Podcast appearances and mentions of emma frankland

Lately I keep thinking about that phrase "the past is a foreign country", and how sometimes a space doesn't have to disappear to feel lost to us. And I know that sounds like a bit of mumbo jumbo, but stay with me! Queer spaces are always evolving and changing, and if we don't evolve and change with them, or if we're not there at the time they are evolving, then we risk being left behind. Which brings us to this week's conversation, which happens to be one of my favourite types of stories - the big scary jump in to the unknown. And the person leading us through the story is performance artist and theatre maker Emma Frankland, who took the big scary jump when she moved to Brighton, England eight years ago. In our chat we talk about living on a boat, the visibility of Brighton's trans community, and finding community and solace at The Marlborough, a theatre-slash-performance space which still exists as a queer space, but has had a change of name and a lick of paint since Emma's glory days there. Follow me Instagram: ⁠⁠www.instagram.com/lostspacespod⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠www.facebook.com/lostspacespod⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@lostspacespod⁠⁠⁠⁠⁠⁠⁠⁠ Sign up to the Queer Word newsletter: ⁠⁠⁠⁠https://tinyurl.com/queerwordsignup Support me Buy Me A Coffee: ⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/lostspacespod⁠⁠⁠⁠⁠⁠ Follow my guest Instagram: https://www.instagram.com/notyetarobot/ Website: https://www.emmafrankland.co.uk/

In this final episode, the three co-hosts reconvene to identify their key takeaways from the podcast project. They discuss their hopes for the future of Shakespeare in Canada, isolating some recent examples of innovative productions, including the 1S1 production of Lady M (Margaret) starring Dawn Jani Birley and Shakespeare in the Ruff's Richard Three. The episode (and series) concludes by returning to our interviewees who share some final words on the work that remains, including references to new projects by Deaf and trans artists, and an important reminder to think about what lies beyond Shakespeare. This episode features conversations with Cole Alvis, Dawn Jani Birley, Liam Lockhart-Rush Monique Mojica, Kaitlyn Riordan, Marlis Schweitzer, and Hope Van Der Merwe.. Episode 10 ⁠ASL translation⁠ courtesy of Dawn Jani Birley. ASL interpretation by Dawn Jani Birley, Robert Haughton, and Alice Lo. Here are some links to things discussed in the episode and some suggestions for further reading: 1S1 Theatre - a Deaf-led theatre company founded by Dawn Jani Birley Short video about 1S1's production of Lady M (Margaret) (with ASL translation) Guardian article about the Stratford Festival's production of Richard II, adapted by Brad Fraser Toronto Star review of Richard II (2023) Intermission Magazine review of Shakespeare in the Ruff's Richard Three  Engendering the Stage - “an international research project that explores resonances between the history of gendered performance on the early modern stage and our contemporary drive to achieve gender equity in today's professional theatre industry” Galatea 101 with Emma Frankland and Andy Kesson (video with ASL translation), 2021 Interview with Emma Frankland about the 2023 production of Galatea Three volumes of Staging Coyote's Dream, co-edited by Monique Mojica  Monique Mojica, Chocolate Woman Dreams the Milky Way

In a live episode recorded at Hoxton Hall, Rosie chats to comedian Jen Ives and writer / performer Emma Frankland about whether we'd go and see an ex doing a show all about their exes, actively choosing to stay in relationships (or not), growing up during the Section 28 years and not having access to information about trans identities, writing for Hollyoaks and much more. We also hear a fantastic audience contribution about a platonic relationship breakup from Tamara Micner. This episode was the second half of a live double bill. You may want to listen to our previous episode to hear Josi's poem, which we refer to a number of times. Recorded at Hoxton Hall, as part of Hackney Pride 365's Trans Awareness Week season, on 17 November 2023. With thanks to Hackney Pride 365 and to ELOP. You can now follow The Breakup Monologues on Instagram and Threads @breakupmonologues and buy The Breakup Monologues book from all good bookshops: https://linktr.ee/breakupmonologues Follow Jen on Instagram @imjenives Follow Emma on Instagram @notyetarobot Follow Tamara on Instagram @tamarafm

Goldilocks, Robin Hood, Little Bess of Bromley, Moll Frith were star performers on the bear baiting circuit in Elizabethan England. New evidence of bear bones uncovered in archaeological digs and over 1,100 accounts in letters and documents from the period, are being studied in a research project called Box Office Bears. Andy Kesson delves into bears' impact on the literary culture of the time and asks if bear baiting was not so much a sporting contest as a staged spectacles akin to contemporary wrestling. Hannah O'Regan explains how bear bones found in archaeological digs in Southwark's theatre land reveal the animals' stressful lives and she suggests that the scary, fighting bears of our cultural imaginary are strikingly different from the playful, conflict defusing bear of real life. Were they unfairly typecast? Hannah O'Regan is Professor of Archaeology and Palaeoecology at the University of Nottingham and Principal Investigator in the BOB Project. She has excavated on sites in the UK, Israel and South Africa. Her current research interests include human-non-human animal interactions (particularly bears). Andy Kesson is a Reader in Renaissance Literature at the University of Roehampton and Co-Investigator in the BOB project. He was the principal investigator for Before Shakespeare, and is working with the theatre maker Emma Frankland on a production of John Lyly's Galatea which he discussed in an episode of Free Thinking called Galatea and Shakespeare https://www.bbc.co.uk/programmes/m001kvpk. He has recently explored a multitude of bears in early modern plays. Box Office Bears: Animal baiting in early modern England, is a project bringing together researchers from the Universities of Nottingham, Roehampton and Oxford and project partner Museum of London Archaeology (MOLA) https://boxofficebears.com/about/ Dr Emma Whipday is a Lecturer in Renaissance Literature at Newcastle University and an expert in Shakespeare, early modern literature, women's history, theatre history, and the history of the home and family . Her current book project, Subordinate Roles, explores the cultural importance of the brother-sister relationship and the place of the unmarried woman in early modern society. She's a BBC/AHRC New Generation Thinker on the scheme which promotes research on the radio. This New Thinking episode of the Arts and Ideas podcast was made in partnership with the Arts and Humanities Research Council, part of UKRI. You can find more in a collection of the website of BBC Radio 3's Free Thinking programme and all available on BBC Sounds.

John Lyly's play Galatea, first recorded in 1588, inspired Shakespeare to write As You Like It and A Midsummer Night's Dream. In Brighton, Emma Frankland is directing a rare professional revival of it, so she and the academic advisor on the project Andy Kesson join Globe Theatre head of research Will Tosh and New Generation Thinker Emma Whipday for a conversation about cross-dressing in Elizabethan dramas and about the plays gathered together in Shakespeare's First Folio. Shahidha Bari hosts. Emma Frankland's Galatea is commissioned by and is on as part of Brighton Festival, from the 5-21 May, 2023 Dr Andy Kesson teaches at Roehampton University and runs a Before Shakespeare project Dr Emma Whipday is a New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council. She teaches at the University of Newcastle Dr Will Tosh is Head of Research at Shakespeare's Globe, London. He is currently working on a book called Straight Acting: The Many Queer Lives of William Shakespeare The Globe Theatre production of A Midsummer Night's Dream runs 27th April to 12th August On the Free Thinking programme website you can find a collection of discussions about Shakespeare and the Shakespeare Sessions on BBC Sounds includes a whole series of plays available to listen to. The most recent addition is Henry IV part II which you can also hear as a Drama on 3 on Sunday night on Radio 3. Producer: Harry Parker

Emma’s work often focusses on honesty, action and a playfully destructive DIY aesthetic using materials with different transformative properties – such as water, clay, earth, salt and ink – to create strong visual imagery which is often messy, intense and celebratory. In recent years, her work has been focussed on the None of Us is Yet a Robot project, a series of performance pieces recently published by Oberon Books as “None of Us is Yet a Robot – Five Performances on Gender Identity and the Politics of Transition”.In 2013 EmmaSEE DETAILS The post Woman UP! Podcast Series 2, Episode 11 – Emma Frankland appeared first on Desperate Artwives.

Emma Frankland reads Harry Josephine Giles's letter, which considers how the example of mutual aid within the trans community can inform wider attitudes to art and community in the post-Covid world. See acast.com/privacy for privacy and opt-out information.

Playwright and academic Dan Rebellato's Letter to the Lyceum asks us to think about the 'everything and nothing' present in an empty theatre. Read by Emma Frankland. See acast.com/privacy for privacy and opt-out information.

Artist and photographer Sunil Gupta, authors CN Lester (Trans Like Me) and Tom Shakespeare (The Sexual Politics of Disability), and Barbican curator Alona Pardo join Matthew Sweet in a discussion inspired by the Barbican exhibition called Masculinities: Liberation Through Photography which has this week re-opened to visitors. They debate whether the old construct of masculinity in our culture is broken? As new ideas and thinking enter the debate, what is essential and what we can do away with as we look to build a new masculinity? The exhibition now runs until August 23rd. Producer: Caitlin Benedict Web image credits: Sunil Gupta, Untitled 22 from the series Christopher Street, 1976. Courtesy the artist and Hales Gallery. © Sunil Gupta. All Rights Reserved, DACS 2019 You can find other Free Thinking discussions looking at identity and masculinity The Changing Image of Masculinity discussed by JJ Bola, Derek Owusu & Ben Lerner https://www.bbc.co.uk/programmes/m000b0mx Beards, Listening, Masculinity https://www.bbc.co.uk/programmes/b0833ypd Jordan B Peterson https://www.bbc.co.uk/programmes/b0b3fk63 Can there be multiple versions of me https://www.bbc.co.uk/programmes/b09wvlxs TV presenter and campaigner June Sarpong, performer Emma Frankland, GP and author Gavin Francis and philosopher Julian Baggini discuss the changing self with Anne McElvoy

Stay frightened. Get ready. Call and leave us a message at (805) 366-3085, and we may include it in a future episode. This show currently does not have any income, and it takes money and a good amount of hours every week to produce. If you find this show helpful, and you have the means, we’d definitely appreciate your support. It will allow us to make this show more sustainable. Thank you. Donation link here. Written and produced by Joseph Fink Additional essays by Jeffrey Cranor and Emma Frankland The song "This Too Shall Pass" by Danny Schmidt  All other music by Disparition Logo artwork by Jessica Hayworth A production of Night Vale Presents

Artist and photographer Sunil Gupta, authors CN Lester (Trans Like Me) and Tom Shakespeare (The Sexual Politics of Disability), and Barbican curator Alona Pardo join Matthew Sweet in a discussion prompted by the Barbican exhibition called Masculinities: Liberation Through Photography to debate whether the old construct of masculinity in our culture is broken? As new ideas and thinking enter the debate, what is essential and what we can do away with as we look to build a new masculinity? Producer: Caitlin Benedict Web image credits: Sunil Gupta, Untitled 22 from the series Christopher Street, 1976. Courtesy the artist and Hales Gallery. © Sunil Gupta. All Rights Reserved, DACS 2019 You can find other Free Thinking discussions looking at identity The Changing Image of Masculinity discussed by JJ Bola, Derek Owusu & Ben Lerner https://www.bbc.co.uk/programmes/m000b0mx Beards, Listening, Masculinity https://www.bbc.co.uk/programmes/b0833ypd Jordan B Peterson https://www.bbc.co.uk/programmes/b0b3fk63 Can there be multiple versions of me https://www.bbc.co.uk/programmes/b09wvlxs TV presenter and campaigner June Sarpong, performer Emma Frankland, GP and author Gavin Francis and philosopher Julian Baggini discuss the changing self with Anne McElvoy Weimar and the subversion of cabaret culture https://www.bbc.co.uk/programmes/m000b7r7

This is the fourth episode in a series of podcasts covering Edinburgh Fringe 2019.  Listen back to the previous episodes with Mika Johnson & Teddy Lamb, Travis Alabanza, and Emily Aboud & Charlotte Dowding, and look out on our social media for tour dates to see their shows.   You can now support Bechdel Theatre on Patreon with a monthly donation of $1.   Brigitte Aphrodite is a punk poet, musician, writer, theatre maker and feminist showgirl. Brigitte is the writer of Parakeet, and performs as a parakeet underscoring the show.   Michelle Tiwo is an actor, poet and model, and the lead performer in Parakeet. Brigitte’s #FeministFaves are…   Music: Pink Suits, Self Esteem, Big Joanie, The Tuts, Dream Wife, Kate Nash, Lunatraktors Books: Period Power by Maisie Hill, Laura Dockrill’s books for children & young adults. Poet: Neelam Saredia-Brayley Michelle’s #FeministFaves are... Travis Alabanza & their writing about Edinburgh Fringe Ruth Sutoye & Bald Black Girls Tobi Kyeremateng & The Black Ticket Project Poetry & art from: Touching Bass, Steam Down, Andrea Phillips, Vanessa Kisuule, Rachael Young, Theresa Lola, The Rap Party, Belinda Zhawi & Born::Free Michelle & Brigitte’s Edinburgh show recommendations... Pink Lemonade by Mika Johnson How To Be Brave by Dirty Protest  Out by Rachael Young Splintered by Emily Aboud Burgerz by Travis Alabanza (Autumn tour includes: Dublin, Newcastle, Glasgow, Warwick, Birmingham, Bristol, Cambridge & London) The End & One by Bert & Nasi (One is coming to Battersea Arts Centre in October) Civilization by Antler Theatre Class & Fat Blokes By Scottee (Class is coming to Home in Manchester in Oct & touring in 2020) Hearty by Emma Frankland

This episode is about trans people in sports - from leisure to competitions and roller skates - exploring ways trans and non-binary experiences are developing the sporting world. Gendered Intelligence is a charity that works to increase understandings of gender diversity and improve the lives of trans people. Our vision is of a world where people are no longer constrained by narrow perceptions and expectations of gender, and where diverse gender expressions are visible and valued. To support Gendered Intelligence, or to find out more about our youth work, volunteer scheme, educational and professional services, visit genderedintelligence.co.uk or follow us on Twitter @genderintell Our speakers this episode are: Simon Croft, Director of Professional and Educational Services at Gendered Intelligence (he/him) [1:00-7:05] Jamie Hooper, Senior Equality & Diversity Manager at Sport England (he/him) [7:05-10:37] Emma Frankland, Artist, Performance Maker and Roller Derby player (she/her) [10:37-24:04] _____________________________ Music is provided by WHATSGOOD. theartistunion.com/whatsgoodtho

In our second highlight reel, we will be showing clips of some of our favourite moments in the last four talks from the first day of our Transforming Spaces Conference that we will be publishing. The full talks will be released weekly so make sure to check them out as they pop up. This episode touches on the topics of sports, pregnancy, prisons, and making change. We are running a project on trans inclusion in sport: we aim for sport / physical activity organisations to become more knowledgeable and more confident in their ability to create and implement realistic, everyday trans inclusive practices. Alongside this, we aim to encourage trans people themselves to take up, or return to, physical activity and sport and all the benefits that can bring. If you are trans/non-binary and aged 16 or over, we would love to hear about your experiences and opinions about sport and physical activity! We have a survey open until May 31st 2019, so please do follow the link and let us hear you: http://genderedintelligence.co.uk/project/trans-inclusion-in-sport Unfortunately we won’t have a conference in 2019, but keep an ear open for the 2020 conference! Gendered Intelligence is a charity that works to increase understandings of gender diversity and improve the lives of trans people. Our goal is of a world where people are no longer constrained by narrow perceptions and expectations of gender, and where diverse gender expressions are visible and valued. To support Gendered Intelligence, or to find out more about our youth work, volunteer scheme, educational and professional services, visit genderedintelligence.co.uk or follow us on Twitter @genderintell Our speakers this episode (in order of appearance) are: Simon Croft, Director of Professional and Educational Services at Gendered Intelligence (he/him) [2:13-4:46] Jamie Hooper, Senior Equality & Diversity Manager at Sport England (he/him) [8:30-10:20] Emma Frankland, Artist, Performance Maker and Roller Derby player (she/her) [14:05-18:35] Francis Ray White, Senior Lecturer in Sociology at the University of Westminster (they/them) [22:57-28:58] Dr Ruth Pearce, University of Leeds (she/her) [22:57-28:58] Michelle Brewer, Barrister (she/her) [33:30-35:16] Chryssy Hunter, Bent Bars Collective member, Gendered Intelligence board member, TAGS board member, Opening Doors volunteer coordinator (she/her) [40:14-44:59] Nim Ralph, Community activist & freelance writer, trainer, facilitator (they/them) [51:12-53:24] Charlie Craggs, Activist, author, and founder of Nail Transphobia (she/her) [56:52-58:52] _____________________________ Music is provided by WHATSGOOD. theartistunion.com/whatsgoodtho

- It's a packed show with the full run down on all things Trans Pride Brighton with Michelle Steele and Vern Collins from the TPB Committee, plus the Marlborough’s Abby Butcher and Assistant Producer Lee Smith have all you need to know about the Trans Pride Art Season - We hear from Zainab Juma, the creative force behind Penguin Pride - And the artist Emma Frankland and Brighton Rockerbillies captain Alex Thomas on the why and how they’re calling out the Argus on transphobic reporting with #changetogether

Anne McElvoy enlists the help of Diversify author June Sarpong, doctor and medical historian Gavin Francis, performer and transgender activist Emma Frankland and philosopher Julian Baggini to tackle contemporary ideas about the ever changing notions of the self. Recorded with an audience at Sage Gateshead. June Sarpong is the author of Diversify, a celebration of those who are often marginalised in our society including women, those living with disabilities, and the LGBTQ community. A successful TV presenter and an ambassador for the Prince's Trust, June is also the co-founder of the Women: Inspiration and Enterprise Network. Emma Frankland is an international performance and theatre artist. She is the director of None of Us is Yet a Robot, a contemporary performance company that creates work based on 'transgender identities & the politics of transition'.Gavin Francis is a GP, explorer and author whose Adventures in Being Human considered the landscapes, history and myths of the body. His new book, Shapeshifters: On Medicine & Human Change examines the impact of constant change on our minds and bodies. Julian Baggini is a philosopher. His books include his latest A Short History of Truth: Consolations for a Post-Truth World, plus The Edge of Reason: A Rational Skeptic in an Irrational World and Freedom Regained: The Possibility of Free Will.Recorded with an audience at Sage Gateshead as part of BBC Radio 3's Free Thinking Festival.Producer: Fiona McLean

Welcome to Night Vale's 100th Episode. A toast! The voices featured this episode are: Cecil Baldwin, James Urbaniak, Mara Wilson, Annie Savage, Mark Gagliardi, Emma Frankland, Meg Bashwiner, Jackson Publick, Kate Jones, Maureen Johnson, Erica Livingston, Christopher Loar, Kevin R. Free, Lauren Sharpe, Felicia Day, Marc Evan Jackson, Molly Quinn, Fred (the OS computer voice), Wil Wheaton, Symphony Sanders, Aliee Chan, Jasika Nicole, Desiree Burch, Retta, Hal Lublin, Dylan Marron, Jeffrey Cranor, and Flor De Liz Perez. Weather: "Second Song" by Joseph Fink. josephfink.bandcamp.com Music: Disparition, disparition.info. Logo: Rob Wilson, robwilsonwork.com. Produced by Night Vale Presents. Written by Joseph Fink & Jeffrey Cranor. Narrated by Cecil Baldwin. More Info: welcometonightvale.com, and follow @NightValeRadio on Twitter or Facebook. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Night Vale's 100th Episode. A toast! The voices featured this episode are: Cecil Baldwin, James Urbaniak, Mara Wilson, Annie Savage, Mark Gagliardi, Emma Frankland, Meg Bashwiner, Jackson Publick, Kate Jones, Maureen Johnson, Erica Livingston, Christopher Loar, Kevin R. Free, Lauren Sharpe, Felicia Day, Marc Evan Jackson, Molly Quinn, Fred (the OS computer voice), Wil Wheaton, Symphony Sanders, Aliee Chan, Jasika Nicole, Desiree Burch, Retta, Hal Lublin, Dylan Marron, Jeffrey Cranor, and Flor De Liz Perez. Weather: "Second Song" by Joseph Fink. josephfink.bandcamp.com Music: Disparition, disparition.info. Logo: Rob Wilson, robwilsonwork.com. Produced by Night Vale Presents. Written by Joseph Fink & Jeffrey Cranor. Narrated by Cecil Baldwin. More Info: welcometonightvale.com, and follow @NightValeRadio on Twitter or Facebook.

Emma and Selina talk about making autobiographical performance and not being consumed by an audience. About self care being about prevention rather than cure. and about the intersections of trans issues and race issues and the places where they don't intersect. You can find an extended version of the podcast and some more information about Emma Frankland and None of Us is Yet a Robot here http://notyetarobot.podbean.com

This episode is a conversation about vulnerability in live performance. About how artists can present traumatic material whilst looking after ourselves. About not being consumed by an audience.  And it is full of love. This episode was commissioned by Bristol Mayfest Radio (the official radio station for the Mayfest Theatre Festival) and Emma is speaking to Selina Thompson, an artist and performer whose production ‘Salt’ is one of the highlights of the festival. We talk about making autobiographical performance and placing yourself between an audience and the Sun.  About self care being a prevention rather than a cure and about the places where trans issues and race issues intersect and the places where they don’t. Selina Thompson is an artist and performer based in Leeds. Her work is playful, participatory and intimate, focused on the politics of identity, and how this defines our bodies, lives and environments. She has made work for pubs, cafes, hairdressers, toilets, and sometimes even galleries and theatres, including Spill Festival of Performance, The National Theatre Studio, The Birmingham REP, East Street Arts and the West Yorkshire Playhouse. Emma Frankland is an award winning theatre maker and performer.  Recently she has been creating performance work based on transgender identities & the politics of transition through her None of Us is Yet a Robot project. Throughout her work, there is a shared theatrical language that focuses on honesty, action & a playfully destructive DIY aesthetic. You can keep up to date with Emma's movements through the None of Us is Yet a Robot project at www.notyetarobot.co.uk or @elbfrankland on twitter and with Selina at http://selinathompson.co.uk and on twitter @selinanthompson Opening music was by Visitors and closing music (as ever) by Señor Coconut y Su Conjuto. Some things we mentioned in the conversation were: Salt: http://totaltheatre.org.uk/ship-shape-and-bristol-fashion-the-story-of-salt/ Rituals For Change:http://notyetarobot.co.uk/portfolio-item/rituals-for-change/ Mayfest: http://mayfestbristol.co.uk The Cop in the Head: Augusto Boal: https://en.wikipedia.org/wiki/Augusto_Boal Forest Fringe: http://www.forestfringe.co.uk Buzzcut Festival: https://glasgowbuzzcut.wordpress.com Caravan Showcase: http://caravanshowcase.org.uk Sue MacLaine - Can I Start Again Please?: http://www.suemaclaine.com/can-i-start-again-please/ Woodland Secrets: http://woodlandsecrets.co/episode/51 Trans Pride Brighton: http://transpridebrighton.tumblr.com Simon Bowes writing about Rituals for Change: http://simonbowes.tumblr.com/post/144555756602/0212-now16-week-1-emma-frankland-rituals-for

Things fall apart. Weather: "Palestine" by Sam Baker, featuring Carrie Elkin (sambakermusic.com) The voices of the automated phone tree were Erica Livingston & Christopher Loar. The voice of Carlos was Dylan Marron. The voice of Sheriff Sam was Emma Frankland. The voice of Michelle Nguyen was Kate Jones. The voice of Intern Maureen was Maureen Johnson. Music: Disparition, disparition.info. Logo: Rob Wilson, robwilsonwork.com. Produced by Night Vale Presents. Written by Joseph Fink & Jeffrey Cranor. Narrated by Cecil Baldwin. More Info: welcometonightvale.com, and follow @NightValeRadio on Twitter or Facebook.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Things fall apart. Weather: "Palestine" by Sam Baker, featuring Carrie Elkin (sambakermusic.com) The voices of the automated phone tree were Erica Livingston & Christopher Loar. The voice of Carlos was Dylan Marron. The voice of Sheriff Sam was Emma Frankland. The voice of Michelle Nguyen was Kate Jones. The voice of Intern Maureen was Maureen Johnson. Music: Disparition, disparition.info. Logo: Rob Wilson, robwilsonwork.com. Produced by Night Vale Presents. Written by Joseph Fink & Jeffrey Cranor. Narrated by Cecil Baldwin. More Info: welcometonightvale.com, and follow @NightValeRadio on Twitter or Facebook.