Podcasts about while d

The name BLK ODYSSY might seem a bit grandiose on first glance, but a quick listen to their recent material justifies the epic magnificence of their sound. While D’Angelo & The Vanguard maintains a naming convention that touts their frontman’s saga, singer Sam Houston has graciously allowed his own name to go by the wayside as […]

Today Duff and Dale talk about some of the innovations from D.A.R.P.A. (Defense Advanced Research Projects Agency) and how these technologies will impact our future. We also went over how prepping is becoming more mainstream, and how preppers are losing the “extremist” label. While D.A.R.P.A. is a military research agency, many of their innovations make […]

Rip open a Fun Dip and pour a glass of Courvoisier and enjoy the latest episode of 3 IN, 3 OUT. Tune in to find out how Ziggy Ansah's inability to run down the Eagles backup quarterback leads to a reference of the Ladies Man (of Saturday Night Live fame). While D.K. Metcalf is the Seahawks rookie that gets the spotlight after this game, we shift the light to shine on a couple other rookies that had underrated performances in the 17-9 win over the Eagles.   Subscribe to the Field Gulls Podcast via: Apple Podcasts | Google Podcasts | Spotify |Overcast | Pocket Casts | Stitcher | Castbox | Subscribe on Android | PlayerFM |RSS  Help support the show with a one-time or recurring monthly donation: glow.fm/flock Learn more about your ad choices. Visit megaphone.fm/adchoices

Big Shrimp starts it off today with being sick again and D. Hodge gives an update on his injured foot. While D. Hodge cringes, Big Shrimp tells the story of how Bobby "cheated". The guys also talk their stalker and what it has led to. Big Shrimp talks with D. Hodge about the TV shows that they grew up on. D. Hodge also tells why he's such a picky eater, while Big Shrimp tells why he's still avoiding McDonald's. To close the show, D. Hodge tells a never before heard story about the time he almost went to jail. bigshrimpradioent@gmail.com thehodgepodgeproductions@gmail.com Big Shrimp: instagram.com/big_shrimp_radio D. Hodge: instagram.com/iammrdylanhodge

Big Shrimp starts it off today with being sick again and D. Hodge gives an update on his injured foot. While D. Hodge cringes, Big Shrimp tells how Bobby Bones "cheated" on him. The guys also talk their stalker and what it has led to. Big Shrimp talks with D. Hodge about the TV shows they both grew up on. D. Hodge talks about his picky eating and Big Shrimp tells why he is still avoiding McDonald's. To close the show, D. Hodge tells a never before heard story about the time he almost went to jail. D. Hodge: instagram.com/iammrdylanhodge Big Shrimp: instagram.com/big_shrimp_radio Wanna send us an email? D. Hodge: thehodgepodgeproductions@gmail.com Big Shrimp: bigshrimpradioent@gmail.com --- Support this podcast: https://anchor.fm/dylan-hodge/support

First Draft Episode #202: D.C. Pierson D.C. Pierson, comedian, writer, filmmaker and author of The Boy Who Couldn’t Sleep and Never Had To and Crap Kingdom, and co-writer and star of indie comedy movie Mystery Team, talks about getting more vulnerable with age, using his fiction to explore the gap between what we expect of the world and what turns out to be true, and being sick of not finishing things. Links and Topics Mentioned In This Episode Dan Eckman and Meggie McFadden are two comedians D.C. has worked with for years, in part on an adaptation of D.C.’s first book, The Boy Who Couldn’t Sleep and Never Had To D.C. loved the cover of his dad’s copy of Jurassic Park by Michael Crichton Rubber Soul was the one Beatles album D.C.’s family had on cassette or CD In conjunction with the documentary The Beatles Anthology, detailed compilations of Beatles ephemera were released in three double-CD sets: Anthology 1, Anthology 2, and Anthology 3. D.C. listened to these more than the regular Beatles albums, which means he listened to a lot of alternate versions of songs and random studio chatter. He credits that with jumpstarting much of his curiosity as a storyteller. While D.C. attended the Rita and Burton Goldberg School of Dramatic Writing at NYU’s Tisch Institute of Performing Arts, one of his teachers was Charlie Rubin, who wrote for Seinfeld and In Living Color, and was a showrunner for Law & Order: Criminal Intent Derick was D.C.’s improv group which formed at NYU, made up of D.C. Pierson, Dominic Dierkes, Donald Glover, Dan Eckman, and Maggie McFadden Mystery Team was a fully independently-made movie that the Derick Comedy group made, which had a screening at Sundance, and led the group to move to Los Angeles Upright Citizens Brigade improv theater is where D.C. honed his comedy and performing chops during and after college The concept for Mystery Team is basically: what if characters from Encyclopedia Brown never really grew out of their idealized, 1950s childhood, and kept trying to solve crimes? Donald shared what he learned writing for 30 Rock (with Tina Fey, Robert Carlock, Matt Hubbard, Kay Cannon) with his Derick Comedy friends to help them write a tight script for Mystery Team Nathan Rabin, who wrote for The A.V. Club at the time, wrote a glowing review there for Mystery Team that D.C. credits with helping the movie gain momentum A passing encouraging comment from comedian, actor, writer, and musician Eliza Skinner gave D.C. the boost he needed to start writing a book Dianne McGunigle, manager and a producer of Atlanta, was D.C. agent at the time that he wrote a first draft of The Boy Who Couldn’t Sleep… and she read it quickly, a favor for which D.C. is forever grateful Gerry Howard, who edited David Foster Wallace’s The Broom of the System and Girl with Curious Hair, as well as Hanya Yanagihara’s A Little Life, was the editor D.C. worked with for The Boy Who Couldn’t Sleep… D.C. was starstruck to be going to the offices where Sloane Crosley—essayist and writer known for I Was Told There’d Be Cake, How Did You Get This Number and her newest, Look Alive Out There—also worked. The Los Angeles Times gave The Boy Who Couldn’t Sleep… a lovely review D.C. was inspired by psychologist Carol Dweck’s book, Mindset: The New Psychology of Success One of D.C.’s favorite English teachers sent him Of Human Bondage by W. Somerset Maugham provided a quote that summed up what he likes to explore in all his writing To me, Crap Kingdom is asking, “What if Lord of the Rings was deeply uncool?” Stephen King’s On Writing is one of the writing books that has inspired D.C. in his fiction process One of D.C.’s earliest imrpov teachers, Owen Burke, referred to the following passage from Tom Stoppard’s Arcadia, on the endurance of human thought and creation: “We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?” D.C. sometimes teaches at Writing Pad, a writing program offered online and in L.A./S.F. Subscribe To First Draft with Sarah Enni Every Tuesday, I speak to storytellers like Veronica Roth, author of Divergent; Linda Holmes, author and host of NPR’s Pop Culture Happy Hour podcast; Jonny Sun, internet superstar, illustrator of Lin-Manuel Miranda’s Gmorning, Gnight! and author and illustrator of Everyone’s an Aliebn When Ur a Aliebn Too;  Michael Dante  DiMartino, co-creator of Avatar: The Last Airbender; John August, screenwriter of Big Fish, Charlie’s Angels, and Charlie and the Chocolate Factory; or Rhett Miller, musician and frontman for The Old 97s. Together, we take deep dives on their careers and creative works. Don’t miss an episode! Subscribe in Apple Podcasts, Spotify, Stitcher, or wherever you get your podcasts. It’s free! Participate To leave a voicemail for a future episode, call 818-533-1998. Or you can email the show at firstdraftwithsarahenni@gmail.com. Rate, Review, and Recommend How do you like the show? Please take a moment to rate and review First Draft with Sarah Enni in Apple Podcasts, Google Play, or wherever you listen to podcasts. Your honest and positive review helps others discover the show -- so thank you! Is there someone you think would love this podcast as much as you do? Please share this episode on Facebook, Twitter, Pinterest, or via carrier pigeon (maybe try a text or e-mail, come to think of it). Just click the Share button at the bottom of this post! Thanks again!

Elfrid Payton for four years was at least a passable starting point guard. Not what the Magic needed, but good enough. Not someone who could take the team to the next level though. And so Orlando had to move on. While D.J. Augustin has performed admirably, it is clear he does not fit the team's future and the Magic are going to want to fish for a point guard. That was the risk of letting Payton go. And even as Payton struggles and the Phoenix Suns realize all the problems Magic fans knew... the point guard question remains. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Session 6 of The Behavioral Observations Podcast, Dr. D.J. Moran, BCBA-D joins me to provide an overview of one of my favorite topics in Behavior Analysis: Acceptance and Commitment Therapy (ACT). D.J. has been a practitioner of ACT for over 20 years; applying these concepts across a range of applications that include supporting children and parents with Autism, providing therapy in mental health settings, and more recently, using the ACT model to help corporations improve their safety and leadership initiatives. He’s also a fellow podcaster to boot!   In this podcast, D.J. tells us how he first encountered ACT, describes the core features and concepts of the ACT model, and discusses how ACT can help support caregivers of individuals with Autism Spectrum Disorders.   While D.J. is the author of many peer reviewed articles and chapters, listeners to the podcast would do well to check out his book, Building Safety Commitment, which provides one of the most accessible blueprints of the ACT model I have seen. Even though the book is about behavioral safety, one can easily transfer the ACT concepts to school, clinic, and home settings.   As D.J. notes in the podcast, listeners who want to learn more about ACT should head over to contextualscience.org, the internet home of the Association for Contextual Behavioral Science. Joining the ACBS provides access to a wealth of resources for all things ACT.   If you enjoy this show, please leave a rating and review in iTunes. It only takes a minute and it ensures that the message of Behavior Analysis stands out amongst all the other podcasts that are out there.   Finally, The Behavioral Observations Podcast is sponsored by bSci21.org. I encourage listeners to check out bSci21.org as Todd Ward (another ACT expert) and his contributing writers continue to publish great articles that discuss Behavior Analytic principles and applications in a fun and accessible format.

Earlier this month, Brother D spent three days in a row at Portland's Hollywood Theatre and managed to keep his sanity in tact at the Lovecraft Film Festival and went back to the theater the very next day for a screening of Juan de los Muertos, aka Juan of the Dead (dir. Alejandro Brugués), with Tequila Matt.  After four days at the Hollywood, he needed the MOZ Family's help in picking another movie to review this episode.  Will he take the advice of the Mail Order Zombie Family?  While D was spending every waking moment at the Hollywood, and watching the second half of JABB pictures' The Collective, Volume 3, Silent Death reviewed the novel The New Zed Order: Survive by author Todd Sprague.  Need-a-Nickname Scott returns with the Zombie Beat, and Miss Bren does her best to keep her husband from offending too many listeners north of the border.INTRO (00:00)BEAT (03:00)I WAS... (12:20)H. P. LOVECRAFT FILM FESTIVAL (38:09)THE COLLECTIVE, VOLUME 3 (1:15:32)NEW ZED ORDER: SURVIVE (1:33:55)JUAN OF THE DEAD (1:37:26)FEEDBACK DISCUSION (1:59:33)Mail Order Zombie Facebook Group - http://tinyurl.com/facebookmoz Mail Order Zombie Twitter - http://www.twitter.com/mailorderzombie Email us at MailOrderZombie@gmail.com or call us at 206-202-2505!JABB pictures - http://www.jabbpictures.com/Juan of the Dead - http://www.juanofthedeadmovie.com/lang/en/The New Zed Order: Survive - http://www.newzedorder.com/H. P. Lovecraft Film Festival and CthulhuCon - http://www.hplfilmfestival.com/DeadHeads Short Film Featuring Cheese - http://www.indiegogo.com/deadheadsCrypticon, Seattle - http://www.crypticonseattle.comWonder Northwest - http://www.wondernorthwest.com/Casting Call: How to Kill a Zombie - http://www.sunjournal.com/news/lewiston-auburn/2012/05/20/zombie-casting-call-local-filmmakers-plan-shoot-ma/1196277Juan of the Dead coming to DVD - http://www.dreadcentral.com/news/55274/exclusive-make-date-juan-deadMaggie casting News - http://www.variety.com/article/VR1118053838Dead Island 2 Rumors Denied - http://www.destructoid.com/dead-island-2-rumors-strongly-denied-by-deep-silver-227635.phtmlWalking Dead Escape at Comic-Con - http://www.thewalkingdeadescape.com/Futurama zombies - http://comedycentral.tumblr.com/post/23355365230/countdown-to-futurama-husks-and-zombies-today-we(Various production music produced by Kevin MacLeod.)

The Digital Oblivion. Substanz und Ethik in der Konservierung digitaler Medienkunst | Symposium Do, 04.11.2010 – Fr, 05.11.2010 Während Archivgut in erster Linie bewahrt wird, um Rechtstitel zu belegen oder Vorgänge mit verbindlichen gesellschaftlichen Konsequenzen zu dokumentieren, folgen Museen Sammlungsprinzipien, deren kulturelle Begründungen individuell geprägt und zugleich einem ständigen Wandel unterworfen sind, wie an Beispielen aus Geschichte und Gegenwart in Erinnerung gerufen werden soll. So haben beispielsweise Paradigmenwechsel im Bereich der Archäologie oder der Naturkunde in den letzten Jahrzehnten zu einer Neubewertung von Ausgrabungen oder Feldforschungen geführt. Auch für die museale Gegenwartsdokumentation wurden Strategien entwickelt, deren Konzepte im Sinne vorauseilender Archivierung in ihren Möglichkeiten und Grenzen auszuloten sind. Während Dürer für seine Malerei noch eine Haltbarkeit von einem halben Jahrtausend postulierte, nehmen viele Gegenwartskünstler bei ihrer Materialwahl wenig Rücksicht auf Dauerhaftigkeit, kalkulieren mitunter den Verfallsprozess ihrer Werke ein. Divergenzen und Diskrepanzen zwischen der gegenwärtigen Welt der Gegenstände, seien sie der Kunst, der Technik, dem Alltagsleben oder der Natur zugehörig, und ihrer Überlieferung sind als prinzipielles Phänomen des Museumswesens zu betrachten. Prophylaxe gegen das »digitale Vergessen« sollte insofern Teil eines Gesamtkonzeptes gegen kulturelle Amnesie sein. Risiken und Nebenwirkungen in Form von musealer Bulimie sind zu beachten. Was können Museen als öffentliche Kultureinrichtungen leisten, wie müssen sie sich aufstellen, welche strategischen Partnerschaften können sie eingehen oder müssen sie akzeptieren? /// While archival content is conserved in order to prove ownership or to document procedures with binding social consequences, museums follow collection principles that are individual and subject to constant change, as will be illustrated with the help of examples past and present. In the past decades paradigm changes in the fields of archaeology and biology have led to the re-evaluation of excavations and field research. Strategies have been developed for the documentation of contemporary culture on the part of museums. The concept of anticipatory archiving which underlies these strategies is yet to be fully understood. While Dürer postulated a durability of fivehundred years for his paintings, many contemporary artists have little consideration for the permanence of their works and take into account the works' process of disintegration. Divergencies and discrepancies in the contemporary world of objects, whether they belong to art, technology, everyday life or nature, and in the way they are handed down have to be regarded as a basic phenomenon of museum work. In this respect prophylaxes against the »digital oblivion« should be considered as part of an overall concept against cultural amnesia. Risks and side effects in the form of museum bulimia should be taken heed of. What can museums contribute as public cultural institutions, how should they present themselves, which strategic partnerships can they contract or must they accept?