American film director and screenwriter
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ABOUT THE EPISODE --In Episode 270 of Reel Therapy, Daniel and Donavon are joined by UCA Professor of Film, Dr. Bruce Hutchinson, to discuss the 2006 classic, "The Devil Wears Prada". Does it hold up twenty years later? What's the deal with Nate's character? Should Andy have kept her job? Does the script hold up two decades later? We break it all down with the professor before we see the sequel and let us know in the comments below what you thought of the film and what are your thoughts on the "The Devil Wears Prada 2".TABLE OF CONTENTS --00:00:00 - About the Episode00:00:32 - Greetings from Dr. Bruce Hutchinson00:01:01 - The Devil Wears Prada01:56:33 - Before We GoABOUT THE MOVIE --"The Devil Wears Prada" follows Andy Sachs, an aspiring journalist who lands a coveted job as assistant to Miranda Priestly, the powerful and demanding editor-in-chief of a leading fashion magazine. Thrust into the fast-paced world of high fashion, Andy must navigate impossible expectations, office politics, and the growing tension between her career ambitions and personal life. Blending sharp humor, memorable performances, and insightful commentary on work-life balance and ambition, the film has become a modern classic about success, sacrifice, and finding your own path.Before We Go: Additional Reading --"Spinstack" App: https://spinstackios.app"Wuthering Heights" - Directed by Emerald Fennell: https://www.imdb.com/title/tt32897959/"Widow's Bay" on Apple TV: https://www.imdb.com/title/tt33332385/"Scriptnotes: A Book About Screenwriting and Things That Are Interesting to Screenwriters" - Written by John August and Craig Mazin: https://a.co/d/02TyU3FmArt House Cinema: https://www.arthouse-cinema.netFIND US --To learn more about Bruce and follow his work, find him on:Instagram: @bdhutchX: @bdhutchAnd for more movie breakdowns checkout:LINK: https://www.thehutchfiles.com/For everything Reel Therapy and 241 Studios, check out our website:LINK: https://www.241studios.com/Follow us on:Instagram: @reeltherapy_podcastFacebook: / reeltherapypod TikTok: @reeltherapy_podcast
Desde el primer domingo de mayo, en el Día de la Madre, California… C.J. Navas, Jorge y Don Carlos repasan la actualidad seriéfila de los diferentes canales, cadenas y plataformas, los estrenos de los próximos días, las ficciones más vistas por su audiencia, contestan a las preguntas de los oyentes y dan sus recomendaciones habituales de cada semana. Recomendaciones de la Semana: Don Carlos: Profesor T. Jorge: Gary (el episodio independiente de The Bear / Leyendas / Cochinas C.J.: Rivales T2 / La Exposición “"Las mejores letras en español" en el Instituto Cervantes (hasta el 21 de junio) / La maldición de Widow's Bay / La conversación con su creadora, Katie Dippold, en “Scripnotes”, el podcast de John August y Craig Mazin. ¡Esperamos tus audiocomentarios!: Mándanos tus mensajes por WhatsApp al +34 604 41 64 49 o a https://fueradeseries.com/mensajes Vota en los Power Rankings: Participa en la elaboración de nuestros Power Rankings votando a tus series favoritas de la semana en: https://fdseri.es/33u15eb Learn more about your ad choices. Visit megaphone.fm/adchoices
"Your product is not the features, the specs, it's not what you ship. The product is the experience, the transformation that your customer goes through. It's the change in their lives. That's what you're selling." — Rain BennettYou can have a bold vision, a clear mission, and a brand people believe in... and still fail. Because none of it matters if your product doesn't deliver. In this solo episode, Rain breaks down the fourth layer of the Narrative Operating System: Product, the moment where your story is either proven or broken. Using Nike's grassroots origins and screenwriting software Highland Pro as case studies, Rain shows how the best brands don't build products for their customers—they build them with them. He also introduces the Hub and Spoke Model as a practical framework for keeping every feature and offering tied back to your core brand narrative, and walks through the most common product traps (feature bloat, trend chasing, and data misreading) that cause brands to drift and fracture over time.In this episode, you will learn to:Reframe your product as the moment your brand story is proven, or exposedUse the Hub and Spoke Model to keep every product feature tied to your core narrativeBuild with your customers instead of for them by treating listening as a storytelling strategyUnderstand where the Chief Storytelling Officer sits in the product conversation and why it mattersAvoid the three biggest product traps: feature bloat, trend chasing, and misreading data without contextEpisodes Referenced:EP 216 → Vision: The Big Future Story (https://www.thestorytellinglabpodcast.com/items/the-real-reason-your-brand-feels-disconnected)EP 220 → Mission: How You're Going to Get There (https://www.thestorytellinglabpodcast.com/items/%E2%80%9Cvision-is-what-inspires-your-people.-mission-is-what-activates-and-organizes-them.%E2%80%9D)EP 225 → Brand: How It Feels to Be Part of Your Story World (https://www.thestorytellinglabpodcast.com/items/the-real-brand-difference)Guest Referenced → Nelson Farris, first Chief Storytelling Officer at NikeGuest Referenced → John August, screenwriter and founder of Highland ProPodcast Referenced → Scriptnotes with John August and Craig MazinSoftware Referenced → Highland Pro → https://www.highland.appBook → The Chief Storytelling Officer by Rain Bennett → Coming August 25th (https://www.barnesandnoble.com/w/the-chief-storytelling-officer-b-rain-bennett/1149080177?ean=9781636988115)Substack → Subscribe for more NOS content → https://rainbennett.substack.comFor more storytelling tips and strategies, visit:Website → https://rainbennett.comPodcast → https://thestorytellinglabpodcast.comOr follow along at:TikTok → https://www.tiktok.com/@chiefstorytellingofficerTwitter/X → https://twitter.com/rainbennettInstagram → https://www.instagram.com/rainbennettFacebook → https://www.facebook.com/thestorytellinglabYouTube → https://www.youtube.com/@RainBennett Hosted on Acast. See acast.com/privacy for more information.
What will it take to breathe new life into High Falls? Members of the High Falls Business Improvement District (BID) have been working on a number of projects aimed at boosting the health of the neighborhood. We talk with BID members and business owners about their vision for revitalizing High Falls. Our guests: John August, president of the High Fall Business Improvement District Fina Burroni, owner of High Falls Bistro Rick Caesar, owner and manager of Nightcap Blues Nightclub Todd Clicquennoi, principal of Metro Falls Real Estate, Inc. and member of the High Falls Business Improvement District ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.
There's a brand new agreement between the WGA and the AMPTP! And since John was the co-chair of the negotiating committee, he's excited to share all the details of the 2026 MBA. Links: The 2026 MBA agreement memorandum John August on Instagram and Bluesky Scriptnotes on Instagram and TikTok Scriptnotes is produced by Drew Marquardt Email us at ask@johnaugust.com You can download the episode here.
Auckland's upzoning reforms have become a global case study in housing policy. Gene Tunny and John August dig into the data behind claims that loosening zoning rules boosted housing supply and eased rent pressures. They explore the statistical methods used, the critiques raised by sceptics, and the limits of zoning reform on its own. The episode also examines infrastructure constraints and whether complementary policies are essential for real housing affordability gains.Gene would love to hear your thoughts on this episode. You can email him via contact@economicsexplored.com. TimestampsAuckland Upzoning and Housing Affordability (0:00)Introduction of John August and Initial Discussion (3:41)Statistical Analysis and Critiques (3:59)Cameron Murray and Tim Helm's analysis (7:33)Broader Economic Context and Infrastructure (25:23)Conclusion and Future Directions (46:23)TakeawaysRigorous statistical studies find a strong link between upzoning and increased housing consents in Auckland.Critics argue that zoning reform alone cannot overcome development cycles, infrastructure bottlenecks, or land banking.Development approvals are a useful, though imperfect, proxy for actual housing supply growth.Infrastructure provision is crucial—densification without follow-through can reduce amenity and limit affordability gains.Zoning reform works best as part of a broader policy package, potentially including land value taxation to fund essential infrastructure.Links relevant to the conversationThe impact of upzoning on housing construction in Auckland by Ryan Greenaway-McGrevy and Peter C.B. Phillips:https://cowles.yale.edu/sites/default/files/2024-02/p1863.pdfZoning and housing supply: empirics in search of a theory by Tim Helm and Cameron Murray:https://ace2025.org.au/wp-content/uploads/2025/07/01-Tim-ACE-2025-Tim-Helm-TAKE-II.pdfLumo Coffee promotion10% of Lumo Coffee's Seriously Healthy Organic Coffee.Website: https://www.lumocoffee.com/10EXPLOREDPromo code: 10EXPLORED
Writing legends John August & Craig Mazin talk about their journey to screenwriting, podcasting, & writing a book. They talk about how to boil down 15 years of shows down to a book, the origin of the scriptnotes podcast, the need to help people combined with being annoyed by people, what each of them considers good writing, why people who hate books on writing wrote a book on writing, there are no rules to screenwriting, customizing your process, the moment they thought the might be good enough to make a living at writing, their messiest jobs, their best jobs, the changing nature of show biz, and why the Scriptnotes book weighs a lot less than you think it does. Bio: Craig Mazin is the multiple Emmy® award-winning co-creator, executive producer, writer and director of the smash hit HBO series THE LAST OF US. An addition to setting viewership records for HBO, THE LAST OF US has earned 51 Emmy® nominations including 9 Emmy® wins, a Peabody Award, an AFI Award, a BAFTA Award, two SAG Awards, a DGA Award, a WGA Award, a GLAAD Award, two Film Independent Spirit Awards, and four Golden Globe Award nominations. Previously, Mazin served as creator, writer and executive producer of the HBO limited series CHERNOBYL, for which he won 2 Emmys®, a Golden Globe, a BAFTA, a Peabody, and awards from the Writers Guild, the Producers Guild, the Television Critics Association and the American Film Institute. Looking ahead, Mazin is executive producing the upcoming HBO E-sports drama DAMAGE alongside writer, director and executive producer Celine Song. In addition to his work in television, Mazin has written numerous hit feature films, which have grossed over one billion dollars in theaters worldwide. Mazin can be heard on the popular screenwriting podcast Scriptnotes, which he co-hosts with fellow writer John August. Bio: John August is a screenwriter whose credits include Aladdin, Big Fish, Charlie and the Chocolate Factory, Corpse Bride, Frankenweenie and the first two Charlie's Angels movies. He directed the 2007 film The Nines starring Ryan Reynolds and Melissa McCarthy, which premiered at the Sundance Film Festival. He earned a BAFTA nomination for his script for Big Fish, and a GRAMMY nomination for his song in Charlie and the Chocolate Factory. In 2016, he received the Writers Guild of America West's Valentine Davies Award in recognition of his humanitarian efforts and civic service. In addition to his work in film, John wrote the Arlo Finch middle-grade novel trilogy, and the book for the Broadway musical of Big Fish. Since 2012, he has co-hosted the popular weekly screenwriting podcast Scriptnotes. His company, Quote-Unquote Apps, makes utilities for writers (including Highland and Weekend Read) along with Writer Emergency Pack, which is used in 2,000 classrooms nationwide. Born in Boulder, Colorado, John received a BA in Journalism from Drake University and an MFA in Film Producing from USC's School of Cinematic Arts. He lives in Los Angeles with his family. Learn more about your ad choices. Visit megaphone.fm/adchoices
Second City Works presents "Getting to Yes, And" on WGN Plus
Kelly talks to legendary screenwriter John August (“Big Fish,” “Charlie and The Chocolate Factory,” who co-hosts the “Scriptnotes” podcast with Craig Mazin (“Chernobyl,” “The Last of Us.”). They have a new book: “Scriptnotes: A Book About Screenwriting and Things That Are interesting to Screenwriters.” “Be passionate in agreement. Be dispassionate in disagreement.” “As writers, we […]
From 2014: Mind reading apps for Google glass, Alcohol without the harm? by Ian Woolf Skyrmions explained by John August, Tales of the internet before the web by Ian Woolf Presented and produced by Ian Woolf Support Diffusion by making a contribution Support Diffusion by buying venus flytrap shirts
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Our exit today has us talking about several independent women. This week, we are talking about Charlie's Angels, written by Ryan Rowe, Ed Solomon and John August and directed by McG.In addition to podcast favorites Drew Barrymore and Lucy Liu, this gives us our first chance to really dive into the careers of Cameron Diaz and Bill Murray. Plus, the MTV Movie Awards, Jerry Bruckheimer, Tripp's lack of patience for Tom Green, Crispin Glover, quick-cutting action, and a long awaited chance for the guys to debate the male gaze!Thememusic by Jonworthymusic.Powered by RiversideFM.CFF Films with Ross and friends.Movies We've Covered on the Show on Letterboxd.Movies Recommended on the Show on Letterboxd.
John August and Craig Mazin - hosts of the legendary Scriptnotes podcast - join us for a wide-ranging conversation inspired by their new book, Scriptnotes: A Book About Screenwriting and Things That Are Interesting to Screenwriters. We talk about why rigid structure can miss the point, how theme emerges from character, what fear and denial really look like on the page, and how writers can survive rejection without letting it define them. A candid, funny, and deeply reassuring conversation for writers at every stage. A special thanks to Scriptnotes producer Drew Marquardt and editor Matthew Chilelli for their support with this episode. --- Looking for more support on your writing journey? Join Meg and Lorien inside TSL Workshops - use code HOLIDAY25 for 50% off your first month. Episode Links: Check out the new Scriptnotes book here Scriptnotes Premium John August's website "The Last of Us" on HBO Max Check out the TSL merch shop TSL on Instagram, TikTok, and Bluesky The Screenwriting Life is produced by Jonathan Hurwitz and edited by Kate Mishkin. Email us at thescreenwritinglife@gmail.com. --- Learn more about your ad choices. Visit megaphone.fm/adchoices
Author Eric Gee joins Nicole Barlow and Ryan Pak to discuss the soundtrack to Doug Liman's 1999 film, Go! From the B.T. score to the timeless earworm of Len's "Steal My Sunshine", to a new No Doubt song, Go! captures all the music that suburban kids were into in 1999. 00:00:00-00:09:30 Introducing Eric Gee & The Power of Personality 00:09:31-00:15:30 Why Did Eric Pick Go!? 00:15:31-00:23:00 The Soundtrack Supervisor and Capturing 1999 00:23:01-00:25:15 The Pulp Fiction Comparison 00:25:16-00:32:30 The "Steal My Sunshine" Needle Drop and Rave Culture 00:32:31-00:39:00 John August and Screenwriting 00:39:01-00:44:30 The Career of Electronic Music Pioneer, BT 00:44:31-00:50:30 Is Go! a Christmas Movie? and Breckin Meyer Defining 1999 00:50:31-00:56:00 Doug Liman's Post-Go! Career and The Simpsons' homage to Go! 00:56:01-00:59:30 Your Life in 3 Tracks 00:59:31-01:05:54 What's Ryan's Animal? / Thank Yous and Goodbyes Eric's book, The Power of Personality of out now! For More Information About Eric Gee: Website Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices
LOOK OUT! It's only Films To Be Buried With! Join your host Brett Goldstein as he talks life, death, love and the universe with the deluxe double-team screenwriting genius pairing of CRAIG MAZIN and JOHN AUGUST! You may be well versed in the 700+ episode archive of the Scriptnotes podcast, or you may be entirely dehydrated through sheer tear dispensation via Big Fish, or perhaps be a little shaken through exposure to The Last Of Us and/or Chernobyl... Whatever the case - hopefully by now you will have caught at least some of the work generated by these two, as it is a rare thing to have such an insanely great body of work displaying such consistency. A triple-voice dream of an episode which will be sheer indulgence for all movie loving folk, and if you are yet unacquainted with John and Craig, you're about to make some good friends here and hopefully investigate their work after listening... You won't be disappointed. Video and extra audio available on Brett's Patreon! SCRIPTNOTES podcast SCRIPTNOTES book JOHN'S WEBSITE BIG FISH CHERNOBYL THE LAST OF US –––––––––– BRETT • X BRETT • INSTAGRAM THE SECOND BEST NIGHT OF YOUR LIFE TED LASSO SHRINKING ALL OF YOU SOULMATES SUPERBOB (Brett's 2015 feature film) Learn more about your ad choices. Visit podcastchoices.com/adchoices
Go to http://factormeals.com/nostalgia50off and use code nostalgia50off to get 50% off your first box, plus Free Breakfast for 1 Year. Nostalgia Critic did an Old vs New on it, but for it's 20th anniversary, he's giving the whole film the review treatment. Have his thoughts changed over the years? Let's take a look at Charlie and the Chocolate Factory. Join our YouTube Members - https://www.youtube.com/channel/UCiH828EtgQjTyNIMH6YiOSw/join Last weeks Nostalgia Critic - https://youtu.be/ctqABJh922A Check out our store - https://channelawesome.myshopify.com/ Support this month's charity - https://solvecfs.org/ Charlie and the Chocolate Factory is a 2005 musical fantasy film directed by Tim Burton and written by John August, based on the 1964 children's novel of the same name by Roald Dahl. The film stars Johnny Depp as Willy Wonka and Freddie Highmore as Charlie Bucket, alongside David Kelly, Helena Bonham Carter, Noah Taylor, Missi Pyle, James Fox, Deep Roy, and Christopher Lee. The storyline follows Charlie as he wins a contest along with four other children and is led by Wonka on a tour of his chocolate factory. Learn more about your ad choices. Visit megaphone.fm/adchoices
Nostalgia Critic starts off NostalgiaWeen with a Tim Burton film that's 20 years old. Does this stop-motion fairy tale have the same charm as his first? Let's take a look at Corpse Bride. Animation by Kritken - Youtube.com/TheKritken Music by Jayhan - YouTube.com/JayhanOfficial Join our YouTube Members - https://www.youtube.com/channel/UCiH828EtgQjTyNIMH6YiOSw/join Last weeks Nostalgia Critic - https://youtu.be/7x7aigWbpH0 Check out our store - https://channelawesome.myshopify.com/ Support this month's charity - https://solvecfs.org/ Corpse Bride (also known as Tim Burton's Corpse Bride) is a 2005 stop-motion animated Gothic fantasy musical film, directed by Mike Johnson (in his directorial debut) and Tim Burton from a screenplay by John August, Caroline Thompson, and Pamela Pettler, based on characters created by Burton and Carlos Grangel. Set in an English village, Corpse Bride stars Johnny Depp as the voice of Victor, while Helena Bonham Carter voices Emily, the titular bride. An international co-production between the United States and United Kingdom, produced by Tim Burton Productions and Laika Entertainment, and distributed by Warner Bros. Pictures, Corpse Bride is the first stop-motion feature film directed by Burton after previously producing The Nightmare Before Christmas (1993) and James and the Giant Peach (1996). Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the crew is finally back together to talk Donkey Kong Bananza! The crew provides a comprehensive review, along with their thoughts on the Switch 2 after 60 days. We still can't explain how Game Key Cards work. At the end of the episode, we jump into a Mini Indie Roundup and give you our thoughts on Is This Seat Taken? from Poti Poti Studio and Birdigo from John August and Corey Martin. A big thanks to Popagenda/Wholesome Games Presents and GameTeam6 for providing review codes for this episode! Find Timestamps for this Episode Below: 0:00 - Intro 3:30 - Claire Lewis joins Crossplay Conversations + PAX West 2025 10:45 - Donkey Kong Bananza Review 38:00 - Switch 2 After Two Months 52:45 - Jacob Tries to Explain Game Key Cards Again 57:55 - Luke and Claire's Review of Mario Kart World Tour 1:00:55 - Is This Seat Taken? Review 1:04:45 - Birdigo Review 1:06:55 - Outro Find us on BlueSky for show updates and more: Podcast: @crossplayconvos.bsky.social Jacob: @jacob.bsky.social Luke: @lukewarmlewis.bsky.social Joseph: @th3hoopman.bsky.social Claire: clairebearrose.bsky.social Check out our other shows: Player Player Podcast Left Behind Game Club The LukeWarmGames Podcast Cutscenes: A Video Game Movie Podcast Video Game Trivia
Join us as we continue our series on The Gospel of John!
Jess Eng is a food writer based in New York City. She's a regular contributor here at TASTE alongside a great roster of publications like the Washington Post and the New York Times. It's so fun to have her on the show to expand on some of her favorite stories, her latest experiments with home fermentation, and her recent reporting trip in Fuzhou, China.And, at the top of the show, it's the return of Three Things, where Aliza and Matt talk about what is exciting them in the world of restaurants, cookbooks, and the food world as a whole. On this episode: It's fall cookbook season and Matt previews Measure with Your Heart by Hannah Taylor, The Ex-Boyfriend's Favorite Recipe Funeral Committee by Saki Kawashiro, Script Notes by John August and Craig Mazin, and Obsessed With the Best by Ella Quittner (not fall but worth a mention). Aliza jumps in with a visit for Thai chicken wings at Sam Yan in Clinton Hill, a preview of Ruby Tandoh's new book, All Consuming, and a special shoutout to LA Taco's ongoing coverage in Los Angeles. Subscribe: Apple Podcasts, Spotify, YouTube READ MORE FROM JESS:Flavors of Fujian [Substack]Kombucha's Pét-Nat Moment [TASTE]The Fluidity and Fun of Chino Latino Cuisine Reaches New Fandoms [TASTE]See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Listen to John August from 2009 talk about travelling in tornadoes. News of mystery radio signals, a hole in the magnetosphere, and artificial blood. Hosted and produced by Ian Woolf Support Diffusion by making a contribution Support Diffusion by buying venus flytrap Merchandise
Nineteenth-century American economist Henry George blamed poverty and depressions on landlords. George argued that their rents were associated mainly with public investments and should be shared with the community. Show host Gene Tunny speaks with returning guest John August about Georgism—the economic philosophy of Henry George that advocates for a single tax on land value. They explore the ethical and economic arguments behind taxing land, its historical popularity, and how it is perceived today. The discussion covers economic rent, speculation, tax distortions, and housing policy, critically examining Georgism's assumptions and limitations. John is the Fusion Party candidate for Bennelong in the upcoming Australian federal election. Please let Gene know your thoughts on Trump's tariffs and any questions or comments regarding this episode by emailing Gene at contact@economicsexplored.com.TimestampsIntroduction (0:00)John August's Background and Campaign (4:19)Georgism and Its Influence (7:25)Economic Theory and Georgism (11:35)Critique of Georgism (16:19)Land Value Taxation and Economic Rent (23:15)Impact of Georgism on Economic Policy (31:54)Conclusion and Future Discussion (49:33)TakeawaysGeorgism, developed by Henry George in the 19th century, proposes a radical approach to taxation by advocating for a single tax on land values to address economic inequality and reduce speculation.While most economists reject Georgism, the theory continues to have passionate advocates who argue that land value taxation could create a more productive and just economic system.The Georgist perspective highlights how public infrastructure and community development can increase land values, creating unearned income for property owners without compensating the broader community.Modern Georgists have moved away from the original concept of a 100% land value tax, instead advocating for a significant increase in land value taxation as part of a broader tax reform strategy.The theory raises important questions about property speculation, economic rent, and the potential for less distortionary forms of taxation that could promote more equitable economic development.Links relevant to the conversationJohn's federal election campaign website: John August for Bennelonghttps://www.fusionparty.org.au/john_august_bennelongGrand Pursuit: The Story of Economic Genius - Nasar, Sylviahttps://www.amazon.com.au/Grand-Pursuit-Story-Economic-Genius/dp/0684872986Fixing Australia's Housing Crisis: Fusion's Plan w/ Owen Miller – EP277https://economicsexplored.com/2025/03/27/fixing-australias-housing-crisis-fusions-plan-w-owen-miller-ep277/Trent Saunders and Peter Tulip's RBA Discussion Paper “A Model of the Australian Housing Market”:https://www.rba.gov.au/publications/rdp/2019/2019-01/Lumo Coffee promotion10% of Lumo Coffee's Seriously Healthy Organic Coffee.Website: https://www.lumocoffee.com/10EXPLOREDPromo code: 10EXPLORED Full transcripts are available a few days after the episode is first published at www.economicsexplored.com.
This week we have another Disney remake episode with Aladdin (1992) and Aladdin (2019).-----The Movies:Aladdin (1992)Directed by Ron Clements & John MuskerWritten by Ron Clements, John Musker, Ted Elliott & Terry Rossio iMDb Rating: 8.0Aladdin (2019)Directed by Guy RitchieWritten by John August & Guy RitchieiMDB Rating: 6.9-----Find us on:Discord - https://discord.gg/dxgmcfj552Tumblr - @ItTakesTwoPodInstagram - @ItTakesTwo_podFacebook - @ItTakesTwoPodYoutube - @ittakestwonzBluesky - @ittakestwoOur website - ItTakesTwo.co.nz-----
Welcome back to purgatory!!!! This week the boys discuss a late 90's classic GO from 1999 directed by Doug Liman and written by John August. The film stars Sarah Polley, Timothy Olyphant, Katie Holmes, Desmond Askew, Nathan Bexton, Jay Mohr, Scott Wolf, William Fichtner, Taye Diggs, Breckin Meyer and J.E. Freeman!!! Thanks for checkin us out, you can our back catalog on Podbean.com and you can find us where all other podcasts are found. Intro Track "Angel" by Massive Attack https://youtu.be/66A_3uwuZ_I?si=bB4eMfX0XBA9vZR4 Outro Track "New" by No Doubt https://youtu.be/E61D9p3-3vM?si=lmLGAicuvKWnqJJZ
In this episode of No Film School, GG Hawkins and Jason Hellerman chat with John August, an acclaimed screenwriter, podcaster, and software developer. Known for films like Big Fish and Aladdin, as well as co-hosting Scriptnotes with Craig Mazin, John August discusses his career, the evolution of screenwriting tools, and how he's simplifying life for writers with his app, Highland. In this episode, No Film School's GG Hawkins, Jason Hellerman, and John August discuss: John's journey from journalism major to one of Hollywood's most recognized screenwriters How working across different mediums—from novels to musicals—has shaped his storytelling The philosophy behind creating Highland, a screenwriting app designed to keep writers in the flow Practical advice for writers starting out in today's industry Memorable Quotes: “Your ability to have an idea but then actually articulate the idea… to yourself, to your team, and to the audience is so fundamental and so important.” “When I see something in the world that bothers me, I try to fix it. My instinct is to get involved and figure it out.” “A screenplay is a luxury. You know you have about 120 pages. There are constraints, and those constraints help you figure out what's important.” Resources: John August on IMDb Highland App Scriptnotes Podcast Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram Send us an email with questions or feedback: podcast@nofilmschool.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Host Gene Tunny discusses significant economic issues from the year. He features clips from interviews with experts on various topics, including the economic consequences of Donald Trump's re-election, the U.S. budget deficit, the gender pay gap, and environmental impact. President Reagan's budget director David Stockman criticizes Trump's policies for being anti-capitalist, citing a $8 trillion increase in public debt. Fiscal policy wonk Dan Mitchell argues that higher taxes are not the solution to the U.S. budget deficit, as spending is the primary issue. Leonora Risse (Assoc. Prof., University of Canberra) explains the concept of "greedy jobs" contributing to the gender pay gap. Marion Tupy of the Cato Institute discusses the long-term decline in commodity prices, and Daniel Lawse of Verdis Group emphasizes the need for sustainable, long-term thinking in business and policy. Daniel also reflects on the modest lifestyle of Warren Buffett, another Omaha resident. John August discusses the impact of immigration on Australia's housing crisis.If you have any questions, comments, or suggestions for Gene, please email him at contact@economicsexplored.com.Timestamps for EP265Introduction (0:00)David Stockman (6:20)Dan Mitchell (11:20)Leonora Risse (23:50)Marian Tupy (32:15)Daniel Lawse (41:49)John August (48:06)Links relevant to the conversationEpisodes featuring the clips:https://economicsexplored.com/2024/01/28/reagans-budget-boss-david-stockman-on-trumps-economic-policies-ep224/https://economicsexplored.com/2024/04/17/is-uncle-sam-running-a-ponzi-scheme-with-the-national-debt-w-dr-dan-mitchell-ep235/https://economicsexplored.com/2024/03/10/the-gender-pay-debate-understanding-the-factors-behind-the-gap-w-dr-leonora-risse-ep230/https://economicsexplored.com/2024/10/16/abundance-mindset-exploring-the-super-abundance-thesis-w-marian-tupy-cato-institute-ep258/https://economicsexplored.com/2024/06/01/helping-seattle-aquarium-others-go-to-net-zero-and-beyond-w-daniel-lawse-verdis-group-ep242/https://economicsexplored.com/2024/04/17/housing-crisis-and-immigration-australias-tough-choices-w-john-august-ep236/Leonora's review of Career and Family: Women's Century-Long Journey toward Equity, by Claudia Goldinhttps://onlinelibrary.wiley.com/doi/abs/10.1111/1475-4932.12716?domain=author&token=UPATKK2WTIAEZ49UMRMVPrinciple of Charity podcast episodes on degrowth:https://podcasts.apple.com/au/podcast/can-degrowth-save-the-planet/id1571868650?i=1000674757240https://podcasts.apple.com/au/podcast/can-degrowth-save-the-planet-pt-2-on-the-couch/id1571868650?i=1000675655623Lumo Coffee promotion10% of Lumo Coffee's Seriously Healthy Organic Coffee.Website: https://www.lumocoffee.com/10EXPLOREDPromo code: 10EXPLORED Full transcripts are available a few days after the episode is first published at www.economicsexplored.com.
There is a prominent bird in the 2000 film Charlie's Angels that makes absolutely no sense. This so-called Pygmy Nuthatch doesn't look or sound like it should, or live where the characters say it does. The bird is so elaborately wrong that it has haunted the birding community, including Slate's very own Forrest Wickman, for almost a quarter of a century. In this episode, Forrest embarks on a wild goose chase: Why can't hundreds of filmmaking professionals with a $100 million budget accurately portray a single bird? This episode was reported and written by Forrest Wickman. It was edited by Willa Paskin. It was produced by Max Freedman. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd, and Max Freedman with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you'll hear from Charlie's Angels screenwriters John August and Zak Penn, director McG, animal trainer Guin Dill, and sound editor Michael Benavente; and bird experts Nick Lund, Nathan Pieplow, and Drew Weber. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices
There is a prominent bird in the 2000 film Charlie's Angels that makes absolutely no sense. This so-called Pygmy Nuthatch doesn't look or sound like it should, or live where the characters say it does. The bird is so elaborately wrong that it has haunted the birding community, including Slate's very own Forrest Wickman, for almost a quarter of a century. In this episode, Forrest embarks on a wild goose chase: Why can't hundreds of filmmaking professionals with a $100 million budget accurately portray a single bird? This episode was reported and written by Forrest Wickman. It was edited by Willa Paskin. It was produced by Max Freedman. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd, and Max Freedman with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you'll hear from Charlie's Angels screenwriters John August and Zak Penn, director McG, animal trainer Guin Dill, and sound editor Michael Benavente; and bird experts Nick Lund, Nathan Pieplow, and Drew Weber. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices
There is a prominent bird in the 2000 film Charlie's Angels that makes absolutely no sense. This so-called Pygmy Nuthatch doesn't look or sound like it should, or live where the characters say it does. The bird is so elaborately wrong that it has haunted the birding community, including Slate's very own Forrest Wickman, for almost a quarter of a century. In this episode, Forrest embarks on a wild goose chase: Why can't hundreds of filmmaking professionals with a $100 million budget accurately portray a single bird? This episode was reported and written by Forrest Wickman. It was edited by Willa Paskin. It was produced by Max Freedman. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd, and Max Freedman with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you'll hear from Charlie's Angels screenwriters John August and Zak Penn, director McG, animal trainer Guin Dill, and sound editor Michael Benavente; and bird experts Nick Lund, Nathan Pieplow, and Drew Weber. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices
There is a prominent bird in the 2000 film Charlie's Angels that makes absolutely no sense. This so-called Pygmy Nuthatch doesn't look or sound like it should, or live where the characters say it does. The bird is so elaborately wrong that it has haunted the birding community, including Slate's very own Forrest Wickman, for almost a quarter of a century. In this episode, Forrest embarks on a wild goose chase: Why can't hundreds of filmmaking professionals with a $100 million budget accurately portray a single bird? This episode was reported and written by Forrest Wickman. It was edited by Willa Paskin. It was produced by Max Freedman. Decoder Ring is produced by Willa Paskin, Evan Chung, Katie Shepherd, and Max Freedman with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. In this episode, you'll hear from Charlie's Angels screenwriters John August and Zak Penn, director McG, animal trainer Guin Dill, and sound editor Michael Benavente; and bird experts Nick Lund, Nathan Pieplow, and Drew Weber. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, I'm sharing some of my favorite writing podcasts with you. Happy listening! The Author Burnout Cure with Isabel Sterling Fiction Writing Made Easy with Savannah Gilbo Unpublished with Amie McNee and James Winestock Scriptnotes with John August and Craig Mazin The Screenwriting Life with Meg LeFauve and Lorien McKenna Post Mortem with Mick Garris How to Horror with Mick Garris, a three-night course hosted by Story Summit Related Episodes: #246: Let's Talk Craft Books #207: The Books I Read on Vacation #243: Spooky Season TBR Let's Connect: Instagram Threads Email
When a shy groom practices his wedding vows in the inadvertent presence of a deceased young woman, she rises from the grave assuming he has married her. Directed by Tim Burton & Mike Johnson Written by Tim Burton, Carlos Grangel, John August, Caroline Thompson & Pamela Pettler @thedeadlightspod
País Estados Unidos Dirección André Øvredal Guion Dan Hageman, Kevin Hageman, Guillermo del Toro, John August, Marcus Dunstan, Patrick Melton. Libro: Alvin Schwartz Reparto Zoe Colletti, Michael Garza, Gabriel Rush Música Marco Beltrami, Anna Drubich Fotografía Roman Osin Sinopsis Un grupo de adolescentes debe resolver el misterio que rodea a una serie de repentinas y macabras muertes que suceden en su pueblo. Producida por Guillermo del Toro.
Rachel Miller is a founding partner of Haven Entertainment (haven.la), a management and production company based in Los Angeles. Haven produces award-winning documentaries, feature films and television shows; represents top writers, directors, actors, and comedians; and collaborates with brands to develop cutting-edge digital content. She is Executive Producer of Netflix's limited series Devil in Ohio starring Emily Deschanel which debuted to #1 in the US and #3 in the world and within 48 hours of its premiere rose to the #1 TV series in the world on Netflix. Miller also produced the 3D documentary Under the Electric Sky, which premiered at the Sundance Film Festival and sold to Focus Features. Miller is the founder of non-profit Film2Future, which builds a direct pipeline for underserved diverse youth to gain access to Hollywood – all at zero cost to participate. Since its inception in 2016, F2F has educated over 225 students, placed students in over 135 paid internship/PA opportunities and its students have earned over $2 million in college scholarships. She encourages all entertainment industry professionals to get involved in the organization and to support the next generation of diverse filmmakers. Miller is an active public speaker with an emphasis on emerging talent, pipeline strategies and inclusion. Recent appearances include UCLA, New York University, the CBS Diversity Program, Alliance of Women Directors, AFI (American Film Institute), Monterrey Film Festival (Monterrey, Mexico), the Rio International Film Festival (Rio de Janeiro, Brazil) and on many podcasts including John August's ScriptNotes. In Miller's free time, she can usually be found curled up on the couch reading esoteric Russian novels or YA adventures. Resources Film2Future Haven Entertainment Rachel Miller's IMDB ──────────────────────────── Stay Tuned with Tipsy Casting on IG Watch the Tipsy Casting YouTube Channel Follow Jessica & Follow Jenn Learn More About Jess & Jenn's Casting
This episode of Film Center News, we sit down with John Stapp to talk about how to harness one's creative vision.
Screenwriter and co-host of Scriptnotes podcast John August joins Matt to discuss the 2005 film Charlie and the Chocolate Factory and the 2003 film Big Fish. John talks about how he hadnt seen the 1971 Willy Wonka movie before writing the script, Johnny Depps original Alfred Hitchcock take on the Wonka character, and how his collaboration with Tim Burton started. Plus, John shares his process of method writing which helped him get in the right mindset while writing his new book Arlo Finch in the Valley of Fire.This episode is brought to you by Mubi.com (www.mubi.com/WasThere). Hosted on Acast. See acast.com/privacy for more information.
Screenwriter and co-host of Scriptnotes podcast John August joins Matt to discuss the 2005 film Charlie and the Chocolate Factory and the 2003 film Big Fish. John talks about how he hadnt seen the 1971 Willy Wonka movie before writing the script, Johnny Depps original Alfred Hitchcock take on the Wonka character, and how his collaboration with Tim Burton started. Plus, John shares his process of method writing which helped him get in the right mindset while writing his new book Arlo Finch in the Valley of Fire.This episode is brought to you by Mubi.com (www.mubi.com/WasThere). Hosted on Acast. See acast.com/privacy for more information.
Let's GO! This week on One Moore Hollywood Podcast, we are thrilled to welcome screenwriter and podcast mastermind John August on to the show! With a plethora of iconic movie credits to his name (Go, Big Fish, Charlie and the Chocolate Factory, just to name a few!) John has also used his knowledge and insight of Hollywood to help aspiring writers through his podcast Scriptnotes. On this episode, John discusses how his versatility has helped him through his long career, why he was inspired to start Scriptnotes, and the blockbuster hit project he passed on writing -- and why he has no regrets about it!We want to hear from you! Reach out to us on social: @OMHPod and don't forget to subscribe to the podcast channel to be notified of new episodes, dropping every Thursday!
For this very special episode of Working It out, Mike welcomes John August, the screenwriter behind Charlie's Angels with Drew Barrymore, Tim Burton's Big Fish, and his breakthrough film Go, which is celebrating its 25 year anniversary. John co-hosts the screenwriting podcast Scriptnotes with Craig Mazin (The Last of Us), which is not only Mike's favorite screenwriting podcast, but his favorite podcast about the creative process (not counting Working It Out). John shares direct, practical screenwriting advice that you'll actually use, whether you're an aspiring screenwriter or you want to pursue creative work of any kind.Please consider donating to Miry's List
The 1967 War happened more than 50 years ago. And yet, the legacy of the Six Day War still reverberates throughout the world. Israelis were convinced they were facing another Holocaust. Instead, they achieved one of the most unlikely – and legendary – military victories in history. This miniseries explores the lead-up and legacy of the 6 Day War. ~~~~ Sources: https://docs.google.com/document/d/1YAwi1kDnHEJfFp3A5FzmclHv0-f82zMvbt9Qp9ziKrY/edit ~~~~ Episode 2 of this Six Day War mini-series is generously sponsored by Jane & John August, Michael Staenberg, and The Marcus Family Foundation.
“Life Begins At 3am!” The Back To The Blockbuster team is ready to embark on a wild night on the town with 1999's Go to celebrate its 25th anniversary! Directed by Doug Liman and written by John August, the film stars Katie Holmes, Sarah Polley, William Fichtner, Jay Mohr, Scott Wolf, Taye Diggs, Breckin Meyer, Timothy Olyphant, Desmond Askew, Jane Krakowski, J.E. Freeman, Nathan Bexton, James Duval, Jimmy Shubert, and Melissa McCarthy, in her film debut. Centered around intertwining plots involving three sets of characters, the film is set around Christmas and follows a woman who purchases ecstasy pills, covertly disposes of them, and then sells fake pills at a rave only to be later confronted by an armed drug dealer who sets in motion the other stories that are all linked by this truly whacky event.
The Second Part in our Follow the Non-Linear 90s Trilogy Back in 1999 one host was trying to convince his buddies to go see John August and Doug Liman's GO instead of seeing THE MATRIX for a third time while the other lesser host was somehow privy to stars of the adult entertainment world... but had no respect for the work of Canadian great Sarah Polley. Thus begins yet another disagreement in the joys of youth. However we do agree that Jay Mohr would not make for a convincing drug dealer as there are still some things that almost anyone can agree on. Enjoy! Enjoy and catchup on last year's Movie Book Club from Quentin Tarantino's CINEMA SPECULATION! Follow along at our Patreon page as once a month (although sometimes more) we read AND watch films from 1999 for BEST MOVIE YEAR EVER by Brian Raftery! Threads/Twitter/Instagram/Facebook: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.
This week, the panel begins by diving into Theater Camp, a mockumentary-style comedy about gloriously talented misfits. Then, they pay tribute to Sinéad O'Connor, the dearly missed Irish singer, songwriter, and activist whose 1992 performance on Saturday Night Live rocked the world. Then, the trio is joined by screenwriter (and co-host of the Scriptnotes podcast) John August to discuss the WGA and SAG-AFTRA strikes, what's going on in Hollywood, and how this “double strike” feels different than others past. In the exclusive Slate Plus segment, the panel chews over our relationships to our digits, inspired by the delightfully small yet cerebral piece by Charlie Warzel for The Atlantic, “In Praise of Phone Numbers.” Email us at culturefest@slate.com. Endorsements: Dana: While not released on one of her albums, Sinéad O'Connor's performance of “The Foggy Dew” with The Chieftains at the 1995 IRMA awards in Dublin perfectly captures the singer's gift for singing live. Julia: A big fan of lighting candles at dinner, Julia recommends Mole Hollow, a Massachusetts-based company that produces stunning handmade candles in bright, vibrant colors. John: Amal El-Mohtar and Max Gladstone's novel, This is How You Lose the Time War, is a beautiful and intimate story with science fiction influences, told through the exchanging of letters, epistolary-style. Shout out to Twitter user @maskofbun for the viral recommendation. Stephen: He doesn't normally join the bandwagon of clear winners, but Patrick Radden Keefe's profile of art dealer Larry Gagosian for The New Yorker is so impressive, it left Stephen speechless. Outro music: “Forbidden Love” by OTE Podcast production by Cameron Drews. Production assistance by Kat Hong. This episode is sponsored by the podcast About the Journey. Learn more here: https://traveler.marriott.com/about-the-journey/ If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the panel begins by diving into Theater Camp, a mockumentary-style comedy about gloriously talented misfits. Then, they pay tribute to Sinéad O'Connor, the dearly missed Irish singer, songwriter, and activist whose 1992 performance on Saturday Night Live rocked the world. Then, the trio is joined by screenwriter (and co-host of the Scriptnotes podcast) John August to discuss the WGA and SAG-AFTRA strikes, what's going on in Hollywood, and how this “double strike” feels different than others past. In the exclusive Slate Plus segment, the panel chews over our relationships to our digits, inspired by the delightfully small yet cerebral piece by Charlie Warzel for The Atlantic, “In Praise of Phone Numbers.” Email us at culturefest@slate.com. Endorsements: Dana: While not released on one of her albums, Sinéad O'Connor's performance of “The Foggy Dew” with The Chieftains at the 1995 IRMA awards in Dublin perfectly captures the singer's gift for singing live. Julia: A big fan of lighting candles at dinner, Julia recommends Mole Hollow, a Massachusetts-based company that produces stunning handmade candles in bright, vibrant colors. John: Amal El-Mohtar and Max Gladstone's novel, This is How You Lose the Time War, is a beautiful and intimate story with science fiction influences, told through the exchanging of letters, epistolary-style. Shout out to Twitter user @maskofbun for the viral recommendation. Stephen: He doesn't normally join the bandwagon of clear winners, but Patrick Radden Keefe's profile of art dealer Larry Gagosian for The New Yorker is so impressive, it left Stephen speechless. Outro music: “Forbidden Love” by OTE Podcast production by Cameron Drews. Production assistance by Kat Hong. This episode is sponsored by the podcast About the Journey. Learn more here: https://traveler.marriott.com/about-the-journey/ If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the panel begins by unraveling Spider-Man: Across the Spider-Verse. Then, the three discuss Platonic, a new Apple TV+ show starring Rose Byrne and Seth Rogen. Finally, they are joined by Slate staff writer Luke Winkie to examine the surprisingly wholesome journalism storyline found in The Legend of Zelda: Tears of the Kingdom. In the exclusive Slate Plus segment, the panel reflects on their professional lives with a listener question: What is your relationship to your work after you've completed it? Email us at culturefest@slate.com. Endorsements: Stephen: “Trespassing on Edith Wharton” by Alissa Bennett for The Paris Review — An essential piece and “exemplary specimen” that's critical to the discussion of what literary criticism looks like in today's digital media age. Dana: “The Dress Diary of Mrs. Anne Sykes” by Kate Strasdin for The Paris Review — An excerpt from the fashion historian's upcoming book The Dress Diary: Secrets from a Victorian Woman's Wardrobe. A fantastic glimpse into the Victorian period, what people wore then, and what they did in those clothes. Julia: Holedown — A mindless, addictive iPhone game that Julia describes as “Asteroid, but down instead of up.” This endorsement comes from John August, the host of her favorite podcasts, Scriptnotes. Outro music is "Back to Silence" by OTE Podcast production by Cameron Drews. Production assistance by Kat Hong. __ This Pride Month, make an impact by helping Macy's and The Trevor Project on their mission to fund life-saving suicide prevention services for LGBTQ youth. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the panel begins by unraveling Spider-Man: Across the Spider-Verse. Then, the three discuss Platonic, a new Apple TV+ show starring Rose Byrne and Seth Rogen. Finally, they are joined by Slate staff writer Luke Winkie to examine the surprisingly wholesome journalism storyline found in The Legend of Zelda: Tears of the Kingdom. In the exclusive Slate Plus segment, the panel reflects on their professional lives with a listener question: What is your relationship to your work after you've completed it? Email us at culturefest@slate.com. Endorsements: Stephen: “Trespassing on Edith Wharton” by Alissa Bennett for The Paris Review — An essential piece and “exemplary specimen” that's critical to the discussion of what literary criticism looks like in today's digital media age. Dana: “The Dress Diary of Mrs. Anne Sykes” by Kate Strasdin for The Paris Review — An excerpt from the fashion historian's upcoming book The Dress Diary: Secrets from a Victorian Woman's Wardrobe. A fantastic glimpse into the Victorian period, what people wore then, and what they did in those clothes. Julia: Holedown — A mindless, addictive iPhone game that Julia describes as “Asteroid, but down instead of up.” This endorsement comes from John August, the host of her favorite podcasts, Scriptnotes. Outro music is "Back to Silence" by OTE Podcast production by Cameron Drews. Production assistance by Kat Hong. __ This Pride Month, make an impact by helping Macy's and The Trevor Project on their mission to fund life-saving suicide prevention services for LGBTQ youth. Go to macys.com/purpose to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices
When Mike became obsessed with the series “The Last of Us” on HBO he had questions. And he went straight to the source. This week Mike welcomes the writer/producer/director Craig Mazin, who co-created the" The Last of Us," starring Pedro Pascal and Bella Ramsey. Spoiler alert. If you haven't seen "The Last of Us," be warned, there are spoilers in this discussion. There's also a lot of advice and insight about screenwriting and storytelling. Craig is a screenwriting sage— in addition to co-creating "The Last of Us" and "Chernobyl"— he also hosts the podcast ScriptNotes with fellow screenwriter John August, which is Mike's favorite podcast about screenwriting. Also, if you're interested in supporting screenwriters, now is the time. Please support the Writers Guild of America. For more information on the writers strike, visit https://www.wgacontract2023.org/strike-hub.Also, please consider donating to Be The Match
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