Podcasts about textiles

El Gobierno eliminaría el arancel para la importación de hilos y textiles así afectaría esta medida al país

“Magdalena Abakanowicz” La trame de l'existenceau Musée Bourdelle, Parisdu 20 novembre 2025 au 12 avril 2026Entretien avecOphélie Ferlier Bouat,directrice du musée Bourdelle,et commissaire générale de l'exposition,par Anne-Frédérique Fer, à Paris, 17 novembre 2025, durée 17'16,© FranceFineArt.https://francefineart.com/2025/11/20/3670_magdalena-abakanowicz_musee-bourdelle/Communiqué de presse Commissariat général :Ophélie Ferlier Bouat, Directrice du musée BourdelleCommissariat scientifique :Jérôme Godeau, Historien de l'artAvec la collaboration de Colin Lemoine, Historien de l'artAssistés de Margaux Coïc, Assistante d'expositionLe musée Bourdelle présente la première grande exposition dédiée à Magdalena Abakanowicz en France. Artiste majeure de la scène polonaise du 20e siècle, Abakanowicz (1930-2017) a connu dès son plus jeune âge la guerre, la censure et les privations sous le régime communiste. Elle a livré des sculptures et des œuvres textiles immersives, poétiques, parfois inquiétantes, souvent politiques. Inspirée par le monde organique, par la sérialité et la monumentalité, sa création possède une puissance et une présence indéniables, en résonance avec les problématiques contemporaines – environnementales, humanistes, féministes. Radicale et pionnière, l'œuvre d'Abakanowicz a été régulièrement exposée à l'étranger, des États-Unis au Japon en passant par l'Europe, et plus récemment à la Tate Modern de Londres et au Musée cantonal des Beaux-Arts de Lausanne. Le musée Bourdelle propose des clés de lecture biographiques et historiques à travers un parcours chrono-thématique de 70 ensembles – 33 installations sculptées, 10 œuvres textiles, dessins et photographies.Dans les 600m² de l'aile Portzamparc, dont les murs de bétons ont été rénovés pour l'occasion, l'exposition met l'accent sur la production sculpturale d'Abakanowicz afin de redonner à l'artiste sa place parmi les grands sculpteurs du 20e siècle. Le sous-titre de l'exposition, « La trame de l'existence », associe deux termes employés par l'artiste pour définir son œuvre. Elle envisageait le tissu comme l'organisme élémentaire du corps humain, marqué par les aléas de son destin.Fruit d'un travail de trois années, le projet bénéficie du soutien actif de la Fondation Marta Magdalena Abakanowicz-Kosmowska et Jan Kosmowski de Varsovie, de l'Institut polonais et de l'Institut Adam Mickiewicz. Les principaux prêteurs sont la Fondation Marta Magdalena Abakanowicz-Kosmowska et Jan Kosmowski de Varsovie, la Fondation Toms Pauli de Lausanne, le Musée central des Textiles de Łódź, la Tate Modern de Londres, le Musée d'art contemporain de Cracovie et le musée d'Art moderne de Paris.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dr. Kylie Peppler of UC Irvine joins the podcast to discuss the deep connections between art, technology, and learning. She explores how playful learning—from toys to AI—can foster creativity and student agency. Dr. Peppler also offers educators a framework for embracing AI as a creative tool rather than something to fear.Connected Arts Learning: Peppler, K., Dahn, M., & Ito, M. (2023). The Connected Arts Learning Framework: An expanded view of the purposes and possibilities for arts 99learning. The Wallace Foundation.Recrafting Computer Science: Speer, S., Huang, J., Yankova, N., Rose, C., Peppler, K., Orta-Martinez, M. (2023) RoboLoom: An Open-Source Loom Kit for Interdisciplinary Engagement in Math, Engineering, and Textiles. The ACM Symposium on User Interface Software and Technology (UIST) 2023. San Francisco, CA.StoryAI: Han, A., Zhou, X., Cai, Z., Han, S., Ko, R., Corrigan, S., & Peppler, K. 2024. Teachers, Parents, and Students' Perspectives on Integrating Generative AI into Elementary Literacy Education.STEAM: Peppler, K., & Thompson, N. (2024). Tools and materials as non-neutral actors in STEAM education. Journal of the Learning Sciences, 1-38E-textiles: Peppler, K. & Bender, S. (2013). Maker movement spreads innovation one project at a time. Phi Delta Kappan, 95(3), pp. 22-27.Scratch (scratch.mit.edu): Peppler, K. (2010). Media arts: Arts education for a digital age. Teachers College Record, 112(8), 2118–2153.Connected Learning Lab - UC Irvine, research institute bringing together researchers across social, cultural, and technical fields, currently focused on: Digital Wellbeing, Research-Practice Partnerships, Neurodiversity and Learning, and Growing Up with AI.Build Lab, program at St Christopher's School combining the best of STEM/STEAM approaches with a broad, skills-based, project-centered focusATLIS AI resourcesChristina's husband Richard's grandfather, Verne Lewellen, Green Bay Packer | Photo of Richard with cousins

How can a reusable pad company address education, employment, and environmental waste simultaneously? In this episode, Madhvi Dalal, founder of PadMad, talks about why and how she built a social enterprise to tackle period poverty in Kenya, a country where 65% of women and girls cannot afford menstrual products. This crisis leads to girls missing school and exams, forces them to improvise pads with unhygienic materials, and leaves them exposed to be taken advantage of. Madhvi walks us through PadMad's three-pillar focus: education, running workshops in schools and workplaces to break stigma and provide information. Empowerment, employing marginalised women to manufacture the pads. And environment, creating reusable pads from textile waste to reduce plastic pollution. You'll also hear how this model has scaled to impact over 150,000 people and prevented millions of disposable pads from polluting Kenya's environment.

What if one solution to fashion's waste problem is literally growing on our own heads? Every day, salons around the world toss out millions of pounds of freshly cut human hair — a clean, protein-rich, renewable resource that mostly ends up in landfills or incinerators. But what if that so-called waste could become the next sustainable textile? My guest on this episode, Zsofia Kollar, is the founder and CEO of Human Material Loop, a Netherlands-based startup turning salon hair waste into a high-performance fibre that behaves like wool — but with 43 times lower CO₂ emissions, 20 times less water use, and none of the animal cruelty or plastics. Their branded fiber, called Adara, is already being spun into things like carpets, curtains, and acoustic panels — and it's made from something we all grow ourselves. In this conversation, Zsofia and I talk about how she got the idea to build an entire materials company out of human hair, how her technology works, why hair is such a strong and versatile material, the "ick" factor of human-derived fibres, and how she's scaling her model so that salons and HML benefit alike. If you think using human hair in textiles sounds strange, stick around — because by the end of this episode, you might just want a carpet made from your own cut-offs. I'll let Zsofia make the case. Discussed in this episode Washington Post coverage of Human Material Loop's work. Vogue and CNN have covered their work, too. Zoroastrians sometimes practice sky burial on a Tower of Silence, in which vultures are allowed to consume a recently deceased human. Our past episode on human composting with Recompose. Get to Know Zsofia Kollar Zsofia Kollar is a forward-thinking entrepreneur passionate about sustainable innovation. Science and design are crucial in the company's development. After her experience running an independent design studio, Zsofia was driven to reimagine waste management, focusing particularly on hair waste. Her goal is to foster collaboration and innovation for a more sustainable future. Human Material Loop demonstrates that sustainability and economic growth can coexist. Zsofia's dedication extends beyond her CEO role—she's also a published author and university lecturer, inspiring others in design and sustainability. Her vision entails holistic sustainability, where science, design, and collaboration reshape waste management and drive innovation. 

Starbucks workers launch strike across some SoCal locations on Red Cup Day. We'll bring you the latest on the storm to hit SoCal. An L.A. based artist turns 40 years of wrongful imprisonment into powerful textiles. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!Support the show: https://laist.com

Invité : - Christophe Revel, fondateur de L'Effet Clochette Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invité : - Christophe Revel, fondateur de L'Effet Clochette Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:13:27 - Carnets de campagne - par : Dorothée Barba - "La réparation est un geste politique", affirment les deux fondatrices de la Pleïade, atelier de réparation de vestes, doudounes, duvet et autre matériel de montagne dans les Hautes-Pyrénées. Egalement au programme des Carnets : le prix "ils changent le monde" de la Fondation Terre Solidaire. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode I'm talking to Rachel Whitworth, the curator of Fashion and Textiles at The Bowes Museum in Barnard Castle.  Find out about the Mary Linwood project and events programme Find out more about the Stitch Weekend, 22nd - 23rd Nov, Leicester Guildhall Find out more about my Maker Membership Join Ruth's email list Visit Ruth's website

This week on Everybody in the Pool, we're rethinking how clothes, shoes—and even car interiors—get made without plastic. My guest is Maria Intscher-Owrang, CEO and co-founder of Simplifyber. Her innovation takes plant fibers + water, then forms finished 3D shapes in a single step—skipping spinning, weaving, cutting, and sewing. We get into:What's broken about fossil-based textiles (cost curves, subsidies, and why polyester took over)How Simplifyber's cellulose slurry + compression molding works—and why it cuts waste dramaticallyEarly results: an LCA showing up to 30× lower impact for shoe uppers vs. standard constructionPerformance and durability (including why these parts can survive sun/heat/humidity in car interiors)Unit economics: cost parity at scale via tooling (and why higher volumes matter)Beachhead products: GANNI “moon shoe” uppers and a Kia EV2 concept interior, now moving toward productionWhat this could mean for labor, local supply chains, and using regional feedstocks (cellulose everywhere)Links:Website Simplifyber: https://www.simplifyber.com/LinkedIn https://www.linkedin.com/in/maria-intscher-owrang-3278a07/All episodes: https://www.everybodyinthepool.com/What you can do to help: Subscribe to the Everybody in the Pool newsletter: https://www.mollywood.co/Become a member and get an ad-free version of the podcast: https://everybodyinthepool.supercast.com/ Hosted on Acast. See acast.com/privacy for more information.

 WKNC's Evie Dallmann speaks with Amanda Mills from the NC State Wilson College of Textiles about the evolution of smart textiles and the wearable electronics. ★ Support this podcast ★

 In this inspiring episode, Minnesota 4-H State Ambassadors Caydence and Ryanna sit down with Minnesota 4-H alumna Dr. Rebecca Van Amber, a global leader in sustainable fashion. From her early days in 4-H to becoming a Senior Lecturer at RMIT University's School of Fashion and Textiles in Australia, Rebecca shares how 4-H shaped her leadership skills and made her beyond ready for a career that's transforming the fashion industry. 

Invités : - Thomas Huriez, fondateur de 1083 - Bixente Demarcq, fondateur de Darwie - Julien Honnart, fondateur de Klaxit et entrepreneur - Davy Dao, fondateur de Dao Jeans Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Thomas Huriez, fondateur de 1083 - Bixente Demarcq, fondateur de Darwie - Julien Honnart, fondateur de Klaxit et entrepreneur - Davy Dao, fondateur de Dao Jeans Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In Episode 336, Kestrel welcomes author and visionary changemaker, Carry Somers, to the show. Co-founder of Fashion Revolution, the world's largest fashion activism movement, and the author of a new book – The Nature Of Fashion: A Botanical Story Of Our Material Lives, Carry has worked across the fashion space in various capacities, advocating for a shift towards transparency, fairness, and sustainability in supply chains. "Textiles reflect our connection with the natural world, but they're not just about utility. They're definitely about beauty as well. But they're also really an echo of our disconnection from it. And I realized during my research that that rift actually started far earlier than I'd ever realized." -Carry THEME —BRINGING NATURE BACK INTO THE FASHION FOLD There are various theories on what has led to the so-called disconnect between humans and nature – not only physically, but also ideologically. Amidst the fashion conversation, it's not necessarily prioritized. We may hear environmental advocates pushing for an expansion in the narrative to ensure humans are included as an integral part of nature. Or we may hear discussions about why we must reconnect with nature in order to better care for it.  As this week's guest, Carry, teaches us – textiles are an integral part of this story – and they can tell us far more about our relationship with nature than we ever imagined – from both a historical and future-oriented lens.  This two-part focus of the podcast is inspired by her new book – The Nature Of Fashion: A Botanical Story Of Our Materials Lives. The theme is: BRINGING NATURE BACK INTO THE FASHION FOLD.  If you know me, you know I get very nerdy about words and their layered meanings. Which is why reading this segment from Carry's pulled me deep into the pages that followed –  "The Latin verb texere, meaning to weave or construct with elaborate care, reminds us that both textiles and texts stem from acts of creation. Textiles and texts, born of the same etymological thread, are entwined with our histories, our cultures, our lives." The beautiful thing is that these overlaps between textiles and texts – materials and stories – goes far beyond just Latin. As our guest shares, they both evoke texture and encode memory, and through her research, she discovered that across various cultures around the world, there are parallels in both language and meanings, connecting textiles with texts. So, it becomes more and more clear that textiles have something significant to teach us about our collective history and future. At the same time, as my guest reminds us, the inequity of the archives became glaringly obvious the deeper she got into her research. So, in her book, *data collection* meant something more expansive than what we might be used to. For her, it was rooted in research, while also welcoming imagination and prioritizing oral traditions.  As she poses in the book – "what if the story of humanity could be told through a single thread?" "Balance is not a place to reach, but a rhythm to feel." -Carry in her book Buy The Nature Of Fashion Carry's Website Follow Carry on Instagram

René Camarillo is a Mexican-American craftsperson from East Los Angeles whose practice resists the hierarchies of the art world. Trained in apparel design at LA Trade Tech, fiber and material studies at Cal State LA, and textiles at RISD, Camarillo positions weaving and garment-making as acts of cultural inheritance, labor, and community survival rather than commodities of privilege. In this conversation, Camarillo reflects on rejecting the label of “artist,” his experience with exploitation in fashion and sweatshops, and the deep political stakes of textiles in shaping both history and everyday life. The dialogue explores craft versus fine art, sustainability, gentrification in Lincoln Heights and El Sereno, and the importance of teaching weaving, dyeing, and self-reliance through Grow Lincoln Heights and his brand Dust of Course. With a Fulbright in Japan to study indigo farming, Camarillo embodies a practice that is at once monastic, technical, and communal—insisting on fundamentals in a moment dominated by spectacle and commodification.

Send us a textHow have women used textile work to create meaning and purpose in their lives throughout history?If you'd like to know how creative interests like knitting and sewing can help in psychological transformation, listen to my guest this week Nicole Nehrig, clinical and research psychologist, who has helped individuals and couples process trauma, PTSD & depression, strengthen relationships, find meaning and purpose in life, and live creatively and authentically. Her work and her own experience inspired her book, With Her Own Hands: Women Weaving Their Stories which integrates psychological theory and practice with historical accounts and firsthand stories of the meaningful role that textile work has played in so many women's lives. Nicole shares how textiles have been essential to survival, the development and expression of culture throughout much of human history and how women have been able to tell their stories, shape and express their identities, process difficult emotions, stand up for what they believe in, nurture relationships, and improve their quality of life. She shows us how vital creativity in all its forms is for enhancing the richness and quality of our lives.You can find out more about Nicole's work on https://nicolenehrig.com/And follow her on Linkedin in @nicolenehrigYou can follow Host Lou Hamilton on Instagram @brave_newgirl and on Linkedin @LouHamiltoncreatelabPS. Lou helps you transform your health & wellbeing: LOU'S LIFE LAB SERVICES HEREFor Lou's creative wellbeing and art practice go to CREATE LAB or LOUHAMILTONARTJoin our Brave New Girls retreats to reset and reconnect with what really matters to you.Music licensed from Melody Loops.Support the showBrave New Girls podcast champions women rebel raisers moving mountains for people & the planet. The podcast ranks in top 2.5% globally, and currently No 12 in the top "45 Best UK Women's Podcasts to Listen to", with Host Lou Hamilton, artist, author & wellbeing coach. https://podcast.feedspot.com/uk_women_podcasts/ Thank you for listening and please subscribe to keep up to date on new episodes as they're released.Lou is the founder of Brave New Girl Media- bringing you inspiration, support and growth.Sign up to our emails for inspiration, support & growth and LOU'S LIFE LAB free downloadable guide https://bravenewgirlmedia.comInsta @brave_newgirlBooks: Dare to Share- bestselling guide to podcast guesting FEAR LESS- coaching guide to living more bravely Brave New Girl- How to be Fearless Paintings & Public Art www.LouHamiltonArt.comInsta @LouHamiltonArt

In this episode of Clocking In: Voices of NC Manufacturing, host Phil Mintz sits down with Dr. Jason Alexander, Business Development Manager at Alotech, Inc., a contract manufacturing company based in Goldston, North Carolina. Alotech's journey—from its early roots in remanufacturing to its expansion into machining, engineering, logistics, and product development—reflects both the adaptability and innovation driving North Carolina's manufacturing economy. The company was recognized with the 2019 NCMEP Manufacturing Leadership Award for innovative practices that improved customer profit margins through remanufacturing process improvements. Jason shares his remarkable personal and professional path—from a college basketball standout to a leader in sustainable manufacturing—and discusses how determination, mentorship, and community relationships have shaped his career. LINKS NCMEP | IES | Alotech ABOUT The North Carolina Manufacturing Extension Partnership (NCMEP) NCMEP is the official state representative of the Hollings Manufacturing Extension Partnership (MEP), a program of the U.S. Department of Commerce's National Institute of Standards and Technology (NIST). The MEP National Network is a unique public-private partnership that delivers comprehensive solutions to manufacturers, fueling growth and advancing U.S. manufacturing. NCMEP is administered by NC State University Industry Expansion Solutions and partners with the Economic Development Partnership of NC, the Polymers Center of Excellence, Manufacturing Solutions Center, Hangar6, University of North Carolina at Charlotte Industrial Solutions Lab, and NC State University Wilson College of Textiles to help manufacturing companies develop and maintain efficient operations that are well-positioned to grow profitably. NC State University Industry Expansion Solutions (IES) Through combined resources and collaboration efforts, NC State University Industry Expansion Solutions provides services that help manufacturers to: Expand Local and U.S. Supply Chain Vendor Relationships Access Customized Training Programs to Narrow the Workforce Gap Realize the Efficiencies of Smart Manufacturing and Advanced Technology Save Time and Energy through Improved Processes, Productivity and Capacity Expand Facility and Equipment Capabilities Increase Sales and Profits Create and Retain Jobs Streamline New Product Design, Testing, Development and Time to Market Dr. Phil Mintz Dr. Phil Mintz is the executive director of NC State Industry Expansion Solutions (IES) and director of the North Carolina Manufacturing Extension Partnership (NCMEP). Phil drives outreach to NC manufacturers, builds relationships with federal and state leaders, and coordinates efforts to drive profitable manufacturing growth in the state. He also leads the broader IES Extension Operations outreach unit of regional managers, technical specialists, and business development leaders, providing business engagement, assessment, and improvement tools. This includes statewide peer networks, ISO 9000 quality management systems, Six Sigma, Lean manufacturing, environmental services, and health and safety solutions. Dr. Jason Alexander Dr. Jason Alexander is the Business Development Manager for Allotech, Inc., where he leads efforts to match the company's broad manufacturing capabilities to customer needs. A former college athlete and educator, Jason's unique background spans entrepreneurship, humanitarian service, and leadership—earning him the President's Lifetime Achievement Award for Volunteerism in 2022.

How can we transform the textile industry in Kenya to embrace a circular economy? In this episode, Alex Musembi from Africa Collect Textiles (ACT) and Sarah Njau from Green Forest Solutions discuss their collaborative efforts to streamline textile recycling and reuse in Kenya. Alex describes ACT's model of collecting post-consumer textiles through drop-off points and door-to-door pickups, sorting them for resale and upcycling, and the challenges of incentivizing proper disposal. Sarah explains the role of Green Forest Solutions in helping set up Extended Producer Responsibility (EPR) schemes, which are vital for funding the infrastructure needed for effective textile waste management. They both highlight the impact of fast fashion, the need for better product design, and the importance of international partnerships to sustain these environmental initiatives. This episode sheds light on the intricate dynamics of the textile recycling market in Kenya and the global efforts required to support it.

This week on Everybody in the Pool, we're talking water — and the invisible pollutants hiding in it. Microfibers from textiles are one of the biggest sources of microplastics in our oceans, choking marine ecosystems and undermining the ocean's role as the planet's carbon sink.Our guest is Adam Root, founder and CEO of Matter, who shares his insane founder story, from £250 and a shed to a budding Japanese street food empire to Matter, which is helping major textile manufacturers keep millions of liters of water cleaner every day. It's an epic founder story with big implications for clean water and healthy oceans.We cover:How washing machines and textile factories shed microfibers at massive scaleWhy current filtration is wasteful — and how Matter's regenerative filters solve itThe founder story that went from Japanese street food stalls to the G7 stageWhat this means for oceans, sludge management (yes, really), and circular materials in the futureLinks:Matter Industries Website: https://matter.industries/Adam Root LinkedInAll episodes: https://www.everybodyinthepool.com/Subscribe to the Everybody in the Pool newsletter: https://www.mollywood.co/Become a member and get an ad-free version of the podcast: https://everybodyinthepool.supercast.com/What you can do to help:Please subscribe and tell your friends about Everybody in the Pool!Send feedback or become a sponsor! in@everybodyinthepool.com Hosted on Acast. See acast.com/privacy for more information.

Mark Barrow (b. 1982) and Sarah Parke (b. 1981) met while studying at the Rhode Island School of Design. They began collaborating in 2008, when Parke first started weaving fabric on which Barrow would paint. As weaving became the primary conceptual structure through which they approached all subjects, they adopted a joint artistic moniker to more accurately reflect how ideas are generated and spread. Their work focuses on the intersection of weaving (as a spatial and mathematical system) with other visual systems. It also focuses on its intersection with textiles more generally, a tradition that has had an outsized imprint on the history and development of culture and civilization. Barrow Parke live and work in New York City. Barrow holds a B.F.A. in Painting from the Rhode Island School of Design and an M.F.A. in Painting from the Yale School of Art. Parke holds a B.F.A. in Textiles from the Rhode Island School of Design. They have exhibited widely in institutions including the University Art Museum, University at Albany, the Shirley Fiterman Art Center, City University of New York, New York; The Fabric Workshop and Museum, Philadelphia, Pennsylvania; The Rose Art Museum, Brandeis University, Waltham, Massachusetts; the Power Station of Art, Shanghai, China; Kunsthalle Bielefeld, Germany; and Musée d'art Moderne de la Ville de Paris, France. Their work is represented in public collections including Birmingham Museum of Art, Alabama; the Hammer Museum, University of California, Los Angeles, California; Yale Museum, New Haven, Connecticut; the Walker Art Center, Minneapolis, Minnesota; the University of Chicago, Illinois; and Columbus Museum of Art, Ohio. c: Acrylic on Hand-Loomed Linen, 29 5/8 x 23 3/4 inches, 2022 Woman IV, Acrylic and Embroidery on Hand-Loomed Linen, 15 3/4 x 19 3/4 inches, 2020 0N10N, Acrylic on Hand-Loomed Linen, 19 5/8 x 15 3/4 inches, 2019

In Episode 335, Kestrel welcomes Lisa Kibutu, the founder of Regenerative Fashion Collaborative Exchange (REFACE) and Regenerative Textile Development Institute (RTDI), to the show. A tech-led social enterprise, REFACE was created to holistically address the negative impact of the global fashion industry on climate change, biodiversity, and the environment in Africa. With RTDI, she is building a pioneering research and development institution that leverages blockchain technology, zero waste operations, and regenerative agriculture to transform agricultural waste from Indigenous grain crops into high-quality textile yarn. “You're standing in this space, the gap between what society is expecting of you and what your soul insists on you to become. And it influences all my work and my obligation to the sacrifice of our ancestors, the sacrifice that they made to the colonizers, which is why we are where we are today. I sit on ancestral intelligence, which is the blueprint and the foundation of everything that I do. A little bit more than a blueprint to me – I am actually just going to claim my inheritance from the ancestors. And that claiming of the inheritance has become my purpose.” -Lisa THEME —WHEN *REGENERATIVE* MEANS SO MUCH MORE THAN JUST A BUZZWORD The following is a very important statistic that is rarely centered in the so-called sustainability and fashion conversation — as reported by the UNEP, Africa contributes less than 3% of global greenhouse gas emissions. At the same time, the continent has been disproportionately impacted by the changing climate.  With this in mind, in conjunction with her knowledge in fashion, design, anthropology and regenerative agriculture – Lisa founded a powerful two-prong approach to not only address the negative impact of the global fashion industry on climate change, biodiversity, and the environment in Africa, but also – to strategically research and develop innovative textiles made from the waste of Indigenous crops, and to maintain ownership of these technologies within the continent.  Africa has a unique potential at this point in our history – especially when it comes to regenerative agriculture, with 80% of all the food production in Africa being run by smallholder farmers.  The opportunities across Africa are expansive. And as Lisa reminds us, it's not about empowerment. It's about following the blueprint from AI – that is ancestral intelligence – and focusing on enriching communities across the continent.  “You're right. Fashion is cultural. Cause you've moved from the basic need of covering according to weather patterns, and then you advance to the space where – you need to appeal to aesthetics. That's the next level. But aesthetics are particular to what you find in your environment and then it becomes artistic expression, personal expression of yourself. And I think those are the pieces now, when we talk about fast fashion – those are the pieces that are missing.” -Lisa RTDI Website Follow REFACE on Instagram

¿Qué implicaciones se espera que tenga para el tejido productivo español? Lo hablamos con Ernesto Campos Campillo, de la Universidad Internacional de Valencia.

In this episode of "Clocking In, Forces of NC Manufacturing," host Phil Mintz, director of the North Carolina Manufacturing Extension Partnership (NCMEP), interviews John Weir, the founder and CEO of I2E Group ( I2E stands for "Innovation to Execution”). Based in High Point, North Carolina, the I2E Group specializes in the design, development, and production of a variety of electronic assemblies, including printed circuit boards, electromechanical assemblies, cable assemblies, and harness assemblies. Weir founded his first company, Nimbus Technologies, in 1993, which was a contract manufacturing business. He later started the I2E Group to offer a more comprehensive service, ranging from early-stage innovation to final execution and manufacturing. Listeners will gain insights into the status of the printed circuit board (PCB) industry, how I2E Group has succeeded by focusing on "high contact" projects, where they can protect customers' intellectual property and meet stringent quality standards for industries like medical, aerospace, and defense, the challenges of sourcing raw components, and the continued growth of domestic manufacturing. LINKS NCMEP | IES | I2E Group ABOUT The North Carolina Manufacturing Extension Partnership (NCMEP) NCMEP is the official state representative of the Hollings Manufacturing Extension Partnership (MEP), a program of the U.S. Department of Commerce's National Institute of Standards and Technology (NIST). The MEP National Network is a unique public-private partnership that delivers comprehensive solutions to manufacturers, fueling growth and advancing U.S. manufacturing. NCMEP is administered by NC State University Industry Expansion Solutions and partners with the Economic Development Partnership of NC, the Polymers Center of Excellence, Manufacturing Solutions Center, Hangar6, University of North Carolina at Charlotte Industrial Solutions Lab, and NC State University Wilson College of Textiles to help manufacturing companies develop and maintain efficient operations that are well-positioned to grow profitably. NC State University Industry Expansion Solutions (IES) Through combined resources and collaboration efforts, NC State University Industry Expansion Solutions provides services that help manufacturers to: Expand Local and U.S. Supply Chain Vendor Relationships Access Customized Training Programs to Narrow the Workforce Gap Realize the Efficiencies of Smart Manufacturing and Advanced Technology Save Time and Energy through Improved Processes, Productivity and Capacity Expand Facility and Equipment Capabilities Increase Sales and Profits Create and Retain Jobs Streamline New Product Design, Testing, Development and Time to Market Dr. Phil Mintz Dr. Phil Mintz is the executive director of NC State Industry Expansion Solutions (IES) and director of the North Carolina Manufacturing Extension Partnership (NCMEP). Phil drives outreach to NC manufacturers, builds relationships with federal and state leaders, and coordinates efforts to drive profitable manufacturing growth in the state. He also leads the broader IES Extension Operations outreach unit of regional managers, technical specialists, and business development leaders, providing business engagement, assessment, and improvement tools. This includes statewide peer networks, ISO 9000 quality management systems, Six Sigma, Lean manufacturing, environmental services, and health and safety solutions. John Weir John Weir is the Founder and Chief Executive Officer of i2E Group, LLC, based in High Point, North Carolina. With a career in manufacturing that began in 1993, he brings more than three decades of expertise in engineering, product development, and executive leadership. John earned his Bachelor of Science in Engineering and his Master of Business Administration from Cornell University, a foundation that has shaped his approach to innovative problem-solving and scalable manufacturing. Under his leadership, i2E Group has established itself as a trusted partner, supporting product design, prototyping, and low- to mid-volume electronics equipment production across diverse industries including aviation, life sciences, telecommunications, and defense.

This week on the show, I'm joined by conscious fashion stylist and thinker, Taylor Nevin. Taylor holds a degree in Merchandising of Apparel and Textiles with a minor in Theatrical Costume Design, as well as a master's in Material Culture and Textile Studies. She lives and breathes fashion—and brings a sharp, grounded perspective on how we can create personal style with more integrity, creativity, and awareness of ethics and safety in the industry.For me, clothing has always been a form of self-expression. If you know me, you know I love adding that “Stephanie flair.” But after my divorce, I found myself shedding over half my wardrobe as my sense of identity shifted.This conversation with Taylor, which we hd back in March, helped me realize I get the chance to create an entirely new character through my clothes, which has become a fun way to meet new versions of myself through what I choose to wear. Highlights from this episode: - Taylor's honest take on the fashion industry's ties to fast fashion and modern slavery- The subconscious processes behind shopping, and how “creative theory” shows that having less can actually spark more creativity- The psychology behind personal style and how Taylor helps clients reimagine their “costume”- Practical steps we can take toward a more ethical, sustainable fashion future- How the male vs. female gaze shapes both fashion and wellnessConnect with Taylor: https://www.instagram.com/thefashiondiaryofmoi/ If you'd like to connect with Stephanie, you can find her here:Instagram-@schoolofwhispers @__steef___ email-schoolofwhispers@gmail.com If you would like to schedule an acupuncture appointment with Stephanie at her current clinic, Balance Point Acupuncture, you can either visit ⁠⁠www.balancepointacu.com⁠ ⁠or call 561-615-4535 to schedule your appointment todayDISCLAIMER: This podcast is presented for educational and exploratory purposes only. Published content is not intended to be used for diagnosing or treating any illness. Those responsible for this show disclaim responsibility for any possible adverse effects from the use of information presented by Stephanie or her guests.

Dr Rebecca Van Amber is a Senior Lecturer at the School of Fashion & Textiles at RMIT and joined Philip Clark on Nightlife to help us understand why our whites don't stay white for that long. 

A round-up of the main headlines in Sweden on October 1st 2025. You can hear more reports on our homepage www.radiosweden.se, or in the app Sveriges Radio. Presenter/Producer: Kris Boswell.

399 Support In All Its Different Forms   When it comes to feeling comfortable, confident, and seen, it is important that we dress ourselves in a way that reflects how we want to feel. When it comes to women, a good bra that is comfortable and supportive is absolutely vital. We feel good when we have clothes that fit our body and flatter us. In today's episode Sarah Elkins and LaJean Lawson discuss not only Doctor Lawson's extensive research into the comfort and support of sports bras and how it has impacted the people in her life that needed something so vital and yet so easily overlooked.    Highlights When we have access to things that make us comfortable it will make us feel more confident. Are you pushing the right buttons in your life? How do you know you are on the right path? How have you felt like your voice was heard?   Quotes “I so love and respect the trades, and I try to do a project every year, especially in really hot or really cold weather because what that does is it raises my awareness and appreciation for the people in our lives that do these things all around the calendar.”  “I realized how much courage it took and what an honor it was, and a privilege, for me to be included in her experience.”     Dear Listeners it is now your turn, What gear can you ensure that they have to be successful? Yes a sports bra, exactly the right sports bra to encourage a woman, that is a good start. I think a lot about something my husband says often, which is; “If you're going to start playing guitar, don't go buy a cheap one. Because it won't sound good, and you'll give up.” The same thing goes for anything you want to do, make sure you have the gear that will set you up for success. Whether that means a great sports bra or a close friend, whether that means the right hiking boots or a passport. You have to have the right gear before you can step out of your comfort zone and do exactly what you were meant to do. And, as always, thank you for listening.    About LaJean When it comes to the science of sports bras, Dr. LaJean Lawson easily qualifies as THE global expert! But digging deeply into why and how breasts move, and investigating how to design great sports bras that really work isn't just an end in itself. Her achievements in this intriguing research area also support her passion to help all women get the gear they need to stop worrying about breasts and bounce, and simply enjoy the fabulous benefits of an active lifestyle, indoors and out. Dr. LaJean's longstanding research credentials include more than 35 years of scientific sports bra investigations for Champion Athleticwear and founder/director of the Bra Lab, a biomechanics and consumer testing lab devoted 100% to sports bra science and consumer insight research, with the focused goal of building better sports bras. She is further distinguished as arguably the only person on the planet with two graduate degrees in sports bra science. Her 1985 thesis for her M.S. degree in Clothing and Textiles from Utah State University, a seminal study in sports bra science, investigated the biomechanical support of a variety of sports bras, while her dissertation for her Ph.D. in Exercise & Sport Science from Oregon State University took the first serious scientific look at the effect on performance of protective sports bras for contact sports. Her sports bra and wearable medical device innovations have been awarded multiple patents. Dr. LaJean is also a sought-after speaker/host for media and marketing events, including co-hosting one of the most commercially successful fitness equipment infomercials in broadcasting history with Jane Fonda. She is a repeat sports bra expert on Another Mother Runner's popular podcast. She has been a featured speaker at major sports bra launch events at Rockefeller Center in New York, Run Disney special events in Orlando and Susan G. Komen races. In 2018, LaJean was a keynote speaker at the Utah Outdoor Recreation Summit, challenging and inspiring attendees with another topic she could not be more passionate about—size inclusivity in athletic and outdoor gear/participation. Be sure to check out LaJean's LinkedIn, Facebook, and Instagram! As well as her website Dr Sports Bra! About Sarah "Uncovering the right stories for the right audiences so executives, leaders, public speakers, and job seekers can clearly and actively demonstrate their character, values, and vision." In my work with coaching clients, I guide people to improve their communication using storytelling as the foundation of our work together. What I've realized over years of coaching and podcasting is that the majority of people don't realize the impact of the stories they share - on their internal messages, and on the people they're sharing them with. My work with leaders and people who aspire to be leaders follows a similar path to the interviews on my podcast, uncovering pivotal moments in their lives and learning how to share them to connect more authentically with others, to make their presentations and speaking more engaging, to reveal patterns that have kept them stuck or moved them forward, and to improve their relationships at work and at home. The audiobook, Your Stories Don't Define You, How You Tell Them Will is now available! Included with your purchase are two bonus tracks, songs recorded by Sarah's band, Spare Change, in her living room in Montana. Be sure to check out the Storytelling For Professionals Course as well to make sure you nail that next interview!

Tune in for a sneak peek of featured education sessions at the upcoming Advanced Textiles Expo, taking place November 4–7 in Indianapolis. Expo presenters Elizabeth Denly (Technical Strategy and Innovation) and Terry Kelm (Sunbelt Franchise Re-sales) join with Jonathan Sweet (ATA) to preview their sessions.   Denly offers insights into her session on PFAS, where she'll discuss how to stay ahead of evolving regulations, prepare for upcoming changes, and manage the liabilities and complexities surrounding PFAS. Kelm highlights key points from his session on selling a business—including how to navigate valuation, avoid common pitfalls, and develop effective planning strategies.

This week on Talk Shop, Ariel is joined by the award-winning Los Angeles designer, Peter Dunham. Known for his signature California-cool-meets-international-chic style, Peter has built a multifaceted career that spans interior design, fabrics and wallpapers, and his iconic showroom, Hollywood at Home.Raised in France and educated in England, Peter made his way to New York before settling in Los Angeles in 1998, where he launched his design firm. Five years later, he introduced a textile and wallpaper collection that has become a beloved industry staple. In 2007, he opened Hollywood at Home, a destination for furnishings, textiles, and vintage finds that has since expanded from LA's La Cienega Design Quarter to New York City.Most recently, Peter published his first book, The World of Peter Dunham: Global Style from Paris to Hollywood (Vendome), a celebration of his refined yet worldly design perspective.Tune in for a conversation about his journey, his inspirations, and what continues to drive his ever-evolving vision.—Learn more about Peter Dunman's Textiles: https://peterdunhamtextiles.com/Follow him on Instagram: https://www.instagram.com/peterdunhamdesign/And pick up his book now: https://www.vendomepress.com/products/the-world-of-peter-dunham

In this episode of NeedleXChange I interview Tal Fitzpatrick.Tal is a socially engaged artist and craftivist whose quilts and textile projects blend creativity with activism.We talk about her artistic journey from early influences, including her grandmother's politically charged textile works, through to her PhD in craftivism as DIY citizenship. Tal shares stories of working in disaster recovery communities, how that shaped her understanding of art's power, and the origins of major projects like the PM Please Quilt and the global Universal Declaration of Human Rights Quilt Project.Timestamps:00:00:00 - Introduction00:01:30 – Crafting Public Conversations: The City Speaks00:03:58 – Textiles and Feminism: A Soft Approach to Activism00:06:50 – The Power of Subversion in Craftivism00:09:38 – Engaging the Audience: Craft as a Trojan Horse00:12:33 – Community Engagement: Voices in Public Space00:15:22 – The Journey to PhD: Craftivism and DIY Citizenship00:18:11 – Art as a Tool for Recovery: Stories from Disaster00:20:52 – The Impact of Craft: Agency and Empowerment00:23:43 – Human Rights and Craftivism: The UDHR Quilt Project00:26:19 – Legacy and Generational Influence in Art00:29:09 – The Intersection of Craft and Activism00:31:35 – Navigating the Complexities of Social Change00:34:29 – The Role of Textiles in Political Discourse00:36:57 – Crafting a Better Future: The Ripple Effect of Art00:39:45 – The Future of CraftivismLinks:Website: talfitzpatrick.comInstagram: talfitzpatrickUDHR Quilt Project: quilts.moadoph.gov.auIntro music is Rockin' For Decades by A Minute of Fame via Epidemic Sound.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchangeSign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeNewsAnd follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/mrxstitchInstagram: https://www.instagram.com/mrxstitchPinterest: https://www.pinterest.com/mrxstitchLinkedIn: https://www.linkedin.com/in/mrjamiechalmers

Washington's new tariff regime, an extra duty on India-origin imports and the end of the $800 de minimis exemption, is already rippling through India's textiles and apparel supply chain. Export margins are being squeezed, small businesses have maxed out working capital loans and inventories have piled up as orders have stalled, and mills are facing a major shortage of cotton. In the next part of a series on In Focus, looking at the impact of the United States' 50% tariffs on goods imported from India, we unpack who gets hit, how jobs are affected, and what policy support could cushion the blow for the textiles and apparels sector – a sector for which close to a third of its export orders come from the U.S. Guests: Soundariya Preetha M, Deputy Chief of Bureau, The Hindu Thivya Rakini, State President, Tamil nadu Textile and Common Labour Union (TTCU) Host: Kunal Shankar Edited by Sharmada Venkatasubramanian Learn more about your ad choices. Visit megaphone.fm/adchoices

Invités : - Baptiste Reybier, Directeur général de Fermob . - Hugo Volpéi, Fondateur de Trone. - David Smadja, Fondateur du Cabinet Milestone Avocats. - Clarisse Merlet, Fondatrice de FabBrick. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

If we need proof that textiles can rewrite human history, then it lies with the bog bodies of northern Europe. Textile archaeologists are revealing a whole new past about people who, in some cases, are older than Tutankhamen, but much less celebrated. Across northern Europe there are hundreds of bog bodies, who long ago were buried in marshlands and were preserved down the centuries by acidic conditions and lack of oxygen. We will never know all their secrets, but slowly we are discovering more about who they were, and how they lived. It is their textiles that bring us closer to them and tell us, not just about their skills, but also how they thought and designed cloth and clothing.    In Denmark more than a hundred marsh bodies have been found - some in extraordinary states of preservation. They date from the late Bronze and early Iron Ages, and are between 1,500 and 3,000 years old. But what some of them are wearing can take us back much further than that, into a time when humans first started to cover their bodies with clothing. For this episode, Jo travelled to the National Museum of Denmark, in Copenhagen, to explore the textiles of two of the world's most famous bog bodies.   For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-7/.   And if you would like to find out about Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/

In this first of a series of episodes on healing, we speak with Nicole Nehrig, whose book With Her Own Hands: Women Weaving Their Stories (W.W. Norton, 2025) is a rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment. Knitting, sewing, embroidery, quilting―throughout history, these and other forms of textile work have often been dismissed as merely “women's work” and attached to ideas of domesticity and obedience. Yet, as psychologist and avid knitter Nicole Nehrig wonderfully explores in this captivating book, textile work has often been a way for women to exercise power. When their voices were silenced and other avenues were closed off to them, women used the tools they had―often a needle and thread―to seek freedom within the restrictive societies they lived in. Spanning continents and centuries, With Her Own Hands brings together remarkable stories of women who have used textiles as a means of liberation, from an eighteenth-century Quaker boarding school that used embroidered samplers to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women's postal art exchange. Textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest. Heartfelt and deeply moving, With Her Own Hands is a celebration of women who have woven their own stories―and a testament to their resilience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this first of a series of episodes on healing, we speak with Nicole Nehrig, whose book With Her Own Hands: Women Weaving Their Stories (W.W. Norton, 2025) is a rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment. Knitting, sewing, embroidery, quilting―throughout history, these and other forms of textile work have often been dismissed as merely “women's work” and attached to ideas of domesticity and obedience. Yet, as psychologist and avid knitter Nicole Nehrig wonderfully explores in this captivating book, textile work has often been a way for women to exercise power. When their voices were silenced and other avenues were closed off to them, women used the tools they had―often a needle and thread―to seek freedom within the restrictive societies they lived in. Spanning continents and centuries, With Her Own Hands brings together remarkable stories of women who have used textiles as a means of liberation, from an eighteenth-century Quaker boarding school that used embroidered samplers to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women's postal art exchange. Textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest. Heartfelt and deeply moving, With Her Own Hands is a celebration of women who have woven their own stories―and a testament to their resilience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this first of a series of episodes on healing, we speak with Nicole Nehrig, whose book With Her Own Hands: Women Weaving Their Stories (W.W. Norton, 2025) is a rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment. Knitting, sewing, embroidery, quilting―throughout history, these and other forms of textile work have often been dismissed as merely “women's work” and attached to ideas of domesticity and obedience. Yet, as psychologist and avid knitter Nicole Nehrig wonderfully explores in this captivating book, textile work has often been a way for women to exercise power. When their voices were silenced and other avenues were closed off to them, women used the tools they had―often a needle and thread―to seek freedom within the restrictive societies they lived in. Spanning continents and centuries, With Her Own Hands brings together remarkable stories of women who have used textiles as a means of liberation, from an eighteenth-century Quaker boarding school that used embroidered samplers to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women's postal art exchange. Textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest. Heartfelt and deeply moving, With Her Own Hands is a celebration of women who have woven their own stories―and a testament to their resilience. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this first of a series of episodes on healing, we speak with Nicole Nehrig, whose book With Her Own Hands: Women Weaving Their Stories (W.W. Norton, 2025) is a rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment. Knitting, sewing, embroidery, quilting―throughout history, these and other forms of textile work have often been dismissed as merely “women's work” and attached to ideas of domesticity and obedience. Yet, as psychologist and avid knitter Nicole Nehrig wonderfully explores in this captivating book, textile work has often been a way for women to exercise power. When their voices were silenced and other avenues were closed off to them, women used the tools they had―often a needle and thread―to seek freedom within the restrictive societies they lived in. Spanning continents and centuries, With Her Own Hands brings together remarkable stories of women who have used textiles as a means of liberation, from an eighteenth-century Quaker boarding school that used embroidered samplers to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women's postal art exchange. Textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest. Heartfelt and deeply moving, With Her Own Hands is a celebration of women who have woven their own stories―and a testament to their resilience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/van-leer-institute

Host Philip Berman talks to Kim Glas, President and CEO of the National Council of Textile Organizations, about the impact of Trump's tariffs on US textile manufacturing.  Kim discusses the challenges posed by tariff unpredictability, including the effects on investment and supply chains, and the winners and losers in the industry.  She highlights issues in machinery sourcing, the effect of high tariff rates on synthetics, and the role of major trade agreements like USMCA and CAFTA. Kim also addresses reshoring opportunities, and the strategic need for policy certainty to strengthen domestic production.      

In der Schweiz fallen jährlich 100'000 Tonnen zunehmend minderwertiger Altkleider an, deren Sammlung sich kaum mehr lohnt – «Kassensturz» zeigt, was damit geschieht und ob Textilrecycling bald Realität wird. Ghana – Endstation Kleider-Müllhalde Verschmutzte Strände, Berge von Altkleidern, die vor sich hin rotten. Noch immer landen viele gebrauchte Textilien aus westlichen Industrieländern in Ghana, mehr als das Land braucht. Im Armenviertel Old Fadama in Ghanas Hauptstadt Accra leiden die Bewohnenden unter dem Abfallberg. Kleidersammlung – Was gehört in den Abfall? In der zentralen Sammelstelle des grössten Schweizer Kleidersammlungs-Unternehmen Texaid in Schattdorf UR kommen täglich 50 Tonnen Kleider an. Moderator André Ruch will wissen, wohin die Kleider reisen und was mit ihnen passiert. Second-Hand – Ökologisch fragwürdige Auslandtransporte Altkleider-Sammelstellen verkaufen viele gebrauchte Textilien ins Ausland. Neu versprechen auch Modemarken ein zweites Leben für gebrauchte Produkte, meist im Ausland. Ein Test mit Peilsendern zeigt: Die Kleider legen teils Tausende Kilometer zurück. Moderator André Ruch besucht einen lokalen Secondhand-Laden von Caritas. Recycling – Welche Textilien können wiederverwertet werden? Neue Garne aus gebrauchter Baumwolle, PET-Granulat aus Polyster-Stoffen: Schweizer Unternehmen wie Säntis Textiles oder Depoly versuchen, aus alten Textilien neue zu machen. Braucht es eine Recycling-Abgabe, um das Geschäft anzukurbeln?

This is the final installment of our special Global Hemp Fiber Summit Box Set. Sides 5 and 6 wrap up our coverage from Raleigh 2025, featuring voices from across the fiber hemp industry—from seasoned pioneers to fresh perspectives. Hear updates from long-time advocates, emerging researchers, farmers, processors, and policy influencers shaping the future of American hemp textiles. Side 5: Robert Jungman Jungmaven jungmaven.com Joe Hickey – longtime hemp advocate Gabriela Fioravanti – Thomas Jefferson University – https://www.jefferson.edu/ Eric Singular – INCERT / Responsible Hemp Standard https://www.responsiblehempstandard.com Heidi Barr – PA Flax Project – https://paflaxproject.com/ Sandra Marquardt – On the Mark Consulting https://www.onthemark.info/ Aaron Baldwin – South Bend Industrial Hemp – southbendindustrialhemp.com Side 6: Mark D'Sa – Panda Biotech pandabiotech.com Peter Dushop – Forever Green hempcutter.com Andre West – NC State Wilson College of Textiles textiles.ncsu.edu Arlo Estill – Hempsmith Clothing hempsmithclothing.com Amy Schwest – Go Go Hemp Miles Cathrigh – BoardWurks Biocomposites – https://boardwurks.com/ Derrick Muhamed – Bossville Farms https://www.bossvillefarms.com/ Guy Carpenter – Bear Fiber bearfiber.com Thanks to our sponsor: King's AgriSeeds https://kingsagriseeds.com/

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Shakespeare with a twistLuke Fanning of northeast Minneapolis has his eye on Zach Christensen of Jackdonkey Productions, whose staging of “Henry V” is now at Theatre in the Round.Fanning says Christensen has “an uncanny knack for taking something that might be a little bit old and dusty and shaking it up and making it new and fun.”This production promises music, movement and “weird vibes” while still exploring the play's central themes of war, power and their effects on people. “Henry V” runs through Aug. 18.Luke says: I know I can trust Jackdonkey to add music, movement, weird vibes in a way that I'm gonna lean in instead of zone out.— Luke FanningTim Harding's shimmering ‘Double Vision'Minneapolis visual artist Carolyn Halliday has followed Tim Harding's textile work for decades, but his new series “Double Vision” is something entirely different.Harding prints his own photographs on polyester, reprints them at a different scale on organza, then layers, gathers and stitches the fabrics to create a stereopticon-like effect.The result, Halliday says, “moves and shimmers and distorts the view.” The show is on view at Groveland Gallery in Minneapolis through Aug. 30.Carolyn says: It's really dramatic.— Carolyn HallidayA symphonic ‘Ring' in BrainerdJustin Lucero, artistic director of Theatre Latté Da, says the Lakes Area Music Festival in Brainerd is preparing its largest-ever orchestra for an ambitious weekend.The festival will present an orchestral program featuring music from “The Lord of the Rings,” a new work by French composer Camille Pépin, and “The Ring: An Orchestral Adventure,” a 70-minute distillation of Wagner's epic 15-hour cycle.More than 100 musicians will perform on the Gichi-ziibi stage Aug. 16 and 17.Justin says: It'll be the largest ever orchestra that has been involved with the Lakes Area Music Festival.— Justin Lucero

We return to a 2019 interview with Clarissa Esguerra, Curator of Textiles and Costume at Los Angeles County Museum of Art  (LACMA), who taught us all about the sophisticated resist-dying ikat technique responsible for the resplendent textiles and garments on display in the LACMA exhibition Power of Pattern: Central Asian Ikats. Want more Dressed: The History of Fashion?  Our website and classes Our Instagram Our bookshelf with over 150 of our favorite fashion history titles Dressed is a part of the AirWave Media network Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode #141 Kris Jensen - Director of the San Jose Museum of Quilts & TextilesThis podcast is also available on Spotify, Apple Podcasts, and YouTube.Kris Jensen, Director of the San Jose Museum of Quilts & Textiles, has woven together a range of experiences in taking the helm of one of the Bay Area's most niche and quietly radical museums. He has decades of nonprofit leadership experience, including as director of development at Alameda County Community Food Bank, Executive Director of Collective Roots in East Palo Alto, and Executive Director of San Bruno Mountain Watch. The same sense of advocacy and inclusion he brought to those roles now shapes Jensen's mission at the museum.In this conversation, Kris reflects on his path from food justice to textile arts, the importance of redefining museums as interactive spaces, and how fiber art—often dismissed as craft—has long been a vehicle for social commentary.Follow the San Jose Museum of Quilts & Textiles on Instagram @sjmqt and on the web at sj-mqt.org 

One company is using a material with NASA origins to ensure that athletes stay comfortable.

This week on the Lancaster Farming Industrial Hemp Podcast, we're listening to a recap of the 2025 Global Industrial Hemp Fiber Summit, hosted by the National Industrial Hemp Council of America at the Wilson College of Textiles at NC State, that took place in Raleigh, NC, July 15-17, 2025. For three well-planned days, leaders from across the hemp value chain came together—from farmers and geneticists to processors, engineers, and global apparel brands. On this episode we follow the flow of the summit itself, threading together powerful takeaways from the TED-style talks across agriculture, processing, textiles, composites, and branding. We hear from nearly 40 speakers—some familiar voices from the hemp world, and some new collaborators—sharing what's working, what's needed, and how we build a domestic fiber industry that actually works. Special thanks to the NIHC for sponsoring our travel, and to NC State's AV team for sharing the audio from the event. And thanks to our show sponsors HEMI – the Hemp Education & Marketing Initiative – and the National Hemp Association. On this show you will hear (in order of appearance): Rachel Raineri – Wilson College of Textiles – [00:00:01] Guy Carpenter – President, Bear Fiber – [00:02:37] Dr. Andre West – NC State, Textile Innovation Engine – [00:03:11] Patrick Atagi – President & CEO, NIHC – [00:04:14] Agriculture Dr. David Suchoff – NC State Extension – [00:05:41] Dr. Larry Smart – Cornell University – [00:06:05] Terry Moran – Kanda Seeds – [00:07:12] Glenn Kayll – Hemp Plastic Company – [00:07:36] Melissa Nelson – South Bend Industrial Hemp – [00:09:09] Rick Brown – Brown Family Farms – [00:10:07] Steve Groff –Cedar Meadow Farm – [00:10:45] Processing Trey Riddle – IND HEMP (moderator) – [00:11:35] Sandra Marquardt – On the Mark PR – [00:12:18] Coleman Beale – BastCore – [00:13:43] Satish Hodage – YUJ Labs – [00:14:42] Siyan Wang– PhD Researcher, NC State – [00:15:39] John Peterson – Dakota Hemp – [00:17:24] John Lupien – Consolidated Carbon – [00:18:52] Naiden Kremenliev – Argon Fiber / Tryon Finishing – [00:19:57] David Culp – Andritz / LaRoche – [00:21:29] Elias Junker – Andritz / LaRoche – [00:21:47] Textiles Ding Hongliang – Hemp Fortex – [00:22:44] Maciej Kowalski – Kombinat Konopny – [00:24:57] Dave Cook – Tuscarora Mills – [00:26:36] Dr. Andre West – NC State (follow-up) – [00:28:05] Arlo Estill – Hempsmith Clothing – [00:28:57] Composites & Building Materials Matty Mead – Hempitecture – [00:30:49] Trey Riddle – IND HEMP – [00:31:59] Dr. Daniel Walczyk – Rensselaer Polytechnic Institute – [00:33:41] Katie Coppenhaver – Oak Ridge National Lab (ORNL) – [00:35:12] Value Chain & Industry Strategy  Patrick Atagi – NIHC (again) – [00:38:59] Mark D'Sa – Panda Biotech – [00:39:50] Joseph Carringer – Sound Strategy / Hemp 3.0 – [00:42:23] Larry Serbin – Hemp Traders – [00:43:52] Gabriella Fioravanti – Jefferson University – [00:45:15] Olaf Jezela – Trace Femcare – [00:45:45] Pierre Berard – HEMI – [00:46:32] Erica Stark – National Hemp Association – [00:46:57]

Kim DiMarco is a veteran textile executive and the founder of Somato Textiles, a brand reimagining hospitality fabrics through creativity, sustainability, and heart. With over 30 years of global industry experience, Kim brings a rare mix of business acumen and design passion to every swatch she touches. Susan and Kim talk about pattern psychology, people-first operations, and planet-friendly practices. What You'll Learn About: How Kim hustled her way into the textile industry by volunteering in a basement Why wild hotel carpet patterns were never just about hiding stains What makes hospitality textiles tougher (and smarter) than your couch fabric Kim's fresh take on fabric pricing—with a menu full of vintage restaurant references How she's turning old textiles into air-freshening, tire-strengthening biochar The real reason white bedspreads aren't going anywhere Why building a company around people, not profit, can still be wildly successful A hilarious, heartfelt cold pitch to Danny Meyer—complete with branded sweatshirts Her top advice for entrepreneurs: go slow, stay scrappy, and follow the spark

I spoke with Meghna Singh about The Founders Pillars and The Power Loom at Tribeca Immersive 2025. See more context in the rough transcript below. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Christine Van Der Hurd is the founder of the iconic textile and rug studio Vanderhurd. After graduating from Winchester School of Art, she moved to New York in 1977 and quickly immersed herself in the city's creative underground—spending time with Robert Mapplethorpe, Annie Leibovitz, and the Studio 54 crowd.She began her career designing prints for fashion houses like Yves Saint Laurent and Liberty of London. Her work soon caught the attention of design legends like Angelo Donghia and Jack Lenor Larsen, leading to large-scale commissions for custom rugs and textiles. Over the course of her 50-year career, Christine has collaborated with some of the most distinguished designers in the industry. In 2024, House & Garden honored her with its Lifetime Achievement Award.On this episode of the podcast she speaks with host Dennis Scully  about what it was really like arriving in New York in the late '70s; how she learned to speak up for her business interests while working alongside her husband; and why designers like Kit Kemp and Rita Konig bring her in—not just to source– but to help shape their most important projects.This episode is sponsored by LoloiLINKSVanderhurdDennis ScullyBusiness of Home