Riviere's multi-layered satire on the creative arts, Dead Souls. Merry Satirical Christmas, one and all.

NB: For some reason, I say “satired” instead of “satirized.” In my defense, it had been a long week, and I was feeling pretty satired.Some of the topics mentioned in this episode:– Sam Riviere's book Dead Souls– Sam's essay In Defense of Poetic Plagiarism– Sam's book Kim Kardashian's Marriage– Sam's poem D.F.W.– Gogol's book Dead Souls– Thomas Bernhard– Kent Johnson– Andrew W. K.– Kanye West– Plato's Ion– Louise Gluck's (Learned my lesson, no umlaut this time!) book Proofs & Theories– The Cambridge School– The downfall of Don Share– Flarf– Noor Hindi's poem Fuck Your Lecture on Craft, My People Are Dying– Paul Elie's article How Racist Was Flannery O'Connor?– Eliot's essay Tradition and the Individual Talent– Nicholson Baker's book The Anthologist (The audiobook is read by Baker himself and is a real treat.)– The MovementPlease rate, review, and subscribe! Or just recommend the show to a friend!Send questions, comments, and suggestions to sleerickets@gmail.com. Music by ETRNLArt by Daniel Alexander Smith

2021 Writers în Residence at MPT Sam Riviere & Cătălina Stanislav speak to Elena Vlădăreanu and Gabi Eftimie. For a transcript please visit: https://modernpoetryintranslation.com/romanian-poetry-sam-riviere-catalina-stanislav-speak-to-elena-vladareanu-and-gabi-eftimie/

Livia Franchini"Gusci"Mondadori Editorehttps://www.librimondadori.it/Ruth ha trent'anni, lavora come infermiera in una casa di riposo ed è appena stata lasciata dal suo compagno. L'unica cosa che le rimane dei loro dieci anni insieme è la lista della spesa che aveva compilato con lui per la settimana a venire.Ed è a partire da quella lista che Ruth racconta la sua storia e ripercorre la relazione con Neil fin dal loro primo incontro. Ogni ingrediente è un salto nel tempo, ma anche un cambio di prospettiva e di registro narrativo. Lo zucchero, quindi, ci trasporta al momento in cui Neil ha visto Ruth per la prima volta attraverso la vetrina di un'agenzia di viaggi, la pizza è il diario scritto da un'amica di Ruth durante una vacanza che hanno trascorso insieme a Roma, il deodorante ci porta ancora più indietro, ai tempi del liceo, a sbirciare le chat tra le sue compagne di scuola, mentre gli spaghetti sono un'eloquente incursione nella casella di posta elettronica di Neil.Tra uova, mele, olive e balsamo, Ruth scopre che sono molti anni che modella la propria identità in base alle aspettative e ai desideri delle persone che la circondano: il suo fidanzato, ma anche i pazienti della casa di riposo, le colleghe, la sua famiglia. Ora ha bisogno di capire chi è senza Neil, deve imparare a camminare da sola.Attraverso una voce fresca, tagliente, e un impianto narrativo originale e ipercontemporaneo, Livia Franchini ci spiazza continuamente decostruendo un genere dall'interno, disattendendo uno per uno tutti i cliché e i canoni del romanzo d'amore. Gusci è un oggetto intimo, eccentrico, imprevedibile, che esplora la complessa posizione di una giovane donna non convenzionale nella nostra società, sollevando al contempo domande enormi sull'amore, la perdita e l'identità.Livia Franchini (Pisa, 1987) è scrittrice e traduttrice, in italiano e in inglese. È autrice di una raccolta di poesie, Our Available Magic (Makina Books, 2019) e ha tradotto, tra gli altri, Michael Donaghy, Sam Riviere e James Tiptree Jr. È la coordinatrice del prestigioso Goldsmiths Prize e uno dei membri fondatori di FILL (Festival of Italian Literature in London). Gusci, che nasce in lingua inglese, è il suo primo romanzo ed è stato pubblicato in Gran Bretagna nel 2019 per Doubleday con il titolo Shelf Life. Da quasi quindici anni vive a Londra, dove insegna scrittura creativa in ambito accademico.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

To support our work and listen to additional content, see here: https://patreon.com/yourshelf and follow us on social media @_yourshelf_. In our latest, fifth episode of The YourShelf Podcast, Everything Is Both, our chief curator Juliano Zaffino (Jay) sits down with author Rebecca Dinerstein Knight to discuss books, Norway, screenplays, Jenny Slate, and Rebecca's second novel, Hex. For full show notes, see here: https://podcast.yourshelf.uk/episodes/5. Thanks for listening.  LinksPatreonInstagramTwitterPodcastYourShelfEpisode NotesJay asks Rebecca about her bookshelves, the books that made her, and which authors she'd invite to a dinner party. (from 1:35)Rebecca begins the discussion with her first novel, The Sunlit Night, and the process involved in writing the screenplay for the film adaptation due out later in 2020. Rebecca and Jay discuss Rebecca's wide-ranging writing career, the impetus behind her latest novel Hex, creative friendships, obsession, the sophomore slump, and the doubleness of everything. (from 10:24)Finally, Rebecca hints at what her next projects are going to look like. (from 48:21)Jay recommends signing up to our Patreon for access to exclusive content, including a short bonus episode with more content from the interview, where Jay and Rebecca play a game of "Celebs Read Nice Tweets", and Rebecca answers some extra questions from Jay.Jay wraps up with all the books that were discussed in the episode and a few other books he recommends. Some of the books and authors we discussed in our latest episode include Kafka, Mark Strand, Louise Glück, Wallace Stevens, Frank O'Hara, Nicole Sealey, Noah Warren; All The King's Men by Robert Penn Warren, To The Lighthouse by Virginia Woolf, Independent People by Halldór Laxness, Changing by Liv Ullmann; Dante, George Eliot, Gustave Flaubert; Little Weirds by Jenny Slate, Anne of Green Gables by LM Montgomery, The Moomins by Tove Jansson, the short stories of Grace Paley, The Edwardians by Vita Sackville-West, Sweet Days of Discipline by Fleur Jaeggy, Pond by Claire-Louise Bennett; Michael Chabon, Walter Pater; Parakeet by Marie-Helene Bertino, A Burning by Megha Majumdar, and Riding With The Ghost by Justin Taylor. If you're looking for even more recommendations, especially in the age of social distancing, Jay has you covered. Recently, he's read and enjoyed Olivia Laing's Funny Weather, Seán Hewitt's Tongues of Fire, Martha Sprackland's Citadel, Sam Riviere's After Fame, and Deborah Levy's memoirs Things I Don't Want to Know and The Cost of Living.Also, Jay reminds that you can order a copy of his book of poems, the debut publication of The YourShelf Press, on yourshelf.uk/press.Rebecca Dinerstein Knight closes with a reading of the stunning 'Pharmakon' chapter in her new second novel Hex. (from 58:49)Buy, read and review Hex online now, available from most bookstores! Rebecca's first novel The Sunlit Night is also available for purchase, and her debut poetry collection Lofoten is available digitally.Thanks for listening and tune in again soon for Episode Six!

To support our work and listen to additional content, see here: https://patreon.com/yourshelf and follow us on social media @_yourshelf_. In our latest, fourth episode of The YourShelf Podcast, Flights of Thought, our chief curator Juliano Zaffino (Jay) sits down with author Sara Baume to discuss books, birds, and Sara's nonfiction debut handiwork. For full show notes, see here: https://podcast.yourshelf.uk/episodes/4. Thanks for listening.  LinksPatreonInstagramTwitterPodcastYourShelfEpisode NotesJay asks Sara about her bookshelves, the books that made her, and what she's excited to read in the near future. (from 2:12)Sara begins the discussion with some insights from the writing of her nonfiction debut, handiwork. Sara and Jay discuss all three of Sara's published books, the importance of birds, solitude and other recurrent themes throughout her work. (from 13:30)Finally, Sara talks about her new novella, slated for a 2021 publication, and talks about launching a book during a national lockdown. Sara also shares some quarantine reading recommendations. (from 54:02)Jay recommends signing up to our Patreon for access to exclusive content, including a 10min bonus episode with more content from the interview, where Jay and Sara Baume play a game of "Celebs Read Nice Tweets", and Sara answers some "phone-in questions".Jay wraps up with all the books that were discussed in the episode and a few other books he recommends. Some of the books and authors we discussed in our latest episode include Arundhati Roy's The God of Small Things, Alice Lyons' Oona, Celia Paul's Self Portrait, Iris Murdoch's The Sea, The Sea, Raynor Winn's The Salt Path, Max Porter's Grief Is The Thing With Feathers, Han Kang's The White Book, Hilary Mantel's Wolf Hall, Rob Doyle's Threshold, Evie Wyld's The Bass Rock, Adrian Duncan's A Sabbatical in Leipzig, Olivia Laing's forthcoming Funny Weather, Jenny Offill's Weather, and Colum McCann's Apeirogon. If you're looking for even more recommendations, especially in the age of social distancing, Jay has you covered. While most of the books he's read recently have been Sara Baume's three fantastic books, he also recommends the poetry of Doireann Ní Ghríofa, whose forthcoming prose debut A Ghost In The Throat is discussed by Sara earlier in this episode. Currently, he's reading Hex by Rebecca Dinerstein Knight, The M Pages by Colette Bryce, After Fame by Sam Riviere, and Rest and Be Thankful by Emma Glass; while he hasn't yet finished these books, each one is already totally compelling and recommendable.Also, Jay reminds that you can order a copy of his book of poems, the debut publication of The YourShelf Press, on yourshelf.uk/press.Sara Baume closes with a reading from her non-fiction debut handiwork (from 1:02:48).Buy, read and review handiwork online now, available from most bookstores! Sara's previous books Spill Simmer Falter Wither and A Line Made By Walking are also both available for purchase.Thanks for listening and tune in again soon for Episode Five!

Miss Buncle's Book by D.E. Stevenson, a bestseller when first published in the 1930s, is the novel under discussion. Joining John and Andy is novelist and teacher of creative writing Shelley Harris. Also featured in this episode, Marc Hamer's memoir How To Catch a Mole and Sam Riviere's debut poetry collection 81 Austerities.

As Mike Leigh's film of the Peterloo massacre of 1819 is released, Clare Pettitt revisits the history; Marina Benjamin offers a personal and literary account of the threshold between sleep and wakefulness; following the publication of a second volume of Sylvia Plath's letters, Hannah Sullivan looks for fresh insights into the poet's work, life and death; finally, Sam Riviere reads his new poem, "Sushi Tuesday"Works discussedPeterloo, directed by Mike LeighInsomnia by Marina BenjaminThe Letters of Sylvia Plath Volume I (1940-1956) and Volume II (1956-1963), edited by Peter K. Steinberg and Karen V. Kukil See acast.com/privacy for privacy and opt-out information.

This is one of the papers from our 2017 Annual Conference. Information and the full conference booklet can be found at www.britishphenomenology.org.uk In The Origin of the Work of Art, Heidegger moves from the example of van Gogh’s painting of the peasant’s shoes to Meyer’s poem Roman Fountain. We are told that the painting is not merely a faithful representation of something present at hand but rather it reproduces the shoes in their essence. Next, Heidegger considers Meyer’s poem. He points out that although the poem is a fairly straightforward poetic description, it is not “a reproduction of the general essence of the Roman fountain.” It would seem that, in the poem, truth is set to work symbolically or metaphorically. However, for Heidegger, great poetry cannot be considered metaphoric because it transcends the sensuous/nonsensous dichotomy at the heart of Western metaphysics. Instead, we must say that the fountain in the poem ‘things’ or opens up the fourfold in a way that is different to the peasants shoes. Heidegger claims that in the technological age truth withdraws or things stop ‘thinging.’ Despite this, a good deal of contemporary poetry is preoccupied with things as metaphors, perhaps demonstrating Heidegger’s thesis that in the technological age the possibility of great art is threatened. This paper will show how Heidegger’s account can bring us towards a new understanding of contemporary poetry. This is worked out in terms of a pair of sunglasses as an example of a ‘thingless’ consumer object. If Heidegger’s account of technology warrants serious consideration, the question becomes do such objects have essences and if not how are contemporary poets to respond to them? The paper will consider the poem american sunglasses by Sam Riviere. It can be argued that sunglasses are enframed in the poem as there are no other options are open to the poet. In other words, what is the role of the poet in a time where essences withdraw?

In the penultimate episode of our first series, Rachael and Jack are joined in the studio by Holly Pester and Sam Riviere, plus a pat of butter and a set of nail clippers, which inspire conversations about poetry writing and its relationship to research, archives and procrastination. Audio postcards featured in this episode are: ‘Pathetic earthlings’ written and read by Will Harris. ‘Sparkhill’ written and read by Zaffar Kunial. ‘Nude in the Cat House’ written and read by Monica McClure. For more information, author bios & links see [here](https://www.faber.co.uk/blog/faber-poetry-podcast-episode-five-holly-pester-sam-riviere). The Faber Poetry Podcast is produced by Rachael Allen, Jack Underwood and Hannah Marshall for Faber & Faber. Editing by Billy Godfrey at Strathmore Publishing. Special thanks to Will Harris, Zaffar Kunial, Monica McClure, Holly Pester and Sam Riviere. Catch up on our previous episodes here or wherever you listen to your favourite podcasts. If you like our show you can subscribe on iTunes so you don’t miss forthcoming episodes in our first six-part series and please rate and review us, if you feel inclined to do so, we're very grateful for the support of all our listeners – thank you!

The writer and psychoanalyst Adam Phillips is the author of 'On Kindness', and 'On Kissing, Tickling and Being Bored' amongst other works of non-fiction. He is also a regular contributor to the London Review of Books. Adam invited The Verb into his west-London consulting room to discuss the rules and significance of Freud's concept of 'free association', the importance of inconclusive conclusions and what he sees as the lopsided relationship between poetry and psychoanalysis - something he explores in his new book 'In Writing: Essays on Literature' (Hamish Hamilton). AL Kennedy is a writer and stand-up comedian - for The Verb she explores the importance of 'no' in conversation and in writing, the illusion of spontaneity in comedy and the reasons why Meg, one of the characters in her latest novel 'Serious Sweet' (Vintage), is sceptical of 'talking cures'. AL Kennedy won the Costa Book of the Year award in 2007 for 'Day'. Rachel Parris and Amy Cooke-Hodgson are part of 'Austentatious', the cult Edinburgh fringe performance group. Austentatious improvise plays in the style of Jane Austen using only audience suggestions. You can hear more from Austentatious in their own BBC Radio 4 show http://www.bbc.co.uk/programmes/b08tvyw0 The poet Kathryn Maris is the author of the collections 'God Loves You' (Seren) and 'The Book of Jobs' (Four Way Books). Kathryn explores the influence of psychoanalysis on the work of American poets, and argues that younger poets in Britain are also finding it a rich source of inspiration. Kathryn's work will be appearing alongside Sam Riviere and Frederick Seidel in 'Penguin Modern Poets 5: Occasional Wild Parties'. Producer: Faith Lawrence Photo credit: Toby Glanville.

Joining Charles Adrian up in the Frobisher Boardroom at London’s Barbican Centre for the 108th Second-Hand Book Factory is poet, spoken word performer, producer, writer and educator Dan Simpson. They discuss a world in which the word cyber still evoked a streetwise tomorrow, an experience that might arguably be described as the worst date ever and a poetic response to the onset of austerity. Episode image is a detail from the cover of 81 Austerities by Sam Riviere, published in 2012 by Faber and Faber; series design by Pentagram. More information, including book listings, at http://pageonepodcast.com/

The first Lesson from the School of Night, featuring poet Sam Riviere, author of 81 Austerities (Faber & Faber 2012), winner of the Forward Prize for Best First Collection, Standard Twin Fantasy (Eggbox, 2014), and Kim Kardashian’s Marriage (Faber & Faber, 2015).

On Start the Week Susan Pinker argues that face-to-face contact increases longevity and reduces the risks of illness. She tells Anne McElvoy that although new technology connects more people, it can often leave us more disconnected. However the writer and gamer Nicholas Lovell explains that online gamers have their own sense of community. The philosopher Daniel Dennett considers whether it's possible to create a robot that can rival the human brain, and the poet Sam Riviere has used and manipulated the results of search-engines to compose his new collection: 72 poems marking the 72 days of Kim Kardashian's marriage in 2011. Producer: Katy Hickman.

This poem was specially commissioned by the British Museum, London, in partnership with the Poetry Society. It was inspired by the exhibition, 'Germany Divided: Baselitz & his generation', at the British Museum, London, 2014. http://www.britishmuseum.org/whats_on/exhibitions/germany_divided.aspx