Podcast appearances and mentions of Liv Ullmann

CW: Spoilers for Conclave.The author Jacob Bacharach returns to the pod for a show about Edward Berger's entertaining political thriller Conclave starring Ralph Fiennes as a conflicted Cardinal who is required to preside over the selection of the new Pope, and amidst the infighting among the Cardinals, uncovers a shocking conspiracy within the halls of power in Vatican City. To discuss the reaction to Conclave from some offended Catholics means we have to spoil the big twist, but despite this movie being practically a commercial for the virtues of The Holy See and the future of the church, many have been outraged by the film's “liberal agenda” and its interpretation of Catholic dogma and we review some of the apoplectic highlights, from Megyn Kelly to Catholic film critics. We also discuss some of Our Boys in this: John Lithgow's ambitions to be the first Canadian Pontiff, and the two Italian men who would be Pope, Sergio Castellitto's racist, vaping Cardinal and the American liberal Stanley Tucci.We also discuss a completely forgotten all-star religious epic that is vaguely relevant to Conclave, 1972's Pope Joan, starring Liv Ullmann as a pious ninth-century woman who disguises herself as a man to save her life, moves up the hierarchy of the Catholic Church and is elected Pope, a medieval legend the film presents as fact. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/junkfilterFollow Jacob Bacharach on Twitter and Bluesky and visit jacobbacharach.comTrailer #1 for Conclave (Edward Berger, 2024)Pope Joan can be found on the Russian social network / streaming service Odnoklassniki.SCTV sketch “The Man Who Would be King of the Popes”, 1977

On the two hundred and sixty-first episode of THE THIRD ACT PODCAST, the crew are confined to a claustrophobic setting.Christian and Jericho are onto 2025 with a review of the Norwegian chamber drama ARMAND (without Armando!), which is directed by the grandson of Ingmar Bergman and Liv Ullmann. With that prestigious heritage in mind, they decide to pair it with Bergman's soul-crushing 1972 classic CRIES AND WHISPERS. But first, THE MIRROR HAS TWO FACES (1996), SWEET CHARITY (1969), and A DIFFERENT MAN (2024) gets bandied about in the Recently Watched segment. They also react to The Oscars broadcast, mourn the dissolution of the Brody bump, and get deep with thoughts on metaphoric horror and failed symbolism.Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com   

El director noruego nos atiende en la Seminci donde habla de su abuelo Ingmar Bergman y cómo Buñuel es una de sus referencias. Halfdan Ullmann Tøndel, nieto de Ingmar Bergman y Liv Ullmann, tiene voz propia y no vive de las rentas familiares. Lo demuestra en La Tutoría, película cuenta cómo Elisabeth (Renate Reinsve) es llamada al colegio para tener una reunión con la dirección del centro y los padres de otro niño. Su hijo está acusado de algo, pero no está claro de qué se trata. La idea parte, nos cuenta el director durante la Seminci, de "una historia que me contó un amigo de un incidente entre dos niños de 6 años, mi imaginación empezó a dar vueltas y empecé a pensar qué habría pasado con los padres". En la película se tocan muchos temas, como "hasta donde estamos dispuestos a llegar para proteger a nuestros hijos y hasta cómo podemos recurrir a la manipulación o tácticas destructivas". Escucha en el audio la entrevista completa en la que el director hablar de Buñuel como una de sus principales referencias y de cómo lleva las comparaciones con su abuelo Ingmar Bergman.

Halfdan Ullmann nieto de Ingmar Bergman y Liv Ullmann, debuta como director con La tutoría, una cinta basada en un hecho real, dura, que más que dar respuestas busca generar preguntas y despertar reflexiones, una puesta en escena grandiosa que nos crea un ambiente angustioso y claustrofóbico.Capitán América: un nuevo Mundo es otra de las películas más esperadas, se puede decir que la primera película moderna de este famoso Capitán y es que Sam Wilson regresa, en esta ocasión interpretado por Anthony Mackie. La película está dirigida por Julius Onah, quien no solo continúa la historia, añade intriga política, muchasacción y una de las grandes novedades es la incorporación de Harrison Ford como Thaddeus Ross, papel clave en la trama.Esta semana los peques de la casa están de suerte, dos son los títulos que tienen la oportunidad de ver en pantalla grande: Los exploradores de Gonzalo Gutiérrez, una película en la que tres amigos inseparables, Alfonso, Arthur y Victoria ven como una tormenta mágica amenaza su hogar. Una invitación a la aventura para todos los miembros de la familia.El otro título es Mary Superchef un viaje lleno de fantasía y de nostalgia dónde la importancia de la familia, el legado intergeneracional y la superación personal son los ingredientes principales.Bridget Jones regresa a la gran pantalla, en esta ocasión Loca Por Él, dónde nos encontramos a una briget más cómica y emotiva que se enfrenta a una nueva etapa en su vida, la de ser madre.¡Eso sí!, sin negarse al amor.Todo esto además de nuestro resumen de la 39 edición de los premios Goya, el resto de la cartelera, las mejores series con Pedro Calvo, las secciones habituales, con Ana vega toscano tenemos 100 motivos para recordar a Jack Lemmon y muy atentos a de película responde con Carlos Brioso.Escuchar audio

Halfdan Ullmann nieto de Ingmar Bergman y Liv Ullmann, debuta como director con 'La tutoría', una cinta basada en un hecho real, dura, que más que dar respuestas busca generar preguntas y despertar reflexiones, una puesta en escena grandiosa que nos crea un ambiente angustioso y claustrofóbico.'Capitán América: un nuevo mundo' es otra de las películas más esperadas, se puede decir que la primera película moderna de este famoso Capitán y es que Sam Wilson regresa, en esta ocasión interpretado por Anthony Mackie. La película está dirigida por Julius Onah, quien no solo continúa la historia, añade intriga política, muchas acción y una de las grandes novedades es la incorporación de Harrison Ford como Thaddeus Ross, papel clave en la trama. Esta semana los peques de la casa están de suerte, dos son los títulos que tienen la oportunidad de ver en pantalla grande: 'Los exploradores' de Gonzalo Gutiérrez, una película en la que tres amigos inseparables, Alfonso, Arthur y Victoria ven como una tormenta mágica amenaza su hogar. Una invitación a la aventura para todos los miembros de la familia.El otro título es 'Mary Superchef', un viaje lleno de fantasía y de nostalgia dónde la importancia de la familia, el legado intergeneracional y la superación personal son los ingredientes principales.Bridget Jones regresa a la gran pantalla, en esta ocasión 'Loca por él', dónde nos encontramos a una Bridget más cómica y emotiva que se enfrenta a una nueva etapa en su vida, la de ser madre. ¡Eso sí!, sin negarse al amor. Todo esto además de nuestro resumen de la 39 edición de los premios Goya, el resto de la cartelera, las mejores series con Pedro Calvo, las secciones habituales, con Ana vega toscano tenemos 100 motivos para recordar a Jack Lemmon y muy atentos a de película responde con Carlos Brioso.Escuchar audio

Den sanne historien om Norges største filmstjerne. Hør alle episodene i appen NRK Radio

La regista norvegese Margreth Olin segue per un anno il padre nella natura mozzafiato dei luoghi da cui proviene. Un documentario prodotto da Liv Ullmann e Wim Wenders.See omnystudio.com/listener for privacy information.

Send us a Text Message.Yes, Kristin Lavransdatter is the highest-grossing Norwegian film of all time. That isn't as impressive as it might sound, as the movie only brought in $3.7 million in box office receipts, but virtually all of that came from domestic sales. Pretty much unknown outside Scandinavia, the movie was a sensation when released in Norway in 1995.   An estimated two-thirds of the country's population have viewed it.   The movie is based on the first volume of Sigrid Undset's trilogy about the life of an ordinary woman in fourteenth century Norway, which won her the Nobel Prize in Literature in 1928.  Directed and written by the celebrated Norwegian actress Liv Ullmann, the film is a very faithful adaptation. The production strove for historical accuracy in costume and settings, and most of the dialogue is taken directly from the novel. (Sigrid Undset is credited as co-screenplay writer.)  The reason I decided to devote a short episode to this movie and to its source novel is they both are worthy attempts to examine an aspect of the Middle Ages virtually ignored in popular culture, the life of ordinary people.   Kristin Lavransdatter is the coming of age story of young woman from a prosperous family in rural fourteenth-century Norway who is seduced by and falls in love with a knight with a (justifiably) scandalous reputation. Whether Kristin's mentalité in the novel and film is really "medieval" is a matter of academic debate. But the care with which Undset in her novel and Ullmann in the film recreate the religious rituals, customs, and everyday life in early fourteenth-century Norway is impressive and worth a reading and a viewing.Listen on Podurama https://podurama.com Intro and exit music are by Alexander NakaradaIf you have questions, feel free to contact me at richard.abels54@gmail.com

Vrhunska umetnostna zgodovinarka dvojna doktorica Nataša Golob je med drugim prevajala leposlovje (na primer avtobiografijo Liv Ullmann z naslovom Spreminjanje) in strokovno literaturo (na primer Spise o umetnosti Ernsta H. Gombricha), pripravila je vrsto učbenikov za osnovno šolo in gimnazijo, prvič doktorirala z disertacijo Poslikani leseni stropi na Slovenskem do začetka 18. stoletja, vendar ni najmanjšega dvoma, da je velika tema njenega znanstvenega dela vse, kar je značilno, pomembno in dragoceno za srednjeveško rokopisno ustvarjalnost. V svojih delih tako preučuje srednjeveško knjižno slikarstvo, pisave, tudi zgodovine rokopisov, delo različnih kopistov … Tako je že leta 1994 objavila znanstveno monografijo Srednjeveški kodeksi iz Stične: XII. stoletje, leta 2017 pa je pri Cankarjevi založbi izšla znanstvena monografija S črnilom in zlatom : srednjeveško knjižno slikarstvo iz slovenskih zbirk. Monografiji, ki je prvotno izšla v bibliofilski izdaji in 500 izvodih, je lani sledila bolj dostopna izdaja pri isti založbi. Ddr. Nataša Golob, ki je v minulih letih dokončala še eno izjemno znanstveno monografijo z naslovom Literatura v srednjem veku na Slovenskem in njeno občinstvo in si prizadeva za njen izid, v oddaji Izšlo je, v pogovoru z Markom Goljo približa monografijo S črnilom in zlatom in njen odmaknjeni svet z odličnim poznavanjem snovi in tudi s poetičnimi formulacijami, na primer Knjige so kot ptice: potujejo. Nikar ne zamudite.

Embark on a journey of enlightenment as we explore the legacy of Sirene, the radical feminist magazine that stormed through 1970s Norway with a force that resonated far beyond its time. With cultural and media scholar, Synnøve Skarsbø Lindtner, shedding light on the magazine's enduring impact from her doctoral thesis, we trace the ripples of change and challenge that Sirene sent through society. The magazine, with its bold take on politics as a personal moral choice, redefined the cultural landscape, advocating that the responsibility of societal transformation begins with individual action.As we unravel the threads of Sirene's story, we grapple with the complexities of modern-day politics and the part personal agency plays in collective movements. Drawing parallels with the present, we examine the contentious issues that polarize us - climate crisis, women's rights, racism, and ableism - to understand our role in shaping a brighter future. This episode is more than a reflection on a groundbreaking publication; it's a clarion call for hope and action, urging you, the listener, to wield your choices with conviction in a world that often seems divided. Join us in honoring the voices that roar for change and in contemplating the weight of our own in this pivotal moment in history.The Magazine SIRENE Support the showFollow my PatreonSupport my content at Buy me a Coffee:

On this day in 1973, Native American activist Sacheen Littlefeather declined an Academy Award on behalf of Marlon Brando.See omnystudio.com/listener for privacy information.

Chelsea and Molly Quinn (Castle, Guardians of the Galaxy) dive into an oldie but a goodie, Norwegian actress Liv Ullmann's 1977 memoir Changing. From her marriage to Ingmar Bergman, to struggling with Hollywood networking, to possibly the earliest Henry Kissinger appearance yet, this episode delivers a surprisingly poetic twist to inspire us all for the new year.  Where to find our Guest: Molly Quinn Instagram Podcast _____ For more book recaps & gentle tea, follow Chelsea on Instagram @chelseadevantez Become a member of the Celebrity Book Club Patreon! Glamorous Trash: Where we make treasure out of pop culture garbage. Glamorous Trash is all about going high and low at the same time— Glam and Trash. We recap and book club celebrity memoirs, deconstruct pop culture, and sometimes, we cry! If you've ever referenced Mariah Carey in therapy... then this is the podcast for you. Thank you to our sponsors: Tanteo Tequila -- @tanteotequila Natalie's Juice Company -- @nataliesoj Pattern Brands - @patternbrands Learn more about your ad choices. Visit megaphone.fm/adchoices

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oin Fred Film Radio in an exclusive interview with Liv Ullmann as she delves into her collaboration with Ingmar Bergman, the profound impact of 'Persona,' and the enduring resonance that draws audiences back decades later. Ullmann shares her insights on the creative process alongside Bibi Andersson and the film's portrayal [...] The post “Persona”, interview with the actress Liv Ullmann appeared first on Fred Film Radio.

oin Fred Film Radio in an exclusive interview with Liv Ullmann as she delves into her collaboration with Ingmar Bergman, the profound impact of 'Persona,' and the enduring resonance that draws audiences back decades later. Ullmann shares her insights on the creative process alongside Bibi Andersson and the film's portrayal [...] The post “Persona”, interview with the actress Liv Ullmann appeared first on Fred Film Radio.

oin Fred Film Radio in an exclusive interview with Liv Ullmann as she delves into her collaboration with Ingmar Bergman, the profound impact of 'Persona,' and the enduring resonance that draws audiences back decades later. Ullmann shares her insights on the creative process alongside Bibi Andersson and the film's portrayal [...] The post “Persona”, interview with the actress Liv Ullmann appeared first on Fred Film Radio.

oin Fred Film Radio in an exclusive interview with Liv Ullmann as she delves into her collaboration with Ingmar Bergman, the profound impact of 'Persona,' and the enduring resonance that draws audiences back decades later. Ullmann shares her insights on the creative process alongside Bibi Andersson and the film's portrayal [...] The post “Persona”, interview with the actress Liv Ullmann appeared first on Fred Film Radio.

oin Fred Film Radio in an exclusive interview with Liv Ullmann as she delves into her collaboration with Ingmar Bergman, the profound impact of 'Persona,' and the enduring resonance that draws audiences back decades later. Ullmann shares her insights on the creative process alongside Bibi Andersson and the film's portrayal [...] The post “Persona”, interview with the actress Liv Ullmann appeared first on Fred Film Radio.

oin Fred Film Radio in an exclusive interview with Liv Ullmann as she delves into her collaboration with Ingmar Bergman, the profound impact of 'Persona,' and the enduring resonance that draws audiences back decades later. Ullmann shares her insights on the creative process alongside Bibi Andersson and the film's portrayal [...] The post “Persona”, interview with the actress Liv Ullmann appeared first on Fred Film Radio.

'Liv Ullmann: A Road Less Travelled' profiles the actress-director-writer who will appear in person for the film's U.S. premiere at the DOC NYC festival on November 12. The film explores her journey as a storyteller and an activist for refugees. 

Celine Dion-råning, firbente skapninger uten ben og Liv Ullmann i en rundkjøring på Ålgård. Hør episoden i appen NRK Radio

I denne spesialepisoden av Filmfrelst byr vi på en samtale med Peter Cowie og Liv Ullmann, om førstnevntes ferske Ingmar Bergman-biografi God and the Devil (Faber & Faber, 2023). Skuespiller og regissør Liv Ullmann er Norges største internasjonale filmkunstner, nylig belønnet med Oscar-akademiets ærespris, og trenger ingen nærmere introduksjon. Ullmanns forrige spillefilm som regissør var Frøken Julie (2014), og som skuespiller er hun mest kjent for rollene hun gjorde i serien av filmer for Ingmar Bergman, fra Persona (1966) til Saraband (2003). Peter Cowie er en britisk filmhistoriker som siden 1960-tallet har vært en aktiv formidler, kritiker og forfatter av filmhistoriske artikler og bøker, om filmskapere som Akira Kurosawa, Francis Ford Coppola og Orson Welles, men han har også brukt mye tid på å skrive om og forske på nordisk film. Torsdag 2. november var Cowie og Ullmann invitert til Cinemateket i Oslo, der utgivelsen av God and the Devil ble markert med denne samtalen som ble ledet av Montages-redaktør Karsten Meinich. Deretter innledet Cowie Cinematekets visning av Persona, og til slutt var det mottagelse og boksignering i foajeen for alle inviterte. Vi er stolte over å kunne presentere begivenheten i podkastform her på Filmfrelst, og vil benytte anledningen til å takke våre to gjester, formidler og arrangør Jan Erik Holst og Cinematekets Jan Langlo for godt samarbeid. God and the Devil er nå til salgs hos alle bokhandlere med hjerte for film. God lytting!

Once again, Cinema60 communes with the dead in order to highlight some notable opinions on film. Tonight's ghost guest is Susan Sontag and her seminal Sight and Sound review on Ingmar Bergman's Persona. Known primarily as an author, filmmaker and intellect, in the 1960s Sontag was just beginning her illustrious career as a writer – her essay “Notes on ‘Camp'” helped to define the camp aesthetic to the public at large. Simiarly, her 1967 review of Persona has endured throughout the ages, rising above other contemporary voices to help audiences (old and new alike) better derive meaning from Bergman's rather abstract film. In this episode, Bart and Jenna use Sontag's article as a sounding board to dissect Bergman's filmmaking and explore the depths of Persona. Easy enough for Bart, who likely would have chosen this film himself if the episode had been about his favorite ‘60s pick. Meanwhile, Jenna muses on the idea that all cinema must have a “point” – even if sometimes the point is that there is no point. The following film is discussed:• Persona (1966) Directed by Ingmar Bergman Starring Bibi Andersson, Liv Ullmann, Margaretha KrookAlso mentioned:• Journey to Italy (1954) Viaggio in Italia Directed by Roberto Rossellini Starring Ingrid Bergman, George Sanders, Maria Mauban• L'avventura (1960) Directed by Michelangelo Antonioni Starring Monica Vitti, Gabriele Ferzetti, Lea Massari• Last Year at Marienbad (1961) L'année dernière à Marienbad Directed by Alain Resnais Starring Delphine Seyrig, Giorgio Albertazzi, Sacha Pitoëff• Through a Glass Darkly (1961) Såsom i en spegel Directed by Ingmar Bergman Starring Harriet Andersson, Gunnar Björnstrand, Max von Sydow• The Man Who Shot Liberty Valance (1962) Directed by John Ford Starring James Stewart, John Wayne, Vera Miles• Winter Light (1963) Nattvardsgästerna Directed by Ingmar Bergman Starring Ingrid Thulin, Gunnar Björnstrand, Gunnel Lindblom• The Silence (1963) Tystnaden Directed by Ingmar Bergman Starring Ingrid Thulin, Gunnel Lindblom, Birger Malmsten• Hour of the Wolf (1968) Vargtimmen Directed by Ingmar Bergman Starring Max von Sydow, Liv Ullmann, Gertrud Fridh• Shame (1968) Skammen Directed by Ingmar Bergman Starring Liv Ullmann, Max von Sydow, Sigge Fürst• Duet for Cannibals (1969) Duett för kannibaler Directed by Susan Sontag Starring Adriana Asti, Lars Ekborg, Gösta Ekman• The Passion of Anna (1969) En passion Directed by Ingmar Bergman Starring Liv Ullmann, Bibi Andersson, Max von Sydow• Brother Carl (1971) Bröder Carl Directed by Susan Sontag Starring Geneviève Page, Gunnel Lindblom, Keve Hjelm• The Point (1971) Directed by Fred Wolf Starring Ringo Starr, Mike Lookinland, Lennie Weinrib• Promised Lands (1974) Directed by Susan Sontag• Inland Empire (2006) Directed by David Lynch Starring Laura Dern, Justin Theroux, Jeremy Irons

This week on And the Runner-Up Is, Kevin welcomes filmmaker and AwardsWatch contributor Zach Laws to discuss the 1976 Oscar race for Best Actress, where Faye Dunaway won for her performance in "Network," beating Marie-Christine Barrault in "Cousin Cousine," Talia Shire in "Rocky," Sissy Spacek in "Carrie," and Liv Ullmann in "Face to Face." We discuss all of these nominated performances and determine who we think was the runner-up to Dunaway.  0:00 - 15:00 - Introduction 15:01 - 32:23 - Marie-Christine Barrault 32:24 - 56:52 - Talia Shire 56:53 - 1:23:54 - Sissy Spacek 1:23:55 - 1:43:00 - Liv Ullmann 1:43:01 - 2:08:24 - Faye Dunaway 2:08:25 - 2:50:29 - Why Faye Dunaway won / Twitter questions 2:50:30 - 2:56:15 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Zach Laws on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

The conclusion of a three-part program featuring legendary composer Richard Rodgers, known for OKLAHOMA!, BABES IN ARMS, PAL JOEY, and THE SOUND OF MUSIC. On what was then the fifth anniversary of his passing, this tribute explores Rodgers entire career focusing on his most noteworthy collaborations with wordsmiths Lorenz Hart and Oscar Hammerstein II. The episode employs rarely heard songs and “off-the-beaten track” performances. Part Three features archival interviews with Rodgers, Sheldon Harnick, Liv Ullmann and George Hearn and a discussion about the origin of OKLAHOMA.   Featured songs: “LONELY ROOM,” “MY GIRL BACK HOME,” “IN MY OWN LITTLE CORNER,” “NO SONG MORE PLEASING,” “YOU COULD NOT LOVE ME MORE.”   Originally produced and broadcast in 1984. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sannhets- og forsoningskommisjonen la denne uka frem rapporten som har gransket fornorskningspolitikken og den uretten som er begått mot samer, kvener og skogfinner. Men vil en slik rapport sørge for forsoning, eller er sårene for mange til at det aldri vil skje? I Trondheim krangles det rundt en liten gatestump med brostein, og kulturkommentator Terje Eidsvåg forteller om da han ble lurt trill rundt av Liv Ullmann på filmfestivalen i Cannes i mai. Hosted on Acast. See acast.com/privacy for more information.

This week on And the Runner-Up Is, Kevin welcomes writer/Instagram star Mark O'Donovan to discuss the 1972 Oscar race for Best Actress, where Liza Minnelli won for her performance in "Cabaret," beating Diana Ross in "Lady Sings the Blues," Maggie Smith in "Travels with My Aunt," Cicely Tyson in "Sounder," and Liv Ullmann in "The Emigrants." We discuss all of these nominated performances and determine who we think was the runner-up to Minnelli.  0:00 - 14:09 - Introduction 14:10 - 37:41 - Diana Ross 37:42 - 57:45 - Maggie Smith 57:46 - 1:18:42 - Cicely Tyson 1:18:43 - 1:35:09 - Liv Ullmann 1:35:10 - 1:54:26 - Liza Minnelli 1:54:27 - 2:32:23 - Why Liza Minnelli won / Twitter questions 2:32:23 - 2:35:25 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Mark O'Donovan on Twitter and Instagram Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Den nya dokumentären "Liv Ullmann a road less travelled" skildrar Liv Ullmanns händelserika liv efter Bergmanfilmerna. Producent: Nils LindströmProgramledare: Maria Askerfjord Sundeby

"The important thing is the effort, not what we achieve." Persona (1966) written and directed by Ingmar Bergman and starring Bibi Andersson and Liv Ullmann. Next Time: The Dirty Dozen (1967)

0:00 - Intro & Summary2:00 - Movie Discussion38:49 - Cast & Crew/Awards44:55 - Pop Culture/Music54:13-  Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

Gay homosexuals Nick and Joseph discuss Cries and Whispers (Swedish: Viskningar och rop, lit. 'Whispers and Cries') - a 1972 Swedish period drama film written and directed by Ingmar Bergman and starring Harriet Andersson, Kari Sylwan, Ingrid Thulin and Liv Ullmann. Additional topics include: Thanksgiving, the Voluntary Human Extinction Movement, Rupaul's Drag Race UK, the deaths of Irene Cara and Jason David Frank, and too many films to mention. Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Find them on Letterboxd: https://letterboxd.com/ragingbells/, https://letterboxd.com/joroyolo/ Nick's Apple Music playlist: https://music.apple.com/us/playlist/lamour-de-nico/pl.u-PDb4zlpsLVrvqE1 Joseph's Apple Music playlist: https://music.apple.com/us/playlist/josephs-vibe/pl.u-6mo448yuBWzNE1 Check them out on YouTube: https://www.youtube.com/channel/UChVV6ezEYnPv9XaLZtUlZdw Nick's IG: ragingbells Joseph's IG: joroyolo --- Support this podcast: https://anchor.fm/fish-jelly/support

Elaine Hudson is an actor/director/producer/teacher. She trained at NIDA (National Institute of Dramatic Art) and has worked in theatre, film and television. Directing credits include Endgame (Lookout Theatre); The Lady from Dubuque (Downstairs Belvoir); Poles Apart (Stables Theatre); The Death of Peter Pan; After the Fall (Associate Director), Relative Comfort, Summer of the Seventeenth Doll, Gross Indecency/The Importance of Being Earnest and Seven Little Australians (new theatre); The Man Who Came to Dinner (Genesian Theatre), A Touch of Paradise (Downstairs Belvoir) and Young Dramatists – Page to Stage (Co-Artistic Director 1999 – 2013 ), Heir Raising for Mardi Gras 2009 and Associate Director on Trapped in Mykonos, Downstairs Seymour 2013. Acting credits include roles for Sydney Theatre Company, including a celebrated Elizabeth Proctor in Richard Wherret's often mentioned The Crucible; new theatre; Company B; Griffin Theatre ; Queensize Productions (Dacia Maraini's Mary Stuart –Excellence Award from International New York Fringe Festival); Cumulus Productions (Mother Teresa is Dead, The Women of Lockerbie, Box and Quotations from Mao Tse-Tung). In 2009 Elaine performed in A Streetcar Named Desire, directed by Liv Ullmann, for the Sydney Theatre Company, touring to Washington and New York. In 2010, at Teatro Cortile in Bolzano, Italy, Elaine premiered a group devised solo performance inspired by life and work of Emily Dickinson. A residency at Bundanon was followed by a second performance of this work at the Adelaide Fringe in 2012. In 2012, Elaine took part in a performance of poems of Miyazama Kenji at Theatre X (Cai) in Ryogoku, Tokyo, directed by Roger Pulvers. Film and Television work as an actor includes Cross-Life (Sydney Film Festival), Dying Breed (Tribeca), The Disappearance of Azaria Chamberlain, Joh's Jury (AFI Best Actress Nomination), All Saints, White Collar Blue, Grassroots, Heartbreak High, Chandon Pictures and Rake. It is indeed a rich tapestry which Elaine has woven in her pursuit of artistic endeavour. She is passionate about all forms and her academic investigation of each equips her with extensive knowledge and a broad experience of theatre-making. I adore any encounter with Elaine, so I cannot wait to share this STAGES conversation with you, so you can see exactly what I mean. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Ryan helps us decipher Ingmar Bergman's opaque story of two women -- one mute, the other a nurse -- who spend time together at a seaside cottage.

ll titolo della sesta puntata della quinta stagione di J-TACTICS, trae spunto da: "La vergogna” (Skammen) è un film del 1968, diretto da Ingmar Bergman ed interpretato da Liv Ullmann e Max von Sydow.Due coniugi, Eva e Jan, costretti durante la guerra ad abbandonare il loro lavoro di musicisti, si sono ritirati in una fattoria su un'isola, vivendo la vita dei campi e disinteressandosi completamente di quanto avviene nel mondo. L'incalzare della guerra però li riconduce alla dura realtà, quando i paracadutisti nemici invadono l'isola. L'esercito regolare riesce ad avere la meglio ma, alla fine della battaglia, i due coniugi vengono falsamente accusati di aver collaborato col nemico e vengono imprigionati e torturati. Grazie all'intervento di Jacobi, sindaco del paese e capo del presidio, invaghitosi di Eva, i due riacquistano la libertà.In questa situazione particolare i loro sentimenti si esasperano e l'incomprensione fra i due coniugi si acuisce a tal punto che Eva si concede a Jacobi.Ciò provoca un'ulteriore scossa in Jan il quale, spietatamente e con freddezza, uccide Jacobi e poi, per futili motivi, un giovane sbandato.Decisi ad abbandonare l'isola si imbarcano clandestinamente, ma il battello, dopo una breve navigazione, va alla deriva circondato da una moltitudine di cadaveri. Facendo la nostra solita trasposizione dalla cinematografia al mondo del calcio, ed in modo particolare alle vicende juventine, potremo utilizzare il titolo e le vicende narrate nella pellicola per analizzare il match andato in scena in terra d'Israele tra i padroni di casa del Maccabi Haifa e i bianconeri della Juventus.Una vergogna, così come il titolo da cui trae spunto l'odierna puntata di J-TACTICS.Una sconfitta umiliante, senza precedenti, con gli ex campioni d'Italia brutalizzati da, con tutto il rispetto, una squadra di poco più che dopolavoristi.La squadra di Mister Allegri praticamente non entra in campo, almeno non con la testa e dopo appena 7′ di gioco si ritrova già sotto di un gol.Nessuna reazione nonostante lo svantaggio maturi ad inizio match, solo un gruppo di turisti andati in gita in terra santa i quali passivamente subiscono gli avversari fino al termine della gara.Uno spettacolo indecoroso, ancor più vergognoso ed umiliante del già misero spettacolo andato in scena a San Siro qualche giorno prima contro il Milan.Dopo l'umiliazione patita in Israele ragionevolmente gli sbigottiti tifosi si chiedono, fino a quando?Fino a quando la Juventus, la sua dirigenza continueranno a farsi del male così?Fino a quando tutto resterà fermo ed immutabile proseguendo questo disastro senza fine?Tardiva e francamente inutile l'autocritica di Agnelli a fine partita.“Dobbiamo vergognarci e chiedere scusa ai tifosi che si vergonano come me e faticano ad andare in giro per strada. E' il momento di prenderci le nostre responsabilità. Non è colpa dell'allenatore se non vinciamo un tackle. Il problema non è Allegri. Da noi le decisioni si prendono a fine anno”.Le parole di un redivivo Andrea Agnelli, che rompe un silenzio durato un'eternità.Secondo le parole del presidente della Juventus l'orizzonte temporale sarebbe spostato addirittura al giugno 2023.Prima di quella ipotetica data nulla a suo dire accadrà in casa bianconera.Qualsiasi tifoso ed osservatore dotato di un briciolo di competenza calcistica può solo restare basito e perplesso dalle parole di Agnelli.A suo dire la società non interverrà neanche adesso che l'eliminazione dalla Champions League è quasi certa ed anche la discesa in Europa League appare fortemente improbabile.È lecito domandarsi, ma quante diavolo di partite deve perdere ancora questa disastrata Juve?Quanto ancora deve essere oltraggiata ed umiliata la storia e il prestigio della Juve e dei suoi milioni di tifosi?La partita con il Maccabi è stata l'apoteosi di una banda di musica senza capo né coda, messa in campo ancora peggio; Bonucci e Rugani, coppia centrale senza senso, McKennie e Danilo inguardabili sulla fascia dove gli israeliani hanno fatto ciò che hanno voluto; Vlahovic autore di un misero colpo di testa per poi evaporare come neve al sole; Milik che sbaglia un gol praticamente fatto; il centrocampo di turisti; Paredes non si vede mai, doveva essere il regista che mancava e continua a mancare.La fortuna, come si suol dire è cieca, ma la sfortuna invece ci vede benissimo, Di Maria dopo soli 22 minuti esce per infortunio muscolare.L'argentino doveva essere l'uomo in più con la sua esperienza ed invece da quando è sbarcato a Torino, è riuscito a giocare soltanto una gara intera, l'andata con gli israeliani.Adesso, il nuovo infortunio mette addirittura a rischio la sua presenza sino al 13 novembre e forse potrebbe compromettere il Mondiale con l'Argentina.La «vergogna» di cui il presidente Andrea Agnelli ha parlato dopo la partita, è un termine appropriato, anche se vien da chiedersi se il nostro Agnelli si sia vergognato solo ieri sera, svegliandosi da un letargo. La Juventus ieri sera non è stata neppure lontanamente all'altezza del proprio monte stipendi e del proprio valore economico e si è passivamente fatta mettere sotto da un avversario tecnicamente molto più scarso e con un monte ingaggi 25 volte inferiore.Vergogna, vergogna ed ancora vergogna, per questa situazione, per questo caos e per questa guerra fratricida all'interno della Juve così come quella descritta nella pellicola di Bergman.Andrea Agnelli è forse, a parere di scrive il più colpevole, trasformatosi da condottiero illuminato e onesto in dispettoso e cinico padrone così come il protagonista nel film citato, che contagiato dalla guerra, non è più l'uomo mite e pauroso di prima, ma un cinico arrivista.Il match di martedì sera è stato una delle umiliazioni più dolorose, e per fortuna rare, negli oltre 100 anni di storia del club.Agnelli e la squadra si sono vergognati.Ci pare il minimo che potessero fare, ma non basta per salvare la nostra amata Juventus agli occhi di noi tifosi.Diteci la vostra, interagiremo con voi in chat live! ​ ​Ecco i link dei nostri social:CANALE TELEGRAM:https://t.me/joinchat/AAAAAE2Dp-yj5b1N4SNcMQINSTAGRAM:https://instagram.com/jtactics_?igshid=1fg7nrkzhl2mtFACEBOOK:http://m.facebook.com/jtacticsmdn/

Today I speak with Johnny Compton, his debut novel The Spite House is coming out February 7, 2023 and is up for pre-order right now. We discussed Ingmar Bergman's only horror movie, Hour of the Wolf, a trippy, nightmare inducing walk thru the dream world.  It's a Swedish psychological horror film starring Max von Sydow and Liv Ullmann. The story explores the disappearance of fictional painter Johan Borg (von Sydow), who lived on an island with his wife Alma while plagued with frightening visions and insomnia. Join us in the Confessional! Follow Johnny here Pre-order The Spite House Here Healthy Fears Podcast Johnny has a short story that appears in the upcoming Death in the Mouth, an anthology of original horror by people of color

Vegard har sett Liv Ullmann lage oppstandelse på Gardermoen og ranter om eget, snobbete antrekk. Morten har plystre-fylleangst og gir oss en sniktitt inn i garderoben han har forberedt til Skal vi danse. Finlands statsminister har vært på fest og Anne Lindmo har blitt cancelled i el-lade-miljøet. Og hvor er Therese Johaug egentlig? På Heidis? Produsert av Ellen Andenæs Sekulic

Strømmen koster mer for hver dag som går, og fremdeles er det lite regn i sikte i sør. Bilistenes forbund, NAF, går til kamp mot bompengene, og ber politikerne "besinne seg". Regissør Erik Poppes nytolkning av "Utvandrerne" har norgespremiere snart. Sist spilte Liv Ullmann hovedrollen og hun er begeistret for den nye filmen. Hør episoden i appen NRK Radio

Skuespilleren og regissøren er bejublet verden over, men inni seg er hun fortsatt en 13 år gammel, sjenert jente. Hør episoden i appen NRK Radio

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Ingmar Bergman, (born July 14, 1918, Uppsala, Swed.—died July 30, 2007, Fårö, Swed.), was a Swedish film writer-director. The rebellious son of a Lutheran pastor, he worked in the theatre before directing his first film, Crisis (1945). He won international acclaim for his films The Seventh Seal (1957) and Wild Strawberries (1957). He assembled a group of actors, including Max von Sydow and Liv Ullmann, and a cinematographer, Sven Nykvist, with whom he made powerful films often marked by bleak depictions of human loneliness, including Through a Glass Darkly (1961), Cries and Whispers (1972), Autumn Sonata (1978), and Fanny and Alexander (1982). Bergman later wrote screenplays for The Best Intentions (1992) and Private Confessions (1996). He directed a number of television movies, most notably Saraband (2003), which received a theatrical release. Throughout his career Bergman continued to direct stage productions, usually at Stockholm's Royal Dramatic Theatre.From https://www.britannica.com/summary/Ingmar-Bergman. For more information about Ingmar Bergman:“Ingmar Bergman”: https://www.ingmarbergman.se/en/ingmar-bergman-filmmaker“Ingmar Bergman: 10 Essential Films”: https://www.bfi.org.uk/lists/ingmar-bergman-10-essential-films“Ingmar Bergman, Master Filmmaker, Dies at 89”: https://www.nytimes.com/2007/07/30/movies/30cnd-bergman.html

We're back! And now… it's time for a break!The Criterion Break returns for the next episode in their first Director's Series. Our look at Ingmar Bergman continues with the next two films, the 1973 TV miniseries, Scenes From A Marriage, and Bergman's final film made for the cinema, the 1978 chamber drama, Autumn Sonata. Hear the gang of three sing unending praises for Liv Ullmann as the all time great actress delivers two truly exceptional performances. Andy can be found across social media at:Facebook - Fat Dude Digs FlicksInstagram - FatDudeDigsFlicksTwitter - FatDudeFlicksLetterboxd - Fat Dude FlicksBlake (therealjohng) AND Derrick (dervdude) can both be found on Letterboxd. Derrick can also be found on Instagram.Join in on our local movie conversation at the South Dakota Film Community page/group on Facebook.Subscribe to this podcast on Apple Podcasts, Stitcher Radio, Amazon Music, Spotify or wherever you get your podcasts. Run a search and click on that subscribe button. Please take a second to rate and review the show, while you're at it! Remember, subscribing to The Criterion Break also gets you the Let's Taco ‘Bout podcast, also hosted by Andy, The Fat Dude. Let's Taco ‘Bout features a conversation with a special guest where we discuss their lives, their loves, and a movie that has had an impact on them.If you'd like to contact us for any recommendations, questions, comments, or concerns, you can email us at FatDudeDigsFlicks@gmail.com. If by some small chance you'd like to donate anything to offset the cost of movie tickets (or streaming costs during this GLOBAL pandemic) and this podcast, be it via a gift card to pay for a digital rental, you can also send that to the aforementioned email. Any recommendation and donation will be mentioned in a future episode! If you can't spare the dime, no worries: please leave a rating and/or a review, and spread the word about this podcast. Support the show

„Szenen einer Ehe“ – ein legendäres Filmdrama von Ingmar Bergman aus dem Jahr 1973. In sechs Folgen werden die Höhen und Tiefen des Paares Marianne, gespielt von Liv Ullmann, die Frau Ingmar Bergmans, und Johan, meisterhaft erzählt. Es ist die Geschichte eines Musterpaares, das für eine Homestory interviewt wird, weil es sich als vorbildhaftes Ehepaar präsentiert. Im Laufe des Films beginnt die Fassade zu bröckeln, es folgen Streit und Demütigungen. Auch in Ingmar Bergmans letztem Film „Sarabande“ lässt er Liebespaare aufeinanderstoßen wie Atome, die sich auflösen und neu verknüpfen zu immer neuen Konstellationen. Ein reizvoller Stoff für den Theaterregisseur Stephan Kimmig. Mit seiner Frau, der Bühnenbildnerin Katja Haß, arbeitet er seit Jahren zusammen am Theater, an verschiedenen Häusern, mit großem Erfolg, vielfach mit renommierten Theaterpreisen ausgezeichnet. Gerade bringt Kimmig, neben Henrik Ibsens „Volksfeind“, auch „Szenen einer Ehe“ am Schauspiel Hannover zur Premiere. Seine Frau, Katja Haß, entwirft, wie fast bei all seinen Inszenierungen, auch hier das Bühnenbild.

Known for her roles in the films of Ingmar Bergman, Liv Ullmann has also won acclaim on stage and behind the camera. In 2014, she wrote and directed an adaptation of August Strindberg's play Miss Julie, which premiered at the Toronto International Film Festival. Last week, Ullmann was presented with an honorary Oscar for her exceptional contribution to the art of film. Eleanor Wachtel spoke to Liv Ullmann at TIFF in 2014. This interview originally aired on Wachtel on the Arts on Sept. 16, 2014.

Johannes og Vegard er tilbake etter å ha dekket Oscar-seremonien og forteller hvordan det var å følge prisutdelingen i Hollywood. Det ble ingen Oscar-pris til Verdens verste menneske, men Liv Ullmann fikk en æres-Oscar. Men det alle snakket om i etterkant var at Will Smith slo til Chris Rock midt under sendingen.  Joe Biden sliter med å forklare hva han egentlig mente da han sa at Putin ikke lenger kunne sitte ved makten i Russland. Samtidig ber hans forgjenger Donald Trump om at Putin skal følge opp Republikanernes anklager rundt Hunter Biden. 

Vegard og Johannes er i Los Angeles for å dekke Oscar-utdelingen. De har møtt skuespillerne og filmskaperne fra "Verdens verste menneske" som er nominert til to Oscar-priser, og Liv Ullmann som har fått Oscar-akademiets ærespris.  Vi skal også innom amerikansk Høyesterett. Denne uken har Ketanji Brown Jackson vært til høring i Senatet, og det ble kjent at høyesterettsdommer Clarence Thomas sin kone sendte tekstmeldinger til Donald Trumps stabssjef Mark Meadows i forbindelse med 6. januar. 

Vladimir Putin skulle rydde opp og gjøre hverdagen bedre for russerne, men oransjerevolusjonen fikk han til å endre kurs. VG-journalist Ole Kristian Strøm snakker om Putin de siste 20 årene. NATO får Jens Stoltenberg, Norge Bank får Ida Wolden Bache, og Liv Ullmann får Oscar. VG-redaktør Gard Steiro forklarer hvorfor du snart må betale for å høre Giæver & gjengen. Med Anders Giæver, Hanne Skartveit og Benjamin Brekken. Produsent Magne Antonsen. Ansvarlig redaktør Gard Steiro. Kontakt redaksjonen på giaeveroggjengen@vg.no. Hør i PodMe eller din podkast-app.

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Supervikar Jan Normann er på plass med Bjørn, han er i ekstase fordi en gammel is gjør comeback. Bjørn forteller at man nå kan tjene seg rik på krabbefiske. Marte er på vei til Los Angeles, hun lurer på hvor tidlig man bør møte opp før man skal ut og fly, og hun forteller om Renate Reinsve og Liv Ullmann i forkant av Oscar-utdelingen. Episoden kan inneholde målrettet reklame, basert på din IP-adresse, enhet og posisjon. Se smartpod.no/personvern for informasjon og dine valg om deling av data.

Over the past 60 years Liv Ullmann has worked in film and throughout April the BFI celebrates her contribution to the medium as actor, writer and director with Liv Ullmann: Face to Face. The season coincides with the Norwegian cinema legend receiving an Honorary Academy Award for her exceptional contribution to the art of film. Liv Ullmann joins us to talk about her award-winning career in film and her close relationship with Swedish director Ingmar Bergman, with whom she made ten movies. National Trust Director General, Hilary McGrady joins us to discuss their recently unveiled plans for the next year. She touches on the role and responsibility of The Trust, their pandemic recovery, and their statement on Ukraine. In the wake of the announcement of the 2022 longlist, we explore the art of literary translation with International Booker Prize chair of judges, Frank Wynne, and one of the nominated translators Jennifer Croft, known for her translations of Nobel Prize in Literature winner Olga Tokarczuk.

Koronatiltakene kommer og går, det samme gjør viruset i diverse varianter. Hvordan skal vi forholde oss til dette? Vi får tips og råd av terapeut Dora Thorhaldsdottir Bildene av søppelfjell med kasserte klær i ørkenen bør få folk på andre tanker enn shopping og januarsalg, mener Jenny Skavlan. Pandemien legger en demper på mange parforhold. Hjemmekontoret får skylda. I denne sendingen møter du også to av våre største filmstjerner, Liv Ullmann og Renate Reinsve. Hør episoden i appen NRK Radio

Hey everybody and welcome to another episode of The Wrinkled Rabbit Podcast! This week we're talking about Ingmar Bergman's psychological drama, Persona. The film is about a nurse getting put in charge of an actress who is seemingly healthy, but will not talk. It stars Bibi Anderson, Liv Ullmann, Margaretha Krook, Gunnar Bjornstrand, and Jorgen Lindstrom.   Next Week's Movie: Stand by Me YouTube: http://www.youtube.com/c/WrinkledRabbitProductions Twitter: https://twitter.com/WrinkledRabbit Instagram: https://www.instagram.com/wrinkledrabbit/