Podcasts about elizabethan england

Vanessa Zoltan and podcaster/author Dana Schwartz meet-up in Elizabethan England to record this week's episode of Hot and Bothered, all about Shakespeare in Love.This week we discuss this movie's fuckboi interpretation of William Shakespeare, the collaborative craft of writing, and the Oscar campaign surrounding this film. We finish the episode by calling Dr. Roberta Barker to understand more about the playwright Tom Stoppard. Dana Schwartz has a new novel out next week, The Arcane Arts by S.D. Coverly. Pre-order now!---Hot and Bothered is a Not Sorry ProductionFind us at our website | Follow us on InstagramIf we give you butterflies, consider supporting us on Patreon! On Patreon we have more great romance content including a bonus close scene analysis with Dana and Vanessa. Hosted on Acast. See acast.com/privacy for more information.

We continue our study of Elizabethan England, which is often mistakenly treated as an origin point of bourgeois revolutionary culture but which I hope to show is actually an endpoint for the subjectivity of the “Sons of the Silk Road” of Arabic literature, whose literary, religious, cryptographic, and financial antics in the bazaars and marketplaces of West Eurasia, Africa, and the European Ummah, inspired imitators among the crusaders and (re)conquistadors of Spain and Italy and, through them, a strange little island nation called England. This time we savor the acerbic wit of Thomas Nashe, poet of the continental wanderers known as intelligencers and used to great effect by Elizabeth's spymaster Francis Walsingham. In his iconic depiction of the intelligencer in his picaresque novel The Unfortunate Traveller, we recognise extensive overlap with the fellowship of the Sons of the Silk Road as depicted by the 10th-c travelling Arab poet Abū Dulaf al-Khazrajī in his Qaṣīda sāsāniyya. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of The Learning Curve, co-hosts Prof. Albert Cheng of the University of Arkansas and Center for Strong Public Schools' Alisha Searcy speak with Stephen Greenblatt, Cogan University Professor of the Humanities at Harvard University and one of the world's foremost scholars of Renaissance literature. Greenblatt discusses his acclaimed book, Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival, and explores the remarkable life, work, and legacy of Christopher Marlowe. He explains how Marlowe, the son of a cobbler from Canterbury, rose through England's demanding classical education system to become one of the boldest playwrights of the Elizabethan era. Prof. Greenblatt examines the political and cultural climate of Elizabethan England, shaped by censorship, religious conflict, and surveillance, and how those pressures influenced Marlowe's daring artistic voice. Greenblatt also unpacks enduring mysteries surrounding Marlowe's life, including theories that he served as a secret agent for Sir Francis Walsingham, Queen Elizabeth I's spymaster. He also discusses Marlowe's landmark plays Tamburlaine and Doctor Faustus, his celebrated poetry, and the dramatic innovations that transformed English theater. Additionally, he also reflects on Marlowe's rivalry with Shakespeare, mysterious death, and enduring influence on literature today. In closing, Prof. Greenblatt reads a passage from his book, Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival.

Huguenot Networks: Truth and Secrecy in Sixteenth-Century Europe (Cambridge UP, 2025), Penny Robert's latest book, takes us into the world of secret intelligence gathering during the French Wars of Religion. Robert's discovery of the interrogation record of a Huguenot merchant, Jean Tivinat, arrested in May 1570 for attempting to secretly carry letters to England, unspools into a broader story about the intersections between confessional affiliations, international affairs, knowledge, trust, and networking in a tumultuous time. As she argues, clandestine communication was crucial to maintaining ties amongst a widely dispersed and threatened religious community. Huguenot Networks is a lively read and sure to appeal to anyone interested in the history of espionage, Huguenots, international affairs in Elizabethan England, or the French Wars of Religion. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Huguenot Networks: Truth and Secrecy in Sixteenth-Century Europe (Cambridge UP, 2025), Penny Robert's latest book, takes us into the world of secret intelligence gathering during the French Wars of Religion. Robert's discovery of the interrogation record of a Huguenot merchant, Jean Tivinat, arrested in May 1570 for attempting to secretly carry letters to England, unspools into a broader story about the intersections between confessional affiliations, international affairs, knowledge, trust, and networking in a tumultuous time. As she argues, clandestine communication was crucial to maintaining ties amongst a widely dispersed and threatened religious community. Huguenot Networks is a lively read and sure to appeal to anyone interested in the history of espionage, Huguenots, international affairs in Elizabethan England, or the French Wars of Religion. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Huguenot Networks: Truth and Secrecy in Sixteenth-Century Europe (Cambridge UP, 2025), Penny Robert's latest book, takes us into the world of secret intelligence gathering during the French Wars of Religion. Robert's discovery of the interrogation record of a Huguenot merchant, Jean Tivinat, arrested in May 1570 for attempting to secretly carry letters to England, unspools into a broader story about the intersections between confessional affiliations, international affairs, knowledge, trust, and networking in a tumultuous time. As she argues, clandestine communication was crucial to maintaining ties amongst a widely dispersed and threatened religious community. Huguenot Networks is a lively read and sure to appeal to anyone interested in the history of espionage, Huguenots, international affairs in Elizabethan England, or the French Wars of Religion. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Huguenot Networks: Truth and Secrecy in Sixteenth-Century Europe (Cambridge UP, 2025), Penny Robert's latest book, takes us into the world of secret intelligence gathering during the French Wars of Religion. Robert's discovery of the interrogation record of a Huguenot merchant, Jean Tivinat, arrested in May 1570 for attempting to secretly carry letters to England, unspools into a broader story about the intersections between confessional affiliations, international affairs, knowledge, trust, and networking in a tumultuous time. As she argues, clandestine communication was crucial to maintaining ties amongst a widely dispersed and threatened religious community. Huguenot Networks is a lively read and sure to appeal to anyone interested in the history of espionage, Huguenots, international affairs in Elizabethan England, or the French Wars of Religion. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Huguenot Networks: Truth and Secrecy in Sixteenth-Century Europe (Cambridge UP, 2025), Penny Robert's latest book, takes us into the world of secret intelligence gathering during the French Wars of Religion. Robert's discovery of the interrogation record of a Huguenot merchant, Jean Tivinat, arrested in May 1570 for attempting to secretly carry letters to England, unspools into a broader story about the intersections between confessional affiliations, international affairs, knowledge, trust, and networking in a tumultuous time. As she argues, clandestine communication was crucial to maintaining ties amongst a widely dispersed and threatened religious community. Huguenot Networks is a lively read and sure to appeal to anyone interested in the history of espionage, Huguenots, international affairs in Elizabethan England, or the French Wars of Religion. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Huguenot Networks: Truth and Secrecy in Sixteenth-Century Europe (Cambridge UP, 2025), Penny Robert's latest book, takes us into the world of secret intelligence gathering during the French Wars of Religion. Robert's discovery of the interrogation record of a Huguenot merchant, Jean Tivinat, arrested in May 1570 for attempting to secretly carry letters to England, unspools into a broader story about the intersections between confessional affiliations, international affairs, knowledge, trust, and networking in a tumultuous time. As she argues, clandestine communication was crucial to maintaining ties amongst a widely dispersed and threatened religious community. Huguenot Networks is a lively read and sure to appeal to anyone interested in the history of espionage, Huguenots, international affairs in Elizabethan England, or the French Wars of Religion. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women's intellectual history in early modern Europe.

Huguenot Networks: Truth and Secrecy in Sixteenth-Century Europe (Cambridge UP, 2025), Penny Robert's latest book, takes us into the world of secret intelligence gathering during the French Wars of Religion. Robert's discovery of the interrogation record of a Huguenot merchant, Jean Tivinat, arrested in May 1570 for attempting to secretly carry letters to England, unspools into a broader story about the intersections between confessional affiliations, international affairs, knowledge, trust, and networking in a tumultuous time. As she argues, clandestine communication was crucial to maintaining ties amongst a widely dispersed and threatened religious community. Huguenot Networks is a lively read and sure to appeal to anyone interested in the history of espionage, Huguenots, international affairs in Elizabethan England, or the French Wars of Religion. Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women's intellectual history in early modern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

This is the second of a series of posts about the literary alchemy of J. K. Rowling, a discussion jumpstarted by a post by ‘Iris' at a Strike fan website, an article that championed a Jungian perspective on this subject. The first post in this series, Literary Alchemy – A Primer for Those Interested in J. K. Rowling's Artistry, both explained what the ‘Iris' post asserted and reviewed much of the critical literature that the brevity of the S&E Files article prevented her from discussing. See that post for links to this material. The conversation between Nick Jeffery and John Granger above was recorded in the same spirit as the first post was written, namely, simultaneously a welcome to Strike fans and Rowling readers who have learned about literary alchemy only recently and an introduction to the work of the last twenty five years on this subject. Upcoming posts in the series will include a counter-point discussion in the debate Rowling is fostering about whether a psychological or spiritual perspective is better for understanding art and life and a review of the alchemical signatures that crowd Rowling-Galbraith's Hallmarked Man.This post is largely links to sources for points Nick and John discuss in their naturally enthusiastic and contrarian conversation, question by question. Enjoy!1. Welcome to the Conversation! (Nick) I just sent out an article about literary alchemy, John, in response to an article written by ‘Iris' and posted on the Strike-Ellacott Files website, a piece titled ‘What is Literary Alchemy? Spotting symbols that map Strike and Robin's growth.' What advice or guidance would you give to, say, Cormoran Strike readers who are brand new to the subject? * There are three types of alchemy and it is important to understand the common ground they share and the differences between them;* The first type is alchemy proper, which is to say ‘metallurgical alchemy,' the sacred science of purifying metals and the adept's soul via the creation of a Philosopher's Stone that will transform lead to gold and exude an elixir of life, the drinking of which will bestow immortality;* The second and third types of alchemy derive from interpretations of metallurgical alchemy's aims and the symbolic texts detailing the work in the hermetic laboratory;* Literary alchemy is the use of metallurgical alchemy's language, colors, sequences, and symbols in plays, poetry, and story to foster an edifying and transformative experience in the artist's theater or reading audience;* Psychological alchemy is Carl Jung's use of metallurgical alchemy's texts during and after WWII to illustrate his ideas of the integration of the conscious and unconscious aspects of the human mind;* Metallurgical alchemy was practiced in China, the Levant, India, and Europe within the revealed religious traditions of Hinduism, Buddhism, Judaism, Islam, and Christianity until its degeneration in the late Medieval period and eventual evolution into the strictly materialist chemistry we know today;* Literary alchemy has been a continuous stream in literature from Dante, Chaucer, Shakespeare, and the Metaphysical poets through to Dickens, Yeats, the Inklings, Joyce, Nabokov, and J. K. Rowling;* The academic study of “alchemy in literature” was the province of Baconian and allegorical readings of Shakespeare (cf., Beryl Pogson, Peter Dawkins, Martin Lings) until the late 20th Century and the advent of academic specialists in ‘Hermetic Studies,' e.g., Stanton Linden, Lyndy Abraham, and Charles Nicholl (cf., Cauda Pavonis: A Journal of Hermetic Studies, 1982-2000).* Jung and his followers used their psychological interpretations of metallurgical alchemy as allegories of the soul to interpret mythology (cf., Erich Neumann, Marie-Louise Von Franz, Robert Johnson);* Jungian analysis of story using Jung's ideas of subconscious archetypes within a collective unconscious was popularized by Joseph Campbell in his guides to Joyce's Ulysses and his more well known works on mythology (e.g., The Hero With a Thousand Faces);* ‘Isis' in her S&E Files article, ‘What is Literary Alchemy?,' suggests that Rowling-Galbraith is writing an allegory of soul transformation in the Cormoran Strike series using metallurgical alchemy's symbols and sequences as understood by Carl Jung and his disciples rather than as used by English writers since the 13th Century;* It's a challenging theory, the depth of which is hard to grasp without an appreciation of the types of alchemy, what they have in common, and their differences in approach and subject matter.2. The Lake: (John) What I found most fascinating in your post, Nick, was your best guesses about where Rowling would have learned about literary alchemy. She claimed in 1998 that she'd read a lot of alchemical texts from which she set the “magical parameters” of the Hogwarts Saga; if you had only three chances to name one of those books, what would you choose? * Charles Nicholl's The Chemical Theatre;* Titus Burckhardt's Alchemy: Science of the Cosmos, Science of the Soul (or Mirror of the Intellect: Essays on Traditional Acience and Sacred Art);* Lyndy Abraham Summerhaze's Marvell and Alchemy or her Dictionary of Alchemical Imagery;* Martin Lings' The Secret of Shakespeare3. Carl Jung, Alchemy: (Nick) I see you're chafing at the bit, John, with book titles I haven't mentioned so let me name-drop the author not on my list because, as you pointed out, he wasn't really a literary alchemist so much as a psychologist who discussed alchemy as a means of illustrating his own ideas about the ‘Great Work.' You've written, though, that literary alchemy as with metallurgical alchemy is a subset of soul-allegories or Psychomachia. Don't Jung's ideas jibe with that? * Yes and no!* Jung's ideas of the soul and archetypes (or archetypal forms) are based on late 19th Century Volkischer German ideas, which is to say, modern and materialist (some say ‘vitalist') premises. His hostility to Christianity and Judaism was grounded in his acceptance of Darwinian evolution and derived philosophically from Nietzsche (see Richard Noll's The Jung Cult and The Aryan Christ).* He conflates the spiritual with the psychological, consequently, and embraces integrated individual psychological health as the telos of human existence, none of which is consistent with traditional metallurgical or literary alchemy (see Titus Burckhardt's Mirror of the Intellect, Philip Sherrard's ‘An Introduction to the Religious Thought of C. G. Jung,' and Harry Oldmeadow's ‘C.G. Jung & Mircea Eliade: ‘Priests without Surplices'? Reflections on the Place of Myth, Religion and Science in Their Work.'* Psychological alchemy, insomuch as it is ‘Jungian,' is well removed from the other two types of alchemy. Which is not to say that Rowling is not a Jungian and hence a Jungian psychological alchemist.4. Back into the Lake: (John) You covered in your article, though, Nick, the several reasons to think it possible, even probable that the evidence from Rowling's life suggests she is using Jungian ideas in her literary alchemy. Iris over at S&E Files obviously thinks that is the case. What are the for and against ideas with respect to Rowling being a Jungian? There's Plenty of Evidence That Rowling IS a Jungian Writer:John Granger's discussion in Troubled Blood: A Jungian Reading* Robin's name-dropping Jung in conversation about astrology;* The Jungian notes sounded throughout Strike 5: Archetypes, Synchronicity, Persona;* The connection between Jung's illustrated ‘New Book' and Talbot's ‘True Book;' and* Pointers to Cupid-Psyche myth as understood by Jungians (see below)The Advent of Prudence Dunleavy, Jungian Psychologist, in Ink Black Heart* Hard to imagine a more sympathetic portrait of a Jungian than half-sister Prudence!* She clearly was the genius behind the Rokeby reconciliation in Hallmarked ManThe Cupid and Psyche myth underpinning the Strike series* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus (note the discussion here of the Jungian understanding of this specific myth)* Ink Black Heart: Strike as Zeus to Robin's Leda and as Cupid to Mads' Psyche* ‘Rowling Points to Myth of Cupid and Psyche in order to Console Strike Fans Disappointed with Hallmarked Man‘* The Hallmarked Man‘s Mythological Template (Nick Jeffery, John Granger)Anything Else? Oh, yeah —* Rowling studied mythology in her ‘Classical Studies' program at UExeter and almost certainly encountered Jungian interpretation of myths there (e.g. the work of Neumann, Johnson, Campbell).* Rowling told Val McDermid if she had not become a successful writer she would have sought training and certification as a psychologist. * Her work reflects a broad reading in psychology (cf., Louise Freeman Davis' ‘J. K. Rowling and the Phantoms in the Brain,' ‘Cormoran Strike and the Itch that Cannot Be Scratched') and it is likely that she has read her fair share of Jung and Jungian authors during her studies.* Rowling benefited from psychological therapy and exercises herself when suffering from depression, the experience of and recovery from which she depicted in story via the Azkaban Dementors and Robin Ellacott's treatment for PTSD in Lethal White.And There is Plenty of Evidence That Rowling Is NOT a Jungian Writer:* Rowling has never been asked or revealed how she learned about literary alchemy; this includes, of course, any reference to Carl Jung, whose work was not focused on literary alchemy per se but a psychological interpretation or explanation of metallurgical alchemy's symbolism.* All that Rowling has revealed about her experiences as a patient seeking help with depression are about Cognitive Behavior Therapy (CBT), which treatment modality owes nothing to Jung or to Jung's students.* It is possible that Rowling encountered esoteric metallurgical alchemy, the precursor to literary alchemy, in her study of astrology, the complementary traditional sacred science to alchemy, a skill-set with which we know she was accomplished. That route to alchemy would have led her to Perennialist interpretations of alchemy, most notably Titus Burckhardt‘s Alchemy, Science of the Cosmos, Science of the Soul; the paperback cover of the Penguin Metaphysical Library edition of that book (1974) features an androgynous giant named REBIS standing on a dragon and a winged golden sphere (i.e., Rubeus, Norbert, Snitch).* As mentioned above, it is more likely that she encountered literary alchemy in her study of Shakespeare. The year she was studying for her A Levels, she traveled to see a production of King Lear which has prompted the idea that it was on her list of texts to prepare for her tests. The most challenging interpretation of Lear then in print was Charles Nicholl's The Chemical Theatre (1980), a book that explains almost every scene in perhaps Shakespeare's greatest tragedy as a parallel step in the Great Work of alchemy. If the budding astrologer was fascinated by this allegorical interpretation of the Bard, the most popular work in print at that time that championed reading Shakespeare as the author of soul allegories was Perennialist Martin Lings‘ The Secret of Shakespeare (1984).* Literary Alchemy is a tool set employed not only by Shakespeare but by a host of Rowling favorite authors to include Dickens, Nabokov, Lewis, and Tolkien. This view of alchemy, that is, as an allegorical depiction of the soul's transformation that affects that same cathartic experience in its theater or reading audiences, is the one found in Rowling's work, which is well removed from psychological alchemy, an analytic art which, though it springs from metallurgical alchemical texts, does not aim at the transformation at work in the sacred art or the science of traditional alchemy. * Rowling's use of chiastic structures and psychomachian allegory, tools that complement literary alchemy in spiritual perspective and aim, make a Jungian rather than a literary and Perennialist view of alchemy seem unlikely.* Alchemy: Jung, Burckhardt, or Maclean? John Granger, April 2007* Rowling's Soul Triptych Psychomachia: Is It From Shakespeare's ‘Macbeth'? John Granger, September 20245. The Debate at King's Cross: (Nick) So, John, you've mentioned Jung quite a few times in your posts about the Mythological framework of the Strike series and even written about the Jungian ideas of animus and anima with respect to Cormoran and Robin's relationship. You seem fairly confident, though, that Rowling is writing from the traditional esoteric ideas of alchemy a la Shakespeare rather than Jung's. Why is that? * Everything you just said!* As noted, Jung's ideas are modern and psychological while the stream of literary alchemy in English Literature is almost exclusively more Medieval and pointedly spiritual;* The Most Notable Exception: Angela Carter's The Passion of the New Eve (1977), that reads like a Jungian ‘Red Book' slide-show (think Bombyx Mori) or a transgender Odyssey written for feminists. Rowling has never mentioned her to my knowledge but it would be surprising if she hadn't read this book more than once. What Alana Bolton Cooke wrote about Carter's Passion could be said about Rowling's literary alchemy if she is a Jungian writer (or about Galbraith's fictional Elizabeth Tassel?):Angela Carter in The Passion of New Eve (1977) uses the exoteric phases of alchemy and Carl G. Jung's theory of esoteric alchemy as a means of demonstrating allegorically the idea ofrebirth and renewal. The purpose of this allegorical method is to produce an 'alchemical' change of thought in the reader about sexuality and gender associated with women's repression and liberation. In the novel Carter develops themes and ideas explored in her essay, The Sadeian Woman: An Exercise in Cultural History (1979), an analysis of the Marquis de Sade's pornography and its affect on the roles of men and women in society. The clash of opposites involved in combining alchemical symbolism, feminism and pornography within the fiction can be seen as representative of the state of chaos present in alchemy before the beginning of change. The circular narrative and alchemical structure of the fiction creates a literary version of the alchemical process as it brings together opposites involved in chaos, represented by events and characterisation that the protagonist, Evelyn/Eve, experiences, until, in the manner of alchemy, harmony is reached. The harmony created represents women's empowerment. Carter uses Evelyn's individuation process to encourage growth within the reader by altering patterns of thought to bring about change through self-confrontation and self-knowledge. The structure of Carter's fiction, thus, corresponds to the process of esoteric alchemy contained within the structure, imagery and symbolism of exoteric alchemy. The fiction is designed to stimulate the unconscious of the reader and make conscious hitherto unknown and repressed thoughts about gender and sexuality to bring about change in the lives of men and women.* I think what Rowling said she was trying to do with Harry Potter's meeting with Dumbledore at the dream-like King's Cross strongly suggests she is aware of the two approaches and wants readers to discuss them – but that she has made her own choice, however conflicted she may be.* In her 2008 interview with Adeel Amini, Rowling said that her hope for Harry's post-mortem conversation with Dumbledore at King's Cross was to stimulate “a debate” among readers about whether it was a psychological moment, that is, a fantasy in which Harry understands what he's been missing all along, or a spiritual event in which he is actually speaking with the late Headmaster:Enough Potter-plot, I think. Moving on to a slightly more contentious issue, Rowling has categorically said that she does believe in a higher power, a statement reinforced by her childhood church-going (“Till I was 17,” she clarifies). It must be difficult to reconcile her religious beliefs with those that denounce Harry Potter as anti-Christian, I wonder aloud. Rowling's expression does not change a fraction. “There was a Christian commentator who said, which I thought was very interesting, that Harry Potter had been the Christian church's biggest missed opportunity. And I thought, there's someone who actually has their eyes open.“I think he said it before the publication of the seventh book, and with the publication of the seventh book I think that clarified a lot of people's view on where I was standing. But I should emphasise that I am not pushing a specifically Christian agenda, and indeed till the very last moment in book seven, one can interpret what happens to Harry after he presents himself with death as him going into an unconscious state in which his subconscious reveals to him what he already knew.” I hum in faux-comprehension of what she's referring to; luckily my clued-in companion is nodding wildly. Proceed. “Any re-reading of Chapter 35 will show you that there's nothing that the Dumbledore he sees tells him that he couldn't have guessed for himself or already realised, and of course there's a key piece of information that Dumbledore doesn't articulate that Harry has realised. So you can deliberately interpret it that way, or you can say that he did go into a state of limbo beyond which there was another life, and that idea was expressed repeatedly, and most explicitly at the end of book five, Order of the Phoenix, where Harry understands that there is an ‘on', that you do go on. “I wanted there to be a debate there, so of my three main characters - when they come into the room which examines death at the Ministry of Magic - Hermione, the ultimate sceptic and a hyperrational person, hears nothing behind the veil and is scared of it. Ron is just uneasy; Ron is someone who does not grapple with anything deeper than beer, if he can avoid it. Harry's drawn to it, and therein lies Harry's slightly reckless, almost morbid streak, because Harry does have a hint of that dangerous adolescent trait which is the attraction to death.” Heavy. Obviously with this ambiguity, you do get a fair degree of misinterpretation as well; there is a certain section that does dislike Harry Potter intensely. “Oh, vehemently,” says Rowling, before muttering under her breath “…and they send death threats.”* I think that “debate” she's trying to foster is between the psychological, call it ‘Jungian' “just inside your head” subconscious perspective, and the authentically spiritual view of her work (well, of art and human existence, too, of course). And that this debate is one she has had for most of her life. Check out her comments about the “greatest missed opportunity” and explain to me how that doesn't line up with her preferring the spiritual, albeit “not explicitly Christian,” to the psychological and humanist. 7. Jungian Readings of Rowling's Work: (Nick) John, you're familiar with what has been written by Potter Pundits because of your PhD critical literature surveys; what are the better ones about Rowling and Jungian psychology and what do they emphasize? Here are seven off the top of my head (and Thesis ‘Works Cited' drafts):* Grynbaum, G.A. (2000). The Secrets of Harry Potter. The San Francisco Jung Institute Library Journal: Reviews From a Jungian Perspective of Books, Films and Culture, [online] 19 (4) pp. 17-48* Patrick, Christopher and Sarah (2007), ‘Exploring the Dark Side: Harry Potter and the Psychology of Evil,' in Mulholland (ed.), The Psychology of Harry Potter, BenBella Books, pp 221-232* Gerhold, C. (2011). The Hero's Journey Through Adolescence: A Jungian Archetypal Analysis of “Harry Potter.” PsyD. The Chicago School of Professional Psychology. * Rectenwald, Bob (2019). ‘Carl Jung's Impact on the Work of J. K. Rowling' * Skipper, Alicia and Kate Fulton (2021) ‘Out from the Shadows into the Light: Persona and Shadow in Harry Potter‘ in Anne Mamary (ed.) The Alchemical Harry Potter: Essays on Transfiguration in J. K. Rowling's Novels, McFarland, Jefferson, NC, 2021, pp 79-96* The Unfolding Journey, Jung's Shadow Self in Harry Potter: Confronting the Darkness Within (YouTube video)* My own Troubled Blood: A Jungian ReadingBob Rectenwald's piece is the best of the six I didn't write but it shares the several faults all the Jungian pieces make:* the first failing of even the best Jungian readers is the assumption that Rowling is a Jungian, which is an open question;* the next is that Jung's ideas (and Joseph Campbell's) are indisputably true; and* the last is, when alchemy is mentioned, the critics do not clarify either the commonalities of or the differences between literary alchemy, psychological alchemy, and Jungian analytic psychology. * Note, though, that Rowling, while aware of such Jungian tropes as the Hero's Journey, tweeks it shamelessly, adding a symbol of Christ and resurrection scene in every Potter story (cf., How Harry Cast His Spell, ‘The Harry's Journey,' pp 21-28).* Read her brief PotterMore piece on alchemy and note that it is written in such a way that it can be read as confirmation of either a psychological or spiritual perspective on alchemy and art:One interpretation of the ‘instructions' left by the alchemists is that they are symbolic of a spiritual journey, leading the alchemist from ignorance (base metal) to enlightenment (gold). There seems to have been a mystical element to the work the alchemist was engaged upon, which set it apart from chemistry (of which it was undoubtedly both an offshoot and forerunner).This “original writing” by Rowling, especially the words “spiritual” and “mystical,” suggests that she is a Perennialist rather than a Jungian, at least with respect to her understanding of alchemy. But the debate is still possible with Jungians who read those words as cyphers for the subsconscious contact they hold we have with archetypes.8. Back to the Alchemy: (John) I think the real question of whether Rowling's literary alchemy is predominantly literary and spiritual or psychological in orientation comes down to the postmodern confusion about the immaterial aspects of the human person, which is to say, the soul (or mind, psyche) and the spirit. Rowling's recent work may seem prosaic or secular to a casual reader who compares it to the relatively otherworldly and “obviously” symbolic Potter books, but she loads each Strike book with Shakespearean romance of soul and spirit, i.e., alchemical dramas, and hermetic tropes. I'm writing a piece now about the lions, dogs, incest, and the red man and white woman in Hallmarked Man, each of which are touchstones of alchemy. I think, though, that your work with Rowling's favorite books and her epigraph sources, Nick, point to a strong spiritual rather than psychological foundation in Rowling's work —* Louisa May Alcott, Little Women* Dodie Smith, I Capture the Castle* The Victorian Women Poets in Running Grave* Elizabeth Barrett Browning, Aurora Leigh* Robert Browning, The Ring and the Book* The Jungian love of the I Ching, Running Grave's epigraph source9. Jung in Running Grave: (Nick) Rowling's favorite writers, from Shakespeare and Nabokov to C. S. Lewis and Victorian Women poets, all clearly believe in a world-transcending spiritual realm. Given the quantity of the Jungian scholarship in Rowling Studies that Iris referred to and you've mentioned, it's curious -- if Rowling is aware of it and is resistant to it -- that she doesn't push back against it explicitly in her work. Can you think of a character that seems something like Jung in the books, someone as bad as Prudence Dunleavey is good? I can think of three:* United Humanitarian Church's guru Jonathan Wace in Running Grave: his “psychologizing of religion,” the comparative religion avenue to denial of any true faith, the psychological critical analysis of a patient using mythological tropes (”Artemis”), the cult leader, and the abuser of women and children -- he's a ringer for Jung! * Paul Satchwell, one-eyed serpent with a one-track mind, in Leamington Spa, a true Jungian artist working psycho-sexual motifs graphically on canvas:Naked figures twisted and cavorted in scenes from Greek mythology. Persephone struggled in the arms of Hades as he carried her down into the underworld; Andromeda strained against chains binding her to rock as a dragonish creature rose from the waves to devour her; Leda lay supine in bulrushes as Zeus, in the form of a swan, impregnated her.Two lines of Joni Mitchell floated back to Robin as she looked at the paintings: “When I first saw your gallery, I liked the ones of ladies…”Except that Robin wasn't sure she liked the paintings. The female figures were all black-haired, olive-skinned, heavy-breasted and partially or entirely naked. The paintings were accomplished, but Robin found them slightly lascivious. Each of the women wore a similar expression of vacant abandon, and Satchwell seemed to have a definite preference for those myths that featured bondage, rape or abduction. (Troubled Blood, 542)* And then there are the Masons, kind of an old school Jungian cult in Hallmarked Man. Like the UHC and “harmless” fraternal and charitable group with Christian touches but which doesn't change a man or human nature per Hardacre (and which harbors the rich and powerful like Lord Branfoot). * Coupled with Prudence, the Front of Jungian Beliefs, we get the front and back of Jung in Rowling's work, a characteristic touch of Rowling nuance as she did with Islam in Hallmarked Man.10. Conclusion: (John) I'm obviously not a Jung fan and I don't think Rowling is writing Jungian psychomachia in alchemical symbols a la Angela Carter, but I see how people would come to a contrary conclusion; Rowling's ‘spiritual not religious' public statements and political positions with respect to Same Sex Attraction and abortion line up much more easily with New Age and Jungian types than with any kind of orthodox Christianity. The great thing about essays like Isis' at S&E Files is that it brings more people into the conversation of what literary alchemy is and the various approaches to it. You've been reading about literary alchemy for several years now, Nick; what do you think the person whose first encounter with the subject was the S&E Files article do to hone their alchemy detection skills? * “Read your books and online talks, John!”* How Metallurgical Alchemy Worked and How it Became Literary Alchemy (from Deathly Hallows Lectures, Chapter 1):Alchemy, in a nutshell, was the science for the perfection or sanctification of the alchemist's soul. This heroic venture I need to say straight off is all but impossible today because the way we look at reality, at ‘things' per se makes the Great Work itself almost an absurdity. Unlike the medieval alchemists, we moderns and postmoderns see things with a clear subject/object distinction, that is, we believe that you and I and that table are entirely different things and between them is there is no connection or relation. The knowing subject is one thing and the observed object is completely ‘other.'To the alchemist that is not the case. His efforts in changing lead to gold are based on the premise that he as the subject will go through the same types of changes and purifications as the materials he is working with. In sympathy with these metallurgical transitions and resolutions of contraries, his soul will be purified in correspondence as long as he is working in a prayerful state within the Mysteries (sacraments) of his revealed tradition.Now, historically there was an Arabic alchemy, a Chinese alchemy, a Kabbalistic, as well as a Christian alchemy; each differs superficially with respect to their spiritual traditions but in every one, the alchemist was working with a sacred natural science or physics to advance his spiritual purification. This was only possible because he looked at the metal he was working with as something with which he was not ‘other' but with which he was in relationship, artifex and artifact in sacred art imitating and accelerating the work of the Creator creating a bridge, so that, as lead changes to gold or material perfection, his soul was going through similar transformations and purifications.The common ground is the logos in every created thing, to include persons (cf. John 1:9), which are all continuous with the Logos fabric of reality. As much as the alchemist identifies with this metaphysical ground, purifying himself of the ‘old man' or ego-driven individual and identifying himself with the spiritual Heart or light within him, that light will become his dominant quality, hence his “illumination” or “enlightenment”. And lead or solid darkness turning into gold, hard light.How does this edifying magic become the scaffolding for Harry's adventures? Largely through the genius of William Shakespeare. Hermetic wisdom and alchemical efforts were such commonplaces in Elizabethan England that Shakespeare and his contemporaries recognized, I think. that the magic of staged drama is essentially alchemical. If we groundlings are all watching what's going on up on the stage and everything is working the way it's supposed to, the subject-object distinction dissolves inasmuch as we identify with the characters and their agonies through our logos-imaginations. As they go through their changes, like the metals in a crucible, we identify with them and pass through the same cathartic moment.As the great dramatists of that period realized, “if what we're doing is alchemical, why don't we use alchemical imagery and language, too?” And, voila, literary alchemy is born. This stream of English literature in which narrator or characters and the reader or audience in correspondence pass through the stages of the alchemical work, the black the white and the red (basically dissolution, purification, and then perfection) runs through the next five centuries of poetry, stage work, stories and novels. You may not have recognized it, but its a big part of things you have read.* Literary Alchemy: Sacred Science, Sacred Art, and ‘The Alembic of Story':A Perennialist Explanation of J. K. Rowling's Signature Hermetic Symbolism This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

We follow the adventures and the atrocities of the English “sea dogs,” from raiding ports in West Africa and Spanish mule trains in Central America to scrounging for gold in the Canadian tundra, as the Tudor regime exploited England's expertise in sailing and navigation to undermine the Spanish empire and try to turn the Atlantic into a massive free-trade zone. We uncover why Elizabethan England never created lasing colonies of their own, until the accession of the first Stuart king in 1603 led to a profound shift in policy, paving the way for the first English colonies beyond Ireland and the extension of the “British empire” to America. Patrons: comment on this post to let us know which country or state you are in: https://www.patreon.com/posts/tell-me-where-153392904 Please become a patron to hear all patron-only lectures: https://www.patreon.com/c/u5530632 My previous lecture on England in the Tudor Age: https://soundcloud.com/historiansplaining/age-of-absolutism-2-tudor-england-1485-1603 My interview with historian Melissa Morris on the early European colonies in Guiana, South America: https://soundcloud.com/historiansplaining/before-jamestown-when-england-colonized-the-amazon-a-conversation-with-melissa-morris Image: the “Armada Portrait” of Queen Elizbeth I, version probably commissioned by Francis Drake; notice English & Spanish ships seen over queen's shoulders, & queen's hand resting on North America on the globe, representing her purported claim to that land Suggested further reading: Armitage, “Ideological Origins of the British Empire”; Kupperman, “The Jamestown Project”

A Truant Dispostion: Hamlet and HoratioMarch 4, 2025 Is Horatio the villain?  A literary stand-in for the murderously opportunistic “friends” who stalked the halls of power in Elizabethan England?  Carol Grieb imagines a Hamlet in which Hamlet's so-called best friend is anything but. Click here to go to the book website. Click here to purchase the book.

This week we take a look into the ever-shifting world of dating etiquette: the 3-3-3 Rule, the dangers of becoming a "yap-trapper," and why the 1996 film Swingers is to blame for your relationship problems. Plus, a trip back to Elizabethan England to learn about the "armpit apple.”Also: subway baseball teens, the "mystique" of non-New York area codes, and why you should never brag about dating a mid-level podcaster on a first date.For full-length weekly bonus episodes check out the TCGTE Patreon!Like the show? Rate Us on Apple Podcasts Hosted on Acast. See acast.com/privacy for more information.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In Shakespeare's Julius Caesar, Cassius argues that "Men at some time are masters of their fates: The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings." In this week's episode, we are exploring early modern ideas of fate and the stars and the practices and beliefs of astrology in Shakespeare's time.  We'll discuss the difference between the early modern concepts of natural and judicial astrology, the popularity and influence of astrology and astrologers in Early Modern England, and how it found its way into plays like Shakespeare's. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander.   For updates: Join our email list Follow us on Instagram at @shakespeareanyonepod Visit our website at shakespeareanyone.com Support the podcast: Become a patron at patreon.com/shakespeareanyone  Buy us a coffee Bookshop.org: Since 2020, Bookshop.org has raised more than $38 million for independent bookstores. Shop our Shakespeare Anyone? storefront to find books featured on the podcast, books by our guests, and other Shakespeare-related books and gifts. Every purchase on the site financially supports independent bookstores. Libro.fm: Libro.fm makes it possible to purchase audiobooks through your local bookshop of choice. Use our link for 2 free audiobooks when you sign up for a new Libro.fm membership using our link. Find additional links mentioned in the episode in our Linktree. Works referenced: Bragg, Melvin, host. "Renaissance Astrology." In Our Time: Science, BBC Radio, 14 Jun 2007. https://www.bbc.co.uk/programmes/b007nmym Cash, Cassidy, host, and Barbara Traister, guest. "Episode #13: Interview with Barbara Traister exploring astrology, doctors, herbs, and witches in Shakespeare's England." That Shakespeare Life, episode 13, Cassidy Cash, 16 July 2018. https://cassidycash.libsyn.com/episode-13-interview-with-barbara-traister-exploring-astrology-doctors-herbs-and-witches-in-shakespeares-england Kassell, Lauren, host. "Simon Forman: astrology, Medicine and Quackery in Elizabethan England." University of Oxford Podcasts, University of Oxford, 26 Oct 2011. https://podcasts.ox.ac.uk/simon-forman-astrology-medicine-and-quackery-elizabethan-england Lipscomb, Suzannah, host, and Benjamin Woolley, guest. "Elizabeth I's Conjuror: John Dee." Not Just the Tudors, episode 364, History Hit, 9 Oct 2024. https://podcasts.apple.com/us/podcast/elizabeth-is-conjuror-john-dee/id1564113869?i=1000670531385 Oxford English Dicitionary. "Astrology, N. Meanings, Etymology and More | Oxford English Dictionary." Oxford English Dictionary, 2026, www.oed.com/dictionary/astrology_n. Oxford English Dicitionary. "Astronomy, N. Meanings, Etymology and More | Oxford English Dictionary." Oxford English Dictionary, 2026, www.oed.com/dictionary/astronomy_n. Schifini, Julia and Amanda McLoughlin, hosts, and Kelly Downes, guest. "Episode 361: Astrology and Shakespeare (with Kelly Downes)." Spirits Podcast, episode 361, Multitude Productions, 8 Nov 2023. https://spiritspodcast.com/episodes/shakespeare-and-astrology  Shakespeare, William. Twelfth Night, or What You Will , edited by Keir Elam, ARDEN SHAKESPEARE, LONDON, UK, 2008, pp. 180n1.3.132-5. Third. Walker, Katherine. "Almanacs as Underdogs: Folger Shakespeare Library." Folger Shakespeare Library Almanacs as Underdogs Comments, Folger Shakespeare Library, 19 Mar. 2019, www.folger.edu/blogs/collation/almanacs-as-underdogs/.  Smith, William Bruce, "Shakespeare and astrology" (1989). Chapter 2. Master's Theses. Paper 1083

In Shakespeare's play, The Winter's Tale, Autolycus talks about "selling all my trumpery." The reference made me wonder if Autolycus was packing up all his attic junk and random periphery collected over the years to sell them in what might be considered a yard sale for Elizabethan England. Did Shakespeare's England have garage sales where people sold their gently used items to their peers and neighbors? And what about the potential for the Renaissance equivalent of a Goodwill wtore, a thrift store, or even a consignment or pawn shop? Was it possible that people in Shakespeare's lifetime were selling their used items for profit?   In order to explore the world of second hand clothing, thrift stores, and pawn shops of Elizabethan England I'm delighted to welcome Dr. Kate Kelsey Staples, author of "The Significance of the Secondhand Trade in Europe, 1200–1600" to join us to help us explore exactly where one would have deposited or dispatched of their superfluous household goods.    

Was Christopher Marlowe a rebel, a genius, or a heretic ahead of his time? From his plays that shocked Elizabethan England to his brutal murder, Marlowe's short, dazzling life was defined by rivalry, scandals and secrets.Professor Suzannah Lipscomb and Professor Stephen Greenblatt delve into Marlowe's provocative ideas, his rumoured queerness, and the dangerous brilliance that left an indelible mark on English literature.MOREMarlowe & Shakespeare: Rivals or Collaborators?Listen on AppleListen on SpotifyTudor True Crime: Murder of Christopher MarloweListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Today, we think of Christmas as the season of giving—but in Shakespeare's England, it was New Year's Day that reigned supreme as the biggest gift-giving holiday of the entire year.    Shakespeare himself alludes to this entrenched tradition in The Merry Wives of Windsor, where Falstaff quips: "I'll have my brains ta'en out and buttered, and give them to a dog for a new-year's gift." It's a grotesque image—thank you, Falstaff—but it reveals just how deeply the practice of New Year's gifting permeated society, to the point where even dogs might expect a present.    Of course, no one in Elizabethan England gave and received gifts quite like the queen herself—which is why this week, we're diving into the fascinating world of New Year's gifts at the court of Elizabeth I: how these gifts were chosen, presented, and meticulously recorded—and how they served as powerful tools of politics, loyalty, and social hierarchy in Shakespeare's lifetime.    Joining us to unravel this glittering and strategic tradition is Maria Hayward, whose research on the New Year's Gift Rolls shines a light on the court culture, textiles, and customs that shaped this extraordinary annual ritual. 

Today, we think of Christmas as the season of giving—but in Shakespeare's England, it was New Year's Day that reigned supreme as the biggest gift-giving holiday of the entire year. Shakespeare himself alludes to this entrenched tradition in The Merry Wives of Windsor, where Falstaff quips: “I'll have my brains ta'en out and buttered, and give them to a dog for a new-year's gift.” It's a grotesque image—thank you, Falstaff—but it reveals just how deeply the practice of New Year's gifting permeated society, to the point where even dogs might expect a present. Of course, no one in Elizabethan England gave and received gifts quite like the queen herself—which is why this week, we're diving into the fascinating world of New Year's gifts at the court of Elizabeth I: how these gifts were chosen, presented, and meticulously recorded—and how they served as powerful tools of politics, loyalty, and social hierarchy in Shakespeare's lifetime. Joining us to unravel this glittering and strategic tradition is Maria Hayward, whose research on the New Year's Gift Rolls shines a light on the court culture, textiles, and customs that shaped this extraordinary annual ritual. Hosted on Acast. See acast.com/privacy for more information.

Imprisoned for nearly 20 years by her cousin Queen Elizabeth I, Mary, Queen of Scots, fought her battles through words, sending and receiving coded letters hidden in books, garments, and even beer barrels. Historian Jade Scott, of the University of Glasgow, Scotland, has uncovered the human and political depths behind Mary's captivity through 57 recently decrypted letters, coded missives that reveal her as a strategist, an adept diplomat, and a woman navigating the perilous politics of Elizabethan England. In her new book, Captive Queen: The Decrypted History of Mary, Queen of Scots, Scott draws on these newly decoded letters to illuminate Mary's time in captivity, her alliances and betrayals, and the intricate game of espionage that ultimately led to her execution. From the Shakespeare Unlimited podcast. Published November 4, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Jade Scott, PhD, is a historian specializing in Mary, Queen of Scots and is an expert on her letters. She is a lecturer in historical linguistics at the University of Glasgow and an associate fellow of the Royal Historical Society, researching early modern Scottish women and their correspondence. Fascinated by Mary since she was a child, Jade was contacted by the DECRYPT Project to consult on the translations of Mary's newly-decoded letters, which led to the writing of Captive Queen. Jade lives in Glasgow.

Step back into the sound world of Elizabethan England. In this exclusive interview, I talk to Jane Moulder, musician, researcher, instrument maker, and founding member of PIVA: The Renaissance Collective, about their stunning new album, The Faerie Round: Music from the Time of Elizabeth I. Together, we explore how Renaissance music was performed, what instruments were used, and how PIVA brings authentic Tudor soundscapes to life for modern audiences. In this conversation: The origins of PIVA and their unique approach to early music The vision and research behind The Faerie Round The challenges (and joys!) of performing on Renaissance instruments Why bagpipes, shawms, and curtals deserve a comeback Jane's work as a researcher, writer, and editor of Chanter What's next for PIVA,  and who Jane would invite to a Tudor dinner party If you love Tudor history, music, or the vibrant culture of Elizabethan England, this is one conversation you won't want to miss. Find out more about PIVA and The Faerie Round: Piva website - https://piva.org.uk/ Buy the album - https://pivarenaissance.bandcamp.com/album/the-faerie-round #TudorHistory #ElizabethanEngland #RenaissanceMusic #TheFaerieRound #PIVA #TudorMusic #JaneMoulder #TudorCulture #HistoricalMusic

Taylor Swift's new album references “the fate of Ophelia”, but who was Ophelia, and why does her story still matter? In this episode, we look at Shakespeare's tragic heroine, her fate in Hamlet, and what her story shows us about women's lives in Elizabethan England. Hosted on Acast. See acast.com/privacy for more information.

A spring morning in 1573. A respected London merchant leaves a friend's house near Woolwich… and ends up dead by Shooter's Hill. The killer, Captain George Brown, is caught within days. But the real shock wasn't the killer's identity, it was the letter that told him exactly where to strike… and who wanted George Saunders gone. I'm Claire Ridgway, historian and author. In this Tudor true-crime deep dive, we follow the manhunt, the Privy Council's rapid crackdown, and the chain of clues later dramatised in "A Warning for Fair Women", from “a white doublet and blue breeches” to blood on a suspect's hose and a waterman's damning testimony. What unfolds reaches far beyond a highway ambush, right into Saunders's inner circle. In this episode you'll hear about: The ambush near Shooter's Hill and John Beane's miraculous survival How the Council moved: arrest at Rochester, Tower examinations, and swift justice at Smithfield The mysterious letter and the go-between who carried messages Why the case obsessed Elizabethan England: status, scandal, and a rich paper trail (pamphlets, ballad, Privy Council orders, and a stage play) The final twist that stunned London If you love Tudor true crime, hit like, subscribe, and ring the bell.   #truecrime #tudortruecrime #tudorhistory #tudormurder #georgesaunders #elizabethandrama

Uncle Chris is helping out at the Armchair Adventures Travel Agency while Connie is busy preparing for the launch of Season 6! Last week, Uncle Chris took us back to Elizabethan England in part one of 'A Shakespeare Adventure', and now, here is part 2! In the episode, Uncle Chris and his community theatre company are on the run from some vicious guards in Elizabethan England! ‘What on earth do you think you’re doing here? How dare you interrupt my play…’

In this episode of Chasing Leviathan, PJ and Dr. Alexander Rosenthal-Pubul discuss his book 'Crown under Law: Richard Hooker, John Locke, and the Ascent of Modern Constitutionalism.' Dr. Rosenthal-Pubul contrasts Hooker's views with those of Hobbes, delves into the historical context of Elizabethan England, and examines how Hooker's ideas influenced Locke's political philosophy. The discussion highlights the relevance of these thinkers in understanding modern governance and the foundations of political obligation.Make sure to check out Dr. Rosenthal-Pubul's book: Crown under Law: Richard Hooker, John Locke, and the Ascent of Modern Constitutionalism

Amy Robsart was born in 1532 in Norfolk, England to a fairly wealthy farming and grazing family.  When she was almost 18 she married Roberty Dudley, a younger son of the Earl of Warwick.  It was considered to be a love match as opposed to something political or to bind family lines together.  However, soon after they were married, Robert became an obvious favortie of Queen Elizabeth I and many thought the two might marry... if he didn't already have a wife.  After a lingering illness, Amy was found dead at the base of some stairs, the apparent victim of an accidental fall, or was it.  The resulting scandal kept the queen from marrying Robert and is still debated today.

For our final Royals, Rebels, and Romantics Summer Special, I'm sharing a couple of fun reads: Elizabethan murder mysteries! Set in the times of two Elizabeths--Elizabeth I and Elizabeth II.Show Notes:Carol Ann Lloydwww.carolannlloyd.com@shakeuphistorypatreon.com/carolannlloydThe Tudors by NumbersCourting the Virgin Queen Suzanne Wolfe, Elizabethan Spy Mysteries serieshttps://suzannemwolfe.com/A Murder by Any NameThe Course of All TreasonsS J Bennett, Her Majesty The Queen Investigates serieshttps://www.sjbennettbooks.com/Windsor KnotA Three Dog ProblemAnd more!History shows us what's possible.

No, not that Anne Hathaway. The Shakespearean one.Topics in this episode include Socratididion's Epipsychidion, unparalleled pettiness, Stephen's unfair characterization of Shakespeare's wife Anne Hathaway, why commentary about Anne Hathaway has been so problematic historically, Anne as a Gertrude stand-in, how we can learn factual information about the Shakespeares' lives, sixteenth century age gap discourse, Anne and Will's marriage prospects, “Venus and Adonis,” marriage and weddings in Elizabethan England, how Anne Hathaway became a symbol of Victorian propaganda, Shakespeare and the “Scylla and Charybdis” schema, and why Ulysses is a terrible place to go to learn about Shakespeare's life.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast. On the Blog:A Shakespearean Ghost Story Part 2: Anne Hath a WayBlooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

“I think this be the most villanous house in all London road for fleas..." - Henry IV Part I (II.1)So complains one of Shakespeare's characters in The Merry Wives of Windsor, voicing what was surely a common frustration in the 16th and 17th centuries. Fleas were an ever-present part of daily life—so much so that they appeared in poems, jokes, love songs, and even seven different times across Shakespeare's plays. This week, we're scratching the surface of these itchy invaders to explore what their presence reveals about hygiene, health, and humor in the early modern world. Our guest is 17th-century historian Andrea Zuvich, here to help us explore how people really managed fleas in Shakespeare's lifetime. Hosted on Acast. See acast.com/privacy for more information.

In Love's Labour's Lost, Berowne declares, “Let us dance and sport,” while in Twelfth Night, Sir Toby Belch exclaims, “Shall we set about some revels?” Shakespeare's plays are filled with movement—more than 100 stage directions across his works call for a dance, making dance not merely entertainment, but a powerful form of expression in the early modern world. This week on That Shakespeare Life, we're taking a closer look at what those dances might have looked like in real life. What was the significance of dancing in the 16th and early 17th centuries? What kinds of dances were popular? And how did they reflect the politics, courtship, and social hierarchies of the day? To help us explore the rhythm and meaning behind Shakespeare's choreography is our guest, historian and dance scholar Emily Winerock. Hosted on Acast. See acast.com/privacy for more information.

What do angels, secret languages, and occult orders have in common? Enochian magic. In this episode, we trace its evolution from John Dee's apocalyptic visions in Elizabethan England to the ritual systems of the Golden Dawn, Aleister Crowley's initiatory drama, and its surprising reinventions in contemporary occultism—from chaos magic to digital ritual tech. Drawing on original sources and modern scholarship, this deep dive explores how a forgotten angelic language became one of the most enduring and mysterious magical systems in the Western tradition.CONNECT & SUPPORT

Paris, August 1572: the bells ring before dawn, and by nightfall thousands of Huguenots are dead. The St. Bartholomew's Day Massacre shocked Europe, hardened Elizabethan England's view of Catholic powers, and left Francis Walsingham with scars and convictions that would shape his career.Tudorcon From Home tickets: https://www.englandcast.com/TudorconFromHome Hosted on Acast. See acast.com/privacy for more information.

He reformed how we pronounce Greek, helped dissolve the old Church, negotiated for Elizabeth I… and somehow survived every Tudor monarch from Henry VIII's reign onward. On this day in Tudor history, 12th August 1577, Sir Thomas Smith—a scholar, diplomat, and political survivor—died quietly at his home in Essex. But his life was anything but quiet. I'm Claire Ridgway, historian and author, and in today's video, I'm taking you beyond the famous names and into the fascinating life of one of the Tudor era's most brilliant minds. Smith wasn't a noble or a court favourite, but he taught the likes of William Cecil, helped shape Protestant reform, and worked behind the scenes to craft Tudor foreign policy. Listen now for a deep dive into a man who helped build the intellectual and political foundations of Elizabethan England—without ever grabbing the spotlight. Let me know in the comments—had you heard of Sir Thomas Smith before today? And which of his books would you want to read? Like, subscribe, and don't forget to click the Join button if you'd like to be part of my Tudor inner circle—with exclusive content, a digital magazine, and much more! #TudorHistory #SirThomasSmith #OnThisDay #ClaireRidgway #ElizabethI #TudorCourt #TudorSurvivor #TudorReformation #EnglishHistory #ForgottenFigures #TudorScholar #TudorGovernment #HistoryDeepDive

This book is a sweeping transatlantic history of Puritanism from its emergence out of the religious tumult of Elizabethan England to its founding role in the story of America. Shedding critical new light on the diverse forms of Puritan belief and practice in England, Scotland, and New England, David D. Hall provides a multifaceted account of a cultural movement that judged the Protestant reforms of Elizabeth's reign to be unfinished. Hall's vivid and wide-ranging narrative describes the movement's deeply ambiguous triumph under Oliver Cromwell, its political demise with the Restoration of the English monarchy in 1660, and its perilous migration across the Atlantic to establish a “perfect reformation” in the New World. A breathtaking work of scholarship by an eminent historian, The Puritans: A Transatlantic History (Princeton University Press, 2019) examines the tribulations and doctrinal dilemmas that led to the fragmentation and eventual decline of Puritanism. It presents a compelling portrait of a religious and political movement that was divided virtually from the start. In England, some wanted to dismantle the Church of England entirely and others were more cautious, while Puritans in Scotland were divided between those willing to work with a troublesome king and others insisting on the independence of the state church. This monumental book traces how Puritanism was a catalyst for profound cultural changes in the early modern Atlantic world, opening the door for other dissenter groups such as the Baptists and the Quakers, and leaving its enduring mark on what counted as true religion in America. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This book is a sweeping transatlantic history of Puritanism from its emergence out of the religious tumult of Elizabethan England to its founding role in the story of America. Shedding critical new light on the diverse forms of Puritan belief and practice in England, Scotland, and New England, David D. Hall provides a multifaceted account of a cultural movement that judged the Protestant reforms of Elizabeth's reign to be unfinished. Hall's vivid and wide-ranging narrative describes the movement's deeply ambiguous triumph under Oliver Cromwell, its political demise with the Restoration of the English monarchy in 1660, and its perilous migration across the Atlantic to establish a “perfect reformation” in the New World. A breathtaking work of scholarship by an eminent historian, The Puritans: A Transatlantic History (Princeton University Press, 2019) examines the tribulations and doctrinal dilemmas that led to the fragmentation and eventual decline of Puritanism. It presents a compelling portrait of a religious and political movement that was divided virtually from the start. In England, some wanted to dismantle the Church of England entirely and others were more cautious, while Puritans in Scotland were divided between those willing to work with a troublesome king and others insisting on the independence of the state church. This monumental book traces how Puritanism was a catalyst for profound cultural changes in the early modern Atlantic world, opening the door for other dissenter groups such as the Baptists and the Quakers, and leaving its enduring mark on what counted as true religion in America. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Douglas Murray is a journalist and bestselling author of 8 books, including: On Democracies and Death Cults: Israel and the Future of Civilization (2025); The War on the West (2022); The Madness of Crowds: Gender, Race and Identity(2019); and The Strange Death of Europe: Immigration, Identity, Islam (2017). He has been a contributor to Spectator since 2000 and associate editor since 2012. He is a columnist at the New York Post and regularly writes for the Telegraph and the Sun.  Mr. Murray is also a senior fellow at the Manhattan Institute and contributing editor of City Journal.  On this episode of The One Way Ticket Show, we begin the conversation with Mr. Murray sharing his one way ticket back in time to Elizabethan England which he describes as the greatest period of the flowering of the English language. There, he would meet Shakespeare, attend performances at the Globe Theatre, and marvel at the Court of Queen Elizabeth I.  We then delve into his latest book, On Democracies and Death Cults: Israel and the Future of Civilization and cover topics and thoughts, including: Vasily Grossman's quote from his book, Life and Fate: “Tell me what you accuse the Jews of, I'll tell you what you're guilty of” How many in the West don't understand that for Hamas and people like Sinwar, their war against Israel is a religiously motivated jihad           It's a myth that all people – everywhere – want the same thing          The extent to which and the consequences of populations being misled in closed societies           Divorcing a performer's politics from their performance (and how it would be wonderful if actors just “shut up” about politics in the first place!)           The strange landscape that is the (news) media today           His break mechanism of: "Never forget how much damage can be done by willful optimism" Why he never talks about his next book project And much more . . . LINKS: https://douglasmurray.net/ Douglas Murray on: X: https://x.com/DouglasKMurray Instagram: https://www.instagram.com/douglaskmurray/ Facebook: https://www.facebook.com/DouglasKMurrayOfficial Books: On Democracies and Death Cults: Israel and the Future of Civilization The War on the West  The Madness of Crowds: Gender, Race and Identity The Strange Death of Europe: Immigration, Identity, Islam  

This book is a sweeping transatlantic history of Puritanism from its emergence out of the religious tumult of Elizabethan England to its founding role in the story of America. Shedding critical new light on the diverse forms of Puritan belief and practice in England, Scotland, and New England, David D. Hall provides a multifaceted account of a cultural movement that judged the Protestant reforms of Elizabeth's reign to be unfinished. Hall's vivid and wide-ranging narrative describes the movement's deeply ambiguous triumph under Oliver Cromwell, its political demise with the Restoration of the English monarchy in 1660, and its perilous migration across the Atlantic to establish a “perfect reformation” in the New World. A breathtaking work of scholarship by an eminent historian, The Puritans: A Transatlantic History (Princeton University Press, 2019) examines the tribulations and doctrinal dilemmas that led to the fragmentation and eventual decline of Puritanism. It presents a compelling portrait of a religious and political movement that was divided virtually from the start. In England, some wanted to dismantle the Church of England entirely and others were more cautious, while Puritans in Scotland were divided between those willing to work with a troublesome king and others insisting on the independence of the state church. This monumental book traces how Puritanism was a catalyst for profound cultural changes in the early modern Atlantic world, opening the door for other dissenter groups such as the Baptists and the Quakers, and leaving its enduring mark on what counted as true religion in America. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This book is a sweeping transatlantic history of Puritanism from its emergence out of the religious tumult of Elizabethan England to its founding role in the story of America. Shedding critical new light on the diverse forms of Puritan belief and practice in England, Scotland, and New England, David D. Hall provides a multifaceted account of a cultural movement that judged the Protestant reforms of Elizabeth's reign to be unfinished. Hall's vivid and wide-ranging narrative describes the movement's deeply ambiguous triumph under Oliver Cromwell, its political demise with the Restoration of the English monarchy in 1660, and its perilous migration across the Atlantic to establish a “perfect reformation” in the New World. A breathtaking work of scholarship by an eminent historian, The Puritans: A Transatlantic History (Princeton University Press, 2019) examines the tribulations and doctrinal dilemmas that led to the fragmentation and eventual decline of Puritanism. It presents a compelling portrait of a religious and political movement that was divided virtually from the start. In England, some wanted to dismantle the Church of England entirely and others were more cautious, while Puritans in Scotland were divided between those willing to work with a troublesome king and others insisting on the independence of the state church. This monumental book traces how Puritanism was a catalyst for profound cultural changes in the early modern Atlantic world, opening the door for other dissenter groups such as the Baptists and the Quakers, and leaving its enduring mark on what counted as true religion in America. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.

This book is a sweeping transatlantic history of Puritanism from its emergence out of the religious tumult of Elizabethan England to its founding role in the story of America. Shedding critical new light on the diverse forms of Puritan belief and practice in England, Scotland, and New England, David D. Hall provides a multifaceted account of a cultural movement that judged the Protestant reforms of Elizabeth's reign to be unfinished. Hall's vivid and wide-ranging narrative describes the movement's deeply ambiguous triumph under Oliver Cromwell, its political demise with the Restoration of the English monarchy in 1660, and its perilous migration across the Atlantic to establish a “perfect reformation” in the New World. A breathtaking work of scholarship by an eminent historian, The Puritans: A Transatlantic History (Princeton University Press, 2019) examines the tribulations and doctrinal dilemmas that led to the fragmentation and eventual decline of Puritanism. It presents a compelling portrait of a religious and political movement that was divided virtually from the start. In England, some wanted to dismantle the Church of England entirely and others were more cautious, while Puritans in Scotland were divided between those willing to work with a troublesome king and others insisting on the independence of the state church. This monumental book traces how Puritanism was a catalyst for profound cultural changes in the early modern Atlantic world, opening the door for other dissenter groups such as the Baptists and the Quakers, and leaving its enduring mark on what counted as true religion in America. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

This book is a sweeping transatlantic history of Puritanism from its emergence out of the religious tumult of Elizabethan England to its founding role in the story of America. Shedding critical new light on the diverse forms of Puritan belief and practice in England, Scotland, and New England, David D. Hall provides a multifaceted account of a cultural movement that judged the Protestant reforms of Elizabeth's reign to be unfinished. Hall's vivid and wide-ranging narrative describes the movement's deeply ambiguous triumph under Oliver Cromwell, its political demise with the Restoration of the English monarchy in 1660, and its perilous migration across the Atlantic to establish a “perfect reformation” in the New World. A breathtaking work of scholarship by an eminent historian, The Puritans: A Transatlantic History (Princeton University Press, 2019) examines the tribulations and doctrinal dilemmas that led to the fragmentation and eventual decline of Puritanism. It presents a compelling portrait of a religious and political movement that was divided virtually from the start. In England, some wanted to dismantle the Church of England entirely and others were more cautious, while Puritans in Scotland were divided between those willing to work with a troublesome king and others insisting on the independence of the state church. This monumental book traces how Puritanism was a catalyst for profound cultural changes in the early modern Atlantic world, opening the door for other dissenter groups such as the Baptists and the Quakers, and leaving its enduring mark on what counted as true religion in America. Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Bait the hook well; this fish will bite.” So says Benedick in Much Ado About Nothing, and he's not alone—Shakespeare drops over 70 references to fish and fishing across his plays, from slippery metaphors to full-on fishing scenes, including actual Fishermen characters in Pericles. But behind those lines lies a very real part of daily life in Elizabethan England. In a world where Protestant reform gave rise to fish days on the calendar and entire industries formed around what came out of the water, one has to wonder: Where did all this fish actually come from? Who was catching it? What tools did they use? And could Shakespeare himself have cast a line into the Thames for a bit of dinner? Today, we're casting our net into the past to find out. Joining us is historian Mark Ferguson, here to help us explore the methods, markets, and meaning behind commercial and sport fishing in Shakespeare's England. Let's dive in. Hosted on Acast. See acast.com/privacy for more information.

From the rise in population and bad harvests to the closing of the monasteries and harsh Poor Laws, we'll explore the causes of poverty, the categories of the poor, and how Elizabethan England created one of the earliest welfare systems in Europe. Learn about: - The 1601 Elizabethan Poor Law - Almshouses, houses of correction, and the “poor rate” - The impact of enclosure and inflation - Tudor views on charity and vagrancy Plus examples of real local initiatives to support the poor. For further reading, see:  – Poor Relief in Tudor England by Edith Burrows - https://scholarship.richmond.edu/honors-theses/1075/  – Rich and Poor in Tudor Times by Peter D. Riley - Borrow at https://archive.org/details/richpoorintudort0000rile  And my article on Anne Boleyn's charitable giving at: https://www.theanneboleynfiles.com/anne-boleyn-and-charity/ #TudorHistory #ElizabethanPoorLaw #TudorEngland #ClaireRidgway #OnThisDay #TudorSociety #TudorLife

In Shakespeare's time, the actresses were boys—and for the most celebrated of them, fame came early but could end abruptly with a voice change. In this episode, author Nicole Galland joins us to talk about the world of boy players, young apprentices who performed women's roles onstage in England before 1660. Galland's novel, Boy, follows one of these real-life members of Shakespeare's company, Alexander “Sander Cooke,” and his fictional best friend, Joan, a fiercely curious young woman who disguises herself as a boy to pursue knowledge. Drawing inspiration from Shakespeare's cross-dressing heroines, Galland explores the freedoms and risks of reinventing gender roles in Elizabethan England. Figures like Francis Bacon appear in the novel as part of the broader web of power and political intrigue that shapes Joan and Sander's world. Through these connections, Galland brings Shakespeare's theatrical world to life and the people navigating its stage. Nicole Galland is the author of the historical novels I, Iago; Godiva; Crossed; Revenge of the Rose; and The Fool's Tale; as well as the contemporary romantic comedies On the Same Page and Stepdog, and the New York Times bestselling near-future thriller The Rise and Fall of D.O.D.O. (with Neal Stephenson). From the Shakespeare Unlimited podcast. Published June 3, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Elizabethan England began sending expeditions to coastal North America in the hopes of discovering wealth and riches, or, taking possession of the treasure accumulated and transported by Spain. E120 Check out the YouTube version of this episode at https://youtu.be/Cb8qt3cTI7Q which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Roanoke Colony books available at https://amzn.to/45tKBy6 ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast is available at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM LibriVox: A Book of American Explorers by T.W. Higginson, read by D. DesalvoSee omnystudio.com/listener for privacy information.

It might seem like the vast, turbulent ocean of information we call news has always existed, but that's not the case. Theatrical plays in Elizabethan England set the stage for our modern news culture, argues Stephen Wittek in his post-doctoral work. He says the cross-pollination between theatre and news developed the norms for our contemporary public conversations. *This updated episode of Ideas from the Trenches was originally broadcast in 2014. 

Elizabethan England’s attempts at establishing a foothold on the eastern coast of North America, known as The Roanoke Voyages of 1584 to 1590. E119 Check out the YouTube version of this episode at https://youtu.be/aoaO2k6tGuw which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Roanoke Colony books available at https://amzn.to/45tKBy6 ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast is available at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Sources: Roanoke Revisited: The Story of the Lost Colony by Lebame Houston & Barbara Hird (A Penny Book,1997). The Roanoke Voyages 1584-1590 Volume I, edited by David Beers Quinn (Dover Books,1990). Excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

Professor Suzannah Lipscomb is joined by Dr. Daniel Swift to delve into the formative years of William Shakespeare's career. They explore the vital role of London's first playhouse and the tumultuous world of late 16th-century theatre, discussing how James Burbage's ambitious vision and his son Richard's unparalleled acting talent profoundly influenced Shakespeare's work. The economic realities and social dynamics of Elizabethan England unveiled the collaborative and pragmatic spirit that helped shape one of history's greatest playwrights.MOREShakespeare's Players: Burbage and Kempe:https://open.spotify.com/episode/3vhb375ekX0eLm482VtG24How the Elizabethan World Shaped Shakespeare:https://open.spotify.com/episode/5ewBpG0vQDIRnRnD7A3N1RPresented by Professor Suzannah Lipscomb. The researcher is Alice Smith, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

In Shakespeare's plays, he talks about “Travel” or “Traveller” just under 80 times, including references that suggest people travelled by foot and by horse, the Queen Mab speech by Mercutio in Romeo and Juliet talks about a wagon used for transportation, and there are references that indicate there were items which would add comfort to someone's travel, and one reference from Comedy of Errors talks about being “stiff and weary” from long travel. We also know that in a personal connection to William Shakespeare the man, playing companies often travelled around England visiting various inns and establishments of their patrons who hired out a production, this applied to the Lord Chamberlain's Men as well. With all of this travel, it begs the question of exactly what getting around England, particularly in a large group, might have entailed. What kind of vehicles would have been traversing the cities and countryside for Shakespeare's England? Were there paved roads, dirt paths, or maybe cobblestone streets? What about rules of travelling such as stop signs, round abouts, or other kinds of travel infrastructure? Whose job was it to decide where a road would be put, and then who carried the responsibility of maintenance of the paths? Could you get a traffic ticket in Elizabethan England? Here today to help us answer these questions, including sharing with us what kind of vehicles travelled along England's roadways in Shakespeare's lifetime, details about what the roads were like, and the rules for travelling them, is our guest, Robert Bucholz.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this long-anticipated episode, Matt and Chris venture into the peculiar world of Curtis Yarvin—a reactionary blogger, tech entrepreneur, and self-proclaimed monarchist. Known to his early followers by the pseudonym "Mencius Moldbug," Yarvin has become a prominent figure in the "dark enlightenment" and neo-reactionary circles. Some have even hailed him as an "intellectual powerhouse" of the modern far-right, with endorsements from influential figures like Peter Thiel and J.D. Vance.But what is Curtis really all about? In this episode, the decoders revisit the Triggernometry swamp to examine the political insights unearthed by the hard-nosed journalists Konstantin and Francis during their ferocious intellectual exchange with Yarvin.Prepare for thrilling revelations, including the historical figures and movements Yarvin has catalogued in his encyclopedic memory, his pick for the best Elizabethan monarch, and the surprising number of non-monarchs he believes are secretly running monarchical regimes. True to form, Yarvin's rhetorical style is nothing if not meandering. So get ready for a whirlwind tour through his "mind palace," exploring topics like Soviet Russia, Elizabethan England, Shakespearean conspiracy theories, and a fantasy world of reactionary and techno-libertarian musings—not to mention the obligatory lab-leak narratives.Is Yarvin an edgy intellectual, a provocative contrarian, or just a verbose windbag with run-of-the-mill conspiratorial takes and a moody teenager's perspective on history? Matt and Chris tackle these questions, striving to decode Yarvin's vision for society—and hoping, against all odds, that he might in the end just answer a single question.LinksTriggernometry: Curtis Yarvin- The Case Against DemocracyUnHerd: Curtis Yarvin: Welcome to the Dark EnlightenmentBehind the Bastards Part One: Curtis Yarvin: The Philosopher Behind J.D. VanceBehind the Bastards Part Two: Curtis Yarvin: The Philosopher Behind J.D. VanceThe Guardian: He's anti-democracy and pro-Trump: the obscure ‘dark enlightenment' blogger influencing the next US administration