BackAlleyBlues

Affordable Podcasting $5.99 a month includes Web Hosting Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping Like the other great album to come out of post-Katrina New Orleans, Allen Toussaint & Elvis Costello’s The River in Reverse, the Radiators’ latest consists mainly of songs written before the deluge. But the long-running Crescent City band catch a definite sense of time and place on this disc, which was recorded in the studio during the first post-hurricane Mardi Gras. Many of the lyrics sound too appropriate to be accidental, especially the opening “Ace in the Hole” (“When the big wind blows chilly and cold, the wise fool flies south”) and the closing “Shine Tonight” (“We’re all in the same boat, it sunk without a trace”). It also makes sense that the band sound even more New Orleans–ish than usual, adding sax on the ’50s-style jukebox rocker “Rollercoaster” and banjo on the Preservation Hall homage “Desdemona.” The overall mood is more intense than usual for these guys, notably on the Richard Thompson–esque “Don’t Pray for Me” and the sexy/swampy “Rub It In” — the first time the standout track on a Radiators disc has been a love song. Their trademark two-guitar workouts are kept tight enough to serve the songs, and the mood is muted but still celebratory. The chanted choruses that close “Shine Tonight” attest to a city — or at least a few individual souls — slowly coming back to life. CLICK THE BANNER TO VISIT A GREAT BUSINESS

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping A guitarist, vocalist and songwriter, he is meticulous, whether it is perfecting a guitar riff or working on a lyric.But then again, its always been that way. Ever since he first saw The Beatles on television, Deziel has been involved in music, whether playing, writing or admiring. He grew to love vocal harmonies and layered guitars, and used them in his own compositions as well as those he has written with other artists. In 1991, Deziel met Jeff Carlisi of .38 Special through a meeting arranged by a friend. After that initial meeting, Carlisi became Deziel's mentor, and Deziel began sending him tapes of his own compositions to critique and judge. Carlisi would respond by phone or by mail with his compliments and comments. This is something that to this day Deziel claims to be an invaluable asset to his work. However, Deziel doesn't do everything solo. In 1993, Deziel founded the Connecticut band Sundance. As a guitarist/vocalist, he is one of the principal songwriters in the band. Sundance released its first full-length album, "Pearls of Wisdom" in November 1995. The band was a popular draw throughout the Northeast, and could be heard on many radio stations. With the group Deziel was also the subject of a television special called "Behind the Scenes With Sundance". Suppport The Tony

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping Like the other great album to come out of post-Katrina New Orleans, Allen Toussaint & Elvis Costello’s The River in Reverse, the Radiators’ latest consists mainly of songs written before the deluge. But the long-running Crescent City band catch a definite sense of time and place on this disc, which was recorded in the studio during the first post-hurricane Mardi Gras. Many of the lyrics sound too appropriate to be accidental, especially the opening “Ace in the Hole” (“When the big wind blows chilly and cold, the wise fool flies south”) and the closing “Shine Tonight” (“We’re all in the same boat, it sunk without a trace”). It also makes sense that the band sound even more New Orleans–ish than usual, adding sax on the ’50s-style jukebox rocker “Rollercoaster” and banjo on the Preservation Hall homage “Desdemona.” The overall mood is more intense than usual for these guys, notably on the Richard Thompson–esque “Don’t Pray for Me” and the sexy/swampy “Rub It In” — the first time the standout track on a Radiators disc has been a love song. Their trademark two-guitar workouts are kept tight enough to serve the songs, and the mood is muted but still celebratory. The chanted choruses that close “Shine Tonight” attest to a city — or at least a few individual souls — slowly coming back to life.

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping Tony Deziel never stops making music. A guitarist, vocalist and songwriter, he is meticulous, whether it is perfecting a guitar riff or working on a lyric.But then again, its always been that way. Ever since he first saw The Beatles on television, Deziel has been involved in music, whether playing, writing or admiring. He grew to love vocal harmonies and layered guitars, and used them in his own compositions as well as those he has written with other artists. In 1991, Deziel met Jeff Carlisi of .38 Special through a meeting arranged by a friend. After that initial meeting, Carlisi became Deziel's mentor, and Deziel began sending him tapes of his own compositions to critique and judge. Carlisi would respond by phone or by mail with his compliments and comments. This is something that to this day Deziel claims to be an invaluable asset to his work. However, Deziel doesn't do everything solo. In 1993, Deziel founded the Connecticut band Sundance. As a guitarist/vocalist, he is one of the principal songwriters in the band. Sundance released its first full-length album, "Pearls of Wisdom" in November 1995. The band was a popular draw throughout the Northeast, and could be heard on many radio stations. With the group Deziel was also the subject of a television special called "Behind the Scenes With Sundance". Tony also collaborated with longtime friend Jason Elledge on Blackfoot’s 1994 Rhino Records compliation “Rattlesnake Rock ‘n Roll, the Best of Blackfoot”, featuring one of Tony’s all-time favorite guitarists; Rickey Medlocke. Currently Tony is working on a new studio album scheduled for Fall 2005 release, as well as 2 CD Singles to be released in the Summer of 2005, and has recently had the privilege to play with longtime friend and former .38 Special guitarist Jeff Carlisi, former Lynyrd Skynyrd guitarist Ed King, drummer Liberty DeVito of Billy Joel’s band, and vocalist/guitarist Derek St. Holmes, formerly of Ted Nugent. Tony Deziel blues Tony Deziel My space

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping listen to 24 hour streaming radio at its best Elmo Blues Band I Been abused The Blues is Killing me Little Rodger and the House Rockers Dont look no Further Hold Your Money Rusty Wright Blues Do It again

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping listen to 24 hour streaming radio at its best Matthew d You don't need an old record to recapture the spirit of great music. You can hear the reverberations of the past, and the sound of the future in one group... Matthew D and Random Tuesday. Breaking down the barriers of the blues while churning up a style and sound of their own, Matthew D and Random Tuesday create a solid mixture of rocking, original, pop based blues. Along with innovative cover material, they are blazing the modern road from the delta. Blues is a state of mind. Despite a blues emphasis wrapped in a pop package, their set of music makes it transparently clear just how grounded these tunes are in rock, country, jazz, hip-hop and gospel. This musical eclecticism is the canvas that allows Matt?s musical soul come up for air. Matt?s abilities as a composer, guitarist, singer, producer and band leader span a broad spectrum indeed, but the foothold of Mathew D and Random Tuesday is still fully ensconced with their unique stamp on the blues. Their all original debut album, ?NOTES FROM THE EDGE?, (produced, recorded, and written by Matt) is a passion filled, radio friendly, no holds barred production. From the beginning hook of the first track, ?Ain?t Man Enough?; to the heart felt, country inspired ?Here Come Those Tears?, to the jazz flavored, ?Shadows Of Love?, to the final track, there is something here for every one. This release will likely be followed by more reviews comparing the singer/songwriter to "John Mayer with the soul of Stevie Ray Vaughan.? With songs of love, loss and whatever strikes him at the moment. Always compelling, confounding, creative. Bluessmyth bluessmyth is a heavy blues band. The rhythmic foundation of bluessmyth is laid down by Jason Yaholkoski’s deep, definitive bass playing, combined with Calvin Becker’s bombastic, hammerhead drumming, and then is finished off with Chris Yaholkoski’s fire and brimstone guitar lines. The Bluessmyth Blues band The Jam Bones Band

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping listen to 24 hour streaming radio at its best Rev Blind Gary Davis Blues In his prime of life, which is to say the late '20s, the Reverend Gary Davis was one of the two most renowned practitioners of the East Coast school of ragtime guitar; 35 years later, despite two decades spent playing on the streets of Harlem in New York, he was still one of the giants in his field, playing before thousands of people at a time, and an inspiration to dozens of modern guitarist/singers including Bob Dylan, Taj Mahal, and Donovan; and Jorma Kaukonen, David Bromberg, and Ry Cooder, who studied with Davis. Davis was partially blind at birth, and lost what little sight he had before he was an adult. He was self-taught on the guitar, beginning at age six, and by the time he was in his 20s he had one of the most advanced guitar techniques of anyone in blues; his only peers among ragtime-based players were Blind Arthur Blake, Blind Lemon Jefferson, and Blind Willie Johnson. Davis himself was a major influence on Blind Boy Fuller.

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping Rusty Wright Blues Band There will always be those who feel compelled to argue over what the blues is or isn't. If the music of Rusty Wright Blues sounds like it was colored from the big box of crayons, it's because Rusty Wright and Laurie LaCross-Wright feel the universe would be a mighty flat and boring place if everyone was given a crayon from the box and told they had to express themselves with just that one color. The title track, "Ain't No Good Life", is easily the most traditional sounding on the disk and features Rusty's slide guitar skills but a wide variety of influences make an appearance on this Flint Michigan couple's debut release. Tommy Stewart (a longtime friend of Rusty's who enjoyed success as original drummer for Godsmack) contributes wickedly deep pocket drum grooves on all of the tracks. Steve Himes, a band mate since 1999, plays keys. Recent additions to the band include drummer Dan Mata and bassist Randy McEntire. These husband/wife guitarists manage to keep at least one toe lodged in the blues while embracing a southern rock vibe that might best be described as 'Bonnie Raitt and ZZ Top crashing an Allman Brothers house party.' Taking a cue from husband/wife country music teams like Carter & Cash, Jones & Wynette and McGraw & Hill, the Wrights also bring the time-honored male/female duet tradition into the Blues world. Their affable banter and sense of humor pervades the disc and they sound like they're having a helluva good time as they trade verses back and forth on songs like "Something Missin" and "The Fool Will Do." Their quirky sense of humor again shows up in "Nasty Reputation," "Ain't From Mississippi," "Toppy" and "Long Time Coming" - all hard grooving tunes with a southern blues rock vibe. Rusty tears up the fret board on "Hell On My Heels." "Do It Again" may slip out of the genre of blues but Rusty and Laurie refuse to feel apologetic.

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping Easy Rider Blues by Soileau and Robin is a really sweet cajun blues holler in an equally mesmerizing and haunting style. Hastings Street has Blind Arthur Blake on guitar and Charlie Spand on piano in an impromptu and rollicking guitar/piano duet blues. The Corley Family have a ragged but sweet down home family gospel vocal sound with a lot of charm on Give The World A Smile. The Original Stack O'Lee Blues by Long Cleve Reed and Little Harvey Hull (aka the Down Home Boys) is not only really rare - it in fact is a one of a kind record being the only copy known in existence! - it is also a mellow finger picking blues which would make Dylan melt.

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping Furious Slugs Melon song I'll Be there Shoefly The Hill of Illinois Shoebilee I've been playing guitar since 1983 or so. I heard Eric Clapton's "Just One Night" album and have been addicted to blues guitar ever since. I've dabbled in bands now and then but right now it's just me, a bass guitar, a fender and assorted drum loops. I've tried singing and I've tried writing lyrics and when I do the following Dirty Harry quote comes to mind... "A man's got to know his limitations." Jack Fault Project on myspace

Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping Little Feet Blue Band

It was dusk on a June day when three friends and I stumbled from a road-fatigued Jeep Cherokee into the first bar we could find in Kelowna, B.C. We were far from our Calgary homes and wanted little more than several beers, some passable grub and - hope beyond hope after noticing the bathroom-sized stage - music that wouldn’t make us bolt for the door and the comfort of the truck stereo. We chugged our chilled beer, wolfed platefuls of authentic Cajun and the four of us didn’t hit the exit until the end of what turned out to be a magical night in The Blue Gator bar - where we were totally and utterly blown away by Dogskin Suit. I’ve been to dozens of Blues bars across the continent and applauded scads of good bands, but never have I heard anything that compares with what Dogskin did to, and for, the audience that night. Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping Poppa Dwag Blues

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Brad Mercer - Now Mowatt - Sudden Death Mark Keer - Thick Side Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today Buy Your 50 mp3 classic radio shows for $5.00 inclues shipping

The Alameda Allstars- Start it Up Strickly For Kicks - I'm Gone- Take You Away Brad Wilson- Crusin For the Coast Affordable Podcasting $5.99 a month includes Web Hosting Suppport The Classic Blues at Music Maker Visit The Uncle Shag Today

Back Alley Blues Round Up Bob Maus -Soldier American Style Tin Feet - The Deal- Thinking bout Love Affordable Web Hosting & Podcasting $ 5.99 a month Listen To Old Time Radio Visit The Uncle Shag

BackAlley blues Saturday Line up King Robbie Shes a women Blue Traffic Free Wheelin Stomp Roi Geyari Rolling Stone Get your own web hosting with Bigggdaddy Home Of the Affordable Web Hosting Enjoy the classic radio shows

Back Alley Blues Friday Line up Mike Therieau- Midnight Apt. #9 Blues miketherieau Tony Deziel- Shades of Blue- Tony Deziel Scott Weiss Band- Hurricaine - Scott Weiss Band

All artists are a direct product of their influences. Such is the case with guitarist,singer,songwriter Robbie Ducey.Growing up in the same hometown as the Godfather of Soul, it was only natural that Ducey was exposed to some of the heavyweights of the rhythm and blues and soul music scene of the 60's such as Otis Redding,Curtis Mayfield,Albert King, and of course James Brown. The 'British Invasion' of the late 60's and early 70's brought more influences such as Jimi Hendrix,Eric Clapton,Jimmy Page, and Jeff Beck, all of which can be heard in Robbie's guitar style. It is rare when an artist can infuse the elements of Rock, Soul, Funk, and Blues into their song writing and playing style, and create a truly uniqe sound of their own.Robbie has managed to do this while staying true to his roots,but always pushing the envelope. His guitar playing can come at you like a 'buzz-saw' one moment, and then be as smooth and mellow as a glass of fine wine the next. His vocal style is soulful, gritty,sensual, and direct, all of which draw the listener in to the song and lyric content. With 'magic' Mark Jones on Bass Guitar and vocals, and Burt 'da sheriff' Rayburn on drums and vocals, the band has never sounded better. Currently touring in support of a new "Live"CD, the band is also working on it's third studio release titled;"Acey-Ducey" which should be completed by late summer. Sonic Bids -Robbie Duecy Robbie Duecy Band

it all started with a simple prayer in 1981 by Rev. Bob McCarton, "Father, how about a Christian Blues Band?" It wasn’t to take place until February 1994 in Passaic County Jail in Paterson, NJ. Rev. John Witherspoon stood at the microphone ready to sing the first song and announced, "We’re Breakin’ The Bondage Blues Band and we’ve come to have church!" And that’s exactly what they did, had church complete with hand clapping, foot stomping, and soul saving. This group is dedicated to bringing the Gospel of Jesus Christ to the entire world. It makes no difference if they are in a prison, public park, church, music festivals, anywhere. Their songs are original compositions inspired by The Holy Spirit. The words of each song are clear and cannot be misunderstood. Breakin’ The Bondage Blues Band lifts up the Name of Jesus to be revered, praised, and worshiped. Rev. Bob McCarton (aka The Blues Rev) Leader, founder, blues harp player, producer, and chief songwriter with contributions from the entire band. He’s convinced that King David was the original Blues Harp player. Rev. Bob is just as comfortable playing those old church hymns on harmonica as he is getting down, gritty, dirty, and bluesy with the Blues of Breakin’ The Bondage. He is a proud Vietnam Vet having served two tours of duty with the 19th Combat Engineer Battalion. Rev. James Blank (a.k.a. Doc Ivory) Chief vocalist and keyboardist for B4. Jim was raised by renowned Gospel singer Rev. Joe Scott Jr. and his family. At the age of thirteen, Rev. Jim was taught to turn on the church’s Hammond B3 organ. Having no formal lessons, he was taught to play the organ by the Holy Spirit. Growing up in Evangelist Rev. Scott’s family, Doc Ivory was taught to sing and discern in four part harmony and accompanied his stepfather everywhere. Jim is the pastor of an international outreach ministry. Brother Ken Neill Rhythm guitar. His energy levels are legendary, his musical input is valuable. Ken plays on his church’s worship team. In addition he also plays in a wedding band, a multi piece Big Band group, and string bass in a bluegrass group. Before coming to Jesus, Brother Ken played bass guitar in the heavy metal rock group Twisted Sister. Brother Ken "The Professor" McNeil Lead guitar. For over 40 years, Ken has played in numerous rock and blues groups. His major influences are Freddie King, Luther Tucker, Buddy Guy just to name a few. Ken shares in the orchestration duties with B4’s song writing. He is a proud Vietnam Vet having served with the First Cavalry Division in Long Range Recon Patrol (LRRP). Rev. Keith "The Kid" DeGroat The bass man. Keith comes from a musical family with deep roots in Gospel music. His mother, aunts, and uncles are The Gospelites. Keith had played percussion and bass with The Gospelites prior to joining Breakin’ The Bondage. Brother Donnie Van Vooren Drums. Don has been keepin’ the foot over the years with various club bands. He has a wide range of percussion background and brings a laid back attitude to the rhythm section. He’s powerful, in the pocket, and just outright happy to be playing for Jesus. Brother Rhett Tyler Guest lead guitarist. Guitarist, songwriter, vocalist, and producer, Rhett is best known for his explosive style of scorching modern blues guitar and high-octane, house-rocking live performances. And when The Blues Rev goes head-to-head on blues harp with Rhett, watch out! You ain’t never heard nutin’ like this before. Call out the fire department!!! And... Rev. John Witherspoon, Ray "Lightnin'" Griggs, Frank Robbins, Joe Brennan and Tommy "DC Tommy" Powell all performed on B4's debut CD, "We've Come To Have Church."

Tony Deziel never stops making music. A guitarist, vocalist and songwriter, he is meticulous, whether it is perfecting a guitar riff or working on a lyric.But then again, its always been that way. Ever since he first saw The Beatles on television, Deziel has been involved in music, whether playing, writing or admiring. He grew to love vocal harmonies and layered guitars, and used them in his own compositions as well as those he has written with other artists. In 1991, Deziel met Jeff Carlisi of .38 Special through a meeting arranged by a friend. After that initial meeting, Carlisi became Deziel's mentor, and Deziel began sending him tapes of his own compositions to critique and judge. Carlisi would respond by phone or by mail with his compliments and comments. This is something that to this day Deziel claims to be an invaluable asset to his work. However, Deziel doesn't do everything solo. In 1993, Deziel founded the Connecticut band Sundance. As a guitarist/vocalist, he is one of the principal songwriters in the band. Sundance released its first full-length album, "Pearls of Wisdom" in November 1995. The band was a popular draw throughout the Northeast, and could be heard on many radio stations. With the group Deziel was also the subject of a television special called "Behind the Scenes With Sundance". Tony also collaborated with longtime friend Jason Elledge on Blackfoot’s 1994 Rhino Records compliation “Rattlesnake Rock ‘n Roll, the Best of Blackfoot”, featuring one of Tony’s all-time favorite guitarists; Rickey Medlocke. Currently Tony is working on a new studio album scheduled for Fall 2005 release, as well as 2 CD Singles to be released in the Summer of 2005, and has recently had the privilege to play with longtime friend and former .38 Special guitarist Jeff Carlisi, former Lynyrd Skynyrd guitarist Ed King, drummer Liberty DeVito of Billy Joel’s band, and vocalist/guitarist Derek St. Holmes, formerly of Ted Nugent. Tony Deziel blues Tony Deziel My space

furious slugs Furious Slugs Collette Well I go out for a ride in my Pinto Hatchback The one that I got from my kind Uncle Jack Cruisin' down the highway or any city street It doesn't really matter to the girls I'm dead meat I just want a love to step into my life that doesn't give a damn about this car that I drive Oh please Collette if you loan me the money I'll buy a Corvette Its got a definite miss and the muffler's fallin' off Exhaust fumes in the cab's makin' all my friends cough No long drives for this piece of crap I think its high time that we parked it out back I just want a love to step into my life that doesn't give a damn about this car that I drive Oh please Collette if you loan me the money I'll buy a Corvette Oh please Collette if you loan me the money I'll buy a Corvette If you loan me the money I'll buy a Corvette If you loan me the money I'll buy a Corvette If you loan me the money I'll buy a Corvette glenn syndal I started writing songs in about 1998, I took up bass a year or two after that, but kinda got bored of it. Started playing acoustic guitar in early 2001, and re-recorded a few bass tracks that I'd written, making an EP and giving it out just to friends. Made two more albums in the last few years, and then in July 2006 recorded a demo in a studio, which I've sent out to radio stations. I've been played on a number of community radio stations in my local area, and looking to get as much exposure as possible. I'm generally trying to bring the vibe of the 60's, through hippie and beatnik culture, into the 21st century. Check out my website for more. Glenn Syndal is an artist who does have something to say. "A song isn't just a bunch of rhyming words" he says. "Anyone can put together a bunch of rhymes, but every line in every one of my songs has been thought carefully about. I see songwriting as an artform. It takes practice and skill to produce great songs, and I'm dedicated to bringing out the most emotion, the most relevance that I can in my music." Glenn's love of music began at a young age. Glenn Syndal

Biography In the short time since the Red Hot Blues Sisters performed their first live show in 2004 at Highway 99 in Seattle, they have taken the local blues community by surprise with the power and depth of their musicianship. Their innovative songwriting brings a fresh feel to the blues. Selective covers of traditional standards shine like polished stones through the lens of the bands style & strong musicianship. Recently featured live performances on the main stages of Portland Waterfront Blues Festival, Seattle�s Northwest Folklife, Blues by the Sea, Doc Maynard�s, The New Orleans, Rockrgrl Music Conference 2005 and Beal St Northwest have continued to introduce the talents of RHBS to the Northwest music scene, resulting in extremely positive responses from ardent blues, rock and R&B fans. Fronted by the hot and soulful vocals of Suze Sims and the searing rock/blues styles of Teri Anne Wilson on guitar; this group also features some of the finest North West musicians on the circuit backing up this dynamic front. The Red Hot Blues Sisters have a guaranteed crowd pleasing show that is quickly gaining momentum, well-crafted songs with brilliant performances that are rapidly being picked up for airplay and a growing fan base! Proucers Bonnie Hayes and Tom Pfaeffle recently joined forces with Peace Code Records to produce their latest 2 song EP, �Hot Off the Press� which includes �Ocean Beach and See You� composed by Suze & Teri. Bonnie Hayes is best known for her hit songs "Have A Heart" and "Love Letter," which restored Bonnie Raitt to superstardom with the multi-platinum, multi-Grammy-winning CD Nick of Time. Tom Pfaeffle is best known for his work with Heart and Queensrych. Together, they influenced an impressive sound on this EP! Red Hot Blues Sisters Red Hot - Garageband Buy your classic radio shows

The Eric Bath Band was formed in the summer of '95 after the independent release of my first solo album. I had been writing songs and playing the guitar since the age of 13 but my high school band "The Pact" broke up soon after graduation. Although I continued to write songs and play the guitar the pieces never seemed to fall in place to start a new band. About six months after my wife Brenda & I were married, she encouraged me to go for my dream. So I recorded a solo album at Firebird Recording Studio here in Milwaukee. After the album was recorded opportunities to play became more frequent and it was easier to get a band together with the material in place and a game plan in hand. The band has seen more than its share of personnel changes over the past 10 years, but we are very excited about the most current lineup which includes the addition of Rick Wegner as a second guitarist as well as veterans Steve Campbell on bass guitar and my brother Chris Bath on drums. I round if off playing guitar and carrying the lead vocals and song writing duties. Over the years we have had the opportunity to serve up our own unique brand of original faith based rock-n-roll with flavors of blues, funk, and jazz mixed in for good measure. Overall one of our greatest strengths is in our lyrics which use a lot of humor, wit, and even a little bit of sarcasm to bring forth truths about life, love, & family from a believers perspective. We have been featured on local radio and television as well as at several county fairs "The Mexican Fiesta" (on Milwaukee's famed Summerfest grounds),GODSTOCK(where we cobilled with SKILLET) and other various coffee houses, bookstores, clubs and festivals across the state and in Illinois. Some may call us a Christian Rock Band but I prefer to just be known as a Rock-n-Roll band and let the music speak for itself. Every song is not about Jesus, but every song is written from the perspective of someone who can't live a millisecond without Him. When the Lord is that important to you it can't help but come out in everything you do, especially your music Eric Bath

Samson The Mission: To give "The Answer" rather than ask more questions. The band's mission is to spread His Word through music, share His grace in our lives and promote service to God. The Man: Samson was a biblical character who, with the help of God's Spirit, did great things. He was in many ways an ordinary person, like you and me. A person who makes mistakes. But God used him, nevertheless, to do great things for his people. The Band: In the spring of 1998 Pastor James Walck and Michael Senft discovered a common love of music and a past in previous bands. Both were searching for an outlet for their talents. Pastor Jim shared his vision of a contemporary coffee house experience led by a rock and roll band. Intrigued, Michael and Jim began performing together and recruiting other talents. What followed was a true calling by the Spirit. Lydia Griffin joined Samson in February of 1999; Bob Lawler heard the call to Samson in April of 2000;Dan Brooks completed the group in August of 2000 when he answered an ad in a local musician's paper. Background from, ohmyspace.com BLUE FRANCES' heart and soul is in rock n roll - country blues and rockabilly. The '62 MUSIC SHOW sound is down-to-earth gritty and real, steeped in sin and faith, raised in volumes of power. This gig has hit the stages of biker rallies, county fairs and even the rockin' religious, right and left. This sound has made its way to radio, regardless of its slightly irreverent bent. Some have deemed it holy, some have judged it not holy enough. Frances says, "Its just rock n roll, man". And that it is and so much more. Blue Frances The Samson Band

it all started with a simple prayer in 1981 by Rev. Bob McCarton, "Father, how about a Christian Blues Band?" It wasn’t to take place until February 1994 in Passaic County Jail in Paterson, NJ. Rev. John Witherspoon stood at the microphone ready to sing the first song and announced, "We’re Breakin’ The Bondage Blues Band and we’ve come to have church!" And that’s exactly what they did, had church complete with hand clapping, foot stomping, and soul saving. This group is dedicated to bringing the Gospel of Jesus Christ to the entire world. It makes no difference if they are in a prison, public park, church, music festivals, anywhere. Their songs are original compositions inspired by The Holy Spirit. The words of each song are clear and cannot be misunderstood. Breakin’ The Bondage Blues Band lifts up the Name of Jesus to be revered, praised, and worshiped. Rev. Bob McCarton (aka The Blues Rev) Leader, founder, blues harp player, producer, and chief songwriter with contributions from the entire band. He’s convinced that King David was the original Blues Harp player. Rev. Bob is just as comfortable playing those old church hymns on harmonica as he is getting down, gritty, dirty, and bluesy with the Blues of Breakin’ The Bondage. He is a proud Vietnam Vet having served two tours of duty with the 19th Combat Engineer Battalion. Rev. James Blank (a.k.a. Doc Ivory) Chief vocalist and keyboardist for B4. Jim was raised by renowned Gospel singer Rev. Joe Scott Jr. and his family. At the age of thirteen, Rev. Jim was taught to turn on the church’s Hammond B3 organ. Having no formal lessons, he was taught to play the organ by the Holy Spirit. Growing up in Evangelist Rev. Scott’s family, Doc Ivory was taught to sing and discern in four part harmony and accompanied his stepfather everywhere. Jim is the pastor of an international outreach ministry. Brother Ken Neill Rhythm guitar. His energy levels are legendary, his musical input is valuable. Ken plays on his church’s worship team. In addition he also plays in a wedding band, a multi piece Big Band group, and string bass in a bluegrass group. Before coming to Jesus, Brother Ken played bass guitar in the heavy metal rock group Twisted Sister. Brother Ken "The Professor" McNeil Lead guitar. For over 40 years, Ken has played in numerous rock and blues groups. His major influences are Freddie King, Luther Tucker, Buddy Guy just to name a few. Ken shares in the orchestration duties with B4’s song writing. He is a proud Vietnam Vet having served with the First Cavalry Division in Long Range Recon Patrol (LRRP). Rev. Keith "The Kid" DeGroat The bass man. Keith comes from a musical family with deep roots in Gospel music. His mother, aunts, and uncles are The Gospelites. Keith had played percussion and bass with The Gospelites prior to joining Breakin’ The Bondage. Brother Donnie Van Vooren Drums. Don has been keepin’ the foot over the years with various club bands. He has a wide range of percussion background and brings a laid back attitude to the rhythm section. He’s powerful, in the pocket, and just outright happy to be playing for Jesus. Brother Rhett Tyler Guest lead guitarist. Guitarist, songwriter, vocalist, and producer, Rhett is best known for his explosive style of scorching modern blues guitar and high-octane, house-rocking live performances. And when The Blues Rev goes head-to-head on blues harp with Rhett, watch out! You ain’t never heard nutin’ like this before. Call out the fire department!!! And... Rev. John Witherspoon, Ray "Lightnin'" Griggs, Frank Robbins, Joe Brennan and Tommy "DC Tommy" Powell all performed on B4's debut CD, "We've Come To Have Church."

Back Alley Hoodoo is a fusion of kindred spirits, united by their love of the Blues. 2005 saw a series of collaborations by some good souls with great talent, but none seemed to really click. In the Spring of 2006, today's lineup came together to cut loose and jam in an anonymous garage, and the magic began to happen. At that moment, the band that was to become Back Alley Hoodoo was born. Three months later, Hoodoo made their Richmond debut at the RCBS Blues Challenge, where we didn't win, but we didn't suck either, so here we are, still playing, and still in love with the Blues. Hoodoo is focused on bringing a natural sound and old school style to Richmond's Blues scene. Delta, Texas, Chicago, and even West Coast Jump all played roles in the formative years of Hoodoo's members, and today they bring it all home with a vengeance. We're not the next Stevie Ray or Junior Wells, we're Back Alley Hoodoo and we're ready to serve you up a taste of Blues played our way. So grab your friends and come on out for a show. Together we'll have a fine time and leave you with your attitude "adjusted." Gordon Graham has been polishing his harp chops for over 25 years. He stole his first licks from Pigpen, and has since gone on to develop his own inimitable style. Influenced through the years by the likes of Little Walter, Rice Miller, Junior Wells, and George "Harmonica" Smith, his blues arsenal now has a life of its own. When not laying down some sweet harp, his vocals add a unique flavor to the Hoodoo stew, and his jazz tinged Guitar licks complement Jack's gritty sound. His most recent band ventures were Richmond's own Johnnie and the Lowdowns and the Rockabilly inspired duo, the infamous Blue Billies (who will one day ride again!). When not performing with Hoodoo, you can find him lending his vocal talent to the Virginians, a Richmond based Men's Chorus. Recently returned from the Augusta Heritage Center's Blues Camp where he studied with Joe Filisko, Gordon's continuing goal in life is both simple and inspiring - "I just want to play Blues with friends." backalley hoodoo

Rusty and Laurie gleefully dubbed 2005 their "Dude! Where did you come from?" Tour after receiving gracious compliments from Lynyrd Skynyrd members when the band opened for them in 2004. Longtime fans aren't surprised. Rusty Wright's got the kind of guitar chops that make people stop and stare, spellbound. Wide eyed, people jostle for a better view of his hands and riotous facial expressions. Wright's introduction to professional musicianship came at age 13 when he climbed aboard a tour bus and became the guitarist for a successful Southern Gospel recording act led by his mother. His diverse career as an in-demand touring guitarist, front man and composer has taken him to most points in the US and across Europe. A skilled movie and television composer, songwriter, audio engineer and in-demand session guitarist, Wright's compositions have also been picked up by ESPN and TNT. Fronting the band with Wright is his wife, rhythm guitarist/vocalist Laurie LaCross-Wright, a compelling singer with a vivid and expressive vocal style that stretches with ease from a breathy, crooned endearment into a two-octave slide that becomes a throaty affirmation of her ability to wail. Touching people's emotions through a song is a rare ability, but this woman has the knack - often making the most stoic man in the room wipe at his eyes with her Bluesy rendition of Summertime. The chemistry between Wright and his wife is both obvious and refreshing as they exchange playful banter onstage and share anecdotes about the songs and their lives with the audience. Musically, they soar. Their passion for music and performing is evident as they take turns playing off each other. Laurie laughs with delight when Rusty plays a particularly inventive riff. His guitar work echoes the dynamics and emotion of her voice as she sings. He closes his eyes and loses himself in the music as he plays. She, in turn, looks directly out at the audience, smiling widely from the stage, as if to say "You'd better believe this is every bit as fun as it looks!" COMMENTS AND REVIEWS Oxford Hot Blues & BBQ Festival, June 2006 "The Rusty Wright Blues Band hit the stage running and had the people on their feet with songs from their close-to-being-released CD (Ain't No Good Life) to crowd favorites. Guitar wizard Rusty led the band through a series of songs and just to show the kids before them that they had chops too, finished with a red hot version of the Allman Brothers Whipping Post, which brought the entire crowd to it's feet for a standing ovation." – Tim Richards, Blues Photographer, writer “The Rusty Wright Band is one of the finest Blues acts that you will ever see. From their first tune to their last, Rusty and Laurie will keep you captivated with in-your-face, hard-driving blues selections as well as their heart-wrenching mellow numbers. These guys are a definite "must see." – Steven J. Allen, Oxford Hot Blues & BBQ Festival Executive Producer & Detroit Blues Society Board Member KALAMAZOO BLUES FESTIVAL, JULY 2005 "I saw you play today. Your time is about to start." Here are links you can put on your site for buying the CD "Ain't No Good Life". Rusty Wright's Website CDBABY

Hi.... I've been waiting for you. The Blues have had a wonderful effect on many folks over the years and I'm betting you'll enjoy your visit to my site. Your going to hear samples of some of the best new Blues Guitar and Vocals being offered up anywhere today!! Yep...This is the home of the New Robbie King Blues Experience . Enjoy the vibe yall and don't forget to send an e-mail. PEACE, Robbie Hi...I'm Robbie King, blues guitarist and song writer.My music is both retro and modern..sort of Ottis Redding meets Robert Cray meets Stevie Ray Vaughan! This isn't by copying someones style either...I was born in Witchita FallsTexas and grew up listening to some of the greatist R&B and Blues artist there were at the time..artist such as Ray Charles to BB King and everyone in between. As I grew into the Blues, my sights were set high. I wanted to play on stage with the likes of Eric Clapton ,BB King,Jeff Beck and others...I felt that one day I would have the maturity as a Blues guitar player, to be able to stand on the same stage with my hero's and be noticed and appreciated by these great artist's. My wish to play with these wonderful people seem to be coming true.. To date I have played on stage with Bonnie Riatt ,Johnny Neel once a song writer and keyboard player for the Allman Brothers Band, just to name a few... My music is no doubt Blues, but with a very original twist I'm sure will please blues fans everywhere!! So be on the look out for Robbie King... My first solo album (Classic Case Of The Blues), is my calling card...I hope that those of you who have a chance to listen it,will enjoy it. These songs are both yours and mine! All from the heart and all real! All the best to yah! ....... Robbie King http://robbieking.com/index.php

The Radiators are in their 26th year of providing some of the most intense live performances (over 3600 thus far!) of any band on the road today. Their intuitive grasp of each other's moves, coupled with a repertoire of nearly 1300 songs provides a basis for a fresh and spontaneous approach to their music. The Radiators rely on a myriad of musical influences to create their own sound - "Fish Head Music". At a Radiators show it is not uncommon to hear blues, R&B, jazz, country, Zydeco, soul, swing, and even gospel filtering through their original New Orleans Rock N' Roll. During their early years, the band members were able to watch and even play live with many of their local New Orleans heroes. They combined these influences with the rising spirit of sixties rock and R&B to form a new, rhythm-intensive blend of rock and roll. The Radiators have developed into a strong national act, a result of their marathon length live shows and a relentless touring schedule. The Radiators quickly became one of New Orleans' hottest musical acts, then rose to national prominence as their fans spread the word across the country. There are no half measure when it comes to the Radiators. The majority of the tracks are at least six minutes long, and six of them rack up over 10 minutes. None of them ever sound like they are too long, however, which is largely down to the way that the band make their own particular brand of New Orleans music sound interesting. Stylistically the Radiators fuse together elements of funk (New Orleans style, naturally), rhythm and blues, jazz (Steely Dan style) and rock and roll. The end result is something for everybody, and music that will have you tapping your feet, nodding your head, and shaking your booty, or some combination of the three. http://cdbaby.com/cd/radiators

One of the finest guitarists of the century, Blind Blake's finger-picked playing evokes the jazzy, melodious rags and stomps of the period. With breathtaking skill, Blake sings and plays from blues to breakdowns to shuffles to novelty tunes. Blind" Blake (born Arthur Blake, circa 1893, Jacksonville, Florida; died: circa 1933) was an influential blues singer and guitarist. He is often called "The King Of Ragtime Guitar". There is only one photograph of him in existence. Blind Blake recorded about 80 tracks for Paramount Records in the late 1920s and early 1930s. He was one of the most accomplished guitarists of his genre with a surprisingly diverse range of material. His complex and intricate fingerpicking has inspired Reverend Gary Davis, Jorma Kaukonen, Ry Cooder, Ralph Mctell and many others. He is most known for his distinct guitar sound that was comparable in sound and style to a ragtime piano. Very little is known about his life. His birthplace was listed as Jacksonville, Florida by Paramount Records but even that is in dispute. Nothing is known of his death. Even his name is not certain. During recordings he was asked about his real name and he answered that his name was Blind Arthur Blake which is also listed on some of the song credits, strengthening his case on his real name, although there is a suggestion that his real name was Arthur Phelps. His first recordings were made in 1926 and his records sold well. His first solo record was "Early Morning Blues" with "West Coast Blues" on the B-side. Both are considered excellent examples of his style. Blake made his last recordings in 1932, the end of his career aided by Paramount's bankruptcy. It is often said that the later recordings have much less sparkle and, allegedly, Blind Blake was drinking heavily in his later years. It is likely that this led to his early death. African blues - British blues - Chicago blues - Detroit blues - Kansas City blues - Louisiana blues - Memphis blues - Piedmont blues - St. Louis blues - Swamp blues - Texas blues - West Coast blues http://en.wikipedia.org/wiki/Blind_Blake

brother doug on myspace Brother Doug GarageBand Best Song On G.B. I appreciate this "Big Time" ! You are liable to get pounded on your production, but I LOVE this! It seems in todays world nobody knows what music really is... you my friend have captured it and put it right on out here...Thanx! One single guitar, laying down some blues jangle chords... not perfect, but played with real feeling... This takes me back 30 years to jamm'in in the park, hav'in a great time with people that loved music, not big time, fake productions... The lyrics are simple and easy to pick up on... Someth'in everyone can holler in unison... hey pass it over here... Your vocal style sounds as if it could of come straight out of a sixties recording session... You have made my night and I thank you for this superb trip back in time... Good luck and best wishes and don't stop do'in what your do'in!

Greg Bowles is a self-taught blues guitarist from the southwest of western australia who playes a National resonator guitar in the tradition of the Delta blues greats, as well as more modern electric blues-rock on a standard US Strat. Greg is a regular performer at many music festivals around W.A. and plays in taverns and pubs around the southwest of the state. Really love his playing. 29-Jul-2005 08:51:02 AM That is how I like to hear the Blues. Thank You. Gregg Bowles Blues

Layin On Da Drum Chop Top Mercury 49 near Texas, four guys dream of warmer climes. From way up in the chilly north of Sweden, blues are in a rockin' mode, inspired by the likes of ZZ Top. Rest assured, there's some hard riffing raising temperatures in their Scandinavian studio. musical project from far up north in Sweden. Started as a test recording and is now a still on-going project. Texas Boogie is based on the interchange between the songwriter Roger Enquist and the sound engineer/producer Lars kastberg. At the moment we are working with our second album which is scheduled to be relased later this year. We are still a unsigned band, but�record companies has shown interest. The members in the project comes from different backgrounds: Roger Enquist is the songwriter and mind behind the project. He started playing the bass as a 12-year old kid in a local progressive pop band, called "Alfa-Laval", way back in the 70:ies. He left the band together with his older brother after just a few years. In the middle of the 80:ies he and his brother Sören, formed a ZZ Top cover band called "Tres Hombres", and they played on motorcycle clubs and dicoteques. Tres Hombres made their last gig in the summer of 1990 and then Roger took a long break from the music. The former members used to get together one time every each year playing some of that good ol' songs from the past, until the year of 2000, when Roger started to write his own songs. The songs was inspired of the years in Tres Hombres, so the blues and Texan rock was to be the cornerstones in his songwriting. http://www.texasboogie.com/home.htm

Rusty and Laurie gleefully dubbed 2005 their "Dude! Where did you come from?" Tour after receiving gracious compliments from Lynyrd Skynyrd members when the band opened for them in 2004. Longtime fans aren't surprised. Rusty Wright's got the kind of guitar chops that make people stop and stare, spellbound. Wide eyed, people jostle for a better view of his hands and riotous facial expressions. Wright's introduction to professional musicianship came at age 13 when he climbed aboard a tour bus and became the guitarist for a successful Southern Gospel recording act led by his mother. His diverse career as an in-demand touring guitarist, front man and composer has taken him to most points in the US and across Europe. A skilled movie and television composer, songwriter, audio engineer and in-demand session guitarist, Wright's compositions have also been picked up by ESPN and TNT. Fronting the band with Wright is his wife, rhythm guitarist/vocalist Laurie LaCross-Wright, a compelling singer with a vivid and expressive vocal style that stretches with ease from a breathy, crooned endearment into a two-octave slide that becomes a throaty affirmation of her ability to wail. Touching people's emotions through a song is a rare ability, but this woman has the knack - often making the most stoic man in the room wipe at his eyes with her Bluesy rendition of Summertime. The chemistry between Wright and his wife is both obvious and refreshing as they exchange playful banter onstage and share anecdotes about the songs and their lives with the audience. Musically, they soar. Their passion for music and performing is evident as they take turns playing off each other. Laurie laughs with delight when Rusty plays a particularly inventive riff. His guitar work echoes the dynamics and emotion of her voice as she sings. He closes his eyes and loses himself in the music as he plays. She, in turn, looks directly out at the audience, smiling widely from the stage, as if to say "You'd better believe this is every bit as fun as it looks!" http://www.rustywrightblues.com/main.html

Welcome to Joe Desperado and the Uptown Cats music page. This is a new project with veteran guitarsist Joe Desperado. We will be adding music and a lot of details in the next few weeks, so please stop back soon. For those of you not yet framilar with Joe Desperado, you're in for a real treat. Joe is a one of the most soulful guitarist you'll ever listen to. From Delta Blues to Uptown Swing, he squeezes emotion out of every note. Joe and his band have created a refreshing new way to deliver traditional blues and Jump-swing in the same evening. From Jim's dynamic touch on the drums to Jeff's smooth bass lines, you will be captivate from the first note. Expeirence the raw emotion of the blues and the uplifting power of jump music, like no one else can deliver. Based in the Chicagoland area, the Uptown Cats are a must see evening of entertainment. JRE Productions is proud to present to you: http://www.geocities.com/jre_productions/uptowncats

If you're moved by the classic sounds of Chicago, West coast swing and jump blues, the authentic tone of '50's guitar, cool rhythm's and Fat tone amplified harmonica in the style of the greats such as T.Bone Walker, Robert Lockwood Jnr, Fred Below, George Harmonica Smith, Little Walter and William Clarke, then Smokehouse Blues are the real deal. Smokehouse have a deep passion for this music, and their live performance's around the country are evidence of their energy and style. Influenced by the blues greats of the 1950's & 60's, Smokehouse Blues work hard to carry on this great music adding there own special touches along the way. Smokehouse blues are a four piece band from the Northwest of England. They play no nonsence pure blues Since 1998 Smokehouse Blues have been earning themselves the reputation as one of the purest blues bands in the country. Influenced by the likes of Little Walter, George Smith, Sonny Boy Williamson II and more recently by Kim Wilson, William Clarke and Rod Piazza. Front man Johny Hewitt on harmonica and vocals is surely one of the best at his trade. Formed in 1998 all members of the band have grown up and jammed together since boyhood. Consisting of:- Johny Hewitt on Harmonica & Vocals Barny Barnett on Guitar Gary Clarke on Bass Baz 'Dog' Evans on Drums They have strived to achieve the raw authentic sound of Chicago and West coast blues, the kind of blues that can only be played with a passion guaranteed to make the hair on the back of your neck stand up and boogie with a constantly changing set including many of their own original songs, as well as some classic blues standards. They have won over audiences at most of the major blues festivals in England and paid their dues around the bars and clubs, supporting the likes of Paul Lamb & the King Snakes, Nicky Moores and Steve Philips. http://www.smokehouseblues.co.uk/index.php?f=data_home&a=0

In 1998 a(singer/entertainer, songwriter, producer, guitar player,keyboards and studio engineer) met an powerful singer/entertainer and together they brought to life "The Mitchell Blues Band". This Palma Mallorca (Spain) based band is originally from New York City and Oklahoma USA!! Tim Mitchell Richardson (the founder of The Mitchell Blues Band) has taken his music from America and all over the world. The unique style that Tim has brought with him from Oklahoma is a down home Blues with just a touch of funk and rock! Tim started playing the guitar from the tender age of 4 years old. He was actually thought by his mother ( his mom was also an incredible guitar/keyboard/ player herself) Matter of fact, Tim was blessed to be able to play any musical instrument that he decided to pick up. With the knowledge of music he played with different bands in bars and venues all over Oklahoma for many years. After being seasoned by the best he branched off to bigger and better opportunities. He started playing for well known artists : The Stylistics and James Brown. Also performing with Harold Melvin and The Blue Notes just to name a few. With these classic groups he started to travel to Europe. He started to play his music in pubs and shows while playing with these groups. Seeing many opportunities available to him he decided to stay on in Europe. A year later he hooked up with a famous Blues Guitarrist (Javier Vargas) in Spain. The group "The Vargas Blues Band" traveled throughout Europe concerts at Blues/Jazz Festivals. They have even recently played with Carlos Santana, Buddy Guy and BB King just to name a few. . At the same time Tim and Sharon Mckie (the singer/entertainer mentioned earlier in the Bio) works on projects for The Mitchells Blues Band as well. While together performing venus with his own band in Europe. He is recently planning on bringing his Blues rocking style back to the states while continuing to make his music well known throughout Europe. So if you're ever passing by a stadium or Blues Festival and you see on the billboard "The Mitchells Blues Band in Concert" make sure to check them out because you'll kick yourself if you miss this blues band in action. So we look forward to seeing you there!!

Jack Falk Project Technorati Profile

Robert Leroy Johnson was born on May 8, 1911 to Julia Major Dodds and Noah Johnson in Hazelhurst, Mississippi. Until his late adolescence, his name was Robert Spencer after his stepfather, who had to change his name from Dodds to Spencer when he ran from Mississippi after a personal vandetta with the Marchetti Brothers (Lavere 7). Johnson took the name of his natural father as a teenager, even though he had not met him. Music was a long-time interest for Johnson, and his first instruments were the Jew's harp and the harmonica. Before he became seriously involved with the guitar, he married Virginia Travis in February 1929, and the young couple soon became expectant parents. But tragedy struck when Virginia, only sixteen years old, died in childbirth in 1930. Around June of 1930, blues musician Son House came to Mississippi. His music deeply affected Johnson, for it was the "rawest, most direct pure emotion Robert had ever heard, and he followed House and [Willie] Brown wherever they went" (Lavere 11). But Johnson did not appear to be gifted with a musician's talent for guitar, as Son House asserts, "Such another racket you never heard! It'd make people mad, you know. They'd come out and say, "Why don't y'all go in there and get that guitar from that boy!" (Cobb 289).

Traditional Old-Time, Bluegrass; Breakdown and Song- Alabama, Mississippi, Tennessee, Kentucky. ARTIST: Source: Dennis 'Little Hat' Jones 'Kentucky Blues' recorded in San Antonio, Texas, on 14 June 1930 and issued as Okeh 8815. Note: the first four stanzas are from the transcription in Paul Oliver 'Songsters & Saints' Cambridge Uni Press 1999 p 70. The last stanza (omitted by Oliver) is my transcription from the reissue on Various Artists 'My Rough and Rowdy Ways Vol I' Yazoo CD 2039. CATEGORY: Fiddle and Instrumental Tunes; DATE: Early 1900’s; Here are the lyrics to “Kentucky Blues/Lost John” from "Little Hat" Jones: Well whiles we here tryin' to have our fun 'Spose the law jumped up and said, 'Nobody run!' Well, you know I'm long gone, from Kentucky Long gone, an' got away lucky 'Cause I'm gonna leave so keen I'll be just like a submarine Well, my woman poked her head out the window of the bed Said, 'Please don't let them kill Mister Little Hat dead' I said, 'No use worryin', sweet mama, I ain't gonna be here long' Tell her not to sing this worryin' song 'Cause I'm gonna leave so keen I'm gonna be just like a submarine Well an officer, you know the man, they call him Austin Jack Stopped and put the bloodhounds right on my track 'Cause the hounds they couldn't catch my scent You know, they couldn't tell where Little Hat went 'Cause I left so keen People, I was just like a submarine Well here comes the Santa Fe just puffin' and flyin' Oughta seen me when I reached up and caught them blinds They said, 'There's another long gone - from Kentucky Long gone - an' he got away lucky 'Cause he's ever so keen He's just like a submarine' I want to sing this song, ain't gonna sing no more 'Cause I'm leavin' San Antonio, I don't plan on coming here no more Well, I don't play the dozen and neither the ten 'Cause you keep on talkin', I leads you in Well you keep on talkin' till it makes me mad Well I'll tell you 'bout the money that your father had 'Cause I don't play the dozen, I declare man, and neither the ten

Kelowna, British Columbia's Rick Halisheff - a.k.a. Poppa Dawg - turns in a solid set of traditional Blues penned by the excellent guitarist and singer. 'Nobody Here Feels Sorry For You' bounces between Hokum and Jump; 'Croc Talkin', a greasy, minor-key funk instrumental features some of the snarkiest wah tone ever waxed; and 'This Man' is a towering deep soul number. 'I Ain't Leavin' shuffles with Stevie Ray Vaughan power, '1, 2, Gone' swings like Ronnie Earl's best work and 'Cool Little Number' is reminiscent of Little Charlie and Rick Estrin's hipper stuff. Hailing originally from Edmonton, Alberta, Rick 'Poppa Dawg' Halisheff has played for 20 yrs in a variety of bands and has backed up such artists as Kenny 'Blues Boss' Wayne, Michael Pickett, Harpdog Brown, Sherman 'Tank' Doucette, and Juno Award winner Dave Nicol. For 10 years, he has been the bandleader and frontman for the very successful Western Canadian Blues band Dogskin Suit. In that time, they recorded 2 CDs, received airplay in Canada, and around the World including CBC's Saturday Night Blues and won numerous awards including Best Local Band 2001 & 2002 and an Honour In The Arts award. They have shared the stage as opening acts and fellow musicians with Sonny Rhodes, Michale Pickett, Tony Coleman(BB King), Fathead, Frankie Lee, Johnny V, Jeff Healey, Jim Byrnes, Donnie McDougall(The Guess Who), Danny McBride(Chris DeBurg), Shirley King, The Powder Blues, Terry Edmunds and many others. Poppa Dawg poppa dawg my space

George Higgs was born in 1930 in a farming community in Edgecombe County near Speed, North Carolina ("a slow town with a fast name" as he is fond of saying.) He learned to play the harmonica as a child from his father, Jesse Higgs, who enjoyed playing favorite spirituals and folk tunes at home during his spare time. George got to catch the medicine showman and harmonica player Peg Leg Sam playing locally in Rocky Mount during the tobacco market season and he made a lasting impression on the young harp player. He was later attracted to the guitar as a teenager and reluctantly sold a favorite squirrel dog to a neighbor to raise funds to purchase his first. As a result of their close proximity the dog spent more time at George's home than at his new owner's, so he got to have the guitar and keep the company of his dog. Acoustic Piedmont blues by George Higgs, a North Carolinian, who was inspired to take up the harmonica as a child after hearing Deford Bailey on the radio and seeing Peg Leg Sam at medicine shows and then learned to play guitar as a teenager. f you could wrap Sonny Terry and Brownie McGhee into one package, it would probably look like George Higgs. Not only does Higgs play blues on the guitar, but he also is an artist on the harmonica. While his songs are in the Piedmont Blues tradition, they have the melancholy flavor of Mississippi Delta blues. Born in 1930 on a farm near Tarboro, he learned the skills of farming from his father and later learned carpentry. As a child, he would listen to his father play spirituals, and "Cryin' Holy Unto the Lord" on his father's harp led him to begin thinking of following his father's model. George Higgs Rainy day blues buy your cd at cdbaby for george higgs

Bob has shared the stage and played with some of todays great blues artists. Most recently His band backed Superharp james cotton He has opened for a number of major acts over the years from Ronnie Earl And Eddie Kirkland to Bobby Parker and Hubert Sumlin. He was guitarist for Floyd Phillips and The Mudflaps for 3 years having formed the band with Floyd in 1998. The band consists of Bob On guitar and vocals, Steve Pozz or Ron Howden on drums, Sandy Joren on bass. Also any number of the areas great blues musicians can be seen from time to time perfoming with the band. As far as the blues go, this is the real deal check the schedule and check out the band. Bob"The Breadman" Lanza has been playing theNY/NJ/PA. blues circuit for the last 20 years. The Cancellation Blues Band, Cruisin for a Bluesn', Fat Chance, The Bluzemonsters The Homewreckers,Big Daddy and The Wildcats and Floyd Phillips and The Mudflaps were a few of the bands he was involved with. Now he has formed his own band, THE BOB LANZA BLUES BAND. The band puts the best blues talent in the area, in the spotlight. Bob's energetic, blue guitar playing is backed up by some of the best blues players around!!!! Weather it be Ron Howden on drums or L'il Leroy (AKA Steve Pozz). Sandy Joren on bass, or Charlie Hilbert, or Randy Lippincott . Dave Homan on sax, Johhny Tu Tone on harmonica. These guys are the cream of the crop as far as blues go. Bob Lanza Blues Band

Francine Calo has been playing & singing the blues for 30 plus years ... working with husband/guitarist Paul and with their old friend, "The Shuffle King" John Hoik on drums...this trio has groove to spare...their live shows have been lighting up clubs in the New England area ..... a winner in the Battle of the Blues Bands in '98' ....they've appeared with artists Sarah Brown, Shemekia Copeland, J.Geils, Magic Dick & Bluestime, Mose Allison, Bruce Katz,Clarence "Gatemouth" Brown, and The Nighthawks.... Fronted by powerhouse singer/bassist Francine Calo, this well seasoned trio will take you on a real soul journey...... They seamlessly move from torchy ballads to traditional chicago styles to flat out butt rockin' texas roadhouse blues and more.... With husband Paul Calo, powerful singer in his own right, on lead guitar, and rock solid drumming by The very funky Harley Walker, this band will inspire and move you. Hop on the blues train with the Francine Calo Band......and enjoy the ride ! http://www.garageband.com/artist/FrancineCalo

Tony Deziel never stops making music. A guitarist, vocalist and songwriter, he is meticulous, whether it is perfecting a guitar riff or working on a lyric.But then again, its always been that way. Ever since he first saw The Beatles on television, Deziel has been involved in music, whether playing, writing or admiring. He grew to love vocal harmonies and layered guitars, and used them in his own compositions as well as those he has written with other artists. In 1991, Deziel met Jeff Carlisi of .38 Special through a meeting arranged by a friend. After that initial meeting, Carlisi became Deziel's mentor, and Deziel began sending him tapes of his own compositions to critique and judge. Carlisi would respond by phone or by mail with his compliments and comments. This is something that to this day Deziel claims to be an invaluable asset to his work. However, Deziel doesn't do everything solo. In 1993, Deziel founded the Connecticut band Sundance. As a guitarist/vocalist, he is one of the principal songwriters in the band. Sundance released its first full-length album, "Pearls of Wisdom" in November 1995. The band was a popular draw throughout the Northeast, and could be heard on many radio stations. With the group Deziel was also the subject of a television special called "Behind the Scenes With Sundance". Tony also collaborated with longtime friend Jason Elledge on Blackfoot’s 1994 Rhino Records compliation “Rattlesnake Rock ‘n Roll, the Best of Blackfoot”, featuring one of Tony’s all-time favorite guitarists; Rickey Medlocke. Currently Tony is working on a new studio album scheduled for Fall 2005 release, as well as 2 CD Singles to be released in the Summer of 2005, and has recently had the privilege to play with longtime friend and former .38 Special guitarist Jeff Carlisi, former Lynyrd Skynyrd guitarist Ed King, drummer Liberty DeVito of Billy Joel’s band, and vocalist/guitarist Derek St. Holmes, formerly of Ted Nugent. http://www.myspace.com/tonydeziel http://www.tonydeziel.com/bio.html Click the link to buy the new cd

PAPA JOE GRAPPA’S MIDLIFE CRISIS BAND Papa Joe Grappa – Guitars, Vocals Gerald Johnson - Bass. Definitely one of the funkiest bass players around. Gerald’s recorded with Dave Mason, Steve Miller and Steven Stills. Gary Mallaber – Drums. Gary’s the drummer on Van Morrison’s “Moondance.” He’s also recorded with Steve Miller and Bruce Springsteen. Marty Grebb – Electric Piano, Organ, Baritone and Tenor Sax. The multi-talented Marty has recorded with Bonnie Raitt, Joe Walsh and The Band. He was also the keyboard player in the hit band The Buckinghams. The Sweet Inspirations – Portia Griffin, Estelle Brown and Myrna Smith, Elvis Presley’s backup singers from 1968-1977 Other Friends Michael Fell – Harmonica, Dave McKelvey – Harmonica, Tom Petersen – Tenor Sax, Lee Thornburg – Trumpet, James Intveld – Acoustic Bass BB Chung King (Alan Mirikitani) – Producer, Recording Engineer, Guitar Biography Papa Joe Grappa (Joe Medeiros) is the head writer of The Tonight Show with Jay Leno. Having started playing guitar at the age of 13 when The Beatles came out, Joe continued playing professionally into his 20s. Then he got married, settled down and gave up music to begin a career as a writer in advertising. He took a correspondence course in joke writing and got good enough to get a job with Jay Leno in 1988. Moving to LA in 1992, Joe rediscovered music through the LA blues scene. He put his comedy writing skills plus his love of blues and rock to good use in making his debut CD "Too White to Sing the Blues," which features some of the best session players in LA. PapaJoe

Blind" Lemon Jefferson (September 1893–December 1929) was an influential blues singer and guitarist from Texas. He was one of the most popular blues singers of the 1920s. Jefferson is believed to have been born in Couchman, Texas, near Wortham, Texas. It was long believed by most that he was born in 1897 (although some accounts varied the date by up to ten years) but research a century later revealed a census record that listed his birth record as September 1893. He was blind or nearly blind from a young age, possibly from birth; the cause is unknown, as is the reason for the name or nickname "Lemon". Where, how, and from whom he learned to play guitar and learned his songs is unknown. Around 1912, he began performing at picnics and parties. He also became a street musician, playing in East Texas towns. According to his cousin, Alec Jefferson, quoted in the notes for Blind Lemon Jefferson, Classic Sides: They was rough. Men was hustling women and selling bootleg and Lemon was singing for them all night... he'd start singing about eight and go on until four in the morning... mostly it would be just him sitting there and playing and singing all night. By 1917, Lemon had moved to Dallas, where he is reputed to have met and played with Leadbelly, as well as gotten married. [edit] The beginning of the recording career Unlike many artists who were "discovered" and recorded in their normal venues, in December 1925 or January 1926, he was taken to Chicago, Illinois, to record his first tracks. Uncharacteristically, Jefferson's first two recordings from this session were gospel songs ("I Want to be like Jesus in my Heart", and "All I Want is that Pure Religion"), released under the name Deacon L. J. Bates. This led to a second recording session in March 1926. His first release under his own name, "Booster Blues" and "Dry Southern Blues", was a hit; this led to the release of the other two songs from that session, "Got the Blues" and "Long Lonesome Blues", which became a runaway success, with sales in the six figures. He recorded about 100 tracks between 1926 and 1929; 43 records were issued, all but one for Paramount Records. Unfortunately, Paramount Records' studio techniques and quality were infamously bad, and the resulting recordings sound no better than if they had been recorded in a hotel room. In fact, in May 1926, Paramount had Jefferson re-record his hit "Got the Blues" and "Long Lonesome Blues" in the superior facilities at Marsh Laboratories and subsequent releases used that version. Both versions appear on compilation albums and may be compared.