Podcasts about Gustave Flaubert

Diving into the working ways of some of the world's greatest artists. -----SourcesDaily Rituals - Mason Currey-----Time Stamps:3:49 - Benjamin Franklin: The two questions and the "air bath."6:05 - Scott F. Fitzgerald: Work like a lion9:04 - Paul Erdos: Drugs and stimulants12:20 - William Gass: Work angry14:07 - Anne Rice: Flexibility, ease, and uninterrupted time16:42 - David Lynch: Find a thinking place17:40 - Umberto Eco: Thinking in the cracks 19:05 - Henri de Toulouse-Lautrec: Is it sustainable?20:50 - Twyla Tharp: Building a bridge22:20 - Graham Greece: Burn your youth, sustain as you age23:50 - Marcel Proust and Philip Roth: Go monk mode26:25 - Carl Jung: Make it boring28:15 - Thomas Mann: Setting Boundaries30:05 - Gustav Mahler, Twyla Tharp: Preparing to  be creative32:47 - Nicholson Baker, Thomas Wolfe, Fredreich Schiller, Woody Allen - Get creative, find your way37:20 - Pyotr Ilich Tchaikovsky: Do the unpleasant first40:25 - Bernard Malamud: The only thing that matters42:03 - Anthony Trollope - Advice on starting a craft44:52 - Gustave Flaubert: the ups and downs of the creative process46:38 - Ernest Hemingway: Keep some juice in the tank47:30 - James Boswell: The morning reminder49:55 - Gertrude Stein, Martin Amis, Joyce Carol Oates - Genius in endurance in disguise 52:22 - Ideas on making time, finding effortless work, and inspiration54:20 - Karl Marx: The right regrets56:00 - William James: The Solomon Paradox58:26 - Rene Descartes - Don't compromise your working way-----Check out my books below:Daily Greatness: Short Stories and Essays on the Act of Becoming Chasing Greatness 2nd Edition - Timeless Stories on the Pursuit of ExcellenceStay connected and check out more on our website:

Nous sommes le 20 août 1857 à Paris. C'est devant la 6ème chambre correctionnelle de la Seine que s'ouvre le procès de Charles Baudelaire et de ses éditeurs. Deux mois plus tôt, paraissait le recueil du poète intitulé « Les Fleurs du mal ». La presse, choquée, s'était offusquée, et le procureur général avait ordonné la saisie de l'ouvrage. Le réquisitoire est prononcé par Ernest Pinard. Il accuse Baudelaire de manquer « au sens de la pudeur » et en outre de multiplier « les peintures lascives ». Il attaque l'auteur, non seulement sur le fond, mais aussi sur la forme. La réputation de marginal qui colle aux basques de l'écrivain ne joue pas en sa faveur, de plus, il se présente devant la Cour dans une tenue négligée. La défense, elle, plaide l'indépendance de l'artiste et la beauté de l'œuvre. Mais cela ne suffira pas à convaincre la « bien-pensance » de l'époque. Quelques heures plus tard, le recueil est condamné pour « délit d'outrage à la morale publique et aux bonnes mœurs », en raison de « passages ou expressions obscènes et immorales ». Baudelaire et ses éditeurs sont contraints à payer une amende de 100 francs chacun et de retirer six poèmes du livre s'ils souhaitent en poursuivre la vente. Huit mois plus tôt, le 29 janvier, le susnommé Pinard était déjà procureur général dans le procès intenté au roman de Gustave Flaubert « Madame Bovary ». Ici, après un très long réquisitoire, aucune charge n'avait été retenue, grâce à la plaidoirie enflammée de Maître Sénard. Flaubert et ses comparses furent acquittés. Cette mise au ban de la société rapproche-t-elle ces deux géants de la littérature. Leur vie, leur œuvre nous offrent-elles d'autres points de comparaison. En quoi, un peu plus de deux cents ans après leur naissance, nous parlent-ils encore ? Baudelaire – Flaubert, portraits croisés. Invité Daniel Salvatore Schiffer, professeur de philosophie de l'art à l'Ecole supérieure de l'Académie Royale des Beaux-Arts de Liège. « L'ivresse artiste », éd. Samsa. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 01:04:56 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:07:04 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:01:52 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Alma Espinosa, Germán Martínez y Liliana Calatayud nos comparten una nueva emisión de Oye, lee y dile, el espacio radiofónico de la Editorial UV.Hoy escucharemos una charla con Pilar Ortiz Lovillo, quien nos comparte más detalles acerca del libro: Tres cuentos, de Gustave Flaubert.

Dans cet épisode #189, nous allons parler de Maya Memsaab, sorti en 1993, et qui est une adaptation indienne de Madame Bovary de Gustave Flaubert.Alors, adaptation fidèle ou hors de propos ?Sharukh est-il déjà prometteur à ses débuts ? Pourquoi ce film a-t-il fait scandale ?Suivez-nous sur insta : bollywood_versus et twitter : BV_podcast

Pourquoi Bel-Ami ? Eh bien parce que c'est un roman à la portée des apprenants de français — un roman moderne et passionnant qui se passe à Paris, écrit en 1885 par Guy de Maupassant. Après notre promenade parisienne, et maintenant que nous avons quelques lieux et quelques scènes du roman en tête, je vous propose de nous pencher sur les enjeux de ce roman grâce à Aurélie, professeure de français. Bel-Ami est un roman qu'elle a étudié avec la classe de Lisa l'année dernière. Aurélie va nous présenter son auteur et le mouvement littéraire auquel il appartient, le réalisme, ainsi qu'un écrivain qui a fortement influencé Maupassant, une sorte de « père littéraire » : Gustave Flaubert, l'auteur de Madame Bovary. Nous découvrirons ensuite le parcours de Georges Duroy dans ce roman de formation : de jeune homme un peu ridicule et sans argent, il devient un personnage qui a perdu son humanité, prêt à tous les coups bas pour s'enrichir et réussir dans la société. Dans ce roman, on côtoie également des personnages très intéressants, comme Madeleine Forestier — Aurélie nous expliquera pourquoi c'est l'un de ses deux personnages préférés. La conversation se poursuit grâce aux lettres du podcast : un moyen agréable de cultiver votre français avec les notes culturelles et linguistiques qui accompagnent ces épisodes littéraires. Rejoignez la communauté des abonnés — ces épisodes se termineront par un grand quiz littéraire dans lequel tout le monde pourra briller, avec un exemplaire de Bel-Ami à gagner ! Learn French through authentic Parisian stories | French novel for language learners | Bel-Ami Maupassant in French | spoken French | real French daily life | Paris stories | French literature for learners | french stories | life in Paris

durée : 00:24:31 - Théâtre - Emma entendit sonner l'Angélus ; et ce fut sans en avoir conscience qu'elle s'achemina vers l'église, disposée à n'importe quelle dévotion, pourvu qu'elle y absorbât son âme et que l'existence entière y disparût. - réalisation : Emmanuelle Chevrière, Arnaud Jalbert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:24:59 - Théâtre - C'était la quatrième fois qu'Emma couchait dans un endroit inconnu. Elle ne croyait pas que les choses pussent se représenter les mêmes à des places différentes, et, puisque la portion vécue avait été mauvaise, sans doute ce qui restait à consommer serait meilleur. - réalisation : Emmanuelle Chevrière, Arnaud Jalbert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:24:28 - Théâtre - Deux jours après la noce, M. et Madame Charles arrivèrent à Tostes. Les voisins se mirent aux fenêtres pour voir la nouvelle femme de leur médecin. - réalisation : Emmanuelle Chevrière, Arnaud Jalbert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:24:58 - La Série fiction - Pendant tout l'hiver, trois ou quatre fois la semaine, à la nuit noire, Rodolphe arrivait dans le jardin. Emma s'échappait en retenant son haleine, souriante, palpitante, déshabillée.

durée : 00:25:02 - La Série fiction - Emma reconnut les lumières des maisons, qui rayonnaient de loin dans le brouillard. Alors sa situation, telle qu'un abîme, se représenta.

durée : 00:25:03 - La Série fiction - A partir de ce moment, l'existence d'Emma ne fut plus qu'un assemblage de mensonges, où elle enveloppait son amour comme dans des voiles, pour le cacher.

durée : 00:24:55 - La Série fiction - Emma enveloppait tout maintenant d'une telle indifférence, elle avait des paroles si affectueuses et des regards si hautains, des façons si diverses, que l'on ne distinguait plus l'égoïsme de la charité, ni la corruption de la vertu.

durée : 00:25:00 - La Série fiction - Jamais madame Bovary ne fut aussi belle qu'à cette époque ; elle avait cette indéfinissable beauté qui résulte de la joie, de l'enthousiasme et du succès.

durée : 00:24:47 - La Série fiction - Nous étions à l'Etude, quand le Proviseur entra, suivi d'un nouveau habillé en bourgeois. Ceux qui dormaient se réveillèrent, et chacun se leva comme surpris dans son travail

durée : 00:24:40 - La Série fiction - Les fameux Comices arrivèrent ! Dès le matin de la solennité, tous les habitants s'entretenaient des préparatifs. Jamais il n'y avait eu pareil déploiement de pompe

durée : 00:24:32 - La Série fiction - Emma entendit sonner l'Angélus ; et ce fut sans en avoir conscience qu'elle s'achemina vers l'église, disposée à n'importe quelle dévotion, pourvu qu'elle y absorbât son âme et que l'existence entière y disparût.

durée : 00:24:59 - La Série fiction - C'était la quatrième fois qu'Emma couchait dans un endroit inconnu. Elle ne croyait pas que les choses pussent se représenter les mêmes à des places différentes, et, puisque la portion vécue avait été mauvaise, sans doute ce qui restait à consommer serait meilleur.

durée : 00:24:28 - La Série fiction - Deux jours après la noce, M. et Madame Charles arrivèrent à Tostes. Les voisins se mirent aux fenêtres pour voir la nouvelle femme de leur médecin.

durée : 00:24:47 - La Série fiction - Nous étions à l'Etude, quand le Proviseur entra, suivi d'un nouveau habillé en bourgeois. Ceux qui dormaient se réveillèrent, et chacun se leva comme surpris dans son travail

When Madame Bovary was written in the 1850s, it fell under the accusing eye of the French government for its perceived immorality. Flaubert recognized that the trial would only stoke interest, and that it would set the tone for his career. Research: Barzun, Jacques. “Gustave Flaubert.” Encylopedia Brittanica. https://www.britannica.com/biography/Gustave-Flaubert Blakemore, Erin. “What Madame Bovary Revealed About the Freedom of the Press.” JSTOR Daily. Dec. 16, 2016. https://daily.jstor.org/what-madame-bovary-revealed-about-the-freedom-of-the-press/ Brown, Frederick. “Flaubert: A Biography.” Harvard University Press. 2007. CREASY, MATTHEW. “INVERTED VOLUMES AND FANTASTIC LIBRARIES: ‘ULYSSES’ AND ‘BOUVARD ET PÉCUCHET.’” European Joyce Studies, vol. 19, 2011, pp. 112–27. JSTOR, http://www.jstor.org/stable/44871308 Flaubert, Gustave, and Christopher Moncrieff, tr. “Madame Bovary: Newly Translated and Annotated.” Alma Classics. 2010. Haynes, Christine. “The Politics of Publishing During The Second Empire: The Trial of Madame Bovary Revisited.” French Politics, Culture & Society. Oxford Journals. June 1, 2005. https://doi.org/10.3167/153763705780980083 LaCapra, Dominick. “Madame Bovary on Trial.” Cornell University Press. 1982. “The Public vs. M. Gustave Flaubert.” Project Gutenberg. https://www.gutenberg.org/cache/epub/10666/pg10666.txt Steegmuller, Francis. “Flaubert and Madame Bovary: A Double Portrait.” New York Review of Books. 1966. Steegmuller, Francis. “The Letters of Gustave Flaubert.” New York Review of Books. 1980. Thurman, Judith. “A Unsimple Heart.” The New Yorker. April 29, 2002. https://www.newyorker.com/magazine/2002/05/06/an-unsimple-heart?_sp=0c026da2-f3c5-4709-9ac8-8214e0cc3278.1772403467294 See omnystudio.com/listener for privacy information.

Por Yaiza Santos Una vez más, dijo observando los casos del jefe de la Policía española y el príncipe Andrés de Inglaterra, queda claro lo que sucede, pero la política ¡y hasta la sanidad! se resisten: los hombres quieren más sexo del que tienen. Es urgente comenzar a tomar esto como lo que es, una debilidad insoslayable y, en los casos mencionados, una patología. La hombría de bien, como la llamaba su padre, no sería otra cosa que una forma de contención. El nuevo burning que comentaron vuelve a constatar la brecha, pero añade nuevas e interesantes aristas: en un contexto estable, las mujeres están no solo satisfechas, ¡sino mejor que los hombres!Oh, ese Sánchez y su cortesano Elordi Cué, desde la India, pidiendo una inteligencia artificial para el bien y no para el mal. Están muy lejos de entender que nada fue creado per se para lo segundo y que en cada uno de los actos hay siempre una cara B. Elogió las últimas columnas de Juan Diego Madueño y pidió, por favor, que alguien escriba el libro que tiene ese chava Rufián. Y fue así que Espada yiró. Bibliografía: -Juan Diego Madueño, "Antología del nuevo columnista" y "Rufián tiene miedo: la izquierda habla como Vox", EL MUNDO. - León Tolstoi, Guerra y paz. - Honoré de Balzac, Las ilusiones perdidas. - Guy de Maupassant, Bel Ami. - Gustave Flaubert, Diccionario de los lugares comunes. - Juan Marsé, Últimas tardes con Teresa. - El Ángel Azul. - Cuando Harry encontró a Sally. - Burning: Ashlyn Brady y otros, "Women Are Slightly More Sexually Satisfied in Their Romantic Relationships Than Men: An Integrative Data Analytic Approach", Archives of Sexual Behavior (2026) See omnystudio.com/listener for privacy information.

‘He opened him up and found nothing.' These are the doctor's findings at Charles Bovary's autopsy near the end of 'Madame Bovary'. Taken on its own, it's a simple medical observation. In the context of Emma Bovary's tragic story, it serves as a condemnation not just of Charles's emptiness but the whole provincial world Flaubert has been describing. In the second part of his analysis of 'Madame Bovary', James Wood considers the major episodes leading to Emma's death and argues that what made Flaubert's realism dangerous was not its depictions of infidelity, but its use of cliché to expose French bourgeois lives constructed entirely of received ideas and second-hand emotions. Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Further reading in the LRB: Julian Barnes on translations of Madame Bovary: ⁠https://lrb.me/realismep201⁠ Michael Wood on 'Sentimental Education': ⁠https://lrb.me/realismep202⁠

It's France in the mid-19th century, and here we have a group of young men who can't decide how to get along. They waste time and money, they go to nightclubs and restaurants, they have affairs and declare themselves and each other artistic geniuses. Meanwhile, the political situation is crumbling and people are putting up barricades in the street. It's time for Flaubert's Sentimental Education, which examines the listlessness and indecisiveness of a generation coming of age in turmoil. Jessa and Joseph discuss how this in no way resembles the contemporary impulse to podcast through a breakdown. Join the discussion here: http://theculturewedeserve.substack.com

This week's readings on Ted Gioia's Immersive Humanities List felt unexpectedly thin and disjointed. We stepped backward in time to Gustave Flaubert and Charles Baudelaire, which made me keenly aware of how much I've come to rely on the list's chronological momentum. I also continue to struggle with “selections,” especially in poetry, where I suspect I shortchange the material when time and energy are limited.Flaubert's short story “A Simple Life,” from Trois Contes, follows the entire life of Félicité, a housemaid whose quiet existence unfolds in a series of small, often bleak episodes. It's beautifully written but profoundly sad—an example of realism so stripped of meaning that the character almost disappears.Baudelaire proved even harder for me. Despite repeated attempts (in both English and French), I found Les Fleurs du Mal abrasive rather than illuminating. This week reminded me that this project isn't about comfort or personal taste—and sometimes, that's the point.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321Captivate - https://crackthebook.captivate.fm

Bruno Nacci"Racconti crudeli"Auguste de Villiers de l'Isle-AdamCarbonio Editorewww.carbonioeditore.itPubblicato nel 1883, Racconti crudeli è annoverato tra i capolavori di Auguste de Villiers de l'Isle-Adam, aristocratico decadente e visionario, e figura di spicco della narrativa simbolista francese: un autore dalle molteplici sfumature che con il suo immaginario febbrile, ironico e profondamente poetico smaschera e sovverte il patinato mondo della borghesia ottocentesca, devota al denaro e al teatro delle apparenze. Questa raccolta di ventotto racconti è una galleria di visioni fulminanti e spietate, che ridicolizza le invenzioni grottesche della scienza, l'ipocrisia di una classe tronfia e superficiale, la superstiziosa fede nel progresso. Con una lingua raffinata e musicale, di sublime purezza, Villiers disegna un universo che, tra il fantastico, il grottesco e il terrifico, riecheggia le atmosfere di Poe e anticipa quelle di Lovecraft, lasciando emergere la spaventosa realtà di ciò che nell'accecante luccichio resta invisibile. Il suo sguardo feroce e crepuscolare incide con il bisturi della parola un corpo sociale che si crede integro, consegnandoci pagine di raggelante bellezza che mettono a nudo il volto più crudele della modernità.Auguste de Villiers de l'Isle-Adam (1838-1889), scrittore, drammaturgo e poeta, è tra i più importanti esponenti della letteratura francese della seconda metà dell'Ottocento. Malgrado l'indole riservata, fu sodale ammirato dei maggiori intellettuali dell'epoca, da Baudelaire a Huysmans, Wagner e Mallarmé. Tra i suoi lavori più importanti, i Contes cruels (1883) e il romanzo L'Ève future (1886), i racconti di Tribulat Bonhomet (1887), i Nouveaux contes cruels (1888) e il dramma teatrale Le Nouveau Monde (1883).Bruno Nacci ha curato classici della letteratura francese, da Chamfort a Nerval, in particolare Blaise Pascal, su cui ha scritto La quarta vigilia. Gli ultimi anni di Blaise Pascal (2014). È autore dei noir L'assassinio della Signora di Praslin (2000) e Cercate Claude (2025); insieme a Laura Bosio, ha scritto i romanzi storici Per seguire la mia stella (2017), La casa degli uccelli (2020) e il saggio Da un'altra Italia (2014). Ha pubblicato anche diverse raccolte di racconti, e per Carbonio ha già tradotto e curato La tentazione di sant'Antonio di Gustave Flaubert (2023) e L'eredità di Guy de Maupassant (2024).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Gustave Flaubert recalled in a letter that the critic Sainte-Beuve compared his style to a surgeon's scalpel, an image taken from 'Madame Bovary'. This was not a compliment: Sainte-Beuve was anxious about the ambition of Flaubert's ‘realism' to cut to the bone of its characters and society at large. Karl Marx, on the other hand, praised realist writers who ‘issued to the world more political and social truths than have been uttered by all the professional politicians, publicists, and moralists put together'. In the first episode of his new series, James Wood considers the fears and criticisms that have dogged realism from its emergence in the 19th century through its long history of transformations up to the present day. He examines the ways in which Flaubert used detail (both significant and significantly insignificant), impersonal narration, lifelike dialogue and free indirect style to create realism's essential grammar. This is part one of Wood's analysis of 'Madame Bovary', going up to the moment that Emma meets Rodolphe Boulanger. He uses Geoffrey Wall's translation, published by Penguin Classics. This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Read more in the LRB: Julian Barnes: Flaubert at Two Hundred https://lrb.me/realismep101 Two Letters from Flaubert to Colet: https://lrb.me/realismep102 Tim Parks on Flaubert's life: https://lrb.me/realismep103

Waarin we een überburgerlijk dagje in het laatnegentiende-eeuwse Wenen doorbrengen en, tussen een opera en enkele koffietjes door, proberen door te dringen tot het mens- en wereldbeeld van de bourgeoisie.WIJ ZIJN: Jonas Goossenaerts (inhoud en vertelstem), Filip Vekemans (montage), Benjamin Goyvaerts (inhoud) en Laurent Poschet (inhoud). MET BIJDRAGEN VAN: Prof. Kaat Wils (geschiedenis humane en biomedische wetenschappen, onderwijsgeschiedenis, religiegeschiedenis, cultuurgeschiedenis 19de eeuw - KULeuven), Prof. Henk De Smaele (cultuurgeschiedenis 19de eeuw, politieke geschiedenis, geschiedenis van gender en lichamelijkheid - UAntwerpen), Alejandra Theus (etiquetteregels), Robbie Cleiren (documentairestem opera) en Michiel Clerckx (literaire bronfragmenten). WIL JE ONS EEN FOOI GEVEN? Fooienpod - Al schenkt u tien cent of tien euro, het duurt tien seconden met een handige QR-code. WIL JE ADVERTEREN IN DEZE PODCAST? Neem dan contact op met adverteren@dagennacht.nl MEER WETEN? Onze geraadpleegde en geciteerde bronnen:Historische werken en bronnen:Altena, D. (2003). Vrijheid en rede. Geschiedenis van de westerse samenlevingen (1750-1989). Uitgeverij Verloren. Hilversum.Armstrong, G. (red.) (2010). The Pocket Enquire Within. A Guide to the Niceties and Necessities of Victorian Domestic Life. Random House Books. Londen.Evans, R. J. (2016). De eeuw van de macht: Europa 1815–1914. Hollands diep. Amsterdam.Draye, G. (e.a.) (2009). De negentiende eeuw. 1815-1914. Uitgeverij Averbode. Averbode. Kalifa, D. (2021). The Belle Époque: A Cultural History, Paris and Beyond. Columbia University Press. New York, NY. Palmer, R. R., Colton, J., & Kramer, L. (2013). A History of Europe in the Modern World. McGraw Hill Higher Education. Columbus, Ohio. Literaire en filosofische bronnen:Flaubert, G. Editions de la correspondance - 21 augustus 1853 à Louise Collet. Gustave Flaubert Université de Rouen. 21 août 1853 – de Gustave Flaubert à Louise Colet · Centre Gustave Flaubert Schnitzler, A. (1981–2000). Tagebuch 1879–1931. Austrian Academy of Sciences Press. Wenen. Om het standpunt van Herbert Spencer weer te geven, hebben we geparafraseerd uit volgende werken: Spencer, H. (1884). The Man versus the State. Online Library of Liberty. The Man versus the State (1885 ed.) | Online Library of Liberty Spencer, H. (1887). The Principles of Ethics. Online Library of Liberty. The Principles of Ethics, vol. 2 (LF ed.) | Online Library of LibertyZweig, S. (vert. Van Toorn, W.) (2022). De wereld van gisteren. Herinneringen van een Europeaan.(Oorspr. titel: Die Welt von Gestern. Erinnerungen eines Europäers. 1942.) De Arbeiderspers. Amsterdam.Aanvulling. Het verschil tussen agnosticisme en atheïsme is in onze bespreking niet duidelijk uitgewerkt. Een agnost meent dat het niet met zekerheid te weten is of God al dan niet bestaat. De realiteit geeft alleszins geen aanleiding om het bestaan van God aan te nemen. Misschien bestaat God, maar z'n bestaan kan je uit feitelijkheden niet afleiden. Een atheïst ontkent resoluut het bestaan van God. Kort samengevat: Het agnosticisme gaat over de onzekerheid van kennis over God, en het atheïsme over ongeloof in het bestaan van God.See omnystudio.com/listener for privacy information.

durée : 00:51:28 - Répliques - par : Alain Finkielkraut - Emma Bovary ou toute une vie de romance irréalisable vécue au travers des rêves : ouvrons donc "Madame Bovary" ! - réalisation : François Caunac - invités : Marie-Hélène Lafon Écrivaine française; Philippe Dufour Professeur en littérature française et stylistique à l'Université de Tours, spécialiste du XIXe siècle, notamment de Gustave Flaubert, essayiste

durée : 01:00:09 - Le Book Club - par : Marie Richeux - L'écrivain Jean Echenoz déballe pour nous ses rayonnages littéraires. Sur ses étagères, on trouve de la poésie avec Arthur Rimbaud et Raymond Roussel, du polar avec l'incontournable Jean-Patrick Manchette, une nouvelle de Joseph Conrad ou encore un roman de Gustave Flaubert. - réalisation : Vivien Demeyère - invités : Jean Echenoz Ecrivain

Se mire por donde se mire, nuestro realismo tiene raíces francesas. Sin ir más lejos, el máximo exponente de la novela realista fue Gustave Flaubert, que a propósito de su obra más famosa dijo: Madame Bovary soy yo.

Nauji įrašai. Pristatome Gustavo Flobero romaną „Ponia Bovari“. Vertė Sofija Čiurlionienė ir Juozas Urbšys. Išleido leidykla „Vaga“.Tai gydytojo žmonos Emos Bovari, turinčios užgintų nesantuokinių ryšių ir gyvenančios ne pagal išgales, kad išvengtų provincijos gyvenimo banalybės ir tuštumos, istorija. Joks kitas rašytojas šitaip nepažino ir neatskleidė moters pasaulio. Todėl „Ponia Bovari“ yra ne tik neginčijamas realistinio stiliaus etalonas, bet ir vienas įtakingiausių kada nors parašytų romanų. Knygos ištraukas skaito aktorė Neringa Bulotaitė.

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

durée : 00:19:54 - Lectures du soir - " À mesure que le temps s'éloignait, je l'en aimais de plus en plus ; avec la rage que l'on a pour les choses impossibles, j'inventais des aventures pour la retrouver, j'imaginais notre rencontre, j'ai revu […] la couleur de sa figure dans les feuilles du tremble, quand l'automne les colore"

durée : 00:20:02 - Lectures du soir - " À ce moment-là, elle s'éveilla, elle sourit, les yeux encore à demi fermés, en même temps qu'elle étendait ses bras autour de mon cou et m'embrassait d'un long baiser du matin, d'un baiser de colombe qui s'éveille. "

durée : 00:19:58 - Lectures du soir - " Comment faire ? qui aimer ? qui vous aimera ? quelle sera la grande dame qui voudra de vous ? la beauté surhumaine qui vous tendra les bras ? Qui dira […] tous les soupirs des cœurs gonflés partis vers les étoiles, pendant les chaudes nuits où la poitrine étouffe ! "

durée : 00:19:54 - Lectures du soir - "Travailler, tout sacrifier à une idée, à une ambition, ambition misérable et triviale, avoir une place, un nom ? après ? à quoi bon ? Et puis je n'aimais pas la gloire, la plus retentissante ne m'eût point satisfait parce qu'elle n'eût jamais atteint à l'unisson de mon cœur. "

Dünya edebiyatının en önemli klasiklerinden birinin peşinden gidiyor bu kez ‘ben okurum'. Madam Bovary ve modern romanın kurucusu, realizm akımının öncüsü olarak kabul edilen yazarı Gustave Flaubert'in derinlemesine konuşulduğu bu bölümde, Deniz Yüce Başarır akademisyen yazar Esra Dicle'yi konuk ediyor. “Emma, bir oyunbozan mı yoksa şımarık, tatminsiz bir kadın mı?” sorusunu da içeren sohbette, 19. Yüzyılda yazılmış bu önemli esere hemen her yönden bakıyor ikili. Ve elbette romandan etkileyici bölümler de Başarır'ın sesinden bu sohbete eşlik ediyor.

durée : 00:20:02 - Lectures du soir - " Il n'y a pas longtemps que je suis né, mais j'ai à moi des souvenirs nombreux dont je me sens accablé, comme le sont les vieillards de tous les jours qu'ils ont vécus ; il me semble quelquefois que j'ai duré pendant des siècles et que mon être renferme les débris de mille existences passées. "

durée : 00:42:56 - La 20e heure - par : Eva Bester - C'est dans "Bovary Madame" et non "Madame Bovary", nouvelle création de Christophe Honoré jouée au théâtre de Vidy, que Ludivine Sagnier réinterprète, plus qu'interprète, l'héroïne éperdue de liberté du roman de Gustave Flaubert. - invités : Ludivine SAGNIER - Ludivine Sagnier : Actrice française - réalisé par : Lola COSTANTINI Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Jacke continues his journey through the list of the 25 Greatest Books of All Time with a look at Flaubert's "perfect novel," Madame Bovary (1856-57). Telling the story of the bored wife of a provincial doctor who enters into a series of infidelities, Flaubert's debut caused an immediate sensation - and changed the way we've come to view both novels and novelists. In this episode, Jacke talks about the book and its impact; passes along three Madame Bovary tidbits from Mike Palindrome (who is currently slow-reading the novel as part of the Bluesky Together project); and revisits his experience with Madame Bovary in Tibet, which first ran in 2017. Special Announcement: The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

On va célébrer, le 12 décembre prochain, le bicentenaire de la naissance de l'écrivain rouennais Gustave Flaubert. Belle occasion de revenir sur une jeunesse tourmentée, romantique, et sa vocation pour les Lettres.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Welcome to the 200th episode of Sarah's Bookshelves Live with a very special celebration with both co-hosts: Susie (@NovelVisits) and Catherine of Gilmore Guide to Books. Today, they are answering listener-submitted questions all about their reading journeys, their podcast journeys, and some about their pre-podcast blogging days! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Their early reading lives. The most surprising things about their reading history. Susie's secret endeavor! How much they talk about books in their day-to-day lives. What their friends outside of the book world think about what they do. Would Susie or Catherine ever want to do an author interview? How their feelings about the podcast have changed over the years. Topic Highlights Key Moments in Their Reading Lives [1:59] A few of the questions answered: Have you always been a reader, and do you have a distinct memory of when you truly fell in love with reading? [2:11]  Was there a time in your life when you were not reading very much? [6:34]  What parts of your reading tastes have changed dramatically over the course of your reading life and what parts have stayed consistent? [10:56]  Currently, what is your reading “why”? What's the primary reasoon you read? [29:35] Their Professional Reading Journeys [34:17] A few of the questions answered: Why did you start your blogs? [34:26]  Is there anything you miss from the time when you only blogged? Anything you don't miss? [40:35]  What is your relationship like off mic? [44:49]  How has social media changed your reading life? [53:04] Anything you wish you had known about podcasting before you got involved? [1:03:13]  Books Mentioned Dick and Jane Reading Collection  [2:41] Ant and Bee and the ABC  (1950) [4:31]  The Secret of the Old Clock by Carolyn Keene (1930) [4:59] Kristy's Great Idea (The Baby-Sitters Club, 1) by Ann M. Martin (1986) [5:02]  Goodnight Moon by Margaret Wise Brown (1947) [5:29]  The Interestings by Meg Wolitzer (2013) [9:47]  Double Love (Sweet Valley High, 1) by Francine Pascal (1983)  [16:09]  Great Expectations by Charles Dickens (1861)  [16:49]  Tell Me Lies by Carola Lovering (2018)  [17:42]  Normal People by Sally Rooney (2019)  [17:43]  Bitter Sweet by Hattie Williams (2025)  [17:44]  Madame Bovary by Gustave Flaubert (1857) [18:46]  Middlemarch by George Eliot (1872) [18:54]  Out of Africa by Isak Dinesen (1937) [19:17]