Indian novelist, essayist, and activist (BORN 1961)
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Circumstance made him a legend of the quizzing world, but Siddhartha Basu is a man of many parts. He joins Amit Varma in episode 420 of The Seen and the Unseen to talk about life, India, the art of asking questions and the answers he has found. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Siddhartha Basu on Wikipedia, Twitter, Instagram and IMDb. 2. Tree of Knowledge, DigiTok. 3. Quizzitok on YouTube. 4. Middlemarch -- George Eliot. 5. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 6. Gita Press and the Making of Hindu India — Akshaya Mukul. 7. Episodes of The Seen and the Unseen featuring Ramachandra Guha: 1, 2, 3, 4, 5, 6. 9. The Life and Times of KP Krishnan — Episode 355 of The Seen and the Unseen. 10. The Life and Times of Vir Sanghvi — Episode 236 of The Seen and the Unseen. 11. Gods, Guns and Missionaries: The Making of the Modern Hindu Identity — Manu Pillai. 12. The Forces That Shaped Hinduism — Episode 405 of The Seen and the Unseen (w Manu Pillai). 13. How to Become a Tyrant -- Narrated by Peter Dinklage. 14. What Is Populism? -- Jan-Werner Müller. 15. The Populist Playbook -- Episode 42 of Everything is Everything. 16. 20,000 Leagues Under the Sea -- Richard Fleischer. 17. The Hedgehog And The Fox — Isaiah Berlin. 18. Trees of Delhi : A Field Guide -- Pradip Krishen. 19. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 20. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 21. Stage.in. 22. Dance Like a Man -- Mahesh Dattani. 23. How Old Are You? -- Rosshan Andrrews. 24. The Mehta Boys -- Boman Irani. 25. A Portrait of the Artist as a Young Man -- James Joyce. 26. Massey Sahib -- Pradip Krishen. 27. Derek O'Brien talks to Siddhartha Basu -- Episode 6 of the Quizzitok Podcast. 28. Kwizzing with Kumar Varun. 29. Ivanhoe, Treasure Island and Black Beauty. 30. Jane Austen, Walter Scott, Charles Dickens, John Steinbeck, Albert Camus, Jean-Paul Sartre, Charles Baudelaire, Arthur Rimbaud, Allan Ginsberg, Jack Kerouac, James Joyce, TS Eliot and Vivekananda. 31. Ramayana and Mahabharata -- C Rajagopalachari. 32. Paradise Lost -- John Milton. 33. Morte d'Arthur -- Alfred Tennyson. 34. Death of a Salesman -- Arthur Miller. 35. Salman Rushdie, Amitav Ghosh, Mukul Kesavan, Rukun Advani, Vikram Seth, Shashi Tharoor, Jhumpa Lahiri, I Allan Sealy, Arundhati Roy and William Dalrymple. 36. The Trotter-nama -- I Allan Sealy. 37. The Everest Hotel -- I Allan Sealy. 38. The Life and Times of Altu-Faltu -- Ranjit Lal. 39. Mr Beast on YouTube. 40. The Spectacular Life of Prahlad Kakar — Episode 414 of The Seen and the Unseen. 41. Ramki and the Ocean of Stories -- Episode 415 of The Seen and the Unseen. 42. Adolescence -- Created by Stephen Graham & Jack Thorne. 43. Anora -- Sean Baker. 44. Jerry Seinfeld on the results of the Seinfeld pilot. 45. Scam 1992 -- Hansal Mehta. 46. Dahaad -- Created by Reema Kagti & Zoya Akhtar. 47. The Delhi Walla -- Mayank Austen Soofi. 48. Flood of Fire -- Amitav Ghosh. 49. The Shadow Lines -- Amitav Ghosh. 50. The God of Small Things -- Arundhati Roy. 51. Shillong Chamber Choir. 52. The Waste Land -- TS Eliot. 53. Omkara, Maqbool and Haider -- Vishal Bhardwaj. 54. A Tale of Two Cities -- Charles Dickens. 55. William Shakespeare and Henry James. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Your Time Starts Now' by Simahina.
Miriam Drev je v slovenščino prevedla več kot sto del iz sodobne in klasične angleške, ameriške in nemške književnosti; med njimi Deklino zgodbo Margaret Atwood, Boga majhnih stvari Arundhati Roy, dela Philipa Rotha, Iana McEwana, Zgodbe iz Narnije in druge, številni avtorji so v slovenščini prvič izšli na njeno pobudo. Književno ustvarja tudi sama. Podpisala je šest pesniških zbirk, za zadnjo, Zdravljenje prednikov, je leta 2023 prejela Veronikino nagrado; napisala je štiri romane: Od dneva so in od noči, njen tretji roman, je celo prvi epistolarni roman pri nas. Četrti roman, Po poti se je zvečerilo, pa je izšel letos pri založbi Pivec. V njem nastopa Lucia, ki ima korenine tako v Libanonu, Bejrutu, kot v Sloveniji, v Ljubljani - kamor z mamo in bratom pribežijo, ko se v Libanonu prične državljanska vojna. Kot da bi bila potovanja vdelana v njeno osebnost, mlada ženska tudi sama zapusti Ljubljano in odide v tujino - v iskanju tako dela kot novih doživetij. V Edinburgu spozna partnerja, očarljivega Američana Aleca, in si z njim ustvari družino, a v njunem odnosu postopoma pride na dan Alecova manipulativna, hladnokrvna in brezobzirna prava narava. Z Miriam Drev se o njenem novem romanu in siceršnjem delu pogovarja Tina Poglajen.
When the Harvest Comes by Denne Michele Norris is a story about fathers and sons, love, life and inheritance. Denne joins us to talk about capturing music on the page, sibling relationships, literary influences, Ohio and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): When the Harvest Comes by Denne Michele Norris Going to Meet the Man by James Baldwin Light Years by James Salter Ghana Must Go by Taiye Selasi The God of Small Things by Arundhati Roy
In this episode, Dr. Van Jackson appears as a guest on A Public Affair, a radio show with a live call-in segment. The conversation ended up being deliciously wide-ranging, including: Why the oligarchs who back Trump want an economic recession; What tariffs are good for, and how Trump's tariffs impact both global trade and domestic labor; What separates Biden's economic nationalism from Trump's “zombie economic nationalism,” and why both are bad but Trump's is much worse; The value of the #TakeDownTesla movement; What Arundhati Roy teaches us about civil disobedience; Why the general strike is civil society's ultimate weapon against fascism; and Why the trillion-dollar military budget is not possible without inflating the China threat.Visit A Public Affair radio show: https://www.wortfm.org/van-jackson-on-zombie-economic-nationalism/Subscribe to the Un-Diplomatic Newsletter: https://www.un-diplomatic.comWatch The Un-Diplomatic Podcast on YouTube: https://www.youtube.com/@un-diplomaticpodcast
Allen Ruff speaks with Van Jackson about how tariffs will hurt the working class, the rise of crony capitalism, the increasingly flagrant spoils system, and Arundhati Roy's vision of civil disobedience. The post Van Jackson on Zombie Economic Nationalism appeared first on WORT-FM 89.9.
durée : 00:15:02 - Les Nuits de France Culture - par : Albane Penaranda - En 2007, la comédienne Dominique Blanc tirait de sa bibliothèque "Le Dieu des petits riens" d'Arundhati Roy pour nous en lire un extrait. Paru en 1997, ce premier roman de l'écrivaine indienne fut traduit en trente langues et connut un succès planétaire. - réalisation : Virginie Mourthé
Ó Tuama's interests lie in language, violence, and religion. Growing up in a place with a long history of all three (Ireland, yes, but also Europe), he finds that language might be the most redeeming. In language, there is the possibility of vulnerability, of surprise, of the creative movement towards something as yet unseen. Any artist of words inspires him: from Krista Tippett to Lucille Clifton, Patrick Kavanagh to Emily Dickinson, Lorna Goodison to Arundhati Roy. Ó Tuama loves words — words that open up the mind, the heart, the life. For instance — poem: a created thing.
Ó Tuama's interests lie in language, violence, and religion. Growing up in a place with a long history of all three (Ireland, yes, but also Europe), he finds that language might be the most redeeming. In language, there is the possibility of vulnerability, of surprise, of the creative movement towards something as yet unseen. Any artist of words inspires him: from Krista Tippett to Lucille Clifton, Patrick Kavanagh to Emily Dickinson, Lorna Goodison to Arundhati Roy. Ó Tuama loves words — words that open up the mind, the heart, the life. For instance — poem: a created thing.
A acarinhada apresentadora Júlia Pinheiro é uma leitora voraz que até recomenda leituras nas suas redes e, no meio do clube de leitura, do seu programa de TV, podcast e até uma peça de teatro, veio a este podcast com a difícil tarefa de escolher apenas algumas leituras que de gostou muito. Acabo esta temporada com uma convidada que me faz sentir que assim... vale a pena. Obrigada e até breve. As escolhas da Júlia:A Pátria, Fernando Aramburu;O Deus das Pequenas Coisas, Arundhati Roy;O Leitor, Bernhard Schlink;Nem Todas as Árvores Morrem de Pé, Luísa Sobral.Memórias de Adriano, Marguerite Yourcenar;Outras referências:O Regresso dos Andorinhões, Fernando Aramburu;O Sonho de Uma Outra Vida, Katherine Boo;A Neta, Bernhard Schlink.Recomendei: Shantaram, Gregory David Roberts;Velar por Ela, Jean-Baptiste Andrea;Chimamanda Ngozie Adichie:O Inventário de Sonhos;Americanah.Ofereci:Verão no Lago, Ann Patchett;A qualquer momento, Liane Moriarty.O Podcast: Menos Pausa.A Peça de teatro: a mais velha profissão do mundo.Os livros aqui:www.wook.pt
«Water remembers. It is humans who forget.»En vanndråpe finner veien fra oldtidens Mesopotamia til en gategutt i London på 1840-tallet, så videre til en yazidisk familie i dagens Irak. Tre personers liv og skjebner bindes sammen gjennom to elver – Themsen og Tigris – og vannet som renner gjennom dem.I romanen Det er elver på himmelen (til norsk ved Bente Klinge) vever Elif Shafak sammen svunne riker, kolonitidens plyndringer, moderne konflikter og læren om vannets kretsløp, i en handling som strekker seg fra oldtiden og frem til dagens konflikter i Midtøsten. Med spenning, humor og et dyptloddende språk, er Det er elver på himmelen en bok som begeistrer og fascinerer, og har blitt hyllet av forfattere som blant annet Ian McEwan, Arundhati Roy og Mary Beard.Tyrkisk-britiske Elif Shafak er en av verdens fremste forfattere av historiske romaner. Gjennom sine fjorten romaner på tyrkisk og engelsk, har hun utforsket kulturelle spenninger og sosioøkonomiske ulikheter mellom øst og vest. Hun har i tillegg vært en aktiv stemme i kampen for ytringsfrihet og kvinners rettigheter, en samfunnsaktivisme som preger både skjønnlitteraturen og sakprosaen hennes. Hun bor i selvvalgt eksil i London, etter stadige rettslige trusler i Tyrkia mot virket hennes som forfatter.På Litteraturhuset møtte Shafak journalist og forfatter Marte Spurkland til en samtale om tid, aktivisme og vannets hukommelse.Samtalen er på engelsk. Hosted on Acast. See acast.com/privacy for more information.
«Water remembers. It is humans who forget.»A droplet of water finds its way from ancient Mesopotamia to a street urchin in 1840's London and on to a Yazidi family in present day Iraq. Three people's lives and destinies are connected by two rivers – the Thames and the Tigris – and the water which flows through them.In the novel There Are Rivers in the Sky, Elif Shafak weaves together lost empires, colonial plunder, modern conflicts, and the study of water in a plot stretching from ancient time to the present. With thrill, humour and evocative language, There Are Rivers in the Sky is both enthralling and fascinating, and has been lauded by authors such as Ian McEwan, Arundhati Roy and Mary Beard.Turkish-British Elif Shafak is one of the world's foremost writers of historical fiction. Through her fourteen novels, she has explored cultural tensions and socioeconomic inequalities between East and West in historical and contemporary settings. She has also been an active champion of the freedom of speech and of human rights, particularly women's rights, an activism evident in both her fiction and non-fiction. She lives in London in self-imposed exile, after past and continuing threats in Turkey against her work as an author.At the House of Literature, Shafak meets author and journalist Marte Spurkland for a conversation on time, cultural conflicts, and the memory of water. Hosted on Acast. See acast.com/privacy for more information.
AVISO LEGAL: Los cuentos, poemas, fragmentos de novelas, ensayos y todo contenido literario que aparece en Crónicas Lunares di Sun podrían estar protegidos por derecho de autor (copyright). Si por alguna razón los propietarios no están conformes con el uso de ellos por favor escribirnos al correo electrónico cronicaslunares.sun@hotmail.com y nos encargaremos de borrarlo inmediatamente. Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun https://paypal.me/IrvingSun?country.x=MX&locale.x=es_XC Síguenos en: Telegram: Crónicas Lunares di Sun Crónicas Lunares di Sun - YouTubehttps://t.me/joinchat/QFjDxu9fqR8uf3eR https://www.facebook.com/cronicalunar/?modal=admin_todo_tour Crónicas Lunares (@cronicaslunares.sun) • Fotos y videos de Instagram https://twitter.com/isun_g1
Ms. Dilini Iriyawala, an academic in world literature from Melbourne, has joined SBS Sinhala to review the 2017 Man Booker Prize winner, ‘The God of Small Things,' written by Indian author Arundhati Roy. - විප්ලවීය ඉන්දීය ලේඛිකා අරුන්දතී රෝයිගේ සම්මානයට පාත්ර වුනු පළමු නවකතාව "The God of Small Things" පිලිබඳ විමසා බැලීමක් මෙවර SBS සිංහල ගුවන්විදුලියේ "විශ්ව සාහිත්යයේ රස මං පෙත්" ද්වී මාසික ගුවන් විදුලි සාහිත්ය රසවිඳුම තුලින්. SBS සිංහල ගුවන් විදුලිය සමඟ මෙම සංවාදයට සහභාගි වුයේ එංගලන්තයේ වොරික් විශ්ව විද්යාලයේ විශ්ව සාහිත්ය පිළිබඳ ඩිප්ලෝමාධාරිනී, මෙල්බර්න් හි දිලිනි ඊරියවල.
Jo proselytizes about the marvelous medicinal powers of M.W. Craven's Washington Poe novels before Charlotte (10:30) classes up the episode with a recounting of the viral, ugly-cry-inducing Harry Potter fanfiction “Manacled” by SenLinYu. Then the accomplished Sarah Thankam Mathews (28:30) expounds on colonization, anger, Dumbo's opps, and the “short little knife” that is Tayeb Salih's Seasons of Migrations to the North. Also discussed in this episode: Othello, Elif Batuman's The Idiot, Arundhati Roy's The God of Small Things, W. Somerset Maughm's The Razor's EdgeSarah Thankam Mathews is the author of All This Could Be Different, which was shortlisted for the Discover Prize, the Aspen Words Literary Prize, and 2022 National Book Award in Fiction. All This Could Be Different was also a New York Times Editor's Choice and named a Best Book of the Year by NPR, Vogue, Vulture, Los Angeles Times, TIME, Slate, and Buzzfeed. Mathews grew up between Oman and India, immigrating to the United States at seventeen.Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte is on Instagram and Twitter as @Charoshane. Her most recent book is An Honest Woman: A Memoir of Love and Sex Work. Learn more at charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.com. Hosted on Acast. See acast.com/privacy for more information.
What is our relationship to the land, to its other-than-human inhabitants, and to the rest of humanity? These are fundamental questions for thinking through how we can transform ourselves in ways that allow a multiplicity of ecologies and human communities to thrive alongside one another. And these questions are not just fundamental to us as individuals—they are essential to how we view our cultures, traditions, institutions, and ways of knowing.Layel Camargo lives at the vibrant intersection of ecological justice, queer liberation, and indigenous culture—a cultural space that offers a distinctive vantage point on how our societies work, while holding enormous potential to both see and reorient our relationships to the land and to one another.Layel Camargo is an organizer and artist who advocates for the better health of the planet and its people by restoring land, healing communities, and promoting low-waste and low-impact lifestyles. Layel is a transgender and gender non-conforming person who is an indigenous descendant of the Yaqui and Mayo tribes of the Sonoran Desert.I met Layel at a climate storytelling retreat in New York City in 2019, where I became a huge fan of their work and of their way of being in the world.Layel is a founder of the Shelterwood Collective, a Black, Indigenous, and LGBTQ-led community forest and retreat center, healing people and ecosystems through active stewardship and community engagement.Our conversation explores the idea of culture as strategy in confronting the climate crisis, diving into Layel's work in video, podcasting, and poetry and the origins of their approach to this work of healing people and planet.You can listen on Substack, Apple Podcasts, and other podcast platforms.Please rate, review, and share to help us spread the word!Layel CamargoLayel Camargo is a cultural strategist, land steward, filmmaker, artist, and a descendant of the Yaqui tribe and Mayo tribes of the Sonoran Desert. Layel is also transgender and non-binary. They graduated from UC Santa Cruz with dual degrees in Feminist Studies and Legal Studies. Layel was the Impact Producer for “The North Pole Show” Season Two. They currently produce and host ‘Did We Go Too Far' in conjunction with Movement Generation. Alongside Favianna Rodriguez and at the Center for Cultural Power, they created ‘Climate Woke,' a national campaign to center BIPOC voices in climate justice. Wanting to shape a new world, they co-founded ‘Shelterwood Collective'. The collective is a land-based organization that teaches land stewardship, fosters inventive ideation, and encourages healing for long-term survival. Layel was a Transformative Justice practitioner for 6 years and still looks to achieve change to the carceral system in all of their work. Most recently, Layel was named on the Grist 2020 Fixers List, and named in the 2019 Yerba Buena Center of the Arts list of ‘People to Watch Out For.'Quotation Read by Layel Camargo“You wanna fly, you got to give up the s**t that weighs you down.” - Toni Morrison, Song of SolomonRecommended Readings & MediaTranscriptIntroJohn Fiege What is our relationship to the land, to its other-than-human inhabitants, and to the rest of humanity? These are fundamental questions for thinking through how we can transform ourselves in ways that allow a multiplicity of ecologies and human communities to thrive alongside one another. And these questions are not just fundamental to us as individuals—they are essential to how we view our cultures, traditions, institutions, and ways of knowing.Layel Camargo lives at the vibrant intersection of ecological justice, queer liberation, and indigenous culture—a cultural space that offers a distinctive vantage point on how our societies work while holding enormous potential to both see and reorient our relationships to the land and to one another.And besides that, Layel is hilarious.Layel Camargo My passion for humor has come from has been maintained by a lot of data and information that I've gotten around just the importance of people being able to process things through laughter. And that the climate crisis is nothing to make mockery and or to laugh, there's this is very serious. The ways in which our species is kind of being at threat of extinction, and right before our eyes. But I think that as humans, we're so complex and layered, and we're so beautiful in the sense that we get to feel so intensely, and feeling is what motivates us to take action. And laughter helps you process so much data quicker, it helps you be able to take something in, embrace it, release, and then have it make an impression.John Fiege I'm John Fiege, and this is Chrysalis.Layel Camargo is an organizer and artist who advocates for the better health of the planet and its people by restoring land, healing communities, and promoting low-waste, low-impact lifestyles. Layel is a transgender and gender non-conforming person who is an indigenous descendant of the Yaqui and Mayo tribes of the Sonoran Desert.I met Layel at a climate storytelling retreat in New York City in 2019, where I became a huge fan of their work and of their way of being in the world.Layel is a founder of the Shelterwood Collective, a Black, Indigenous, and LGBTQ-led community forest and retreat center, healing people and ecosystems through active stewardship and community engagement.Our conversation explores the idea of culture as strategy in confronting the climate crisis, diving into Layel's work in video, podcasting, and poetry and the origins of their approach to this work of healing people and planet.Here is Layel Camargo.ConversationJohn FiegeHow you doing?Layel Camargo I'm doing pretty good. How are you doing?John Fiege I'm doing well. I've got this thing in my throat. I, so I'm going to be drinking a lot of tea. And I might have to have a bathroom break. Know, I have forgotten to take my allergy medicine. And here we are. Great. Yeah. So can you start out by telling me where you grew up? And how you viewed your relationship to the rest of nature when you were a kid?Layel Camargo Yeah. Um, I can start off by Yeah. talking a little bit about where I grew up. Yeah, so I grew up on the Mexican border between Tijuana and San Diego. And my upbringing was in this very highly dense migrant community from Latinx to Philippines, because of the proximity to the military base. It was very military towns, pretty much the professions. They're like you're either work for Homeland Security, the military or police. And I didn't really notice what my upbringing was like till I left. But I grew up crossing the border back and forth. My grandmother migrated from the Sonoran Desert, to Tijuana. And that's basically where my mother was born. And she grew. She went to high school in San Diego, which is why I can say I'm an American citizen, but I'm a descendant of the Maya or the uremic tribes, my grandmother said, and then my grandfather said, The yucky tribes of the Sonoran Desert so I think for me, my connection ecologically was like the ocean Because I grew up in a beach city, and then it was also the desert, because of all the stories and my grandmother's connection to sanada. So high, I never felt like I was at home because as a queer person paid never really fit into the conservative nature of San Diego due to how militarized it is, and all this stuff. But it was through a drive, which I took from Northern California, down to Sonora, where my grandmother's family lives, when I drove through the saguaros and Arizona that I remember seeing the Saguaro forests and just like needing to pull over and just like, take them in. And I had this a visceral feeling that I don't think I've ever had before of just like being home. And I think this, this experience was like in 2016 2017. And that's when I realized that, in theory, I was a climate activist, I cared about the planet. But it wasn't until that moment that I was like, oh, what I'm actually doing is like actually fighting for us to return to be in better relationship with the planet. And this is where I belong, this is my source of my route, these trees and this desert. So because of that, and growing up in proximity to the beach, water conservation has always been an area of like passion for me and caring about the ocean, which pushed me to a practice of lowering my plastic consumption and being more mindful of oil consumption. And the desert has always been a source of like grounding in regards to like place and knowing that I come from the earth. So it's kind of like I was gonna say, it's kind of like, I'm from a lot of places, I moved to Northern California in 2006. So I love the forest. But nothing speaks to my heart, like the beach in the desert.John Fiege Well, they have sand in common. Is there? Is there a tension between the ocean pulling you in the desert pulling you or is it? Is it a beautiful harmony?Layel Camargo It's a bit of a tension. But I would say that in my body, it feels the same. They both dehydrate me and over, over like it's just a lot of heat, typically. So yeah, that it's different for Northern California beaches, because they're a little bit more Rocky and more cold. You have to wear more layers. Right? definitely like to where I grew up, it's it is warm, the sandy ness. That's a great connection, I definitely need to make that a little bit more concrete.TotallyJohn Fiege cool. Well, can you tell me more about the path you took from the neighborhood where you grew up in San Diego, to studying at UC Santa Cruz and what that experience was like for you?Layel Camargo Yeah, I, I went. So I grew up in a home where there was a lot of violence, which is very common in a lot of migrant-specific and indigenous communities. And I kind of came into my teenage years, like really realizing that I was different, but I didn't know how when it kind of got summarized in college around my queerness my sexuality and my gender, but just feeling this need of like needing to leave. It just didn't make sense for me to be there. And with that being said, I had a wonderful community. I still have quite a few friends in San Diego that I keep in touch with my sisters live there. And I was actually just started last weekend. So I, when I was in San Diego, I think a lot of my trauma responses of like, just ignore what doesn't make sense and just keep moving forward was how I kind of functioned. And that race. And I loved it, I succeeded at it. I've actually realized that I'm a performance artist because of that upbringing. Like I, you know, was captain of the water polo team. I was president of my senior class, I was featured in newspapers for my swimming. I was a competitive swimmer for 10 years. I I did, I did a you know, a good job. I had advanced placement classes and honors classes and I was well rounded but in the inside, I just didn't feel like I belonged. So I picked UC Santa Cruz to go to college because it was the farthest University and the University of California system that had accepted me. And they went and I didn't know what I was getting myself into. I visited the campus like two to three weeks before I had to actually be there to live on campus. Bass. And when my dad drove me, drove me up with my whole family drove me up and they left me they were like, are you sure you want to say I'm like, I got this, like, it was all redwoods. So it was definitely like, we went down to the local store. And it was like all these like hippie dreadlock, folks. And I was like, I don't even know what I got myself into. But I'm getting this degree, so we're good. And it was a big culture shock, I think for a lot of black and brown and indigenous youth when they have to leave their communities to attend. What is like better economic opportunities outside of them it is it's, it's more than just having to adjust, it's having to really like, Oh, I had to let go of everything I knew. And in order for me to take the most out of college, and I was fortunate enough that I had a container a university is like a container for young folks that I wasn't having to leave for work or opportunities. And so I fully immersed myself, and it allowed me to be able to identify myself sexually and through my gender, and a gave me solace, when you know, my family rejected me for coming out. And I think that I'm so fortunate that I had that experience. And then I also was able to gain double bachelor's when feminist studies and legal studies which allowed me to have some upward mobility that my family hadn't had, traditionally I was, I am the first person in my whole family to attend a four year university after high school. So I'm definitely very grateful that that path took me there. And at this point, I feel like it was not only good for me, but it was good for my whole family for me to have taken that journey.John Fiege And did you come out to them? In college or before college?Layel Camargo in college? Yeah, I was my second year, I had my first girlfriend. And I was a Resident Advisor, always I'm always trying to be the overachiever. So I was like Resident Advisor of my college, I was like, involved in every club, I was part of the dance team. And, you know, my mom called me, I just decided to actually move in with my girlfriend the following quarter. And she was like, What are you doing? I was like, Oh, my girlfriend's house. And she was like, why do you have to tell me those things. And I'm just like, because I'm not gonna lie to you. And she was like, I know, you're gay, but I just don't need you to rub it in my face. And I was like, then I guess we can't talk. And so we didn't talk for three months. And then she called me It's, it's, it's hard, you know, like, going to college is hard, especially when I went to very marginalized public schools before that. So I was struggling academically. And my solace was, like, being involved on campus, like to meet some social needs. And I was in, I was in a retention program for black and brown youth from urban communities. So that helped a lot. But I, I, my mom kind of rupturing that, really. I didn't realize what the impact was until probably a quarter the quarter into after that. And she called me three months later, and was like, so are you not gonna talk to me? And I was like, you're the one that doesn't talk to me. And she was like, well, let's just let's just try to make this work. And so we, you know, it took probably five to six years for my family to kind of fully integrate my, you know, my, my lifestyle as they, as they call it. The magic word of magic word. Yeah.John Fiege Yeah, wow. Well, you know, that's just what you need, right in the middle of college trying to adapt to, you know, crazy new culture and world is for your family to reject you.Layel Camargo Yeah, yeah. It's definitely one of those things that like a lot of queer LGBTQ folks. I, I feel like it's so normalized to us, right? And it's just like, well, when you come up, just expect to lose everything. And I think it is it now until I'm like, in my 30s, that I realized how painful that is, and how, like, it's just like, you know, one of the core things I think, as a human species is to know that you belong somewhere. And if you don't belong at home, then where do you belong? And I think for many of us, we've had to go through that unconsciously, without really thinking through that we're seeking to belong. And this theme of belonging has been something that's been coming up as I'm I navigate like, my professional career now is that like, I really do want people to feel like they belong somewhere. And the only thing I feel like makes sense as we all belong to the planet. We all belong to the same descendants and how we got here as a species and that I think that's being rejected from my family allowed me to be like weird do I belong? And so I fortunate that I had a best friend who was also queer. I had my queer community I had student governments and students social organizing. And then when I graduated, I was like, wait, like, Where else do I belong? So I went to my natural habitats like to the beach, and I picked up surfing again and scuba diving. And then it was like, Oh, I actually like I belong to the earth. Like, that's where I belong.John Fiege That's beautiful. Yeah. I love that. Oh, I am hearing some background noise.Layel Camargo Is it audio? Or is it just like,John Fiege people laughing?Layel Camargo It's my partner's on an Akai here, I'm going to shoot her a quick text. She like gets really loud because she gets so excited. Just going to share a quick text.John Fiege So before coming to climate justice work, you worked as an organizer with the Bay Area transformative justice collective. Can you tell me how your work in transformative justice informed your understanding of the climate crisis and how you approach ecological concerns?Layel Camargo Yeah, so I I organized with transformative justice for about six years. And then I you know, for folks who don't know, transformative justice is an alternative response model to violence, harm and hurt. And so similar to restorative justice, which works with the carceral system, so police, judicial systems, etc. to reform in order to help alleviate some of the biases that exists in the systems, transformative justice, as there's those systems actually don't serve certain communities like migrants, folks like that are trans, just the way that those systems just inherently violate certain people who are not included in our society fairly, was like, transparent justice exists to serve folks who cannot access or choose not to access or use the carceral system. So if you will, if you believe in defunding the police, and let's say you're sexually assaulted, you're probably not going to call the police for a rape kit, because there's probably ways that you've experienced those systems as harmful or violent. So when I started organizing were transferred to justice the spoke to me as somebody who had just come out as trans, somebody who grew up in a mixed status family, have relatives who have been deported. And I realized, like, Oh, it's actually worth investing in alternative models, besides the police. In order for us to get our needs met when crisises do happen, because they happen to all of us. And I was in it for six years, you know, we had built up, I had built a great capacity to work with people who had caused harm people who are caused domestic violence, sexual assaults and transforming their behavior and working towards reparation of relationships and or just like helping victims be able to move on after something like that happens. And it's it wasn't an easy task. And what we would come back to is we would spend like the first front of the months, trying to make sure that people's basic needs were met in order for them to slow down enough to process what had just happened. And basic needs included food included shelter, if they lived near, you know, a toxic site, what was infringing on their health, making sure that they had access to health coverage or health benefits. And that was about 60% of what we're doing was making sure that we could get the basics kind of stable so that they could jump into really honoring what it was a justice look like for them. And in doing this a handful of times, not too many, I will say I didn't think thankfully, we had a team. And so I did wasn't always having to handle everything. And we, the experiences that I did have, I was like, man, if people just had, like, a healthy environment where having to fight for housing wasn't a thing. Like we could just actually say, this is where I was born, this is where I belong, and I'm in relationship with the land. And that's how I feed myself, I clothe myself, like all these things that are kind of like indigenous traditional ways, then people could actually solve a lot of their crisis. He's in the moment without having it to be delayed years or having to rely on for it to get outsourced through the carceral system in order for them to feel like they get a minuscule amount of justice. And so I started to just be more cognizant of the way that we interact with the planet and how are everything from our legal structures to our economic structures are just completely devastating. Our environment that have led for us not to have good air quality for us not to have good clean water for us not to feel like we've belong to the earth that is right beneath us that we like, are in relationship with, with the rest of you know, most of our lives. And I, at the time I was living in West Oakland and I had just looked into the air quality report in the area I lived in, and I had the worst air quality in the whole Bay Area. And I started noticing my dog started developing like little spots on her skin, I started having like a lot of chronic coughing. And I was looking at how much money I was making. And so at the time, I was doing a lot of our pop ups, I was really passionate about zero waste, I cared about veganism, a lot of it was through the planet, and it just slowly started shifting away from Yes, I care about how we respond to violence and harm and all of that. And I want us to have alternatives that meet the needs of folks who fall through the waistline of certain systems. And at the same time, we don't even have clean water to come home to to drink when something violent happens, like we have to go buy it from, you know, a grocery store. Most of us don't even test our tap water anymore, because it's just consistently, we just grew up thinking that it doesn't, it's dirty, it's gross, it's non potable, so Right, right. I think at that moment, my heart just completely was like, I want to dive into this work 100% I want to fight for people to have clean air, like if you can't breathe, then you can't, you can't even do a lot, a lot of things. And so many black and brown people who grew up in rural communities have high rates of asthma have like low life expectancy because of air pollution, to you know, the logistics industry etc. And I just kind of fell in with all my heart in like, if I'm, if I'm against plastic put which at the time I was, like vegan for the planet and vegan for my health. And I was also really passionate about reducing plastic use. And I was like, if these are two things that I care about, I want to do it at a larger scale. So it meant that I had to really make those connections of if I want to end gender based violence, if I want to end large forms of violence, I have to start with the one common thing we have that we're constantly extracting and violating, which is the earth. And I think that that led me towards climate justice, because that is the most critical environmental crisis that we're in at this moment.John Fiege So what is the climate crisis? What what what causes is how do you how do you think about culture as a source of power and strategy for climate crisis?Layel Camargo Yeah, I mean, I this is this is really, you know, this, that this is what I do for my life is I spent the last 7 to 8 years really strategizing around what are the cultural shifts that are needed in order for us to be able to be in right relationship with the planet where things like the climate crisis are not happening, so that we can have an economic system and a political system that is serves the planet and the needs of our of us living and thriving, not surviving, which is I think, what we're stuck in as a global society now. And the, we have like quite a few things to kind of look at historically. And I think that there is a dominance of, which is we now know, it is like white supremacy, which is the idea that one group of human is like better than another group of human, and that because of that, everybody else needs to conform to the languages, the culture, the food, the clothes, the housing structures, that are pervasive, and that in, you know, the Euro centric way of living, and that has created a monoculture that is now spread at a global scale. And it's even because it's an economic sister in their economic system. Now we have global stock markets. Now we have the extraction at a global scale, for the sourcing of consumer goods that are all homogenous, and there. There's just one kind of how we do things. And I think the crisis that we're in is the ways that human have removed ourselves from our natural biodiversity relationships with our ecological systems. And then as removing ourselves we have are allowed for the rupture of a relationship that is very needed, which is if we're not integrated into the trees that are natural in our environment into trimming certain invasive species and supporting other biodiverse relationships around us, then we're crippling the ability of the soil to be healthy of the air to have the most amount of oxygen Have you Now we know that we need to be trapping carbon at such high rates. And I think that with a crisis that we're in is that we've allowed and have fallen victims to white supremacy, which was facilitated by colonization, that I, you know, that dominance of one group of people in the way of existing, and I think that's where we're at. I mean, if you look at the kelp forests, the kelp forest needs the otters, they need the, the sea urchins. But when you remove the otters and the sea urchins, you know, are not being preyed upon at a normal scale. And that's, you know, we're connecting it to white supremacy, let's assume that the sea urchins are like the dominant and because they're, they're the ones that ruled the kelp species are starting to be eradicated, and some of them are becoming a threat of extinction. And without a healthy kelp forests, you don't have healthy oxygen and maintenance of the acidification in the ocean, which, you know, couple that with global warming, and you basically have the rapid eradication of so many other natural ecosystems in the ocean that we need to survive. And so when you have one species dominating over another, it leads towards a crisis. So I think we're in a imbalance of relationships because of, of white supremacy. And that's what's causing the climate crisis we have. We have a monoculture. And so just as you look at mono cropping, as you look at anything that eradicates the health of the soil, because it doesn't have the reciprocal relationships that it needs from other crops, and are the resting in order for the soil to be healthy. This might not be speaking to everybody who's listening. But it makes sense that like, Yeah, definitely. The environment crisis is a symptom of Yes. Oh, the climate crisis is a symptom of a larger systemic problem.John Fiege Yeah. And in so many ways, white supremacy was created by colonialism, like, white supremacy is the cultural system that in some ways had to emerge to justify the political and economic brutality of colonialism. You know, it was a it was it was a way of organizing and understanding the world that justified these terrible things that were happening. And they're so it goes so much hand in hand.Layel Camargo Yeah, definitely. Yeah, I mean, I feel like I could talk about this for hours, because there's just so many ways in which we can break it down to the minute level. And then there's so many ways that we can think about solutions. And a lot of my my work and my passion is really bringing as much power as I can to black, indigenous and people of color. Because the retention of culture, language, and different ways of engaging with the world, everything from how we grow our food to how we dress and what we celebrate. And where we honor is what's going to help us be more resilient towards the impending and the realism of what the climate crisis means to a lot of our communities.John Fiege Yeah, totally. Yeah. And you're you're living and working at this really interesting intersection between ecological justice, queer liberation and indigenous culture. Can Can you talk a bit about the intersections of your identity and cultural background and their importance to you and how you orient yourself to this work?Layel Camargo Yeah, definitely. So as I mentioned, I'm a descendant of the Yaki and the Mio tribes in the Sonoran Desert. And I didn't really realize how much this matter to me, I think till about like five to six years ago, because I grew up because of the borders. Technically, I'm Mexican descent, and Mexican American salesperson in this country. But the Mexican government is similar to what we're talking about white supremacy was created by European settlers and, and a hybrid of mixture of stealing of indigenous cultures. And there are so many subgroups of different indigenous cultures. And my heritage is that both my grandfather and my grandmother's tribe as they were nomadic, and they used to migrate up and down the Sonoran Desert, before the border was there from seasonally for survival. And there's so many ways that like food that we eat, how we dress, how we talk that I didn't realize like, Oh, that makes me so much more than just Mexican American. It makes me more than just Latinx. And I think my background and being in such close proximity to immigration and the necessity of immigration or to survive because my grandmother came to Tijuana because it was industrialized and she needed work. And so when they migrated, they like left everything behind. And they never went back. Like, I think so many people leave their home, thinking that they're going to go back and they don't, their children are born in different places. And eventually, that led me to be born in a different country. And so because of that background, I am so keen to issues around native sovereignty and land back here in the United States is like the retention of keeping people in the place of their origin is a climate solution. It's a way of keeping that ancestral knowledge in the place that is needed. I mean, here in Northern California, we look at the wildfire crisis, and it's due to climate change. And it's also due to the lack of forest management, that our indigenous relatives that are native to that area have been robbed of the opportunity to maintain those forests at the scale, which is needed in order to adapt and prepare for wildfires. Yeah,John Fiege yeah, with with the prescribed burning, and all that maintenance that used to happen. That was invisible in so many ways to the European colonists, they didn't even understand that that was going on, or how it worked.Layel Camargo Yeah, and I feel like, you know, it goes back to the monoculture. And I think, because I have indigenous ancestry, because I understand the nature of needing to migrate. And the realities of migrant experience, I think I feel so passionate about keeping people in their place of origin as much as possible, and allowing for people to move freely when they have to. And I think as as the climate crisis gets worse, I started to realize just what a disservice we have made by instilling borders by having governments that have been so gatekeeping and operating off of scarcity, that we've kind of mandated a world where people can move freely people, and people have to leave their place of origin. And that these two paradox that we exist in, is creating the dehumanization of a group of people that if you cannot sustain yourself in your place of origin, because of global extraction, by the way, because of environmental degradation and the economic viability of your area, and how that creates wars and mass extraction, that that is why people migrate. But yet those same people who are creating those systems that make it difficult for you to stay in your place of origin have also created borders to not let you move freely. That paradox to me is also part of this climate crisis as because many of us are going to have to leave john, at some point, there's going to be floods, there's going to be hot water, we're experiencing a drought prices in California, I'm actually living between northern California and Southern California already. And a lot of it is because of the wildfires and my family's down here. And my family's at threat of sea level rise by living in San Diego, which San Diego filed a lawsuit against Exxon and Chevron. And I think one or two other oil companies is we're all we're all existing now in this global climate crisis, that it's not quite in our face every day, but we feel it seasonally now, so we're gonna have to be able to move. Right? So yeah, and last to say is like similar to my cultures I have I lived with an end an endocrine illness. And so air pollution is something that could severely impede my ability to reproduce my ability to function. At this point, I spend about four to five days a month in bed, working from bed, and I'm fortunate enough that I get to work remotely. But for a lot of people, we're going to see more and more ways in which the mass destruction of the planet which has led to the climate crisis is how we become to adopt ways of having different abilities or not being able to live our day to day function. So yeah, the intersecting points are just, they're overwhelming. And I think a lot of us are starting to feel that more as things start to kind of get a little worse.John Fiege Right, right. Yeah, I was talking to, to my partner the other day, she was she was talking to a fellow activist about this idea of ableism. And how, you know, so much of the discourse around it is you know, what are your abilities and, and this, this person was talking about how it it's how unstable that is. Like you can be able bodied today and tomorrow, you can be not able bodied in the same way. Because of, you know, like you say the changing air quality or something happens, or you just you're getting old, or you get sick. And it's one of those things that we've so ignored as a culture of what, what ableism really means about our assumptions about the world.Layel Camargo And like the economic viability and how our economic system is just so dependent on us being fully productive 24 seven, which I made a video on this called The Big Sea, which talks about the intersecting points of labor and how the labor crisis is actually the root of our climate crisis. Because if we can have people have a bigger imagination around how they can use their bodies, to serve their own needs, instead of serving the needs of corporate interests, how that would actually alleviate a lot of pressure on the planet. And that that would potentially lead to our most successful outcomes in regards to the climate crisis.John Fiege Yeah, totally, totally. Well, can you tell me about decolonizing conservation in the environmental movement and what that looks like to you?Layel Camargo Yeah, so I, I started during the beginning of the pandemic, I started a nonprofit called shelterwood collective, which is black and brown and indigenous queer folks who are aiming to steward land at the time, I was aiming to sort of land a month ago, we acquired a 900 acre camp in cassada, California, and Northern California and our team is about conservation efforts, specifically with forest resiliency against wildfires. Taking Western Western practices of conservation, mixing them with indigenous practices that are similarly to conservation. And I feel like when we think about conservation efforts, a lot of them have been dictated by European ways of thinking through conserving natural environments, which a lot of it is like humans are bad, nature must be left uncared for. And this does such a disservice because our indigenous ancestors knew that in order for a forest to be thriving, we needed to be in relationship with it, we needed to monitor monitor it, if there was a fun guy or a virus that was spreading their disease, that we could actually help it, he'll help trees, he'll help it spread less, if there was fires that were coming that we could trim, and tend and do controlled burns, if there was, you know, sucks anything happening where a species was struggling, that we could help support its growth and its population by you know, hunting its predators. And so I think that, that is the challenge between indigenous conservation efforts are traditional ways of just being in relationship with the natural environment and conservation is the western conservation is that we have been so removed from what it means to protect water systems, what it means to protect forests, that now we have a crisis of mismanagement we have and that more and more countries are adopting European Western perspectives because of the dominance that white supremacy has instilled that there are certain group of people that know more than we do. And that's just that's created, at least for me feels very heavy on when it comes to wildfires. There is certain areas in Northern California where there have been residential communities that have been built on wildfire lines that we know now, indigenous people knew that like every 30 years, for every 50 years, there would be a wildfire that would run through that area. And now that we're not that it's getting hotter, the gap of that time is getting shortened. And also that we're realizing that the years, hundreds of years of mismanagement, and lack of tending has led to also these extreme wildfires, that's now causing casualties outside of wildlife. And I feel like conservation needs to evolve. I think that there needs to be more understanding around the harm that Western conservation has done to not only the ecosystems but to the people who have traditionally been keeping those ecosystems. And I do feel like it's like it's evolving. I just think that it's not evolving as fast as we need. And unfortunately, with the climate climate crisis, we're gonna have to really come to recognize what do we need to move really fast on on what can wait because it just feels like Everything's urgent, we need to save the oceans as much as we need to save the forest as much as we need to Save the Redwoods as much as we need to take the rain forests and it just feels like and and that is like the natural environment, then we have like the growing list of extinction, threats of extinction for certain animals. And I think that I don't know why just came to my head. And then you have people like Bill Gates who want to eradicate a whole mosquito species. So it just feels like we're gonna have to pick and choose our battles here. And I do feel like coming to reckoning around the harm that this pervasiveness in western conservation, which isn't the idea that sometimes we are harmful to, you know, our natural ecosystems isn't a bad one. Yeah, we are. But how we got here was by completely removing ourselves and not knowing how to take care of those ecosystems, had we been in a relationship with them for the last 100 years, maybe we wouldn't be so wasteful, maybe we would have caught air pollution sooner than then our body is telling us, hey, we don't like this, this is bad, we're gonna die sooner if you keep doing this. And I think that that is a disservice. So it's beautiful to see more forest schools popping up for young people. It's beautiful to see more conservation groups trying to bring in indigenous leaders into the conversations. But I do feel like that overall idea needs to shift. And I also think that the land back movement, which is returning national parks back to indigenous hands, is going to help alleviate some of those major tensions that do not honor that certain people have been doing this for hundreds of years. And if we don't return it in this generation, we just run the risk of losing more language, more culture and more practices that we need at a larger scale.John Fiege Yeah, in protecting ecosystems is just not a complete picture of everything that's needed. Like as you say, it's important on some level, but it's it's not it's not a whole, it's not a whole understanding of of the problem or how to address it. There reminds me I was I was just reading or rereading a bit of Robin wall kimmerer book braiding sweetgrass, and she talks, she talks about this very issue a bunch about, you know, sweet grass in particulars is something where there's this, this back and forth relationship between humans and nature. And she talks about teaching one of her University classes up here in New York, and asking them at the beginning of the semester, you know, whether people are bad for the environment, and almost everybody says yes. And we alsoLayel Camargo have this this perception of we are bad. Right?John Fiege Yeah. Yeah, this Western guilt is pervasive in that as well. Which is,Layel Camargo which is facilitated by religion? Yes, religion has a very good job of making us feel like we are horrible for everything that we have sent us that we need to repent for our whole existence as like, going from embryo to sperm is actually a sin itself. So we're born with so much already on our shoulders.John Fiege I was gonna say Catholic guilt, but I feel like at this point, it's so much broader than that. Yeah, it is. So you work with the Center for cultural power. And, and one of the main projects you've done with them is climate woke. And I'd like to start by saying how much i'd love the artwork of the logo. It says climate woke. And it's in, in the style of this fabulous flashback 1980s airbrushed t shirts, with, you know, rainbow colors and sparkles. And it feels like there's so much meaning embedded in the artwork. And I wondered if you could tell me about climate woke, how the project emerge, but also like how this logo artwork reflects what this project is.Layel Camargo Yeah, so we when we started thinking about what climate woke would be, we didn't know what's going to be called climate woke it was through several meetings with different community partners, different funders and other stakeholders, where we kind of discussed that we wanted a unifying symbol for all the communities that we had been meeting and we kind of landed that we wanted something to look good to represent black Dan Brown young people between the ages of 16 to 25, something that was appealing that somebody would wear with pride. And, you know, at the time, there was a lot of like, different stuff coming up around the importance of wokeness. The it wasn't used as how we use it now, which is like political correctness. It's, it's, it's not where it is now. And so we decided to kind of ride on the, the term itself climate woke, which talks about uses black vernacular very intentionally that this is a racialized issue. And we spoke with several leaders in the black community, and at the time, it felt like it made sense. And, and so we kind of quickly were like, this makes sense kind of work. We want people to wake up to a climate crisis, but also be like down and enjoy it. And that it's different than this doom and gloom narrative that we constantly see when it comes to the environment. As it is kind of depressing when you think about it. But so we wanted it to feel like inviting. And at the time, which I think was like 2017 2018. All these like 90s was like coming back. So we sat with like two or three potential designers, and we didn't really like what we saw. And then it was heavy and agile that he Guess who is kind of a co creator of this. Also, like a globally recognized artist who was like, hold on, I got this and just like hopped on her computer through some colors, did some and we were like, We love it. Like we just love it. We wanted it to be bright. We wanted it to be inviting. And I feel like we've been successful just two weeks ago actually got a text from my executive producer who works on the planet. Well, content, it was like to send a photo of like, I believe it was a young male of color about 21 or 22 years old wearing a climate woke t shirt. And she was like, do you know where that's from? And he was like, No, I have no idea. And I was like, that's how, you know, we succeeded. Because we popularize something, we made it look so good. People don't necessarily need to make the connections, but they'll be promoting our work. And I'm sure and I get so many compliments when I wear t shirts and sweaters. And so she she told him to look up the videos. And you know, she sent me the photo. And she's like, we've I think we've succeeded. And I was like, I think we succeeded, I think we have you know. But at this moment, we are considering evolving the terminology because it doesn't feel as honoring. And we definitely are very sensitive to the fact that we use black vernacular intentionally. And it's time to kind of give it back and think through like what other ways can we popularize other terms to kind of help. It's about it's about to help kind of build the community because it was about building a group of people kind of drawing in a certain community that wouldn't necessarily be about it. And I feel like that to me was like a, we did it. We did it.John Fiege Yeah, it's it's it's definitely one of those terms that the the right has co opted and really done a number on they. Yeah, they're they're good at stealing those terms and turning them on their head. And usually, honestly, as a as a weapon back the other direction. Can you turn down your volume just to hear again, just noticing when you get excited? I get excited so much. Alright, how's that? Right? Great. Yes. So in a couple of your videos, you talk about what being climate milk means to you. And you say it means one, standing up for communities of color and communities most impacted by climate change, to complicating the conversations on climate in the environment. And three, doing something about it. Can you take me through each of these and break them down a bit?Layel Camargo Yeah, so the first one is, can you repeat it again, that's the firstJohn Fiege standing up for communities of color and communities most impacted by climate change,Layel Camargo right? That's right. Yeah, I've said it so much. And we actually haven't even recorded anything because of the pandemic. So I'm like, I haven't said it in a while. Yeah, standing up for communities of color. I think that that one to me specifically spoke to that. We need black, brown and indigenous people to feel protected and seen when it comes to the climate and environmental crisis. And that's everything from activating people in positions of power to empowering the people who come from those communities to know that this is an intersectional issue. I think that the climate crisis traditionally was like a lot of visuals of melting ice caps, a lot of visuals of the polar bears and you It's interesting because as we're getting more people narrative, I feel like the, we need to get a little bit more people narrative. And we need to return those images a little bit back, because the IPCC report has just been highlighting the rapid rates in which we were losing ice. And I think that when I initially thought of this at the time, there wasn't highlights of how indigenous people were protecting the large scale biodiversity that we have on the planet. There wasn't stories of, you know, urban, black or brown youth trying to make a difference around solutions towards climate change. And so I kind of made it my purpose that climate woke represent those demographics that we that I was important for me that black, brown and indigenous people of color were at the center of the solutions. And the complicated conversations and do something about it was that I actually feel like we have a crisis of binary versus complexity in our society. And I think that how we've gotten into this climate crisis is because everything's been painted. So black and white for us, that if you want a job, you have to be harming the planet, if you want to be unemployed, then. And then like all these hippies that are fighting to save the trees, they're taking away your job, you know. So I feel like there's so many ways in which our trauma responses just look for the patterns have been used against us. And it just felt really important for me, that people feel comfortable to complicate as much as possible, where we're gonna need different angles and different ways of looking at solutions that we need to embrace experimentation, where we need to embrace failures, and we need to really let go of these ideas that technology is going to come in and save us technology is a big reason why we got into this mess. And so I think that complicating the conversation to me was about this is like, if you are black, brown, indigenous, and you want to be a part of the climate crisis, but you have no way of integrating yourself besides talking about gender oppression, go for it, look at look at the leaders in this movement, and look at how many women are fighting and protecting, you know, at a larger global scale that don't get the visibility that they deserve. So I feel like that was my aim is to really invite that complexity. And then let's do something about it is that I don't want things to get stuck on the dialog. One of the biggest failures of the United Nations when addressing these crisises is that they don't have global jurisdiction. So they cannot actually mandate and or enforce a lot of these, it's usually done through economic influence, or like if one if we can get a first world to sign on to a certain agreement, then hopefully, they'll all do it. But then who ends up in implementing it, usually it's not the United States and Europe is not the first one to do it. And yet, we are the biggest global polluters on almost every sector you can think of. And I think that the do something about it is, for me a call to action, that we can talk about this, we can try to understand carbon emissions, methane emissions, global greenhouse, carbon markets, carbon, sequestering drawdown methods, we can talk about it. But if we're not doing it, putting it to practice while integrating these other two points, which is centering communities of color, and embracing the complexity of that, then it's nothing, it's pointless. We're just we're just allowing corporations to keep exploiting the planet and governments can keep, you know, sitting back and saying that they're doing something because they're convening people without actually regulating and putting down their foot for us. So, yeah, I think it was trying to summarize just my general feelings of this movement and the ways that there's been just lack of opportunities by not centering certain other people or allowing there to be more complexity.John Fiege Yeah, there's, I find, watching how those un meetings go down. So frustrating. Yes, just, you know, Time after time. It's just maddening. I'd have a hard time working in that space.Layel Camargo Yeah, I think I was fortunate enough to take I voluntarily took like a law class at pace, Pace University, pace law University, and one of the classes was United Nations policy, and so I got to witness the sub All meetings before that big meeting where Leonardo DiCaprio came out and said that we had a climate crisis, which everybody googled what the climate crisis was, I think it was called climate change. It was like the most time climate change was googled in the history of mankind. And I was sitting in those meetings and just seeing how it really is just a lot of countries just try not to step on each other's toes, because relationships translate into the economic sector, that I'm like, wow, y'all, like legit, don't care about the people you're representing?John Fiege Yeah. Yep. Yeah, it's crazy. Well, I wanted to talk a bit about what environmental justice means to you. And I thought we could start with your video called a power to rely on. And in your crudest, you include a statistic in the video that says in the US 75% of all houses without electricity, are on Navajo land. And, and then one of the people you interview in the video with Leah, John's with a group called native renewables, says, whoever controls your water and your power controls your destiny. And that's really powerful statement. Can Can you talk a bit about your experience working on this video, and how it impacted your thinking about environmental justice?Layel Camargo Yeah, so I, I realized that I'm really passionate about renewable energy and alternatives to energy capturing, probably through working on this video. And when we were first thinking about what themes we were going to cover, that's usually how I approached most of the climate world videos as I tried to talk to a few community partners. But mostly, I just do a lot of like, cultural observation, just like what are some of the themes that feel that are kind of resonating for people outside of the sector. So what's resonating for folks outside of the environmental justice world, and, you know, land back native sovereignty is something that's been popularized, especially after the Standing Rock camp, the no dapple camp, and I was noticing that it was kind of dwindling down. But a lot of data was coming up around the fact that a lot of indigenous communities are either sitting around and or holding and protecting 80% of the global biodiversity. And so something that how I approached this video was I wanted to show the native sovereignty piece with the land back as well as my passion for alternatives to our current energy use. And what Haley Johns is somebody who was recommended to me by Jade bug guy who's also featured in the videos, a dear close, like cultural strategist, filmmaker, co conspire in the sector. And she would I had initially approached her and said, I want ndn collective, which is what she works to kind of help us think through the script. And she said, Yeah, we're down and like, we trust you, like, we know you're gonna get the story, right, but we're down. And so it was, it was very easy for us to start with that. And then when I was like, Who do I talk to? They're like, you need to talk to a hayleigh. And I was like, Alright, let's talk to a healer. And so I flew out to Arizona, just to have a scout meeting with her, which I felt like I was chasing her down, because we didn't know she was going to be in Flagstaff, or if she was going to be near Phoenix, like we didn't know. So we were flying in. And we were like, Where are you today? She's like, I'm at my mom's house. I'm with my mom at this hotel. And we're like, Alright, we're coming through. So it felt very, like family off the bat, which now she has been nominated for I forget the position, but it's the internal affairs of Indian energy, energy efforts and some sort. So she's she's doing it at a federal level now. And when I was when I was working on this video, and I had talked to her and I interviewed her as she was giving me a lot of these numbers, and I just realized that, you know, the irony of this country is just beyond what we could imagine. You have a lot of these coal mines that help fuel some of the larger energy consuming cities and in the United States, like Vegas, like la that just consume energy at such high rates that are being powered by coal mines in Navajo or near Navajo Denae reservations. And yet, I was hearing about what halos program and her efforts were just trying to get funding and or subsidies from the government in order to put solar panels on folks his house because the infrastructure doesn't exist. And she was running she's letting me know about that. cost, she's like at $75,000 per house. And then we in order to like run the lines, and that's not even including the solar panel infrastructure. And then if they can't, we can't run the lines, and we're talking about batteries. And she was breaking this all down, I'm like, that is a lot of money. We need to get you that money. And then she started just educating us more through that. So I think I went into this video just knowing that I was going to try to make those connections. But what I realized was that I was actually going in to learn myself, just how much I need to humble myself with the realities that communities who have had less to nothing in certain things, everything from food, to energy to water, have made alternatives that they are, they've already created the solutions like we found one of the elders who had put up one of the first solar panels and Hopi reservation, which I highlighted in my video, she got it 30 years ago, like I, I was flabbergasted that she had the foresight, and the way that she articulated was everything from comfort to entertainment. But at the end of the was she knew she needed power. And she runs a business, the local business won a very few on the reservation that she was passionate enough to keep alive. And so this video just showed me that like, wherever you go, where there has been disenfranchisement, that's where you will find solutions. Because a lot of people have just making do for a long time, it just hasn't been seen, it hasn't been highlighted. Those are the people that like the UN should be talking to the you know, our federal government should be listening to.John Fiege Yeah, and I actually wanted to talk to you about Janice de who's the Hopi elder that you mentioned. And, you know, in particular, how it relates to how depth and skillful you are communicating with people from a wide range of backgrounds. in you, you you use humor a lot. And in this power to rely on video, you're sitting down with Janice day. And talking about how she's one of the first people to get solar power 30 years ago. And you asked her whether the first thing she charged with solar power would be a vibrator. And that was that was that was really funny. And all of a sudden, I'm watching with anticipation, asking myself, how is this woman going to react to that question? And you seem to have such a good read on the people you're speaking with. And I was hoping you could talk a bit more about how you communicate so many, so well and so many in so many different spaces and how you consciously or unconsciously lubricate the relationships with humor.Layel Camargo Yeah, I've been I I think a lot of it is my passion for humor has come from has been maintained by a lot of data and information that I've gotten around just the importance of people being able to process things through laughter. And that the climate crisis is nothing to make mockery and or to laugh, there's this is very serious. The ways in which our species is kind of being at threat of extinction, and right before our eyes. But I think that as humans, we're so complex and layered, and we're so beautiful in the sense that we get to feel so intensely and feeling is what motivates us to take action. And laughter helps you process so much data quicker, it helps you be able to take something in, embrace it, release, and then have it make an impression that is the one line that everybody brings up with that video. So I made the impression. And I hope that people watched it and then wanted to show it to other people. And so I think that, that that knowledge has retained my passion for humor. And then like I said, You know, I grew up in an abusive home where we had to process things fairly quickly in order to be able to function in the world to go to school to go to work. And growing up in a home where there was a lot of violence. I learned how to read people very keenly everything from anticipating when something was going to happen tonight, and I speak about that pretty like nonchalantly because I think a lot of us have a lot of strategies and skills that we've developed because of our traumas and our negative experiences that we've had in the world. And I think they don't often get seen as that we'll just say like, Well, I was just really I'm just really good at reading people and we'll leave it at that and it's like, but what is your learn that from like, there have been many chronic situations where you had to be really good at reading people in order for you to like practice it so clearly in it skillfully. And so I think I honor my experience in that in order for me to do that. And then I think cultural relativity and cultural content petencies is another thing like, Janice de actually reminds me a lot of my grandmother and my grandmother was somebody who was very religious. And at the same time, I always loved pushing her buttons. I would just like try to say things to get her activated. And I knew at the end of the day, she loved me. And that was about it. I didn't have to question whether she loved me because she was upset that I asked her something and appropriately. So I think it's a combination of that. And I'm grateful that I can embody that and be able to offer it to people who are curious about climate change and and feel more invited through laughter than they would about doom and gloom or heavy statistic videos and our ways of gathering information.John Fiege Awesome. Well, another kind of video you made is called consumerism, cancelled prime. And the first shot is you waiting while the camera crew sets up the shot and you're putting items in your Amazon cart on your phone. And then the quote unquote real video begins. And and you say 80% of California's cargo goes through the Inland Empire. And then you yell along expletive that's beeped out. And you ask emphatically his climate, wrote, his climate woke about to ruin amazon prime for me. And and I love how rather than just saying Amazon, or Amazon customers are bad. You're starting by implicating yourself in this system that leads to serious environmental justice issues. And again, it's really funny. Can you talk more about the situation with Amazon and other real retailers? And and how you went about positioning yourself in this story, and using humor again, and self criticism to connect to the audience?Layel Camargo Yeah, I mean, when we first started working on this video, we explore different avenues of that opening scene, when we wanted to highlight community members, I kind of at this point, have a pretty good like tempo of what it is that I want. I want a community member I want somebody who's like academic or scientifically based, and then somebody else who kind of comes in allows her to be more of a creative flow. So we have a pretty good structure at this point of the voices that we seek, we just didn't know how we wanted to hook the audience. And we went back and forth quite a bit on this, the thing that kept coming up was amazon prime memberships are very common. Most people have them most people buy on e commerce and this is pre COVID. And I was keenly aware of that I also knew that Amazon was growing as a franchise to now own Whole Foods that were just like expanding in regards to what it is that they offer people online. And as I mentioned, I, through my passion for reduction of plastic usage and plastic consumption, and plastic waste, I understand the ways that ecommerce has really hurt the planet. So I myself am not an Amazon Prime member, I I don't actually buy online and I allow myself when needed one Amazon thing a purchase a year. And it's like kind of more of a values align thing. So in order for me to reach connecting with somebody who's kind of a little bit more normal in regards to needing to rely on buying online, is I just had to exaggerate what I think happens when you're shopping, which is you look at a lot of stuff, you add them to cart, you get really excited, and then you kind of mindlessly click Buy without knowing what's going to happen. But you're excited when it arrives, surprisingly, because maybe you bought it in the middle of the night while drinking some wine and watching some Hulu. So that's like what I was trying to embody. And then what I was really trying to highlight in this video was I wanted to invite audiences to not feel shame about what they do, like we are we've all been indoctrinated by the system through what our education has taught us. Like we have values of individualism and patriotism and all these things, because that's what we were taught in schools. And that's been used and co opted by corporations in order for us to continue exploiting other humans and the planet. And that's by no fault of our own. That's a design that's an economic model that was designed since the Great Depression. It's just the way that it's been exaggerated and has scaled so quickly is beyond our control where our governments don't even regulate it anymore at the ways in which they should be. And I think that I wanted this to feel like it's not just on you as an individual, but it's specifically if you live in Europe or in the United States. You need to know that we are The biggest consumers on the planet, we have the most economic resources. We actually, if even a fraction of the United States decided to stop shopping at Amazon, we could significantly bring that Empire down. I say Empire pretty intentionally. And we could I mean, I feel like you. And that's and how I understand economics is that all you need to do is impact 10 to 20%. of supply and demand chain in order for a whole corporation to collapse. The problem is, is that our governments always come in to aid these large corporations that are hurting us on the planet by saying that they want to maintain jobs and maintain a GDP are going stock market, which they're reliant on. So this video was meant for audiences. And for people to feel like this is not just on you. But if you live
Get in the spirit for the City of Oak Creek's upcoming cultural festival with these great reading recommendations featuring books by authors from all over the world. Learn more about C.A.F.E. - A Celebration of Culture: https://www.oakcreekwi.gov/visitor/events/farmers-market/cafe-a-cultural-event Check out what we talked about: Books mentioned: "The Seven Moons of Maali Almeida" by Shehan Karunatilaka with readalike "Someone Else's Bucket List" by Amy T. Matthews. "A Wild Sheep Chase" by Haruki Murakami with readalike "The Elephant Vanishes" by the same author. "Prophet Song" by Paul Lynch with readalike "The Bee Sting" by Paul Murray. "The God of Small Things" by Arundhati Roy with readalike "The Ministry of Utmost Happiness" by the same author. "Between Shades of Grey" AKA "Ashes in the Snow" by Ruta Sepetys with readalike "Only the Beautiful" by Susan Meissner. "The Sound of Things Falling" by Juan Gabriel Vásquez with readalikes "Retrospective" and "The Shape of the Ruins" by the same author. To access complete transcripts for all episodes of Not Your Mother's Library, please visit: oakcreeklibrary.org/podcast Check out books, movies, and other materials through the Milwaukee County Federated Library System: countycat.mcfls.org hoopladigital.com wplc.overdrive.com oakcreeklibrary.org
Send us a Text Message.For the first time since the dawn of democracy in South Africa 30 years ago, the African National Congress has lost its majority, forcing the liberation party to enter a coalition for it to rule the country. In this episode Professors Lawrence Hamilton and Susan Booysen have an in-depth discussion about the 2024 election results, how these results came about, how the country got to the junction of a government of national unity and what this means for South Africa. And in our political agenda feature, we unpack terror charges that the Indian government levelled at noted author Arundhati Roy and retired law professor Sheikh Showkat Hussain for comments they made 14 years ago.
Arundhati Roy faces prison for a speech made fourteen years ago; summer reading plans; and, we talk to writer Andrew O'Hagan about his wonderfully capacious novel of contemporary London, Caledonian Road.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksTheme music by Carlos Guajardo-Molina
Arundhati Roy is facing prosecution in India for comments she made in 2010. What does it say about free speech in the world's biggest democracy? To find out more about Tortoise:- Download the Tortoise app - for a listening experience curated by our journalists- Subscribe to Tortoise+ on Apple Podcasts for early access and exclusive content- Become a member and get access to all of Tortoise's premium audio offerings and moreIf you want to get in touch with us directly about a story, or tell us more about the stories you want to hear about contact hello@tortoisemedia.com Hosted on Acast. See acast.com/privacy for more information.
Navigating the politics of Washington think tanks. Matt's interview with The New Yorker's Isaac Chotiner. Robert O'Brien wants the entire Marine Corps to relocate to Asia. Arundhati Roy is a target of Modi's Hindu-fascist turn. The case for defunding ICBMs. And Chiquita Banana death squads. Un-Diplomatic Newsletter on the politics of think tanking: https://www.un-diplomatic.com/p/a-political-map-of-washington-thinkEliana Johns on ICBMs: https://inkstickmedia.com/faith-as-small-as-a-titan-relying-on-icbms-in-a-post-cold-war-world/Isaac Chotiner's interview with Matt Duss: https://www.newyorker.com/news/q-and-a/is-bidens-israel-policy-cynical-or-naive
This week we discuss France's political turmoil, Vladimir Putin's visit to North Korea, the prosecution of Arundhati Roy, and Netflix being sued over the veracity of its "Baby Reindeer" series.
First, Indian Express' Chief of the National Bureau Ritika Chopra discusses the changes made to the 11th and 12th standard NCERT political science textbooks regarding the Babri Masjid demolition and the 2002 Gujarat riots.Next, Indian Express' Apurva Vishwanath explains why writer and activist Arundhati Roy and Dr. Sheikh Showkat Hussain, a former professor at the Central University of Kashmir, may soon face prosecution under the stringent anti-terror law, UAPA (10:50).And finally, Indian Express' Anonna Dutt talks about a private medical college where not a single batch has graduated in 13 years, the reasons the National Medical Commission has taken action against it, and the harassment she encountered while reporting on this story (19:45).Hosted, produced and written by Shashank BhargavaEdited and mixed by Suresh Pawar
With Maryam Alavi, Delhi-based journalist
Den berømte og prisvindende indiske forfatter Arundhati Roy skal muligvis i fængsel efter en udtalelse hun er kommet med for 14 år siden. Hvad er det hun har sagt, som er så galt? Hvorfor hiver man en 14 år gammel udtalelse frem? Og hvordan står det til med den kunstneriske frihed i Indien? Det ser vi nærmere på i dagens Kulturen. Der er dømt nostalgi for alle pengene, når det danske sociale medie Arto genåbner. Mediet var for en generation af børn og unge i 00'erne det første møde med sociale medier. Vi ser nærmere på Arto som socialt rum og undersøger om det stadig har en berettigelse her i 2024. Værter: Linnea Albinus Lande og Chris Pedersen.
Wadhawan, Julia www.deutschlandfunkkultur.de, Fazit
Modi's Big Actions on Internal Security, दिखाया कौन है असली Dictator Arundhati Roy, Manipur, J&K
Soledad Gallego-Díaz reflexiona sobre la intención del primer ministro de India, Narendra Modi, de procesar a Arundhati Roy por una conferencia que pronunció en Cachemira en 2010.
Fuhrig, Dirk www.deutschlandfunk.de, Büchermarkt
‘‘നമ്മുടെ രാജ്യത്തിന്റെ തെരുവുകൾ ദശലക്ഷങ്ങൾ പങ്കെടുത്ത പ്രകടനങ്ങളാൽ മുഖരിതമായിരുന്നെങ്കിൽ, ഇന്ന് ആ തെരുവുകളെല്ലാം നിശ്ശബ്ദമാണ്. ഏതാനും, ചിലരൊഴികെ, നമ്മുടെ രാജ്യത്തെ എഴുത്തുകാരും പ്രഖ്യാതരായ ബുദ്ധിജീവികളും നിതാന്ത നിശ്ശബ്ദതയിലാണ്. എത്ര ലജ്ജാകരം''- അരുന്ധതി റോയ് എഴുതി, ചിന്ത പബ്ലിഷേഴ്സ് പ്രസിദ്ധീകരിക്കുന്ന ‘കനിവോടെ കൊല്ലുക- സാമ്രാജ്യത്വത്തെക്കുറിച്ച് എങ്ങനെയൊക്കെ ചിന്തിക്കാം' എന്ന ഏറ്റവും പുതിയ പുസ്തകത്തിൽനിന്നുള്ള ഭാഗം.
At age 4, following the fall of Saigon, in 1975, Viet Thanh Nguyen and his family fled Vietnam and came to the U.S. as refugees. Throughout the turmoil and its aftermath, neither he nor his family could have imagined that he would go on to not only become an internationally renowned novelist—winning a Pulitzer Prize in 2016 for his debut novel, The Sympathizer (2015)—but also to serve as an executive producer of an HBO miniseries adaptation of the book, and become a widely respected voice on matters including anti-Asian hate, refugees and immigrants, war and genocide, and memory and memorials. In addition to The Sympathizer, Nguyen has written, among other books, the new memoir A Man of Two Faces (2023); The Sympathizer's sequel, The Committed (2021); and the nonfiction title Nothing Ever Dies: Vietnam and the Memory of War (2016). On the episode, Nguyen talks about turning The Sympathizer into an HBO miniseries, the polarities between what he calls “narrative plenitude” and “narrative scarcity,” and jokes as a form of truth-telling.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Viet Thanh Nguyen[3:43] “An Open Letter on the Situation in Palestine”[3:43] Min Jin Lee[5:48] F. Scott Fitzgerald[7:11] The Sympathizer[7:11] The Sympathizer HBO series[7:11] Robert Downey Jr.[7:11] Sandra Oh[8:41] A Man of Two Faces[8:41] Casualties of War[8:41] Apocalypse Now[8:41] Platoon[8:41] The Deer Hunter[11:48] Arundhati Roy[14:18] 2016 Pulitzer Prize for Fiction[21:33] Fall of Saigon[33:34] The Great Gatsby[37:26] Portnoy's Complaint[40:28] Great America amusement park[47:24] Maxine Hong Kingston[51:06] Chicken of the Sea[51:06] Simone[56:19] Operation Petticoat[56:19] I Was a Male War Bride[56:19] Catch 22[56:19] Richard Pryor
Russia in World History: A Transnational Approach (Bloomsbury, 2022) uses a comparative framework to understand Russian history in a global context. The book challenges the idea of Russia as an outlier of European civilization by examining select themes in modern Russian history alongside cases drawn from the British Empire. Choi Chatterjee analyzes the concepts of nation and empire, selfhood and subjectivity, socialism and capitalism, and revolution and the world order in the 19th, 20th, and 21st centuries. In doing so she rethinks many historical narratives that bluntly posit a liberal West against a repressive, authoritarian Russia. Instead Chatterjee argues for a wider perspective which reveals that imperial practices relating to the appropriation of human and natural resources were shared across European empires, both East and West. Incorporating the stories of famous thinkers, such as Leo Tolstoy, Emma Goldman, Wangari Maathai, Arundhati Roy, among others. This unique interpretation of modern Russia is knitted together from the varied lives and experiences of those individuals who challenged the status quo and promoted a different way of thinking. This is a ground-breaking book with big and provocative ideas about the history of the modern world, and will be vital reading for students of both modern Russian and world history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Russia in World History: A Transnational Approach (Bloomsbury, 2022) uses a comparative framework to understand Russian history in a global context. The book challenges the idea of Russia as an outlier of European civilization by examining select themes in modern Russian history alongside cases drawn from the British Empire. Choi Chatterjee analyzes the concepts of nation and empire, selfhood and subjectivity, socialism and capitalism, and revolution and the world order in the 19th, 20th, and 21st centuries. In doing so she rethinks many historical narratives that bluntly posit a liberal West against a repressive, authoritarian Russia. Instead Chatterjee argues for a wider perspective which reveals that imperial practices relating to the appropriation of human and natural resources were shared across European empires, both East and West. Incorporating the stories of famous thinkers, such as Leo Tolstoy, Emma Goldman, Wangari Maathai, Arundhati Roy, among others. This unique interpretation of modern Russia is knitted together from the varied lives and experiences of those individuals who challenged the status quo and promoted a different way of thinking. This is a ground-breaking book with big and provocative ideas about the history of the modern world, and will be vital reading for students of both modern Russian and world history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Russia in World History: A Transnational Approach (Bloomsbury, 2022) uses a comparative framework to understand Russian history in a global context. The book challenges the idea of Russia as an outlier of European civilization by examining select themes in modern Russian history alongside cases drawn from the British Empire. Choi Chatterjee analyzes the concepts of nation and empire, selfhood and subjectivity, socialism and capitalism, and revolution and the world order in the 19th, 20th, and 21st centuries. In doing so she rethinks many historical narratives that bluntly posit a liberal West against a repressive, authoritarian Russia. Instead Chatterjee argues for a wider perspective which reveals that imperial practices relating to the appropriation of human and natural resources were shared across European empires, both East and West. Incorporating the stories of famous thinkers, such as Leo Tolstoy, Emma Goldman, Wangari Maathai, Arundhati Roy, among others. This unique interpretation of modern Russia is knitted together from the varied lives and experiences of those individuals who challenged the status quo and promoted a different way of thinking. This is a ground-breaking book with big and provocative ideas about the history of the modern world, and will be vital reading for students of both modern Russian and world history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
Russia in World History: A Transnational Approach (Bloomsbury, 2022) uses a comparative framework to understand Russian history in a global context. The book challenges the idea of Russia as an outlier of European civilization by examining select themes in modern Russian history alongside cases drawn from the British Empire. Choi Chatterjee analyzes the concepts of nation and empire, selfhood and subjectivity, socialism and capitalism, and revolution and the world order in the 19th, 20th, and 21st centuries. In doing so she rethinks many historical narratives that bluntly posit a liberal West against a repressive, authoritarian Russia. Instead Chatterjee argues for a wider perspective which reveals that imperial practices relating to the appropriation of human and natural resources were shared across European empires, both East and West. Incorporating the stories of famous thinkers, such as Leo Tolstoy, Emma Goldman, Wangari Maathai, Arundhati Roy, among others. This unique interpretation of modern Russia is knitted together from the varied lives and experiences of those individuals who challenged the status quo and promoted a different way of thinking. This is a ground-breaking book with big and provocative ideas about the history of the modern world, and will be vital reading for students of both modern Russian and world history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Russia in World History: A Transnational Approach (Bloomsbury, 2022) uses a comparative framework to understand Russian history in a global context. The book challenges the idea of Russia as an outlier of European civilization by examining select themes in modern Russian history alongside cases drawn from the British Empire. Choi Chatterjee analyzes the concepts of nation and empire, selfhood and subjectivity, socialism and capitalism, and revolution and the world order in the 19th, 20th, and 21st centuries. In doing so she rethinks many historical narratives that bluntly posit a liberal West against a repressive, authoritarian Russia. Instead Chatterjee argues for a wider perspective which reveals that imperial practices relating to the appropriation of human and natural resources were shared across European empires, both East and West. Incorporating the stories of famous thinkers, such as Leo Tolstoy, Emma Goldman, Wangari Maathai, Arundhati Roy, among others. This unique interpretation of modern Russia is knitted together from the varied lives and experiences of those individuals who challenged the status quo and promoted a different way of thinking. This is a ground-breaking book with big and provocative ideas about the history of the modern world, and will be vital reading for students of both modern Russian and world history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
‘ആളുകൾ വോട്ട് ചെയ്യുന്നത് സ്വന്തം അധികാരം നഷ്ടപ്പെടുത്താനാണ് എന്നതാണ് അമ്പരപ്പിക്കുന്ന ഒരു സംഗതി. ലഭ്യമായ വിവരങ്ങളുടെ അടിസ്ഥാനത്തിലാണ് ഇത് ചെയ്യുന്നത്. പക്ഷെ ഈ വിവരങ്ങളാണ് വിഷക്കോപ്പകൾ. ടെക്നോളജി നിയന്ത്രിക്കുന്നവർ ലോകത്തെ നിയന്ത്രിക്കും. പുതിയ തലമുറ പ്രതിഷേധമുയർത്തും'. വിപ്ലവങ്ങളുണ്ടാവും എന്ന് അരുന്ധതി റോയ് കരുതുന്നു. അമേരിക്കയായാലും ഇന്ത്യയായാലും ‘ദേശവിരുദ്ധ'യായി മുദ്ര കുത്തുന്ന എഴുത്തുകാരിയാണ് അരുന്ധതി. അത് എന്തുകൊണ്ടാണ്? കെ. രാമചന്ദ്രൻ എഴുതുന്നു.
"India's democracy is being systematically disassembled,” says renowned writer and activist Arundhati Roy. She adds, “Any kind of dissent is just smashed with an iron fist." Indian Prime Minister Narendra Modi and his Bharatiya Janata Party openly espouse Hindutva, a racist ideology rooted in a mythical past and fueled by magical thinking. It's a supremacist doctrine that privileges and elevates one group, Hindus, over all others. Its animus toward Muslims is particularly acute but Christians and other minorities also incur its wrath. Hindutva nationalists want to dominate Kashmir, India's only Muslim-majority state. The Himalayan region has endured decades of occupation by hundreds of thousands of Indian troops. There is resistance. Tens of thousands of Kashmiris are dead and missing. Human rights violations are routine. Yet the Kashmiri quest for azadi, freedom, continues.
durée : 00:37:01 - France Culture va plus loin (l'Invité(e) des Matins) - par : Guillaume Erner - Les élections législatives en Inde mobiliseront 970 millions d'électeurs pendant près d'un mois et demi, et décideront de la permanence - ou non - de Narendra Modi. Au pouvoir depuis 10 ans, le Premier ministre mène sur la plus grande démocratie du monde une politique autoritaire et liberticide. - invités : Christophe Jaffrelot Directeur de recherche au CERI-Sciences Po/CNRS, spécialiste de l'Inde et de sa région; Arundhati Roy Écrivaine et militante indienne
In this podcast, we cover - 1. The parallels between publishing and venture capital 2. The economics of publishing 3. How to get your book published Founder and publisher of Juggernaut Books, Chiki was the founding editor in chief of Random House India and publisher of Penguin India from 2011-15, she is a passionate publisher and all about books. Authors she has worked with include Amitav Ghosh, Vikram Seth, Anita Desai, Arundhati Roy, Twinkle Khanna and Rujuta Diwekar.
Episode 274 of RevolutionZ offers and comments on a searing critique of the champions of democracy and human rights from Arundhati Roy, plus a disturbing but compelling view of pro-war sentiments of various prior supporters of Palestine within Israel. Why do some progressives rally behind Israel's war machine? Support the show
Pádraig Ó Tuama's interests lie in language, violence and religion. Having grown up in a place that has a long history of all three (Ireland, yes, but also Europe) he finds that language might be the most redeeming of all three of these. In language there is the possibility of vulnerability, of surprise, of the creative movement towards something as yet unseen. He is inspired by any artist of words: from Krista Tippett to Lucille Clifton; from Patrick Kavanagh to Emily Dickinson; from Lorna Goodison to Arundhati Roy. Ó Tuama loves words — words that open up the mind, the heart, the life. For instance — poem: a created thing.
Pádraig Ó Tuama's interests lie in language, violence and religion. Having grown up in a place that has a long history of all three (Ireland, yes, but also Europe) he finds that language might be the most redeeming of all three of these. In language there is the possibility of vulnerability, of surprise, of the creative movement towards something as yet unseen. He is inspired by any artist of words: from Krista Tippett to Lucille Clifton; from Patrick Kavanagh to Emily Dickinson; from Lorna Goodison to Arundhati Roy. Ó Tuama loves words — words that open up the mind, the heart, the life. For instance — poem: a created thing.
today's episode is all about embracing POSSIBILITY as an abundant energy that can unlock itself even further. possibility, and moving through the world with the openness, expansiveness and abundance mindset it invites us into, is a beautiful self-fulfilling prophecy. unfortunately, impossibility works the same way. i discuss some of the ways the energy of possibility has affected my friendships, and unpack four related areas full of possibilities: conflict, romantic relationships, creativity, and social change. we also get into other things (like we always do) such as soulnliness vs. resonating with the people around you, delusion, wholeness, and more. if you are calling in more possibilities at this stage of your life — this episode is for you. I also share an exciting announcement in this episode about a special opportunity to work with me 1:1 through my creative coaching container, launching in January 2024. Stay tuned for more details in the coming weeks.
In this episode, Liz Darrow and Elias Lopez discuss the aftermath of the latest election season and our next steps forward as C2C and as community. We ground this conversation in the literature and philosophies of renowned author Arundhati Roy, whose ideas still serve as the keystone of C2C's organizing. It is important to spend time reexamining these foundational ideologies of the movement to assess how we will move forward. Her writing also catapults us into conversations about the recent extremes of violence in the occupation of Palestine, and how we can cultivate solidarity and trust in this time. Resources from the episode:List of Arundhati Roy's books Storytellers' Studio interview with Roy (played in episode)Arundhati Roy acceptance speech (European Essay Prize 2023)Music from the episode: Gratitude by Beastie Boys Go West by Liz PhairSupport the show
In our continued coverage of the Israeli-Palestinian conflict, Ralph welcomes James Zogby, co-founder and president of the Arab American Institute and author of "Palestinians: The Invisible Victims.” Then, no-nukes activist Harvey Wasserman joins to warn us about the dangerous condition of nuclear reactors across the country, including the threat of “embrittlement” at the California reactor in Diablo Canyon. James Zogby is co-founder and president of the Arab American Institute, and he is featured frequently on national and international media as an expert on Middle East affairs. Since 1992, he has written a weekly column— “Washington Watch” —that is published in 12 countries. He is the author of several books, including Looking at Iran: The Rise and Fall of Iran in Arab Public Opinion, The Tumultuous Decade: Arab, Turkish, and Iranian Public Opinion - 2010-2019, Arab Voices: What They Are Saying to Us, and Why it Matters, and Palestinians: The Invisible Victims.There are two narratives, and we have to understand both. There's Israeli trauma and Jewish trauma, and there's Palestinian and Arab trauma. Both are real because there are two groups of humanity who each have histories. When we adopt one and ignore the other, then we end up creating the kind of torment the Palestinians have been living with.James ZogbyThis does not make Israel more secure. Taking massive amounts of Palestinian lives, evacuating them, forcing them to flee from their homes, murdering them from the air—doesn't make them more secure. At the end of the day, when the dust settles and the tears dry, you're going to have a whole lot more dead people, a whole lot more anger, a whole lot more frustration, and nothing else will change in Gaza or in the West Bank.James ZogbyHamas was a tiny religious organization which was fostered into a more powerful organization by the United States and Israel. They thought that if they built up a religious organization, it would undermine the PLO (the Palestine Liberation Organization). And once again, just as in Afghanistan, we create our own adversaries, blundering back and forth.Ralph NaderHarvey Wasserman is a journalist, author, democracy activist, and advocate for renewable energy. Mr. Wasserman is the author of Solartopia! Our Green-Powered Earth, and The People's Spiral Of U.S. History. He has written and researched atomic energy since 1973, and co-authored Killing Our Own: The Disaster of America's Experience With Atomic Energy.There's only one explanation why they're continuing to operate these two reactors and all the other reactors in the United States. And that's because the commercial reactor industry is now the infrastructure of the nuclear weapons industry. If you like nuclear power, you love nuclear weapons. They are joined at the hip, these two industries.Harvey WassermanThese two reactors are upwind of the entire United States. An accident at Diablo Canyon could—within four hours—send an apocalyptic radioactive cloud into Los Angeles, into the Central Valley where we get our fruits and vegetables for the winter, and into the Bay Area. The stakes could not be higher. And again, these are military facilities, masquerading as fighters of global warming, which is absolutely ridiculous.Harvey WassermanIn Case You Haven't Heard with Francesco DeSantis1. The Huffington Post reports that the State Department has imposed a censorship regime, directing high-level diplomats involved in Middle East affairs to refrain from using the following phrases: “de-escalation/ceasefire, end to violence/bloodshed, and restoring calm.” This mirrors White House Press Secretary Karine Jean-Pierre's response to a reporter's question during a recent briefing, when she deemed calls for a ceasefire by progressives in Congress “wrong…repugnant, and…disgraceful.” Rejecting this censorious framework, Rep. Jamaal Bowman tweeted that the “Official statement from [his] office [is] De-escalate. End the violence. Restore calm.”2. According to Semafor, MSNBC has “quietly” pulled their Muslim anchors from the air, preventing them from covering the rapidly escalating situation in Gaza. “The network did not air a scheduled Thursday night episode of The Mehdi Hasan Show…reversed a plan for Ayman Mohyeldin to fill in this week…for…Joy Reid's 7 p.m. show… [and] the network also plans to have Alicia Menendez fill in …for Ali Velshi.” This piece goes on to quote from anonymous MSNBC sources who “[feel] all three hosts have some of the deepest knowledge of the conflict.” NBC denies this is an intentional and coordinated move, instead claiming these shifts are merely “coincidental.” Meanwhile, MSNBC did prominently feature New York City Mayor Eric Adams making the extraordinarily dubious claim that “the DSA and others [were] carrying swastikas and calling for the extermination of Jewish people.” DSA members are now mulling a suit against the mayor for defamation, per City and State NY.3. The Intercept is out with a story about divisions within the liberal Zionist advocacy group, J Street. Per the story, J Street is supporting a congressional resolution that “pledges unconditional support to Israel's war in Gaza,” which “makes no mention of Palestinian civilians.” In response, over 1,000 former J Street staffers and representatives are urging the organization to join calls for a ceasefire. J Street's position mirrors that of many congressional progressives who have been hesitant to call for a ceasefire even as the civilian death toll continues to mount.4. Law schools have become another major venue for conflict on this issue. The Jewish Law Students Association of the City University of New York has issued a statement, expressing their “uncompromising solidarity with the Palestinian people in their righteous struggle for self-determination,” and noting that “institutions like the UN have consistently demonstrated an unwillingness and/or inability to hold Israel accountable over its blatant disregard for international law.” Similar statements have come out of Harvard, Columbia, and NYU – leading top law firm Davis Polk to rescind job offers they had extended to students from these institutions, per NBC. Some donors have also cut ties with Harvard over the statement, including the Wexner foundation, founded by former Victoria's Secret CEO and close Epstein associate Leslie Wexner.5. The Washington Post reports Venezuela and the United States have reached a breakthrough agreement in which the U.S. will ease sanctions on the country's oil industry, and in exchange the country will hold “a competitive, internationally monitored presidential election next year.” This agreement represents a win for both nations, with the Biden administration hoping it will ease oil and gas prices, while the Maduro administration will, at long last, have the opportunity to reaffirm its legitimacy following the Trump-backed coup attempt that began in 2019.6. Senator John Fetterman of Pennsylvania has called on the full Senate to expel Senator Bob Menendez of New Jersey following his indictment on corruption charges and allegations by the Department of Justice that he was acting as an unregistered foreign agent. Fetterman's statement reads “Senator Menendez should not be a U.S. Senator. He should have been gone long ago. It is time for every one of my colleagues in the Senate to join me in expelling Senator Menendez…This is not a close call.” This from the Hill.7. Negotiations between SAG-AFTRA and the AMPTP have broken down yet again, this time over two specific issues. The first, according to the LA Times, is the actors' demand for a 2% share of streaming revenue, or alternatively 57 cents per subscriber per year. The studios have called this an “overreach” which would “create an untenable economic burden.” The other major point of contention is AI, with the studios “continuing to demand ‘consent' on the first day of employment for use of a performer's digital replica for an entire cinematic universe (or any franchise project),” per Deadline. Meanwhile, the guild has lauded a new Senate bill – the NO FAKES Act – which would “prevent a person from producing or distributing an unauthorized AI-generated replica of an individual to perform in an audiovisual or sound recording without the consent of the individual being replicated.” SAG-AFTRA President Fran Drescher said of the bill “A performer's voice and their appearance are all part of their unique essence, and it's not ok when those are used without their permission. Consent is key,” per Deadline. 8. Finally, the Guardian reports that Indian officials have approved a trial for sedition against renowned author Arundhati Roy concerning a 2010 speech she made on Kashmir. The article notes Reporters Without Borders has warned that “press freedom is in crisis” in India. Roy herself has been an outspoken critic of the rising tide of Hindu nationalism in India, which has earned her the ire of right-wing authoritarian Prime Minister Narendra Modi. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe
L'accusa dell'India alla scrittrice Arundhati Roy per un discorso del 2010 e l'allerta colera nello Zimbabwe
Ralph welcomes Toby Heaps, co-founder and editor-in-chief of the Canadian magazine “Corporate Knights,” which ranks the world's 100 most sustainable corporations. And we welcome back Dr. Bandy Lee, psychiatrist and editor of “The Dangerous Case of Donald Trump” to discuss Donald Trump's continuing hold on 30% of the American population.Toby Heaps is the CEO and co-founder of Corporate Knights, and Editor-in-Chief of Corporate Knights magazine. He spearheaded the first global ranking of the world's 100 most sustainable corporations in 2005, and in 2007 coined the term “clean capitalism.” Toby has been published in the Financial Times, Wall Street Journal, and the Globe and Mail, and is a regular guest speaker on CBC.You see these stories happening all over the world, whether it's from the oil companies or the electric power companies, fossil power companies, or food companies, or real estate companies. And the ones who are going all in, investing big in the green economy and the more sustainable economy are, more often than not, the ones who are hitting the biggest numbers financially.Toby Heaps, Corporate KnightsWe don't want to just be doing a beauty contest or be subject to the latest headline. We're trying to do something that's reasonably rooted in evidence, and it can be defensible, and it can be considered fair. And we recognize that none of the big companies that we rank are perfect— they all have major issues, which is kind of the nature of the human condition.Toby Heaps, Corporate KnightsDr. Bandy Lee is a medical doctor, a forensic psychiatrist, and a world expert on violence who taught at Yale School of Medicine and Yale Law School for 17 years before transferring recently to Columbia and Harvard. She is currently president of the World Mental Health Coalition, an educational organization that assembles mental health experts to collaborate with other disciplines for the betterment of public mental health and public safety. She is the editor of The Dangerous Case of Donald Trump: 37 Psychiatrists and Mental Health Experts Assess a President and Profile of a Nation: Trump's Mind, America's Soul.Essentially, [Trump] did not have the capacity to have ideologies or policies. He can't think at that level. What he can do is to manipulate psychologically those who are vulnerably predisposed and those who have formed emotional bonds with him.Dr. Bandy LeeThese are the kinds of effects that we expect from having a person with severe mental symptoms holding an influential position and having lots of public exposure. We do have a propagation of symptoms. I've been calling this the “Trump Contagion” but what it really is is shared psychosis, which is a psychosocial phenomenon that's been researched and described since around the mid-19th century.Dr. Bandy Lee[Trump voters] are still with him. But they would never support a friend or a neighbor who lied all the time, who had power over them, who described things that weren't real about what was going on around them or what he did in the past, or who cheated his workers.Ralph NaderIn Case You Haven't Heard with Francesco DeSantis1. The United Autoworkers Union is on strike against the big three automakers. Just before the strike began, the Lever reported that General Motors claimed the union's demands “would threaten our ability to do what's right for the long-term benefit of the team.” Yet, for all their crying poverty, the Big Three “have reported $21 billion in profits in just the first six months of 2023,” and “have authorized $5 billion in stock buybacks.” The union's strategy is also worth touching on, as it is novel for this industry. Instead of all workers going on strike at once, the union plans on “targeting a trio of strategic factories while keeping 90 percent of its members working under expired contracts,” per Axios. However, this story notes the ways industry plans to strike back, notably by utilizing quasi-lockouts at active plants.2. In a nigh-unprecedented shot across the bow, the U.S. Court of Appeals for the Seventh Circuit has issued a “‘writ of body attachment', directing the United States Marshals Service to take two corporate officials of Haven Salon + Spa in Muskego, Wisconsin into custody [after they] repeatedly failed and refused to comply with an enforced [National Labor Relations] Board order.” This followed years of opportunities for the corporate officials to settle this dispute and represents the strongest signal so far that the re-energized NLRB will use every weapon in its legal arsenal to protect workers. The Board's full statement is available at NLRB.gov.3. The Washington Post reports that since retaking power in Afghanistan, the Taliban has “all but extinguished al-Qaeda.” Yet buried within this story is a much more intriguing tidbit. According to this piece, “The CIA shares counterterrorism information with the Taliban,” per a senior Biden administration official. This official emphasized that this does not include “targeting data or ‘actionable intelligence,'” raising the question of what information exactly the CIA is passing along to the Taliban. 4. In Maine, voters are set to decide on a proposal to “turn the state's two big private electric companies—Central Maine Power and Versant—into Pine Tree Power, a nonprofit, publicly run utility,” per Bill McKibben in the Nation. McKibben points out that the private utility companies “sent $187 million in profits out of Maine last year—much of it to shareholders in such far-flung places as Qatar, Norway, and Canada.” Moreover, this move could lower rates by “an average of $367 per household per year.” Bernie Sanders has endorsed this effort, declaring “Power belongs in the hands of the people, not greedy corporations.”5. In an effort to combat food deserts, Chicago Mayor Brandon Johnson has announced the city will explore the possibility of opening a municipally-owned grocery store. The announcement highlighted that “Historic disinvestment has led to inequitable access to food retail across Chicago, [which] have been exacerbated as at least six grocery stores closed on the South and West sides over the past two years.” This project would seek to provide healthy food for South and West side residents, as well as an economic anchor in these communities.6. From Variety: The California Senate has passed a bill to “grant unemployment benefits to workers who are on strike,” in a major win for the Writers Guild, SAG-AFTRA, and organized labor more generally. If signed, this will go into effect January 1st, 2024. Currently, only New York and New Jersey offer this safety net to striking workers.7. A story in LA Public Press traces the disturbing rise of so-called “Tenant relocators.” According to the story, “Lawmakers, tenants and tenant groups say that, across Los Angeles, landlords are buying rent-controlled buildings predominantly occupied by immigrants and using illegal tenant harassment to force people out so they can re-rent their units at market rate.” Further, “Organizers...say tenant harassment is so profitable that it has become an industry in its own right, and that the industry has spawned a profession: the tenant relocator, who cajoles or threatens tenants into leaving while their building falls to pieces around them.” This is yet another case showing the stunning lengths the rich will go to in order to acquire yet more wealth.8. In Atlanta, over 115,000 signatures have been collected and submitted calling for a referendum on the “Cop City,” project. Yet, when these signatures were submitted, the Clerk's Office refused to accept them, citing obscure deadline rules. Now, Georgia Senator Raphael Warnock is weighing in with a letter to Atlanta Mayor Andre Dickens urging the City to “err on the side of giving people the ability to express their views,” the Atlanta Voice reports. This contentious project will likely continue to be a political flash-point going forward.9. Arundhati Roy, the world-famous Indian dissident writer, received a major European essay prize on September 12th. She used this opportunity to deliver an explosive speech warning of the danger posed to the world by “the dismantling of democracy in India.” Roy is explicit in naming “India's descent…into first majoritarianism and then full-blown fascism,” and goes into gut-churning detail concerning the plight of religious minorities in what used to be called the world's largest democracy. The full speech is available on YouTube.10. Finally, Yahoo News reports that back in 2015, “Elon Musk Stormed Into the Tesla Office Furious That Autopilot Tried to Kill Him.” Taken from the new blockbuster biography of the tech magnate, the story goes on to say that the Tesla autopilot, “thrown off by the road's faded lane lines,” steered into and almost hit oncoming traffic. This, the book argues, was due to Musk's insistence on removing light detection and ranging technology – better known as LiDAR – from his vehicles in an attempt to cut costs. Ultimately, the autopilot was not actually fixed; instead, Musk's chief of staff Sam Teller got the faded lane lines repainted. That may be a functional solution for the world's richest man, but personally, I wouldn't take my chances. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Anthony Arnove and Haley Pessin about their new volume Voices of a People's History of the United States in the 21st Century: Documents of Hope and Resistance.This book is not only a beautiful archive of people's struggles in the 21st century, but also a powerful tribute to and continuation of the work of professor and radical historian Howard Zinn. We speak with Anthony and Haley about the histories of struggles and the possibilities for building a more beautiful future.Anthony Arnove is the editor of several books, including, with Howard Zinn, Voices of a People's History of the United States and Terrorism and War. He wrote the introduction for the thirty-fifth anniversary edition of Zinn's classic book, A People's History of the United States. Arnove cofounded the nonprofit education and arts organization Voices of a People's History of the United States, wrote, directed, and produced the documentary The People Speak, and has directed stage and television versions of The People Speak in Dublin with Stephen Rea, in London with Colin Firth, and across the United States with various groups including Lincoln Center, the Brooklyn Academy of Music, and the Sundance Film Festival. He produced the Academy Award-nominated documentary Dirty Wars. Arnove is on the editorial boards of Haymarket Books and Tempestmag.org and is the director of Roam Agency, where he represents authors including Arundhati Roy and Noam Chomsky. He lives in Hopewell, New Jersey.Haley Pessin is a socialist activist living in Queens, New York. They have participated in struggles against police brutality and mass incarceration, in solidarity with Palestine, in defense of abortion rights and reproductive justice, and as a legal service worker and union delegate for 119SEIU (Service Employees International Union). Pessin has spoken at conferences in Switzerland, Australia, Ireland, Quebec, and throughout the United States on the struggle for Black liberation. Their writing has appeared in New Politics and at Tempestmag.org, where they currently serve on the editorial board."We have to create alternative institutions to understand history. And to have conversations about how we can intervene because these conversations are increasingly being criminalized, and librarians are being fired and punished. Teachers are also being fired. Whole colleges are being taken over and certain courses are being labeled as not credit-worthy and being canceled. And while conversations around critical race theory and other topics are being declared illegal, there's a long history of book banning in this country. There's a long history of criminalizing dissent in this country, but I do think we all have to recognize that we're in a much more dangerous moment right now, where a new form of McCarthyism is emboldened and we have to speak out against that."https://sevenstories.com/books/4479-voices-of-a-people-s-history-of-the-united-states-in-the-21st-centurywww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20Photo credit: Francesca Ruggiero and Eric Soucy
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Anthony Arnove and Haley Pessin about their new volume Voices of a People's History of the United States in the 21st Century: Documents of Hope and Resistance.This book is not only a beautiful archive of people's struggles in the 21st century, but also a powerful tribute to and continuation of the work of professor and radical historian Howard Zinn. We speak with Anthony and Haley about the histories of struggles and the possibilities for building a more beautiful future.Anthony Arnove is the editor of several books, including, with Howard Zinn, Voices of a People's History of the United States and Terrorism and War. He wrote the introduction for the thirty-fifth anniversary edition of Zinn's classic book, A People's History of the United States. Arnove cofounded the nonprofit education and arts organization Voices of a People's History of the United States, wrote, directed, and produced the documentary The People Speak, and has directed stage and television versions of The People Speak in Dublin with Stephen Rea, in London with Colin Firth, and across the United States with various groups including Lincoln Center, the Brooklyn Academy of Music, and the Sundance Film Festival. He produced the Academy Award-nominated documentary Dirty Wars. Arnove is on the editorial boards of Haymarket Books and Tempestmag.org and is the director of Roam Agency, where he represents authors including Arundhati Roy and Noam Chomsky. He lives in Hopewell, New Jersey.Haley Pessin is a socialist activist living in Queens, New York. They have participated in struggles against police brutality and mass incarceration, in solidarity with Palestine, in defense of abortion rights and reproductive justice, and as a legal service worker and union delegate for 119SEIU (Service Employees International Union). Pessin has spoken at conferences in Switzerland, Australia, Ireland, Quebec, and throughout the United States on the struggle for Black liberation. Their writing has appeared in New Politics and at Tempestmag.org, where they currently serve on the editorial board."Climate action has become woven into every aspect of our society. I remember that time so clearly. It wasn't just activists and politicians who were building the future. Artists, creatives, storytellers, actors, and athletes began realizing their part in these movements to shape culture and reach the masses. Entrepreneurs, designers, architects, and poets began to reimagine what our society could look like if we used this great time of crisis as humanity's most unifying moment.I remember the shows I played and how we transformed those arenas into places of celebration and unity. The idea of being an activist was left behind. We realized that it is within our power as humanity and identity that belongs to all of us. To change the story and to build the world we've always known was possible. The place the world is in is a result of us striking the balance between technology, innovation, culture, and the ancient wisdom and teachings of the original peoples of this earth. Here we are, 10 years after changing everything to redefine our legacy, carried on in flowers and songs."from Xiuhtezcatl Tonatiuh Martinez's “To Fight for a Just Climate Is to Fight for Everything That We Love” inChapter 8: OUR RESISTANCE MUST BE INTERSECTIONALhttps://sevenstories.com/books/4479-voices-of-a-people-s-history-of-the-united-states-in-the-21st-centurywww.palumbo-liu.com https://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20Photo credit: Francesca Ruggiero and Eric Soucy
Hindutva is theocratic Hindu nationalism. It is a powerful force in what is now the world's most populous country. Narendra Modi, India's prime minister, is a lifelong member of the RSS, an openly Hindu supremacist organization. Le Monde Diplomatique reports: Hindutva “followers regard India as a Hindu country. Non-Hindus are at best guests, at worst invaders, and must be identified, watched, deprived of certain rights, and in some cases expelled or even eliminated. The main victims of Hindutva are India's large Muslim minority. Hindutva adherents oppose mixed Hindu-Muslim marriages, calling them a ‘love jihad' that aims to convert Hindu women so that their offspring will be raised as Muslims. This paranoid fantasy has encouraged violence and widespread denigration of Indian Muslims.” Recorded at the Swedish Academy at the Thought and Truth Under Pressure conference.