Indian novelist, essayist, and activist (BORN 1961)
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Host Jo Reed welcomes AudioFile publisher Michele Cobb to discuss three powerful memoirs, narrated by their authors. Booker Prize–winning writer Arundhati Roy returns with a complex look at her relationship with her challenging and ‘visionary,' mother in MOTHER MARY COMES TO ME; an unflinching, polarizing memoir about Elizabeth Gilbert's sex and love addiction in ALL THE WAY TO THE RIVER; and VAGABOND, a restrained dive into the long, varied career of inimitable actor Tim Curry. Read our reviews of the audiobooks at our website: MOTHER MARY COMES TO ME: Published by Simon & Schuster Audio ALL THE WAY TO THE RIVER: Published by Penguin Audio VAGABOND: Published by Hachette Audio Discover thousands of audiobook reviews and more at AudioFile's website Support for AudioFile's Behind the Mic comes from HarperCollins Focus and HarperCollins Christian Publishing, publishers of some of your favorite audiobooks and authors, including Reba McEntire, Bob Goff, Kathie Lee Gifford, Max Lucado, Lysa TerKeurst, and so many more! Learn more about your ad choices. Visit megaphone.fm/adchoices
‘A kind of choreography of intimacy, which I return to again and again…' This week, we join Sally on a cold winter's morning, as she tries to settle into the rhythm of the day and develop an image from her forthcoming work, Mrs Parnell. Listen for reflections on the writing life, and the development of character from everyday scenes, via the life and work of Katherine Mansfield and Arundhati Roy. This episode was edited and produced by James Bowen. Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.
Funck, Gisa www.deutschlandfunk.de, Büchermarkt
Albath, Maike www.deutschlandfunk.de, Büchermarkt
Neue Bücher von Arundhati Roy, Victor Heringer und Samanta Schweblin im Fokus.
NB. På grunn av noen problemer med lydopptaket er kvaliteten tidvis noe lavere enn vanlig.I den indiske stjerneforfatteren og aktivisten Arundhati Roys ferske bok, Min havn og min storm (til norsk ved Kirsti Vogt), får vi en ærlig fortelling om Roys liv og om oppveksten med en mangefasettert morsfigur som var alt annet enn lett å leve med.Arundhati Roys mor Mary forlot sin alkoholiserte ektemann med to små barn, gikk til sak mot egen familie for å oppheve delstatens kjønnsdiskriminerende arvelov, og bygget opp en unik skole som gjorde henne til et folkekjært og nærmest mytisk menneske. Mot Roy og broren var moren derimot omskiftelig, brå og hard. Samtidig mener Roy selv at dette tvang henne til å se verden fra flere ståsteder, og gjorde henne til den forfatteren hun er i dag.Den nye boka skildrer Roys egen vei, vekk fra hjemmet og inn i en verden preget av film, litteratur og aktivisme. Parallelt med denne reisen får vi også framveksten av Indias hindunasjonalistiske parti med Modi i spissen, en bevegelse og et regime Roy stadig tar kamper mot, på vegne av naturen, lokalsamfunn og minoriteter.Som i Roys tidligere litteratur, viser Min havn og min storm hvordan det personlige og politiske er tett sammenvevd for hver og en av oss. Roy skildrer sin egen livsvei så vel som de rundt seg med brodd og varme, i det presise, sinnrike og dypt originale språket som har blitt hennes fremste kjennetegn.Arundhati Roy er forfatteren av den Bookerpris-vinnende Guden for små ting, Ministeriet for den høyeste lykke, samt en rekke sakprosabøker, inkludert My Seditious Heart, Kashmir: The Case for Freedom og Walking with the Comrades.På Litteraturhuset møtte Arundhati Roy poet og kritiker Athena Farrokhzad til samtale om moren, oppveksten, og hvordan hun ble forfatteren og aktivisten hun er. Hosted on Acast. See acast.com/privacy for more information.
Due to issues during the recording, the sound quality is somewhat lower than normal.In the recent memoir of Indian star author and activist Arundhati Roy, Mother Mary Comes to Me, we are given the raw and honest story of Roy's life and childhood with a many faceted mother who was far from easy to live with.Arundhati Roy's mother Mary took her two small children and left her alcoholic husband, brought her own family to court in order to abolish the discriminatory inheritance laws in her home state, and built a unique school that made her a beloved and almost mythical figure of her community and beyond. Towards Roy and her brother, however, she was volatile, sharp and cruel. Still, Roy insists that this forced her to see the world from different vantage point, turning her into the writer she is today.The memoir also depicts Roy's own path, leaving home for a world of film, literature and activism, towards a backdrop of India's growing Hindu nationalist movement, spearheaded by Modi. We witness Roy's incessant fights against this movement, on behalf of the environment, of local communities and minorities.As in Roy's earlier literature, Mother Mary Comes to Me shows us how the personal and political is intimately linked for all of us. Roy portrays her own path as well as those around her with both warmth and bite, in the precise, inventive, and deeply original language that has become one of her distinctive features.Arundhati Roy is the author of the Booker prize winning The God of Small Things, The Ministry of Utmost Happiness and a number of non-fiction books, including My Seditious Heart, Kashmir: The Case for Freedom og Walking with the Comrades.At the House of Literature, Roy was joined by poet and writer Athena Farrokhzad, for a conversation about her mother, her childhood, and becoming the writer and activist she is today. Hosted on Acast. See acast.com/privacy for more information.
Arundhati Roy: Voice Against Silence The Social & Systemic "Enough" continues! In this episode, we explore how Arundhati Roy has used literature and activism to speak truths often ignored. We reflect on how her small acts of witness challenge power, and how we might find our own voice of moral alignment. Find the Books, Podcast & Kickstarter: Everything you need to follow the Peace Stuff: Enough journey is here: AvisKalfsbeek.com Recommended Reading: My Seditious Heart by Arundhati Roy Music: "Dalai Llama Riding a Bike" by Javier "Peke" Rodriguez Bandcamp: https://javierpekerodriguez.bandcamp.com Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW?si=uszJs37sTFyPbXK4AeQvow
Her mother Mary's death left acclaimed Indian writer, author of The God of Small Things, Arundhati Roy feeling "unanchored in space with no coordinates," even though she'd often been a target of Mary's wrath. Roy talks to Matt Galloway about her new memoir, "Mother Mary Comes to Me," revealing their fraught relationship, and how her mother's trailblazing character influenced Roy's writing.
Im Literaturbetrieb ist Arundhati Roy ein Weltstar. Nun erzählt die indische Schriftstellerin von der schwierigen Beziehung zu ihrer Mutter. Es ist keine harte Abrechnung, sondern ein versöhnlicher Blick voller Nachsicht. Roy, Arundhati www.deutschlandfunkkultur.de, Lesart
Im Literaturbetrieb ist Arundhati Roy ein Weltstar. Nun erzählt die indische Schriftstellerin von der schwierigen Beziehung zu ihrer Mutter. Es ist keine harte Abrechnung, sondern ein versöhnlicher Blick voller Nachsicht. Roy, Arundhati www.deutschlandfunkkultur.de, Lesart
Lesart - das Literaturmagazin (ganze Sendung) - Deutschlandfunk Kultur
Im Literaturbetrieb ist Arundhati Roy ein Weltstar. Nun erzählt die indische Schriftstellerin von der schwierigen Beziehung zu ihrer Mutter. Es ist keine harte Abrechnung, sondern ein versöhnlicher Blick voller Nachsicht. Roy, Arundhati www.deutschlandfunkkultur.de, Lesart
Almost every day these days someone on my social media feed shares a picture of their copy of Mother Mary Come to Me, Booker winning Indian writer Arundhati Roy's latest book.Sandip Roy condiders the difficulty in writing about one's own family.
Arundhati Roy: Meine Zuflucht und mein Sturm | Aus dem Englischen von Anette Grube | S. Fischer Verlag 2025 | Preis: 26 Euro
Despite the joy and celebration for people across the Middle East at the US-brokered ceasefire between Israel and Hamas, the United Nations, once seen as the world's best hope for peace, is increasingly paralyzed. U Thant was its Secretary General and played a pivotal role in ending the many international crises of that time. His grandson, renowned historian Thant Myint U, joins the show to talk about his new book "Peacemaker" and what today's leaders can learn from his grandfather. Also on today's show: Werner Herzog, Author, "The Future of Truth"; Arundhati Roy, Author, "Mother Mary Comes to Me" Learn more about your ad choices. Visit podcastchoices.com/adchoices
Sibylle Berg beendet ihre Romantrilogie, Andreas Pflüger schreibt seine Thriller weiter und Peter Stamm erweist sich erneut als Meister der kurzen Form.
Fast 30 Jahre nach ihrem Debüt „Der Gott der kleinen Dinge“ erscheint Arundhati Roya Autobiografie „Meine Zuflucht und mein Sturm“.
Eine Mutter, die lehrt, frei zu sein – und dann die Freiheit verdammt. Arundhati Roys Autobiografie über eine Beziehung, die ebenso Kraftquelle wie Abgrund war. Ein ungeschminktes Porträt von Liebe, Gewalt und dem Mut zum Widerstand. Rezension von Theresa Hübner
The Great Disarmament Part 13: Seeds of Peace. What does disarmament look like today? It may not be on the news. But it is happening—everywhere. In this final episode of the historical timeline, we trace disarmament from the early 2000s to the present. From gang-intervention programs to post-conflict organic farms, from library circles to peace walkers, we explore how peace is being built—not by treaties alone, but by people. Quietly, daily, defiantly. Weapons still exist. Wars are still waged. But in homes, classrooms, gardens, and songs The Great Disarmament is already underway. Featuring the voices of Malala Yousafzai, Mahatma Gandhi, Mother Teresa, Father Gregory Boyle, adrienne maree brown, and Arundhati Roy. Inspired by Emergent Strategy by adrienne maree brown, we reflect on how small acts—like composting, listening, or holding a moment of peace—are not peripheral. They are the strategy. Download the Peace Resource Guide: AvisKalfsbeek.com/PeaceGuide Follow my Kickstarter: AvisKalfsbeek.com/Kickstarter Get the books: aviskalfsbeek.com
Arundhati Roy's internationally best-selling novels include The God of Small Things and The Ministry of Utmost Happiness. Her nonfiction works engage elegantly and passionately with class and power, among other issues. Roy's new memoir, Mother Mary Comes to Me, examines her childhood in Kerala, India, and a mother whose commitment to justice and education made her a powerful force in the community – but whose volatility made for a challenging family life that included emotional abuse. On September 19, 2025, Arundhati Roy came to the Sydney Goldstein Theater in San Francisco to read from her memoir and hold an on-stage conversation with journalist Deepa Fernandes.
Ep 356 of RevolutionZ begins with a few reflections on Arundhati Roy's memoir "Mother Mary Comes to Me." It praises her extraordinary prose and storytelling to show how powerful narrative can illuminate complex social realities. This brief visit to her work ends with a set of questions about her writing and, by extension, about all writing, including The Wind Cries Freedom. Why does a writer write? Why do we read?Then from Chapter Five of The Wind Cries Freedom oral history, Goldman relays how his radicalization began in college economics classes. There he discovered a profound disconnect between academic theories and lived reality. "The discourse revolved around formal abstractions," he explains, "generally devoid of context or critical examination." This intellectual dissonance he felt slowly cracked his worldview and altered his life plans. He realized economics education functions largely to legitimize existing power structures rather than foster genuine understanding.Two transformative events next accelerated Goldman's political awakening: an Olympia refinery occupation and a Schools for the People campaign. At Olympia, Goldman relates how workers seized control of an oil refinery and boldly declared their intention to convert it to solar panel production. In the Schools campaign, he takes us into a school assembly meeting where parents articulate powerful visions of the town school as a community center rather than "factories or prisons by day." Goldman hears there desire: "We want roses on our table, not diamonds on our neck," as one parent memorably stated. In both the struggles we see the motives and feelings of activist participants and also of the defensive owner and principal, respectively. What makes Goldman's oral history account particularly valuable is his willingness to discuss psychological barriers to activism. He acknowledges how fear of social friction initially held him back, and how developing the courage to take visible stands was essential and required internal transformation. His journey illuminates not just what he came to fight for, but how he become involved and committed through concrete experiences and moral reflection. Does his journey resonate for you in our times?Are you an ideologically well read seasoned activist or perhaps horrified by Trump and for the first time curious about social movements and their prospects? Either way, Goldman offers rich insights into effective organizing tactics, the importance of building solidarity across different constituencies, and the power of articulating positive visions rather than merely opposing injustice. So is Goldman's oral history account of campus boycotts, workplace occupations, and community campaigns from his time relevant to our times? Is the experience he shares with us worth discussing? Can we extract and refine or augment lessons useful for us? That is this episode's core question. Support the show
Culpability by Bruce Holsinger. When a self driving car crashes, a family's lives are thrown into chaos. In the aftermath, questions are raised about responsibility for the accident and where the ethical line between human culpability and the technology is drawn. The people in this family are all keeping secrets from one another, and as these are thrown into the spotlight this book just gets more and more compelling. I couldn't put it down. Mother Mary Comes to Me by Arundhati Roy. She won the Booker Prize in 1997 with The God of Small Things which was fiction – this new one is a memoir, about her life, and specifically about her relationship with her mother who was a singular, difficult woman who is referred to throughout the book as Mrs Roy. They had a challenging relationship – Arundhati said her mother was her shelter and her storm – and there are loads of fascinating and entertaining stories and anecdotes in the book. It's a terrific memoir. LISTEN ABOVESee omnystudio.com/listener for privacy information.
What the indictment of fmr. FBI Director James Comey means for democracy and the future of Trump's retribution presidency; candidate for Mayor of Seattle Katie Wilson discusses the new Democratic resistance; NYC Comptroller Brad Lander breaks down the latest example of violent overreach by Trump's ICE forces; Arundhati Roy's “The God of Small Things” is the subject of this week's Velshi Banned Book Club Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
“Laughter does not mean there's no grief . . . laughter means a deep understanding of something.” Mother Mary Comes to Me by Arundhati Roy is a triumphant memoir chronicling Roy's journey to becoming an award-winning author. Arundhati joins us to talk about memory, language, family, imagination, humor and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Mother Mary Comes to Me by Arundhati Roy The God of Small Things by Arundhati Roy The Ministry of Utmost Happiness by Arundhati Roy My Seditious Heart by Arundhati Roy
This is a free preview of a paid episode. To hear more, visit zeteo.comIn this Mehdi Unfiltered interview, Mehdi is joined by Booker-Prize Winner Arundhati Roy to discuss India's Hindu Nationalists, Gaza, Kashmir, and the Legacy of Her Late Mother.SUBSCRIBE TO ZETEO TO SUPPORT INDEPENDENT AND UNFILTERED JOURNALISM: https://zeteo.com/subscribeWATCH ‘MEHDI UNFILTERED' ON SUBSTACK: https://zeteo.com/s/mehdi-unfilteredFIND ZETEO:Twitter: https://twitter.com/zeteo_newsInstagram: https://www.instagram.com/zeteonewsTikTok: https://www.tiktok.com/@zeteonewsFIND MEHDI:Substack: https://substack.com/@mehdirhasanTwitter: https://twitter.com/@mehdirhasanInstagram: https://www.instagram.com/@mehdirhasanTikTok: https://www.tiktok.com/@mehdirhasan
Her mother Mary's death left acclaimed Indian writer, author of The God of Small Things, Arundhati Roy feeling "unanchored in space with no coordinates," even though she'd often been a target of Mary's wrath. Roy talks to Matt Galloway about her new memoir, "Mother Mary Comes to Me," revealing their fraught relationship, and how her mother's trailblazing character influenced Roy's writing.
‘It is vanishingly rare for a writer to both confront the ugliness of humanity and still search for its beauty. Roy is that rare writer.' – Naomi Klein Arundhati Roy is one of today's most esteemed public intellectuals. The author of novels including the Booker Prize-winning The God of Small Things, Roy is equally respected as a political essayist. Her words on topics from the COVID-19 pandemic to the plight of India under Prime Minister Narendra Modi have helped define public discourse in India and beyond. In September 2025 Roy came to the Intelligence Squared stage for two exclusive events. Combining the signature scale, sweep and depth of her novels, and the passion, political clarity and warmth of her essays, Roy drew on the themes of her new memoir for a compelling exploration of her life and work. Born out of the onrush of memories and feelings provoked by her mother Mary's death, Mother Mary Comes to Me is Roy's telling of her own story from childhood to the present, from Kerala to Delhi. An ode to freedom, a tribute to thorny love and savage grace, it is a memoir like no other. The event was a rare opportunity to hear from one of the greatest writers of our generation. --- If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup Learn more about your ad choices. Visit podcastchoices.com/adchoices
‘It is vanishingly rare for a writer to both confront the ugliness of humanity and still search for its beauty. Roy is that rare writer.' – Naomi Klein Arundhati Roy is one of today's most esteemed public intellectuals. The author of novels including the Booker Prize-winning The God of Small Things, Roy is equally respected as a political essayist. Her words on topics from the COVID-19 pandemic to the plight of India under Prime Minister Narendra Modi have helped define public discourse in India and beyond. In September 2025 Roy came to the Intelligence Squared stage for two exclusive events. Combining the signature scale, sweep and depth of her novels, and the passion, political clarity and warmth of her essays, Roy drew on the themes of her new memoir for a compelling exploration of her life and work. Born out of the onrush of memories and feelings provoked by her mother Mary's death, Mother Mary Comes to Me is Roy's telling of her own story from childhood to the present, from Kerala to Delhi. An ode to freedom, a tribute to thorny love and savage grace, it is a memoir like no other. The event was a rare opportunity to hear from one of the greatest writers of our generation. --- This is the first instalment of a two-part episode. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup Learn more about your ad choices. Visit podcastchoices.com/adchoices
Aesthetic Impropriety: Property Law and Postcolonial Style (Fordham UP, 2025) analyzes vanguard legal actions and literary innovations to reveal contemporary reforms to property law that are undoing law's colonial legacies. Casey traces precise legal histories across distinct jurisdictions throughout the anglophone world, revealing the connection between land law and petroleum extraction in the Niger Delta, inheritance and divorce laws and gender inequality in India, intellectual property law and Indigenous dispossession in South Africa, and admiralty law and racialized non-personhood in the English Atlantic. In response to these manifold forms of dispossession, significant reforms are underway, including through common lawsuits, statutory reform, and proposed changes to legal doctrine. Casey develops the concept of aesthetic impropriety to identify shared structures of thought across legal and literary venues. She shows that writers of poetry and prose are also transforming harmful property laws: in Nigeria, Ben Okri and Chigozie Obioma have articulated symbiotic ecological relationships that are also evidenced in recent actions against petroleum companies; in India, Arundhati Roy's challenge to divorce laws has preempted similar attempts at reform in Parliament; in South Africa, Zoë Wicomb theorized protections for Indigenous modes of creative production nineteen years before they were signed into law; and in the Americas, M. NourbeSe Philip has proposed a novel method of achieving justice for the one hundred fifty enslaved people who were killed in the 1781 Zong massacre.Aesthetic Impropriety makes a convincing case for literature's generative capacities and registers the enduring significance of the postcolonial as a necessary framework for understanding globalized inequality in the twenty-first century. By analyzing shared legal and aesthetic transformations, Aesthetic Impropriety argues that law and literature play vital roles in creating anticolonial world orders. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Aesthetic Impropriety: Property Law and Postcolonial Style (Fordham UP, 2025) analyzes vanguard legal actions and literary innovations to reveal contemporary reforms to property law that are undoing law's colonial legacies. Casey traces precise legal histories across distinct jurisdictions throughout the anglophone world, revealing the connection between land law and petroleum extraction in the Niger Delta, inheritance and divorce laws and gender inequality in India, intellectual property law and Indigenous dispossession in South Africa, and admiralty law and racialized non-personhood in the English Atlantic. In response to these manifold forms of dispossession, significant reforms are underway, including through common lawsuits, statutory reform, and proposed changes to legal doctrine. Casey develops the concept of aesthetic impropriety to identify shared structures of thought across legal and literary venues. She shows that writers of poetry and prose are also transforming harmful property laws: in Nigeria, Ben Okri and Chigozie Obioma have articulated symbiotic ecological relationships that are also evidenced in recent actions against petroleum companies; in India, Arundhati Roy's challenge to divorce laws has preempted similar attempts at reform in Parliament; in South Africa, Zoë Wicomb theorized protections for Indigenous modes of creative production nineteen years before they were signed into law; and in the Americas, M. NourbeSe Philip has proposed a novel method of achieving justice for the one hundred fifty enslaved people who were killed in the 1781 Zong massacre.Aesthetic Impropriety makes a convincing case for literature's generative capacities and registers the enduring significance of the postcolonial as a necessary framework for understanding globalized inequality in the twenty-first century. By analyzing shared legal and aesthetic transformations, Aesthetic Impropriety argues that law and literature play vital roles in creating anticolonial world orders. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Aesthetic Impropriety: Property Law and Postcolonial Style (Fordham UP, 2025) analyzes vanguard legal actions and literary innovations to reveal contemporary reforms to property law that are undoing law's colonial legacies. Casey traces precise legal histories across distinct jurisdictions throughout the anglophone world, revealing the connection between land law and petroleum extraction in the Niger Delta, inheritance and divorce laws and gender inequality in India, intellectual property law and Indigenous dispossession in South Africa, and admiralty law and racialized non-personhood in the English Atlantic. In response to these manifold forms of dispossession, significant reforms are underway, including through common lawsuits, statutory reform, and proposed changes to legal doctrine. Casey develops the concept of aesthetic impropriety to identify shared structures of thought across legal and literary venues. She shows that writers of poetry and prose are also transforming harmful property laws: in Nigeria, Ben Okri and Chigozie Obioma have articulated symbiotic ecological relationships that are also evidenced in recent actions against petroleum companies; in India, Arundhati Roy's challenge to divorce laws has preempted similar attempts at reform in Parliament; in South Africa, Zoë Wicomb theorized protections for Indigenous modes of creative production nineteen years before they were signed into law; and in the Americas, M. NourbeSe Philip has proposed a novel method of achieving justice for the one hundred fifty enslaved people who were killed in the 1781 Zong massacre.Aesthetic Impropriety makes a convincing case for literature's generative capacities and registers the enduring significance of the postcolonial as a necessary framework for understanding globalized inequality in the twenty-first century. By analyzing shared legal and aesthetic transformations, Aesthetic Impropriety argues that law and literature play vital roles in creating anticolonial world orders. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
Aesthetic Impropriety: Property Law and Postcolonial Style (Fordham UP, 2025) analyzes vanguard legal actions and literary innovations to reveal contemporary reforms to property law that are undoing law's colonial legacies. Casey traces precise legal histories across distinct jurisdictions throughout the anglophone world, revealing the connection between land law and petroleum extraction in the Niger Delta, inheritance and divorce laws and gender inequality in India, intellectual property law and Indigenous dispossession in South Africa, and admiralty law and racialized non-personhood in the English Atlantic. In response to these manifold forms of dispossession, significant reforms are underway, including through common lawsuits, statutory reform, and proposed changes to legal doctrine. Casey develops the concept of aesthetic impropriety to identify shared structures of thought across legal and literary venues. She shows that writers of poetry and prose are also transforming harmful property laws: in Nigeria, Ben Okri and Chigozie Obioma have articulated symbiotic ecological relationships that are also evidenced in recent actions against petroleum companies; in India, Arundhati Roy's challenge to divorce laws has preempted similar attempts at reform in Parliament; in South Africa, Zoë Wicomb theorized protections for Indigenous modes of creative production nineteen years before they were signed into law; and in the Americas, M. NourbeSe Philip has proposed a novel method of achieving justice for the one hundred fifty enslaved people who were killed in the 1781 Zong massacre.Aesthetic Impropriety makes a convincing case for literature's generative capacities and registers the enduring significance of the postcolonial as a necessary framework for understanding globalized inequality in the twenty-first century. By analyzing shared legal and aesthetic transformations, Aesthetic Impropriety argues that law and literature play vital roles in creating anticolonial world orders. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law
The Booker prize winning novelist Arundhati Roy looks back at her foremost influences in her memoir, Mother Mary Comes To Me. While her writing and activism are shaped by early circumstances – both financial and political – at the centre is her relationship with her mother, who she describes as ‘my shelter and my storm'.The poet Sarah Howe won the TS Eliot prize for poetry for her debut collection, Loop of Jade. In her new work, Foretokens, she returns to the complex inheritance of family and language, as she tries to piece together the fragmentary, often mythical, early life of her Chinese mother, given away at birth. The academic Lea Ypi travels through the history of Ottoman aristocracy to the making of modern Albania and the early days of communism as she attempts to retrace the life of her beloved grandmother. In her new book, Indignity: A Life Reimagined, she reveals the fragility of truth, as her own memories collide with secret police reports and newly discovered photographs.Producer: Katy Hickman Assistant Producer: Natalia Fernandez
Nate is up in studio for Loose Reads! He's chatting with Rosetta and Milly about Arundhati Roy's Memoir 'Mother Mary Comes to Me.' Whakarongo mai nei! Thanks to Timeout Bookstore!
The acclaimed writer has a new memoir, and a warning.Thoughts? Email us at theinterview@nytimes.comWatch our show on YouTube: youtube.com/@TheInterviewPodcastFor transcripts and more, visit: nytimes.com/theinterview Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
The acclaimed writer has a new memoir, and a warning.Thoughts? Email us at theinterview@nytimes.comWatch our show on YouTube: youtube.com/@TheInterviewPodcastFor transcripts and more, visit: nytimes.com/theinterview
In this recap episode of the Wolff Peace series, host Avis Kalfsbeek explores Part Two of Robert Paul Wolff's Political Man and Social Man—The Individual and Society: Classical Images of Man. Through thinkers like Aristotle, Hobbes, Bentham, and Marx, we explore philosophical portraits of human nature that undergird political theory. Paired with peace warriors like Malala Yousafzai, Satish Kumar, Leymah Gbowee, and Arundhati Roy, we reflect on how our assumptions about “what people are like” shape everything from law to revolution. Robert Paul Wolff's Political Man and Social Man is available on Amazon (I'm not an affiliate) Learn more about the series and my books at aviskalfsbeek.com Follow my Kickstarter please: https://www.aviskalfsbeek.com/kickstarter Music: Dalai Llama Rides a Bike by Javier “Peke” Rodriguez. Bandcamp: https://javierpekerodriguez.bandcamp.com. Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Try my voice clone “Amaya Calm” on Eleven Labs for your audio book or other creative project: https://try.elevenlabs.io/peace (If you use this link, I earn a small commission)
In this episode of the Wolff Peace series, host Avis Kalfsbeek pairs Marx and Engels' theory of human production with Arundhati Roy's lived resistance. Together, they challenge us to see peace not just as the absence of war—but the presence of dignity in how we live, work, and create. Robert Paul Wolff's Political Man and Social Man is available on Amazon (I'm not an affiliate) Learn more about the series and my books at aviskalfsbeek.com Follow my Kickstarter please: https://www.aviskalfsbeek.com/kickstarter Music: Dalai Llama Rides a Bike by Javier “Peke” Rodriguez. Bandcamp: https://javierpekerodriguez.bandcamp.com. Spotify: https://open.spotify.com/artist/3QuyqfXEKzrpUl6b12I3KW Try my voice clone “Amaya Calm” on Eleven Labs for your audio book or other creative project: https://try.elevenlabs.io/peace (If you use this link, I earn a small commission)
Circumstance made him a legend of the quizzing world, but Siddhartha Basu is a man of many parts. He joins Amit Varma in episode 420 of The Seen and the Unseen to talk about life, India, the art of asking questions and the answers he has found. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Siddhartha Basu on Wikipedia, Twitter, Instagram and IMDb. 2. Tree of Knowledge, DigiTok. 3. Quizzitok on YouTube. 4. Middlemarch -- George Eliot. 5. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 6. Gita Press and the Making of Hindu India — Akshaya Mukul. 7. Episodes of The Seen and the Unseen featuring Ramachandra Guha: 1, 2, 3, 4, 5, 6. 9. The Life and Times of KP Krishnan — Episode 355 of The Seen and the Unseen. 10. The Life and Times of Vir Sanghvi — Episode 236 of The Seen and the Unseen. 11. Gods, Guns and Missionaries: The Making of the Modern Hindu Identity — Manu Pillai. 12. The Forces That Shaped Hinduism — Episode 405 of The Seen and the Unseen (w Manu Pillai). 13. How to Become a Tyrant -- Narrated by Peter Dinklage. 14. What Is Populism? -- Jan-Werner Müller. 15. The Populist Playbook -- Episode 42 of Everything is Everything. 16. 20,000 Leagues Under the Sea -- Richard Fleischer. 17. The Hedgehog And The Fox — Isaiah Berlin. 18. Trees of Delhi : A Field Guide -- Pradip Krishen. 19. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 20. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 21. Stage.in. 22. Dance Like a Man -- Mahesh Dattani. 23. How Old Are You? -- Rosshan Andrrews. 24. The Mehta Boys -- Boman Irani. 25. A Portrait of the Artist as a Young Man -- James Joyce. 26. Massey Sahib -- Pradip Krishen. 27. Derek O'Brien talks to Siddhartha Basu -- Episode 6 of the Quizzitok Podcast. 28. Kwizzing with Kumar Varun. 29. Ivanhoe, Treasure Island and Black Beauty. 30. Jane Austen, Walter Scott, Charles Dickens, John Steinbeck, Albert Camus, Jean-Paul Sartre, Charles Baudelaire, Arthur Rimbaud, Allan Ginsberg, Jack Kerouac, James Joyce, TS Eliot and Vivekananda. 31. Ramayana and Mahabharata -- C Rajagopalachari. 32. Paradise Lost -- John Milton. 33. Morte d'Arthur -- Alfred Tennyson. 34. Death of a Salesman -- Arthur Miller. 35. Salman Rushdie, Amitav Ghosh, Mukul Kesavan, Rukun Advani, Vikram Seth, Shashi Tharoor, Jhumpa Lahiri, I Allan Sealy, Arundhati Roy and William Dalrymple. 36. The Trotter-nama -- I Allan Sealy. 37. The Everest Hotel -- I Allan Sealy. 38. The Life and Times of Altu-Faltu -- Ranjit Lal. 39. Mr Beast on YouTube. 40. The Spectacular Life of Prahlad Kakar — Episode 414 of The Seen and the Unseen. 41. Ramki and the Ocean of Stories -- Episode 415 of The Seen and the Unseen. 42. Adolescence -- Created by Stephen Graham & Jack Thorne. 43. Anora -- Sean Baker. 44. Jerry Seinfeld on the results of the Seinfeld pilot. 45. Scam 1992 -- Hansal Mehta. 46. Dahaad -- Created by Reema Kagti & Zoya Akhtar. 47. The Delhi Walla -- Mayank Austen Soofi. 48. Flood of Fire -- Amitav Ghosh. 49. The Shadow Lines -- Amitav Ghosh. 50. The God of Small Things -- Arundhati Roy. 51. Shillong Chamber Choir. 52. The Waste Land -- TS Eliot. 53. Omkara, Maqbool and Haider -- Vishal Bhardwaj. 54. A Tale of Two Cities -- Charles Dickens. 55. William Shakespeare and Henry James. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Your Time Starts Now' by Simahina.
When the Harvest Comes by Denne Michele Norris is a story about fathers and sons, love, life and inheritance. Denne joins us to talk about capturing music on the page, sibling relationships, literary influences, Ohio and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): When the Harvest Comes by Denne Michele Norris Going to Meet the Man by James Baldwin Light Years by James Salter Ghana Must Go by Taiye Selasi The God of Small Things by Arundhati Roy
In this episode, Dr. Van Jackson appears as a guest on A Public Affair, a radio show with a live call-in segment. The conversation ended up being deliciously wide-ranging, including: Why the oligarchs who back Trump want an economic recession; What tariffs are good for, and how Trump's tariffs impact both global trade and domestic labor; What separates Biden's economic nationalism from Trump's “zombie economic nationalism,” and why both are bad but Trump's is much worse; The value of the #TakeDownTesla movement; What Arundhati Roy teaches us about civil disobedience; Why the general strike is civil society's ultimate weapon against fascism; and Why the trillion-dollar military budget is not possible without inflating the China threat.Visit A Public Affair radio show: https://www.wortfm.org/van-jackson-on-zombie-economic-nationalism/Subscribe to the Un-Diplomatic Newsletter: https://www.un-diplomatic.comWatch The Un-Diplomatic Podcast on YouTube: https://www.youtube.com/@un-diplomaticpodcast
Allen Ruff speaks with Van Jackson about how tariffs will hurt the working class, the rise of crony capitalism, the increasingly flagrant spoils system, and Arundhati Roy's vision of civil disobedience. The post Van Jackson on Zombie Economic Nationalism appeared first on WORT-FM 89.9.
durée : 00:15:02 - Les Nuits de France Culture - par : Albane Penaranda - En 2007, la comédienne Dominique Blanc tirait de sa bibliothèque "Le Dieu des petits riens" d'Arundhati Roy pour nous en lire un extrait. Paru en 1997, ce premier roman de l'écrivaine indienne fut traduit en trente langues et connut un succès planétaire. - réalisation : Virginie Mourthé
Ó Tuama's interests lie in language, violence, and religion. Growing up in a place with a long history of all three (Ireland, yes, but also Europe), he finds that language might be the most redeeming. In language, there is the possibility of vulnerability, of surprise, of the creative movement towards something as yet unseen. Any artist of words inspires him: from Krista Tippett to Lucille Clifton, Patrick Kavanagh to Emily Dickinson, Lorna Goodison to Arundhati Roy. Ó Tuama loves words — words that open up the mind, the heart, the life. For instance — poem: a created thing.
Ó Tuama's interests lie in language, violence, and religion. Growing up in a place with a long history of all three (Ireland, yes, but also Europe), he finds that language might be the most redeeming. In language, there is the possibility of vulnerability, of surprise, of the creative movement towards something as yet unseen. Any artist of words inspires him: from Krista Tippett to Lucille Clifton, Patrick Kavanagh to Emily Dickinson, Lorna Goodison to Arundhati Roy. Ó Tuama loves words — words that open up the mind, the heart, the life. For instance — poem: a created thing.
«Water remembers. It is humans who forget.»En vanndråpe finner veien fra oldtidens Mesopotamia til en gategutt i London på 1840-tallet, så videre til en yazidisk familie i dagens Irak. Tre personers liv og skjebner bindes sammen gjennom to elver – Themsen og Tigris – og vannet som renner gjennom dem.I romanen Det er elver på himmelen (til norsk ved Bente Klinge) vever Elif Shafak sammen svunne riker, kolonitidens plyndringer, moderne konflikter og læren om vannets kretsløp, i en handling som strekker seg fra oldtiden og frem til dagens konflikter i Midtøsten. Med spenning, humor og et dyptloddende språk, er Det er elver på himmelen en bok som begeistrer og fascinerer, og har blitt hyllet av forfattere som blant annet Ian McEwan, Arundhati Roy og Mary Beard.Tyrkisk-britiske Elif Shafak er en av verdens fremste forfattere av historiske romaner. Gjennom sine fjorten romaner på tyrkisk og engelsk, har hun utforsket kulturelle spenninger og sosioøkonomiske ulikheter mellom øst og vest. Hun har i tillegg vært en aktiv stemme i kampen for ytringsfrihet og kvinners rettigheter, en samfunnsaktivisme som preger både skjønnlitteraturen og sakprosaen hennes. Hun bor i selvvalgt eksil i London, etter stadige rettslige trusler i Tyrkia mot virket hennes som forfatter.På Litteraturhuset møtte Shafak journalist og forfatter Marte Spurkland til en samtale om tid, aktivisme og vannets hukommelse.Samtalen er på engelsk. Hosted on Acast. See acast.com/privacy for more information.
«Water remembers. It is humans who forget.»A droplet of water finds its way from ancient Mesopotamia to a street urchin in 1840's London and on to a Yazidi family in present day Iraq. Three people's lives and destinies are connected by two rivers – the Thames and the Tigris – and the water which flows through them.In the novel There Are Rivers in the Sky, Elif Shafak weaves together lost empires, colonial plunder, modern conflicts, and the study of water in a plot stretching from ancient time to the present. With thrill, humour and evocative language, There Are Rivers in the Sky is both enthralling and fascinating, and has been lauded by authors such as Ian McEwan, Arundhati Roy and Mary Beard.Turkish-British Elif Shafak is one of the world's foremost writers of historical fiction. Through her fourteen novels, she has explored cultural tensions and socioeconomic inequalities between East and West in historical and contemporary settings. She has also been an active champion of the freedom of speech and of human rights, particularly women's rights, an activism evident in both her fiction and non-fiction. She lives in London in self-imposed exile, after past and continuing threats in Turkey against her work as an author.At the House of Literature, Shafak meets author and journalist Marte Spurkland for a conversation on time, cultural conflicts, and the memory of water. Hosted on Acast. See acast.com/privacy for more information.
Ms. Dilini Iriyawala, an academic in world literature from Melbourne, has joined SBS Sinhala to review the 2017 Man Booker Prize winner, ‘The God of Small Things,' written by Indian author Arundhati Roy. - විප්ලවීය ඉන්දීය ලේඛිකා අරුන්දතී රෝයිගේ සම්මානයට පාත්ර වුනු පළමු නවකතාව "The God of Small Things" පිලිබඳ විමසා බැලීමක් මෙවර SBS සිංහල ගුවන්විදුලියේ "විශ්ව සාහිත්යයේ රස මං පෙත්" ද්වී මාසික ගුවන් විදුලි සාහිත්ය රසවිඳුම තුලින්. SBS සිංහල ගුවන් විදුලිය සමඟ මෙම සංවාදයට සහභාගි වුයේ එංගලන්තයේ වොරික් විශ්ව විද්යාලයේ විශ්ව සාහිත්ය පිළිබඳ ඩිප්ලෝමාධාරිනී, මෙල්බර්න් හි දිලිනි ඊරියවල.
Jo proselytizes about the marvelous medicinal powers of M.W. Craven's Washington Poe novels before Charlotte (10:30) classes up the episode with a recounting of the viral, ugly-cry-inducing Harry Potter fanfiction “Manacled” by SenLinYu. Then the accomplished Sarah Thankam Mathews (28:30) expounds on colonization, anger, Dumbo's opps, and the “short little knife” that is Tayeb Salih's Seasons of Migrations to the North. Also discussed in this episode: Othello, Elif Batuman's The Idiot, Arundhati Roy's The God of Small Things, W. Somerset Maughm's The Razor's EdgeSarah Thankam Mathews is the author of All This Could Be Different, which was shortlisted for the Discover Prize, the Aspen Words Literary Prize, and 2022 National Book Award in Fiction. All This Could Be Different was also a New York Times Editor's Choice and named a Best Book of the Year by NPR, Vogue, Vulture, Los Angeles Times, TIME, Slate, and Buzzfeed. Mathews grew up between Oman and India, immigrating to the United States at seventeen.Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte is on Instagram and Twitter as @Charoshane. Her most recent book is An Honest Woman: A Memoir of Love and Sex Work. Learn more at charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.com. Hosted on Acast. See acast.com/privacy for more information.
"India's democracy is being systematically disassembled,” says renowned writer and activist Arundhati Roy. She adds, “Any kind of dissent is just smashed with an iron fist." Indian Prime Minister Narendra Modi and his Bharatiya Janata Party openly espouse Hindutva, a racist ideology rooted in a mythical past and fueled by magical thinking. It's a supremacist doctrine that privileges and elevates one group, Hindus, over all others. Its animus toward Muslims is particularly acute but Christians and other minorities also incur its wrath. Hindutva nationalists want to dominate Kashmir, India's only Muslim-majority state. The Himalayan region has endured decades of occupation by hundreds of thousands of Indian troops. There is resistance. Tens of thousands of Kashmiris are dead and missing. Human rights violations are routine. Yet the Kashmiri quest for azadi, freedom, continues.