Podcasts about textiles

For our latest “site-specific” episode of Time Sensitive, Spencer meets Sheila Hicks inside her courtyard in Paris's Saint-Germain-des-Prés neighborhood, where she has called home for more than 60 years. The 91-year-old Nebraska-born artist—widely known for her vibrant, sculptural textile and fiber works—resists any firm classification of what she does, as her multifarious output reflects. Currently, Hicks's work is on view in a solo exhibition at SFMOMA through Aug. 9, and a two-person exhibition, “Material Matters: Sheila Hicks & Shi Hui,” at Shanghai's West Bund Museum through Aug. 2. Last year, Knoll Textiles reissued her classic Altiplano collection from 1966 in an updated palette, and a major Milan retrospective, her first in Italy, will open on Nov. 16 at the Padiglione d'Arte Contemporanea. On the episode, Hicks discusses her lifelong relationship with textiles, weaving, and perception through materials and environments; her formative travels in South America, Morocco, India, and Japan; and how chance encounters can shape one's life. Show notes:  Sheila Hicks [0:44] Cour de Rohan [3:05] Altiplano (1966) for Knoll Textiles [10:02] Edward Steichen [16:36] Josef Albers [15:03] Yohji Yamamoto [18:57] George Kubler [19:10] Trevor Paglen [28:00] Ford Foundation [28:00] Darren Walker [33:20] Raoul d'Harcourt [37:50] Rue de Seine [38:43] May Day [41:56] Jantar Mantar [55:48] Florence Knoll [58:44] Cristobal Zañartu [58:44] Opening the Archives [58:44] Hanging by a Thread [1:02:57] “Calder: Rêver en équilibre” [1:04:14] Monique Lévi-Strauss [1:05:15] Thaddeus Mosley Pierre Horay

On this day, 26 May 1824, the first recorded factory strike in US history took place when 102 women and girls working at the Slater Mill in Pawtucket picketed their factory. Two days prior, the mill owners in the town had decided to increase working hours by one hour a day for everyone with no additional pay, and cut the pay of power-loom weavers by 25%. The weavers affected were all women and girls aged 15 to 30, whom were previously being paid "extravagant wages for young women," according to the employers. What the owners did not expect, something which had not happened before in the infant textile industry, or indeed any factory in the country: the women organised themselves and went on strike. They were joined by other workers and members of the local community, who blockaded the mills, protested and hurled rocks at the mansions of the owners. One prominent local politician, George F. Jenkes wrote in his journal during the dispute: “I have just returned from one of the moste gloomy assemblage of people I have ever witnessed, from the street from the Pawtucket Bank across the bridge to Josiah Mill's shop is literally filled with Men Women and Children — making a mob of very daring aspect, insulting the managers of cotton mills in every shape — pulling and hauling — screaming and shouting thro the streets.” On the final day of the week-long strike, one of the mills was set ablaze. The day after the fire, the mill owners moved to negotiate with the workers, and they reached a compromise. In the wake of the dispute, other groups of workers began organising themselves, and other strikes would break out across the New England textile industry in the coming years. Learn more about this dispute in our podcast episode 32: https://workingclasshistory.com/2019/08/12/e28-the-pawtucket-mill-strike/Our work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History

In Episode 341, Kestrel welcomes Dr. Joanne Brasch, the Assistant Director at the California Product Stewardship Council (CPSC), to the show. A network of local governments, non-government organizations, businesses, and individuals supporting policies and projects where producers share in the responsibility for managing problem products at their end of life, CPSC is California's thought leader and expert on Product Stewardship and the Extended Producer Responsibility (EPR) movement. "We're most proud of our textile EPR program because we achieved a lot in SB 707 that set a new level, a new generation of EPR programs that take a higher priority and implement a lot more reuse and repair throughout the program." -Joanne THEME — EXTENDED PRODUCER RESPONSIBILITY & TEXTILE WASTE DIVERSION This episode is the second in our two-part series dedicated to exploring some of the layers around Extended Producer Responsibility, or EPR, and Textile Waste Diversion.  In line with this conversation, I want to share about an upcoming event I'm collaborating on that's taking place in Los Angeles on June 10th. The Recovered Textile Exhibit is hosted by the City and County of Los Angeles, the California Product Stewardship Council, and the LA Cleantech Incubator. It's funded by CalRecycle, LA Sanitation, and others, and is in collaboration with Afflare.co and Fashion Is Outrageous.  There will be keynote speakers, discussions, and interactive activities that my cofounder Gabi and I helped develop, all with a focus on textile circularity and diverting textiles from the landfill. Additionally, the PRO (Producer Responsibility Organization), Landbell, will be present at the event. If you're interested in attending, you can RSVP here. If you're able to join, I hope to see you there! On the last show, we touched on some of the big picture ideas around EPR, and many of the questions around how we can make these circular systems practical.  On this week's episode, we're diving deep into the first-ever textile EPR bill in the U.S., SB 707: The Responsible Textile Recovery Act of 2024. While this isn't the first EPR policy to hit California or the nation, it is the first to cover TEXTILES.  I chat with someone who played an integral role in the legislative process for the bill – we dive into more on their open-collaborative approach and the importance of community-informed programs, we explore what the "most diverse board requirements" means within the context of SB 707, we learn about how feedback played a distinct role in the legislative process including some from the Or Foundation, and we discuss some of the definitions within the bill like REUSE and RECYCLE, with a focus on unpacking the definition of REPAIR, which is the first global definition that includes upcycling. You will hear words and phrases like PRO, Needs Assessment, dynamic, legislative and regulatory process, and more. We do our best to help contextualize these definitions along the way, but if you have questions, let me know. I don't want this to feel like another policy conversation that leaves you in the dark – I want it to feel like you can feel welcomed into it, as this is a monumental bill for California and the sustainability and fashion industry as a whole. One of my favorite things about this bill is that it's DYNAMIC, meaning it will change over time, and be rewritten every 5 years, based on key findings and learnings. So remember – your voice can play an important role in how this bill continues to evolve moving forward.  Also, to note – when this episode was recorded, our guest's new title had not yet been released publicly. Congrats to her, as she is now the Assistant Director – you'll actually hear her reveal it to us later on in the episode.   Quotes and links from our conversation: "If we're shopping in a different way 20 years from now, this program can adapt to that because the plan is rewritten every five years and has evidence-based decision-making provisions within the program." -Joanne on why SB 707 being a dynamic bill matters "I think the open collaborative approach has really been making sure everyone is using the same language and understands the same process so we can get the best engagement now." -Joanne on CPSC's approach to developing community-informed programs "We know repair costs more. We know that it's labor intensive, but we also know, you know, it's a greater GHG reduction and opportunity to again create new products from existing materials." -Joanne on the importance of incentivizing repair in the bill Recovered Textile Exhibit, June 10th (2026) in Los Angeles, CA California Product Stewardship Website CPSC Instagram

This week our guest is Amy Bircher Bruyn, CEO & Founder of MMI Textiles. In this episode, Amy shares how she built MMI into a nationally recognized industrial textile brand. She discusses the evolution of the U.S. textile industry, the importance of domestic manufacturing, and why solving problems and building trusted relationships have been the foundation of MMI's success.Amy also reflects on navigating the manufacturing world as a woman entrepreneur, mentoring the next generation, and the critical role textiles play in protecting military members and first responders.Her restaurant recommendations include two great Italian spots in Cleveland, Il Rione and Bar Italia.Connect with Amy on LinkedIn to learn more about MMI's work.

Fungi are “nature's biological recycling machines,” says guest Vayu Hill-Maini, a former chef turned bioengineer. That is, they take waste and turn it into good things. Hill-Maini now melds his scientific and culinary skills to create new foods, but also medicines, faux leather, pigments and other valuable products from mushrooms and molds. He uses CRISPR gene editing technology to “domesticate” these fungi – removing off-flavors and increasing nutritional content to make new-age cheeses, burgers, salami, and more. “We call it the DBTL cycle – design, build, taste, learn,” Hill-Maini tells host Russ Altman about his creative process on this episode of Stanford Engineering's The Future of Everything podcast. Have a question for Russ? Send it our way in writing or via voice memo, and it might be featured on an upcoming episode. Please introduce yourself, let us know where you're listening from, and share your question. You can send questions to thefutureofeverything@stanford.edu. Episode Reference Links: Stanford Profile: Vayu Hill-Maini Connect With Us: Episode Transcripts >>> The Future of Everything Website Connect with Russ >>> Threads / Bluesky / Mastodon Connect with School of Engineering >>> Twitter/X / Instagram / LinkedIn / Facebook Chapters: (00:00:00) Introduction Russ Altman introduces guest Vayu Hill-Maini, a professor of bioengineering at Stanford University. (00:03:33) From Chef to Bioengineer How Hill-Maini's culinary background led him to study food through science. (00:05:23) Building a Lab with a Kitchen Why his Stanford lab combines bioengineering research with culinary experimentation. (00:07:32) What Are Fungi? A primer on yeasts, molds, mushrooms, and their role in food and medicine. (00:10:22) Domesticating Fungi How humans have shaped fungi over thousands of years. (00:14:23) Mushrooms as a Food Source The nutrients, proteins, vitamins, and beneficial molecules found in fungi. (00:16:21) Fungi as Biological Recyclers Using fungi to turn food waste, agricultural waste, and other materials into useful products. (00:18:22) Making Waste-Based Foods Desirable Why taste, emotion, and culinary design matter for sustainable foods. (00:20:22) Engineering Delicious Fungi Using genetics and CRISPR to improve flavor, nutrition, and usability. (00:22:50) Gentle Genetic Tweaks Making small changes to reduce off-flavors or enhance useful traits. (00:23:46) Design, Build, Taste, Learn How the lab moves between kitchen and bench science to improve foods. (00:24:06) Chefs in the Lab How culinary collaborators help guide research and creativity. (00:28:58) Fungi-Based Materials The potential to create textiles, leather alternatives, and building materials. (00:31:03) Future In a Minute Rapid-fire Q&A: sustainability, students, and the promise of fungi. (00:33:25) Conclusion Connect With Us:Episode Transcripts >>> The Future of Everything WebsiteConnect with Russ >>> Threads / Bluesky / MastodonConnect with School of Engineering >>>Twitter/X / Instagram / LinkedIn / Facebook Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“La Mode en majesté”Haute couture et tradition à la cour de Thaïlandeau MAD, musée des Arts Décoratifs, Parisdu 13 mai au 1er novembre 2026Entretien avec Béatrice Quette, conservatrice en charge des collections asiatiques et islamiques MAD,et commissaire de l'exposition, par Anne-Frédérique Fer, à Paris, le 11 mai 2026, durée 21'35, © FranceFineArt.https://francefineart.com/2026/05/16/3718_la-mode-en-majeste_mad-musee-des-arts-decoratif/Communiqué de presseCommissariat :Béatrice Quette, conservatrice en charge des collections asiatiques et islamiquesassistée d'Astrid Novembre, assistante d'exposition et de Louise Lartillot, assistante de conservation bourse du JaponL'équipe de conservation du Queen Sirikit Museum of Textiles en collaboration avec le SACIT (Sustainable Arts and Crafts Institute of Thailand) :Piyavara Teekara Natenoi, directrice du Queen Sirikit Museum of TextilesSappasit Foongfaungchaveng, commissaire indépendantSarttarat Muddin, conservateur en chef et en charge du service des publics, Queen Sirikit Museum of TextilesAlisa Saisavetvaree, commissaire, Queen Sirikit Museum of TextilesÉquipe Conservation et inventaire, Queen Sirikit Museum of TextilesDu 13 mai au 1er novembre 2026, le musée des Arts décoratifs présente sous le haut patronage de Son Altesse Royale la Princesse Sirivannavari Nariratana Rajakanya l'exposition « La Mode en majesté. Haute couture et tradition à la cour de Thaïlande », organisée dans le cadre du 340e anniversaire de la première relation diplomatique et du 170e anniversaire des relations diplomatiques franco‑thaiÅNlandaises (1856–2026). Ce projet propose une lecture inédite de l'évolution du vêtement à la cour thaïlandaise, des années 1960 à nos jours. Près de 200 pièces, robes et accessoires signés principalement par le couturier Pierre Balmain et la maison Lesage mais aussi de créateurs thaïlandais, mettent en lumière l'évolution du vêtement de cour thaïlandais et son inscription sur la scène internationale.Des objets, textiles et photographies issus des collections royales complètent cette présentation. À travers le prisme de la mode, l'exposition analyse le rôle du costume comme langage culturel et diplomatique. Présentées pour la première fois en France, ces garde‑robes de la cour, construites autour des huit formats de costumes traditionnels, ont été conçues par Sa Majesté la Reine Sirikit, en collaboration avec des historienset des créateurs thaïlandais. L'exposition est organisée en partenariat avec le Queen Sirikit Museum of Textiles (QSMT) et le Sustainable Arts and Crafts Institute of Thailand (SACIT), dans le cadre des célébrations du 340e anniversaire de la première relation diplomatique et du 170e anniversaire des relations diplomatiques entre la France et la Thaïlande, anciennement le Royaume de Siam.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Students at North Carolina State University's Wilson College of Textiles were stunned when their commencement speaker revealed that their final year student loans would be paid off in full. STORY: https://www.wdjx.com/good-commencement-speaker-versus-bad-commencement-speaker/

In this episode of Talking Textiles, host Michael Woody speaks with Dr. Karl Aspelund of the University of Rhode Island about the growing future of the textile industry and the importance of collaboration between academia, manufacturers, and community organizations. Together, they explore the origins and impact of the Rhode Island Textile Innovation Network, efforts to close the textile skills gap, and the development of regionally focused workforce education programs designed to reconnect students with modern textile manufacturing.  

She walked Valentino runways at $10,000 a day, built a media career that spanned some of Australia's biggest brands, and was awarded Gold in Fashion & Textiles and Silver in Agriculture & Farming at the Women Changing the World Global Awards in London, 2025. And then she moved to a sheep station in Walcha, New South Wales.But here's what makes Vanessa Bell's story genuinely worth your time: this isn't a fish-out-of-water tale about a city woman finding herself on the land. It's a masterclass in what happens when someone with serious commercial firepower looks out across a paddock and asks, what is actually possible here?Vanessa is the Founder and CEO of her eponymous Australian luxury knitwear brand — crafted from Merino wool grown on her own property and produced with leading Italian mills. A Woolmark Licensee and RWS-certified wool grower, she works at the intersection of fashion, agriculture and sustainability, and champions natural fibres as the future of luxury. She also hosts the Fashion to Farmer podcast and speaks internationally on traceability, regenerative agriculture, and the global value of Australian Merino wool.In this conversation with Ben Law, she gets into the real thinking behind building a business that operates at both ends of the value chain — from what happens in the shearing shed all the way to the global consumer.What made her walk away from a career that had taken her from the runways of Tokyo and Vienna to the boardrooms of Sydney? What does it actually look like to grow wool fit for purpose — and then partner with one of Italy's most exclusive production houses to turn it into a globally recognised luxury knitwear label? How do you build a brand that refuses to discount, holds its value over time, and is designed to last a decade? And what does Vanessa believe is the real difference between farming families who talk about diversifying and those who actually do it?There's also a pointed conversation about what farming families might be leaving on the table — not because they lack opportunity, but because of the way they think about what they produce and where their role in it ends. Vanessa challenges that thinking directly. And if you're part of the next generation on the land, or a farming family wondering whether an ofIf this podcast has ever added value to your farming business, we'd love for you to leave us a rating and review on Apple Podcasts or Spotify.https://pod.link/1598835360 The High Performing Families Roadmap Workshop — 26th & 27th August 2026, Mooloolaba, Sunshine Coast. One event. Twenty families maximum. Early bird tickets available now at www.agricoach.com.au/takeaction -----------------------Ben spent over 20 years working with successful business owners and farming families which allowed him to unearth the timeless principles on how to successfully grow, protect and maintain wealth.If you want to learn the principles of how to grow your family's wealth throughout the generations, then you might consider joining The AgriCoach Podcast each fortnight for more Wealth & Wisdom.Disclaimer: The information contained in this podcast is general in nature and for education purposes only. It is not financial advice. It is not legal advice. No one should act on the information without appropriate specific advice for your particular circumstances. Ben Law is a former financial advisor but is no longer licensed and cannot and will not give you specific or personal advice in this podcast. The Financial Bloke Group Pty Ltd accepts no responsibility for any loss or damage occasioned by any person acting or refraining from action as a result of reliance on the information in this podcast.https://thefinancialbloke.com.au/

WTiN speaks with Mark Sumner, textiles programme lead at WRAP in the second of a two-part episode about policy and regulations driving circularity and durability in textiles. This is the second episode in a two-part series with Mark Sumner, textiles programme lead at global environmental action NGO, WRAP.In this episode, Sumner delves into durability in textiles and how this influences circularity. He analyses what durability means to individuals and what consumers have come to expect from their garments.In this context, Sumner speaks at length about policy informing garment design and choices. He details how data will have the ability and power to influence policy as we move forward, with more accurate results that can inform design principles.Additionally, we speak about WRAP's Footprint Tool, which helps users navigate the complexities of the life cycle of textile products. It provides data on the full life cycle impacts of textiles and is used by retailers and brands.Learn more at wrap.ngo.  

The fanciest suit isn't on the runway, it's in orbit. In this follow-up episode, Taylor and Andrew bring back Kate Winning from Oxford Space Systems to dive into the world of space textiles. From the knitted gold-plated mesh antennas that fold up for launch and deploy to the size of a room, to the 14-layer suit that keeps astronauts alive. Learn why tungsten makes a better yarn than you'd expect, how ancient crafts still have a place in high tech manufacturing, and why the hardest part of a spacesuit might just be the gloves. Thanks to Kate from Oxford for talking to us. Learn more about Oxford Space Systems here [LINK] This episode of the Materialism Podcast is sponsored by Momentum Transfer. Visit their website for more details about their measurement services. [LINK] The Materialism Podcast is sponsored by Materials Today, an Elsevier community dedicated to the creation and sharing of materials science knowledge and experience through their peer-reviewed journals, academic conferences, educational webinars, and more. [LINK] Thanks to Kolobyte and Alphabot for letting us use their music in the show! If you have questions or feedback please send us emails at materialism.podcast@gmail.com or connect with us on social media: Instagram, Twitter. Materialism Team: Taylor Sparks, Andrew Falkowski, & Jared Duffy.

Recorded live at the Pennsylvania Antiques Show, this panel brings together leading voices in the worlds of design, material culture, and collecting to explore what it means to live with objects today.Framed as a conversation on collecting—why we do it, how we begin, and what it means to steward the past—the discussion moves beyond acquisition and into the role objects play in shaping identity, memory, and home. Together, the panel considers how a new generation is approaching antiques and material culture with a fresh perspective, balancing scholarship with instinct, preservation with use, and tradition with evolving taste. At its heart, this is a conversation about how we carry the past forward, and why it still matters.About the PanelThis collecting-focused discussion was convened as part of the Pennsylvania Antiques Show, the inaugural gathering of dealers, scholars, and collectors dedicated to the study and appreciation of American decorative arts and material culture. The panel explored the evolving nature of collecting today, from connoisseurship and scholarship to accessibility, storytelling, and lived experience, offering multiple entry points for both new and seasoned collectors.PanelistsMichael Diaz-Griffith is a writer, designer, and historian working at the intersection of past and future. As CEO of the Design Leadership Network and Vice Chair of The Winter Show, he brings a storyteller's instinct and a strategist's insight to cultural life, helping organizations connect creative leadership with curatorial thinking. His work treats objects and images as sources of transhistorical insight, revealing how people have lived, imagined, and adorned their worlds, and offering cues for how we might live today. Through projects spanning museums, foundations, ateliers, and publications, he is known for making the material past feel newly alive. He is the author of The New Antiquarians: At Home with Young Collectors (2023), which helped spark renewed interest in antiques among a younger generation. His forthcoming book offers an inviting and authoritative guide to collecting in the 21st century. Follow Michael on Instagram.Matthew E. Monk is the Linda Eaton Associate Curator of Textiles at Winterthur Museum, Garden & Library and an Affiliated Assistant Professor in the Winterthur Program in American Material Culture at the University of Delaware. His work takes a holistic and global approach to textiles in America, with a focus on process, structure, craft, and materiality. A dedicated teacher and maker, Matt emphasizes making as a primary mode of understanding, arguing that how something is made shapes how we interpret it. His forthcoming dissertation, A Useable Past: The Creation of an Appalachian Identity and the American Handweaving Revival, 1890–1940, reflects his deep interest in craft traditions and cultural identity.  Originally from Appalachian Virginia, he comes from a long line of craftspeople, grounding his scholarship in lived experience and tactile knowledge. Follow Matthew on Instagram.Lisa Minardi is Executive Director of Historic Trappe and an internationally recognized expert in the history and material culture of southeastern Pennsylvania. She previously served as an assistant curator at Winterthur Museum, Garden & Library and has spent more than two decades working in the field. She is the author and curator of numerous exhibitions and publications on Pennsylvania German art and culture, including Pastors & Patriots: The Muhlenberg Family of Pennsylvania and A Colorful Folk: Pennsylvania Germans & the Art of Everyday Life. Her work has been instrumental in advancing the study of regional material culture and traditional Americana. She also serves as editor of Americana Insights and Executive Director of the Lutheran Archives Center in Philadelphia. Follow Lisa on Instagram.Allie Kochinsky is a cultural host and the voice behind the Grandma's Silver podcast, where she explores American life through the lens of heritage, home, and tradition. Through conversations with artisans, historians, and cultural stewards, her work highlights the rituals and objects that shape how we live. Through her platform @grandmillenniallifestyle, she has cultivated a distinct perspective as a heritage tastemaker, interpreting the past in ways that feel relevant, livable, and deeply personal today. Follow Allie on Instagram.If you enjoy Grandma's Silver, follow the podcast and share this episode with a friend who loves heritage, design, and timeless living.

On this day, 29 April 1982, 300 mainly South Asian women machinists were on strike in protest at the sacking of two male union activists and over low wages at the Supreme Quilting clothing factory in Smethwick, West Midlands. After a prolonged dispute, during which they also picketed the plant of a sister company, Raindi Textiles, 24-hours a day, they went back to work after achieving promises of union recognition, although the two men remained sacked.More information, sources and map: https://stories.workingclasshistory.com/article/10071/supreme-quilting-strikeOur work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History

Textiles are no longer just a finishing touch—they're a high-performance design solution. In this episode of Product Talk, Lauren Brant explores how textiles are shaping acoustics, wellness, and sustainability while influencing how people feel and interact within a space. From antimicrobial and acoustic fabrics to the rise of tactility and wellness-driven trends like “soft-clubbing,” this episode breaks down why materials matter more than ever. Plus, a look at evolving sustainability standards, certifications, and smarter sampling practices. Key Moments in This Episode 00:00 – Introduction: Why textiles deserve a second look Rethinking textiles as essential to performance, wellness, and storytelling—not just aesthetics. 01:30 – Soft is doing hard work How textiles are replacing traditional building systems with acoustic, antimicrobial, and performance-driven solutions. 04:30 – The rise of tactility and wellness Why touch, comfort, and emotional response are shaping material specification. 06:00 – What is “soft-clubbing”? A cultural shift toward wellness-driven social spaces and how it's influencing interior design. 08:00 – Behavioral design through textiles How materials like bouclé, wool, and linen impact how people feel, stay, and remember a space. 10:00 – Sustainability to accountability Why “eco-friendly” isn't enough anymore—and what designers should be asking instead. 11:30 – Understanding textile certifications Breaking down OEKO-TEX® and GOTS and what they actually verify. 13:30 – Rethinking material sampling How platforms and take-back programs are reducing waste and supporting circularity. 15:00 – Craft vs. technology The balance between high-performance textiles and handcrafted, human-centered design. 16:30 – Design takeaways for specifiers Key strategies for evaluating textiles as functional, sensory, and storytelling tools. 18:00 – Outro: Spec smarter Final thoughts on why textiles are now doing the heavy lifting—technically, emotionally, and environmentally.

The past, present and future of ethical production in fashion In Dyeing with the Earth, Charlotte Linton explores the intersection of small-scale traditional craft production with contemporary sustainability practices. Focusing on natural textile dyeing on the southern Japanese island of Amami Ōshima, Linton details the complex relationship between preservation practices, resource extraction, and land access in the production of Oshima tsumugi kimono cloth, which uses the indigenous technique of dorozome (or mud-dyeing). As global interest in sustainable fashion grows, textile manufacturers on Amami have expanded from kimono production to dyeing garments and textiles for high-profile designers. While traditional craft may appear at odds with the large-scale global textile industry, Linton reveals how Amamian and global producers face similar social, economic, and environmental pressures. Ethical production in fashion, Linton contends, should focus on understanding local everyday practices that sustain direct relationships between people, place, and environment rather than rely on short-term solutions via new processes or materials. Weaving together ethnography, photography, and illustration, Linton underscores the continued relevance of traditional craft and material cultures amid ongoing climate change and biodiversity loss. Charlotte Linton is Post-Doctoral Research Fellow at All Souls College, Oxford. Lucas Tse is Examination Fellow at All Souls College, Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The past, present and future of ethical production in fashion In Dyeing with the Earth, Charlotte Linton explores the intersection of small-scale traditional craft production with contemporary sustainability practices. Focusing on natural textile dyeing on the southern Japanese island of Amami Ōshima, Linton details the complex relationship between preservation practices, resource extraction, and land access in the production of Oshima tsumugi kimono cloth, which uses the indigenous technique of dorozome (or mud-dyeing). As global interest in sustainable fashion grows, textile manufacturers on Amami have expanded from kimono production to dyeing garments and textiles for high-profile designers. While traditional craft may appear at odds with the large-scale global textile industry, Linton reveals how Amamian and global producers face similar social, economic, and environmental pressures. Ethical production in fashion, Linton contends, should focus on understanding local everyday practices that sustain direct relationships between people, place, and environment rather than rely on short-term solutions via new processes or materials. Weaving together ethnography, photography, and illustration, Linton underscores the continued relevance of traditional craft and material cultures amid ongoing climate change and biodiversity loss. Charlotte Linton is Post-Doctoral Research Fellow at All Souls College, Oxford. Lucas Tse is Examination Fellow at All Souls College, Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The past, present and future of ethical production in fashion In Dyeing with the Earth, Charlotte Linton explores the intersection of small-scale traditional craft production with contemporary sustainability practices. Focusing on natural textile dyeing on the southern Japanese island of Amami Ōshima, Linton details the complex relationship between preservation practices, resource extraction, and land access in the production of Oshima tsumugi kimono cloth, which uses the indigenous technique of dorozome (or mud-dyeing). As global interest in sustainable fashion grows, textile manufacturers on Amami have expanded from kimono production to dyeing garments and textiles for high-profile designers. While traditional craft may appear at odds with the large-scale global textile industry, Linton reveals how Amamian and global producers face similar social, economic, and environmental pressures. Ethical production in fashion, Linton contends, should focus on understanding local everyday practices that sustain direct relationships between people, place, and environment rather than rely on short-term solutions via new processes or materials. Weaving together ethnography, photography, and illustration, Linton underscores the continued relevance of traditional craft and material cultures amid ongoing climate change and biodiversity loss. Charlotte Linton is Post-Doctoral Research Fellow at All Souls College, Oxford. Lucas Tse is Examination Fellow at All Souls College, Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The past, present and future of ethical production in fashion In Dyeing with the Earth, Charlotte Linton explores the intersection of small-scale traditional craft production with contemporary sustainability practices. Focusing on natural textile dyeing on the southern Japanese island of Amami Ōshima, Linton details the complex relationship between preservation practices, resource extraction, and land access in the production of Oshima tsumugi kimono cloth, which uses the indigenous technique of dorozome (or mud-dyeing). As global interest in sustainable fashion grows, textile manufacturers on Amami have expanded from kimono production to dyeing garments and textiles for high-profile designers. While traditional craft may appear at odds with the large-scale global textile industry, Linton reveals how Amamian and global producers face similar social, economic, and environmental pressures. Ethical production in fashion, Linton contends, should focus on understanding local everyday practices that sustain direct relationships between people, place, and environment rather than rely on short-term solutions via new processes or materials. Weaving together ethnography, photography, and illustration, Linton underscores the continued relevance of traditional craft and material cultures amid ongoing climate change and biodiversity loss. Charlotte Linton is Post-Doctoral Research Fellow at All Souls College, Oxford. Lucas Tse is Examination Fellow at All Souls College, Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

St. Paul is the new location, but it's an old one too. The local clothing giant has 113 stores nationwide, and embracing the thrill of people coming into a store to see and feel the material of their outfits. Find out more about this "Minnesota Miracle" from COO and Co-Founder, Mike Tamte, on the WCCO Morning News!

On this day, 19 April 1968, while 6,000 textile workers were on strike against redundancies in Valdagno, northern Italy, scabs were sneaked into the factory under police protection. The workers were brutally charged by police leading to them fighting with the 1,000-strong police force, occupying the factory and toppling the bronze statue of the factory's founder, Count Gaetano Marzotto (an iconic moment, as Count Marzotto had until then had been widely depicted as an enlightened benefactor). 47 workers were arrested. More information, sources and map: https://stories.workingclasshistory.com/article/9064/valdagno-textile-strikeOur work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History

In this podcast episode, Ulrich Scherbel, CEO of AMSilk, discusses the innovative production of bioengineered spider silk protein and its applications in the textile industry, going far beyond fibre and with the power to radically transform inks and chemistry. He explains the challenges of scaling up production, the importance of sustainability, and how AMSilk's technology can significantly reduce carbon emissions. The conversation also touches on the role of AI in protein bioengineering and the future vision for transforming the textile supply chain through collaboration and innovation

Laurie Shapiro (b. 1990, New York) is a painter and installation artist based in NYC.  She received her BFA in 2012 from Carnegie Mellon University.  She has exhibited internationally at the Dyer Arts Center, San Diego Museum of Art, San Luis Obispo Museum of Art, Contemporary Jewish Museum, Nashville International Airport, and SACI Florence.  Her enveloping installations have been commissioned for Otherworld, Walter Studios, and Weedmaps, where her piece “Flowers Are Not A Crime” was shown at various festivals, including The Governors Ball, Life is Beautiful, and Cali Vibes.  Shapiro has completed artist residencies at the American Academy in Rome, the Kala Art Institute, Surel's Place, the Kimmel Harding Nelson Center, and the San Jose Museum of Quilts and Textiles. She has been awarded several grants, including a California Council for the Arts Fellowship and a Puffin Grant.  Her work is internationally found in public and private collections, including at SACI Florence, Bilkent University, and the San Jose Museum of Quilts and Textiles.  Her work has appeared in TV segments, including WTAE and KTNV, Jhene Aiko's 4/20 Performance with Weedmaps, and in publications, including Fiber Arts Now, Artillery Magazine, and LA Weekly.https://laurieshapiroart.com/https://www.instagram.com/laurieshapiroart/Follow Martin Benson for more insights:*To stay updated on the podcast and related content, check out ⁠⁠⁠⁠⁠⁠my website⁠www.martinLbenson.com⁠*To support the show and access exclusive content, consider subscribing for $0.99/month on Instagram (link available from website).Credits: Special thanks to Matthew Blankenship of ⁠⁠⁠⁠⁠⁠The Sometimes Island⁠⁠⁠⁠⁠⁠ for our podcast theme music!Support this podcast: ⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/martin-l-benson/support⁠⁠⁠⁠

In this replay episode of Grow Everything, Karl and Erum catch up after recent travel, reflect on a standout mainstream biotech article about biology reshaping the global chemical industry, and discuss why “tissue-on-a-chip” experiments in space matter for long-duration missions. They then kick off a deeper dive into bio-based dyes by revisiting their interview with Orr Yarkoni, co-founder and CEO of Colorifix, who explains how engineered microbes can both produce and directly deposit pigment onto textiles to dramatically reduce toxic chemistry, water use, and energy demand compared to conventional dyeing. The conversation covers why black and high-performance reds remain the hardest colors to replace, how Colorifix approaches scale-up through distributed on-site fermentation hardware, and what it takes to meet the real-world fastness and safety standards that brands and mills require.Grow Everything brings the bioeconomy to life. Hosts Karl Schmieder and Erum Azeez Khan share stories and interview the leaders and influencers changing the world by growing everything. Biology is the oldest technology. And it can be engineered. What are we growing?Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.messaginglab.com/groweverything⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chapters:(00:00:00) Travel catch-up and what the hosts have been thinking about lately(00:05:30) Mainstream biotech gets it right: biology as “Mother Nature's R&D lab” for the chemical industry(00:07:15) Artemis and why deep-space biology experiments matter(00:08:40) Project Hail Mary and communicating across radically different biology(00:12:55) Why this season is focusing on bio dyes, and why textiles are a key wedge industry(00:16:55) Interview begins: Orr's background and the pivot from arsenic biosensing to dyeing(00:20:15) How conventional textile dyeing works, and why it is so chemically and water intensive(00:24:10) What Colorifix does differently: microbes that make dye and fix it onto fabric(00:27:10) Performance realities: lightfastness, washfastness, and why “green but fragile” is not sustainability(00:29:35) Finding pigments in nature, choosing the right biosynthetic routes, and translating them across materials(00:34:20) Who buys what: dye houses, mills, and how the business model works(00:36:55) Scaling fermentation the hard way: standardizing hardware and enabling on-site production(00:40:05) Hardware basics and the economics of bioreactors for commodity chemicals(00:44:05) Worker health, safer chemistry, and toxicity testing across the full process(00:46:05) Where you can find Colorifix in-market, and which materials are trending(00:49:00) Color priorities: why blue is easiest, and why black is the biggest challenge(00:51:15) Regulation tailwinds: why some black chemistries are being phased out(00:55:15) The future: bio-manufacturing everyday goods at scale(00:58:45) Orr's film recommendation: The Man in the White Suit(01:00:00) Closing: upcoming live recording at DC Climate Week and SynBioBetaLinks and Resources:Colorifix 75. Dye Another Day: The New Way to Color Textiles with Colorifix's Orr YarkoniTracking the removal of Petroleum-based Food Dyes Food Safety and Health Concerns of Synthetic Food DyesNational Geographic Spider SilkArtemis Mission - Lunar FlybyDC Climate WeekSynBioBeta Pass - Discount code: Grow Everything Topics Covered:industrial biotech, synthetic biology, biomanufacturing, microbial fermentation, engineered microbes, sustainable textiles, bio-based dyes, textile dyeing process, green chemistryHave a question or comment? Message us here:Text or Call (804) 505-5553⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠Grow Everything⁠⁠⁠⁠⁠⁠⁠⁠Music by: Nihilore Production by: Amplafy Media

On today's show, we examine the shifting perception of autism. We also hear about a cross-country quilt that will be assembled in Washington County, Arkansas, this weekend. Plus, we learn about Onward FX and venture capital in Northwest Arkansas.

WTiN speaks with Mark Sumner, textiles programme lead at WRAP in the first of a two-part episode about policy and regulations driving circularity and durability in textiles. This is the first episode in a two-part series with Mark Sumner, textiles programme lead at global environmental action NGO, WRAP.In the next two episodes, Sumner will speak about policy frameworks and legislation that is driving circularity in the textile industry. During this first episode he explores the evolution of Wrap's Roadmap to Circularity to the Roadmap for its Textiles Pact. The UK Textiles Pact (formerly Textiles 2030) is the UK's leading voluntary initiative supporting businesses and organisations within the fashion and textiles industry to transition to more sustainable and circular practices by the end of the decade.The roadmap, meanwhile, charts the course for navigating the climate-critical years, from 2026 to 2030. It establishes priority indicators and actions to scale progress and achieve the Pact's targets, while encouraging flexibility in individual business pathways. Sumner touches upon the regulation and policy and speaks about where he believes the priorities lie for the textile and fashion industry. Learn more at wrap.ngo. 

In this week's episode, Dan and Mags chat with Hannah Evans about their studies into the role of women and textiles in medieval Ireland. ------------------------------------------------Reach out to Hannah through the university:https://www.liverpool.ac.uk/irish-studies/research/phd-students/hannah-evansFollow Margrethe on Instagram:https://www.instagram.com/arkeomagsFollow the Podcast on Instagram:https://www.instagram.com/nordicmythologypodcastIf you like what we do, and would like to be in the audience for live streams of new episodes to ask questions, please consider supporting us on Patreon: https://www.patreon.com/NordicMythologypodcastCheck out Dan's company, Horns of Odin, and the wide range of handmade items inspired by Nordic Mythology and the Viking Age. Visit: https://www.hornsofodin.com Hosted on Acast. See acast.com/privacy for more information.

The multi-talented Ohio author, buyer & seller of vintage fabrics Kira Hartley Klinger talks about her release “Fabric Wars: Today's Hunt for the Vintage Fabric” as part of the Fabric Wars trilogy including “Fabric Wars & More!” and “Arlo the Camp Bus”! Kira is a 20+ year veteran as a buyer and seller of vintage fabric and textiles, plus owner of an Etsy shop (DodOddity) as well as quilter, carpenter and grandmother, and garnered national attention with her fabric stories as her books chronicle her journey of vintage fabrics and going head-to-head with potential buyers plus shares her fabric stories behind the scenes and what we can learn from this experience! Check out the amazing Kira Hartley Klinger and her latest release on all major platforms including Amazon  and www.etsy.com/shop/DodOddity today! #podmatch #kirahartley #kirahartleyklinger #vintagefabric #fabricwars #ohio #author #etsy #dododdity #arlothecampbus #buyer #seller #fabric #textiles #spreaker #spotify #iheartradio #spotify #apple #youtube #anchorfm #podbean #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerkirahartley #themikewagnershowkirahartleyBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.

Aujourd'hui dans "Comment j'ai réussi ?", Pascale Florant, secrétaire générale du COFREET (Comité français d'étiquetage pour l'entretien des textiles), nous plonge au cœur du monde méconnu des pictogrammes qui ornent nos vêtements. Depuis plus de 60 ans, le Comité œuvre pour normaliser et promouvoir ce langage universel, permettant aux consommateurs du monde entier de comprendre comment prendre soin de leurs textiles. Bien que 81% des Français affirment regarder ces symboles, Pascal Florent souligne qu'il reste encore du travail à faire pour que le grand public en maîtrise tous les subtils détails.Nous découvrons ainsi l'histoire fascinante de la création de ces pictogrammes, véritables marques déposées dont le COFREET est copropriétaire avec le GINETEX (Groupement International d'Etiquetage pour l'Entretien des Textiles). Notre invité nous explique comment ces symboles évoluent pour s'adapter aux nouvelles fibres et aux modes de vie changeants, offrant toujours plus de précision pour préserver la durabilité de nos vêtements.L'un des moments forts de cet épisode est lorsque Pascale Florant nous révèle l'existence d'une application mobile, "Mon Etiquette", qui permet aux consommateurs de décrypter facilement tous ces pictogrammes. Une véritable aubaine pour ceux qui peinent encore à les interpréter correctement.Mais le COFREET ne se contente pas seulement de créer et de diffuser ces symboles. L'association accompagne également les fabricants de vêtements pour s'assurer de leur bonne utilisation, dans le but de garantir un langage commun et compréhensible partout dans le monde. Un défi de taille, d'autant plus que certains marchés, comme les États-Unis et la Corée, n'ont pas encore adopté ce système normalisé.Enfin, la secrétaire générale souligne l'importance cruciale de conserver les étiquettes de nos vêtements, car 40% de l'impact environnemental d'un vêtement provient de son entretien. Une prise de conscience essentielle pour réduire notre empreinte écologique tout en prolongeant la durée de vie de nos textiles préférés.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Textiles are all around us, they are literally woven into nearly every part of our daily lives. From the everyday materials in the clothes we wear to the specialty materials in parachutes, spacesuits, and even bulletproof armor. They play a bigger role than we often think about but what exactly is a textile? We sit down with Kate Winning from Oxford Space to explore the world of textiles, breaking down the different types, how they are turned from fiber into usable materials, and their wide-ranging applications. Sparks Death Star Sweater [LINK] This episode of the Materialism Podcast is sponsored by Momentum Transfer. Visit their website for more details about their measurement services. [LINK] The Materialism Podcast is sponsored by Materials Today, an Elsevier community dedicated to the creation and sharing of materials science knowledge and experience through their peer-reviewed journals, academic conferences, educational webinars, and more. [LINK] Thanks to Kolobyte and Alphabot for letting us use their music in the show! If you have questions or feedback please send us emails at materialism.podcast@gmail.com or connect with us on social media: Instagram, Twitter. Materialism Team: Taylor Sparks, Andrew Falkowski, & Jared Duffy.

Holly talks about the frustration of not finding any solid evidence of where Richard Peters stood on the issue of slavery. Tracy wonders what Elizabeth Fulhame's relationship with her husband was like.See omnystudio.com/listener for privacy information.

Host Wendy Solganik interviews quilting instructor Heather Kojan, a modern quilter with traditional roots, founder of the Baltimore Modern Quilt Guild, and Willa Workshops instructor behind Threaded and Sewn, The Modern Improv Pillow, and the upcoming in-person retreat Fodder School Live (sold out; August 2026). Heather recounts growing up crafty (crochet, sewing), studying business, working in radio, restaurants, and a small catering business, then making her first quilt in late-80s colors and quilting casually while raising kids. She describes discovering modern quilting through blogs/Flickr, starting a guild to build community in Baltimore, and “faking it till you make it” into lecturing and national teaching, patterns, publications, and retreats (including a large Lancaster retreat). Heather explains her income streams, extensive travel, and plans to reduce travel while creating more Willa Workshops content that merges mixed media and textiles, including future collaborations and a planned co-taught Fodder School 7 lesson.  00:00 Meet Heather Kojan 02:05 Podcast Premise and Intro 03:39 Why Heather Now 04:44 From New York to Virginia 10:02 Early Craft Obsessions 12:46 College and Career Detours 16:26 Radio Restaurants and Catering 19:48 First Quilt and Family Life 23:03 Modern Quilting Awakening 25:06 Starting a Quilt Guild 28:23 First Lectures to Full Time 30:56 Income Streams and Recognition 33:35 How She Booked Teaching Gigs 34:32 Cold Email Breakthrough 35:53 Applying and Getting Noticed 37:04 Taking Over the Retreat 38:55 What Happens at Retreats 41:14 Finding Fodder School 46:13 From Student to Collaborator 50:57 Building Online Courses 59:08 Planning the Next Chapter 01:01:38 Travel Burnout and Ego 01:06:15 Slowing Down and New Hybrids 01:11:34 Recruiting Teachers and FS7 01:14:24 Wrap Up and Thanks 

In this episode of NeedleXChange I interview Iskren Lozanov.Iskren Lozanov is an embroidery artist living in Ibiza, originally from Bulgaria. He came third in the 3d Textiles category of The 2025 Mr X Stitch Contemporary Needlework Prize and 2nd in the Open Textile Art category in the 2024 Hand & Lock Prize.We pick up with what's next for Iskren Lozanov's practice, including using everyday objects, collaboration hopes, and how this technique can be applied to almost anything. We also get practical about making a living, brand work vs artwork, staying well, and end on favourites plus a brilliant Spice Girls fact.Timestamps:00:00:00 – Introduction00:01:20 - Future directions: exploring everyday objects and collaborations00:03:05 - The freedom found in upcycling and working with found objects00:06:59 - Balancing slow fashion and original art00:09:34 - Sharing favorite books and cultural influences00:13:56 - Music's role in Lozanov's creative process00:17:22 - Favorite films and how storytelling influences his art00:18:36 - Bulgarian folklore, fairy tales, and cultural motifs00:19:22 - The acceptance of men in embroidery and needlework communities00:21:24 - A fact that not a lot of people know about Iskren LozanovLinks:Instagram: iskrenlozanoWebsite: iskrenlozanov.comIntro music is Cyber Bazaar by HATAMITSUNAMI via Epidemic Sound.About NeedleXChangeAn artist interview podcast exploring contemporary embroidery and textile art. Hosted by Jamie "Mr X Stitch" Chalmers.Support on PatreonJoin the Green Room for weekly aftershows, monthly Q&As, and searchable transcripts.Become an Executive Producer to join quarterly roundtables and shape the show's future.patreon.com/c/xstitch/membershipStay Connectedneedl.exchange | Newsletter: bit.ly/NeedleXChangeNewsmrxstitch.com | xstitchmag.comSocial: Facebook | Instagram | Pinterest | YouTube | LinkedIn

This week on the Hemp Show, we talk with Ryan Zaczynski, co-founder of 1937 International, a company working to build global supply chains for industrial hemp. In this episode, Zaczynski talks about what it takes to move hemp beyond niche markets and into real products that people use every day — by building supply chains that connect farms, textile mills and manufacturers around the world. At the center of that effort is Pakistan, where 1937 International is working in partnership with Dr. Zafar Riaz and his team to develop hemp production and tap into one of the world's largest textile economies. We also talk about the upcoming Industrial Hemp International Conference in Denver, where 1937 International is the lead sponsor and what it means to bring new partners, new materials and new supply chains into the hemp industry. Learn More 1937 International linkedin.com/company/1937-international-corp Industrial Hemp International Conference industrialhempinternational.com News Nuggets U.S. Farm Bill revisions would modestly reshape rules for fiber and grain growers hemptoday.net/u-s-farm-bill-revisions-would-modestly-reshape-rules-for-fiber-and-grain-growers/ UK grant backs development of hemp varieties tailored for British farming hemptoday.net/uk-grant-backs-development-of-hemp-varieties-tailored-for-british-farming/ Sponsors IND Hemp indhemp.com Forever Green hempcutter.com

Join us as Ocean House owner and award-winning author Deborah Goodrich Royce moderates a conversation with her Lifestyle Design Panel featuring Genevieve Wheeler Brown, Amanda Reynal, Christopher Spitzmiller, & Ashley Whittaker. About the Panel: Genevieve Wheeler Brown - Founding Genevieve Wheeler Decorative Art Advisory in 2003, Genevieve comes to the advisory business with more than 12 years of experience in the auction world, strong generalist knowledge and a wide range of contacts in American, European and Asian decorative and fine arts. Genevieve began her career with Christie's in 1992 with the European Decorative Arts Department after working as an intern at The Phillips Collection, Washington D.C. in 1990. She was then asked to run Overseas Consignments at Christie's Park Avenue, a department that handled inquiries for European based auctions including Indian and Southeast Asian art, Islamic Art, Miniatures, Textiles and Cameras. In 1995 Genevieve became the New York contact for sales of Fabergé and Russian Silver at Christie's Park Avenue and most recently was as a specialist in Fine Musical Instruments at Christie's Rockefeller Center from 1998 to 2003. While at Christie's, she was involved with important sales such as ‘The Pine Cone Egg' by Carl Fabergé and ‘The Taft' Stradivari which fetched the auction record for an instrument sold in the United States. She has also been an appraiser on the PBS production ‘The Antiques Roadshow'. A supporter of several fine and decorative art related institutions, Genevieve has served on the Board of the National Society of Colonial Dames in the State of New York, served as a member of the Young Fellows Steering Committee of the Frick Collection from 1995 to 2005 and co-Chaired the Winter Antiques Show Young Collector's Night, New York in 2004, 2005, and 2006. Genevieve currently advises several organizations including Dumbarton House, a Federal period house museum in Georgetown, as a board member as well as for The Winter Show as a vice-chair of Opening Night and as co-founder of The Winter Show Luncheon. Amanda Reynal - With 30 years in interior design, Amanda Reynal is known for creating joyful spaces that pair a confident use of color with eye catching detail. In 2001, she founded Amanda Reynal Interiors, known for her well-traveled aesthetic and astute knowledge of antiques, art and the global design market. Her work adheres to historical aesthetic, using traditional forms with a fresh and updated sensibility. Her style is influenced by her upbringing in the Northeast and time in Palm Beach. Christopher Spitzmiller - CHRISTOPHER'S ICONIC CERAMIC LAMP DESIGNS draw inspiration from classical forms and traditional gemlike glazes. He began his career in 1996 in Washington, D.C. then moved to New York City in the fall of 1999 where he continues to create his one of-a-kind lamps with a crew of skilled artisans. The lamps are of timeless appeal and luxurious quality. Beautiful classic lamps are drenched in bold, vibrant, rich glazes. As of late Christopher has expanded his designs to tableware and other ceramic accessories. In 2015 he began a partnership with Visual Comfort and Circa Lighting allowing his designs to reach a broader audience. Christopher's work is often featured in celebrated publications such as Architectural Digest, Town & Country, Elle Décor, Veranda, The New York Times and the Wall Street Journal. He has had the honor of making lamps for four different White House Administrations, the Blair House and many other distinguished American homes. When not in the Studio, Christopher can be found at his farm in Millbrook, NY gardening, beekeeping, making jam, cooking for friends, or tending to his flock of heritage breed chickens. All captured in his book ‘A Year at Clove Brook Farm,' published by Rizzoli. He also enjoys the pleasure of giving back to the community by serving on the boards of the Lenox Hill Neighborhood House and The Garden Conservancy.  Ashley Whittaker - Described as the “neo-traditionalist,” Ashley Whittaker reveals her fresh and modern perspective on traditional design and architecture in all of her work. The New York City decorator offers distinctly classic taste and chic sophistication to residential decoration and interior design. Characterized by tailored rooms that incorporate charming detail and engaging play on color and pattern, Whittaker's signature style is immediately evident. A Florida native, Ashley received her bachelor degree from St. Lawrence University. She has worked as a special events director at both Ralph Lauren in New York and the finance firm Forstmann Little & Co. Ashley credits her training in the design industry to legendary decorator Markham Roberts where she worked before starting out on her own.   For details on Deborah Goodrich Royce and the Ocean House Author Series, visit deborahgoodrichroyce.com    

In this episode of Ecotextile Talks, we go inside the development of Lenzing's newest TENCEL™ Lyocell innovation - HV100 - a fibre engineered to deliver the texture, drape and authentic wash-down character of cotton which was created in record-breaking time!  Johnny Truong and Julia Ulrich, from Lenzing, walk host Philip Berman through the market signals that they say sparked the idea, the technical hurdles of getting it into production, and why this fibre is opening doors for lyocell in denim's most coveted position - the warp.  This podcast is brought to you in a paid partnership with Lenzing.    

Extended Producer Responsibility (EPR) is rapidly expanding into the textile industry, but how will it actually work in practice, and how can brands prepare?In this episode of HappyPorch Radio, Barry O'Kane speaks with Gerrard Fisher, co-founder of WEFT, a company helping brands understand the circularity of their products and prepare for future EPR systems.Gerrard explains how eco-modulation could link the design of products directly to the costs of dealing with them at the end of life. By analysing product data, brands can begin to see which materials, designs and product categories are easier to recycle and which could create higher costs in future circular systems.They also explore the broader opportunity of using this data not just to manage regulation, but to help guide product design, improve recycling infrastructure planning, and give consumers clearer information about sustainability.✨ In this episode:Gerrard explains how Extended Producer Responsibility works and why it's becoming a major issue for textilesWe explore eco-modulation and how it could financially reward products that are easier to recycle or more durable.Gerrard shares consumer research suggesting shoppers are surprisingly open to small EPR charges on clothing.We discuss how product data can help brands map the circularity of their portfolios and make better design decisions.Barry and Gerrard explore how WEFT prototyped its product using AI coding tools before building a more robust system.We discuss the importance of aligning incentives across policy, business and consumer behaviour to make circular systems work.

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What does it take to build a successful textile brand when you're competing against legacy companies with household names? Otis Weis answers that question by sharing his decade-long journey of growing Otis Textiles from a 20-fabric startup to a 260-SKU collection that serves hundreds of high-end design firms across the United States and internationally. After leaving investment banking due to health issues, Otis discovered his passion for textiles while helping his mother Catherine Ireland streamline her fabric business, ultimately deciding to create his own line focused on woven fabrics with a contemporary, California-inspired aesthetic.Otis reveals the unconventional strategies that fueled his success, particularly his decision to abandon the traditional showroom model in favor of selling directly to designers. By sending branded boxes containing his entire collection to nearly 3,000 design firms, maintaining exceptional inventory levels, and offering fast turnaround on custom orders through integrated relationships with Italian mills, Otis created a competitive advantage based on service and accessibility rather than marketing spend. He discusses the importance of listening to customers—noting how simultaneous requests for similar colors or textures reveal emerging trends—and his philosophy of creating timeless fabrics that remain relevant season after season.The episode also explores the practical challenges of running a textile business, from navigating complex tariff regulations to deciding whether to expand into new categories like wallcoverings or furniture. Otis shares his perspective on pricing integrity during economic uncertainty, the value of working with small artisan mills where generations of expertise create irreplaceable quality, and why he chose to launch outdoor fabrics despite initially wanting to focus solely on natural fibers. His approach—organic growth, relationship-building, and refusing to compromise quality for scale—offers a refreshing alternative to the rapid-exit startup mentality and demonstrates how staying true to your vision can build both profitability and legacy.

In a small corner of London lies one of the most evocative collection of textiles anywhere in the world. The fabrics – which are quite ordinary - are in the so-called billet books which recorded the identity and clothing of every baby accepted at the Foundling Hospital from the mid 1700s onwards.   What makes these books so moving is that often the birth mother left a scrap of cloth or ribbon when she gave up her baby. She held onto the other half so that if her circumstances changed, she could return to the Foundling Hospital, match the two pieces of cloth and reclaim her child. The result, two hundred and fifty years later, is one of the best collections of textiles samples worn by ordinary people in Europe the seventeen and eighteen hundreds.   It is hard to imagine today how we would feel if we had to place our own child in a foundling hospital, if this was part of our family history. One woman recently discovered that this is exactly what happened to her ancestor. She arrived at the Foundling Hospital in 1758 at just a few weeks old. But she lived to be 87 – an incredible age for that time – and became a mother and grandmother herself. Find out more in this episode.   For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-8/   And if you would like to find out more about Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/  

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.‘Our What Ifs Became Real Life'Kayla Maria of Fort Ripley is an avid arts consumer, and she recommends a visit to the MacRostie Art Center in Grand Rapids. She appreciated the multi-disciplinary show “Our What Ifs Became Real Life” by Amber Buckanaga and James Harvin, on view through March 27.She describes the “intimate moments” of the exhibit.Kayla says: As you walk into the exhibit, you're basically walking through time and through the timelines of James and Amber's ancestors and even thinking into the future. There were components like poetry, textiles, fashion, design and painting. There was a moment where they were talking about Amber's family history with boarding schools and relating that to James's family escaping slavery.— Kayla Maria‘Monsters Not Monoliths! A DnD Actual Play'Eli Effinger-Weintraub is really looking forward to seeing “Monsters Not Monoliths! A DnD Actual Play,” at 7:30 p.m. Friday, March 6, rescheduled from the original January date due to the federal immigration enforcement surge. Professional game master Manny Elliott will run a live table-top role-playing game with a group of experienced actors/gamers while the audience watches the story unfold.The show will run approximately three hours and is recommended for ages 18 and older.Eli says this show should be a blast for experienced and would-be gamers, improvisers and storytellers. The story follows a group of ordinary people in a city a lot like Minneapolis, when mythical monsters and fairy tale creatures start showing up, the characters have to decide whether to fight the new arrivals or stand with them.— Eli Effinger-WeintraubLowry Hill Gallery grand openingKristin Makholm has a bead on the arts community as a former art museum curator and director and now a nonprofit fundraiser in the Twin Cities. She recommends visiting the grand opening this weekend of the Lowry Hill Gallery in Minneapolis. Located on Franklin Avenue near Hennepin, the Lowry Hill Gallery will feature Minnesota and regional artists working in a representational style.Kristin describes the two artists with featured shows starting Saturday.Kristin says: Charles Lyon is a Minneapolis artist who paints what he himself has seen and experienced. For example, he paints nature as it appears in the urban environment or the landscapes of the Boundary Waters as seen from a canoe. The show he's opening this weekend is called “Round Here,” which features paintings of the greenery of our Midwest spring, summer and fall.Kirsten Tradowsky's paintings are based primarily on photographs, reimagined through her own vibrant lens of paint color and expressive brushwork. The series of paintings called “Annemarie's Vision” uses her grandma's photos of family gatherings as source material to create paintings.— Kristin Makholm

Karla MaGruder, founder and board chair of Accelerating Circularity, talks with Ian Welsh about scaling textile-to-textile recycling. They explore the system-level changes needed to connect collectors, sorters and recyclers, and the complementary roles of mechanical and chemical recycling. They discuss why collaboration, standardisation and commercial-scale infrastructure are critical to building a circular textile economy.

Textiles, embroidered with religious imagery, express lay piety in public and private shrinesThis beautifully illustrated volume highlights Jain devotional textiles (choḍs) from the Ronald and Maxine Linde Collection at UCLA's Fowler Museum. Fashioned in the Indian states of Gujarat, Rajasthan, and Maharashtra, these works of velvet and sateen cloth, lavishly embroidered with gold and silver gilt thread, depict Jain mythology, influential spiritual teachers, sacred sites, and ritual traditions. Visualizing Devotion: Jain Embroidered Shrine Hangings (U Washington Press, 2025) delves into the innovative material approaches taken by the creators of choḍs, the captivating religious stories they convey, and the social lives of these objects in Jain communities. They offer a mode of devotional patronage to lay people, who frequently commission them as gifts for places of worship in recognition of deceased relatives or upon completion of important rituals, such as monastic initiation or a lengthy fast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Textiles, embroidered with religious imagery, express lay piety in public and private shrinesThis beautifully illustrated volume highlights Jain devotional textiles (choḍs) from the Ronald and Maxine Linde Collection at UCLA's Fowler Museum. Fashioned in the Indian states of Gujarat, Rajasthan, and Maharashtra, these works of velvet and sateen cloth, lavishly embroidered with gold and silver gilt thread, depict Jain mythology, influential spiritual teachers, sacred sites, and ritual traditions. Visualizing Devotion: Jain Embroidered Shrine Hangings (U Washington Press, 2025) delves into the innovative material approaches taken by the creators of choḍs, the captivating religious stories they convey, and the social lives of these objects in Jain communities. They offer a mode of devotional patronage to lay people, who frequently commission them as gifts for places of worship in recognition of deceased relatives or upon completion of important rituals, such as monastic initiation or a lengthy fast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

This is the third of four episodes about embroidery. They're all very different perspectives, but each asks in their own way, what is the significance of these stitches? What are they saying, what's their message? It's never just, 'I'm gorgeous.' Textiles, as we know, can have deep meanings.In the case of Palestinian tatreez embroidery, it speaks of culture, belonging and exile, documenting stories of family, land and identity. Here, a Wardrobe Crisis listener details her own experience of learning the practice as a way of connecting with her Palestinian roots, and finding comfort and community in these trying times.If you find the interview valuable, please help us share it.Find links and further reading at thewardrobecrisis.comSupport the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.

In this episode, Dr. Phil Mintz, Director of NC State University Industry Extension Services, talks with Bogdan Ionescu, co-owner of OGC Stained Glass (Ordway Glass Company), a husband-and-wife–run stained glass studio based in Fuquay-Varina, North Carolina. Bogdan walks us through how he and his wife Nicole built a thriving, award-winning business out of their garage—balancing art, family life, and purpose along the way. OGC Stained Glass was named the 2025 winner of the North Carolina Chamber's “Coolest Thing Made in North Carolina,” a remarkable achievement for a two-person operation focused entirely on hand-cut, one-of-a-kind stained glass art. This episode offers an honest and inspiring look at what it takes to build something meaningful—one piece of glass at a time. LINKS NCMEP | IES | Ordway Glass Company About the Guest Bogdan Ionescu is the co-owner of OGC Stained Glass, located in Fuquay-Varina, NC, alongside his wife Nicole—the primary artist behind the glass. Together, they create contemporary and traditional stained glass works that preserve heritage while pushing the craft forward.

In this episode of Talk Nerdy, Cara is joined by clinical and research psychologist, passionate knitter, and writer -- Dr. Nicole Nehrig. They discuss her book, With Her Own Hands: Women Weaving Their Stories. Follow Nicole: @nicolenehrig

Launched in Toulouse, France in 1985, Élitis is the opposite of a heritage textile brand. Its founder, Patrice Marraud des Grottes, wanted to break with stale tradition and present vivid artistic patterns, work with new technologies, and push mills to innovate. Known for challenging conventions, Élitis was once described as an “enfant terrible” in the world of high-end French fabric and wallcovering.On this episode of the podcast, CEO of Élitis North America Olivier Thienpont chats with host Dennis Scully about the surprising resilience of the high-end market, the difference between American and French customers, and why no technological disruption can change what makes the design industry special. This episode is sponsored by Ernesta and SixpennyLINKSÉlitisDennis ScullyBusiness of Home

CONSCIENCE AND CONVERSION Colleague Mark Clifford, The Troublemaker. The 1989 Tiananmen Squaremassacre radicalized Lai, who transitioned from textiles to media, founding Next magazine and Apple Daily to champion democracy. Realizing the brutality of the Chinese Communist Party, he used his wealth to support the student movement and expose regime corruption. As the 1997 handover approached, Lai converted to Catholicism, influenced by his wife and pro-democracy peers, seeking spiritual protection and a moral anchor against the coming political storm. NUMBER 11 1930S HK

On this solo episode of The Nikki & Brie Show, Brie takes the mic to sit down with someone making a real impact—entrepreneur and environmental advocate Amelia Trumble, co-founder of Retold Recycling. If you've ever looked at a pile of clothes and wondered what to do with the stuff that can't be donated, this one's for you. Amelia is on a mission to keep textiles out of landfills and make recycling as easy as tossing something in the mail.Brie and Amelia dive into how Retold Recycling works, how it's changing the game for eco-conscious consumers, and what inspired Amelia to launch the company in the first place. From her appearance on Shark Tank to building a brand that turns sustainability into a lifestyle, Amelia shares her journey with warmth, humor, and insight. Brie, a longtime fan of the brand, is thrilled to spotlight a fellow female founder doing big things for the planet.Tune in to hear how Amelia is creating tangible solutions for a cleaner future, the realities of juggling business and purpose, and why being mindful about what we toss out matters more than ever. It's a conversation filled with inspiration, environmental impact, and entrepreneurial spirit—press play and get ready to feel empowered. Call Nikki & Brie at 833-GARCIA2 and leave a voicemail! Follow Nikki & Brie on Instagram, follow the show on Instagram and TikTok and send Nikki & Brie a message on Threads! Follow Bonita Bonita on Instagram Book a reservation at the Bonita Bonita Speakeasy To watch exclusive videos of this week's episode, follow The Nikki & Brie Show on YouTube, Facebook, and TikTok! You can also catch The Nikki & Brie Show on SiriusXM Stars 109! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.