Podcasts about kansas joe

Mucho antes de que se inventen la teletransportación y los viajes en el tiempo, Mundofonías te los ofrece gratis. Viajamos al siglo pasado en busca de sones tropicales de Venezuela y blueseros de Norteamérica, gracias a diversas recopilaciones de reciente edición. Long before teleportation and time travel are invented, Mundofonías offers them to you for free. We travel back to the last century in search of tropical sounds from Venezuela and blues from North America, thanks to several recently released compilations. Príncipe y su Sexteto - San de manique - Color de trópico, vol. 3 [V.A.] Un, Dos, Tres y... Fuera - Aquella noche - Color de trópico, vol. 3 [V.A.] Son House - Dry spell blues, part - The Rough Guide to Delta blues, vol. 2 [V.A.] Skip James - Cherry ball blues - The Rough Guide to Delta blues, vol. 2 [V.A.] Louise Johnson - All night long - The Rough Guide to Delta blues, vol. 2 [V.A.] Mississippi Mud Steppers - Vicksburg stomp - The Rough Guide to Delta blues, vol. 2 [V.A.] Blind Willie McTell - Love changing blues Rough - The Rough Guide to slide guitar blues [V.A.] Leadbelly - Packin' trunk - The Rough Guide to slide guitar blues [V.A.] King Solomon Hill - Whoopee blues - The Rough Guide to slide guitar blues [V.A.] Darby & Tarlton - Heavy hearted blues - The Rough Guide to slide guitar blues [V.A.] Lemuel Turner - Way down yonder blues - The Rough Guide to slide guitar blues [V.A.] Kansas Joe & Memphis Minnie - When the levee breaks - The Rough Guide to the roots of the blues [V.A.] Memphis Minnie - Moaning the blues - The Rough Guide to Memphis Minnie: Queen of the country blues (Memphis Minnie - Where is my good man - The Rough Guide to Memphis Minnie: Queen of the country blues) Imagen: / Image: Memphis Minnie

Baylor loses big to Kansas Joe and Matt look ahead to Kansas State and Texas games for the Bears Baylor WBB beat Texas twice in 3 days to lock in 13 straight against the Longhorns How did the former Bears fair in college football all-star games? Winter Olympics talk Boba Fett spoiler talk Joe Twitter @the_joe_goodman Matt Twitter @mattdworkman podcast Twitter @thebeardenpod --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

# 4분 33초♪ Stars / Simply Red # 시간을 달리는 음악 feat. 김경진 음악평론가2. Led Zeppelin이 ‘훔친' 음악♪ Babe I'm Gonna Leave You (2:38) / Joan Baez (1962)♪ Babe I'm Gonna Leave You (6:42) / Led Zeppelin (1969) ♪ Dazed And Confused (3:46) / Jake Holmes (1967)♪ Dazed And Confused (6:28) / Led Zeppelin (1969) ♪ You Need Love (2:44) / Muddy Waters (1962)♪ Whole Lotta Love (5:34) / Led Zeppelin (1969) ♪ When The Levee Breaks (3:11) / Kansas Joe & Memphis Minnie (1929)♪ When The Levee Breaks (7:07) / Led Zeppelin (1971)ART19 개인정보 정책 및 캘리포니아주의 개인정보 통지는 https://art19.com/privacy & https://art19.com/privacy#do-not-sell-my-info 에서 확인하실 수 있습니다.

Episode 2 of Antipod is the second in a two-part series dedicated to the life, work, and wisdom of Dr. Clyde Adrian Woods. This episode builds on the conversation that Akira and Brian had in the Episode 1, which engaged with a pair of panel discussions held in 2018 at the New Orleans Community Book Center and the American Association of Geographers (AAG) Annual Meeting. The panels focused on Dr. Woods’s Development Drowned and Reborn: The Blues and Bourbon Restorations of Post-Katrina New Orleans, edited by Jordan T. Camp and Laura Pulido (University of Georgia Press, 2017). In Episode 2, hosts Allison Guess and Alex Moulton dive deeper on themes presented in Episode 1, especially Woods’s notion of the Blues Epistemology. Allison and Alex trade licks with Dr. Woods, Sunni Patterson, and Dee-1, among others and craft a multi-layered understanding of the Blues Epistemology. They do so in conversation with “No One Knows the Mysteries at the Bottom of the Ocean,” which is the opening chapter of Black Geographies and the Politics of Place (Between the Lines Press, 2007), a book co-edited by Dr. Woods and Dr. Katherine McKittrick (Queen’s University, Canada). As they unfold the notions of “the underside,” “the bottom of the belly,” and “Blues time,” Allison and Alex refer to and draw upon a panel organized by the Antipod Sound Collective at the 2019 American Association of Geographers Annual Meeting in Washington, D.C. That panel, titled “Creating a Soundscape of Radical Imagination: Podcasts as Scholarship,” involved a conversation among the Antipod Sound Collective members and Nerve V. Macaspac (Assistant Professor, College of Staten Island, City University of New York). ◆◆◆ Our theme music is "It’s Not Jazz" by Tronx. archive.org/details/netlabels archive.org/details/dystopiaq02…TronxItsNotJazz.mp3 Our interstitial music in this episode is: “I Am Who I Am” by Dee-1 featuring Shamarr Allen (Produced by Shamarr Allen); “When the Levee Breaks,” by Kansas Joe and Memphis Minnie; and “Attention” by Dee-1 featuring Sunni Patterson (Produced by Mystro). https://archive.org/details/Kansas_Joe_Memphis_Minnie-When_Levee_Breaks https://archive.org/details/Dee-1_-_The_Focus_Tape Our outro music for this episode is from a live performance of the New Orleans-based New Breed Brass Band, recorded on January 18, 2019 at the Crystal Bay Club in Crystal Bay, Nevada. https://archive.org/details/NewBreedBrassBand-TheRedRoomCrystalBayClubCrystalBayNV18-JAN-2019 Music from all of these artists is available on archive.org and licensed under Creative Commons 3.0. creativecommons.org/licenses/by-nc-nd/3.0/ ◆◆◆ Make sure to follow us on Twitter! @ThisIsAntipod and Instagram @antipod2019 and subscribe to our podcast. Follow Allison on Twitter @AllisonGuess1. Many thanks to The Antipode Foundation for their generous support. Episode 2 is written/hosted by Allison Guess and Alex Moulton. The episode was mixed and edited by Darren Patrick/dp. This episode was produced by all members of the Antipod Sound Collective. Please cite as: Antipod Sound Collective. "Episode 2: The Blues Epistemology, Lick Trading in Blues Time from the Bottom of the Belly." Written/hosted by Allison Guess and Alex Moulton, edited by Darren Patrick/dp. October 30, 2019. https://thisisantipod.org/2019/10/30/episode-2 Bibliography Woods, Clyde. 2017. Development Arrested: The Blues and Plantation Power in The Mississippi Delta. 2nd Edition. London: Verso. –––. 2017. Development Drowned and Reborn: The Blues and Bourbon Restorations in Post-Katrina New Orleans. Edited by Jordan T. Camp, and Laura Pulido. Athens, GA: University of Georgia Press. Woods, Clyde and Katherine McKittrick. “No One Knows the Mysteries at the Bottom of the Ocean.” In Black Geographies and the Politics of Place, edited by Clyde Woods and Katherine McKittrick. Toronto: Between the Lines Press. –––, eds. 2007. Black Geographies and the Politics of Place. Toronto: Between the Lines Press.

Rose Island Amusement Park (Indiana) Almost a century ago, this amusement park was the happening place, where people went to escape the city smog near Louisville. Abandoned for most of the 20th century after destruction in the 1937 floods, Rose Island today is a public park with a few abandoned remains left to discover. Find complete show notes and references for this episode at https://theabandonedcarousel.com/10. Social Media http://www.theabandonedcarousel.com hello@theabandonedcarousel.com Twitter: @CarouselAbandon Facebook: @TheAbandonedCarousel Instagram: @TheAbandonedCarousel Pinterest: @TheAbandonedCarousel Youtube: The Abandoned Carousel Credits * Podcast cover background photo is by 4045 on freepik.com. Rose Island photo: Jeffersonville Public Library. * Theme music is from "Aerobatics in Slow Motion" by TechnoAXE, CC 4.0. * Incidental music: "Last Waltz" performed by the Hackel-Berg Orchestra; "The Charleston" performed by the Golden Gate Orchestra; "When the Levee Breaks" by Kansas Joe and Memphis Minnie; "Clarinet Marmalade" performed by Ted Lewis; "All By Myself" performed by Ted Lewis. Incidental music is all public domain via archive.org. * Images and video are all the property of their respective owners, as credited. Check out our podcasting host, Pinecast. Start your own podcast for free, no credit card required, forever. If you decide to upgrade, use coupon code r-5ccade for 40% off for 4 months, and support The Abandoned Carousel.

A mysterious and dangerous record by Memphis Minnie and Kansas Joe invites a terrible evil into a collector's life. how far would you go to complete your collection? Originally broadcast on The Curiosity Peddler, Weep and Moan, was produced in the studio of WDRT, Viroqua, Wisconsin, 91.9 FM.  First broadcast OCTOBER 25, 2015.

Esta semana vimos Who Framed Roger Rabbit (1998), la película donde Robert Zemeckis y Steven Spielberg lograron lo imposible: que el Pato Lucas y el Pato Donald aparezcan juntos en pantalla. Charlamos de la producción y el legado de la película, de su banda de sonido, del Bujo Rapanelli, y cómo no, de Jessica Rabbit. La cortina musical que abre y cierra el episodio es Why Don't You Do Right? (Kansas Joe) en versión cumbia, compuesta especialmente para el programa. En este episodio hablamos de Who Framed Roger Rabbit? (1988) - IMDB, Letterboxd, Wikipedia Links Who Censored Roger Rabbit? Primer (2004) Pruebas de animación on Paul Reubens (1983) Romancing the Stone (1984) Mi familia es un dibujo El dibujo animado que abre la película Leisure Suit Larry Barrio Chino/Chinatown (1974) Toon (role-playing game) Cuphead Ultimate Play the Game Crazy Castle (series) Contacto Web: www.kinomanija.si Mail: info@kinomanija.si Facebook: Kinomanija Podcast Twitter: @kinomanijapod Instagram: kinomanijapod Todas las películas que tratamos en el programa las encontrás en esta lista de Letterboxd.

A mysterious and dangerous record by Memphis Minnie and Kansas Joe invites a terrible evil into a collector's life. how far would you go to complete your collection? Originally broadcast on The Curiosity Peddler, Weep and Moan, was produced in the studio of WDRT, Viroqua, Wisconsin, 91.9 FM. With the voice talents of Eddie Nix, Margot Hipwell, Jake Stephens, Josh Peters, and Carl Schlect. Live sound effects by Josh Peters and engineered by Rusty James. Thanks to Kevin MacLeod of incompetech.com for the recorded music. Weep and Moan was written by Mark Slade. First broadcast OCTOBER 25, 2015 --- Send in a voice message: https://anchor.fm/bloodnoir/message

In this episode of Memphis Type History: The Podcast, Caitlin and Rebecca each pick a new favorite lady who left an impact in Memphis history to talk about. Turns out, they both picked musicians!   Elizabeth Lizzie Douglas (aka Memphis Minnie) First up, Caitlin tells us about Elizabeth Lizzie Douglas (who we refer to as Minnie), a blues guitarist, vocalist, and songwriter, recording about 200 songs from the 20s to the 50s. People claim she was the most popular female country blues singer of all time, comparable to any man musician of the time. Elizabeth was born in 1897 in Algiers Lousiana, and moved to Walls, Mississippi with her family when she was seven years old. The next year she was gifted a guitar and by ten years old learned to play the banjo and began performing with her guitar, as "Kid Douglas" at parties. In 1910 when she was 13 she went off to live on Beale Street, playing on street corners, staying with the folks when she was short on cash. There, she partnered up with Willie Brown, who is most famous with working with Charlie Patton. They headed to Bedford, Mississippi, a place that we assume to be well known for tourism in the time. Next, Minnie joins the circus! The Ringling Bros. Circus 1916-1920 to be exact. But 1920 she returns to Beale Street, to perform on the streets again. It's believed she married her first husband Will Weldon in the early 20s as well. More well known was her second husband, Wilbur Kansas Joe McCoy, a blues singer from Mississippi. In 1929 a Columbia Records scout discovered them while they were out performing for dimes. They went of to New York City where the nicknames, Memphis Minnie and Kansas Joe became established. They played duets together, playing well known songs such as "Bumble Bee." Minnie was super independent and elegant, chewing tobacco while singing and not missing a beat. By the 1930s, Minnie was very successful, went on tours and met her third husband, Little Son Joe, and began recording with him. When 1941 came, she picked up the electric guitar, and received her first hit "Me and My Chauffer Blues." Unfortunately, she didn't keep up with the trends of the late 40s and was dropped from the record labels. Caitlin then goes over the end days of her life, she was one of the first 20 artists to be inducted in the blues foundation hall of fame, and Bonnie Rait paid for her headstone. Listen to the episode to hear what she had written on it.   Julia Ann Amanda Moorehead Britton Next up, Rebecca talks about another famous musician Julia Britton, later known as Julia Britton Hooks. Julia was born in 1852 from freed African American parents in Kentucky. Her mother, Laura Marshall, was the daughter of Thomas F. Marshall, the Kentucky Statesman. She was also a well-educated and well-known singer and musician. This gift of musical talent was passed down to Julia. In fact, Julia was recognized a music prodigy, performing some of the most complex piano pieces. We discover that this family was overall well respected. Julia's younger sister became the first African-American physician in Kentucky, her brother was a famous jockey, and Julia, at 18, enrolled at Berea College, making her one of the fist women of any race to attend college in the state of Kentucky.  How Julia Came to Memphis In 1872 Julia moved to Greenville, Mississippi. She taught school and soon met and married Sam Wertles but lost him the following year to Yellow Fever. After his passing, she moved to Memphis in 1876. Memphis was the musicians paradise and this is where she came to be known as the "Angel of Beale St." Memphis is also where she met and married Charles Hooks, and it was a city they both greatly invested in. Julia was not hesitant to actively protest against racism and inequality, leading her to occasionally get arrested and fined. On occasion was in 1881 when she was arrested at a Memphis theater for sitting at the "white balcony" and refusing to move to the "colored balcony".  Some of Julia's Greatest Contributions In 1883, Julia and Anna Church opened the Liszt-Mullard Club to create opportunities in education for the black youth of the South. With the creation of this club, she was able to raise money to provide musically gifted black students to study music on a scholarship. In 1891 she founded and became a charter member of the Orphans and Old Folks Home Club on Hernando Street where she'd purchased 25 acres. Three years later she had raised enough money giving concerts to pay off that debt. The purpose of the organization was to provide accommodations for orphans and elderly African-American women. In 1892, Julia founded the Hooks School of Music and the Hooks Cottage School in response to the poor public education that black youth received in Memphis. The Hooks School of Music produced distinguished student musicians such as Sidney Woodward, Nell Hunter, and W.C. Handy.  For full show notes go to memphistypehistory.com/ladies2

A mysterious and dangerous record by Memphis Minnie and Kansas Joe invites a terrible evil into a man's life. how far would you go to complete your collection? Originally broadcast on The Curiosity Peddler, Weep and Moan, was produced in the studio of WDRT, Viroqua, Wisconsin, 91.9 FM. With the voice talents of Eddie Nix, Margot Hipwell, Jake Stephens, Josh Peters, and Carl Schlect. Live sound effects by Josh Peters and engineered by Rusty James. Thanks to Kevin MacLeod of incompetech.com for the recorded music. Weep and Moan was written by Mark Slade. First broadcast OCTOBER 25, 2015

Kevin, Toren and Joe take a look at what happens when you get too much of a good thing like water - Floods! They'll paddle down the two Grote Mandrenkes to Johnstown, Pennsylvania to China's many great floods. We'll look at explanations for the story of Noah's flood, and finally dip into floods in popular culture. Plus an all-wet Lesser of Two Evils! Music: "When The Levee Breaks" by Kansas Joe and Memphis Minnie Images Videos http://www.youtube.com/watch?v=ezyyBZ1bfbE

Greg Nagy (Pack It Up); Seasick Steve (You Can't Teach An Old Dog New Tricks); Roadhouse (Working Class Gospel Drinking Blues); Dave Arcari (Devil's Deal); Kenny Brown (Laugh To Keep From Cryin'); The Mississippi Sheiks (Sitting On Top Of The World); Kansas Joe and Memphis Minnie (When The Levee Breaks); Bare Bones Boogie Band (Baby, Baby Be Mine); Trent Romens (Material Blues); Bernie Pearl (Jailhouse Blues); Muddy Waters (I Just Want To Make Love To You); Howlin' Wolf (Going Down Slow); Bessie Smith ('Tain't Nobody's Business If I Do); Blind Blake (Hey Hey Daddy Blues); D'Mar and Gill (Runnin' Wild Blues); Brick Fields (Talk About The Weather).

Bobby Jones (Come In Out Of The Rain); Muddy Waters (Mannish Boy); Blind Boys of Alabama ((Jesus Hits Like The) Atom Bomb); Mavis Staples (Step Into The Light); Kansas Joe and Memphis Minnie (Cherry Ball Blues); Big Joe Williams (Peach Orchard Mama); Robert Cray Band (The Welfare (Turns Its Back On You)); Speckled Red (Welfare Blues); James Booker (All Around The World); Marcia Ball (Louella); Blind Willie Johnson (You're Gonna Need Somebody On Your Bond); Kelly Joe Phelps (Jesus Make Up My Dying Bed); Guitar Shorty (Down That Road Again); Back Door Slam (Come Home).

A tribute to blues singer and guitarist, Memphis Minnie.Songs Include: In My Girlish Days, When the Levee Breaks, Bumble Bee and Memphis Yo Yo Blues.Artists include: Memphis Minnie, Kansas Joe, Furry Lewis and the Memphis Jug Band.

Joe McCoy (May 11, 1905–January 28, 1950) was an African American blues musician. Joe McCoy played music under a variety of stage names but is best known as "Kansas Joe McCoy." Born in Raymond, Mississippi, he was the older brother of blues accompanist Papa Charlie McCoy. As a young man, he was drawn to the music scene in Memphis, Tennessee where he played guitar and sang vocals during the 1920s. He teamed up with future wife Lizzie Douglas, a brilliant guitarist known as Memphis Minnie, and their 1929 recording of a song called "Bumble Bee" on the Columbia Records label was a hit. In 1930, the couple moved to Chicago where they were an important part of the burgeoning blues scene. Following their divorce, McCoy teamed up with his brother to form a band known as the "Harlem Hamfats" that performed and recorded during the second half of the 1930s. At the outbreak of World War II Charlie McCoy entered the military but a heart condition kept Joe McCoy from service. Out on his own, he created a band known as "Big Joe and His Rhythm" that performed together throughout most of the 1940s. In 1950, at the age of 44, Joe McCoy died of heart disease only a few months before his brother Charlie. They are buried in Restvale Cemetery in Alsip, Illinois.

Kansas Joe plays a song.