Podcast appearances and mentions of Hilary Mantel

A Marriage at Sea by Sophie Elmhirst is an engrossing true account of a shocking shipwreck that's part love story and part peril on the high seas. Sophie joins us to talk about the 70s, marriage, sailing, survival and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): A Marriage at Sea by Sophie Elmhirst Adrift by Steven Callahan Stuart: A Life Backwards by Alexander Masters Offshore by Penelope Fitzgerald A Place of Greater Safety by Hilary Mantel

Triple Click brings on Tom Bissell, writer of video games, books, TV shows and the final three episodes of Andor season 2. They talk about how he went from reporting in Iraq to writing dialogue for Battlefield, his journey to become a writer on Andor, and what it was like to pen the conclusion to one of the most acclaimed TV shows of all time.One More Thing:Kirk: James (Percival Everett)Maddy: Metroid: Zero MissionJason: Never Flinch (Stephen King)LINKS:“The Writer Will Do Something” by Matthew Seiji Burns and Tom Bissell: https://matthewseiji.itch.io/twwdsNicholas Quah on “The Death Star Trilogy”: https://www.vulture.com/article/andor-rogue-one-new-hope-star-wars-trilogy-viewing-order.htmlPaste Magazine interview with Tom about writing his Andor episodes: https://www.pastemagazine.com/tv/andor/andor-season-2-finale-postmortem-with-writer-tom-bissellTom's Related Reading Recs: The House of Government by Yuri Slezkine, A Place of Greater Safety by Hilary Mantel, and anything by John Le CarréTriple Click LIVE in Portland, July 11: https://albertarosetheatre.com/event/triple-click-live/alberta-rose-theatre/portland-oregon/Support Triple Click: http://maximumfun.org/joinBuy Triple Click Merch: https://maxfunstore.com/search?q=triple+click&options%5Bprefix%5D=lastJoin the Triple Click Discord: http://discord.gg/tripleclickpodTriple Click Ethics Policy: https://maximumfun.org/triple-click-ethics-policy/

Critic Linda Burgess discusses David Attenborough's documentary 'Ocean' and the new series of 'The Mirror and the Light' the show based on Hilary Mantel's Wolf Hall books.

Wolf Hall: The Mirror and the Light Thomas Cromwell navigates the Tudor court in the aftermath of the execution of Henry VIII's second wife, Anne Boleyn. Based on the final book in Hilary Mantel's commanding trilogy (Neon). Smoke When an arson investigator begrudgingly teams up with a police detective, their race to stop two arsonists ignites a twisted game of secrets and suspicions (Apple TV+). Here We Go In this hilariously unfiltered portrait of family life, the Jessops are the subject of their son Sam's amateur documentary, as they go about their mundane but chaotic lives (TVNZ+). LISTEN ABOVE See omnystudio.com/listener for privacy information.

The Safekeep by Yael van der Wouden — winner of the 2025 Women's Prize for Fiction — is an indelible debut novel about love, loss, war and want. Yael joins us to talk about writing historical fiction, creating messy characters, repression, home and family with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): The Safekeep by Yael van der Wouden Fingersmith by Sarah Waters Wolf Hall by Hilary Mantel

This week, Louis sits down with Danny Dyer, the Bafta-winning actor and all-round national treasure. The pair discuss Danny's experience battling addiction while performing on stage, their shared fascination with UFOs, and whether Danny would ever do Shakespeare. Plus, Danny reveals what he really thinks about being described as ‘the people's Louis Theroux'.   Links/Attachments:    Via – UK Drug and Alcohol Addiction Charity  https://www.viaorg.uk/     TV Show: ‘Who Do You Think You Are? (2007 – Present) - BBC  https://www.bbc.co.uk/programmes/b007t575     Book: Wolf Hall, Hilary Mantel (2009)  https://www.amazon.co.uk/Wolf-Hall-Shortlisted-Golden-Booker/dp/0007230206      TV Show: ‘Wolf Hall' (2015) - BBC  https://www.bbc.co.uk/iplayer/episode/p02gfy74/wolf-hall-series-1-1-three-card-trick   Loving (1995)  https://tv.apple.com/us/movie/loving/umc.cmc.46n84c1skr7ogikets6qczv2v     Play: Hamlet, William Shakespeare (~1600)  https://www.amazon.co.uk/Hamlet-William-Shakespeare/dp/1853260096     Human Traffic (1999)  https://www.youtube.com/watch?v=HAPK6ZYq_p0      The Football Factory (2004)  https://www.youtube.com/watch?v=kzuEkF1oLVE    Goodbye Charlie Bright (2001)  https://www.imdb.com/title/tt0217824/?ref_=fn_al_tt_1    The Business (2001)  https://www.youtube.com/watch?v=wVZX9I6y97k     Book: The Football Factory, John King (1997)  https://www.amazon.co.uk/Football-Factory-John-King/dp/0099731916     Article in shortlist 2017: https://www.shortlist.com/news/danny-dyers-deadliest-men-louis-theroux-documentary-tv    TV Show: ‘Danny Dyer's Deadliest Men' (2008-2009) - Bravo  https://www.imdb.com/title/tt2288499/     TV Show: ‘Big Brother' (2000 – Present) - ITV  https://www.itv.com/watch/big-brother/10a4928     ‘What a touch! Danny Dyer wins Male Performance in a Comedy for Mr Bigstuff | BAFTA TV Awards'  https://www.youtube.com/watch?v=8XQLYDZeYVg     TV Show: ‘Mr Bigstuff' (2024) - Sky Max  https://www.sky.com/watch/mr-bigstuff     TV Show: ‘Plebs' (2012 – 2019) - ITV  https://www.itv.com/watch/plebs/2a1873     TV Show: ‘Rivals' (2024) - Disney Plus  https://www.disneyplus.com/en-gb/browse/entity-97399b9f-964e-444c-91f3-7db9f11efe5d     I Believe in UFOs: Danny Dyer (2010)  https://www.imdb.com/title/tt7008276/     TV Episode: ‘Louis Theroux's Weird Weekends: UFOs' (1998)  https://www.bbc.co.uk/programmes/p00hf8tg     TV Show: ‘Prime Suspect' (1991 – 2006) - ITV  https://www.itv.com/watch/prime-suspect/1a1685     TV Show: ‘Cracker' (1993 – 1996) - ITV  https://www.itv.com/watch/cracker/1a1918     Three Quick Breaths (upcoming film)  https://www.imdb.com/title/tt35566934/    TV Show: ‘Eastenders' (1985 – Present) - BBC  https://www.bbc.co.uk/iplayer/episodes/b006m86d/eastenders     Podcast: ‘Desert Island Discs: Danny Dyer' - BBC Sounds  https://www.bbc.co.uk/sounds/play/m002c2hw   Play: Celebration, Harold Pinter (2000)  http://www.haroldpinter.org/plays/plays_celebration.shtml     Play: The Dumb Waiter, Harold Pinter (1957)  https://www.amazon.co.uk/Dumb-Waiter-Play-Acting-One/dp/0573042101     Play: The Caretaker, Harold Pinter (1960)  https://www.amazon.co.uk/Caretaker-Play-Harold-Pinter/dp/0573040028     Play: The Birthday Party, Harold Pinter (1958)   https://www.amazon.co.uk/Birthday-Party-Pinter-Plays/dp/0571160786     Play: The Room, Harold Pinter (1957)  https://www.worldofbooks.com/en-gb/products/room-book-harold-pinter-9780573022364       Credits:  Producer: Millie Chu   Assistant Producer: Artemis Irvine  Production Manager: Francesca Bassett   Music: Miguel D'Oliveira   Audio Mixer: Tom Guest  Video Mixer: Scott Edwards   Shownotes compiled by Immie Webb  Executive Producer: Arron Fellows       A Mindhouse Production for Spotify   www.mindhouse.co.uk     Learn more about your ad choices. Visit podcastchoices.com/adchoices

In today's episode another trial that forms the basis for great drama: the case of Thomas More, tried and executed in 1535, events dramatised by Robert Bolt in A Man for All Seasons and Hilary Mantel in Wolf Hall. How did More try to argue that silence was no evidence of treason? Why was his defence so legalistic? Was he really ‘the Socrates of England'? And who was the true villain in this case: Thomas Cromwell, Richard Rich or the King himself? Available now on PPF+: Socrates part 2, in which David explores the verdict of history on this case and the fierce arguments it still inspires. Sign up now to get this and all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus Next time in Politics on Trial: Mary Queen of Scots vs the Secret State Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this week's episode, I take a look at the movies and streaming shows I watched in Winter and Spring 2025. This week's coupon code will get you 25% off the ebook versions of my anthologies at my Payhip store: JUNE25 The coupon code is valid through June 17, 2025. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 252 of The Pulp Writer Show. My name is Jonathan Moeller. Today is May 23rd, 2025, and today we are looking at the movies and streaming shows I watched in Winter and Spring 2025. We missed doing an episode last week for the simple reason that the day before I wanted to record, we had a bad thunderstorm that knocked down large portions of my fence, so my recording time was instead spent on emergency fence repair. However, the situation is under control, so hopefully we'll be back to weekly episodes for the immediate future. And now before we get to our main topics, let's have Coupon of the Week and then a progress update on my current writing projects.   So first up, Coupon of the Week. This week's coupon code will get you 25% off the ebook version of all my short story anthologies at my Payhip store and that is JUNE25. As always, the coupon code and links will be available in the show notes. This coupon code is valid through June the 17th, 2025, so if you need a new ebook for this summer, we have got you covered.   And now an update on my current writing projects. Ghost in the Corruption is finished. It is publishing right now. In fact, I paused the publishing process to record this and so by the time this episode goes live, hopefully Ghost in the Corruption should be available at all ebook stores. My next main project now that Ghost in the Corruption is done will be Shield of Power and as of this recording I am 15,000 words into it. My secondary projects will be Stealth and Spells Online: Final Quest and I'm 97,000 words into that, so hopefully that will come out very shortly after Shield of Power and I'll also be starting Ghost in the Siege, the final book in the Ghost Armor series as another secondary project and I'm currently zero words into that. So that is where I'm at with my current writing projects.   In audiobook news, Ghost in the Assembly (as excellently narrated by Hollis McCarthy) is now out and should be available at all the usual audiobook stores so you can listen to that if you are traveling for the summer. Recording of Shield of Battle (as excellently narrated by Brad Wills) is underway soon. I believe he's starting it this week, so hopefully we will have another audiobook in the Shield War series for you before too much longer. So that's where I'm at with my current writing projects.   00:02:17 Main Topic: Winter/Spring 2025 Movie Roundup   And now let's move on, without any further ado, to our main topic. Summer is almost upon us, which means it's time for my Winter/Spring 2025 Movie Roundup. As usual, the movies and streaming shows are listed in order for my least favorite to my most favorite. The grades are based upon my own thoughts and opinions and are therefore wholly subjective. With all of that said, let's get to the movies and our first entry is MacGruber, which came out in 2010 and in all honesty, this might be objectively the worst movie I have ever seen. The Saturday Night Live MacGruber sketches are a parody of the old MacGyver action show from the ‘80s. And so the movie is essentially the sketch stretched out to make a parody of an ‘80s action movie. It is aggressively dumb and crude. Its only redeeming feature is that the movie knows it's quite stupid and so leans into the stupidity hard. I'll say this in its favor, MacGruber has no pretensions that is a good movie and does not take itself seriously and then runs away hard with that fact. For that he gets a plus, but nothing else. Overall grade: F+   Next up is Down Periscope, which came out in 1996. Now the fundamental question of any movie is the one Russell Crowe shouted at the audience in Gladiator: “Are you not entertained?” Sadly, I was not entertained with Down Periscope. This wanted to be a parody of Cold War era submarine thrillers like The Hunt for Red October, I say wanted because it didn't really succeed. Kelsey Grammer plays Lieutenant Commander Thomas Dodge, an unorthodox US Navy officer who wants command of his own nuclear sub, but he's alienated a few admirals, which is not traditionally a path to career advancement in the military. Dodge gets his chance in a Navy wargame where he has to command a diesel sub against nuclear subs. Sometimes parodies are so good that they become an example of the thing they are parodying (Hot Fuzz and Star Trek: Lower Decks are excellent examples of this phenomenon). The trouble is that the movie takes itself too seriously and just isn't all that funny. A few funny bits, true, but not enough of them. In the end, this was dumb funny but didn't resonate with me the way other dumb funny movies like Dodgeball and Tropic Thunder did. Overall grade: D   Next up is Deadpool and Wolverine, which came out in 2024. Unlike Down Periscope, I was entertained with this movie, though both movies reside on the dumb funny spectrum. Deadpool and Wolverine is basically one long meta in-joke/love letter for the last 30 years of superhero movies. If you've seen enough of those movies, you'll find those movies funny, if occasionally rather tasteless. If you haven't seen enough of those movies, Deadpool and Wolverine will just be incomprehensible. The plot is that Wade Wilson AKA Deadpool gets pulled into some Marvel style multiverse nonsense. To save his universe from destruction, he needs to recruit a Wolverine since in his universe, Wolverine died heroically.   In the process, Deadpool stumbles across the worst Wolverine in the multiverse. Together they have to overcome their mutual dislike and attempt to save Deadpool's universe from destruction at the hands of a rogue branch of the Time Variance Authority. This means the movie can bring in a lot of cameos from past Marvel films. Hugh Jackman's performance really carries the movie on its back. Like I said, this movie is essentially one very long Marvel in-joke. I thought it was funny. I definitely think it can't stand on its own without having seen a sufficient number of the other Marvel movies. Overall grade: C   Our next movie is the Ministry of Ungentlemanly Warfare, which came out in 2024. This is very loosely (with an emphasis on “very”) based on Operation Postmaster during World War II, when British Special Forces seized some Italian ships that had been supplying parts for German U-boats. It was entertaining to watch but it couldn't quite make up its mind tonally if it was a war thriller or a heist movie about Western desperados recruited into a crew. It kind of tried to do both at the same time, which killed the momentum. Like, the first parts of the movie where the protagonists take out a Nazi patrol boat and then free a prisoner from a base were good thriller stuff, but then the plot fused with the heist stuff and really slowed down through the middle forty percent or so. It was also oddly stylized with a lot of spaghetti western-style music that seemed out of place and some stuff just didn't make sense, like at the end after pulling off the mission, the protagonists were all arrested. That just seems bizarre since if anything, Winston Churchill and a lot of the British wartime leadership were enthusiastic about special operations and probably had too much confidence in the effectiveness of covert operations. So I did enjoy watching this, but I can see why it didn't make a lot of money at the box office. Overall Grade: C   Next up is The Gorge, which came out in 2025. This was a peculiar mix of science fiction, romance, and horror. For the romance part, perhaps shooting zombies together is a good idea for a first date. Before I dig into the movie, a brief rant. In one scene, a character is using a chainsaw with no protective gear whatsoever and she's not fighting zombies or anything in a situation where she has to pick up a chainsaw without preparing first. She's trimming branches to pass time. If you're using a chainsaw, at a minimum you want protective eyewear and headphones. Ideally you'd want chainsaw pants as well to reduce the chance of serious injury if you slip and swing the saw into your leg. Since I became a homeowner, I've used a chainsaw a number of times and believe me, you definitely want good eye and ear protection. This has been your public safety announcement for this movie review.   Anyway, loner former sniper Levi is approached by a high ranking intelligence officer giving him a mysterious job. He needs to guard a tower overlooking a mysterious mist-filled gorge for one year. On the other side of the gorge is another tower, guarded by an elite Lithuanian sniper named Drasa. Like Levi, Drasa has a fair bit of emotional damage and they're officially forbidden to communicate. However, they're both lonely and they soon start communicating over the gorge using telescopes and whiteboard messages. Eventually Levi gets emotionally close enough to Drasa to rig a zipline to cross the gorge and speak with her in person.   Unfortunately, it turns out the gorge is full of twisted creatures that storm out and attack and the job of the two snipers is to keep them contained. If Levi and Drasa want to save their lives, they'll need to unravel the dark secret within the gorge. This movie was interesting and I enjoyed watching it, but it falls apart if you think about it too much (or at all). Like the chainsaw thing I ranted about above. The entire movie runs on that sort of logic. That said, I appreciate how the filmmakers were trying something new instead of something like Deadpool and Wolverine. Additionally, this was an Apple+ movie and it's interesting how Apple's approach to streaming is to just make a whole bunch of random stuff that's totally distinct, from Ted Lasso to Mythic Quest to Severance to The Gorge. It's like, “we have more money than most countries, so we're going to make Ted Lasso because we feel like it.” Then again, Apple+ is apparently losing a billion dollars every year, so maybe they'll eventually change their minds about that approach. Overall Grade: B-   Next up is Click, which came out in 2006. Cross It's a Wonderful Life with A Christmas Carol and the comedic style of Adam Sandler and you end up with Click. Basically Sandler plays Michael Newman, a workaholic architect with a demanding boss and increasingly strained relationship with his wife and children due to his workload. In a fit of exasperation with his situation, he goes to Bed Bath and Beyond, where he encounters an eccentric employee named Morty (played entertainingly by Christopher Walken). Morty gives him a remote control that lets him fast forward through time, which Michael then uses to skip the boring and tedious parts of his life, but he overuses the remote and goes too far into the future and sees the disastrous results of his current life choices. Definitely a story used in A Christmas Carol and It's a Wonderful Life but effectively told and I was entertained (rather on the crude side, though). Overall Grade: B- Next up is Mr. Deeds, which came out in 2002. This was actually one of Adam Sandler's better movies, in my opinion. It was a remake of the ‘30s movie Mr. Deeds Goes To Town. In this new version, Sandler plays Longfellow Deeds, a popular pizzeria owner in a small New Hampshire town. Unbeknownst to Deeds, his uncle is the owner of a major media mega corporation and when he dies, Deeds is his legal heir. When the company's CEO and chief lawyer arrive at the pizzeria to inform him of this fact, Deeds goes to New York and soon finds himself involved in the CEO's sinister machinations. Yet he happens to rescue an attractive woman from a mugger, but there is more to her than meets the eye. The movie was funny and not as crude, well, not quite as crude as some of Sandler's other stuff. It had good story structure and several great lines, my favorite of which was “he was weak and cowardly and wore far too much cologne.”   Sandler's movies, in a strange way, are often very medieval. Like various medieval fables had a savvy peasant outwitting pompous lords, greedy merchants, and corrupt clergymen. The best Adam Sandler protagonist tends to be a good natured everyman who defeats the modern equivalent of medieval authority figures- evil CEOs, arrogant star athletes, sinister bureaucrats and so forth. Overall Grade: B     Next up is House of David, which came out in 2025 and this is basically the story of King David from the Bible told in the format of an epic fantasy TV series. Like if someone wanted to do an epic fantasy series about Conan the Barbarian, it could follow the same stylistic format as this show. And of course Conan and David followed a similar path from adventurer to king. Anyway, if one were to pick a part of the Bible from which to make a movie or TV series, the story of David would be an excellent choice because David's life was so dramatic that it would hardly require any embellishments in the adaptation. The story is in the Books of First and Second Samuel. King Saul is ruling over the Israelites around 1000 BC or so, but has grown arrogant. Consequently, God instructs the prophet Samuel to inform Saul that the kingdom will be taken away from him and given to another. God then dispatches Samuel to anoint David as the new king of Israel. David is a humble shepherd but then enters Saul's service and undertakes feats of daring, starting with defeating the giant Goliath and leading Saul's troops to victory and battle against Israel's numerous enemies. (The Iron Age Middle East was even less peaceful than it is now.) Eventually, Saul's paranoia and madness gets the best of him and he turns on David, who flees into exile. After Saul and his sons are killed in battle with the Philistines. David returns and becomes the acknowledged king after a short civil war with Saul's surviving sons and followers.   If Saul's fatal flaw was his arrogance of pride, David's seems to have been women. While the story of David and Bathsheba is well known, David nonetheless had eight wives (most of them at the same time) and an unknown but undoubtedly large number of concubines. Naturally David's children from his various wives and concubines did not get along and David was almost deposed due to the conflicts between his children. Unlike Saul and later David's son Solomon, David was willing to repent when a prophet of God informed him of wrongdoing and to be fair to David, monogamy was generally not practiced among Early Iron Age Middle Eastern monarchies and dynastic struggles between brothers from different mothers to seize their father's kingdoms were quite common, but enough historical digression.   Back to the show, which covered David's life up to the death of Goliath. I thought it was quite well done. Good performances, good cinematography, excellent battles, good set design and costuming, and a strong soundtrack. All the actors were good, but I really think the standout performances were Stephen Lang as Samuel, Ali Sulaman is King Saul, Ayelet Zurer as Saul's wife Queen Ahinoam, and Davood Ghadami as David's jerkish (but exasperated and well-intentioned) eldest brother Eliab. Martyn Ford just looks extremely formidable as Goliath. You definitely believe no one in their right mind want to fight this guy.   Making fiction of any kind based on sacred religious texts is often tricky because no matter what you do, someone's going to get mad at you. The show has an extensive disclaimer at the beginning of each episode saying that it is fiction inspired by the Bible. That said, House of David doesn't really alter or deviate from the Biblical account, though it expands upon some things for the sake of storytelling. Queen Ahinoam is only mentioned once in the Bible as the wife of Saul, but she has an expanded role in the show and is shown as the one who essentially introduces Saul to the Witch of Endor. Goliath also gets backstory as one of the “Anakim,” a race of giants that lived in Canaan in ancient times, which is something that is only mentioned in passing in the Old Testament. Overall, I enjoyed the show and I hope it gets a second season.   What's interesting, from a larger perspective, is to see how the wheel of history keeps turning. In the 1950s and the 1960s, Biblical epics were a major film genre. The 10 Commandments and Ben Hur with Charlton Heston are probably the ones best remembered today. Eventually, the genre just sort of ran out of gas, much the way superhero movies were in vogue for about 20 years and began running out of steam around 2023 or so. Like, I enjoyed Thunderbolts (which we're going to talk about in a little bit), but it's not going to make a billion dollars the way Marvel stuff often did in the 2010s. The wheel just keeps turning and perhaps has come back around to the popularity of Biblical epics once more. Overall Grade: A   Next up is Chef, which came out in 2014. I actually saw this back in 2021, but I watched it again recently to refresh my memory and here are my thoughts. I quite liked it. It's about a chef named Carl Casper, who's increasingly unhappy with his work after he gets fired over a Twitter war with a writer who criticized his cooking. Carl is out of options and so he starts a food truck and has to both rediscover his love of cooking and reconnect with his ex-wife and 10-year-old son. In Storytelling: How to Write a Novel (my book about writing), I talked about different kinds of conflict. Carl's conflict is an excellent example of an entirely internal conflict. The critic is an external enemy, but he's basically the inciting incident.   Carl's real enemy is his own internal conflict about art versus commerce and a strained relationship with his son. I recommend the movie. It was rated R for bad language, but there's no nudity or explicit sexual content and honestly, if you've ever worked in a restaurant kitchen or a warehouse, you've heard much worse in terms of language. The movie also has an extremely valuable lesson: stay off social media when you're angry. Overall Grade: A     Next up is Thunderbolts, which came out in 2025 and I thought this was pretty good, both very dark and yet with quite a lot of humor to balance the darkness. Former assassin Yelena Belova has been working as a mercenary for the sinister director of the CIA, Valentina de Fontaine (now there's a villain name if there ever was one). Yelena has grown disillusioned with her life and career and is suffering from increasing depression since she never really dealt with the death of her sister. Valentina promises her one last job, only for Yelena to realize that Valentina decided to dispose of all her freelance contractors at once, which includes US Agent and Ghost (previously seen in The Falcon and the Winter Soldier and Antman and the Wasp). In the process of escaping Valentina's trap, Yelena stumbles across a mysterious man who identifies himself as Bob, who has no memory of how he got there, but shows increasingly unusual abilities. Yelena wants to deal with Valentina's betrayal, but it turns out one of Valentina's science projects has gotten out of control and is threatening the world. The movie was well constructed enough that it didn't rely too heavily on previous Marvel continuity. It was there, but you probably wouldn't be lost without it. It almost feels like Marvel looked at the stuff they did the last couple of years and said, okay, a lot of this didn't work, but makes great raw material for new things. It helped that the central conflict was in the end, very human and about the characters, not stopping a generic villain from getting a generic doomsday device. Overall Grade: A   Next up is The Hound of the Baskervilles, which came out in 1988. This is a movie length episode of The Return of Sherlock Holmes television series, which had Jeremy Brett as Sherlock Holmes and Edward Hardwicke as Dr. Watson. The plot deals with Sir Henry Baskerville, the American heir to an English manor set in the Windswept moors of Dartmoor. Apparently there's an ancestral curse laid over the Baskerville estate that manifests in the form of a spectral hound. Local rumors hold that the previous holder of the manor, Sir Charles Baskerville, was killed by the ghostly hound and many of the local people fear it. The local physician, Dr. Mortimer, is so worried about the hound that he comes to Sherlock Holmes for help. Holmes, of course, is skeptical of any supernatural explanation and soon becomes worried that an extremely subtle and sinister murderer is stalking Sir Henry.   Jeremy Brett's version of Holmes is, in my opinion, the best portrayal of the character and Edward Hardwicke's version of Watson is a calm, reliable man of action who sensibly takes a very large revolver with him when going into danger. Definitely worth watching, Overall grade: A   Next up is Sonic the Hedgehog 3, which came out in 2024. The 2020s have been a downer of a decade in many ways, but on the plus side, between Super Mario Brothers and Sonic the Hedgehog, people have finally figured out how to make good video game movies, so we've got that going for us. Sonic 3 was an excellent kids movie, as were the first two in the trilogy. In this one Sonic is living with Knuckles and Tails under the care of their human friends Tom and Maddy, but then a dark secret emerges. The government has been keeping a Superpowered hedgehog named Shadow in stasis and Shadow has broken out. It's up to Sonic, Knuckles, and Tails to save the day.   Meanwhile, Dr. Robotnik is in a funk after his defeat at Sonic's hands in the last movie, but then his long lost grandfather, Gerald Robotnik returns seeking the younger Dr. Robotnik's help in his own sinister plans. Keanu Reeves was great as Shadow (think John Wick if he was a superpowered space hedgehog in a kid's movie). Jim Carrey famously said he would retire from acting unless a golden script came along and apparently that golden script was playing Dr. Ivo Robotnik and his evil grandfather Gerald. To be fair, both the Robotniks were hilarious.   It is amusing that Sonic only exists because in the 1990s, Sega wanted a flagship video game character that won't get them sued by either Nintendo or Disney. It is also amusing that the overall message of the Sonic movies seems to be not to trust the government. Overall Grade: A   Next up is Paddington in Peru, which came out in 2024. This is also an excellent kids' movie. In this installment, Paddington has settled into London with the Brown family and officially become a UK citizen. However, he receives a letter from Peru that his Aunt Lucy has mysteriously disappeared into the jungle. Distraught, Paddington and the Browns set off for Peru at once. Adventures ensue involving mysterious lost treasure, a crazy boat captain, and an order of singing nuns who might not quite be what they appear. Anyway, it's a good kids' movie. I think Paddington 2 was only slightly better because Hugh Grant as the chief villain, crazy actor Phoenix Buchanan, was one of those lightning in the bottle things like Heath Ledger as the Joker in the Dark Knight. Overall Grade: A   Now for the two best things I saw in Winter/Spring 2025. The first of them is Andor Season Two, which came out in 2025. Star Wars kind of has an age range the way Marvel stuff does now. What do I mean by that? In the Marvel comics and some of the TV series like Jessica Jones, they get into some really dark and heavy stuff, very mature themes. The MCU movies can have some darkness to them, but not as much because they're aiming at sort of escapist adventures for the general audience. Then there are kid shows like Spidey and Friends that a relative of mine just loved when he was three. You wouldn't at all feel comfortable showing a 3-year-old Dr. Strange in the Multiverse of Madness, but Spidey and Friends is just fine.   Star Wars now kind of has that age range to its stuff and there's nothing wrong with that. Sometimes you want to see a dark meditation upon human nature. Sometimes you need something kid friendly to occupy the kids you're babysitting and sometimes you just want to relax and watch Mando and Baby Yoda mow down some space pirates or something. All that said, Andor Season Two is some of the darkest and the best stuff that Star Wars has ever done. It successfully shifts genres from Escapist Pulp Space Fantasy to a gritty Political/Espionage Thriller. We in the audience know that the emperor is a Sith Lord who can use Evil Space Magic and wants to make himself immortal, but that fact is totally irrelevant to the characters. Even though some of the characters are high ranking in their respective organizations, this is essentially a “ground's eye” view of the Rebellion and life under the Empire.   In some ways, this is like Star Wars' version of Wolf Hall (which we're going to talk about shortly), in that we know how it ends already, but the dramatic tension comes from the harrowing emotional journey the characters undertake on the way to their inevitable destinations. Cassian Andor is now working for the nascent Rebellion under the direction of ruthless spymaster Luthen Rael. Mon Mothma is in the Imperial Senate, covertly funneling money to the Rebellion and realizing just how much the Rebellion will require of her before the end. Syril Karn, the ineffective corporate cop from Season One, has fallen in love with the ruthless secret police supervisor Dedra Meero, but he's unaware that Director Krennic has ordered Meero to manufacture a false flag incident on the planet Gorman so the planet can be strip-mined for resources to build the Death Star and Dedra has decided to use Syril to help accomplish it. All the actors do amazing jobs with their roles. Seriously, this series as actors really should get at least one Emmy. Speaking of Director Krennic, Ben Mendelson returns as Orson Krennic, who is one of my favorite least favorite characters, if you get my drift. Krennic is the oily, treacherous middle manager we've all had to deal with or work for at some point in our lives, and Mendelson plays him excellently. He's a great villain, the sort who is ruthless to his underlings and thinks he can manipulate his superiors right up until Darth Vader starts telekinetically choking him. By contrast, the villain Major Partagaz (played by Anton Lesser) is the middle manager we wish we all had - stern but entirely fair, reasonable, and prizes efficiency and good work while despising office drama. Unfortunately, he works for the Empire's secret police, so all those good qualities are in the service of evil and therefore come to naught. Finally, Episode Eight is one of the most astonishing episodes of TV I've ever seen. It successfully captures the horror of an episode of mass violence and simultaneously has several character arcs reach their tumultuous climax and manages to be shockingly graphic without showing in a lot of actual blood. Andor was originally supposed to be five seasons, but then Peak Streaming collapsed, and so the remaining four seasons were compressed down to one. I think that was actually to the show's benefit because it generates some amazing tension and there's not a wasted moment. Overall Grade: A+   Now for the second of my two favorite things I saw, and that would be Wolf Hall: The Mirror and the Light, which came out in 2024, but I actually saw it in 2025. This is a dramatization of Hilary Mantel's Wolf Hall novels about the rise and fall of Thomas Cromwell, who is King Henry VIII's chief lieutenant during the key years of the English Reformation. The first series came out in 2015, but the nine year gap between this and between the second series and the first series actually works quite well since Thomas Cromwell looks like he ages nine years in a single year (which may be what actually happened given how stressful working for someone like Henry VIII must have been). Anyway, in The Mirror and the Light, Cromwell has successfully arranged the downfall and execution of Anne Boleyn, Henry's previous queen. Though Cromwell is haunted by his actions, Henry still needs a queen to give him a male heir, so he marries Jane Seymour. Cromwell must navigate the deadly politics of the Tudor Court while trying to push his Protestant views of religion, serve his capricious master Henry, fend off rivals for the King's favor, and keep his own head attached to his shoulders in the process. Since Cromwell's mental state is deteriorating due to guilt over Anne's death and the downfall of his former master Cardinal Wolsey and Henry's a fickle and dangerous master at the best of times, this is an enterprise that is doomed to fail. Of course, if you're at all familiar with the history of Henry's reign and the English reformation, you know that Cromwell's story does not have a happy ending. Rather, Wolf Hall is a tragedy about a talented man who didn't walk away from his power until it was too late and he was trapped. Anyway, in my opinion, Wolf Hall: The Mirror and the Light was just excellent. All the performances were superb. Mark Rylance is great as Cromwell and has some excellent “WTF/I'm SO screwed” expressions as Cromwell's situation grows worse and worse. Bernard Hill played the Duke of Norfolk in the first series, but sadly died before Series Two, so Timothy Spall steps in and he does an excellent job of channeling Hill's portrayal of the Duke as an ambitious, crude-humored thug.   Damien Lewis is amazing as Henry VIII and his performance captures Henry's mixture of charisma, extreme vindictiveness, and astonishing self-absorption. The real Henry was known for being extremely charming even to the end of his life, but the charm was mixed with a volcanic temper that worsened as Henry aged and may have been exacerbated by a severe head injury. Lewis's performance can shift from that charm to the deadly fury in a heartbeat. The show rather cleverly portrays Henry's growing obesity and deteriorating health by having Lewis wear a lot of big puffy coats and limp with an impressively regal walking stick.   Overall, I would say this and Andor were the best thing I saw in Winter/Spring 2025. I wouldn't say that Wolf Hall: The Mirror and the Light is an accurate historical reputation. In real life, Cromwell was rather more thuggish and grasping (though far more competent than his rivals and his master) and of necessity the plot simplifies historical events, but it's just a superb historical drama. Overall Grade: A+ As a final note, I should say that of all the 2024 and 2025 movies mentioned here, the only one that actually saw in the theater was Thunderbolts, and I hadn't actually planned to see it in theaters, but a family member unexpectedly bought tickets for it, so I went along. Which I suppose is the movie industry's biggest problem right now. The home viewing experience is often vastly superior to going to the theater. The theater has the big screen and snacks, but at home you can have a pretty nice setup and you can pause whatever you want, go to the bathroom, and you can get snacks for much more cheaply. That's just much more comfortable than the movie theater.   Additionally, going to the theater has the same serious problem as booking a flight in that you're an enclosed space with complete strangers for several hours, which means you're potentially in a trust fall with idiots. All it takes is one person behaving badly or trying to bring their fake service dog to ruin or even cancel a flight, and the theater experience has much of the same problem, especially since the standards for acceptable public behavior have dropped so much from a combination of widespread smartphone adoption and COVID. The difference between the movie industry and the airline industry is that if you absolutely have to get from New York to Los Angeles in a single day, you have no choice but to book a flight and hope for the best. But if you want to see a movie and are willing to exercise some patience, you just have to wait a few months for it to turn up on streaming. I'm not sure how the movie industry can battle that, but sadly, it is much easier to identify problems than to solve them.   So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe, stay healthy, and see you all next week.

Preeti and Jenn recorded live with Patrons for a special retrospective, WoT readalikes, and Q&A!Read-Alikes:Dandelion Dynasty by Ken LiuBetween Earth and Sky series by Rebecca RoanhorseInheritance Trilogy by NK Jemisin (and then everything else)The Expanse series by James S.A. CoreyDead Djinn Universe series by P. Djeli ClarkBeverly Jenkins, Vivid (for Romanda)The Kushiel series (incl the Joscelin book) by Jacqueline CareyThe Thief / Megan Whalen Turner The Emily Wilde trilogy Babel by RF Kuang Wolf Hall by Hilary Mantel anything Kit Rocha (Jenn loves Mercenary Librarians)It's Not Me, It's You by Stephanie Kate Strohm THE FLOATING WORLD by Axie OhDiviners by Libba BrayCirce by Madeline MillerHild / Menewood by Nicola GriffithPayal Mehta's Romance Revenge Plot is out now!Merch:tar-valon-or-bust.printify.me/products and northingtron.redbubble.com [new designs available!] Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

WARNING: This episode contains spoilers for Wolf Hall: The Mirror and the Light.Director Peter Kosminsky worked closely with late author Hilary Mantel to bring the story of Thomas Cromwell's rise and fall to the screen. Today, he shares his experience working with Hilary, filming on the same Hampton Court Palace flagstones where King Henry VIII once stood, and finally saying goodbye to Thomas Cromwell. 

A show about how Hilary Mantel's novels about Thomas Cromwell and their presentations by the BBC in the Wolf Hall series from 2015 and 2025 help to tell the story of the transition from feudalism to capitalism. A nice economic history lesson.

E116 The Fifth Court - featuring the life and times of the "former" Master of the High Court, Edmond HonahanIs he, was he still Master? He explains how it's down to an EU interpretation.His cultural reference is the book 'Wolf Hall' (Hilary Mantel) because of a scene involving the malign influence of 'international bankers'. Hosts Mark Tottenham BL and Peter Leonard BL start with a brief mention of the upcoming of the Kilkenny Law Festival 16th - 18th MayA brief discussion around some recent cases drawn from the Decisis Law Reports - with thanks to Charlton Solicitors of Dun Laoghaire, Dublin. Hosted on Acast. See acast.com/privacy for more information.

Last summer, when The New York Times Book Review released its list of the 100 Best Books of the 21st Century, one of the authors with multiple titles on that list was Hilary Mantel, who died in 2022. Those novels were “Wolf Hall” and “Bring Up the Bodies,” the first two in a trilogy of novels about Thomas Cromwell, the all-purpose fixer and adviser to King Henry VIII.Those books were also adapted into a 2015 television series starring Mark Rylance as Cromwell and Damien Lewis as King Henry. It's now a decade later and the third book in Mantel's series, “The Mirror and the Light,” has also been adapted for the small screen. Its finale airs on Sunday, April 27.Joining host Gilbert Cruz on this week's episode is Mantel's former editor Nicholas Pearson. He describes what it was like to encounter those books for the first time, and to work with a great author on a groundbreaking masterpiece of historical fiction. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

In episode 69 we spotlight the PBS Masterpiece series WOLF HALL: THE MIRROR AND THE LIGHT with a behind-the-scenes visit to the Folger Shakespeare Library exhibition, “How to Be a Power Player: Tudor Edition” with the curator Dr. Heather Wolfe Curator of Manuscripts for the Folger (in Washington, DC), which holds the world's largest Shakespeare collection. WOLF HALL: THE MIRROR AND THE LIGHT traces the final four years of Thomas Cromwell's life, completing his journey from self-made man to the most feared, influential figure of his time as a principal advisory to England's King Henry VIII. The series is based on the final novel by Hilary Mantel in the Thomas Cromwell trilogy. As an added bonus, Heather Wolfe shared documents from the Folger collection for the real-life Thomas Cromwell, Henry the VIII, and Henry's 4th wife, Anne of Cleves,. Go to the podcast website (for Ep. 69) to see images of these artifacts and for more information about the Foger Shakespeare Library's exhibit "How to Be a Power Player: Tudor Edition" on display through July 2025.------TIMESTAMPS0:19 - A Visit to the Folger Shakespeare Library (Washington, DC)0:56 - Folger “How to Be a Power Player: Tudor Style” exhibit2:02 - “Wolf Hall: The Mirror and the Light” overview and cast3:18-  Heather Wolfe, Curator of Manuscripts at Folger Shakespeare Library3:30 - Roles and Responsibilities of Curator of Manuscripts4:22 - Paleography, the study of handwriting5:14 - Inspiration behind “How To Be A Power Player: Tudor Style” and relevance to 20256:48 - Tudor power players' relationships, skills, and power dynamics7:38 - Tudor "playbooks" from Machiavelli and Castiglione 12:19 - Power dressing, fashion policing, and personal branding in Tudor times15:13 - Hospitality power plays: napkin folding and meat carving22:48 - Break23:32 - Thomas Cromwell, Henry VIII, and Anne of Cleves artifacts and letters29:57 - Class status and social mobility in Tudor Times32:36 - Women's power and influence in the Tudor court36:09 - Visitor takeaways from “How to Be A Power Playe: Tudor Edition”r exhibit38:21 - Folger Shakespeare Library resources38:50 - How to watch “Wolf Hall: The Mirror and the Light” on PBS “Masterpiece”41:04 - DisclaimerSUBSCRIBE to the podcast on your favorite podcast platformLISTEN to past past podcasts and bonus episodesSIGN UP for our mailing listSUPPORT this podcast  SHOP THE PODCAST on our affiliate bookstoreBuy us a Coffee! You can support by buying a coffee ☕ here — buymeacoffee.com/historicaldramasistersThank you for listening!

The Mirror and the Light is the final book in Hilary Mantel's Wolf Hall Trilogy, showcasing the final years of Thomas Cromwell. Before you watch the newest season of the tv show, listen to Mantel talk about crafting her beloved series, her unique approach to historical fiction, planning the end of the trilogy and more with Miwa Messer, host of Poured Over. We end this episode with TBR Top Off book recommendations from Marc and Donald.  This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                      New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.  Featured Books (Episode): The Mirror and The Light by Hilary Mantel  Wolf Hall by Hilary Mantel  Bring Up the Bodies by Hilary Mantel  A Place of Greater Safety by Hilary Mantel   Featured Books (TBR Top Off):   Firebrand by Elizabeth Fremantle  The Marriage Portrait by Maggie O'Farrell 

Jane and Fi are back with their eighth book club, and this one's gone internationale - get the nibbles ready... Plus, Nicholas Pearson, Hilary Mantel's editor and publisher of 20 years, joins Jane and Fi to discuss her life and work. Thank you so much for your engagement and interaction. We hope you'll join us for the next one.Get your suggestions in at: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Jane and Fi have something to get off their collective podcast breasts, and amid that, there's also chat about space travel, rumours of who will be the next Archbishop, advice on Mother's Day, and more twin towns. Please excuse the brief funny noise in this episode — the aliens have finally landed. Plus, broadcaster Sara Cox and her best friend Clare Hamilton discuss their podcast 'The Teencommandments'. The next book club episode is coming this Friday. The book is 'Eight Months on Ghazzah Street' by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Accent alert in this podcast — proceed with caution! Jane and Fi chat saucy postcards, sex work, twin towns, and space nappies. Plus, actor Ruth Wilson discusses narrating the new audio books for the 'His Dark Materials' trilogy. The next book club episode is coming this Friday. The book is 'Eight Months on Ghazzah Street' by Hilary Mantel.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

The Lady has landed, and it's causing a stir... Jane and Fi also chat sufferable men, bonny babies, Lucozade, and 80085. Plus, Phyllida Lloyd — director of The Iron Lady, Mamma Mia!, and Tina: The Tina Turner Musical — joins them (with some minor tech issues). The next book club episode is coming this Friday. The book is 'Eight Months on Ghazzah Street' by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

This is an encore release of an earlier podcast episode.WARNING: This episode contains spoilers for Wolf Hall.We're pleased to bring you this special recap episode of Wolf Hall, the award-winning 2015 adaptation of Hilary Mantel's novels Wolf Hall and Bring Up the Bodies. This episode outlines major plot points, historical details, and character arcs, so if you're not caught up on Wolf Hall yet, all six episodes are available to watch on PBS Passport. Now let's travel back to England in the year 1529, right at the start of one of the most tempestuous times in English history.

Welcome to this unspecial email-only podcast episode — Jane and Fi chat Cockney frogs, twinned towns, and St. Patrick's Day. The next book club episode is coming this Friday. The book is 'Eight Months on Ghazzah Street' by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Podcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Welcome back to another Friday special. This week's bonus episode features an interview with The Times' Literary Editor, Laura Hackett, from our Times Radio afternoon show (2–4 pm, Monday to Thursday). Today, we're bringing you our weekly round-up of the best book releases with The Times literary team. Deputy Literary Editor at The Times and The Sunday Times, Laura Hackett, joins Jane and Fi to share her thoughts. The next book club pick has been announced! Eight Months on Ghazzah Street is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Book club is coming (finally), so prepare yourselves and get in touch! Jane and Fi chat bird song, burly beavers, sex workers, pets on zoom, divorce, a pig in a poke and Australia, amongst other things... Plus, broadcaster and journalist Emma Barnett discusses her latest book 'Maternity Service'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

If you have been impacted by any of the dross discussed on Off Air, just contact an action line... This episode's dross includes turtle soup, the Adelphi, quilting, and harmony on the heath. Plus, campaigner, investor, and former Twitter board member Baroness Lane-Fox talks tech. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

We're all about minimum effort, maximum impact round here. Jane and Fi chat Pepper Pig, the gynaecology of hens and hairdresser etiquette. Plus, campaigner and mother of two autistic children Lisa Lloyd, discusses her book 'Raising the SEN-Betweeners'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Welcome to this carefully curated episode. We begin with the admin section before moving on to toddler Crufts, ear health and pet anal glands... Enjoy! Plus, Fi speaks to actress Jodie Whittaker about her new show 'Toxic Town'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Welcome back to another Friday special. This week's bonus episode features an interview from our Times Radio afternoon show (2–4 pm, Monday to Thursday). The Undercover Police Scandal: Love and Lies Exposed tells the stories of five women deceived into relationships with undercover police officers. Fi speaks with Belinda Harvey, one of the women involved. The next book club pick has been announced! Eight Months on Ghazzah Street is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Assistant Producer: Hannah Quinn Podcast Producer: Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Jane and Fi somehow manage to link the gendering of chickens to bedside chocolate bars... tune in to find out how. And Jane speaks to Sue Campbell, Former Director of Women's Football at the FA, about her memoir 'The Game Changer'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Assistant Producer: Hannah Quinn Podcast Producer: Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

In today's episode, Jane and Fi delve into whether it's acceptable to make use of someone else's Ring doorbell, the gynaecology of a hen, and Jane's robot companion, Craig. Additionally, Fi speaks with Lindsey Burrow, widow of rugby league legend Rob Burrow, about her heartfelt memoir 'Take Care'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Assistant Producer: Hannah Quinn Podcast Producer: Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Happy flipping on this fine Shrove Tuesday! Today, Jane shares a memory of being left fully exposed on the loo at a National Trust property, while Fi recalls delivering a lesson on life at the Britannia swimming baths. Fi also speaks with actor Jared Harris about his role in the Royal Shakespeare Company's new production of Hamlet. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfiAssistant Producer: Hannah QuinnPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Global events can't be ignored, but there's still room for more vasectomy debate and the ladies ponder how Americans know the week has ended without a Sunday roast.Plus, Jane speaks to Esther Ghey about her new book 'Under A Pink Sky'.The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiAssistant Producer: Hannah QuinnPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Jane is angry at the world because it isn't her birthday... but it is Fi's. They talk more class nonsense, the etymology of "napkin" and Screwfix spam. Plus, Fi is speaks to actress Tuppence Middleton about her memoir 'Scorpions'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Assistant Producer: Hannah Quinn Podcast Producer: Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

In today's episode, Jane has a bone to pick with Fi, whose new glasses bear an uncanny resemblance to a pair Jane was once mercilessly teased for wearing. And Jane speaks to Anthony Scaramucci on his new book 'The Little Book of Bitcoin'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Assistant Producer: Hannah Quinn Podcast Producer: Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Jane questions whether she should have been a TV critic—despite refusing to watch any film or show beginning with a 'W'. Meanwhile, Fi puts to rest one of the less interesting mysteries of our time, once and for all.Plus, Fi speaks to Peter Thornton on his book 'The Later Years: the Simple Guide to Organising the Rest of Your Life'.The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiAssistant Producer: Hannah QuinnPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Fi's back from her holidays and Jane can't be sure she didn't take such a news-heavy week off on purpose.Big questions are asked, such as: why does Robert De Niro walk like that? Will the PTA live forever? Why has Jane de-woked herself?The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Jane² convene for the final time ahead of Fi's return next week, discussing Mulkerrins' former hatred for spring and Garvey's past life as a strict disciplinarian. Jane G also catches up with Sophie Oliver, director of the Boyzone documentaries 'No Matter What'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Assistant Producer: Hannah Quinn Podcast Producer: Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Today, Garvey and Mulkerrins delve into censoring wolf whistles, age-ambiguous cagoules, and the days of cheap Bulgarian country wine. Plus, Jane G speaks to playwright James Graham about his play 'Boys from the Blackstuff'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Assistant Producer: Hannah Quinn Podcast Producer: Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Jane² are back, answering all the questions plaguing this slightly sunny Tuesday afternoon: What happened to empathy? Why call them beavers? And does a random word generator decide the world's headlines? Jane G also speaks to novelist Catherine Airey about her debut novel, 'Confessions'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Assistant Producer: Hannah Quinn Podcast Producer: Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Fi is off on holiday this week... so it's Jane and Jane! Or Garvey and Mulkerrins, if you prefer. They chat running, waitressing, and the return of the boot-cut jean.Plus, actor Sanjeev Bhaskar on the latest season of 'Unforgotten'.The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Guy Emanuel Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

The screenwriter Peter Straughan has become adept at taking well known — and beloved — books and adapting them for the big and small screens. He was first nominated for an Oscar for his screenplay of the 2011 film “Tinker Tailor Soldier Spy,” based on the classic John le Carré spy novel, and then adapted Hilary Mantel's “Wolf Hall” trilogy into an award-winning season of television, with an adaptation of the third novel coming out soon. Now he has been nominated for a second Oscar: for his screenplay for “Conclave,” based on Robert Harris's political thriller set in the secret world of a papal election.“It's almost like mosaic work,” Straughan tells Gilbert Cruz, the editor of The New York Times Book Review, about adapting books. “You have all these pieces; sometimes they're going to be laid out in a very similar order to the book, sometimes a completely different order. Sometimes you're going to deconstruct and rebuild completely.”In the third episode of our special series devoted to Oscar-nominated films adapted from books, Cruz talks with Straughan about his process of translating a book to the screen, and about the moments in ‘‘Conclave” that he found most exciting to adapt.Produced by Tina Antolini and Alex BarronEdited by Wendy DorrEngineered by Daniel RamirezOriginal Music by Elisheba IttoopHosted by Gilbert Cruz Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Happy Friday! We're bringing you a bonus episode this Friday featuring an interview from our Times Radio afternoon show (2-4pm, Monday to Thursday). Jane and Fi speak to journalist Lizzie Frainier (The millennial Bridget Jones) about the legacy of Bridget Jones. We hope you enjoy! The next book club pick has been announced! Eight Months on Ghazzah Street is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Helmet, sunglasses, high-heeled boots, toy-gun and handcuffs at the ready? Welcome. Jane and Fi chat beavers, Jane's sofa cushions and wellies. Fi's off for the next week - back Monday the 14th. Plus, wildlife cameraman Gordon Buchanan discusses his memoir ‘In the Hide'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. Episode recommendations: 'Tiananmen Square' by Lai Wen If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

From the Poo Museum to Freud, enjoy the meandering journey of this episode's conversation. Jane and Fi also discuss chaff, Romantasy, and property shows. Plus, the executive director of PEN Ukraine, Tetyana Teren, discusses the work of her late friend Victoria Amelina and Victoria's book 'Looking at Women, Looking at War'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

In tonight's episode, Fi asks for a grown-up version of mitten elastics whilst Jane contemplates taking up golf for a man called Nigel... Plus, Fi speaks to bestselling author, Jojo Moyes, about her new novel 'We All Live Here'. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Assistant Producer: Hannah Podcast Producer: Eve Salusbury Executive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Happy Monday! It's grey and miserable, but let us warm you up. Jane and Fi chat Bear Grylls' flatulence, emergency supplies, humid hair, men in berets, and fallen arches. Plus, Baroness Grey-Thompson discusses accessibility in travel amongst other things. The next book club pick has been announced! 'Eight Months on Ghazzah Street' is by Hilary Mantel.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Happy Friday! We're bringing you a bonus episode this Friday featuring an interview from our Times Radio afternoon show (2-4pm, Monday to Thursday). Fi speaks to journalists Anu Anand—who is raising money to help female Afghan journalists fighting for their profession—and Nabila, a 26-year-old exiled Afghan journalist in Pakistan. Anu's GoFundMe: www.gofundme.com/f/afghan-journalist-refugees The next book club pick has been announced! Eight Months on Ghazzah Street is by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfi Podcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

In this episode, we get excited about two new books: The Power and the Glory: The Country House Before the Great War by Adrian Tinniswood and Playworld: A Novel by Adam Ross. Then Mel shares her reading and loving doorstopper novels of 500+ pages. Links The Power and the Glory: The Country House Before the Great War by Adrian Tinniswood The Long Weekend: Life in the English Country House, 1918-1939 by Adrian Tinniswood Noble Ambitions: The Fall and Rise of the English Country House After World War II by Adrian Tinniswood Playworld: A Novel by Adam Ross Mr. Peanut by Adam Ross Adrian Tinniswood's website Podcast: History Extra — The Golden Age of the Country House The Wheel of Fortune by Susan Howatch Mel's Favorite Doorstopper Novels Cryptonomicon by Neal Stephenson REAMDE by Neal Stephenson The Eighth Life by Nino Haratischvili (translated by Ruth Martin & Charlotte Collins) Plain Bad Heroines by Emily M. Danforth - reviewed on our Hollywood podcast Wolf Hall trilogy by Hilary Mantel - reviewed on our London podcast The Historian by Elizabeth Kostova - reviewed on our Library podcast The Woman in White by Wilkie Collins - reviewed on our Cemetery podcast The Amazing Adventures of Kavalier and Clay by Michael Chabon The Labyrinth of the Spirits by Carlos Ruiz Zafón - reviewed on our Library podcast The Book Thief by Markus Zusak Fairy Tale by Stephen King Transcript of this episode. The Library of Lost Time is a Strong Sense of Place Production! https://strongsenseofplace.com Join our FREE Substack to get our (awesome) newsletter and join in chats with other people who love books and travel. Do you enjoy our show? Do you want to make friends with other (lovely) listeners? Please support our work on Patreon. Every little bit helps us keep the show going and makes us feel warm and fuzzy inside - https://www.patreon.com/strongsenseofplace As always, you can find us at: Our site Instagram Substack Patreon Parts of the Strong Sense of Place podcast are produced in udio! Some effects are provided by soundly. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the ladies return on our new day, TUESDAYS, to discuss their favorite things right now amid the Los Angeles wildfires. The ladies discuss their favorite things for various categories, including books, TV shows, skin care, makeup, clothing, and more! Please find their recommendations below. With the L.A. wildfires still going on, we also want to take the time to spread the word and help those in need. We have linked a few Google Docs below containing links to various GoFundMes for families who need support after their homes were destroyed. If you are able, please consider donating. Thank you! Hosts: Juliet Litman and Amanda Dobbins Producer: Jade Whaley LA WILDFIRE RELIEF Displaced Black Families GoFund Me Directory https://shorturl.at/FziM1 Additional Aid/Resource List https://docs.google.com/spreadsheets/u/0/d/1w7Rxmcw8naEqRXc6UoXCYSoR3_k-u8elafDk-GFteDY/htmlview?usp=gmail JULIET AND AMANDA'S FAVORITES LIST  BOOKS Juliet: Wolf Half by Hilary Mantel, Best Land Under Heaven by Michael Wallis  Amanda: The Talent by Daniel D'Addario, Creation Lake by Rachel Kushner TV SHOWS Juliet: Day of the Jackal on Peacock  Amanda: Say Nothing on FX, Anora (a movie) SKINCARE/MAKEUP  Juliet: Youth To the People's Kale + Spinach Superfood Cleanser, Cerave Skin Renewing Night Cream  Amanda: Dennis Gross LED Mask, Merit Flush Blush, T3 Airebrush, Chanel Roussy lipstick from Marisa Meltzer's Soft Power substack CLOTHING Juliet: Uniqlo Waffle Long Sleeved  Amanda: J. Crew Cotton Poplin Pajamas INTERNET DISTRACTION  Juliet: Nordstrom's January Sale  Amanda: Kaitlin Phillips's Substack and Tina Brown's Substack CELEB PHOTO Juliet: Jamie Dornan  Amanda: The Graham Norton show INTERNET STORY Juliet: Spencer Pratt and Heidi Montag getting her music to the top of the charts after losing their house  Amanda: The Timothee Chalamet experience Learn more about your ad choices. Visit podcastchoices.com/adchoices