Podcast appearances and mentions of Lee Remick

Grab your sacred daggers and prepare to fight off some hell hounds because we are rising from the eternal sea to get biblical on Richard Donner's THE OMEN, starring Gregory Peck and Lee Remick. It's all for you, Chatterers!

Here is a “Sunny Song”, wherein the fleeting sunlight is a dappled reminder of the evanescence of existence. They're all gone now: Bill Evans (piano), Tony Bennett (vocals), Henry Mancini (Composer), and Johnny Mercer (Lyricist), but their beautiful creation lives on to remind us to gather our rosebuds while we may.Sadness, and gratitude run in equal measure throughout all of the song's manifestations. The title itself derives from an 1896 poem by Ernest Dowson, taken from the Roman poet, Horace, whose latin translates as:“The brief sum of life forbids us the hope of enduring long;” The film for which Mancini and Mercer furnished this deathless song, was so tragic in its portrayal of addiction, that, even as a 10 year old, I mourned for the hopelessness of Jack Lemmon and Lee Remick's doomed romance that should have produced nothing but happiness, but brought only sorrow. In the magician's hands of Bill Evans, the chordal melody seems to waft in the breeze, and Tony Bennett's voice, never more supple, interprets the wistfulness of unfulfilled longing with a seasoned perfection. The results: a collaborative triumph. Tony was quoted as saying that their recordings were “the most prestigious thing I ever did”. Quite a statement from the acknowledged master. 

This week, the boys head back to 1962 to discuss Blake Edwards's “Days of Wine and Roses”, starring Jack Lemmon and Lee Remick. We've previously discussed the 1962 films “To Kill a Mockingbird”, “What Ever Happened to Baby Jane?”, and “The Man Who Shot Liberty Valence”. We start the conversation with thoughts on the Oscars, the state of cinema, and more! Grab a beer- or coffee- and join us for a conversation about this excellent film about an alcoholic couple navigating life.  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 7:41 Gripes + Oscars Reflections; 29:37 1962 Year in Review; 51:07 Films of 1962: “Days of Wine and Roses”; 1:25:15 What You Been Watching?; 1:36:36 Next Week's Movie Announcement Additional Cast/Crew: Philip H. Lathrop, J.P. Miller, Tex Frontier, Henry Mancini, Charles Bickford, Jack Klugman, Tom Palmer, Alan Hewitt, Maxine Stuart, Martin Manulis. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Oscars 2024, Oscars 2025, Alcoholism, Hulu, Marvel, The Hulk, The Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir. 

The Omen is a 1976 supernatural horror film directed by Richard Donner and written by David Seltzer. An international co-production of the United Kingdom and the United States, it stars Gregory Peck, Lee Remick, David Warner, Harvey Spencer Stephens, and Billie Whitelaw. The film's plot follows Damien Thorn, a young child replaced at birth by his father, unbeknownst to his wife, after their biological child dies shortly after birth. As a series of mysterious events and violent deaths occur around the family and Damien enters childhood, they come to learn he is, in fact, the prophesied Antichrist. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!            Watch The Omen: https://amzn.to/40k3lyd         Out this Month: The First Omen (2024) The Omen (1976) Patreon: The Omen (2006)      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers  Twitter: https://twitter.com/TheFilmFlamers  TikTok: https://www.tiktok.com/@thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 CenobiteBetty Christopher Nelson Cj Mcginnis Dan Alvarez Dirty Birdy Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Josh Young Julia 90 Alison Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Mac Daddy Marissa E Matthew McHenry Mel Starmer Nicole McDaniel Nikki (phillyenginerd) Niko Allred Nimble Wembley Orion Yannotti Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King Sinesthero The Dean Swann Walstrich William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

Stefanie Powers began her career at age 15, dancing for famed Broadway choreographer, Jerome Robbins. She was put under contract to Columbia Pictures in the final years of the Hollywood star system. While under contract, she appeared in 15 of the 31 motion pictures she has made, co-starring with screen legends such as; John Wayne, Maureen O'Hara, Lana Turner, Ava Gardner, Cliff Robertson, Elliot Gould, Roger Moore, Donald Sutherland, Bing Crosby, Glenn Ford, Lee Remick, James Caan and Sammy Davis. She recently co-starred with Richard Chamberlin in the critically acclaimed independent film, THREE DAYS OF HAMLET. Her first television series, "The Girl From U.N.C.L.E.," marked a milestone in U.S. television's history as the first hour long series featuring a female in the leading role. Her television career includes over 25 mini-series, over 200 episodic guest starring appearances, 35 movies for television and two more television series, "Feather and Father" and the long running "Hart to Hart," starring opposite Robert Wagner, now celebrating its 45th anniversary. She became a member of the Screen Writers' Guild of America in the 1980s and has produced several of the screenplays she has written, one of which, "Family Secrets," was not only a stepping stone for the careers of James Spader and Gary Sinise but it garnered her a nomination for the best screenplay of the year by her peers in the Writers' Guild. Her writing has extended itself to a memoir called, One From The Hart, published by The Robson Press. Throughout her career she has never neglected her theatrical roots, appearing in productions of; How the Other Half Loves, Under the Yum Yum Tree, Sabrina Faire, A View From the Bridge, Oliver, Annie Get Your Gun, the West End debut of Matador, off-Broadway in The Vagina Monologues, back to the West End with Robert Wagner in Love Letters, which they also toured the United States with, becoming the cast most associated with the play after over 500 performances. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

EPISODE 61 - “FAVORITE CLASSIC FILMS OF THE 1960s” - 11/11/2024 The decade of the 1960s was an exciting time in filmmaking. The stodgy studio contract system was starting to give way to a new crop of independent cinematic auteurs, often associated with the "New Hollywood" era, include: Stanley Kubrick, Robert Altman, Sam Peckinpah, Arthur Penn, John Cassavetes, Francis Ford Coppola, Martin Scorsese, and Peter Bogdanovich. These films were edgier and pushed the creative boundaries and social themes to reflect the changing times. In this episode, Steve and Nan discuss some of their favorite films of the decade and why they had such an impact!  SHOW NOTES:  Sources: Some Like It Cool (2002), by Michael Freehand; Mike Nichols: A Life (2021), by Mark Harris; Jean Simmons: Her Life and Career (2022), by Michelangelo Capua; “Veronica Cartwright talks about ‘The Birds',” February 8, 2008, YouTube; “Here's to You, Mr. Nichols: The Making of ‘The Graduate',” February 25, 2008, by Sam Kashner, Vanity Fair; “Tippi Hedren On Alfred Hitchcock's ‘The Birds',” April 29, 2009, The American FIlm Institute; “The Revenge of Alfred Hitchcock's Muse,” October 5, 2012, New York Magazine; “Tippi Hedren: Hitchcock Ruined My Career,” December 7, 2012, Huffington Post; “Throwback Thursday: Shirley MacLaine Recalls Filming Lesbian Drama ‘Children's Hour' in 1961,” June 4, 2015, Hollywood Reporter;  “The Underappreciated Genius of ‘Planet of the Apes',” May 18, 2024, by Janelle Bouie, New York Times; “The Children's Hour,” October 16, 2024, Episode 257, Feminist Frequency Podcast; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels, Elizabeth Wilson, Murray Hamilton, Buck Henry, Marion Lorne, Alice Ghostly, Brian Avery, William Brooke, and Norman Fell; The Birds (1963), Starring Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright, Ethel Griffies, Charles McGraw, Richard Deacon, and Elizabeth Wilson; Days of Wine and Roses (1962), starring Jack Lemmon, Lee Remick, Charles Bickford, Jack Klugman, Alan Hewitt, Maxine Stuart, Debbie Megowan, and Jack Albertson; Planet of the Apes (1968), starring Charlton Heston, Kim Hunter, Roddy McDowell, Maurice Evans, Linda Harrison, James Whitmore, and James Daly; The Happy Ending (1969), starring Jean Simmons, John Forsyth, Shirley Jones, Lloyd Bridges, Teresa Wright, Bobby Darin, Kathy Fields, Dick Shawn, Nanette Fabray, and Tina Louise; The Children's Hour (1961), starring Audrey Hepburn, Shirley MacLaine, James Garner, Miriam Hopkins, Faye Bainter, Karen Balkin, Veronica Cartwright, and Hope Summers; In The Heat Of the Night (1967), starring Rod Steiger, Sidney Poitier, Lee Grant, Warren Oats, Beah Richards, William Schallert, and Larry Gates; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Front Row Classics is taking a look at one of the most daring, satirical films to ever come out of Hollywood. Brandon is joined, once again, by author & film historian Chris Yogerst. Chris recently penned "The Warner Brothers" for the University Press of Kentucky. A Face in the Crowd is a signature Warner film directed by Elia Kazan and written by Budd Schulberg. The movie features topics relating to politics & media that are still scarily relevant today. Brandon and Chris discuss those topics as well as the powerhouse performance of Andy Griffith as Lonesome Rhodes. The hosts also praise the performances of Patricia Neal, Walter Matthau, Anthony Franciosa and Lee Remick.  

"Lonesome Rhoads is the podcast. The Podcast is Lonesome Rhoads" - Phil takes 1957's A Face in the Crowd off the shelf this week and wonders why, in this political climate, it is not talked about more. A movie that despite it being made almost 70 years ago still bites as hard as it did then. A brilliant movie about the influence of the media and the disdain some of the people in power have for the people.  Dave loves getting into another black and white film and enjoys another opportunity to se Lee Remick but captivated the great performance of Andy Griffith and the movies brilliant screenplay. 

For their Politics-related "Suggestion Box", Madeline, Emilio, and Julian invite social media professional and film lover Maggie Hill to a conversation about Elia Kazan's 'A Face In The Crowd', a film from 1957 whose observations about television, mass persuasion, and political ambition seem more relevant today than ever.  Emilio starts the discussion with how the filmmakers' personal and professional experiences with the Hollywood blacklist most likely influenced this cynical look at American institutions.  Madeline notes how the film's central figure Lonesome Rhodes is wildly different than the wholesome persona the actor who plays him, Andy Griffith, would eventually cultivate on his beloved eponymous TV show.  Julian sees the ripples of this film in several other films about fame and personal connection.  Maggie sees the film's female lead Marcia and her ambition as the skeleton key to a deeper understanding of the film.  These, and many other observations, ground a discussion about 'A Face In The Crowd' and its place among the more interesting and enduring films to emerge from the 1950s Hollywood.          Maggie Hill is a writer/director/producer whose thoughtful content about media can be found on the socials: @themaggiehillIf you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Spooky Month and the GORE Podcast takeover continues with 1976's The Omen. It stars Gregory Peck and Lee Remick as a couple who adopt a newborn after their child is still born. When strange things start to happen in their home, it turns out he may not just be a little boy after all. Monica had never see it before. So, was it any good? Is it really a classic, or just old and steeped in the 70s? Let's find out...Head on over to https://www.gorepodcast.com to hear the 4 of us talk about horror movies all year roundThanks go out to Audie Norman (@TheAudieNorman) for the album art. Outro music In Pursuit provided by Purple-Planet.comSupport the show by going to patreon.com/wyhsVisit tvstravis.com for more shows and projects from TVsTravis Hosted on Acast. See acast.com/privacy for more information.

This week, we discuss two films from American director Blake Edwards. The first is 10 (1979), starring Dudley Moore, Julie Andrews, Robert Webber and Bo Derek. It was considered a trendsetting film at the time of its release and became one of the year's biggest box-office hits. The film follows a middle-aged man who becomes infatuated with a young woman whom he has never met, leading to a comic chase and an encounter in Mexico. The second is Days of Wine and Roses (1962), adapted from the 1958 Playhouse 90 teleplay of the same name. The film features Jack Lemmon, Lee Remick, Charles Bickford and Jack Klugman. It depicts the downward spiral of two average Americans who succumb to alcohol use disorder and attempt to deal with their problems. Timestamps What we've been watching (00:01:05) – Lucy, The Batman 10 (00:12:00) Days of Wine and Roses (00:56:25) Coin toss (01:25:20)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

The Omen (1976) Screams After Midnight, a horror movie podcast. The Omen is directed by Richard Donner and stars Gregory Peck, Lee Remick, David Warner, Billie Whitelaw patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy email: mftvquestions@gmail.com Audio version: https://screams-after-midnight.pinecast.co/

EPISODE 55 - “Favorite Classic Films of the 1950s ” - 09/30/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** The 1950s was a real transitional decade for classic films. As we got further away from WW2, and the Cold War began to rise up prominently, there was a cynicism across the land that influenced the content of many Hollywood movies. Films took on a grittier, more realistic feel, and the subject matters were darker and more controversial. It was the decade that sparked masterpieces like “Sunset Boulevard,” “All About Eve,” “From Here To Eternity,” “Cat On A Hot Tin Roof,” “A Streetcar Named Desire,” “Anatomy of a Murder,” “ Strangers on a Train,” “Shane,” and “High Noon.” Listen as Steve and Nan talk about some special 1950s films that inspire them. SHOW NOTES:  Sources: TCM.com; IMDBPro.com; Wikipedia.com; NewYorkTimes.com RogerEbert.com Movies Mentioned:  No Man of Her Own (1950), starring Barbara Stanwyck, John Lund, and Richard Denning; In A Lonely Place (1950), starring Humphrey Bogart and Gloria Grahame; A Place In The Sun (1951), starring Montgomery Cliff, Elizabeth Taylor, and Shelley Winters; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, Thelma Ritter, and Richard Kiley; Witness For the Prosecution (1957), starring Charles Laughton, Tyrone Power, Marlene Dietrich, and Elsa Lanchester; A Face In The Crowd (1957), starring Andy Griffith, Patricia Neal, Lee Remick, Walter Matthau, and Anthony Franciosa; Big Country (1958), starring Gregory Peck, Jean Simmons, Carroll Baker, Burl Ives, Charles Bickford and Charlton Heston; Indiscreet (1959), starring Cary Grant and Ingrid Bergman; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dana and Tom with guests, Christine Duncan and Myke Emal (Cinemusts) discuss Anatomy of a Murder (1959): directed by Otto Preminger, written by Wendell Mayes, music by Duke Ellington, starring James Stewart, Lee Remick, Ben Gazzara, and George C. Scott.Plot Summary: Anatomy of a Murder is a gripping courtroom drama that follows the defense of Lt. Frederick Manion (Ben Gazzara), who is accused of murdering a local bar owner. Manion claims the killing was in revenge for the alleged rape of his wife, Laura (Lee Remick). Defense attorney Paul Biegler (James Stewart) takes on the case, navigating a tense legal battle filled with moral ambiguity, unreliable testimonies, and psychological intricacies. The film explores themes of justice, truth, and the complexity of human nature, leaving the audience questioning the true nature of guilt and innocence.Guests:Christine Duncan - Wife of Dana and Mother of Tom12x guest: Pretty Woman, Sleepless in Seattle, When Harry Met Sally, There's Something About Mary, My Fair Lady, Pillow Talk, The Odd Couple, Bringing Up Baby, A Few Good Men - Revisit, Guess Who's Coming to Dinner, Top Gun, Dial M for MurderMyke Emal - Host and Creator of the Cinemusts podcast@cinemusts on Twitter, Letterboxd, Facebook, and IGChapters:00:00 Welcome and Introductions03:08 Getting to Know Myke Emal08:04 Cast and Recognition for Anatomy of a Murder11:30 Relationship(s) to the Film16:21 What is Anatomy of a Murder About?20:40 How True to Life is the Legal Aspect of the Film?23:36 Top James Stewart Roles of All-Time30:48 Plot Summary for Anatomy of a Murder31:43 Did You

Front Row Classics is celebrating the 65th anniversary of Otto Preminger's Anatomy of a Murder. Brandon is joined by Dominic Cellini to discuss this controversial courtroom drama. Jimmy Stewart stars in one of his most underrated performances as a country lawyer who is much sharper than he lets on. The film also includes sharp performances from Ben Gazzara, Lee Remick, George C Scott, Arthur O'Connell and Eve Arden. Brandon and Dominic discuss the intelligent script featuring dialogue and language that audiences weren't used to hearing in the late fifties. We also pay tribute to amazing opening credit sequence designed by Saul Bass and the jazz score by Duke Ellington.

Shot on location in foggy San Francisco, Blake Edwards' Experiment in Terror was his follow up to Breakfast at Tiffany's - again engaging a young sophisticated city girl with a handsome leading man but this time in a very different context.  Lee Remick plays Emily Sherwood, a bank teller menaced by a blackmailer and serial killer and Glenn Ford is the FBI agent assigned to protect her and capture the villain.  Ross Martin, known mostly for playing nice guys, is bad guy Red Lynch and was nominated for a best supporting actor Golden Globe. Dan and Vicky discuss the stylish noir thriller along with plenty of recently seen: Deadpool and Wolverine, A Good Girl's Guide to Murder, Night Watch: Demons are Forever, Love Lies Bleeding, and Maxxxine.      Check us out on all our socials:  hotdatepod.com FB:  Hot Date Podcast Twitter: @HotDate726 Insta:  hotdatepod

After some rocky episodes, our Lilli Palmer Acteurist Oeuvre-view uncovers a couple of gems: Nobody Runs Forever aka The High Commissioner (1968, directed by Ralph Thomas), a spy thriller bursting at the seams with the charms of Rod Taylor and Christopher Plummer, and Hard Contract (1969, the only feature film made by writer-director S. Lee Pogostin), one of the most eccentric movies we've ever seen, a meditation on love, murder, and modern life with Lee Remick and James Coburn as an improbably moving pair of lovers. Lilli Palmer adds her own flavour of eccentricity to Hard Contract as Remick's "immorally innocent" friend and makes a big impact as Christopher Plummer's wife in Nobody Runs Forever. Time Codes: 0h 00m 30s:      NOBODY RUNS FOREVER (1968) [dir. Ralph Thomas] 0h 25m 53s:      HARD CONTRACT (1969) [dir. S. Lee Pogostin] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Released in 1976, The Omen is a chilling supernatural horror film. A co-production between the UK and US, the film features a star-studded cast including Gregory Peck (To Kill a Mockingbird), Lee Remick, and David Warner. The plot centers around a diplomat who adopts Damien after his newborn son tragically dies. Unknowingly, Damien is the literal Antichrist, and a series of mysterious and violent events begin to plague the family as he grows up. Featuring Rottweilers.Horror News Roundup

Today we are going into classic horror territory with a review of 1976's The Omen. An ambassador and his wife come to the horrifying realization that their young song may be the Antichrist. Directed by: Richard DonnerWritten by: David SeltzerStarring: Gregory Peck, Lee Remick, Harvey Stephens, and David WarnerCome on in and have a listen! What do you think of this movie? What are others like it you enjoyed? We'd love to hear from you! Please like, follow, subscribe, share.

Este es nuestro podcast solo en audio donde ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ruys⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ y ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kbri⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ se sumergen en los estrenos más esperados de esta semana, tanto en cines como en plataformas de streaming. La primera profecía (en cines): En esta precuela de La profecía –filme de 1976 dirigido por Richard Donner y protagonizado por Gregory Peck y Lee Remick–, seguimos el viaje de una joven estadounidense enviada a Roma para comenzar una vida de servicio a la Iglesia, donde descubrirá una oscuridad que la lleva a cuestionar su propia fe y devela una conspiración aterradora que espera provocar el nacimiento de la encarnación del mal. Arthur: Una amistad sin límites (en cines): La historia de Mikael Lindnord (Mark Wahlberg), un deportista de resistencia sueco que se ganó los corazones de millones de personas cuando él y su equipo adoptaron a Arthur, un perro callejero mal herido de gran corazón que los acompañó durante una épica carrera de resistencia en la selva ecuatoriana. El bastardo (en cines): Cinta con Mads Mikkelsen enmarcada en la Dinamarca del siglo XVIII, donde el empobrecido héroe de guerra, el capitán Ludvig Kahlen, se dispone a domar una vasta y deshabitada tierra en la que aparentemente nada puede crecer. Esta hermosa pero desafiante área está bajo el dominio de Frederik De Schinkel, un noble despiadado que se da cuenta de la amenaza que representa Kahlen para su poder. Parasyte: Los grises (Netflix): Una nueva serie coreana de corte zombi-apocalíptico: unos parásitos desconocidos se apoderan de sus huéspedes humanos y constituyen una creciente amenaza a la que la humanidad debe enfrentarse. Sugar (Apple TV+): Una versión contemporánea del género del detective privado con el nominado al Premio de la Academia, Colin Farrell, como John Sugar, un investigador privado tras los misteriosos pasos de la desaparición de Olivia Siegel, la querida nieta del legendario productor de Hollywood Jonathan Siegel. Mientras Sugar intenta determinar qué le sucedió a Olivia, también descubrirá secretos familiares de los Siegel; algunos muy recientes, otros enterrados desde hace mucho tiempo. Ahora cada jueves en la mañana el HYP3 tiene para ti los estrenos de la semana. Y por las noches, nuestro tradicional stream en vivo por ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. -- Si te gustó este podcast, considera suscribirte a nuestros contenidos premium: ve a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ para que cheques todas las opciones de membresías.

Legends has reached that fateful number - Six Hundred Sixty-Six - and we're celebrating with an appropriately devilish movie. After his wife delivers a stillborn baby, an American diplomat adopts an orphan. Then, a series of mysterious circumstances lead him to suspect the boy may be the Antichrist. Starting Gregory Peck, Lee Remick, David Warner, Billie Whitelaw, and Harvey Stephens as Damien, directed by Richard Donner, the 1976 film was a box office hit that spawned multiple sequels and a TV series. More recently, a direct remake of the first film was released in 2006 and a TV series, Damien, aired in 2016. We're going back to the film that started it all, as it was foretold. But does The Omen give the Devil his due, or has it gone to the dogs?   For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

Jason & Ryan are called before judge and jury to defend their positions on Otto Preminger's 1959 courtroom drama Anatomy of a Murder starring Jimmy Stewart, George C. Scott, Ben Gazzara, and Lee Remick.

The Ringer's Bill Simmons and Chris Ryan recorded this podcast just for Damien. It's all for you, Damien! It's time for Richard Donner's 1976 horror film, ‘The Omen'—starring Gregory Peck, Lee Remick, and Harvey Spencer Stephens. Producer: Craig Horlbeck t Learn more about your ad choices. Visit podcastchoices.com/adchoices

"The Omen" skillfully taps into religious horror, exploring themes of evil, destiny, and the fear of the unknown. The use of religious symbols and dark prophecies adds a layer of terror that continues to captivate audiences.  The film capitalizes on the fear of what lies beyond our understanding, where the supernatural and the religious intersect. It's a psychological horror that delves into the darkest corners of our collective fears."The Omen" centers around Robert Thorn, played by Gregory Peck, an American ambassador living in London. When his wife, Katherine Thorn, portrayed by Lee Remick, gives birth to a stillborn child, Robert is convinced by a priest to secretly adopt an orphaned baby, Damien, who mysteriously appears in its place.Little Damien, played by Harvey Stephens, soon becomes the center of supernatural occurrences and eerie deaths, prompting Robert to investigate the origins of this malevolent child. As he delves deeper, he uncovers a web of biblical prophecies, sinister forces, and an impending apocalyptic doom.Check out the merch:  http://shop.backinthedaypodcast.comFriends of the Show1 Man Mafia (twitch.tv/1man_mafia)Jayke The Gamer God (twitch.tv/JaykeTheGamerGod)IB Best Gaming (https://www.tiktok.com/@ibbestgaming)Intro for the shopSupport the show'Beavis and Butt-head' Cover art created by Joe Crawford

For our classic film  we have gone for one of the great 1970s horror blockbusters - The Omen (1976) starring Gregory Peck, David Warner, Lee Remick, Billie Whitelaw and Patrick Troughton! 

A U.S. diplomat and his wife adopt an infant in Rome and then as a series of of mysterious and violent deaths occur around the family, it is revealed the child may be the prophesied antichrist.  Directed by Richard Donner. Written by David Seltzer. Starring Gregory Peck, Lee Remick, Harvey Stephens, David Warner and Billie Whitelaw.  FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! E-mail address: greatestpod@gmail.com Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean This week's recommendations: Twin Peaks: The Return (Showtime)

Book Vs. Movie: Wait Until DarkThe 1966 Richard Knott Play Vs. the 1967 Audrey Hepburn Film The Margos kick off "Scary Movie Month" by discussing Wait Until Dark, both the play by Frederick Knott and the 1967 Audrey Hepburn film. The movie features one of the best jump scares in cinema history. The original production starred Lee Remick and Robert Duvall as Susy and Roat, respectively. The story revolves around Susy, a blind woman who lives alone in her Greenwich Village apartment, and Roat, a creepy intruder who wants to find a doll filled with heroin that her husband accidentally brought home. Roat and his two cronies play games with Susy, but she ultimately prevails with a bit of courage and some help from her young neighbor, Gloria. Remick's performance earned her a Tony Award nomination, and the play was quickly adapted into a feature film by producer Mel Ferrar (who was also Hepburn's husband at the time). The movie is consistently ranked as one of the most influential thrillers of all time. So, which did we prefer: the play or the movie? In this ep, the Margos discuss:Broadway in the 1960sThe performances of the movieThe differences between the play and the movieThe 1982 Wait Until Dark with Stacy Keach & Katherine RossThe cast of the 1967 film: Audrey Hepburn (Susy,) Alan Arkin (Roat,) Richard Crenna (Mike,) Efram Zimbalist Jr. (Sam Hendrix,) Jack Weston (Carlino), Samantha Jones (Lisa,) and Julie Herrod as Gloria.Clips used:“Tap Tap Tap”Wait Until Dark 1967 trailerGloria and SusyAlan Arkin and Audrey HepburnThe big “jump scare”Music: Henry Mancini and Sue RaneyBook Vs. Movie is part of the Frolic Podcast Network.Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement

Book Vs. Movie: Wait Until DarkThe 1966 Richard Knott Play Vs. the 1967 Audrey Hepburn Film The Margos kick off "Scary Movie Month" by discussing Wait Until Dark, both the play by Frederick Knott and the 1967 Audrey Hepburn film. The movie features one of the best jump scares in cinema history. The original production starred Lee Remick and Robert Duvall as Susy and Roat, respectively. The story revolves around Susy, a blind woman who lives alone in her Greenwich Village apartment, and Roat, a creepy intruder who wants to find a doll filled with heroin that her husband accidentally brought home. Roat and his two cronies play games with Susy, but she ultimately prevails with a bit of courage and some help from her young neighbor, Gloria. Remick's performance earned her a Tony Award nomination, and the play was quickly adapted into a feature film by producer Mel Ferrar (who was also Hepburn's husband at the time). The movie is consistently ranked as one of the most influential thrillers of all time. So, which did we prefer: the play or the movie? In this ep, the Margos discuss:Broadway in the 1960sThe performances of the movieThe differences between the play and the movieThe 1982 Wait Until Dark with Stacy Keach & Katherine RossThe cast of the 1967 film: Audrey Hepburn (Susy,) Alan Arkin (Roat,) Richard Crenna (Mike,) Efram Zimbalist Jr. (Sam Hendrix,) Jack Weston (Carlino), Samantha Jones (Lisa,) and Julie Herrod as Gloria.Clips used:“Tap Tap Tap”Wait Until Dark 1967 trailerGloria and SusyAlan Arkin and Audrey HepburnThe big “jump scare”Music: Henry Mancini and Sue RaneyBook Vs. Movie is part of the Frolic Podcast Network.Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Welcome back for Week 3 of DFM's Taste of the UK Month! Gregory Peck, Lee Remick, David Werner, and an Oscar-winning score propel 1976's The Omen to cornerstone-status in the horror community. We believe The Omen is one of the few horror films that finds itself across everyone's top 10-20 horror films of all time - it is in our top 5 for sure - AND - it extends an olive branch to the non-horror mainstream audiences. The kills are memorable, the religious and apocalyptic implications can't be ignored and well, the movie just forebodes end-times and the antichrist's coming better than any movie? How do we rate The Omen? Listen in to find out!In Segment 2, Horror, Etc: We touch lightly on Damien: The Omen II, Omen III: The Final Conflict, and the novel for The Omen IV: Armageddon 2000 (to be clear NOT the made for TV Omen IV: The Awakening - ugh!). We read the back-cover, taglines and preface from this Omen IV book and Carrie drops her top 10 Satanic Horrror Films List with some honorable mentions. YOU'VE BEEN WARNED! (tee hee)

[ For full episode catalogue please subscribe to our Patreon at Patreon.com/BestActress ] NEW EPISODE ALERT - The year is 1963 and the nominees are: Anne Bancroft - The Miracle Worker Bette Davis - Whatever Happened to Baby Jane? Katharine Hepburn - Long Day's Journey into Night Geraldine Page - Sweet Bird of Youth Lee Remick - Days of Wine and Roses - In 1963 Bette Davis was odds on favourite to win her third Oscar and become the first actor to have three for her performance in Whatever Happened to Baby Jane. However on Oscar night Davis famously lost to Anne Bancroft for her physically demanding role playing Annie Sullivan in The Miracle Worker. To add salt in the wounds her on-screen (and allegedly off-screen) enemy Joan Crawford took to the podium to accept the award on Bancroft's behalf. It was viewed as a petty act of revenge toward Davis and to the Academy for not being nominated for Jane. Crawford also allegedly actively campaigned against Davis to ensure her loss. This was definitively a juicy year! You can't really talk about Bancroft's win without talking about the infamous feud between Davis and Crawford. Others nominated were Katharine Hepburn, Geraldine Page, and Lee Remick. This year really came down to Davis vs. Bancroft in our opinion. Listen to our new episode as we discuss! Join host Kyle Brownrigg with guest host Viza Decline as they discuss.

In the latest episode of Rewind of the Living Dead, we look back at the 1976 Richard Donner classic "The Omen" and discuss if this horror classic still holds up to this day! Music courtesy of Andrew Scott Bell 

This episode explores Anatomy of a Murder (1959), the legendary courtroom drama produced and directed by Otto Preminger. The film features an outstanding cast, including Jimmy Stewart, Lee Remick, Ben Gazzara, George C. Scott, and Eve Arden. It also includes the real-life Joseph N. Welch, who played a key role in finally taking down Senator Joseph McCarthy during the Army-McCarthy hearings of 1954. The film is widely regarded as one of the best courtroom dramas in the history of cinema. Joshua Dratel, a leading criminal defense attorney, joins as my guest expert to help examine this memorable film and to break down  its timeless insights into the American criminal trial.Timestamps:0:00     Introduction4:30     What makes a great courtroom drama?8:50     Paul Biegler (Jimmy Stewart) interviews his client (Ben Gazzara) 16:04   Coming up with the defense of “irresistible impulse”19:00   The role of cross-examination 26:22   Biegler (Jimmy Stewart) gets his defense in through cross-examination29:08   The motive and the act in criminal law33:43   Managing a defendant's family 38:58   Dressing your client for court40:57   Attacking the victim: who's on trial here? 43:18   Claude Dancer (George C. Scott) grills Laura Manion (Lee Remick)45:48   Impeaching the jailhouse informant48:52   Grappling with questions of rape and consent circa 195951:13   Asking a witness one question too many  54:36  A classic reasonable doubt case58:06   Poetic justice: Biegler is retained on a new case and his practice survives1:01:41 Legal realism in fiction: None of it happened, but it's all trueFurther Reading:Bogdanovich, Peter, Who the Devil Made It: Conversations with Legendary Film Directors (Alfred A. Knopf, 1997)Christley, Jamie N., “Otto Preminger's ‘Anatomy of a Murder' on the Criterion Collection” Slant Magazine (Feb. 24, 2012), https://www.slantmagazine.com/dvd/anatomy-of-a-murder/Fidler, John, “‘Anatomy of a Murder,'” Sense of Cinema (Mar. 2013), https://www.sensesofcinema.com/2013/cteq/anatomy-of-a-murder/Huff, Timothy, “Anatomy of a Murder,” Legal Studies Forum vol. 24, issues 3 & 4, p. 661 (2000)Nerdwriter1, “Anatomy of ‘Anatomy of a Murder'” (video), https://www.youtube.com/watch?v=S0Tm-7DvR2c Tarr, Nina W., “A Different Ethical Issue in ‘Anatomy of a Murder': Friendly Fire from the Cowboy-Lawyer,” Journal of the Legal Profession vol. 32, pp. 137-60 (2008) Tobias, Scott, “‘Anatomy of a Murder,'” A.V. Club (Mar. 14, 2012), https://www.avclub.com/anatomy-of-a-murder-1798171960  Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/faculty/full-time/jonathan-hafetz.cfmYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilm

This week a podcast favorite actor returns in what is described as the greatest courtroom drama ever made, 1959's Anatomy of a Murder. Produced and directed by Otto Preminger it tells the story of an upstate Michigan lawyer who defends a soldier who claims he killed an innkeeper due to temporary insanity after the victim raped his wife. The film stars James Stewart, Lee Remick, Ben Gazzara, Eve Arden, George C. Scott, Arthur O'Connell, Kathryn Grant and Murray Hamilton. Come join us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

Espresso fueled quick review synopsis. Seven more 70's movies to review for you today. Let's begin with Lee Remick, some Fonda's and Paul Newman in the film adaptation of Ken Kesey's (Sometimes a great notion 1972) The review will be a breeze and we'll all agree because this story isn't dark or complex in any way. Next up is an even more light hearted romp about a scared teens journey to try to get an abortion. (To find a man 1972) is another film we all completely agree on and there is zero conflict. Do I have to say it “Sarcasm.” I will say that we all agree that Lloyd Bridges is superb at playing peeps engaging in substance abuse. (Tomorrow 1972) is such a fast paced thrill ride of an adaptation of William Faulkner's novel, it's just a flippin blur of excitement. Next up I wonder where in heck Rosiland Russel is in Lucille Ball's musical interpretation of (Mame1975), Also V shows us up again with their stellar research, and that's not sarcasm, no more sarcasm. Here we are now in the year 1975 with rad director Arthur Penn's (Night Moves), does that title work at all, I don't think we discussed it, does it ALL take place at night? Let's change it to Gene Hackman walks around. (Movie Movie 1978) was a fun time for me especially because I new nothing going in and did not get the huge duh of a context clue from the title, but in my defense many titles as just stated can be quite vague or meaningless. Art Carney and George C are here along with Brad from Rocky horror. Ok finally today your decade under the influence crew wraps it up with our amazing review of 1980's (Loving Couples). We got a goofy James Coburn here along with Shirley MacLaine and Janet from rocky horror. What happens when 2 cheating couples go to same resort? We hope you enjoy our offering. Plz give us all the stars and write us a review, why not? Thanks for listening.

In this episode, we continue our look at the top 10 films of 1962 with an examination of our second-ranked film, "Days of Wine and Roses," starring Jack Lemmon and Lee Remick and directed by Blake Edwards. Click here to listen to 1962 Top 10 Films pt. 1 Click here to listen to 1962 Top 10 Films pt. 2 Click here to listen to 1962 Top 10 Films pt. 3 Please subscribe to this podcast, and thanks for your support! 

Melanie and Ed love watching old movies and dishing on them. This week's movie: THE LONG, HOT SUMMER (1958), starring Paul Newman, Joanne Woodward, Orson Wells, Lee Remick, Anthony Franciosa, and Angela Lansbury. Mel and Ed make book recommendations with similar themes. Send podcast comments and suggestions to Melanded@whothehellarewe.com Don't forget to subscribe to the show!

This week on And the Runner-Up Is, Kevin welcomes writer and podcaster Josh Parham to discuss the 1962 Oscar race for Best Actress, where Anne Bancroft won for her performance in "The Miracle Worker," beating Bette Davis in "What Ever Happened to Baby Jane?," Katharine Hepburn in "Long Day's Journey Into Night," Geraldine Page in "Sweet Bird of Youth," and Lee Remick in "Days of Wine and Roses." We discuss all of these nominated performances and determine who we think was the runner-up to Bancroft. 0:00 - 10:42 - Introduction 10:42 - 44:11 - Bette Davis 44:12 - 1:07:35 - Katharine Hepburn 1:07:36 - 1:27:09 - Geraldine Page 1:27:10 - 1:45:19 - Lee Remick 1:45:04 - 1:59:16 - Anne Bancroft 1:59:17 - 2:28:30 - Why Anne Bancroft won / Twitter questions 2:28:31 - 2:34:46 - Who was the runner-up? Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Josh Parham on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

What would happen if you took a dial and turned up the consequences of the kind of drinking we see in movies all the time?  You'd have Blake Edwards' Days of Wine and Roses (1962), his harrowing look at a marriage torn apart by alcoholism.  "The journey to recovery" genre is still decades away, and Mike and Dan praise Jack Lemmon's, Lee Remick's, and Jack Klugman's performances in a film that stands the history of Hollywood drinking on its ear.  This is a grim episode for a grim film, so pour a cup of black coffee before you give it a listen.   Please subscribe to the show wherever you get your podcasts and follow us on Twitter and Letterboxd @15MinFilm.  Please rate and review the show on Apple podcasts and contact us at FifteenMinuteFilm@gmail.com.  Incredible bumper music by John Deley. Twitter: https://twitter.com/15minfilm Letterboxd: https://letterboxd.com/15MinFilm/ Website: https://fifteenminutefilm.podbean.com/

Ok...we are back this week and first up is a full review of one of this years Oscar favorites, Steven Spielberg's The Fabelmans. Then in the second half of the show we revisit one of the first films to tackle alcoholism in a serious manner, 1962's Days of Wine and Roses starring Jack Lemmon and Lee Remick. --- Send in a voice message: https://anchor.fm/matthew-ulrich/message

Stefanie Powers began her career at age 15, dancing for famed Broadway choreographer, Jerome Robbins. She was put under contract to Columbia Pictures in the final years of the Hollywood Star system. While under contract, she appeared in 15 of the 24 motion pictures she has made, co-starring with screen legends such as John Wayne, Maureen O'Hara, Lana Turner, Ava Gardner, David Niven, Roger Moore, Bing Crosby, Lee Remick, James Caan and Sammy Davis, Jr. Her first television series, “The Girl from U.N.C.L.E,” marked a milestone in U.S. television's history as the first hour long series featuring a female in the leading role. Her television career includes seven mini-series, over 55 television shows, 36 movies for television and the long running “Hart to Hart” starring opposite Robert Wagner. She became a member of the Screen Writers' Guild of America in the 1980s and has produced several of the screenplays she has written. Her writing has extended itself to a memoir called “One from the Hart.” Throughout her career she has never neglected her theatrical roots. Among other musical performances, she appeared in the UK in the West End production of “The King and I,” which also toured the United States for ten months. While appearing in a production of “Love Letters” in the Middle East, she received a request form dear friend Valerie Harper asking her to take over the role of Tallulah Bankhead in the play “Looped.” “Looped is about the encounter between the infamous actress Tallulah Bankhead re-recording a line of dialogue for the 1965 film “Die! Die! My Darling!,” the last film Ms. Bankhead would ever make. Ironically, Stefanie co-starred in the film “Die! Die! My Darling!” with Miss Bankhead. She is founder and president of the William Holden Wildlife Foundation, established in 1982 to continue and to further her long-time partner's conservation work in East Africa after his death. For information, visit https://whwf.org/. Stefanie is a frequent speaker and serves on the faculty of the Oxford Literary Festival at Christchurch, Oxford. JONES.SHOW is a weekly podcast featuring host Randall Kenneth Jones (author, speaker & creative communications consultant) and Susan C. Bennett (the original voice of Siri). JONES.SHOW is produced and edited by Kevin Randall Jones. STEFANIE POWERS Online: Facebook: https://www.facebook.com/stefaniepowersactress/ Twitter: https://twitter.com/stefanie_powers Instagram: https://www.instagram.com/officialstefaniepowers/ Web: http://www.stefaniepowersonline.com JONES.SHOW Online: Join us in the Jones.Show Lounge on Facebook. Twitter (Randy): https://twitter.com/randallkjones Instagram (Randy): https://www.instagram.com/randallkennethjones/ Facebook (Randy): https://www.facebook.com/mindzoo/ Web: RandallKennethJones.com Follow Randy on Clubhouse Twitter (Susan): https://twitter.com/SiriouslySusan Instagram (Susan): https://www.instagram.com/siriouslysusan/ Facebook (Susan): https://www.facebook.com/siriouslysusan/ Web: SusanCBennett.com Follow Susan on Clubhouse LinkedIn (Kevin): https://www.linkedin.com/in/kevin-randall-jones/ Web: KevinRandallJones.com www.Jones.Show

A momentous uncovering requires a momentous cast! Not just just one, or two or even three. But four absolutely depraved individuals looking at the crowning jewel of the McQueeners trilogy. There's a lot of history between SHAME and Laura. Videos, excited faces and soft bans on Instagram, to name a few. To help we welcome Josh Martin and Kat Whitacre of "Uncomfortable Brunch" to the table as we reminisce tales of our past and what this film has brought to us, good or bad. There's a tonne to expose here, mostly that Fassbender pulls out the performance of a lifetime in one of the saddest and most tragic depictions of addiction in recent cinema history. Ryan still thinks that Jack Lemmon and Lee Remick in DAYS OF WINE AND ROSES is probably sadder but anyway. Are you asking "What is Uncomfortable Brunch"? Well, you're obviously a terrible fan as we kinda covered it when Josh was on for the Jackass Quadrilogy way back when but to repeat, you watch uncomfortable art films around midday on a Sunday to alcohol and brunch items with a cinema going crowd; it's awesome! SHAME is playing at Uncomfortable Brunch, at the Enzian Theatre located in Maitland, FL, on September 4th. Tickets can be found here (if they are still available); https://enzian.org/film/shame/ Sit back and enjoy this very special and long episode to commemorate this specially sad film.

David introduces Devon to a rarely screened, little known Elia Kazan film from 1960 starring Lee Remick, Jo Van Fleet, and a very emotional performance from Montgomery Clift

Welcome to It's A Wonderful Podcast!! Courtroom movies seem to be making their way onto the main show too as Morgan and Jeannine talk Otto Preminger's perfectly paced, effortlessly engrossing & delightfully direct legal drama, ANATOMY OF A MURDER (1959) starring Jimmy Stewart, Lee Remick, Ben Gazzara & George C. Scott!! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

Ken Kesey's magnum opus isn't nearly as well known as his first novel, despite being adapted into a movie starring Paul Newman, Henry Fonda and Lee Remick. Today I talk about why I love this book so much, and how it compares to the 1971 movie. Get a free audiobook by signing up for audible! https://www.audibletrial.com/whythebookwins https://www.youtube.com/c/whythebookwins https://whythebookwins.com/

Today, I am so happy to announce Part 2 of my celebration of the 50th Anniversary of Grease,  featuring its producer, Ken Waissman. In addition to Grease, Ken Waissman's other producing credits include Agnes of God, Torch Song Trilogy, and more. But before you listen, make sure to purchase Ken's new book Grease: Tell Me More, Tell Me More: Stories from the Broadway Phenomenon, which can be found here:   Purchase Tell Me More, Tell Me More   But first, tune in today to here fascinating stories including: the theater on Broadway that Ken named, the strategies he used to launch Grease at the beginning, the process of persuading Harvey Fierstein to bring Torch Song to Broadway, firing Lee Remick, the ways in which The Andrews Sisters tortured each other, ridiculous demands from David Merrick, why Over Here couldn't go on the road, why he decided to leave the business, and so much more!   You won't want to miss this episode with a true man of the theater.

An elder C.S. Lewis looks back on his remarkable journey from hard-boiled atheist to the most renowned Chrsitian writer of the past century. The Most Reluctant Convert features award-winning actor Max McLean as the older Lewis and Nicholas Ralph - breakout star of PBS Materpiece's All Creatures Great and Small - as young Lewis. Beautifully filmed in and around Oxford, this engaging biopic follows the creator of The Chronicles of Narnia from the tragic death of his mother when he was just nine years- old, through his strained relationship with his father, to the nightmare of the trenches of World War I to Oxford University, where friends like J.R.R. Tolkien challenge his unbelief. Norman Stone Norman Stone began his professional career in television as the youngest producer/director to be working at the BBC, and soon established himself as a top film maker with his highly acclaimed film A Different Drummer about the blind and deaf Christian poet, Jack Clemo. Four years later, he created Shadowlands, the gripping film drama on the love and loss of C.S. Lewis, which earned two BAFTA awards, an International Emmy, and the coveted ‘Prague D'or' for Best Director. This film went on to be an award-winning stage play, as well as a Hollywood movie.Other dramas followed included Martin Luther – Heretic, starring Jonathan Pryce; New World with James Fox; The Vision starring Dirk Bogarde, Lee Remick and Helena Bonham-Carter, and the award-winning Burston Rebellion with Eileen Atkins and Bernard Hill. Stone was also asked to direct the internationally acclaimed CBS co-production Pied Piper, starring Peter O'Toole. He then directed two of the famous BBC Miss Marples films, starring the iconic Joan Hickson in the title role, and also, The Black Velvet Gown, which earned him his second International Emmy. Always interested in experimenting with new forms of filmic storytelling, Stone went on to create and direct The Dream of a Ridiculous Man, which starred Jeremy Irons and was nominated for a prestigious ACE Award in the category of Best International Drama. This experience led directly to Tales from the Mad House, an award-winning series of one-man dramas, featuring such stars as Jonathan Pryce, Dame Eileen Atkins, Joss Ackland, Claire Bloom, James Cosmo and Helen Baxendale, before making the gritty, Glasgow feature film, Man Dancin' which collected more international awards.A string of new dramas followed, including C.S. Lewis - Beyond Narnia, Florence Nightingale, The Narnia Code and KJB - The Book that Changed the World (winner of The Templeton, Movie Guide, Epiphany Prize).In 2020, Norman completed a major Feature Documentary narrated by Ewan McGregor, The Final Fix, exploring a remarkably effective new treatment for drug addiction, and in 2021, during lockdown, he wrote and directed a new, creative drama on C.S. Lewis called The Most Reluctant Convert. This film was cinema-premiered in over 500 American cities in November 2021 and has already been seen in over 120 countries around the world.Norman is currently preparing a dramatically challenging feature film, Raising Hell, the true story of the battle to beat child prostitution in Victorian England, and is also developing an exciting, new TV action series, ROK, set in Gibraltar and the Mediterranean.Website: https://cslewismovie.com/Trailer: https://www.youtube.com/channel/UCBd8bYTMoTKlUAk4IVyb16QFacebook: https://www.facebook.com/CSLewisMovieInstagram: https://www.instagram.com/fpa_theatre/IMDB: YouTube: https://www.youtube.com/channel/UCBd8bYTMoTKlUAk4IVyb16Q

In Washington, President Kennedy addresses the Peace Corps; in Michigan, Senator Mansfield speaks out on Vietnam; in San Diego, Dr. King meets the press; three convicts escape the Rock; Lee Remick gets money for nothing; the Mets take another beating. Newscaster: Joe Rubenstein.  Please subscribe to this podcast, and thanks for your support! 

Bob, Randy, and Justin from Straight Chilling join Caitlin to cover The Omen (1976). We dig into themes of religion and monstrous motherhood, explore some of the "cursed" aspects of the production, and chat about various iconic scenes from this touchstone movie. We also somehow get to talking about Willem Dafoe and his renowned lower half... such is the nature of the show. Be sure to check out Straight Chilling! Big thanks for joining, fellas. 

It wouldn't be the first time we used our minds around here and it led to disaster. SimonUK and Ryan get excited about Richard Burton and Lee Remick, respectively, and get on the case of the victim of an attempted murder, who maybe - just maybe - is the source of all sorts of trouble. Join us as we talk an entry in ESP horror paired with police procedural.

Book Vs Movie: “A Face in the Crowd” The Budd Schulberg Short Story Vs the Elia Kazan Classic Film Every once in a while we come across a story that was created decades ago and has themes that transcend time. This is the case with 1957's A Face in the Crowd which talks about class distinctions in America, the power of the media, what it takes to relate to the “common man” and how power corrupts. (Whoa--this one really stands the test of time!)  The original story, Your Arkansas Traveler, was featured in a collection from Some Faces in the Crowd by Budd Schulberg and published in 1953. It tells the story of an Arkansas drifter, Lonesome Rhodes (LR,) who rises to fame on regional radio with his country, “aw shucks” style and eventually becomes an egomaniac as a national TV star. Oh, and he has political clout as well! In the story, he is discovered by radio producer Marcia Jeffries who at first is charmed by LR and his plain-spoken ways. Eventually, she realizes he is a dangerous narcissist and works to stop him from having too much power. LR in the meantime has a wife he needs to get rid of, a teenage bride to keep him company, and a rabid audience that hangs as his every word. In the end, he dies before he can wreak too much havoc.  Schulberg wrote the screenplay for On the Waterfront and trusted director Elia Kazan to tell his story. The 1957 film stars Andy Griffith, Patricia Neal, Lee Remick, and Walter Matthau and while the film received mixed reviews at the time (the New York Times thought Andy Griffith overshadowed everyone in the film)--it is now considered a prescient classic. So, between the short story and the movie--which did we prefer?  In this ep the Margos discuss: The original short story by Budd Schulberg Behind the scenes of the movie fleming    Why it was considered controversial at the time  Starring: Andy Griffith (Lonesome Rhodes,) Patricia Neal (Marcia Jeffries,) Anthony Franciosa (Joey DePalma,) Walter Matthau (Mel Miller,) Lee Remick (Betty Lou Fleckum,) and Percy Waram as General Haynesworth.) Clips used: Marcia meets LR A Face in the Crowd trailer LR and Marcia argue over his marriage “Mama Guitar” & baton scene LR breaks character on the air Walter Matthau's last scene “Vitajex” commercial/music by Tom Glazer Book Vs Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts .  Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine