Podcast appearances and mentions of francisco diaz

#actualidad #militar #vehículos El Ejército de Tierra ha puesto en marcha un ambicioso proceso de modernización de su parque de vehículos tácticos ligeros mediante el lanzamiento del Programa VMTT – Iturri 4x4, destinado a reemplazar cerca de un millar de unidades Santana Aníbal y Nissan Patrol, que aún prestan servicio en numerosas unidades del Ejército y que, en muchos casos, han superado con creces su vida útil operativa. Gracias a Francisco Diaz, experto en jeeps ( https://www.unoeditorial.com/libros/historia-de-viasa-y-los-jeep-en-espana/ ) , conoceremos este programa de vehículos ligeros para el Ejército de Tierra. "EL JEEP: Nacimiento, desarrollo y antecedentes de un mito" *Francisco Díaz* https://youtu.be/jkTqRNSi_js COMPRA EN AMAZON CON EL ENLACE DE BHM Y AYUDANOS ************** https://amzn.to/3ZXUGQl ************* Si queréis apoyar a Bellumartis Historia Militar e invitarnos a un café o u una cerveza virtual por nuestro trabajo, podéis visitar nuestro PATREON https://www.patreon.com/bellumartis o en PAYPALhttps://www.paypal.me/bellumartis o en BIZUM 656/778/825

Uma conversa com Francisco Diaz, um indígena Cakchiquel da Guatemala, mudou para sempre o rumo do ministério de William Cameron Townsend e também do ministério global de tradução da Bíblia. Em 65 anos, desenvolveu seu ministério em vários países da América Latina, visitou muitos outros e fundou a Wycliffe, SIL e JAARS, organizações de apoio e fomento que juntas foram essenciais para a tradução de Novos Testamentos e Bíblias para mais de 600 línguas nos cinco continentes. Seja inspirado por essa história e ouça também os desafios da Guatemala hoje na voz do missionário Gary de León: https://apmt.org.br/missionarios/gary-de-leon-e-rachel Saiba mais em: https://wycliffe.org.br/ https://silbrasil.org.br/ https://jaars.org/ https://apmt.org.br

**Show notes ** Have you ever wondered if you should change how you eat during different phases of your cycle?  Do you get extra hungry the five to seven days before your period starts? Or does training sometimes feel a little harder during certain parts of your cycle? In today's episode, I talk about caloric and macronutrient needs during the menstrual cycle. I discuss the hierarchy of nutritional needs, how much you should eat, and the macronutrient requirements during the follicular and luteal phases of your cycle. I also share some key supplements that can help you train and perform across your cycle. What you will discover The Hierarchy of nutritional needs for female athletes The different caloric and macronutrient needs during the menstrual cycle Caloric intake considerations across the cycle Carbohydrates throughout your menstrual cycle Importance of Adequate Fat for menstrual function Protein throughout your cycle Do you need to supplement during your cycle? Featured on the show Referenced studies Gorczyca AM, Sjaarda LA, Mitchell EM, Perkins NJ, Schliep KC, Wactawski-Wende J, Mumford SL. Changes in macronutrient, micronutrient, and food group intakes throughout the menstrual cycle in healthy, premenopausal women. Eur J Nutr. 2016 Apr;55(3):1181-8. doi: 10.1007/s00394-015-0931-0. Epub 2015 Jun 5. PMID: 26043860; PMCID: PMC6257992. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6257992/ Wohlgemuth, K.J., Arieta, L.R., Brewer, G.J. et al. Sex differences and considerations for female-specific nutritional strategies: a narrative review. J Int Soc Sports Nutr 18, 27 (2021). https://doi.org/10.1186/s12970-021-00422-8 https://jissn.biomedcentral.com/articles/10.1186/s12970-021-00422-8 Sixtus Aguree, Laura E. Murray-Kolb, Francisco Diaz & Alison D. Gernand (2023) Menstrual Cycle-Associated Changes in Micronutrient Biomarkers Concentration: A Prospective Cohort Study, Journal of the American Nutrition Association, 42:4, 339-348, DOI: 10.1080/07315724.2022.2040399 https://www.tandfonline.com/doi/full/10.1080/07315724.2022.2040399 About Warrior School https://warriorschool.co Apply for Warrior School https://docs.google.com/forms/d/e/1FAIpQLSdS7OVobSu60FFc1pyIQVySKasuwjWvWnttTJOMRrgj6MLEPw/viewform Download my FREE bodyweight strength program https://amykatebowe.ck.page/9925443715 Related podcast episodes Episode 192: How your hormone affect your training (menstrual cycle years) Episode 169: Becoming a macro tracking maverick with Libby Wescombe Episode 168: What to eat before and after training Episode 129: How to fuel before and after training to get stronger and build muscle

Hablemos sobre Los muertos hablan en idioma forense, una obra biográfica en clave de tragicomedia negra, recopila en forma de anécdotas en extremo singulares, las dilatadas experiencias de Francisco J. Díaz (MD FCAP FASCP), Chief Medical Examiner, Office of the Chief Medical Examiner, en Washington, DC., patólogo de origen dominicano, con especialidades en patología forense y autopsias, patología anatómica y patología clínica.Sus vivencias acumuladas desde hace más de veinte años sin dudas harán estremecer al lector, a la vez que permitirán derribar de manera jovial, con fina ironía, ciertas imágenes preconcebidas en torno a las víctimas y sus disímiles circunstancias, a la hora de conversar en silencio con quien las examina detenidamente.

En este episodio, Francisco Diaz comparte su trayectoria profesional y su transición hacia el campo de Private Equity. Además, ofrece su perspectiva sobre el estado actual y el posible futuro de la industria, tanto en Colombia como a nivel global.

Francisco Díaz y Camila René Maggi son arquitectos, diseñadores e investigadores. Trabajan en Autofabricantes que es parte del Programa Laboratorio Cuerpo, Salud y Autonomía, una investigación enmarcada en la intersección entre arte, ciencia y sociedad con la finalidad de mejorar la salud y calidad de vida personal y de comunidades. Ellas trabajan por la por la autonomía personal y la plena inclusión en código abierto. Y no cuento más, porque quiero dejar a elles ponerle voz a este proyecto maravilloso. Esta entrevista es parte de las listas: Fablabs, Diseño y salud, Diseño sostenible y España y diseño. Y ahora vamos a empezar pronto una serie y una lista sobre Diseño inclusivo, donde también indexaremos esta entrevista.

Episode 260 is a special edition recap episode that highlights what we learned in season 5. This show is intended to help us gain perspective, so we can move more intentionally into season 6. “We need everybody pursuing intersectionality, environmentalism, sustainability — like, whatever you're latching onto in terms of progress, latch onto it, but do it in a healthy way that's manageable in the longterm.” -Diandra Marizet, ep 211 As I reflect on season 5, I would say there was a lot of GROWTH. Now, when I say growth, I'm doing my best to separate it from the capitalistic-driven mindset that surrounds us that aligns growth solely with economics and $$$$$. The growth I felt through season 5 was very contextual – it was about stepping back and truly understanding what is happening in fashion. The incredible guests that joined me through these episodes really challenged me to think beyond the fashion industry bubble, and to further understand how systems of oppression operate, how they impact the way fashion functions today, and how fashion in and of itself perpetuates these harmful systems through its origins and structure. Concluding Season 5 feels like an important step for me. It featured interviews with many guests that I admire deeply, and it really reminded me that if we don't slow down to understand how far we've come, we can't move forward with clarity and intention. The special episode weaves us through some of the highlights from the season – some of the quotes that made an impact on me, and that I continue to circle back to, in my continual quest to unveil and discover more about the intersections of fashion and sustainability. Quotes & links from the conversation: The Root: Decolonizing The Sustainable Fashion Agenda with Dominique Drakeford > “We need everybody pursuing intersectionality, environmentalism, sustainability — like, whatever you're latching onto in terms of progress, latch onto it, but do it in a healthy way that's manageable in the longterm.” -Diandra Marizet on episode 211 “I really push for the narrative of 'you are your own environmentalist' that includes Indigenous experiences, ancestral knowledge if you are Indigenous, cultural-based experiences for BIPOC individuals or just lived experiences that you've had that you don't resemble to environmentalism.” -Isaias Hernandez on episode 214 “Another thing that I love to always mention is to just not feel so lost in the consumerism part of sustainability, because that goes back to colonialism, that goes back to the mindset of capitalism where people think they have to purchase in order to be a part of something, and I always love to mention that we were brought to think that we were the problem because corporations didn't want to take accountability for their mistakes, but in actuality, we are the solution.” -Reza Cristián on episode 213 “Angela Davis said in a recent conversation she had with Yara Shahidi that there's a difference between having information and having knowledge … you can Google something and have information about avocado pits but you're not suddenly the expert or the most knowledgeable on the subject — and I think people need to start to reflect on that and the differences there and really pay homage and give credit to and space to the actual experts and the actual folks who hold the knowledge and the understanding of these practices.” -Katie Pruett on episode 217 “Especially now, with things really coming to a tipping point of sorts, with so many different environmental and social issues — I think people still need to continue to have hope, because the main point of destructive or oppressive systems is for people to become weary and to become hopeless.” -Maya Penn on episode 218 “For me, disruption is about recognizing systems because you study them, and then committing in the perennial marathon effort to see where there's room and a need for radical reimagining.” -Kimberly McGlonn on episode 219 “Fashion is in the business of creating culture — we are culture creators — that is an immense power that we have is the influence of creating communities in culture. And, the fact that we have an opportunity to shape what the next culture becomes is a tremendous privilege, yet unfortunately I constantly see that we are taking that privilege for granted — we are not using it to the best of its ability. And that is why now that I'm slowly building this brand, I want to make an impact toward the change this industry deserves.” -Selina Sanders on episode 222 “Really the biggest achievement of all to-date was making this sort of bold decision to pivot our business model to operate entirely direct-to-consumer, and I think really now — our values and our business model actually align.” -Maggie Hewitt on episode 223 “In sciences, and especially the environmental sciences, we think of everything as a system. Everything is interconnected and there are ramifications for every decision made, every act that's taken, every resource used, and even social systems play into that — which is part of the reason why I loved the environmental sciences so much, because you see how this theory or this phenomena impacts people on a day-to-day, and then you can figure out — is this a balanced system or is this co-beneficial and things like that. And so, in my business, I look at it exactly the same way.” -Gina Stovall on episode 224 “We pride ourselves in providing tools, resources, highlighting thought leaders, sharing about changemakers and being a source for Indigenous perspective on society's current events — and that is us providing our community with what's needed to reclaim one's culture, reclaim identity and reclaim Indigenous story through accurate representation.” -Chantel Keiko Ricks on episode 225 “So much of what we do is working with frontline organizers, so that they can tell their own stories — inviting them to come write for us, creating space so that they're not just quoted in an article, but they're writing the article. And I think that there's sometimes hesitance to do that in the media industry, out of this sort of obsession with objectivity — I think is honestly what sometimes drives some of that. And we do that in a way that, we're not here to necessarily push an agenda, but we're here to give people space to tell their truth, tell their stories and to educate the public about the battles that many of these people are fighting.” -Yessenia Funes on episode 227 “In most of the societies, cloth is just, it's essential, it's considered something that contains the human spirit and it's the layer next to the skin — you know, it has all those meanings. And cloth is essential from what you're wound in the moment of birth to what you're wound in at the grave.” -Catherine McKinley on episode 228 “Because engineering is often about innovation and about the future, we're never told to study the past or even the current systems — it's always about create, create, create more, innovate more and think about the future. But again, if we don't take into account that context and that history, then we're just going to perpetuate those same problems over and over again.” -Kiana Kazemi on episode 230 “I think the narrative of the sustainable fashion world when it first became trendy was that you had to be disciplined in your approach to sustainable fashion, and I think that sort of also paralleled the need to streamline your color. But, now that people are starting to realize that sustainable fashion doesn't only mean shopping from curated capsule wardrobe brands — they're also seeing that they can go thrifting, and find these really cool, fun textures and repurpose the stuff that they're already wearing … it's really cool to see that color and those textures playing out right now in sustainable fashion, because it feels in a way with all of this color, more inclusive.” -Kara Fabella on episode 232 “We're gonna be really vocal with our platform to show people that we don't need to be following these trends. I think trends is what has pushed this overconsumption in massive amounts. And there's the misconception that trends are the only fun clothes you can use — like trendy clothes equal fun and sustainable clothes equal boring, which is absolutely not the case at all.” -Lottie Bertello on episode 234 “I'm trying to reclaim the word influence because I think the word is so special and so powerful. Like I said earlier — it's such an honor to be able to influence others to do things. Like with all things with capitalism, it just takes it and commodifies it, but I think we can go back to the definition of what influence is, which is to have an effect on others, and I want to be a positive influence and a good influence to encourage others to think new ways and try new things and be encouraged and be empowered.” -Jazmine Rogers on episode 238 “Nowadays, sustainable or sustainability — it means different things to different people. To you, it might mean plastics and to me, it might mean human rights or circularity or carbon. You know — it's so broad. I just think we need to move away from this broad brush approach to the subject and I guess, be more specific with which issues actually we're trying to tackle.” -Lauren Bartley on episode 239 “The society in which we live in is very much a result of the rules of our society — in that, it is people who change the rules, who create them and can change them, I should say. And so, I think that was definitely my biggest takeaway, is like, nothing about this system that we live in right now is inevitable. You know, where women garment workers are exploited and we're just trashing rivers and throwing up climate change-causing emissions into the air and creating this product that isn't making us happy — that's not an inevitability, it's just the systems of rules that we create and have to change.” -Maxine Bédat on episode 240 “This is where I feel the creativity is lacking — because generally, when you're making a product, your creativity is only bound and limited to what's viable to commerce, to how you can sell that creativity, so therefore, you cannot be fully creative if it doesn't sell, if it's something that doesn't make money.” -Akilah Stewart on episode 241 "It's about connection, connecting to everything you do and having an alternative way of looking at things. Whether it be a relationship with another being or another person or a relationship with the plants or a relationship with any aspect — anything that you interact with in the supply chain. So, when we talk about agriculture, it's about the soil, it's about ecosystems, it's about the biodiversity, it's about the animals. You know, it's not just about *not* adding chemicals — it's about recreating something which we have destroyed for years and years and years." -Nishanth Chopra on episode 242 "Self care should be an everyday thing, and it almost should be an every moment thing — like every thing that you're doing is with intention to support yourself, to preserve yourself, so that you can then continue to go on to live your life's purpose, whatever that may be." -Julia Perez on episode 243 “I wanted to fill the gap of showing that you can consume less and it can actually be fun and it doesn't have to be a sacrifice — which, like society has made it out that way — like we have to be in this constant search of more, when in fact, the opposite can actually be a very fruitful and rewarding endeavor.” -Alyssa Beltempo on episode 244 “I think no one's really attempted to make fashion rental about the sharing economy, to make it about women sharing with each other. It's always been seen more as a “oh, I want to wear designer clothing” or “oh, I want to wear something new” or “oh, I have a charity gala or a ball to go to”. It's always been for those sort of reasons — it's never really addressed the fact that we all have enough fashion in our existing wardrobes.” -Eshita Kabra-Davies on episode 245 “Fashion was never just about the garment or the clothes — I felt like it really is an ethos. Like fashion is about the restaurants you like to eat, the movies you like to watch, the museums you go to with your friends on the weekend, where you like to travel to on holiday. And creating this world of evolution, because as we get older, we change; we're evolutional beings, and how our wardrobe is affected by that.” -Nia Thomas on episode 246 “I think of something like ribbon work in my culture — like every color of the ribbon means something, or maybe it represents someone in your life or like you said, intention is first and foremost. How it looks is important, but why it's there is even more important. And so, I'm drawn to anyone who also approaches design that way.” -Christian Allaire on episode 247 “While it's mainstream now, it's important to recognize where it comes from, and the adversity that was faced from doing so back in the day. You know, we're at a point where it's a little more accepted, which is amazing, but before we go into marketing everything as genderless, I think it's important to know the struggle that came from crossdressing or drag or even participating in genderless fashion to begin with.” -Isiah Magsino on episode 249 “We have these brands, and we have people kind of saying — ok, I need to tick this box and I need to do this and I need to make sure that I have women of color in our photo shoots and our editorial campaigns, and I need to make sure x, y and z. And that to me is why diversity is tokenistic, because it's not happening from the roots, it's not happening from the foundation, it's not happening from a system that was built by BIPOC and for BIPOC.” -Natalie Shehata on episode 250 “I think right now — what nonbinary fashion means to me is just dressing the way that I want to dress without worrying about how the fashion industry would label it or how the person that maybe created it would label it, and just focus more about how it feels on my body or how it aligns with how I want to express myself at the time. So, sort of living outside of any of the labels and just focusing on what feels great to me.” -Francisco Diaz on episode 251 “Part of the sourcing is seeing what's abundant out there and kind of designing around that.” -Sara Gourlay on episode 252 “You think about all the different areas that touch fashion and fashion, in respect, it touches as well. You've got immigration, you've got trade, you've got tax issues, you've got water resource issues, you have sustainability issues, you have labor issues, you have a myriad of issues that are currently handled in Washington in a dozen different agencies. So, the idea of the fashion czar was to pull someone who could look at all these different spaces (sort of at the 30,000 foot level) and say — 'okay, here's where we need to have everyone come together'.” -Hilary Jochmans on episode 253 “Preloved is very much a word down here — we don't understand the term deadstock. There is no such thing. If it can hold together, it can be used in a quilt. If it doesn't shred in your hand, it can be used in a quilt, you know. It just depends on the person and their personal taste for doing things. Like I said, we grew up — if your zipper tore, we fixed it. If you had a hole in your pocket, we mended it. If your pants were too short, we lengthened it. If they were too long, we hemmed them. If you had a hole in your knee, we took our time, found a really old pair that were no good anywhere else, and we took time and we patched them. So, sustainability down here is just basically a way of life.” -Mary Margaret Pettway on episode 255 “We want to offer products that are going to last for decades and for generations and that are well made, and those are the values that we want to enforce and support as a company. And so, we have made that choice — that's the kind of promise that we want with the products that we sell. On the other hand, I don't shame anybody who feels that they need to shop some of these [fast fashion] brands, because sometimes, the people who are the most price-constrained, they are the best at taking care of their clothes for a long time.” -Shilla Kim-Parker on episode 256 “The people that are currently in the industry — they say diversity and inclusivity, they say sustainability but they don't really know what it is, so for me — let me catch the kids when they're younger, right? So that when they get into the industry, they're not cultural appropriating, they are thinking about hiring diversity within their teams, they are thinking about, you know, what are some systems that I can put into place to make sure that this brand that I'm working for is ethical, has a corporate social responsibility, and is sustainable all at the same time.” -Farai Simoyi on episode 257 “We have to ask ourselves — on a planet where there is not endless resources, is this the attitude that we want to lead ourselves into the future on? If we are really approaching planetary limits, I think it's actually time for us to maybe have some cultural shifts in how we view what is enough and what we should want out of life.” -Aja Barber on episode 258 “Our thirst for change is unquenchable — and the more that people feel like they have agency in that, is the more that degrowth becomes possible.” -Georgina Johnson on episode 259 “We have to be willing to discuss how the human experience is so much more nuanced than just — this is good, this is bad, and you gotta be on either side of the aisle or you're wrong. It's: we're all human, we all need to do better, and the ways we're gonna dismantle the system are by changing the way we approach consumption, being more mindful to reuse the things in our lives, but also being patient with ourselves as we slowly make that transition.” -Mikaela Clark on episode 235

In episode 251, Kestrel welcomes Francisco Diaz of CiscoSews to the show. An upcycling designer, Francisco created CiscoSews, a slow fashion sewing studio, to experiment with garment making. “There is just so much waste right now that we're all seeing that we need to slow it down and reuse, and focus less on having the perfect brand new piece — that's never going to happen.” -Francisco   On the show, we're always searching for context and looking for definitions to help support the ideas we talk about. At the same time, the more I learn - and let's be real - the more I UNLEARN from the binary-put-everything-inside-a-box culture around us, the more I realize that in many circumstances, we must welcome a myriad of definitions. One question we ask on this week's show is — What does nonbinary fashion mean to you? I think we often fail to welcome that myriad I mentioned, when we think about nonbinary fashion. Nonbinary does not always mean androgynous. Nonbinary fashion can look feminine, masculine, neither or both. This week's guest is all about living outside labels, and truly embracing what feels good to them, on the daily. They also happen to be a super creative slow fashion sewing genius. Throughout our chat, they share more on how ditching the fashion binary has opened up more avenues for creativity to flow, in their upcycling design process. Quotes & links from the conversation: “Just being open to different possibilities is really good for my creative process.” -Francisco “I think putting too many boundaries on myself — boundaries are definitely important and there's a lot of them in sewing — but having as much of an open mind as you can with these different pieces will definitely help you out in the creative process.” -Francisco Friday Pattern Company “I think right now — what nonbinary fashion means to me is just dressing the way that I want to dress without worrying about how the fashion industry would label it or how the person that maybe created it would label it, and just focus more about how it feels on my body or how it aligns with how I want to express myself at the time. So, sort of living outside of any of the labels and just focusing on what feels great to me.” -Francisco “I think it frees my design process — I think it almost just opens more avenues for creativity to flow and it sort of stops the blocks of trying to fit into societal expectations of what people would wear.” -Francisco CiscoSews Website > Follow Francisco on Instagram > This week's episode is sponsored by Ana Luisa, the first direct-to-consumer jewelry brand to become carbon-neutral. If you're interested in checking out Ana Luisa, you can use code CHATTER to get 10% off.

Francisco Diaz is an artist, slow fashion sewist, and upcycler extraordinaire! In this episode, we pick their brain about sewing with thrifted fabrics, painting and drawing on garments, earth day goals, queer creator collabs, and more.

US Capitol Police Officer Brian Sicknick suffered strokes and died of natural causes one day after responding to the January 6 insurrection at the US Capitol, Washington DC's chief medical examiner has determined. The medical examiner, Francisco Diaz, didn't note any evidence that Sicknick had an allergic reaction to chemical spray or list any internal or external injuries, according to The Washington Post, which first reported the ruling. Still, Diaz told the newspaper that "all that transpired" on January 6 "played a role in his condition." The ruling all but ensures that the Justice Department won't be able to pursue homicide charges in Sicknick's death.To learn more about how CNN protects listener privacy, visit cnn.com/privacy

...o la bestial versión del éxito de Etta James, mejor estar ciega que verte marchar. Selwyn Birchwood será de Miami pero rockea como si estuviera en el infierno, como la joyica Joyann Parker con su Hit Me Like A Train o la clara sentencia de Amythyst Kiah, reivindicando su color. Otra que se reivindica es la gran Loretta Lynn, que a sus 88 años deja canciones de lo mejor de su obra en su último disco. ¡Genial la versión del gospel de Hank Williams! Rob Leines saca la pistola del country rock y nos deja otro disco para la gloria de sus conciertos, Blood, Sweat and Beers (sangre, sudor y cervezas). Acabamos con un tren de honky tonk de Mac Leaphart y te dejamos un bonus en mexicano del chileno Francisco Diaz, Frank Jacket, de su disco You Say Adiós.⦁ Rosedale Junction, Chasin' the Devil Blues ⦁ Rosedale Junction, I'd Rather Go Blind ⦁ Selwyn Birchwood, Through a Microphone ⦁ Selwyn Birchwood, One More Time ⦁ Joyann Parker, Carry On⦁ Joyann Parker, Hit Me Like a Train ⦁ Amythyst Kiah, Black Myself ⦁ Loretta Lynn, Still Woman Enough (Feat. Reba McEntire and Carrie Underwood)⦁ Loretta Lynn, I Saw the Light⦁ Rob Leines, Rock 'n' Roll Honky Tonk Life⦁ Rob Leines, Saturday Night ⦁ Mac Leaphart, That Train⦁ Frank Jacket, Dices Adios

In Episode 61 of the Close Knit Podcast, the first episode of 2021, I spoke to Francisco Diaz of Cisco Sews. Francisco is a multidisciplinary creative craftsman with a keen visual eye. A sewing newbie focused on second-hand upcycling and material transformation. Francisco aims to be constantly trying new things, sustain imperfect sustainability and remain queer af.Francisco and I covered a ton of ground in this episode, and I loved every minute. We talked about gender expression and dressing in a way that feels (and is) safe, and how this sense of safety can be modulated by community. We discussed how our creative expression is shifted by the area around us - in Francisco’s instance, the difference in their creative expression between their time in LA and in their current home in Arizona. We discuss our perception that attitudes, in general, toward thrifting and sustainability have shifted over time and how the upcycling community has grown after the past decade or so. Francisco talks me through his approach to upcycling and how he first got into making his own garments, taking inspiration from the online fashion community, and finding ways to make his own garments through trial and error. We talk about the well-intentioned advice-giving that is widespread within the making community, and how sometimes, we just want to make the mistakes on our own and learn as we go. Francisco explains to me how they believe that social media has accelerated the learning process for many when it comes to making & upcycling, but that they themselves can also feel constricted by social media norms when it comes to expressing their identity and their making process with nuance and care. He has also at times felt pressured to sell his work, a feeling that has sometimes stripped some of the joy of making for him. (In case it’s not obvious, I related to a lot of what Francisco spoke to!) Francisco’s work is just phenomenally beautiful - I love the way he has cared for and nurtured both his dressing identity and his curiosity about garment construction and sustainability through his sewing practice. Be sure to browse Francisco’s Instagram for loads of lovely garment-making inspirations & stop by his site to read his wonderful interviews with other makers in the community!

Hoy conversamos con Francisco Díaz, Abogado y Jaime Campos, Abogado y Notario, ambos postulados por el Centro de Estudios Jurídicos CEJ como candidatos a magistrados de la Corte Suprema de Justicia CSJ.

Presentado en el programa "Atardecer con Cristo" del 2/11/21 por Rayos de Misericordia

Hoy en nuestro estudiio Francisco Díaz, Abogado consultor, preside la Fundación para el Desarrollo de las Ciencias Sociales FUDECSO, y coordina la Red por una Agenda Básica para un Pequeño País (ABPP) para conversar de coyuntura política y legislativa.

Hoy hablamos con Francisco Diaz, emprendedor y fundador de CastingDF y Expo Casting DF, sobre el rol de las plataformas digitales en casting y cómo pueden llegar a cambiar la industria, así como de algunos de los esfuerzos que se han hecho en México por introducir nuevas maneras de audicionar.  Platicamos sobre la importancia de apoyarnos entre nosotros como actores y el valor de la colaboración entre diferentes personas del medio. Sigue a Francisco en Instagram o Facebook.¡Visita CastingDF!Sígueme a mi: @sofiaruizactor O nuestro instagram: @sobreactuandopod ¡Si tienes sugerencias de temas, mándame un mensaje directo por Instagram! Y si tienes un segundito, regálanos una reseña en tu app de podcasts, así le podremos llegar a más actores y futuros actores ;) Este episodio es producido por Flowerhouse Productions, visita nuestra página en flowerhousefilms.comMúsica de Text Me Records del YouTube Audio Library.

Being prepared is your best defense. Get expert advise on how to prepare your home and family ready for any disaster that may come to your way. Know your evacuation zones, what supplies you need and what are the important part of the house that you need to check. Join our hosts Katrina Madewell and Leo Cannyn together with guests Francisco Diaz of Heaven sent construction, Laura Wilcoxen Pasco County Emergency Management Assistant Director and Corey Dierdorff Pasco County Fire Rescue Public Information Officer  

Francisco is a software architect with over 15 years of experience and was nominated to Forbes 30 under 30. He is currently the Co-Founder and Head of Product at Bowhead Health - a health technology startup focused on removing the pain points and inefficiencies of preventive health management. Bowhead is launching a connected device that will enable at-home biometric testing of critical nutrients and hormones, real-time recommendations from health care professionals and the dispensing of personalized supplements and vitamins. Bowhead is leveraging blockchain technology to ensure the anonymity and security of medical and health data. --- Support this podcast: https://anchor.fm/georges-khalife/support

Last week we were joined in Manchester by Sarah Smith, Chris Brown and Francisco Diaz, 3 investors who have all taken different approaches to managing their growing portfolios. That's what we focus on in this episode, talking about the pros and cons of self-managing vs using an agent, and how to know when it's time to get help with your properties. *********** Interested in our own property projects? Keep up to date with everything we're working on at our Instagram page - https://www.instagram.com/insidepropertyinvesting/

Conversamos en nuestro estudio con Francisco Díaz, Superintendente de Competencia y Marlene Tobar, Intendente Económico de la Superintendencia de Competencia; sobre el estudio de mercado eléctrico y compras y ventas en el mercado cervecero.

Conversamos en nuestro estudio con Francisco Díaz, superintendente de Competencia en su segundo periodo al frente de esta cartera de estado.

Conocimos más del trabajo que realiza la Superintendencia de Competencia es una institución autónoma, que depende directamente de la Presidencia de la República y conversamos con el Lic. Francisco Díaz Superintendente de Competencia.

Conversation recorded with Francisco Díaz in Santiago de Chile on August 30, 2014 http://the-archipelago.net/2014/09/20/francisco-diaz-who-cares-for-chilean-cities/