Podcasts about death defying acts

Julian Schlossberg (Producer).Theatre: Bullets Over Broadway, Relatively Speaking, Sly Fox, Mornings At Seven, My Life On A Diet, Fortune's Fool, Terms of Endearment, After the Night and the Music, Adult Entertainment, The Unexpected Man, Tommy Tune, Madame Melville, Taller Than a Dwarf, Power Plays, If Love Were All, Death Defying Acts, Vita and Virginia, etc. Film: Widow's Peak, In theSpirit, Bad Girls, No Nukes, Ten From Your Show of Shows. Television: Mike Nichols – American Masters (PBS), Nichols and May (PBS), Elia Kazan: A Director's Journey (AMC), Claire Bloom's Shakespeare's Women (Bravo), Lives of Lillian Hellman (PBS).His new memoir, Try Not To Hold It Against Me- A Producer's Life is now available on Amazon. In 1976, Steve Guttenberg was on a plane to Hollywood. His mother and father gave him $300 for a two week trip to try his hand at film acting. He was 17 years old . He had done childrens theatre, an off broadway play and studied at various schools. He landed and immediately started trying to sneak into studios. He found his way into Paramount Studios, commandeered an office in the Lucille Ball Makeup Building, strung a phone from the water stage , and started making phone calls to casting directors, agents and producers. He landed a Kentucky Fried Chicken commercial and was off to the races.  Steve flew to Portugal and didn't look back. He was cast in some of the most popular films the the industry released. Diner, Police Academy, Cocoon, Three Men and a Baby, Short Circuit to name a few. Steve starred in The Day After, Billy Liar, Veronica Mars, Ballers , the sci fi hit Lavalantula, and most recently How to Murder Your Husband with Cybill Shepherd. Steve is married , devoted to his family and divides his home between Scottsdsle AZ and Pacific Palisades California.   

Rebecca and Tara welcome Margot Fedoruk, author of Cooking Tips for Desperate Fishwives: An Island Memoir.  Margot lives and works on Gabriola Island, BC and has been writing a personal blog since 2016 called Death Defying Acts of Living and an instructional soap making blog called Wash Rinse Repeat.  She is currently enrolled in the Master of Library and Information Studies program at the University of Alberta.  Memoirists mentioned in the podcast include: Are You Somebody?: The Accidental Memoir of a Dublin Woman by Nuala O'Faolain Mary Karr Catherine Gildiner Jan Wong Website: https://margotfedoruk.ca/ Twitter and Instagram: @margotfedoruk Facebook: Margot Fedoruk Rebecca's Instagram: @canadareadsamericanstyle Tara's Instagram: @onabranchreads

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. And sometimes we're lucky enough to talk to them directly! Today is one of those glorious days. Dan and Conor are joined by Guy Pearce, the incomparable actor who's got a new film coming out in theaters - Memory (April 29th!) - and plenty of accomplished past work to dig into as well. We focus on The Count of Monte Cristo, The Hard Word, and Lockout (a.k.a. Space Jail). Plenty more is touched on in our 25 minutes of Guy Talk™. Pearce explains his disappointment in Gillian Armstrong's Death Defying Acts getting buried by Harvey Weinstein fifteen years ago, gets honest about certain movies he deems his “divorce films,” and highlights other B-Sides he'd encouraged his fans to check out (Ravenous, First Snow). Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!

While America knows her as Mrs. Moskowitz, Joel's secretary in The Marvelous Mrs. Maisel, Cynthia Darlow has long been one of this country's most accomplished actresses having appeared on Broadway, Off-Broadway, movies, and television. Her credits include Grease, Rumors, Prelude to a Kiss, Taller Than A Dwarf, Death Defying Acts, and more!   Cynthia pulls back the curtain on his career to discuss how Neil Simon invented a role for her, what it was like collecting pounds of gum in Grease, and why The Rehearsal Club needs a second chance.   Also, Cynthia shines the spotlight on Woody Allen, Cherry Jones, and Gene Saks!   Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 Please take a moment to donate to The Minnesota Freedom Fund #BlackLivesMatter

Today, on American TV Icons, Alikona Bradford interviews, we feature longtime veteran Linda Lavin. Born in Portland, Maine to a musically-inclined family (her mother was once an opera singer) and on stage from the age of 5, singer/actress Linda Lavin graduated from The College of William and Mary with a theatre degree. She pounded the New York pavements in the early 1960s searching for work following some stock roles in New Jersey, and gradually made a dent within the New York musical comedy scene with roles in "Oh, Kay!" (1960), "A Family Affair," (1962), "It's a Bird...It's a Plane...It's Superman" (1966) (her standout number was "You've Got Possibilities") and "On a Clear Day, You Can See Forever" (1966). She also won kudos for her straight acting roles in "Little Murders" (1969 Drama Desk award) and "Last of the Red Hot Lovers" (1969 Tony nomination). A one-time member of Paul Sills' Compass Players comedy troupe back in the late 1950s, she served as a replacement in Sills' "Story Theatre" Broadway production in 1971. Television beckoned in the 1970s and utilized her singing talents in a small-screen version of Damn Yankees! (1967) starring Phil Silvers and Lee Remick. After a one-season false start as Detective Janice Wentworth on the sitcom Barney Miller (1975), it did not take long for the talented lady to become a household name in another. As the titular waitress/mother in the sitcom Alice (1976), based on the award-winning film Alice Doesn't Live Here Anymore (1974) starring Oscar winner Ellen Burstyn, Lavin won deserved stardom. During the nine seasons (1976-1985) the show was on the air, she nabbed two Golden Globe awards and an Emmy nomination. Ever the singer, she even warbled "There's a New Girl in Town" over the opening credits of the show to the delight of her fans. Following this success, Linda lavished her attentions once again on the stage. She earned renewed respect, in addition to several critic's awards, for her diversified Broadway work in "Broadway Bound" (1987 Tony award), "Death Defying Acts" (1995 Obie award), "The Diary of Anne Frank" (1998 Tony nomination: as the high-strung Mrs. Van Daan) and "Tales of the Allergist Wife" (2000 Tony nomination). More recently, she appeared in Carol Burnett's autobiographical play "Hollywood Arms" (2002) portraying Burnett's grandmother. The piece was co-written by Burnett's late daughter, Carrie Hamilton. Linda received excellent reviews the first time around for her stage work in "Collected Stories" (2000). She later appeared in a PBS-TV version of Collected Stories (2002) and in 2010 revived it on Broadway, earning a Tony nomination for her efforts. She has also occasionally directed for the stage. Linda was married and divorced twice to actors -- Ron Leibman and Kip Niven -- and in 2005 married her third husband, actor Steve Bakunas, who is also an artist and musician. Since her "Alice" heyday, the actress has again found series work, albeit the short-lived Room for Two (1992) and Conrad Bloom (1998). She has also been seen in penetrating guest parts on such established series as "The Sopranos", "Law & Order" and "The O.C." (recurring). Make sure to subscribe to AfterBuzz! - http://youtube.com/afterbuzztv HELPFUL LINKS: Website - http://afterbuzztv.com Apple Podcasts - https://itunes.apple.com/us/artist/afterbuzz-tv/id407139777?mt=2 Follow us on Twitter - https://twitter.com/afterbuzztv Like us on Facebook - http://facebook.com/afterbuzztv See on us Instagram - http://instagram.com/afterbuzztv Merch - http://shop.spreadshirt.com/AfterbuzzTV/ ABOUT AFTERBUZZ TV: Created by Emmy winner Maria Menounos & producer Keven Undergaro, AfterBuzz TV is the digital broadcast network dedicated to producing live and on-demand after-shows, news and coverage for nearly every TV show featuring expert recaps & interviews with cast & crew. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Listen online to our powerful and inspiring messages. Cornerstone UMC, which is a United Methodist Church in NW Houston, TX desires to leave you inspired to go out and change the world. www.cornerstoneumc.org

Listen online to our powerful and inspiring messages. Cornerstone UMC, which is a United Methodist Church in NW Houston, TX desires to leave you inspired to go out and change the world. www.cornerstoneumc.org

Would you watch a pregnant woman attempt to walk a tightrope without a safety net? Many people in London decided to do just that in 1863, and their curiosity turned to horror when the tightrope walker, Selina Powell, fell to her death. The accident prompted an outcry that even drew in Queen Victoria herself. Amy Meyer joins us this week to talk about accidents like the one that befell Powell. What drew audiences to such a risky spectacle? What did society make of woman performing such dangerous acts? The answers she’s found point to our own appetite for risk and danger—almost always at someone else’s expense—in our own favorite entertainments.

Tessa Fontaine is the author of The Electric Woman: A Memoir in Death-Defying Acts, A New York Times Editors' Choice; A Southern Living Best Book of 2018; An Amazon Editors' Best Book of 2018; A Refinery29 Best Book of 2018; A New York Post Most Unforgettable Book of 2018

Interview with Tessa Fontaine, author of The Electric Woman: A Memoir in Death-Defying Acts, A New York Times Editors' Choice; A Southern Living Best Book of 2018; An Amazon Editors' Best Book of 2018; A Refinery29 Best Book of 2018; A New York Post Most Unforgettable Book of 2018  

Pastor Katie continues to talk about "The Redemption of Scrooge" with a message entitled "The Hope of Christmas Future: Death-Defying Acts".

Who doesn't remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine's keen descriptive powers offer a revealing glimpse into the secret world of the United States' last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more. Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more. Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more. Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more. Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more. Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to episode 2 of the Stageworthy Podcast, with host Phil Rickaby. This episode’s guest is Sam Rosenthal,an actor, director and was the Artistic Director of Tribal Productions which was the resident theatre company of the Toronto Centre for the Arts (Studio Theatre). As a director, Sam’s work includes The Warsaw Ghetto Uprising ( City Playhouse) , War of the Worlds ( City Playhouse), The Marketeer ( Theatre New Brunswick) , Misery ,The Wild Guys, The Possibilities, A Doll’s House , Death Defying Acts, Office Hours, Dangerous Liaisons, War of the Worlds ( Tribal Productions ). Acting credits include Mr. Cohen in The World Premiere of The Apprenticeship of Duddy Kravitz ( Segal Centre) ,Time Stands Still ( TSS Collective ) On The Other Side of The World ( Harley Dog Productions - Next Stage Festival), Too Many Cooks (Drayton Entertainment).Sam is directing Hogtown, a new and exciting immersive theatrical experience coming to Toronto's Historic Campbell House Museum this January, 2016. Incorporating drama, music and dance, HOGTOWN aims to create a completely immersive environment where the audience has the power to create their own adventure and discover the dark secrets of Toronto’s past.Check out Hogtown:http://www.hogtownexperience.com/Twitter: @hogtownliveInstagram: hogtownliveFacebook: https://www.facebook.com/hogtownexperienceStageworthy:www.stageworthypodcast.comTwitter @stageworthyPodFacebook: facebook.com/stageworthyPod

On this week’s Orange Wednesdays Movie Show, Beth Palmer talks us through the Orange Wednesdays Film of the Week The Mummy: Tomb of the Dragon Emperor, the Harry Houdini film Death Defying Acts and the nature childhood The Fox and the Child, plus we get a sneak peak of Watchmen.