Podcast appearances and mentions of louise gl

durée : 00:58:51 - Les émissions culturelles de France Culture - par : Marie Richeux - Entre mythologie grecque et scènes du quotidien, Louise Glück n'a cessé d'explorer l'intime. Marie Olivier lui consacre un essai lumineux et signe une nouvelle traduction de "Vita Nova". Elle est notre invitée aux cotés de l'éditrice Alice Nez. - réalisation : Jeanne Aléos, Mathilde Wagman, Marianne Chassort, Alexandre Alajbegovic, Cyril Marchan, Vivien Demeyère, Julie Gastal - invités : Marie Olivier Maîtresse de conférences en littérature américaine à l'Université Paris-Est Créteil, Alice Nez éditrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

in which poet Diana Whitney and i talk Girl Trouble, Diana's newest collection, as well as writing in form, poetic legacy, and the permission poetry gives us to rage where to find Diana: website - https://www.diana-whitney.com/ insta - @dianawhitneypoet Girl Trouble - https://cavankerrypress.org/products/girl-trouble You don't have to be everything - https://www.hachettebookgroup.com/titles/diana-whitney/you-dont-have-to-be-everything/9781523510993/ other things referenced: Major Jackson - ​​https://www.majorjackson.com/ Jericho Brown - https://www.jerichobrown.com/ Eunoia by Christian Bök - https://chbooks.com/Books/E/Eunoia3 T Kira Māhealani Madden - https://www.tkiramadden.com/ Evie Shockley - https://www.poetryfoundation.org/poets/evie-shockley Landscape with Sex and Violence by Lynn Melnick - https://www.abebooks.com/9781936919550/Landscape-Sex-Violence-Melnick-Lynn-1936919559/plp Cleopatra Mathis - https://www.poetryfoundation.org/poets/cleopatra-mathis The Wild Iris by Louise Glück - https://citylights.com/general-poetry/wild-iris/ Lucille Clifton - https://www.poetryfoundation.org/poets/lucille-clifton Sylvia Plath - https://www.poetryfoundation.org/poets/sylvia-plath Adrienne Rich - https://www.poetryfoundation.org/poets/adrienne-rich Poetry Is Not a Luxury by audre lorde - https://makinglearning.wordpress.com/wp-content/uploads/2014/01/poetry-is-not-a-luxury-audre-lorde.pdf Wound from the Mouth of a Wound by torrin a. greathouse - https://milkweed.org/book/wound-from-the-mouth-of-a-wound Split by Cathy Linh Che - https://www.alicejamesbooks.org/bookstore/split?srsltid=AfmBOooVfjmz1ayOT2ZhygobU2qzDptrzDUdA7xc5LMXXatIEuZHdSVH Rebecca Solnit - https://www.rebeccasolnit.net/ Perversion of Justice: The Jeffrey Epstein Story by Julie K. Brown - https://www.harpercollins.com/products/perversion-of-justice-julie-k-brown?variant=44010796908578

durée : 00:27:33 - Les Midis de Culture - par : Marie Sorbier - Au programme de ce débat critique, deux recueils de poésie : "Combat toujours perdant" de Michel Houellebecq et "Vita Nova" de Louise Glück. - réalisation : Laurence Malonda - invités : Thomas Stélandre Journaliste à Libération; Johan Faerber Editeur, essayiste, critique littéraire.

durée : 00:11:21 - Les Midis de Culture - par : Marie Sorbier - Sixième recueil de Louise Glück à paraître en édition bilingue aux éditions Gallimard, "Vita Nova" est le chant d'une renaissance intime porté par les mythes grecs. L'occasion de plonger dans l'œuvre poétique de la prix Nobel de littérature. - réalisation : Laurence Malonda - invités : Thomas Stélandre Journaliste à Libération; Johan Faerber Editeur, essayiste, critique littéraire.

Dion and Richard read and discuss "Dream Song 14," by John Berryman and then read from his newest book, I Do Know Some Things, a finalist for the National Book Award. We also discuss how one can become insufferable upon learning they have won or placed in a prize. Richard Siken is a poet, painter, and author of several books. His book Crush won the 2004 Yale Series of Younger Poets prize, selected by Louise Glück, a Lambda Literary Award, a Thom Gunn Award, and was a finalist for the National Book Critics Circle Award. His other books are War of the Foxes (Copper Canyon Press, 2015) and I Do Know Some Things (Copper Canyon Press, 2025), which was a finalist for the National Book Award. Siken is a recipient of fellowships from Lannan Foundation and the National Endowment for the Arts. He lives in Tucson, Arizona.

durée : 00:10:21 - Le Point culture - par : Marie Sorbier - La poète américaine Louise Gluck, prix Nobel de littérature en 2020 est encore méconnue en France ; pour la rendre accessible, les éditions Gallimard poursuivent leur travail d'édition, avec “La Vita Nova”, édition bilingue qui vient de paraitre. - réalisation : Laurence Malonda - invités : Marie Olivier Maîtresse de conférences en littérature américaine à l'Université Paris-Est Créteil

Raimondo Di Maio è il libraio di Napoli. Una passione nata mentre era scugnizzo e portava i caffè a domicilio . Lo abbiamo incontrato nella sua libreria Dante & Descartes in via di Mezzocannone a ridosso dell'Università Federico II. Raimondo si destreggia tra i suoi 100.000 volumi: libri nuovi, usati, rari, cercati con passione, il bottino di intere biblioteche che compra volentieri. Nel 2020, la sua casa editrice Dante & Descartes, che prende il nome dalla libreria, ha vinto il Premio Nobel per la Letteratura con Averno di Louise Glück, un successo inaspettato. Nella sua libreria che è un porto di mare, passano scrittori, studenti, attori, poeti, tra i più famosi, Roberto Saviano ed Erri De Luca, che abbiamo incontrato. 

Raimondo Di Maio è il libraio di Napoli. Una passione nata mentre era scugnizzo e portava i caffè a domicilio . Lo abbiamo incontrato nella sua libreria Dante & Descartes in via di Mezzocannone a ridosso dell'Università Federico II. Raimondo si destreggia tra i suoi 100.000 volumi: libri nuovi, usati, rari, cercati con passione, il bottino di intere biblioteche che compra volentieri. Nel 2020, la sua casa editrice Dante & Descartes, che prende il nome dalla libreria, ha vinto il Premio Nobel per la Letteratura con Averno di Louise Glück, un successo inaspettato. Nella sua libreria che è un porto di mare, passano scrittori, studenti, attori, poeti, tra i più famosi, Roberto Saviano ed Erri De Luca, che abbiamo incontrato. 

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on March 21, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

That which you call death, the queens remember in this episode that revisits The Wild Iris, Louise Glück's Pulitzer-Prize winning volume from 1992.Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. And BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books. Show Notes:While the recording released by the Academy of American Poets of Glück reading from The Wild Iris and other work can be purchased online, you can also hear many of these poems read on SoundCloud here.  Much of our information about Glück's process comes from this interview with the poet Devin Becker, who was also her former student.Read Richie Hofmann's remembrance here.  Some of the poems from The Wild Iris that we mention (and links to read them) are:WitchgrassThe Red PoppyClear MorningThe GardenVespersRetreating LightThe White Lilies, which you can hear read by Glück here.We also mention the poem "Purple Bathing Suit" from Meadowlands, the book which follows The Wild Iris. Louise' Glücks astrological chart is here. (Taurus sun, Leo rising, Scorpio moon.)Watch interviews with Glück:1982, for Kalliope: https://www.youtube.com/watch?v=PAB-JqABvq82004, at Smith College: https://www.youtube.com/watch?v=Fw0nlVYZ39A 2012, Academy of Achievement: https://www.youtube.com/watch?v=P1rpGy8XRzU 2016, with Peter Streckfus: https://www.youtube.com/watch?v=TeoaLNGy_Ms2020, for NYPL with Colm Tóibín, on writing The Wild Iris: https://www.youtube.com/watch?v=S3kQGM_KhHQ

in which Tracy Dimond and i talk Emotion Industry, Tracy's debut full length poetry collection, as well as impactful final works, manuscript assembly/management, and reckoning with the artists that influence us where to find Tracy: website - https://poetsthatsweat.com/ insta - @glitterature72 Emotion Industry - https://www.barrelhousemag.com/books/emotion-industry-tracy-dimond other things referenced: The Book of Delights by Ross Gay - https://www.rossgay.net/the-book-of-delights The Book of Questions by Pablo Neruda - https://archive.org/details/TheBookOfQuestions-English-PabloNeruda/mode/2up Winter Recipes from the Collective by Louise Glück - https://us.macmillan.com/books/9780374604103/winterrecipesfromthecollective/ Mojave Ghost by Forrest Gander - https://www.ndbooks.com/book/mojave-ghost/ The Descent of Alette by Alice Notley - https://www.penguinrandomhouse.com/books/328700/the-descent-of-alette-by-alice-notley/ Bernadette Mayer - https://www.bernadettemayer.com/ June Jordan - https://www.poetryfoundation.org/poets/june-jordan Sylvia Plath - https://www.poetryfoundation.org/poets/sylvia-plath Anne Sexton - https://www.poetryfoundation.org/poets/anne-sexton Valerie Luiselli - https://en.wikipedia.org/wiki/Valeria_Luiselli Steven Leyva - https://stevenleyva.wordpress.com/ The Loneliness Pill by Dayana Stetco - https://akinogapress.com/books/thelonelinesspill The Milena Theatre Group - https://milenagroup.blogspot.com/ Copalis Ghost Forest - https://wa100.dnr.wa.gov/willapa-hills/copalis-ghost-forest CityLit Project - https://www.citylitproject.org/ Hard Times Require Furious Dancing - https://www.citylitproject.org/hard-times-require-furious-dancing-awp-2026/ Crabs in a Pot, Collaborating: Maryland Arts Organizations Sustaining Together - https://www.instagram.com/p/DUiweJDABBN/

1992

It's not often that it happens, Slushies, but it's always a treat when it does. We're switching to fiction for the day with “Colfax,” a flash story from Patricia Q. Bidar, author of the short fiction collection Pardon Me for Moonwalking. Spoiler alert: read the story first in the show notes or listen to the story in full at 41:50 before our discussion ruins it for you. Something about the story's theme and concision reminds Sam of Louise Glück's prose poems in her late collection, A Faithful and Virtuous Night. Sam also appreciates how the story allows a female character the same kind of recklessness found in Denis Johnson's Jesus' Son. Jason shares his surprising childhood connection to Vacaville, CA, one of the story's locales. And in his role as bad cop, Jason raises a question about uncanny children. Tune in to find out what he means by that. While we're all bracing for winter storms, we're happy to dwell, for a moment, in California Central Valley's humid and fertile atmosphere. As always, thanks for listening! At the table: Tobi Kassim, Samantha Neugebauer, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle, and Lillie Volpe (sound engineer) Bio:        Patricia Q. Bidar is a western writer and Port of Los Angeles native. Her novelette, Wild Plums (ELJ Editions), was published in 2024 and collection of flash fiction, Pardon Me for Moonwalking (Unsolicited Press), in 2025. Patricia's work has appeared in Waxwing, Wigleaf, SmokeLong Quarterly, The Pinch, and Another Chicago Magazine; in the Wigleaf Top 50, and in many anthologies including Flash Fiction America (W.W. Norton), Best Microfiction, and Best Small Fictions. Visit patriciaqbidar.com   Website www.patriciaqbidar.com   Facebook         https://www.facebook.com/patriciaqbidar Instagram        https://www.instagram.com/patriciaqbidar/ Bluesky              patriciaqbidar.bsky.social     Colfax Cristina swallows the last of the loose pills from Julian's glove box. Within a few minutes, fresh energy blooms and fizzes within her; the sensation is of tumbling backward into space.  Julian: a drug dealer so giant and peevish the floor mats on the driver's side are bunched and ruined. Underneath his criminal veneer, Julian is just a mundane mammal who's driven Cristina, an animal woman, to flight.  Half an hour later, she's reached Colfax. In this heat, this fecund place. The car has mashed against the gas station's cashier hut. Years ago, when Cristina was growing up here, this was a drive-in theatre, with a massive image of a vaquero on a rearing steed. Sweltering nights, Cristina would watch movies with her lonely mother, car windows open wide, clasped in the smell of tomatoes, melons, and insecticide.  Rain begins to pepper the hood. Cristina rises into vegetal air. She doesn't recall opening the door.  The window to the hut is dirty and rain spattered. She peers between cupped hands at the empty stool inside, the bank of cigarette packs. Lightning cracks; after a few seconds, thunder rumbles. Cristina presses her hand over her heart. Is she alarmed? Are the pills goosing her pulse? But she feels calm. The sky is a tight lid. It was a mistake, stealing Julian's car. Julian, who took her in. Identified and claimed her after Cristina finished her time and was so adrift and alone.  Cristina was working as a server in a West Sacramento brewery. Her last customer on a slow Tuesday night was a black-haired guy in a cowboy hat. Stiff-looking jeans and a pearl-buttoned shirt. A face that seemed not to match the hair. “Lady,” he said so low she had to incline her head. “You think no one sees you. I do. I do.” She joined Julian that very night on one of his quests. He was what her mother would have called a peeping tom. He wanted her to wear nylon hose, like he did. Why not? No one was getting hurt. It was simply watching. Watching women. Women when they were themselves and unaware they were being observed. In a word: seen. Julian was no Rawhead, no Slenderman. Not one of those serial killers roving California freeways in the nineteen-seventies, the ones Cristina's mother had been obsessed with. Now she imagines someone peering in through the car door and seeing her, Cristina, slumped behind the wheel. People idealize farmland, farm girls as wholesome. Green, yellow, and blue.  The sky is cobalt now. Fifty feet away is a bus shelter, sagging and white. A small form is hunched inside. Lightning again, and then, immediately following, that bass sky-rumble. Cristina runs. Inside, a child of about nine swings its legs. Windbreaker, hood up.  "Hello there?" Cristina ventures. "I'm studying these ants," the kid returns. A girl. "Would you like a churro?" Cristina cannot see the girl's face but is struck by the way she sits. A bell buried deep inside of her tolls. "Is this the bus stop for town?" Cristina asks. The churros smell nice; hot grease and cinnamon. Cristina used to make them for her little sisters. She thought she might become a baker one day. At least, when anyone asked, this was what she had answered. She should be hungry. "That's my car, in case you were wondering,” Cristina says. Nothing. She crouches down beside the girl. “Dead at the service station. Lucky, I guess.” The child considers this. "Well, not really." She speaks patiently, the way Cristina used to speak to adults at her age. As if they were her younger sisters or the kids in the slow class at school, or the witless ladies in the school office. “On second thought, I'll take one of those churros." Cristina says. But the girl has returned to her task: surveilling a line of ants. Cristina's mind unspools the types. Velvet ants. Pharaoh ants. Argentine ants. Thief ants. The odorous house ants, and then — wasn't there a sugar ant?  The smell of water-heavy crops and soil and chemical fertilizer thickens the air. All of the choices Cristina has made in life have led her to this place. "There's nothing left," she says aloud. "It depends on how you see it," the girl returns, pushing her eyeglasses up into place with a forefinger. Cristina squints at the obscured face. Then the girl daintily lifts and lowers her hood. And bares the side of her left pinky finger. The small oval scar is exactly like Cristina's.  “Did your mother tell you that people with six fingers and toes are giants sired by angels and human women? Something apart from God,” Cristina said. Those surgeries when she was four.  “She says I'm a monkey.” Cristina remembers a long-ago birthday party, her ninth, attended by zero children.  She feels the sky drawing her up, then. At the same time, the inverted bowl of sky pushes down. It is like that optical illusion where you can't tell if the black horse is headed toward you or walking away. Hail pounds the roof of the shelter. The discs of ice flash under the bright lights of the gas pump island. The girl returns to dropping pinches of dough onto the ants. Obeying their internal imperative: a perpetuation of their kind.  Cristina sees Julian preparing for bed. Applying his eye cream. Clapping twice to extinguish the bedside light. He refers to himself as cerebral. But what is so deep about dealing painkillers during the afternoon shift at the One Stop Spy Shop in Vacaville? Life with Julian had amounted to a slow and downhill slide, and that was for sure. “We live our lives with our ancestors as witness,” the girl says at last. Her words hang in the air like wet almond blossoms.  Cristina has to ask. “Am I that? Am I alive?” And a roar consumes the sky. A silver bus is careening toward them from behind blue oaks. And a metal monster slips from the asphalt. Rolls end over end. Sky-blotting. Deafening. Images rise and blend and collapse. The blanched face of the driver. The silhouettes of passengers. One of whom is standing. Julian? Something blooms and expands in Cristina's head. But there is no bus. No careening crash. Only a fecund silence. And the girl tears a piece of the churro, nudging Cristina's lips with the sugar and cinnamon confection. It is absolutely delectable and somehow still warm. Like the corner of a golden kitchen in bygone evenings. A humming mother, changing her dressings. An iron stove and a gray kitten, satisfied and warm.  Cristina really, finally, is free. She has made it back to the beginning.  Apart from time, the girl and Cristina stand in the little windbreak like gingerbread children or figures in a Frida Kahlo painting. The girl takes her hand. And then it is she and Cristina and the animal female chain, extending into and past the vanishing point: Girl Girl Girl Girl Girl Girl Girl.

On this episode, Madeline Blair, founder and editor of the literary magazine Sabr Tooth Tiger, talks about her development as a lover and writer of poetry, how balancing reading online publications can run up against her day job, and how she discovers new pieces to read. You also get to hear me have a bit of an existential crisis in real time which happens every time I think about how much content there is out there to read.    Sabr Tooth Tiger   Books mentioned in this episode:    What Betsy's reading:  The Sisters by Jonas Hassan Khemiri  There is No Place for Us by Brian Goldstone   Books Highlighted by Madeline: Crossing the Water by Sylvia Plath  Ariel by Sylvia Plath  Wicked by Gregory Maguire Monsters, Clowns, and the Holy Fool by Satori Na The Poet's Companion by Kim Addonizio  Letters to Milena by Franz Kafka The Unabridged Journals of Sylvia Plath by Sylvia Plath   All books available on my Bookshop.org episode page.   Other books mentioned in this episode: Johnny Panic and the Bible of Dreams by Sylvia Plath  Girls That Never Die by Safia Elhillo  The Diary of Anaïs Nin by Anaïs Nin  The Intentions of Thunder by Patricia Smith  Poems 1962-2012 by Louise Glück  Selected Poems of Frank O'Hara by Frank O'Hara  Men in the Off Hours by Anne Carson  Tender is the Flesh by Augustina Bzaterrica  Dubliners by James Joyce  The Idaho Four by James Patterson & Vicky Ward  The Wild Fox of Yemen by Threa Almontaser

In questi ultimi giorni dell'Avvento ci godiamo la pace delle nostre case con le nostre famiglie, al bagliore dell'albero di Natale; sfoggiamo scintillanti abiti delle feste alle cene organizzate da amici e i colleghi; brindiamo con bicchieri dorati, spumeggianti di bollicine. A Natale riempiamo le nostre giornate di simboli che richiamano la nuova Vita che sta per sorgere, il sole che presto rinascerà con il solstizio d'inverno. Ma cosa succede quando spegniamo la luce? Cosa succede quando ci ritiriamo nel buio di questo tempo che è anche fatto di solitudine, difficoltà e tristezza?“Alice” oggi esplora il lato ombra del Natale con tre uscite recenti, storie che aiutano a sopravvivere al rumore della festa e rendono il periodo natalizio un po' più intrigante, divertente o più intimo. Insieme alla traduttrice Chiara Rizzuto parleremo di La lunga ombra (Sellerio 2025) di Celia Fremlin, un romanzo inglese che è stato definito “l'antidoto alla falsa cordialità del Natale”; un noir intenso, corrosivo e teatrale che vi terrà incollati alla pagina.Spostiamoci dall'Inghilterra verso Roma per il Canto di Natale con autotune (Einaudi) di Marco Presta, una brillante riscrittura del classico di Dickens che denuncia le stonature del nostro tempo con un sorriso, sempre a ritmo di musica. Infine, Vita nova (Il Saggiatore) di Louise Glück, poeta americana vincitrice premio Nobel per la letteratura nel 2023 – questo il consiglio di lettura del nostro critico Roberto Galaverni: una raccolta che si apre a una nuova stagione dell'anima con autenticità e grazia.

In questi ultimi giorni dell'Avvento ci godiamo la pace delle nostre case con le nostre famiglie, al bagliore dell'albero di Natale; sfoggiamo scintillanti abiti delle feste alle cene organizzate da amici e i colleghi; brindiamo con bicchieri dorati, spumeggianti di bollicine. A Natale riempiamo le nostre giornate di simboli che richiamano la nuova Vita che sta per sorgere, il sole che presto rinascerà con il solstizio d'inverno. Ma cosa succede quando spegniamo la luce? Cosa succede quando ci ritiriamo nel buio di questo tempo che è anche fatto di solitudine, difficoltà e tristezza?“Alice” oggi esplora il lato ombra del Natale con tre uscite recenti, storie che aiutano a sopravvivere al rumore della festa e rendono il periodo natalizio un po' più intrigante, divertente o più intimo. Insieme alla traduttrice Chiara Rizzuto parleremo di La lunga ombra (Sellerio 2025) di Celia Fremlin, un romanzo inglese che è stato definito “l'antidoto alla falsa cordialità del Natale”; un noir intenso, corrosivo e teatrale che vi terrà incollati alla pagina.Spostiamoci dall'Inghilterra verso Roma per il Canto di Natale con autotune (Einaudi) di Marco Presta, una brillante riscrittura del classico di Dickens che denuncia le stonature del nostro tempo con un sorriso, sempre a ritmo di musica. Infine, Vita nova (Il Saggiatore) di Louise Glück, poeta americana vincitrice premio Nobel per la letteratura nel 2023 – questo il consiglio di lettura del nostro critico Roberto Galaverni: una raccolta che si apre a una nuova stagione dell'anima con autenticità e grazia.undefinedundefinedundefined

Three “bees” from The Hive Poetry Collective warm your minds with cozy—and existential–conversation about winter poems as we draw closer to the Winter Solstice.  Roxi Power talks with Julia Chiapella and Parker Shabala live in the Santa Cruz KSQD radio station about poetry ranging from Shakespeare's sonnet to his beloved about aging to Elizabeth Robinson's new poetry about members of the unhoused community surviving frostbite. We talk about winter's philosophical soundscapes  in Louise Glück's “bone dice/of blown gravel clicking” and in the U.S. Poet Laureate Arthur Sze's “world of being [that] is like this gravel:/ you think you own a car, a house, /this blue zig-zagged shirt, but you just borrow these things.” Tune in and let us borrow an hour of your time to enjoy Kenneth Patchen's spiritual and erotic snowscapes, laugh about Anne Sexton's branches that “wear the sock of God,” and contemplate Wallace Stevens'  “mind of winter” that beholds “Nothing that is not there and the nothing that is.”

Hi there, Today I am delighted to be arts calling humorist, poet, and essayist Kurt Luchs! (kurtluchs.com) About our guest: Kurt Luchs was born in Cheektowaga, New York, grew up in Wheaton, Illinois, and has lived and worked all over the United States, mostly in publishing and media. Currently he's based in Kalamazoo, Michigan. His first poetry publication came at age sixteen in the long-gone journal Epos, right next to a poem by Bukowski. He has also written comedy for television (Politically Incorrect with Bill Maher and the Late Late Show with Craig Kilborn) and radio (American Comedy Network), as well as contributing humor to the New Yorker, the Onion and McSweeney's Internet Tendency, among others. He is author of the poetry collections Death Row Row Row Your Boat (Sagging Meniscus, 2024), Falling in the Direction of Up (SM, 2021), and the humor collection It's Funny Until Someone Loses an Eye (Then It's Really Funny) (SM, 2017). His poetry chapbooks include One of These Things Is Not Like the Other (Finishing Line Press 2019), and The Sound of One Hand Slapping (SurVision Press 2022). He won a 2022 Pushcart Prize, a 2021 James Tate Poetry Prize, the 2021 Eyelands Book Award for Short Stories, and the 2019 Atlanta Review International Poetry Contest. He is a Contributing Editor of Exacting Clam. About TRIBUTARIES, now available from Sagging Meniscus Press! https://www.saggingmeniscus.com/catalog/tributaries In Tributaries, Kurt Luchs chooses twenty poems that hold vital meaning for him as a reader and writer—many, but not all, recognized as classics—and pays twofold tribute to them. First, he explores each poem with a deep-diving personal essay on how the poet works their magic upon us. Then he gives a tribute poem of his own, in response to, or inspired by, the poem under discussion. The result is a uniquely well-rounded, multidimensional way of honoring great poems, unlocking more of their treasures for both first-time and long-time lovers of poetry. Poets featured are Wallace Stevens, Robinson Jeffers, David Ignatow, Philip Larkin, D. H. Lawrence, Etheridge Knight, Wislawa Szymborska, Lucille Clifton, Gabriela Mistral, H. D., Jorge Luis Borges, Federico Garcia Lorca, Mary Oliver, Lewis Carroll, Kenneth Koch, Homer, Louise Glück, Robert Bly, Charles Simic and James Tate. Thanks for this amazing conversation, Kurt! All the best! -- Arts Calling is produced by Jaime Alejandro. HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE. THANKS FOR LISTENING! Much love, j artscalling.com

Nerd tops, dom tops, soft tops: the queens go gaga over a discussion of their top poems by favorite poets. Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTES:Poems and poets discussed in this episode include:Sharon Olds: "The Race"; "Topography"; "First" Louise Glück: "Widows"; "Celestial Music"; "The Mirror" (text); "The Mirror" (audio only); "Parable of the Dove"Jorie Graham: "Masaccio's Expulsion"; "At Luca Signorelli's Resurrection of the Dead"; "Salmon" Mark Doty: "Visitation"; "Lament-Heaven" Vijay Seshadri: "The Disappearances" & an essay about the poem here. Linda Gregg: "Summer in a Small Town"; "Sigismundo"; "Let Birds"; "We Manage Most When We Manage Small"Etheridge Knight: "Feeling Fucked Up" C. Dale Young: "Torn"; check out this review of the book by Dilruba Ahmed in Kenyon Review here.

Henri Cole joins Kevin Young to read “Vita Nova,” by Louise Glück, and his own poem “Figs.” Cole is the author of many poetry collections, including “The Other Love.” He is also a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and the recipient of honors such as the Thom Gunn Award and the Jackson Poetry Prize.  Learn about your ad choices: dovetail.prx.org/ad-choices

Amanda Holmes reads Louise Glück's “Brennende Liebe.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman.This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.

En la setmana dels Nobel, que aquest any han distingit L

Richard Siken is a poet and painter. His book Crush won the 2004 Yale Series of Younger Poets prize, selected by Louise Glück, a Lambda Literary Award, a Thom Gunn Award, and was a finalist for the National Book Critics Circle Award. His other books are War of the Foxes (Copper Canyon Press, 2015) and I Do Know Some Things (Copper Canyon Press, 2025). Siken is a recipient of fellowships from Lannan Foundation and the National Endowment for the Arts. He lives in Tucson, Arizona. Find more info here: https://richard-siken.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem that touches on hair. Next Week's Prompt: Write a poem that features electricity. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

The queens are joined by poetry crush Richard Siken, & talk heroes, rabbits, robots, & healing.Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTES:You can order I Do Know Some Things here. Visit Richard Siken's website here, and read work from the new book.Read Christopher Nelson's review of I Do Know Some Things here.Some interviews with Richard we can recommend:   This one in Adroit Journal   This one in BOMB Magazine   And this one in Gulf Coast from 2005, with James Allen Hall.Paratext is the text surrounding the main published text (like the book jacket copy, the blurbs, the cover text, etc).For more about War of the Foxes, check out this short video "Postcards from Richard Siken"Louise Glück (1943-2023) selected Siken's first book Crush for the Yale Series of Young Poets Prize. For more about Glück, including her period of silences, read here.For more about the tester straw we mention, click here.

In dieser Folge gibt es eine Premiere für euch - wir besprechen zum ersten Mal Lyrik! Und zwar die Sammlung von Gedichten von Louise Glück, “Wilde Iris” (Luchterhand 2020, original Ecco Verlag 1992). Darin überwindet sie die Grenze zwischen “Mensch” und “Natur” und schreibt aus der Perspektive von Pflanzen, Gärtner*innen und dem Göttlichen. 2022 hat Louise Glück für ihre Lyrik den Literaturnobelpreis erhalten - ein Grund mehr, diese Sammlung nicht nur zu besprechen, sondern zwei Gedichte ausgewählte für euch zu lesen.  Ihr wollt Teil der Die Buch-Community werden? Mit einem kleinen Beitrag seid ihr schon dabei! Tauscht euch mit uns über Bücher und Feminismus aus, holt euch tolle Goodies und helft uns nebenbei, schreibenden Frauen eine Plattform zu geben. Alle Infos findet ihr unter www.steady.page/diebuchpodcast.

How does movement, across borders and social class, shape one's sense of belonging? A conversation with writers Tash Aw and Radna Fabias about social change, generational gaps and the legacy of colonialism.In his new book The South, Aw explores the radical political and societal changes that swept through Asia in the 1990s, as seen through the eyes of a Malaysian family. He delves into themes such as class, economic instability, and the search for (queer) identity. Aw captures the painful transformation of post-colonial societies, marked by the tension between tradition and modernity, and the conflict between personal desire and collective duty. How do cultural expectations shape the journey toward personal identity in a rapidly changing society?Tash Aw (1971) is a writer and essayist. He grew up in Malaysia, left for England in his teens to study law and is currently lives in Paris. He is the author of six books, including The Harmony Silk Factory (2005) and Five Star Billionaire (2013) which were longlisted for the Man Booker Prize and earned him international recognition. His works often examine themes such as colonialism, immigration, class dynamics and cultural displacement, offering nuanced portrayals of life in Southeast Asia and beyond. Translated into multiple languages, Aw's texts established him as a vital significant voice in contemporary literature.Radna Fabias (1983) was born and raised in Curaçao. debuted as a poet with the poetry collection Habitus (2018) which won all major poetry awards in the Netherlands & Belgium, amongst which the Herman de Coninck prize and the Grote Poëzieprijs. Fabias' style is characterized by a great variety, both in terms of content and style. According to Dutch Magazine De Groene, “Fabias dares to use every nook and cranny of poetry as an art form, the poems are short and lyrical, sometimes narrative and long, sometimes clear and accessible and sometimes hermetic and experimental.” Habitus has been translated into English, French, Spanish, Arabic and German. Fabias also translates poetry herself. She is the Dutch translator of both Warsan Shire and Nobel Prize winner Louise Glück.About Forum on European Culture: Who's afraid of art? Now that tyrants are on the roll and more and more people in the West seem to be falling for the autocratic alternative, Forum on European Culture 2025 (June 25 – June 29) brings together international artists, writers, and thinkers to celebrate the subversive power of art and literature.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Daily QuoteWhere fierce indignation can no longer tear his heart. Poem of the DayThe Wild IrisLouise GlückBeauty of Words冬牧场李娟

Daily QuoteNot everything that is faced can be changed, but nothing can be changed until it is faced. (James Baldwin)Poem of the DayThe Wild IrisLouise GlückBeauty of Words生命 何为

Today I have the honor and the pleasure to speak once again with celebrated poet and physician, Fady Joudah. The last time Fady was on the podcast was in November, 2023, shortly after the outbreak of war in Gaza. At that point we spoke about the impossibility of, even then, quantifying the genocide. Today we focus on the politics of language—in particular, the distinction Fady Joudah makes between Palestine in English, and Palestine in Arabic. We speak too of the need for and limitations of solidarity, and finish with a reading and discussion of one of Fady Joudah's most remarkable and stunning poems, “Truth is Never Finished.”  Fady Joudah is a Palestinian American physician, poet, and translator. He was born in Austin, Texas, and grew up in Libya and Saudi Arabia. He was educated at the University of Georgia, the Medical College of Georgia, and the University of Texas Health Sciences in Houston. In 2002 and 2005 he worked with Doctors Without Borders in Zambia and Sudan, respectively.Joudah's debut collection of poetry, The Earth in the Attic (2008), won the 2007 Yale Series of Younger Poets competition, chosen by Louise Glück. Joudah followed his second book of poetry, Alight (2013) with Textu (2014), a collection of poems written on a cell phone wherein each piece is exactly 160 characters long. His fourth collection is Footnotes in the Order of Disappearance (2018).  In 2014, Joudah was a Guggenheim Fellow in poetry. As critic Charles Bainbridge observed in a 2008 Guardian review of The Earth in the Attic, “Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.”Joudah translated  several collections of Palestinian poet Mahmoud Darwish's work in The Butterfly's Burden (2006), which won the Banipal prize from the UK and was a finalist for the PEN Award for Poetry in Translation; and in If I Were Another, which won a PEN USA award in 2010. His translation of Ghassan Zaqtan's Like a Straw Bird It Follows Me (2012) won the Griffin International Poetry Prize in 2013. His other translations include Amjad Nasser's Petra: The Concealed Rose and A Map of Signs and Scents.Joudah lives with his family in Houston, where he works as a physician of internal medicine.

The finale of White Lotus Season 4 is here as we also return to The Work of Art. Other topics include lovage, domestic horror stories, and A Complete Unknown.Support Dr. Bill Walsh's Cancer Treatment FundHe Was Held Captive in His Room...◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠➩ WEBSITE⁠⁠⁠⁠⁠⁠⁠ ◦⁠⁠⁠⁠⁠⁠⁠YOUTUBE ⁠⁠⁠⁠⁠⁠⁠◦⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠➩ SUPPORT:⁠⁠⁠⁠⁠⁠✨VIA VENMO!⁠⁠⁠⁠⁠⁠⁠✨ or  ⁠⁠⁠⁠⁠⁠⁠PATREON⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ REID⁠⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠⁠JEREMY⁠⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠⁠JACK⁠⁠⁠⁠⁠⁠⁠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ withdanceandstuff@gmail.com⁠

Fady Joudah is an esteemed Palestinian Poet/Activist. And we had a great long conversation with him about poetry and resistance, conditions in Gaza, the difficulty of describing the Palestinian struggle in English, the failure of the west to defend Gaza, and much more. And we finished with Fady reading and deconstructing some of his poetry for us. Bio// Fady Joudah is a Palestinian American physician, poet, and translator. He was born in Austin, Texas, and grew up in Libya and Saudi Arabia. He was educated at the University of Georgia, the Medical College of Georgia, and the University of Texas Health Sciences in Houston. In 2002 and 2005 he worked with Doctors Without Borders in Zambia and Sudan, respectively.Joudah's debut collection of poetry, The Earth in the Attic (2008), won the 2007 Yale Series of Younger Poets competition, chosen by Louise Glück. Joudah followed his second book of poetry, Alight (2013) with Textu (2014), a collection of poems written on a cell phone wherein each piece is exactly 160 characters long. His fourth collection is Footnotes in the Order of Disappearance (2018). In 2014, Joudah was a Guggenheim Fellow in poetry. As critic Charles Bainbridge observed in a 2008 Guardian review of The Earth in the Attic, “Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.”Joudah translated several collections of Palestinian poet Mahmoud Darwish's work in The Butterfly's Burden (2006), which won the Banipal prize from the UK and was a finalist for the PEN Award for Poetry in Translation; and in If I Were Another, which won a PEN USA award in 2010. His translation of Ghassan Zaqtan's Like a Straw Bird It Follows Me (2012) won the Griffin International Poetry Prize in 2013. His other translations include Amjad Nasser's Petra: The Concealed Rose and A Map of Signs and Scents.Joudah lives with his family in Houston, where he works as a physician of internal medicine.—————-Outro- "Green and Red Blues" by MoodyLinks//+ Fady Joudah: https://www.poetryfoundation.org/poets/fady-joudahFollow Green and Red// +G&R Linktree: ⁠⁠⁠https://linktr.ee/greenandredpodcast⁠⁠⁠ +Our rad website: ⁠⁠⁠https://greenandredpodcast.org/⁠⁠⁠ + Join our Discord community (https://discord.gg/vgKnY3sd)+Follow us on Bluesky (https://bsky.app/profile/podcastgreenred.bsky.social)Support the Green and Red Podcast// +Become a Patron at https://www.patreon.com/greenredpodcast +Or make a one time donation here: ⁠⁠⁠https://bit.ly/DonateGandR⁠⁠⁠ Our Networks// +We're part of the Labor Podcast Network: ⁠⁠⁠https://www.laborradionetwork.org/⁠⁠ +We're part of the Anti-Capitalist Podcast Network: linktr.ee/anticapitalistpodcastnetwork +Listen to us on WAMF (90.3 FM) in New Orleans (https://wamf.org/) This is a Green and Red Podcast (@PodcastGreenRed) production. Produced by Bob (@bobbuzzanco) and Scott (@sparki1969). Edited by Isaac.

Cornelius Eady is a Professor of English and John C. Hodges Chair of Excellence at the University of Tennessee, Knoxville. From September 2021 to December 2022, he served as interim Director of Poets House in New York City. Eady published his first collection, Kartunes, in 1980. His second collection, Victims of the Latest Dance Craze (1985), was chosen as winner of the Academy of American Poets' Lamont Poetry Award by Louise Glück, Charles Simic, and Philip Booth. He has published eight other collections, including The Gathering of My Name (1991), nominated for the Pulitzer Prize; Brutal Imagination (2001), a National Book Award finalist; and Hardheaded Weather: New and Selected Poems (2008), nominated for an NAACP Image Award. In addition to his poetry, Eady has written musical theater productions, collaborating with jazz composer Diedre Murray. The two worked together on Running Man, a roots opera libretto that was named a finalist for the Pulitzer Prize in Drama, and Brutal Imagination, recipient of Newsday's Oppenheimer Award. Eady is also a musician, and he performs with the literary band Rough Magic and the Cornelius Eady Trio, which recently released the album Don't Get Dead: Pandemic Folk Songs. (June Appal Recording, 2021). Eady has published five mixed-media chapbooks with accompanying CDs, including Book of Hooks (Kattywompus Press, 2013), Singing While Black (Kattywompus Press, 2015) and All the American Poets Have Titled Their New Books The End (Kattywompus Press, (2018). With poet Toi Derricote, Eady founded Cave Canem, a beloved nonprofit organization that supports emerging Black poets via a summer retreat, regional workshops, prizes, events, and publication opportunities. In 2016, Eady and Derricote were honored with the National Book Foundation's Literarian Award for Outstanding Service to the American Literary Community on behalf of Cave Canem, and, in 2023, they won the Pegasus Award for service in the field of Poetry by the Poetry Foundation. Eady's other honors include the Prairie Schooner Strousse Award, a Lila Wallace-Reader's Digest Award, and grants from the National Endowment for the Arts, the Guggenheim Foundation, and the Rockefeller Foundation.Links:Bio and Poems at The Poetry FoundationBio and poems at Poets.org"Poet Cornelius Eady on exploring the everyday lives of Black people in America"--PBS News HourCornelius Eady Group website"Emmett Till's Glass Top Casket" at the Poetry Society of AmericaCave Canem

Cornelius Eady is a Professor of English and John C. Hodges Chair of Excellence at the University of Tennessee, Knoxville. From September 2021 to December 2022, he served as interim Director of Poets House in New York City. Eady published his first collection, Kartunes, in 1980. His second collection, Victims of the Latest Dance Craze (1985), was chosen as winner of the Academy of American Poets' Lamont Poetry Award by Louise Glück, Charles Simic, and Philip Booth. He has published eight other collections, including The Gathering of My Name (1991), nominated for the Pulitzer Prize; Brutal Imagination (2001), a National Book Award finalist; and Hardheaded Weather: New and Selected Poems (2008), nominated for an NAACP Image Award. In addition to his poetry, Eady has written musical theater productions, collaborating with jazz composer Diedre Murray. The two worked together on Running Man, a roots opera libretto that was named a finalist for the Pulitzer Prize in Drama, and Brutal Imagination, recipient of Newsday's Oppenheimer Award. Eady is also a musician, and he performs with the literary band Rough Magic and the Cornelius Eady Trio, which recently released the album Don't Get Dead: Pandemic Folk Songs. (June Appal Recording, 2021). Eady has published five mixed-media chapbooks with accompanying CDs, including Book of Hooks (Kattywompus Press, 2013), Singing While Black (Kattywompus Press, 2015) and All the American Poets Have Titled Their New Books The End (Kattywompus Press, (2018). With poet Toi Derricote, Eady founded Cave Canem, a beloved nonprofit organization that supports emerging Black poets via a summer retreat, regional workshops, prizes, events, and publication opportunities. In 2016, Eady and Derricote were honored with the National Book Foundation's Literarian Award for Outstanding Service to the American Literary Community on behalf of Cave Canem, and, in 2023, they won the Pegasus Award for service in the field of Poetry by the Poetry Foundation. Eady's other honors include the Prairie Schooner Strousse Award, a Lila Wallace-Reader's Digest Award, and grants from the National Endowment for the Arts, the Guggenheim Foundation, and the Rockefeller Foundation.Links:Bio and Poems at The Poetry FoundationBio and poems at Poets.org"Poet Cornelius Eady on exploring the everyday lives of Black people in America"--PBS News HourCornelius Eady Group website"Emmett Till's Glass Top Casket" at the Poetry Society of AmericaCave Canem

A note about the work “on hunger” from Diya Abbas for the Michigan Quarterly Review's Winter 2025 Issue: Chiasmus is the grammatical technique of inversion. This poem uses chiasmus, or concatenation, to create entrapment for the speaker, the subject, and the reader. I wrote this poem because I was frustrated with time. I hoped this technique would build a contamination of belief where sound, the repetition of words and their meanings, could weave the unknown and known. Truth or what Louise Glück calls “embodied vision” is most often found first in the excavation of sound: In the aural knots of the image. Each ligature of the line breaks builds an unbreakable machine of the poem. I want my poems to be concerned with the illumination of vision that makes alternative forms of time possible including the very form of our lives. What poetry offers us is the chance to practice embodied inquiry with intensity and intention. I hope that this poem, through presence, can dance with dignity through form to confront the dilemma of time.

We're joined by the amazing poet and essayist Elisa Gabbert to discuss some of the books that we think about all the time. We each share three books that are always on our minds and discuss the many reasons some works become such and important part of who we are.Which ones would you pick?ShownotesBooks* Any Person Is the Only Self, by Elisa Gabbert* The Unreality of Memory, by Elisa Gabbert* The Word Pretty, by Elisa Gabbert* The Hurting Kind, by Ada Limón* 77 Dream Songs, by John Berryman* The Price of Salt, by Patricia Highsmith* A Passage to India, by E.M. Forster* Patricia Highsmith: Her Diaries and Notebooks* Strangers on a Train, by Patricia Highsmith* Miss MacIntosh, My Darling, by Marguerite Young* Lies and Sorcery, by Elsa Morante, translated by Jenny McPhee* Middlemarch, by George Eliot* Slow Productivity: The Lost Art of Accomplishment Without Burnout, by Cal Newport* An Attempt at Exhausting a Place in Paris, by George Perec, translated by Marc Lowenthal* A Month in Sienna, by Hisham Matar* How to Cook a Wolf, by M.F.K. Fisher* A Pattern Language: Towns, Buildings, Construction, by Christopher Alexander, Sara Ishikawa, and Murray Silverstein* Train Dreams, by Denis Johnson* Ducks, Newburyport, by Lucy Ellmann* The Brothers Karamazov, by Fyodor Dostoevsky* Notes from Underground, by Fyodor Dostoevsky* Too Serious Ladies, by Jane Bowles* Sabrina, by Nick Drnaso* Emma, by Jane Austen* The Wild Iris, by Louise Glück* Survey Says, by Nathan Austin* The World Without Us, by Alan Weisman* So Long, See You Tomorrow, by William Maxwell* Atonement, by Ian McEwan* The Invention of Morel, by Adolfo Bioy Casares, translated by Ruth L.C. SimmsOther* Elisa Gabbert's Poetry Column in The New York Times* Every book I read in 2024, with commentary, by Elisa Gabbert* Lost Highway, d. David Lynch* Mulholland Dr., d. David Lynch* Episode 36: Epic Books* Backlisted Podcast on Notes from Underground* Episode 25: Jane AustenThe Mookse and the Gripes Podcast is a book chat podcast. Every other week Paul and Trevor get together to talk about some bookish topic or another. We hope you'll continue to join us!Many thanks to those who helped make this possible! If you'd like to donate as well, you can do so on Substack or on our Patreon page. These subscribers get periodic bonus episode and early access to all episodes! Every supporter has their own feed that he or she can use in their podcast app of choice to download our episodes a few days early. Please go check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

Today's poem is Telescope by Louise Glück. The Slowdown is your daily poetry ritual. In this episode, guest host Myka Kielbon writes… “I live on a hill on the edge of a valley. I look out my window and watch cars creep by on the interstate that could take me a thousand miles to my birthplace if I so choose. This slice of Los Angeles – the one I look out over everyday – is odd to reconcile with the map that I see on my phone. So now, as I live in it, I try to find my own authentic knowledge of the earth I see and the earth I feel, some melding of technologies and body.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

If they wanted only to hold you, the queens could hold you prisoner in this tribute to America's most recent Nobel Laureate. Please Support Breaking Form!Review the show on Apple Podcasts here.Pretty Please.....Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTES:"Happiness" from Descending FigurePart 9 of "Marathon" in Meadowlands "Adult Grief" in The Triumph of Achilles"Lost Love" in Ararat"New World" in Ararat"Averno" from Averno "Winter Morning" in Triumph of Achilles"Crossroads" in A Village LifeHere are some remembrances of Glück published in The Paris Review.Another terrific tribute appeared in Los Angeles Review of Books, collecting memories by Paul Tran, Katie Peterson, Spencer Reese, Eliza Gonzalez, and Richie Hofmann.Listen to Glück read "Crossroads."

Daily QuoteNothing in this world is harder than speaking the truth, nothing easier than flattery. (Fyodor Dostoevsky)Poem of the DayOctoberLouise GlückBeauty of Words蝉许地山

What is grief and how might our faith speak to our experiences of loss?  We are joined by sad boy Rev. Gregory Stark and guest co-host Rev. Ethan Lowery to talk about life, death, poetry, Eucharist, hamburgers, and grief.   The Rev. Gregory Stark is a current PhD student in theology at the University of Cambridge, where he is researching the theology of grief and mourning in the art and activism around HIV/AIDS in the 1980s. He serves as the assistant chaplain at Emmanuel College, Cambridge. He previously was coordinator for ministry with children and youth in the Convocation of Episcopal Churches in Europe while he completed his research masters in theology at KU Leuven in Belgium.  Substack: https://gregorystark.substack.com “Otherwise” by Jane Kenyon - https://www.poemhunter.com/poem/otherwise/ “Snowdrops” by Louise Glück - https://hellopoetry.com/poem/20568/snowdrops/ Like what you hear?We'd love your support on Patreon here: https://www.patreon.com/AndAlsoWithYouPodcastThere's all kinds of perks including un-aired live episodes, Zoom retreats, and mailbag episodes for our Patreons!Keep up with us on Instagram here: https://www.instagram.com/andalsowithyoupodcast/ More about Father Lizzie:PRE-ORDER HER BOOK: https://www.penguinrandomhouse.com/books/762683/god-didnt-make-us-to-hate-us-by-rev-lizzie-mcmanus-dail/ (if you like this episode in particular? You're really, really going to love this book!)https://www.instagram.com/rev.lizzie/https://www.tiktok.com/@rev.lizzieJubilee Episcopal Church in Austin, TX - JubileeATX.org  More about Mother Laura:https://www.instagram.com/laura.peaches/https://www.tiktok.com/@mother_peachesSt. Paul's Episcopal Church in Pittsburgh, PA Theme music:"On Our Own Again" by Blue Dot Sessions (www.sessions.blue). New episodes drop Mondays at 7am EST/6am CST! 

An episode from 10/8/24: Tonight, four years to the day after starting this podcast, I end it with a reading of Theodore Roethke's (1908-1963) long poem, “The Rose.” I also reread the poem I shared in the very first episode, Louise Glück's (1943-2023) “Messengers.” Many thanks to my listeners over the past four years. You can continue find my books, notices about new publications, and daily poems from Old English till now, over at wordandsilence.com. You can always reach me at humanvoiceswakeus1@gmail.com. --- Support this podcast: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/support

Louise Glück, who passed away last October at age 80, was one of the most important poets of our time. Former US Poet Laureate and winner of every major poetry prize, including the Noble and the Pulitzer, Louise was a passionate and beloved teacher. Bay Area poet Veronica Kornberg joins Julie Murphy in reading and discussing her poems, as well as sharing stories from her deep life. Books by Louise Glück Ellen Bryant Voigt on Louise Glück ("Brooding Likeness") on Close Readings.

Day 4: Richard Siken reads his new poem Cover Story, originally published in Pithead Chapel, which will appear in his forthcoming book I Do Know Some Things (Copper Canyon Press, 2025).  Richard Siken is a poet, painter, and filmmaker. His book Crush won the 2004 Yale Series of Younger Poets prize, selected by Louise Glück, a Lambda Literary Award, a Thom Gunn Award, and was a finalist for the National Book Critics Circle Award. His other books are War of the Foxes (Copper Canyon Press, 2015) and I Do Know Some Things (forthcoming, Copper Canyon Press, 2025). Siken is a recipient of a Pushcart Prize, two Lannan Fellowships, two Arizona Commission on the Arts grants, and a fellowship from the National Endowment for the Arts. He lives in Tucson, Arizona. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. 

Louise Glück was born in New York City in 1943. She is the author of numerous poetry collections, including Winter Recipes from the Collective (2021); Faithful and Virtuous Night (2014), which won the National Book Award; Poems: 1962-2012 (2012), winner of the Los Angeles Times Book Prize; and The Wild Iris (1992), which won the Pulitzer Prize; and Ararat (1990), which won the Rebekah Johnson Bobbitt National Prize for Poetry from the Library of Congress. In 2020, Glück was awarded the Nobel Prize in Literature. Her other honors include The New Yorker's Book Award in Poetry, the Wallace Stevens Award from the Academy of American Poets, the William Carlos Williams Award from the Poetry Society of America, and the National Book Critics Circle Award. She has also received fellowships from the Guggenheim Foundation, the Rockefeller Foundation, and the National Endowment for the Arts. A member of the American Academy and Institute of Arts and Letters, Glück was elected a Chancellor of the Academy of American Poets in 1999 and named the 12th Poet Laureate Consultant in Poetry to the Library of Congress in 2003. Glück has taught English and creative writing at Williams College, Yale University, Boston University, the University of Iowa, and Goddard College. She died in 2023.-bio via Library of Congress Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

He is an economist with the soul of a poet. He has studied number theory and is an expert on policy. He has studied Urdu and and dreams in shairi. Rohit Lamba joins Amit Varma in episode 378 of The Seen and the Unseen to discuss economics, politics, society and our human condition. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Rohit Lamba links at Penn State, LinkedIn, Twitter, Google Scholar, YouTube and his own website. 2. Breaking the Mould: Reimagining India's Economic Future -- Raghuram Rajan and Rohit Lamba.  3. The Broken Script -- Swapna Liddle. 4. Swapna Liddle and the Many Shades of Delhi -- Episode 367 of The Seen and the Unseen. 5. Six More Stories That Should Be Films -- Episode 43 of Everything is Everything, which includes a chapter inspired by Swapna Liddle's book. 6. Wanderers, Kings, Merchants: The Story of India through Its Languages — Peggy Mohan. 7. Understanding India Through Its Languages — Episode 232 of The Seen and the Unseen (w Peggy Mohan). 8. The Life and Times of Ira Pande -- Episode 369 of The Seen and the Unseen. 9. The Price of Peace: Money, Democracy, and the Life of John Maynard Keynes -- Zachary D. Carter. 10. Fixing the Knowledge Society -- Episode 24 of Everything is Everything. 11. Robert Sapolsky's biology lectures on YouTube. 12. Episode of The Seen and the Unseen with Ramachandra Guha: 1, 2, 3, 4, 5, 6. 13. The Nurture Assumption — Judith Rich Harris. 14. Deepak VS and the Man Behind His Face -- Episode 373 of The Seen and the Unseen. 15. The Incredible Insights of Timur Kuran -- Episode 349 of The Seen and the Unseen. 16. Private Truths, Public Lies — Timur Kuran. 17. The Gentle Wisdom of Pratap Bhanu Mehta -- Episode 300 of The Seen and the Unseen. 18. 300 Ramayanas — AK Ramanujan. 19. Ramcharitmanas -- Tulsidas. 20. Savarkar and the Making of Hindutva -- Janaki Bakhle. 21. The Intellectual Foundations of Hindutva — Episode 115 of The Seen and the Unseen (w Aakar Patel). 22. Political Ideology in India — Episode 131 of The Seen and the Unseen (w Rahul Verma). 23. Religion and Ideology in Indian Society — Episode 124 of The Seen and the Unseen (w Suyash Rai). 24. Gita Press and the Making of Hindu India — Akshaya Mukul. 25. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 26. India After Gandhi -- Ramachandra Guha. 27. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 28. Aadha Gaon — Rahi Masoom Raza. 29. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 30. Postcard from Kashmir -- Agha Shahid Ali. 31. The Veiled Suite: The Collected Poems -- Agha Shahid Ali. 32. You Can Always Get There From Here -- Mark Strand. 33. Collected Poems — Mark Strand. 34. Variants of chess on chess.com. 35. The Tamilian gentleman who took on the world — Amit Varma on Viswanathan Anand. 36. The New World Upon Us — Amit Varma on Alpha Zero. 37. The Heisenberg Uncertainty Principle. 38. The History of the Planning Commission -- Episode 306 of The Seen and the Unseen (w Nikhil Menon). 39. The Life and Times of KP Krishnan -- Episode 355 of The Seen and the Unseen. 40. The Reformers -- Episode 28 of Everything is Everything. 41. Milton Friedman on Minimum Wage Laws. 42. Main Gautam Nahin Hoon -- Khalilur Rahman Azmi. 43. Lessons from Nirala's ballad for our battle with covid -- Rohit Lamba. 44. Poker and Life -- Episode 38 of Everything is Everything. 45. Range Rover — The archives of Amit Varma's column on poker for the Economic Times. 46. What is Populism? — Jan-Werner Müller. 47. The Populist Playbook -- Episode 42 of Everything is Everything. 48. The Tragedy of Our Farm Bills — Episode 211 of The Seen and the Unseen (w Ajay Shah). 49. Dynamism with Incommensurate Development: The Distinctive Indian Model -- Rohit Lamba and Arvind Subramanian. 50. List of Soviet and Russian leaders by height. 51. Narendra Modi takes a Great Leap Backwards — Amit Varma on Demonetisation. 52. Beware of the Useful Idiots — Amit Varma. 53. Number Theory. 54. Fermat's Last Theorem. 55. A Beautiful Mind -- Ron Howard. 56. The Life and Work of Ashwini Deshpande — Episode 298 of The Seen and the Unseen. 57. Dilip José Abreu: an elegant and creative economist -- Rohit Lamba. 58. The BJP Before Modi — Episode 202 of The Seen and the Unseen (w Vinay Sitapati). 59. The Forgotten Greatness of PV Narasimha Rao -- Episode 283 of The Seen and the Unseen (w Vinay Sitapati). 60. Ghummakkad Shastra -- Rahul Sankrityayan. 61. Jahnavi and the Cyclotron — Episode 319 of The Seen and the Unseen (w Jahnavi Phalkey). 62. The Looking-Glass Self. 63. Jo Bhi Main -- Song from Rockstar with lyrics by Irshad Kamil. 64. Ranjit Hoskote is Dancing in Chains — Episode 363 of The Seen and the Unseen. 65. Politically correct, passive-aggressive: How Indians in the US struggle to decode corporate speak -- Anahita Mukherji. 66. Lincoln -- Steven Spielberg. 67. The Life and Times of Montek Singh Ahluwalia — Episode 285 of The Seen and the Unseen. 68. The Economics and Politics of Vaccines — Episode 223 of The Seen and the Unseen (w Ajay Shah). 69. In Service of the Republic — Vijay Kelkar & Ajay Shah. 70. The Semiconductor Wars — Episode 358 of The Seen and the Unseen (w Pranay Kotasthane & Abhiram Manchi). 71. The Smile Curve. 72. Urban Governance in India — Episode 31 of The Seen and the Unseen (w Shruti Rajagopalan). 73. We Are Fighting Two Disasters: Covid-19 and the Indian State — Amit Varma. 74. The Child and the State in India -- Myron Weiner. 75. Where India Goes -- Diane Coffey and Deam Spears. 76. What's Wrong With Indian Agriculture? -- Episode 18 of Everything is Everything. 77. South India Would Like to Have a Word — Episode 320 of The Seen and the Unseen (w Nilakantan RS). 78. South vs North: India's Great Divide — Nilakantan RS. 79. Episodes of The Seen and the Unseen with Ashwin Mahesh: 1, 2, 3. 80. Maximum City -- Suketu Mehta. 81. Disgrace -- JM Coetzee. 82. Snow -- Pamuk. 83. Bahut Door, Kitna Door Hota Hai -- Manav Kaul. 84. Shakkar Ke Paanch Dane -- Manav Kaul.. 85. Poems: 1962–2020 -- Louise Glück. 86. Mahabharata. 87. राम की शक्ति-पूजा -- सूर्यकांत त्रिपाठी निराला. 88. Iqbal and Ahmad Faraz on Rekhta. 89. Ranjish Hi Sahi -- Ahmad Faraz. 90. Zindagi Se Yahi Gila Hai Mujhe -- Ahmad Faraz. 91. AR Rahman on Wikipedia and Spotify. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit's newsletter is explosively active again. Subscribe right away to The India Uncut Newsletter! It's free! Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. Episode art: ‘Pick a Tree' by Simahina.

Today's poem is Rant by Nathalie Anderson.The Slowdown is your daily poetry ritual. In this episode, Major writes… "It feels like many people are passing from our lives. Not that the death of a poet is any more devastating, but when a poet dies, my grief is heavier. The year 2023 saw the loss of many poets I admire, including Benjamin Zephaniah and Louise Glück. When poet Donald Hall died in 2018, I noticed a great shift of voices, one generation exiting as another emerged. We will no longer hear their music in language. Maybe, this has always been the case.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Amanda Holmes reads Louise Glück's “Nostos.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman. This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.

It's a queens' jubilee as we discuss  Clifton and  Glück poems with Diane Seuss, who concludes by reading a new poem!Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:      Diane Seuss's MODERN POETRY is available now from Graywolf Press.     Aaron's STOP LYING is available from the Pitt Poetry Series.      James's ROMANTIC COMEDY is available from Four Way Books.Louise Glück's first book is Firstborn, published in 1968 when she was 25. You can read "Here Are My Black Clothes" Recorded on March 27, 2023, here is one of Louise Glück's final recorded readings (~15 minutes).Read the text of Lucille Clifton "Study the Masters." You can see Tara Betts read that poem here.Watch an interview with Prof. Clifton  here.You can read  more about  the first crafting, and subsequent replications, of Keats's death masks here.

He's a poet, art critic, curator, translator, cultural theorist -- and someone who helps make sense of our world. Ranjit Hoskote joins Amit Varma in episode 363 of The Seen and the Unseen to talk about his life, his times and his work. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Ranjit Hoskote on Twitter, Instagram and Amazon. 2. Jonahwhale -- Ranjit Hoskote. 3. Hunchprose -- Ranjit Hoskote. 4. I, Lalla: The Poems of Lal Dĕd -- Translated by Ranjit Hoskote. 5. Poet's nightmare -- Ranjit Hoskote. 6. State of enrichment -- Ranjit Hoskote. 7. Nissim Ezekiel, AK Ramanujan, Arun Kolatkar, Keki Daruwalla, Dom Moraes, Dilip Chitre, Gieve Patel, Vilas Sarang, Arvind Krishna Mehrotra, Agha Shahid Ali, Mani Rao, Mustansir Dalvi, Jerry Pinto, Sampurna Chattarji, Vivek Narayanan and Arundhathi Subramaniam. 8. Ted Hughes, Geoffrey Hill, Seamus Heaney, Sharon Olds, Louise Glück, Jorie Graham and Rita Dove. 9. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 10. The Life and Times of Jerry Pinto — Episode 314 of The Seen and the Unseen. 11. कुँवर नारायण, केदारनाथ सिंह, अशोक वाजपेयी and नागार्जुन. 12. Ravi Shankar, Ali Akbar Khan, Bismillah Khan, Igor Straviksky, Pyotr Ilyich Tchaikovsky, Steve Reich and Terry Riley. 13. Palgrave's Golden Treasury: From Shakespeare to the Present. 14. The Rime of the Ancient Mariner -- Samuel Taylor Coleridge. 15. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 16. The Art of Translation — Episode 168 of The Seen and the Unseen (w Arunava Sinha). 17. Arun Khopkar, Mani Kaul and Clement Greenberg. 18. Stalker -- Andrei Tarkovsky. 19. The Sacrifice -- Andrei Tarkovsky. 20. Ivan's Childhood -- Andrei Tarkovsky. 21. The Color of Pomegranates -- Sergei Parajanov. 22. Ranjit Hoskote's tribute on Instagram to Gieve Patel. 23. Father Returning Home -- Dilip Chitre. 24. Jejuri -- Arun Kolatkar. 25. Modern Poetry in Translation -- Magazine and publisher founded by Ted Hughes and Daniel Weissbort. 26. On Exactitude in Science — Jorge Luis Borges. 27. How Music Works — David Byrne. 28. CBGB. 29. New York -- Lou Reed. 30. How This Nobel Has Redefined Literature — Amit Varma on Dylan winning the Nobel Prize. 31. The Fire and the Rain -- Girish Karnad. 32. Vanraj Bhatia on Wikipedia and IMDb. 33. Amit Varma's tweet thread on Jonahwhale. 34. Magic Fruit: A Poetic Trip -- Vaishnav Vyas. 35. Glenn Gould on Spotify. 36. Danish Husain and the Multiverse of Culture -- Episode 359 of The Seen and the Unseen. 37. Steven Fowler. 38. Serious Noticing -- James Wood. 39. How Fiction Works -- James Wood. 40. The Spirit of Indian Painting -- BN Goswamy. 41. Conversations -- BN Goswamy. 42. BN Goswamy on Wikipedia and Amazon. 43. BN Goswamy (1933-2023): Sage and Sensitivity -- Ranjit Hoskote. 44. Joseph Fasano's thread on his writing exercises. 45. Narayan Surve on Wikipedia and Amazon. 46. Steven Van Zandt: Springsteen, the death of rock and Van Morrison on Covid — Richard Purden. 47. 1000 True Fans — Kevin Kelly. 48. 1000 True Fans? Try 100 — Li Jin. 49. Future Shock -- Alvin Toffler. 50. The Third Wave -- Alvin Toffler. 51. The Long Tail -- Chris Anderson. 52. Ranjit Hoskote's resignation letter from the panel of Documenta. 53. Liquid Modernity -- Zygmunt Bauman. 54. Rahul Matthan Seeks the Protocol -- Episode 360 of The Seen and the Unseen. 55. Panopticon. 56. Tron -- Steven Lisberger. 57. Gita Press and the Making of Hindu India — Akshaya Mukul. 58. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 59. Ramchandra Gandhi on Wikipedia and Amazon. 60. Majma-ul-Bahrain (also known as Samudra Sangam Grantha) -- Dara Shikoh. 61. Early Indians — Tony Joseph. 62. Tony Joseph's episode on The Seen and the Unseen. 63. Who We Are and How We Got Here — David Reich. 64. पुराण स्थल. 65. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 66. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 67. The Speaking Tree: A Study of Indian Culture and Society -- Richard Lannoy. 68. Clifford Geertz, John Berger and Arthur C Danto. 69. The Ascent of Man (book) (series) -- Jacob Bronowski. 70. Civilization (book) (series) -- Kenneth Clark. 71. Cosmos (book) (series) -- Carl Sagan. 72. Richard Dawkins, Steven Pinker, Stephen Jay Gould and Oliver Sacks. 73. Raag Darbari (Hindi) (English) — Shrilal Shukla.. 74. Raag Darbari on Storytel. 75. Krishnamurti's Notebook -- J Krishnamurty. 76. Shame -- Salman Rushdie. 77. Marcovaldo -- Italo Calvino. 78. Metropolis -- Fritz Lang. 79. Mahanagar -- Satyajit Ray. 80. A Momentary Lapse of Reason -- Pink Floyd. 81. Learning to Fly -- Pink Floyd, 82. Collected poems -- Mark Strand. Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Dancing in Chains' by Simahina.

Tony opens the show by talking about his trip to Delaware, and he also talks about the baseball and football from the weekend, and the passing of fellow Hewlett High alum Louise Glück. Michael Wilbon calls in and talks about some of the NFL games from the weekend, Richard Justice phones in to talk about the baseball playoffs, and Tony closes out the show by opening up the Mailbag. Songs : Michelle Hunter “You Asked” ; “Goodbye Spring” To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

American poet and 2020 Nobel Laureate Louise Glück has passed away. She was something of a house favorite here, so we thought we'd share a rebroadcast of the time Jeff and Rebecca talked about the life and work of Louise Glück, plus an extended discussion of her 1993 poem, “Vespers.” RIP, Louise Glück, we are so grateful for your work and your life. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Discussed in this episode: The Collected Poems of Louise Glück “The Body Artist” by Dan Chiasson “Vespers” by Louise Glück Learn more about your ad choices. Visit megaphone.fm/adchoices