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In this episode, we have a first for the podcast, a returning guest! We again have the great privilege of talking with industry veteran Andy Murray, who was the European Marketing Director for Warner Music International during The Corrs' rise to fame.Andy recounts the challenges the band faced in the album's gestation period, from the initial recording of demo tracks to navigating the complex dynamics with their American label, Atlantic Records. He shares how he fought to ensure key songs like "So Young" and "What Can I Do" were included, despite some resistance, ultimately helping shape the album's final track list.We hear firsthand of the technical and creative decisions that went into the album's success and details of the involvement of producers, David Foster and Glenn Ballard, as well as personal anecdotes - from the band gifting him a rare guitar to the making of some of the the album's iconic music videos. Andy shares insights that shed new light on the high-stakes environment of breaking an international act in the late 90s.At 00:09:27 you can hear a clip of the March 1997 Demo of 'What Can I Do' with as then, unfinished lyrics. Andrea can be heard to sing about 'Johnny' referring to the bands manager John Hughes who was no doubt watching her put down these vocals.At 00:32:51 you can hear the backing vocals for 'Helpless' (Hopelessly Addicted) sung by Andrea and layered by Oliver Leiber from the master recorded on 7th August 1997.At 00:43:04 you can hear a clip of the band's first ever live performance of Fleetwood Mack's 'Dreams' at Melkweg in Amsterdam on the 18th of November 1997.At 00:52:58 you can hear the beginning of 'What Can I Do?' as heard in the music video.At 01:09:38 you can 'Runaway' Tin Tin Out Remix as heard in the music video.At 01:29:03 you can hear a clip of 'Help Me Find My Heart' produced by Andy Murray and Mike Gaffey for consideration by The Corrs for 'Talk on Corners'.In this episode Andy describes being gifted a limited edition Fender Stratocaster guitar by the band after the gig at the NEC in Birmingham on December 22nd 1998. An image of this wonderful gift can be found at the following link HERE.Andy also describes receiving a fax from Emma Hill (PA to John Hughes and the band) with a provisional running order of the songs for 'Talk on Corners', this can be seen HERE.Andy also shared with us a promotional poster which was ultimately unapproved by the band but was considered for early promotion of the Royal Albert Hall release on VHS and DVD, a link to this can be found HERE.This work is licensed under a Creative Commons Attribution 4.0 International License.CorrsCast.comInstagramTwitterFacebookDiscordPatreon#CorrsCast on social media.#TheCorrsPlease subscribe, rate and review CorrsCast on iTunes or a platform of your choosing. Hosted on Acast. See acast.com/privacy for more information.
Mia Dyson is an Australia-raised, LA based musician who is an award winner of the Australia version of a Grammy—an ARIA award. She's opened for Stevie Nicks of Fleetwood Mack and Bonnie Raitt. She's releasing her 8th album on Feb 23rd, it's called Tender Heart. Mia Dyson started writing this album shortly before an earthquake hit her home. Following the earthquake, she experienced an undiagnosed heart arrhythmia which caused her to stop breathing. She almost died. Emily Fox talks with Dyson about the themes on the album including forgiveness and mental health, but first she talked about what she can remember from her near death experience. Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.
This is the Mistress Carrie Situation Report! The 'Sit Rep' your daily Entertainment headlines, Industry Info, and everything ROCK, all in under 5 minutes! 10-04-2022. The Mistress Carrie Podcast, a proud member of the Pantheon Podcast Network! NHL '23A Day To RememberMonster MagnetRingo StarrZakk WyldeSerj TankianWolfgang Van HalenSammy HagarLindsey BuckinghamDropkick Murphy'sSeth RoganNew films in theaters this weekNew Releases This Week Hard Rock and Metal ReleasesFind Mistress Carrie online:Official WebsiteThe Mistress Carrie Backstage Pass on PatreonTwitterFacebookInstagramYouTubeCameoPantheon Podcast Network
A full breakdown of one of the all time great albums and why it is still so special today. Thank you for watching my video. You can help support the network and all our videos by going to and sharing our multiple Social Media links Website- www.heavyhitternetwork.com Rumble- HHNETWORK SPORTS- https://rumble.com/c/c-369215 Entertainment - https://rumble.com/c/c-544935 Clouthub- Think / Speak Freely on @CloutHub https://clouthub.com/c/f0ccde18-9a55-4605-a0e7-4f2fdf641ca7 Gab Social- https://gab.com/groups/30967 Telegram – https://t.me/HHNetwork Truth Social @RedDotTRUTH Twitter- @RedDotTRUTH MeWe- mewe.com/i/marioromanelli1 Instagram- https://www.instagram.com/hitter_heavy_/ YouTube- https://www.youtube.com/channel/UCx4XKvDH6tWYmzBPVWhEOQA You can always leave us questions and comments for any of our shows Toll Free through Google Voice App by calling 1-616-258-6386 Check Us Out in Audio Format on Spotify, I-Tunes, Google Podcast and more all by searching under the Podcast Section - Heavy Hitter Network Purcy Mack is on Twitter and Truth Social @PurcyMack
That's a wrap on National Poetry Month 2022! And a wrap on this special series of the pod! But we'll be back. Maybe for National Hot Dog Month (July) or Banana Pudding Lovers Month (November). Hopefully sooner! But in this final April 2022 episode, we talk MFA programs. Are they a necessity when trying to build an artistic community? Can our new friend Daniel find like-minded folks to collaborate with in a less conventional (and less expensive) environment? We hope so, cause he's our friend and we CARE about him! This week's recs: Caro Truth & Beaty: A Friendship by Ann Patchett (book) Working It Out with Mike Birbiglia (podcast) Get Back (documentary) Self Help Poems by Sampson Starkweather (book) Anne Song (I'm Going To New York) by Frank O'Hara (poem) Larry Rivers: A Memoir by Frank O'Hara (poem) Life of a poet (Library of Congress series) With A little Help From My Friends by The Beatles (song) Under Pressure by Queen and David Bowie (song) The Way to Keep Going in Antarctica by Bernadette Mayer (poem) Gale Good Will Hunting (film) The Chain by Fleetwood Mack (song) Across The Universe (film) …not really Ghost Machine by Cake Train by Ben Mirov (book) “Eye, Ghost” (poem)
In this episode the guys are talking about their favorite lead singers and review the movie "Bohemian Rhapsody". Nerd News returns, as well as another classic Would You Rather!
Frank and Heather discuss more fungible and non-fungible stuff, and answer a question for the mom of a theater kid.
****Static fixed a few minutes into recording**** Happy Morning Friends, "Well I've been afraid of changing, 'cause I'd built my life around you. But time makes you BOLDER, children get older, I'm getting older... too." You may recognize those lyrics from the song Landslide by Stevie Nicks & Fleetwood Mack or The Chicks (Formerly Dixie Chicks), and if you are among the latest generation, Miley Cyrus did a pretty decent cover of it too. ;) Anyways, It got me thinking. We have to take a look at the health issues, concerns and disparities for adults on the autism spectrum. There is not a tremendous amount of research out there, but we know there are some regular and common medical comorbidities that accompany adults with autism as they age. Join the call! Today we will be learning from Lauren Barnes, Breakthrough's Health and Individual Rights Coordinator. Aging gracefully (hopefully), -Kendrise Colebrooke Listen live at 9am EST Dial: 312-626-6799 Meeting ID: 853-0939-9259 Click here to Listen on Zoom --- Support this podcast: https://anchor.fm/autism-breakthrough/support
This episode is dedicated to my Aunty Deb who passed this year in 2020. In this episode, I thanked her for the musical influence she had on my life including introducing me to “Fleetwood Mack.” I didn’t get a chance to tell her goodbye, but in this episode, I did my best to let her know she was loved and thanked her for raising me when no one else wanted too... --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/improvjav/message
The midterm elections take place on Tuesday, but Ken is fed up with all the negativity involved. Also a chat with the drummer from a Fleetwood Mack tribute band.
We are finally back after a very very very busy summer. But we couldn't resist making some time to sit down with one of our guests, Jenny Boyd, and talk to her about creative and music and her book It's Not Only Rock 'n' Roll. Topics we cover: • We introduce Jenny Boyd, a recent guest at Villa Cappelli • She wrote the book It’s Not Only Rock and Roll Click here to get a copy. • How Paul grew up with the music Jenny had a first-hand account of this music • How Jenny is a part of rock and roll nobility if you will • How music today doesn’t have the same social relevance as it did in the 60s and 70s • We wonder what has changed, why aren’t artist tapping into the zeitgeist like that used to • They really had no idea that it was going to be such an important time and that music would be such a big part of it. • The Beatles were like the first boy band • Jenny was married to Mick Fleetwood of Fleetwood Mac • How Jenny and Mick meet • Pattie Boyd is Jenny’s sister, who was married to George Harrison of the Beatles and later Eric Clapton • Jenny talks about how Pattie and George met • How Eric Clapton wooed Jenny away from George, writing Layla for her while Pattie and George were still together Here's the song on iTunes and below are the lyrics: [Verse 1] What will you do when you get lonely And nobody is waiting by your side? You have been running and hiding much too long You know it is just your foolish pride [Chorus] Layla, you’ve got me on my knees Layla, I am begging, darling, please Layla Darling, won't you ease my worried mind? [Verse 2] I tried to give you consolation When your old man had let you down Like a fool, I fell in love with you You turned my whole world upside down [Chorus] Layla, you’ve got me on my knees Layla, I am begging, darling, please Layla Darling, won't you ease my worried mind? [Verse 3] Let us make the best of the situation Before I finally go insane Please, don’t say we will never find a way And tell me all my love in vain [Chorus] Layla, you’ve got me on my knees Layla, I am begging, darling, please Layla Darling, won't you ease my worried mind? [Chorus] Layla, you’ve got me on my knees Layla, I am begging, darling, please Layla Darling, won't you ease my worried mind? [Chorus] Layla, you’ve got me on my knees Layla, I am begging, darling, please Layla Darling, won't you ease my worried mind? [Chorus] Layla, you’ve got me on my knees Layla, I am begging, darling, please Layla Darling, won't you ease my worried mind? • How Paul likes Bell Bottom Blues from the same album • The drive is very key for all the artists Jenny interviewed • They also had a sense of destiny. For example, Graham Nash of Crosby, Stills & Nash said he just knew they were going to be famous • Jenny went to San Fransisco in the 60s and had an “ah-ha” moment • When she moved to San Fransisco, they were all tapping into the zeitgeist • How the musicians hung out with royals and everyone was just equal • How Paul thinks pot had something to do with it • Paul’s memory of disc eaters • Paul’s story of when Rumors came out and smoking when his Mom was visiting • How the song Jennifer Juniper was written about Jenny by Donovan [embed]https://www.youtube.com/watch?v=kCtcXDCxh7w[/embed] "Jennifer Juniper" Jennifer Juniper, lives upon the hill Jennifer Juniper, sitting very still Is she sleeping? I don't think so Is she breathing? Yes, very low Whatcha doing, Jennifer, my love? Jennifer Juniper, rides a dappled mare Jennifer Juniper, lilacs in her hair Is she dreaming? Yes, I think so Is she pretty? Yes, ever so Whatcha doing, Jennifer, my love? I'm thinking of what it would be like if she loved me How just lately this happy song, it came along And I like to somehow try and tell you Jennifer Juniper, hair of golden flax Jennifer Juniper, longs for what she lacks Do you like her? Yes, I do, sir Would you love her? Yes, I would, sir Whatcha doing, Jennifer, my love? Jennifer Juniper Jennifer Juniper Jennifer Juniper Jennifer Juniper, vit sur la colline Jennifer Juniper, assise très tranquille Dort-elle? Je ne crois pas Respire-t-elle? Oui, mais tout bas Qu'est-ce que tu fais, Jenny, mon amour? Jennifer Juniper Jennifer Juniper Jennifer Juniper • Jenny went to India with the Beatles • How the Beatles influenced people to start meditating • How they were met at the airport by Mia Farrow • How the Beatles would come up with songs on the roof of where they were staying and a lot of those songs ended up on The White Album • What the book is about, which is that we all have a creative potential • One common thread explored in the book is the “muse” • Abraham Maslow coined the term “peak experience” • How many of the artist had never talked about before where their creativity comes from • How some of the artists said if they didn’t write the inspiration down when they had it, say in bed, then they would later hear it and someone else had actually “picked it up” and written it down • How when the inspiration visits, it visits, and you have to answer the call at that moment • How Paul creates starting with a visual, and that is the middle of the story, then you create by writing going back to the start and then the end • How the artists see themselves as just the messengers • How Jenny interviewed 75 artists • How it sounds like a great Netflix series • How it would be hard to do a book like this now • How Jenny had a calling card when contacting the artists • How the bands would get so connected to each other that they would all start on the same wrong verse together • How runners can tap into the peak experience as well • Jenny was in love with Buddy Holly when she was young • Jenny talks about her experience when John Lennon died • We talk a little about Catcher in the Rye, a book Paul has never finished • How artistic expression can move us in so many ways • Jenny’s website is: http://www.thejennyboyd.com/ • Paul asks for some of Jenny’s favorite songs: “Things we said today” by the Beatles [embed]https://www.youtube.com/watch?v=NItAlTsPuQg[/embed] "Things We Said Today" You say you will love me If I have to go You'll be thinking of me Somehow I will know Someday when I'm lonely Wishing you weren't so far away Then I will remember Things we said today You say you'll be mine, girl Till the end of time These days such a kind girl Seems so hard to find Someday when we're dreaming Deep in love, not a lot to say Then we will remember Things we said today Me, I'm just the lucky kind Love to hear you say that love is luck And though we may be blind Love is here to stay and that's enough To make you mine, girl Be the only one Love me all the time, girl We'll go on and on Someday when we're dreaming Deep in love, not a lot to say Then we will remember Things we said today Me, I'm just the lucky kind Love to hear you say that love is luck Though we may be blind Love is here to stay and that's enough To make you mine, girl Be the only one Love me all the time, girl We'll go on and on Someday when we're dreaming Deep in love, not a lot to say Then we will remember Things we said today “I put a spell on you” by Nina Simone [embed]https://www.youtube.com/watch?v=ua2k52n_Bvw[/embed] "I Put A Spell On You" I put a spell on you 'Cause you're mine You better stop the things you do I ain't lyin' No I ain't lyin' You know I can't stand it You're runnin' around You know better daddy I can't stand it cause you put me down Yeah, Yeah I put a spell on you Because you're mine You're mine I love ya I love you I love you I love you anyhow And I don't care If you don't want me I'm yours right now You hear me I put a spell on you Because you're mine “Further on up the road” by Bobby Bland [embed]https://www.youtube.com/watch?v=aRZCdJ4n60Q[/embed] Further on up the road, someone gonna hurt you like you hurt me Further on up the road, someone gonna hurt you like you hurt me Further on up the road, baby you just wait and see You got to reap just what you sow, that old saying is true You got to reap just what you sow, that old saying is true Like you mistreat someone, someone's gonna mistreat you Now you're laughing pretty baby, someday you're gonna be crying Now you're laughing pretty baby, some, someday you're gonna be crying Further on up the road, you'll find out I wasn't lying Yeah, baby, further on up the road, baby, hmmm, you'll find out I wasn't lying Further on up the road, when you're all alone and blue Further on up the road, when you're all alone and blue You're gonna ask me to take you back baby, but I'll have somebody new Hmmm, baby, further on up the road Hmmm, baby, further on up the road Hmmm, you'll get yours “Landslide” by Stevie Nix [embed]https://www.youtube.com/watch?v=1sQ7cuYgjzw[/embed] "Landslide" I took my love, I took it down I climbed a mountain and I turned around And I saw my reflection in the snow-covered hills 'Till the landslide brought me down Oh, mirror in the sky, what is love? Can the child within my heart rise above? Can I sail through the changing ocean tides? Can I handle the seasons of my life? Well, I've been afraid of changing 'Cause I've built my life around you But time makes you bolder Even children get older And I'm getting older too Well, I've been afraid of changing 'Cause I've built my life around you But time makes you bolder Even children get older And I'm getting older too Oh, I'm getting older too Oh, take my love, take it down Oh, climb a mountain and turn around And if you see my reflection in the snow-covered hills Well the landslide will bring it down And if you see my reflection in the snow-covered hills Well the landslide will bring it down, oh oh The landslide will bring it down • How Paul appreciates The Beatles’ songs more as he gets older • Paul tells his story about George Michael and The Beatles • One of Paul’s favorite Beatles’ songs at the time was Hey Jude, and he explains why • Paul talks about preferring Christine McVie over Stevie Nicks • Jenny talks about how Stevie Nicks joined Fleetwood Mack • How when Stevie joined the band it totally changed their sound • Jenny talks just a bit about her time at Villa Cappelli If you liked this podcast, we do a second recap podcast with Jenny in the next one. What do you think? Did we miss out on asking Jenny a question? What would you ask her? Let us know in the comments (and she just may respond herself!).
Silver Bells: Steve Martin, Paul Simon & Billy Joel From the moment Martin says that his child asks “Uncle Steve? What’s does Christmas mean to you?,” you’re right to infer that something is about to go very very wrong in this Saturday Night Live rendition of Silver Bells, which featured three artists at the top of their game in the 70s. Pay attention to the eggnog and booze gags, and mind your dime store Santa Clauses, they may be “laying a little groundwork for the future.” Twelve Days of Christmas: Bob & Doug Mackenzie Way back in the very first episode of this podcast, Bob & Doug came up (pursuant to Geddy Lee and his Canadian-ness): here we note their take on the Twelve Days, which include lots of beer, five golden touks (a Canadian word, look it up), and plenty of back bacon. It’s a hilarious (if sloppy) rendering. Centro-matic: Fuselage (It’s Starting to Look Like Christmas Once Again) Producer Mark drops in as we tackle Will Johnson and company’s take on the holidays, in which he coins the phrase “nicefully” (and it kind of works) and talks up strange family traditions. As someone who comes from a house with a few of those, this rang a little true for me. James Brown: Santa Claus Goes Straight To The Ghetto The Godfather of Soul lays out a laundry list of requests for Santa, specifically the stops he might make in the poorer parts of town, where kids don’t have as much to look forward to. Shane’s surprised by his ability to hear James Brown with fresh ears, while Kevin reminds us that James Brown put out all kinds of Christmas albums. The man was, after all, a cottage industry. The Pogues: Fairytale of New York Arguably one of my favorite Christmas tunes, the real fairytale here is that Shane MacGowan’s toothless mug and drunk-tank mumblings could romance Kirsty MacColl into such a beautiful duet about New York City. Our Shane reveals that he has something in common with MacGowan (other than name) in that he spends way too many Christmas days drinking in bars, while Ryan helps us with the pronunciation of Nihilism. The Pretenders: 2000 Miles Released as a B-side to Middle of the Road in 1983, this is NOT Chrissie Hynde’s expurgated version of the Proclaimers Scottish hit about walking a tremendous distance, although Hynde does admit “2000 miles, it’s very far.” The guys were clearly expecting something very different going into this one, even questioning why I would list it as a Christmas song. In the end, it all coalesces into agreement that this is a pretty song about Christmas. Wham: Last Christmas You know who writes a bad-ass Christmas song? Irving Berlin! His little known (and all forgotten) holiday nugget “White Christmas” seems to be the template upon which George Michael based the 1984 classic Last Christmas…Look I make no apologies for my love of WHAM! Shit, this isn’t just one of my favorite Christmas songs, it’s one of my favorite any-time songs. Bing Crosby/David Bowie: Little Drummer Boy/Peace On Earth Just as fucking weird and uncomfortable as i remembered…Funny or Die has a word for word re-make of it starring Will Farrell and John C. Reilly that highlights how truly odd it was. Elmo and Patsy: Grandma Got Run Over By A Reindeer Hadn’t heard it since I was 10. Not as funny as it was when I was 10. The Waitresses: Christmas Wrapping It’s rare that a novelty Christmas song reaches the ridiculous American cultural zeitgeist, yet proves itself as a tune that I’d like to listen to the other eleven months of the year. This is that song. While it’s undeniable that they’re mining similar territory as their most well-known non-yuletide hit, I Know What Boys Like, it still works. It’s infectious, and I look forward to hearing hit cut through the parade of rote sentimentality surrounding the season every December. REM: Christmas Griping What would you get if you crossed the percussion from Fleetwood Mack’s Tusk with a Christmas-themed version of The Beatles’ Revolution #9 and a cranky-pants approach to the holiday season? This. You’d get this. Not as unimpressive as I’m making it sound, this is still mostly notable as a novelty, released to their fan club in 1991. Lou Reed: Xmas in February A beautiful, if devastating, song, Xmas in February is barely a Christmas tune. It does contain the word “Christmas,” however, so I’ll take it. It’s Reed at his post-Velvet Underground best, chronicling the hardships of a Vietnam vet. It manages to be both beautiful and heartbreaking, and so evocotive of the gritty worldview he became synonymous with. Merry (post-) Xmas!
Hi there, gentle listeners! Ben & Cam are back with another #JustKingThings - this week they're tackling The Running Man starring Arnie. Sit back and enjoy their take on this glib future in which only Mick from Fleetwood Mack is willing to stand up to a totalitarian reality television-producing government. Subscribe on iTunes.