Podcasts about Wolf Hall

We're back with another This Week in YouTube where we highlight some recent content from my YouTube channel. This week: Heather Reacts - Wolf Hall Recap on the Pilgrimage of Grace; The Heretic and the King - Henry VIII Debates John Lambert in Wolf Hall? Make sure you're subscribed at https://www.youtube.com/@hteysko so you don't miss all the content we put out!Support the podcast for even more exclusive contenthttps://www.patreon.com/englandcast Hosted on Acast. See acast.com/privacy for more information.

Preeti and Jenn recorded live with Patrons for a special retrospective, WoT readalikes, and Q&A!Read-Alikes:Dandelion Dynasty by Ken LiuBetween Earth and Sky series by Rebecca RoanhorseInheritance Trilogy by NK Jemisin (and then everything else)The Expanse series by James S.A. CoreyDead Djinn Universe series by P. Djeli ClarkBeverly Jenkins, Vivid (for Romanda)The Kushiel series (incl the Joscelin book) by Jacqueline CareyThe Thief / Megan Whalen Turner The Emily Wilde trilogy Babel by RF Kuang Wolf Hall by Hilary Mantel anything Kit Rocha (Jenn loves Mercenary Librarians)It's Not Me, It's You by Stephanie Kate Strohm THE FLOATING WORLD by Axie OhDiviners by Libba BrayCirce by Madeline MillerHild / Menewood by Nicola GriffithPayal Mehta's Romance Revenge Plot is out now!Merch:tar-valon-or-bust.printify.me/products and northingtron.redbubble.com [new designs available!] Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Trumps tullar sände chockvågor genom världen. Är globaliseringen över? Lyssna på alla avsnitt i Sveriges Radio Play. Globalisering har flera betydelser. Det kan syfta på internationell handel, nyliberal ideolog med minimal stat och frihandeln som ideal, en gränslös värld där kultur inte är bunden till en plats och en kommunikationsteknologi som krymper världen. Globaliseringen har en lång historia och har förändrats över tid. På vilket sätt har dagens globalisering påverkat oss som människor och vår syn på världen?Förespråkarna för globaliseringen lyfter fram att frihandel och marknadsekonomi har lett till att världsfattigdomen har sjunkit, valfriheten och välståndet ökat. Historiskt har kritiken mot globaliseringen varit starkast från vänster som pekat på hur globaliseringen ökat klyftorna, förstört miljön och inte främjat mänskliga rättigheter. Idag hörs kritiken mest från den konservativa högern som vill skydda det egna landets industri och pekar på problem med invandring. Det har skett en omsvängning mot ekonomisk nationalism. Vilken är den nya tidsandan som kommer med den?Medverkande: Lars Magnusson, professor i ekonomisk historia vid Uppsala universitet och Lisa Dellmuth, professor i internationella relationer Stockholms universitet.Programledare: Cecilia Strömberg WallinProducent: Marie LiljedahlVeckans tips:TV-serie:Wolf Hall - som bygger på författaren Hilary Mantels böckerSamtal och möten genom konst: Carola Grahn: Moderna Museet och Liljevalchs konsthallVerket: Horizon of Me(aning)

WARNING: This episode contains spoilers for Wolf Hall: The Mirror and the Light.Director Peter Kosminsky worked closely with late author Hilary Mantel to bring the story of Thomas Cromwell's rise and fall to the screen. Today, he shares his experience working with Hilary, filming on the same Hampton Court Palace flagstones where King Henry VIII once stood, and finally saying goodbye to Thomas Cromwell. 

A show about how Hilary Mantel's novels about Thomas Cromwell and their presentations by the BBC in the Wolf Hall series from 2015 and 2025 help to tell the story of the transition from feudalism to capitalism. A nice economic history lesson.

WARNING: This episode contains spoilers for Episode Six of Wolf Hall: The Mirror and the Light.Actor Sir Mark Rylance earned multiple awards for his nuanced portrayal of Thomas Cromwell in Wolf Hall. He returns to the role in the sequel, Wolf Hall: The Mirror and the Light, and explores a more vulnerable side to Henry's infamous fixer. Today, Mark discusses saying goodbye to this character, the importance of mentors, and the beauty of mystery.

The most astonishing men lie in the far, forgotten corners of history. Kavitha Rao joins Amit Varma in episode 416 of The Seen and the Unseen to shed light on the life and times of two magnificent failures, Chatto and Roy. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Kavitha Rao on Twitter, Instagram, Amazon and her own website. 2. Spies, Lies and Allies: The Extraordinary Lives of Chatto and Roy -- Kavitha Rao. 3. Lady Doctors : The Untold Stories Of India's First Women In Medicine -- Kavitha Rao. 4. Kavitha Rao and Our Lady Doctors -- Episode 235 of The Seen and the Unseen. 5. Chatto: The Life and Times of an Anti-Imperialist in Europe -- Nirode K Barooah. 6. In Freedom's Quest : A Study of the Life and Works of MN Roy -- Sibnarayan Ray. 7. The collected works of MN Roy. 8. Gods, Guns and Missionaries: The Making of the Modern Hindu Identity — Manu Pillai. 9. The Forces That Shaped Hinduism -- Episode 405 of The Seen and the Unseen (w Manu Pillai). 10. Ira Mukhoty on Instagram. 11. The Difficulty In Dating Good Men -- Aella. 12. Men Are from Mars, Women Are from Venus -- John Gray. 13. Desperately Seeking Shah Rukh — Shrayana Bhattacharya. 14. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 15. The Patient Assassin: A True Tale of Massacre, Revenge and the Raj -- Anita Anand. 16. Rama Bhima Soma: Cultural Investigations into Modern Karnataka -- Srikar Raghavan. 17. Lady Doctors on Goodreads. 18. The Spectacular Life of Prahlad Kakar -- Episode 414 of The Seen and the Unseen. 19. Vinayak Calling Vinayak — Episode 385 of The Seen and the Unseen (w Vinayak Chaturvedi). 20. Daughter of Earth -- Agnes Smedley. 21. The Gilded Age and The White Lotus. 22. Rumours -- Fleetwood Mac. 23. The Day I Became a Runner -- Sohini Chattopadhyay. 24, Brotherless Night -- VV Ganeshananthan. 25. Miss Austen, Wolf Hall and The Traitors. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Lenin Speaks Bengali' by Simahina.

This month on GLoP: Rob has an important announcement to make, some unfortunate serial killer names, The Last of Us, Andor, Wolf Hall, and various other cultural non-sequiturs.Head to http://lumen.me/GLOP for 15% off your purchase.

This month on GLoP: Rob has an important announcement to make, some unfortunate serial killer names, The Last of Us, Andor, Wolf Hall, and various other cultural non-sequiturs.

This week Kim and Alice have been locked in the cupboard with the Christmas decorations to bring you Tudor drama series, Wolf Hall. We're talking about Hans Holbein: portrait artist / historical catfisher and Henry VIII never getting to just enjoy a joust. Also kittens!Sound Engineer: Keith NagleEditor: Helen Hamilton / Keith NagleProducer: Helen Hamilton Hosted on Acast. See acast.com/privacy for more information.

WARNING: This episode contains spoilers for Episode Five of Wolf Hall: The Mirror and the Light.Screenwriter, and newly minted Oscar winner, Peter Straughan is fascinated by stories of loyalty and betrayal. In Episode Five of Wolf Hall: The Mirror and the Light, Cromwell's loyalty is under question. Today, Peter joins the podcast to discuss adapting and writing this captivating drama series.

Last summer, when The New York Times Book Review released its list of the 100 Best Books of the 21st Century, one of the authors with multiple titles on that list was Hilary Mantel, who died in 2022. Those novels were “Wolf Hall” and “Bring Up the Bodies,” the first two in a trilogy of novels about Thomas Cromwell, the all-purpose fixer and adviser to King Henry VIII.Those books were also adapted into a 2015 television series starring Mark Rylance as Cromwell and Damien Lewis as King Henry. It's now a decade later and the third book in Mantel's series, “The Mirror and the Light,” has also been adapted for the small screen. Its finale airs on Sunday, April 27.Joining host Gilbert Cruz on this week's episode is Mantel's former editor Nicholas Pearson. He describes what it was like to encounter those books for the first time, and to work with a great author on a groundbreaking masterpiece of historical fiction. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

WARNING: This episode contains spoilers for Episode Four of Wolf Hall: The Mirror and the Light.Actor Damian Lewis is well-known to MASTERPIECE viewers for his iconic roles in The Forsyte Saga and Wolf Hall. He joins the podcast to discuss the sequel, Wolf Hall: The Mirror and the Light, and reflects on playing one of the most notorious kings in English history. In Episode 4, King Henry VIII's health is deteriorating, and there's threat of invasion from France and Spain, but Henry also gets what he has wanted most of all, a male heir.

In this week's episode, we take a look at marketing for writers, and discuss how it can both benefit and hinder writers. This coupon code will get you 50% off the audiobook of Dragonskull: Fury of the Barbarians, Book #5 in the Dragonskull series (as excellently narrated by Brad Wills), at my Payhip store: BARBARIAN50 The coupon code is valid through May 2, 2025. So if you need a new audiobook for spring, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 247 of The Pulp Writer Show. My name is Jonathan Moeller. Today is April 11th, 2025, and today we are looking at marketing challenges for writers.   First, let's start with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Dragonskull: Fury of the Barbarians, Book Five in the Dragonskull series (as excellent narrated by Brad Wills) at my Payhip store. That code is BARBARIAN50. We will have the coupon code in the show notes along with links to the store. This coupon code is valid through May 2, 2025, so if you need a new audiobook for spring, we've got you covered.   Now let's have an update on my current writing and audiobook projects. I am done with the rough draft of Shield of Battle and its accompanying short story, Raven's Hunt. I am currently editing them and making good progress on that. The book should come out either right before or right after Easter, with right after being the more likely option the way it looks right now. I'm also 14,000 words into Ghost in the Corruption, which will be my main project once Shield of Battle comes out. Audio recording is still underway for Shield of Deception and Ghost in the Assembly. So more updates on that to come. So that's where I'm at with my current writing projects.   00:01:17 Question of the Week   And now let's take a look at Question of the Week. Question of the Week is intended to inspire enjoyable discussions of interesting topics. This week's question, what is the best TV show you started watching in 2025 (if any)? No wrong answers, obviously.   Justin says: Television shows? The TV in my house is used for video games and movies. It has been 18 years since I watched any TV shows. Surabhi says: Nowadays the only non-Marvel series I watch are animes like Doraemon and Shinchan XD.   Perry says: I never watched a lot of TV but I do catch the odd European football or hockey game. That said, I'm enjoying The Wheel of Time.   Sam says: Clarkson's Farm. He might be a love him/hate him chap, but he certainly does make for entertaining shows. It also shows just how fickle the farming industry can be and shines a much needed light on the issues they face.   I would like to second Sam's recommendation of Clarkson's Farm. It's definitely well worth watching if you have access to Amazon Prime. Bonnie says:  I'm totally out of the loop. Haven't really watched any TV since I binged Avengers and Star War when home with Covid in 2021. I read during downtime.   Andrew says: Tracker is okay. Matlock is good, well-written. I want to like Watson, but have given up. Dark Winds is excellent. 1923 got so dark, I quit. Landman started great, got worse when wife character entered the picture. Re-watching Lonesome Dove. Love it.   David says: The Blacklist.   Michael says: No particular series as I don't really watch much on TV, but a shout out to the Japanese NHK World Channel, which is essentially their international service in English available to watch live on their website, at least in my country or via their app. There's so much good content on there, really interesting documentaries, news features, Japanese shows, and of course the highlights of the Sumo tournaments.   Larry says: Starting The Outpost.   John says: My brother has recommended Wolf Hall. My most anticipated series is Andor. I think of what I watched this year thus far my guilty pleasure was Reacher, most emotional was 1923, most cerebral has been Severance, and funniest has been The Residence. No favorite standout yet.   Juana says: Tracker.   William says: Poker Face was enjoyable.   For myself, I think it would be Wolf Hall: The Mirror and the Light about the downfall of Thomas Cromwell in the court of Henry VIII. I'll have more to say about that later in my Winter/Spring 2025 Movie Roundup post in a few weeks.   00:03:29 Main Topic: Marketing   Now let's move on to our main topic, writing adjacent activities: marketing. This is part of my podcast series about what I call writing adjacent activities. What do I mean by this? I'm talking about the tasks that seem like they're part of the writing process but really belong in a different category. These tasks are important, don't get me wrong, but they can also be a pitfall if you spend too much time on them or don't use that time correctly. In this series, we are focusing on a few of these tasks and how they can benefit or hinder your writing process, even though they seem like good uses of time and may in fact be beneficial. In this episode, we will talk about marketing. For the self-published author, it is an absolutely essential thing to do. Even traditionally published authors are becoming involved in their marketing or hiring marketing firms apart from their publishers to help with that work. Even important tasks can still take time away from the most important one, writing.   First, how does marketing work for writers in the first place? Even as traditional advertising and print media like newspapers and periodicals has all disappeared by 2025, there are still many, many ways to advertise a book. Here are some examples:   Social media and I don't mean ads, I mean posting content about your book or engaging readers on social media about your book. It's become increasingly common in this age of a video-based social media like TikTok, YouTube Shorts, and Instagram Reels for authors to post short clips about them interacting with their book or doing things with their book and so forth. And that is, I think, a distinct category from ads.   Ads of course are another type of marketing such as Amazon Ads, Facebook, BookBub, etc.   An email newsletter where you send out an email to your newsletter subscribers when a book comes out   Having an author website   Group promotions where you work together with a group of authors to promote   Doing interviews with podcasts, local media, etc. (though these days podcasts have essentially superseded local media)   Sending out advanced reader copies   Permafree/discounts   I should note that of everything on this list, I've done them all except for advanced reader copies, which I never really bothered to do because I write so fast that it seems to be kind of pointless at that point. Now I got to admit that list seems overwhelming, but you're not going to do them all simultaneously. Most authors pick a few from the list and then focus on them, and then some of them take some work upfront like setting up your author website and then it's less work to maintain it and update it as you go along than it is to set it up to begin with.   For example, making many of my series starters permafree has been an extremely successful strategy for me. For an author who only has two books, that strategy would not be as effective, but if you have a series of nine books then that is a good idea.   So why is it beneficial to market your books? A couple years ago (and I've told this story before, but it bears repeating), I was at a Subway waiting in line to order lunch. The person in front of me was staring at the menu in great confusion. “Does this shop sell submarine sandwiches?”, she finally asked the sandwich artist. Even with 40,000 locations worldwide and millions of dollars in advertising each year, this person was completely unaware of Subway's offerings.   This moment made me realize that marketing must be constant even for big legacy brands like Subway or Coca-Cola because there is always someone out there who isn't familiar with what you have to offer them. If multi-billion dollar corporations like Coca-Cola and Subway have people who haven't heard of them, how much more [work is there for] indie authors like us? There is in my opinion, an erroneous sentiment that getting too involved in marketing as an author somehow cheapens your work, devalues your art, or means that you're not as committed to your art. That sentiment is frankly, in my opinion, self-destructive and keeping a lot of people from reaching new readers or keeping existing ones as new books come out.   Marketing is necessary and needs to be ongoing to work. It's important to remember that readers love new books and want to know more about them. Your goal is to just let them know what's available and how to find your work. You're not being annoying by creating an ad or sending out a newsletter when a new book drops. Even if you have loyal readers, it's likely only a very tiny percentage of them are obsessively checking ebook stores daily for your latest publications. Social media and newsletters in particular are effective ways to let people know when the latest content is ready or can help them get excited for an upcoming release. Just as importantly, good marketing can help you find people who are interested in your genre or read authors similar to you.   So marketing is a good thing and it is in fact necessary if you want to have a career as an indie author or sell books in any quantities. However, it can become a pitfall that takes time away from actually writing new books. So when can it be a pitfall? There are about five different ways it can become a hindrance to writing.   #1: The most obvious pitfall is that time spent working on marketing is time not spent on writing. Although marketing is an essential part of how writers make income, it's only going to go so far compared to creating new books. This is in fact a decision I've had to make many times where if there's only so many hours in the day, and if I have an hour and I have to choose an hour spent fiddling with ads to try and optimize them to sell old books or to focus on writing new books, very often I have decided to focus on writing new books. Or if I have ads that are underperforming, I just shut them off and don't think about them until I have a free moment when the current book is done because writing the latest book is where my attention and priority should be. #2: The second pitfall is that spending too much time on social media or various forums like Reddit can also skew your perspective and give you an unreal view of the preferences of your readership. You'll likely only engage with a small percentage of your readers online. Just because they're reaching out to you or sharing their opinions online doesn't mean that their opinion matches the rest of your readership. An example of this is when Warner Brothers thought there was a massive demand for the Snyder Cut of the Justice League movie based on an online fan campaign and spent a very large amount of money for the recut of the movie, only for it to have a fairly modest audience that didn't recoup the cost. Later it came out that much of the Twitter campaign for the recut were bot accounts, people with multiple social media accounts, or people that ultimately pirated the movie instead of getting an HBO subscription to watch it when it finally became available on streaming. The Internet is a very useful tool, but it's best to take it with a grain of salt and remember that that just because one person is saying something on the Internet doesn't mean there are ten or even a hundred silent people who share their views. As with the example with the Justice League movie, large businesses have run into that trouble where they assume just because a particular audience segment is very loud on social media, therefore it must be a large segment when in fact it turns out to be just a very loud minority that ultimately isn't going to have much buying power. So that is something to keep in mind when you examine [social media], that opinions expressed online may not necessarily reflect reality.   #3: There is also the temptation to get so lost in thinking of how a book will be marketed, that when you write it, you don't try to write a book that is authentic to you or your readers. Trying to piece together a book based on the latest tropes or sales trends will likely mean that by the time the book is ready, social media will have moved onto another one. Writing to market is a form of marketing that sometimes works, but often results in something that feels formulaic or doesn't match your writing style. You can't always tell if the author hated the book when they were writing it, but sometimes you can. And it's sometimes very obvious to tell if an author wrote a book not because he or she enjoyed writing it but because they thought it would sell. And I think deep down, you really have to enjoy the genre you're writing in, which is why many frustrated mystery, fantasy, and science fiction authors saw how well romance doing and so decided to try writing romance only to deep down they didn't enjoy reading romance and so they didn't write a romance book that anyone would enjoy reading. So that is the potential risk of that temptation.   #4: Another pitfall is the urge to market your way out of a book that isn't connecting with readers. If a book doesn't meet reader expectations, no amount of marketing is going to significantly change that. Sometimes it's best to cut your losses with a book or series if it's not performing the way that you expect instead of throwing even more money marketing at it. I'm afraid I have a very recent example for my own life in the form of these Stealth and Spells Online series.   I think the problem with that series is I fundamentally misread what the LitRPG audience wants. Stealth and Spells Online is about a virtual reality game, but what the LitRPG audience really seems to want these days is either Portal Isekai or System Apocalypse Fantasy, which Stealth and Spells Online most definitely isn't. I told the narrator that I intended to write a LitRPG, but what I ended up with was a science fiction espionage thriller with LitRPG elements. So that, as you might expect, has been very hard to market and very hard to turn a profit while marketing it. So what I decided to do was I originally planned for seven or eight books in the series, but I'm going to cut it down to three and wrap up the story in hopefully a satisfying way with book number three this summer. That is a lived experience example of a changing course when some marketing doesn't work.   #5: There can be a feeling that you're missing out if you're not trying a marketing strategy that worked for someone else, so you'll end up stretching yourself thin by trying everything, stretching your marketing time across social media, newsletters, video content, posting the spaces like Goodreads, assembling a launch team, sending out advanced reader copies, going on podcasts, doing interviews with local media, and doing guest blog posts simply is not sustainable. There is a potential value in doing a short-term marketing sprint like that where you do all the things for a few days, but doing that all the time is not a good idea. As we mentioned earlier, it can take away time that should be spent writing. So really the best marketing course is to pick a few tactics that you enjoy and are comfortable using and then do those most of the time and save everything else for special occasions or if an opportunity comes up. For myself, I mostly focus on setting first in series permafree and doing various ad campaigns on Facebook, Amazon, and BookBub. I tend to stay away from TikTok and video marketing and some of the more time intensive things. I prefer things like permafree or various CPC ads where I can set it up and let it run and then check on it every few days to make sure it's working or not spending too much. So how can you balance time spent on marketing with making progress with your writing? The best way to market your old books is to publish a new one. Algorithms on online stores like Amazon and all the others reward fresh books and readers have short memories, so taking years between series risks them forgetting you.   Finishing a series in a timely fashion is crucial now many readers, especially in Epic Fantasy (for a variety of reasons), will only start series that are already completed, having been burned by series that were left unfinished. Having a polished product should also precede your marketing efforts. If your cover looks bad, your money would be better spent on getting a professional looking cover instead of more Facebook ads. Taking the time to make a good cover and good ad copy for your ads is also important before you spend money on marketing. For marketing, it will save you time and money to map out your goals for it each year just like you map out a set of goals for what you'll publish each year. Having a clear set of goals will keep you from trying every new thing that you hear about just because it worked for someone else. It's also wise to be honest with yourself about your strengths when considering how you spend your marketing time. If you hate TikTok, forcing yourself to make videos there isn't going to lead to compelling content that would make people want to buy your book. The authors who have had success with TikTok had that because they were able to genuinely connect with an audience there, not just because they threw a book trailer on the platform and hoped for the best. As with many writing adjacent activities, it is best to have a set block of time to work on marketing and to plan even the time spent checking ads and responding to social media comments so it doesn't take over your writing time. Just like having a plan for each year with some larger goals is a good idea, having a daily or weekly set of goals for marketing can help keep you focused.   In conclusion, the true pitfall of any writing adjacent activity is they need to be kept adjacent to the actual production of new writing. All the tasks we covered in the series are important, but writing should always be the priority if you are a writer.   So that's it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

In this episode, Jodi talks with Louise Brogan about her journey as a LinkedIn expert and her experience writing her new book on LinkedIn. Louise shares her love of writing, the challenges she faced during the publishing process, and how her book is enhancing her business strategy.    Time Stamps: 00:00 Book marketing for business growth 04:26 Becoming a paid writer 07:53 Remote work challenges and motivation 11:00 Questionable editing offer 14:02 LinkedIn branding restrictions impact business 18:13 Unplanned book launch challenge 22:57 LinkedIn logo usage restriction 26:40 LinkedIn video guide promotion" 29:59 Bruce Springsteen and royal encounters 36:01 Original idea 38:15 Interactive book reading structure 39:45 Collaborative editing and book recommendations   Keywords: Wrigte Publish Market podcast, business owner, book marketing asset, book publishing strategist, business growth, writing, publishing, marketing a book, louise brogan, solopreneurs, coaches, consultants, linkedin expert, brand building, online results, visibility on linkedin, youtuber, silver play button, content creation, book origin story, book cover design, networking, business book club, international speaking gigs, Social Media Examiner, editorial collaboration, trademark approval, book launch, business card, Social Media Marketing World Resources Mentioned: Coffee + Commas signup: https://bit.ly/coffeeandcommassignup Ready Set Write Challenge: www.jodibrandoneditorial.com/readysetwrite Wolf Hall by Hilary Mantel About Our Guest: Beyond her passion for helping solopreneurs, coaches, and consultants through workshops and 1-2-1 training, Louise Brogan also works with larger organizations like BT, BBC, the Chartered Institute of Accountants England & Wales, and the Law Society. Whether you're a small business or a larger company, Louise is dedicated to helping you build your brand and drive results online.   www.raiseyourvisibilityonline.com www.louisebrogan.com/workwithme www.youtube.com/@raiseyourvisiblityonline www.linkedin.com/in/louisebrogan https://leveluplinkedin.teachable.com/courses LINK TO FULL EPISODE (RAW) TRANSCRIPT: https://docs.google.com/document/d/1s5dwDLFPy64VDkKPIlPgvOhvDxH49vMPMbwSSUKRfcQ/edit?usp=sharing  

WARNING: This episode contains spoilers for Episode Three of Wolf Hall: The Mirror and the Light.Actor Lilit Lesser is a familiar face to MASTERPIECE audiences, appearing in both Wolf Hall and Endeavour. Lilit joins us today to discuss playing Lady Mary in Wolf Hall: The Mirror and the Light, and examine how the character balances faith with fortitude.

Episode 522 - Julie Strong - The Tudor Prophecy, An epic, literary tale blending Game of Thrones and Little WomenJulie Strong is a soon-to-be-retired family physician in Halifax, Nova Scotia; she has an ongoing shamanic practice where she addresses the spiritual causes of illness. Julie was born in Manchester, England, grew up in Wales, Australia, and Ireland, and emigrated to Canada in 1980. Her medical degree is from Trinity College, Dublin University, Ireland, and she holds a BA in Classics from Dalhousie University, Halifax. Her shamanism training is from the Foundation for Shamanic Studies in Marin County, California. Dr. Strong has given presentations in Canada, the US, and Europe on the subject of insanity in ancient Greek literature. She presented a three-part series on Greek mythology at Halifax Central Library in spring 2018 and also “Finding Comfort in Difficult Times,” an overview of shamanism, in fall 2021. She is a lecturer with the Senior College Association of Nova Scotia (SCANS) and delivered a six-week course, The Goddess in Antiquity, in spring 2024, which emphasized humanity's need to reconnect with Nature and the Divine Feminine. Book: The Tudor ProphecyEngland, 1541. An ailing Henry VIII reigns from a contested throne. In parallel story lines, The Tudor Prophecy follows two young women, Lady Alice Grantmire and Hester Vaughan, cousins who each suffer greatly from the King's unjust decrees. Lady Alice and her mother are evicted from their estate and take residence in a cottage where they earn a subsistence selling herbal remedies--until they are accused of witchcraft. After being molested by the King, Hester is summoned to her estranged father's home in Wales. There she becomes betrothed to a Welsh bard whose mentor has visions foretelling the ascendancy of Henry's second daughter, Elizabeth. When Hester encounters the eight-year-old Lady Elizabeth, the two forge a relationship whereby Hester can persuade the future queen to temper her own rule with mercy. This epic, literary tale—a Game of Thrones meets Little Women—is also for readers who loved the Wolf Hall trilogy by Booker-Prize winner Hilary Mantelhttps://ocpublishing.ca/julie-strongSupport the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Esta semana nuestros contertulios recuerdan la figura de Val Kilmer, actor de títulos como "Top Gun" y "The Doors", recientemente fallecido. Además, recuerdan a Richard Chamberlain y Ángel del Pozo, hablan de "Sorda", que se estrena en cines y de la serie "Wolf Hall". Como todas las semanas, José María Aresté, Pablo de Santiago y Juan Luis Sánchez, de Decine21, recomiendan un clásico, una película reciente y una serie.

WARNING: This episode contains spoilers for Episode Two of Wolf Hall: The Mirror and the Light.Historian and production researcher Kirsten Claiden-Yardley returns to the podcast to discuss the world of King Henry VIII and his court and distinguish fact from fiction in the first two episodes of Wolf Hall: The Mirror and the Light. 

In episode 69 we spotlight the PBS Masterpiece series WOLF HALL: THE MIRROR AND THE LIGHT with a behind-the-scenes visit to the Folger Shakespeare Library exhibition, “How to Be a Power Player: Tudor Edition” with the curator Dr. Heather Wolfe Curator of Manuscripts for the Folger (in Washington, DC), which holds the world's largest Shakespeare collection. WOLF HALL: THE MIRROR AND THE LIGHT traces the final four years of Thomas Cromwell's life, completing his journey from self-made man to the most feared, influential figure of his time as a principal advisory to England's King Henry VIII. The series is based on the final novel by Hilary Mantel in the Thomas Cromwell trilogy. As an added bonus, Heather Wolfe shared documents from the Folger collection for the real-life Thomas Cromwell, Henry the VIII, and Henry's 4th wife, Anne of Cleves,. Go to the podcast website (for Ep. 69) to see images of these artifacts and for more information about the Foger Shakespeare Library's exhibit "How to Be a Power Player: Tudor Edition" on display through July 2025.------TIMESTAMPS0:19 - A Visit to the Folger Shakespeare Library (Washington, DC)0:56 - Folger “How to Be a Power Player: Tudor Style” exhibit2:02 - “Wolf Hall: The Mirror and the Light” overview and cast3:18-  Heather Wolfe, Curator of Manuscripts at Folger Shakespeare Library3:30 - Roles and Responsibilities of Curator of Manuscripts4:22 - Paleography, the study of handwriting5:14 - Inspiration behind “How To Be A Power Player: Tudor Style” and relevance to 20256:48 - Tudor power players' relationships, skills, and power dynamics7:38 - Tudor "playbooks" from Machiavelli and Castiglione 12:19 - Power dressing, fashion policing, and personal branding in Tudor times15:13 - Hospitality power plays: napkin folding and meat carving22:48 - Break23:32 - Thomas Cromwell, Henry VIII, and Anne of Cleves artifacts and letters29:57 - Class status and social mobility in Tudor Times32:36 - Women's power and influence in the Tudor court36:09 - Visitor takeaways from “How to Be A Power Playe: Tudor Edition”r exhibit38:21 - Folger Shakespeare Library resources38:50 - How to watch “Wolf Hall: The Mirror and the Light” on PBS “Masterpiece”41:04 - DisclaimerSUBSCRIBE to the podcast on your favorite podcast platformLISTEN to past past podcasts and bonus episodesSIGN UP for our mailing listSUPPORT this podcast  SHOP THE PODCAST on our affiliate bookstoreBuy us a Coffee! You can support by buying a coffee ☕ here — buymeacoffee.com/historicaldramasistersThank you for listening!

The director of Wolf Hall, Peter Kosminsky, and CEO of Bad Wolf, Jane Tranter, discuss a TV industry in crisis. As the editor of the Atlantic magazine reveals he was added to a White House group chat on Signal, we profile the founder of the messaging app. Also on the programme, how authors and publishers are responding to their works allegedly being used to train AI models. And as protests continue in Turkey, we speak to a reporter about the detention of journalists covering the events.Guests: Peter Kosminsky, Director, Wolf Hall; Jane Tranter, Co-founder, Bad Wolf; Alex Reisner, programmer and contributing writer, The Atlantic; Rosie Wilby, author, The Breakup Monologues; Catriona MacLeod Stevenson, Deputy CEO, Publishers Association; James Ball, Political Editor, The New European; Selin Girit, journalist, BBC Presenters: Katie Razzall and Ros Atkins Producer: Lucy Wai Assistant Producers: Flora McWilliam and Elena Angelides

March has been a busy month for the Boston Sisters. This is an extended trailer for Episode 69. The complete podcast will be available for download Thursday, March 27th where we spotlight  the PBS MASTERPIECE series WOLF HALL: THE MIRROR AND THE LIGHT and our visit to the Folger Shakespeare Library in DC for the exhibit "How to Be a Power Player: Tudor Edition."Our guest for Episode 69 is Dr. Heather Wolfe, curator of manuscripts and curator of the exhibition “How to Be a Power Player: Tudor Edition.” The trailer for Ep. 69  also includes a clip from a previous podcast (Episode 60) released in October 2024 with PBS MASTERPIECE executive producer and head of scripted content Susanne Singer who gave a preview of WOLF HALL: THE MIRROR IN THE LIGHT (now broadcasting) and other MASTERPIECE dramas. Subscribe to “Historical Drama with The Boston Sisters” so you won't miss Episode 69 featuring our conversation with Dr. Healthier Wolfe of the Folger Shakespeare Library about Thomas Cromwell and what it takes to be a power player in Tudor times.------SUBSCRIBE to the podcast on your favorite podcast platformLISTEN to past past podcasts and bonus episodesSIGN UP for our mailing listSUPPORT this podcast  SHOP THE PODCAST on our affiliate bookstoreBuy us a Coffee! You can support by buying a coffee ☕ here — buymeacoffee.com/historicaldramasistersThank you for listening!

Morse code transcription: vvv vvv Trump envoy Steve Witkoff dismisses Starmer plan for Ukraine Grassroots anger tests Nigel Farages grip on Reform UK Newspaper headlines Reeves to wield axe on Civil Service and boxing says bye George End of hedonism Why Britain turned its back on clubbing Oxfam staff shocked as Bible donated in Chelmsford sells for 56k British TV industry is in crisis, says Wolf Hall director Peter Kosminsky Pet owners in shock after dogs seized for XL bully checks The man with a mind reading chip in his brain, thanks to Elon Musk Pope Francis to be discharged from hospital on Sunday Rachel Reeves confirms accepting free Sabrina Carpenter tickets

Morse code transcription: vvv vvv Grassroots anger tests Nigel Farages grip on Reform UK End of hedonism Why Britain turned its back on clubbing Pet owners in shock after dogs seized for XL bully checks Pope Francis to be discharged from hospital on Sunday Newspaper headlines Reeves to wield axe on Civil Service and boxing says bye George The man with a mind reading chip in his brain, thanks to Elon Musk British TV industry is in crisis, says Wolf Hall director Peter Kosminsky Rachel Reeves confirms accepting free Sabrina Carpenter tickets Oxfam staff shocked as Bible donated in Chelmsford sells for 56k Trump envoy Steve Witkoff dismisses Starmer plan for Ukraine

Morse code transcription: vvv vvv The man with a mind reading chip in his brain, thanks to Elon Musk Oxfam staff shocked as Bible donated in Chelmsford sells for 56k Trump envoy Steve Witkoff dismisses Starmer plan for Ukraine Pet owners in shock after dogs seized for XL bully checks Newspaper headlines Reeves to wield axe on Civil Service and boxing says bye George Rachel Reeves confirms accepting free Sabrina Carpenter tickets End of hedonism Why Britain turned its back on clubbing British TV industry is in crisis, says Wolf Hall director Peter Kosminsky Pope Francis to be discharged from hospital on Sunday Grassroots anger tests Nigel Farages grip on Reform UK

Morse code transcription: vvv vvv Oxfam staff shocked as Bible donated in Chelmsford sells for 56k Trump envoy Steve Witkoff dismisses Starmer plan for Ukraine Pope Francis to be discharged from hospital on Sunday Rachel Reeves confirms accepting free Sabrina Carpenter tickets British TV industry is in crisis, says Wolf Hall director Peter Kosminsky End of hedonism Why Britain turned its back on clubbing Pet owners in shock after dogs seized for XL bully checks The man with a mind reading chip in his brain, thanks to Elon Musk Newspaper headlines Reeves to wield axe on Civil Service and boxing says bye George Grassroots anger tests Nigel Farages grip on Reform UK

Damian Lewis shares details on new series 'Wolf Hall: The Mirror and the Light.' Also, Michael Urie stops by to discuss his role in 'Shrinking.' Plus, ways to keep pets safe and healthy this spring. And, Chef Marcus Samuelsson shares a delicious roast jerk chicken recipe.

This is an encore release of an earlier podcast episode.WARNING: This episode contains spoilers for Wolf Hall.We're pleased to bring you this special recap episode of Wolf Hall, the award-winning 2015 adaptation of Hilary Mantel's novels Wolf Hall and Bring Up the Bodies. This episode outlines major plot points, historical details, and character arcs, so if you're not caught up on Wolf Hall yet, all six episodes are available to watch on PBS Passport. Now let's travel back to England in the year 1529, right at the start of one of the most tempestuous times in English history.

The screenwriter Peter Straughan has become adept at taking well known — and beloved — books and adapting them for the big and small screens. He was first nominated for an Oscar for his screenplay of the 2011 film “Tinker Tailor Soldier Spy,” based on the classic John le Carré spy novel, and then adapted Hilary Mantel's “Wolf Hall” trilogy into an award-winning season of television, with an adaptation of the third novel coming out soon. Now he has been nominated for a second Oscar: for his screenplay for “Conclave,” based on Robert Harris's political thriller set in the secret world of a papal election.“It's almost like mosaic work,” Straughan tells Gilbert Cruz, the editor of The New York Times Book Review, about adapting books. “You have all these pieces; sometimes they're going to be laid out in a very similar order to the book, sometimes a completely different order. Sometimes you're going to deconstruct and rebuild completely.”In the third episode of our special series devoted to Oscar-nominated films adapted from books, Cruz talks with Straughan about his process of translating a book to the screen, and about the moments in ‘‘Conclave” that he found most exciting to adapt.Produced by Tina Antolini and Alex BarronEdited by Wendy DorrEngineered by Daniel RamirezOriginal Music by Elisheba IttoopHosted by Gilbert Cruz Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

This week it's the rose red empire of Hackney famous residents from the 1500s. We discover why Alex didn't watch Wolf Hall. She's a sensitive gal you know. And we go way back to 600bc, before returning, via the world's first coal powered electricity generating station, where? Really!? How Extraordinary! To the bright lights and power hungry pubs of Shoreditch in the late 1800s. Time for some civic minded Victorian engineering, to produce: More Light, More Power. The unassuming brick building on Coronet St hides a powerful past life, disguised now with the glitz, glamour and muscles of steel needed for aerial circus skills. Plus Crossness dates - 5th Apr, get in touch if you want to join us at the pumping station. Important Hat news, Rev and Amazing Grace, and at some point everyone lives near Krapy Rubsnif. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hannah French visits Claire van Kampen - the Tudor music advisor & arranger for both Wolf Hall TV series - to explore the music associated with many of the main characters, including King Henry VIII, Thomas Cromwell, Anne Boleyn and Lady Mary, as well as some of the musicians at court: Mark Smeaton, John Taverner and John Blanke.

Join vassals Michal (inkasrain), Bina (Bina007), Stephanie (gsgd), and Marie (Nymeria) as they pass time with good company and get deep in discussion of the jaw-dropping BBC series Wolf Hall. Based on the epic novels by Hilary Mantel, Wolf Hall … Continue reading →

Peter Kosminsky, the renowned British film and television director who recently directed the much-acclaimed Wolf Hall, discusses his career journey—from being sacked by the BBC Plays department to finally becoming a successful documentary-maker and filmmaker. He describes the creative process behind Wolf Hall, the challenges British filmmakers face in securing funding from streaming services for projects focused on British subject matter, and his proposal for a UK cultural fund, financed by a levy on streaming service subscriptions, to support the production of high-quality British dramas. On his Grenfell project: "Are we really saying that British television is incapable of making a drama about this critical subject to a British audience, because a bunch of American streamers don't think it's interesting enough to finance?"Listen to all our episodes here: https://podfollow.com/beebwatch To support our journalism and receive a weekly blog sign up now for £1.99 per month (NB we only charge for one creation per month): www.patreon.com/BeebWatch/membership Or if you'd rather make a one-off payment (which doesn't entitle you to the blog) please use our crowdfunding page:https://www.crowdfunder.co.uk/p/roger-boltons-beeb-watch-podcast @BeebRogerInstagram: rogerboltonsbeebwatchLinkedIn: Roger Bolton's Beeb Watchemail: roger@rogerboltonsbeebwatch.comwww.goodeggproductions.uk  Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Professor Suzannah Lipscomb explores the lives of the cast of Tudor courtiers who appear in Wolf Hall, including Thomas Cromwell, Richard Rich, Thomas Howard and Eustace Chapuys. She's joined by Dr. Lauren Mackay to discuss their portrayal in Wolf Hall and what happened to them in real life after the demise of Cromwell. The episode reveals the intricate politics, personal loyalties and enduring impacts of these characters on English history.Presented by Professor Suzannah Lipscomb. The researcher is Alice Smith, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.Theme music from All3Media. Music by Epidemic Sound.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK

…. and then there were three.We cover Supermarkets, looting, Wolf Hall, cat soup, all the latest local news, and Buckers' first quiz appearance as my new full-time co conspirator is a crisp packet identification special.Pics posted on Insta a few days ago, answers to follow.Oh and some cracking beers from  https://www.brasscastle.co.uk/Get it down ye.Additional music by SergeQuadrado, AlexiAction, Muzaproduction, Ashot-Danielyan, Julius H, RomanSenykMusic, AudioCoffee, SoundGalleryBy, Grand_Project, geoffharvey, Guitar_Obsession, Lexin_Music, AhmadMousavipour, melodyayresgriffiths, DayNigthMorning, litesaturation, 1978DARK, lemonmusicstudio, Onoychenkomusic, soundly, Darockart, Nesrality, ShidenBeatsMusic, PaoloArgento, Music_For_Videos, Boadrius, ScottishPerson, Good_B_Music, Music_Unlimited, lorenzobuczek, The_Mountain, SoundMakeIT, Onetent, Stavgag, leberchmus, Alban_Gogh, nakaradaalexander - All can be found on Pixabay.Main Reclining Pair theme by Robert John Music. Contact me for details.

“If everything's being played on the surface, it's very hard to make that character come to life. You want hinterland, you want subtext. You want the things that are buried, the things that we don't know about them, the things that maybe they don't know about themselves. And always, the story is about this excavation of what's underneath the surface. One way or the other, that's kind of what story is. It's about bringing things to the surface,” says Conclave screenwriter Peter Straughan, about the importance of giving your characters secrets.  In this episode, we speak to Peter Straughan about his powerful film Conclave, starring Ralph Fiennes, Stanley Tucci and John Lithgow. Based on the book by Robert Harris, the movie follows five very different modern Catholic Cardinals as they go through the process of electing a new Pope. Straughan talks about why he loves a flawed hero, getting to tour the Vatican, what surprised him the most, and whether or not he thinks the real Pope will watch this movie.  Having also written the TV show Wolf Hall about Tudor England, Straughan also talks about the surprising connection between King Henry VIII and the modern Catholic Church.  “Both the world of the Tudors and the world of Conclave give us a way of looking at human behavior and the pursuit of power from a sort of angle that makes it particularly clear and fresh, without the clutter of the normal secular world of elections, that really anchors it in the human individual. So, Tudor England was maybe the last time where the sexual desires of one man was going to dominate the political landscape of an entire country. Maybe not the last time. Maybe this still happens in the world. But it becomes really pared down to basics, so you see very clearly what's going on. And I think it feels the same with Conclave, it's about the personalities and the morals of these few individuals,” says Straughan.  Just a warning, there are spoilers about the ending of Conclave in this episode, but we give you plenty of warning before they are discussed.  To hear more about Straughan's writing process, listen to the podcast.   

Screenwriters Peter Straughan (Conclave) and Zack Baylin (The Order) discuss their latest projects and previous work, their process, and much more. Peter Straughan is a writer and playwright. His most recent screenplay is the 2024 film Conclave. Before Conclave, Peter's screenwriting credits have include The Goldfinch, Our Brand is Crisis, Frank and Tinker Tailor Soldier Spy, the latter of which received several accolades including a 2011 Academy Award nomination for Best Original Screenplay. In addition, he wrote the 2015 television adaptation of Wolf Hall, which earned him a nomination for the Primetime Emmy Award for Outstanding Writing for a Miniseries, Movie or a Dramatic Special. Zach Baylin is a writer whose 2024 credits include The Order and Bob Marley: One Love. His other credits include Gran Turismo, Creed III and King Richard, the last of which earned him an Academy Award nomination for Best Original Screenplay. --- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast  

China's rapid surge in electric vehicle manufacturing, adoption, and export has variously encouraged, delighted, impressed, frightened, and even enraged people around the world. What did China get right in facilitating the explosive development in this industry? Was is just subsidies, or were there other important policies that helped jumpstart it? How have other geographies responded? And what can they learn? Ilaria Mazzocco, deputy director and senior fellow with the Trustee Chair in Chinese Business and Economics at the Center for Strategic and International Studies (CSIS) joins me to share her rich insights into the Chinese EV industry.3:49 – How Ilaria became interested in green industrial policy5:59 – The reality of progress in EVs in China 11:21 – The role of state subsidies and other things that tend to get missed in trying to understand EVs in China 16:51 – How other countries are trying to adopt China's approach 19:21 – The differences between the EU and U.S. approaches 24:17 – The outlook for competition in the Chinese market 26:08 – Business models in the Chinese EV sector and the example of BYD30:53 – Chinese firms' push for internationalization and how the rapidity of becoming multinationals [multinational companies?] may pose challenges 35:54 – Alignment between host countries and Chinese companies 39:58 – What the U.S. is doing and the Inflation Reduction Act (IRA)42:27 – How U.S. protectionist measures may affect third markets, and whether restrictions may backfire 48:57 – The coming shift to next-generation batteries, and the potential for international collaboration in advancing more circular practices 55:43 – How Ilaria's fieldwork shifted her perspective on the EV industry 59:38 – How we can improve industrial policy Recommendations:Ilaria: My Antonia by Willa Cather; the Wolf Hall trilogy by Hilary Mantel; The Army of Sleepwalkers by Wu Ming (an Italian novelist collective) about the French Revolution Kaiser: The Wolf Hall audiobooks read by Ben Miles; the HBO series Rome (2005-2007) See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices

Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ivan Kreilkamp, Indiana University English professor and no stranger to Recall This Book, is the author of two books on Victorian literature and one about Jennifer Egan. For this episode of Recall This Story, Ivan reads Sylvia Townsend Warner's "Foxcastle.” It was first published in The New Yorker in 1975 and became the final story in her final book, Kingdoms of Elfin. Before diving into the story itself, Ivan and John marvel at STW's weird greatness--and great weirdness. Like Hilary Mantel, she is drawn to the deep strangeness of other people. Prompted by John to think about these fairy stories as posthuman, Ivan notes the "dehumanization ceremonies" fairies perform on stolen changelings. John builds on the idea by bringing up the rise (in the 1960's) of alien abduction narratives. Do they form an invisible subtext to the abduction that begins the story? David Trotter's "Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner" explores Warner's taste for non-human perspectives in e.g. The Cat's Cradle Book. Warner's own line on her stories--"bother the human heart, I'm tired of the human heart"--signals to Ivan her knowledge that the animals we share the world with see things quite differently: his own cat, he suspects, might let him die without too much emotion. John respects Charles Foster's Being a Beast for his decision to live like a badger (worm-eating and all) rather than just imagining it. Literature cited: Ivan has a piece in praise of STW's 1926 Lolly Willowes. John and Ivan also revere Mr Fortune's Maggot (1927), The Corner That Held Them (1948) and The Flint Anchor (1954). When the two compare STW to Hilary Mantel they are thinking of historical fiction (Wolf Hall especially) as well as her biting novel of the Thatcher era, Beyond Black. Donna Haraway's A Cyborg Manifesto (1985) comes up in the posthumanism discussion. Randall Jarrell, "The Sick Child" ("all that I've never thought of--think of me!") Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

WARNING: This episode contains spoilers for Wolf Hall.We're pleased to bring you this special recap episode of Wolf Hall, the award-winning 2015 adaptation of Hilary Mantel's novels Wolf Hall and Bring Up the Bodies. This episode outlines major plot points, historical details, and character arcs, so if you're not caught up on Wolf Hall yet, all six episodes are available to watch on PBS Passport. Now let's travel back to England in the year 1529, right at the start of one of the most tempestuous times in English history.

WARNING: This episode contains spoilers for Wolf Hall.Production researcher Kirsten Claiden-Yardley is an Oxford educated historian, researcher, and author with a particular interest in 15th and 16th century British history. Today, Kirsten takes us behind the tapestry to discuss working on MASTERPIECE's 2015 production Wolf Hall, and provides the real life historical context for this monumental historical drama. 

This week our TV Editor Emmy Griffiths is elbowing her co-host Andrea Caamano and HELLO!'s Royal Editor Emily Nash out of the way to talk all about the BBC's new Tudor drama, Wolf Hall: The Mirror and the Light.  The series takes place in the court of King Henry VIII, so the trio take a trip back into the past while discussing what life was like in the King's court and how Christmas was celebrated - as well as some excellent fact vs fiction truths from this week's special guest, Historic Royal Palace's head of research, Professor Anthony Musson.  Andrea and Emily have also been busy looking into days of royals' past, and they took a trip to Windsor Castle to look at 2024's magnificent decorations, including a 100-year-old dollhouse belonging to Queen Mary. During their visit, they also spoke to Royal Collection Trust curator, Kathryn Jones, who gave the inside scoop on the display.  However, it's not all history in the new episode, as we also catch up on the latest royal news, including Queen Camilla's beautiful tiara at the diplomatic reception, Prince William's further efforts to end homelessness, the latest on Princess Kate's carol service - and who can forget a recent royal robbery at Windsor Castle...  Finally, if you also want to join thousands of royal fans just like you, then subscribe to our substack for EXCLUSIVE content: https://royalclub.hellomagazine.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Anne McElvoy and guests discuss the art of diplomacy from Ancient Greece to the Tudors and today's shifting international security as well as how its portrayed on screen in dramas like the BBC's Wolf Hall and the Netflix series The Diplomat. Her guests include: Former EU and US Ambassador Sir Nigel Sheinwald . Bronwen Maddox from the think tank Chatham House. Historian Dr Clare Jackson who is the author of Devil Land England Under Seige 1588-1688. Dr Holly Furneaux, Professor at Cardiff University talks about her research into "enemy intimacy" which is part of a new exhibition at the Imperial War Museum in London called War and the Mind.

In the spring of 1540 Thomas Cromwell was at the height of his power, but just a few months later he found himself at the scaffold on Tower Hill preparing to be executed for treason and heresy. What had gone so badly wrong for Henry VIII's right-hand man? As the BBC drama Wolf Hall returns for a second series, Rob Attar speaks to Cromwell biographer Diarmaid MacCulloch about the precipitous downfall of a man who seemed to have it all. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this final edition of Open Book, Johny Pitts and Chris Power celebrate some of the outstanding novels from the last twenty six years.They are joined by Kamila Shamsie, winner of the Women's Prize for Fiction in 2018 for her novel Home Fire. Sara Collins, author of The Confessions of Frannie Langton, and one of this year's Booker Prize judges. Ted Hodgkinson, Head of Literature and Spoken Word at the Southbank Centre, and previous chair of the International Booker.Kamila, Sara and Ted pick out some of the books, including Wolf Hall, Lincoln in the Bardo and On Beauty, which have stood out for them: books they'd recommend to others, and re-read again and again.Producer: Kirsten LockeBooks List:Best of Friends – Kamila Shamsie Burnt Shadows – Kamila Shamsie Home Fire – Kamila Shamsie The Confessions of Frannie Langton – Sara Collins In the City by the Sea – Kamila Shamsie Wolf Hall – Hilary Mantel Lincoln in the Bardo – George Saunders Cloud Atlas – David Mitchell Klara and the Sun – Kazuo Ishiguro Seasonal Quartet – Ali Smith The Bee Sting – Paul Murray Maps for Lost Lovers – Nadeem Aslam In Memoriam – Alice Winn On Beauty – Zadie Smith

WARNING: This episode contains spoilers for Moonflower Murders Episode 5.Actor Mark Gatiss is a familiar face in the MASTERPIECE world. From Sherlock to Wolf Hall to Nolly, he always brings a unique charm to his characters and scripts. Today, we talk with Mark about playing timid film producer Oscar Berlin and prickly Frank Parris in Anthony Horowitz's Moonflower Murders, as well as his love of golden age murder mysteries.