Podcasts about Who Framed Roger Rabbit

Welcome to The Movie Planet BONUS SHOW! After recording the show, Joe, Andrew, and Steve sat down and went down a few rabbit holes: GAME: Remake, Recast, Replay Scrapped plans for today's podcast and the bracket that never was Andrew gives an EARLY grade for Who Framed Roger Rabbit? Behind the Scenes discussion where we wrap things up and discuss future shows and...the future of the podcast? Quick Discussions about the Omen Franchise and the How To Train Your Dragon trilogy Bits and Pieces   "Hot Sauce" provided by: Wavtracks Music PO Box 56 Sylvania, 2224 NSW Australia   The Pantheons: https://docs.google.com/spreadsheets/d/1uQF833nuzmDogc5GhkOMgmrBwd8_MNtSrdO-sfddFOk/edit?usp=sharing iTunes: https://itunes.apple.com/us/podcast/movie-planet-podcast/id1397030238?mt=2 GMAIL: movieplanetpodcast@gmail.com Twitter: @MoviePlanetPod Instagram: @movieplanetpod Facebook: /movieplanetpod   The Movie Planet podcast is not affiliated with, prepared for, approved or licensed by any entity that created any films discussed or reviewed herein. All movie clips and music included in the podcast are the intellectual property of the respective copyright holders. They are included here for the purpose of review, and no infringement is intended.

In this week's episode, I take a look back at the movies and streaming shows I watched in Summer 2025. This coupon code will get you 50% off the audiobook of Ghost in the Serpent, Book #1 in the Ghost Armor series, (as excellently narrated by Hollis McCarthy) at my Payhip store: FALLSERPENT50 The coupon code is valid through September 15, 2025 (please note the shorter expiration date). So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 267 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September 5, 2025 and today I'm doing a review roundup of the movies and streaming shows I saw in Summer 2025. Before we do that, we will have Coupon of the Week and a progress update on my current writing and audiobook projects. First up, this week's coupon code will get you 50% off the audiobook of Ghost in the Serpent, Book One in the Ghost Armor series (as excellently narrated by Hollis McCarthy) at my Payhip store. That is FALLSERPENT50. This coupon code will be valid through September 15th, 2025 (exactly one week). So if you need a new audiobook to listen to as we head into fall, we have got you covered. Now for an update on my current writing and audiobook projects. I am pleased to report that the rough draft of Blade of Flames, which will be the first book in my new Blades of Ruin epic fantasy series is finished. The rough draft came at about 90,000 words long, which was what I was aiming for. Next up, I will be writing a short story set as sort of a bonus in that plot line called Thunder Hammer and that will be the backstory of one of the characters in Blade of Flames. And when Blade of Flames comes out (which will hopefully be later this September), newsletter subscribers will get a free ebook copy of Thunder Hammer. So this is an excellent time to subscribe to my newsletter. I am also 8,000 words into Cloak of Worlds. At long last, I am coming back to the Cloak Mage series after nearly a year's absence. Longtime listeners will know the reason was that I had five unfinished series and I wanted to spend the summer of 2025 finishing the unfinished ones and focusing up so I will only have three ongoing series at any given time. I'm hoping Blade of Flames will come out before the end of September and Cloak of Worlds before the end of October, and after that I will be able to return to the Rivah series at long last. In audiobook news, recording is finished on Shield of Power. That will be excellently narrated by Brad Wills and hopefully once it gets through processing and quality assurance and everything, it should be showing up on the various audiobook stores before too much longer. Hollis McCarthy is about halfway through the recording of Ghost in the Siege, which was, as you know, the last book in the Ghost Armor series that just came out. And if all goes well, the audiobook should be coming out probably in October once everything is done with recording and quality assurance and all that. So that is where I'm at with my current writing and audiobook projects. 00:02:34 Main Topic: Summer 2025 Movie/TV Roundup So without further ado, let's head into our main topic. The end of summer is nigh, which means this time for my summer movie review roundup. As is usual for the summer, I saw a lot of movies, so this will be one of the longer episodes. For some reason I ended up watching a bunch of westerns. As always, the movies are ranked from least favorite to most favorite. The grades of course are totally subjective and based on nothing more than my own opinions, impressions, and interpretations. Now on to the movies. First up is the Austin Powers trilogy, the three movies of which came out in 1997, 1999, and 2002. The Austin Powers movies came out just as the Internet really got going in terms of mass adoption, which is likewise why so many Austin Powers and Dr. Evil memes are embedded in online culture. Despite that, I had never really seen any of them all the way through. They've been on in the background on TBS or whatever quite a bit when I visited people, but I've never seen them all. But I happened upon a DVD of the trilogy for $0.25 (USD), so I decided for 25 cents I would give it a go. I would say the movies were funny, albeit not particularly good. Obviously the Austin Powers movies are a parody of the James Bond movies. The movies kind of watch like an extended series of Saturday Night Live skits, only loosely connected, like the skit is what if Dr. Evil had a son named Scott who wasn't impressed with him or another skit was what if a British agent from the ‘60s arrives in the ‘90s and experiences culture clash? What if Dr. Evil didn't understand the concept of inflation and demanded only a million dollars from the United Nations? What if Dr. Evil was actually Austin's brother and they went to school together at Spy Academy? Michael Caine was pretty great as Austin's father. Overall, funny but fairly incoherent. Overall grade: C- Next up is Horrible Bosses, a very dark and very raunchy comedy from about 14 years ago. It came out in 2011. Interestingly, this movie reflects what I think is one of the major crises of the contemporary era, frequent failures of leadership at all levels of society. In the movie Nick, Dale, and Kurt are lifelong friends living in LA and all three of them have truly horrible bosses in their place of employment, ranging from a sociopathic finance director, the company founder's cokehead son, and a boorish dentist with a tendency to sexual harassment. At the bar, they fantasize about killing their horrible bosses and then mutually decide to do something about it. Obviously, they'd all be prime suspects in the murder of their own bosses, but if they killed each other's bosses, that would allow them to establish airtight alibis. However, since Nick, Dale and Kurt are not as bright as they think they are, it all goes hilariously wrong very quickly. Bob Hope has a hilarious cameo. If the best “crude comedies” I've seen are Anchorman, Zoolander, Tropic Thunder, and Dodgeball, and the worst one was MacGruber, I'd say Horrible Bosses lands about in the middle. Overall grade: C Next up is Cowboys and Aliens, which came out in 2011. Now I almost saw this in 2011 when it came out, but I was too busy to go to the theater in July of 2011, so I finally saw it here in 2025 and I would say this was almost a great movie, like the performances were great, the concept was great, the scenery was great, the special effects were great, and the story was packed full of really interesting ideas, but somehow they just didn't coalesce. I'm not entirely sure why. I think upon reflection, it was that the movie is just too overcrowded with too many characters and too many subplots. Anyway, Daniel Craig portrays a man who wakes up with no memory in the Old West, with a mysterious bracelet locked around his wrist. He makes his way to the town of Atonement, and promptly gets arrested because he is apparently a notorious outlaw (which he doesn't remember). While he is locked in jail, space aliens attack the town. The aliens, for unknown reasons, abduct many of the townspeople, and Daniel Craig's character, who is named Jake even if he doesn't remember it, must lead the town's effort to recover their abducted citizens. Harrison's Ford has an excellent performance as this awful cattle baron who nonetheless has virtues of courage and fortitude that you can't help but admire. An excellent performance. That said, the movie was just too packed, and I thought it would work better as a novel. After I watched the movie, it turned out that it was indeed based off a graphic novel. Novels and graphic novels allow for a far more complex story than a movie, and I don't think this movie quite managed to handle the transition from a graphic novel to a film. Overall grade: C Next up is Heads of State, which came out in 2025. This was kind of a stupid movie. However, the fundamental question of any movie, shouted to the audience by Russell Crow in Gladiator is, “are you not entertained?!?” I was thoroughly entertained watching this, so entertained I actually watched it twice. Not everything has to be Shakespeare or a profound meditation on the unresolvable conflicts inherent within human nature. Anyway, John Cena plays Will Derringer, newly elected President of the United States. Idris Elba plays Sam Clark, who has now been the UK Prime Minister for the last six years. Derringer was an action star who parleyed his celebrity into elected office (in the same way Arnold Schwarzenegger did), while Clarke is an army veteran who worked his way up through the UK's political system. Needless to say, the cheerful Derringer and the grim Clarke take an immediate dislike to each other. However, they'll have to team up when Air Force One is shot down, stranding them in eastern Europe. They'll have to make their way home while evading their enemies to unravel the conspiracy that threatens world peace. So half action thriller, half buddy road trip comedy. The premise really doesn't work if you think about it too much for more than thirty seconds, but the movie was funny and I enjoyed it. Jack Quaid really stole his scenes as a crazy but hyper-competent CIA officer. Overall grade: C+ Next up, Captain America: Brave New World, which came out in 2025 and I think this movie ended up on the good side of middling. You can definitely tell it went through a lot of reshoots and retooling, and I suspect the various film industry strikes hit it like a freight train. But we ended up with a reasonably solid superhero thriller. Sam Wilson is now Captain America. He's not superhuman the way Steve Rogers was and doesn't have magic powers or anything, so he kind of fights like the Mandalorian – a very capable fighter who relies on excellent armor. Meanwhile, in the grand American political tradition of failing upward, Thaddeus “Thunderbolt” Ross, who spent years persecuting The Hulk and whose meddling caused the Avengers to disband right before Thanos attacked, has now been elected President. To Wilson's surprise, Ross reaches out and wants him to restart the Avengers. But Ross (as we know) did a lot of shady black ops stuff for years, and one of his projects is coming back to haunt him. Wilson finds himself in the middle of a shadowy conspiracy, and it's up to him to figure out what's going on before it's too late. I was amused that lifelong government apparatchik Ross wanted to restart the Avengers, because when the Avengers had their biggest victory in Avengers: Endgame, they were essentially unsanctioned vigilantes bankrolled by a rogue tech billionaire. Overall grade: B- Next up is Ironheart, which came out in 2025. I'd say Ironheart was about 40% very weird and 60% quite good. It's sort of like the modern version of Dr. Faustus. The show got some flak on the Internet from the crossfire between the usual culture war people, but the key to understanding it is to realize that Riri Williams AKA Ironheart is in fact an antihero who's tottering on the edge of becoming a full-blown supervillain. Like Tony Stark, she's a once-in-a-generation scientific talent, but while she doesn't have Stark's alcohol problems, she's emotionally unstable, immature, ruthless, indifferent to collateral damage and consequences, and suffering from severe PTSD after her best friend and stepfather were killed in a drive-by shooting. This volatile mix gets her thrown out of MIT after her experiments cause too much destruction, and she has to go home to Chicago. To get the funds to keep working on her Iron Man armor, she turns to crime, and falls in with a gang of high-end thieves led by a mysterious figure named Hood. It turns out that Hood has actual magic powers, which both disturbs and fascinates Riri. However, Hood got his magic in a pact with a mysterious dark force. When a job goes bad, Riri gains the enmity of Hood and has to go on the run. It also turns out Hood's dark master has become very interested in Riri, which might be a lot more dangerous for everyone in the long run. Overall, I'd say this is about in the same vein as Agatha All Along, an interesting show constructed around a very morally questionable protagonist. Overall grade: B Next up is A Minecraft movie, which came out in 2024. I have to admit, I've never actually played Minecraft, so I know very little about the game and its ecosystem, only what I've generally absorbed by glancing at the news. That said, I think the movie held together quite well, and wasn't deserving of the general disdain it got in the press. (No doubt the $950 million box office compensated for any hurt feelings.) One of the many downsides of rapid technological change in the last fifty years is that the Boomers and Gen X and the Millennials and Gen Z and Gen Alpha have had such radically different formative experiences in childhood that it's harder to relate to each other. Growing up in the 1980s was a wildly different experience than growing up in the 2010s, and growing up in the 2010s was an even more wildly different experience than growing up in the 1960s. Smartphones and social media were dominant in 2020, barely starting in 2010, and implausible science fiction in 2000 and earlier, and so it was like the different generations grew up on different planets, because in some sense they actually did. (A five-year-old relative of mine just started school, and the descriptions of his school compared to what I remember of school really do sound like different planets entirely.) The Minecraft game and A Minecraft Movie might be one of those generation-locked experiences. Anyway, this has gotten very deep digression for what was essentially a portal-based LitRPG movie. A group of people experiencing various life difficulties in a rural Idaho town get sucked into the Minecraft world through a magic portal. There they must combine forces and learn to work together to master the Minecraft world to save it from an evil sorceress. As always, the fundamental question of any movie is the one that Russell Crowe's character shouted to the audience in Gladiator back in 2000. “Are you not entertained?” I admit I was entertained when watching A Minecraft Movie since it was funny and I recognized a lot of the video game mechanics, even though I've never actually played Minecraft. Like, Castlevania II had a night/day cycle the way Minecraft does, and Castlevania II was forty years ago. But that was another digression! I did enjoy A Minecraft Movie. It was kind of crazy, but it committed to the craziness and maintained a consistent creative vision, and I was entertained. Though I did think it was impressive how Jack Black's agent managed to insist that he sing several different times. Overall grade: B Next up is Back to School, which came out in 1986 and this is one of the better ‘80s comedies I've seen. Rodney Dangerfield plays Thornton Melon, who never went to college and is the wealthy owner of a chain of plus-sized clothing stores. His son Jason is attending Great Lakes University, and after Thornton's unfaithful gold-digging wife leaves him (Thornton is mostly relieved by this development), he decides to go visit his son. He quickly discovers that Jason is flailing at college, and decides to enroll to help out his son. Wacky adventures ensue! I quite enjoyed this. The fictional “Great Lakes University” was largely shot at UW-Madison in Wisconsin, which I found amusing because I spent a lot of time at UW-Madison several decades ago as a temporary IT employee. I liked seeing the characters walk past a place where I'd eat lunch outside when the day was nice, that kind of thing. Also, I'm very familiar with how the sausage gets made in higher ed. There's a scene where the dean is asking why Thornton is qualified to enter college, and then it cuts to the dean cheerfully overseeing the groundbreaking of the new Thornton Melon Hall which Thornton just donated, and I laughed so hard I almost hurt myself, because that is exactly how higher ed works. The movie had some pointless nudity, but it was only a few seconds and no doubt gets cut in network broadcasts. Overall grade: B Next up is Whiskey Galore, which came out in 1949 and this is a comedy set in Scotland during World War II. The villagers living on an isolated island have no whiskey due to wartime rationing. However, when a government ship carrying 50,000 cases of whiskey runs aground near the island, wacky hijinks ensue. I have to admit the first half of the movie was very slow and deliberate, gradually setting up all the pieces for later. Then, once the shipwreck happens, things pick up and the movie gets much funnier. Definitely worth watching both as a good comedy movie and an artifact of its time. A modicum of historical knowledge is required – if you don't know what the Home Guard is, you might have to do some Googling to understand the context of some of the scenes. Regrettably, the version I watched did not have captioning, so I had to pay really close attention to understand what the characters were saying, because some of the accents were very strong. Overall grade: B Next up is Happy Gilmore 2, which came out in 2025. This was dumb and overstuffed with celebrity cameos but thoroughly hilarious and I say this even though it uses one of my least favorite story tropes, namely “hero of previous movie is now a middle age loser.” However, the movie leads into it for comedy. When Happy Gilmore accidentally kills his wife with a line drive, he spirals into alcoholism and despair. But his five children still love him, and when his talented daughter needs tuition for school, Happy attempts to shake off his despair and go back to golf to win the money. But Happy soon stumbles onto a sinister conspiracy led by an evil CEO to transform the game of golf into his own personal profit center. Happy must team up with his old nemesis Shooter McGavin to save golf itself from the evil CEO. Amusingly, as I've said before, the best Adam Sandler movies are almost medieval. In medieval fables, it was common for a clever peasant to outwit pompous lords, corrupt priests, and greedy merchants. The best Adam Sandler protagonist remains an everyman who outwits the modern equivalent of pompous lords and corrupt priests, in this case an evil CEO. Overall grade: B+ Next up is Superman, which came out in 2025 and I thought this was pretty good and very funny at times. I think it caught the essential nature of Superman. Like, Superman should be a Lawful Good character. If he was a Dungeons and Dragons character, he would be a paladin. People on the Internet tend to take the characterization of superheroes seriously to perhaps an unhealthy degree, but it seems the best characterization of Superman is as an earnest, slightly dorky Boy Scout who goes around doing good deeds. The contrast of that good-hearted earnestness with his godlike abilities that would allow him to easily conquer and rule the world is what makes for an interesting character. I also appreciated how the movie dispensed with the overused trope of the Origin Story and just got down to business. In this movie, Lex Luthor is obsessed with destroying Superman and is willing to use both super-advanced technology and engineered geopolitical conflict to do it. Superman, because he's essentially a decent person, doesn't comprehend just how depraved Luthor is, and how far Luthor is willing to go out of petty spite. (Ironically, a billionaire willing to destroy the world out of petty spite is alas, quite realistic). Guy Gardener (“Jerkish Green Lantern”) and the extremely competent and the extremely exasperated Mr. Terrific definitely stole all their scenes. The director of the movie, James Gunn, was quite famously fired from Disney in 2018 for offensive jokes he had made on Twitter back when he was an edgy young filmmaker with an alcohol problem. I suppose Mr. Gunn can rest content knowing that Superman made more money than any Marvel movie released this year. Overall grade: A-   Next up is Who Framed Roger Rabbit?, which came out in 1988. This was a very strange movie, but nonetheless, one with an ambitious premise, strong performances, and a strong artistic vision. It's set in post WWII Los Angeles, and “toons” (basically cartoon characters) live and work alongside humans. Private eye Eddie Valiant hates toons since one of them killed his brother five years ago. However, he's hired by the head of a studio who's having trouble with one of his toon actors, Roger Rabbit. Roger's worried his wife Jessica is having an affair, and Valiant obtains pictures of Jessica playing patty cake (not a euphemism, they actually were playing patty cake) with another man. Roger has an emotional breakdown, and soon the other man winds up dead, and Roger insists he's innocent. Valiant and Roger find themselves sucked into a dangerous conspiracy overseen by a ruthless mastermind. This movie was such an interesting cultural artifact. It perfectly follows the structure of a ‘40s film noir movie, but with cartoons, and the dissonance between film noir and the cheerfulness of the toons was embraced and used as a frequently source of comedy. In fact, when the grim and dour Valiant uses the toons' comedy techniques as a tactical improvisation in a moment of mortal peril, it's both hilarious and awesome. Christopher Lloyd's performance as the villainous Judge Doom was amazing. (I don't think it's a spoiler to say that he's villainous, because his character is named Judge Doom and he's literally wearing a black hat.) Like, his performance perfectly captures something monstrous that is trying very hard to pretend to be human and not quite getting it right. And the amount of work it must have taken to make this movie staggers the mind. Nowadays, having live actors interact with cartoon characters is expensive, but not unduly so. It's a frequent technique. You see it all the time in commercials when a housewife is smiling at an animated roll of paper towels or something, and Marvel's essentially been doing it for years. But this was 1988! Computer animation was still a ways off. They had to shoot the movie on analog film, and then hand-draw all the animation and successfully match it to the live film. It wouldn't have worked without the performance of Bob Hoskins as Eddie Valiant, who plays everything perfectly straight in the same way Michael Caine did in A Muppet Christmas Carol. So kind of a strange movie, but definitely worth watching. And it has both Disney and Warner Brothers animated characters in the same movie, which is something we will never, ever see again. Overall grade: A Next up is K-Pop Demon Hunters, which came out in 2025. Like Who framed Roger Rabbit?, this is a very strange movie, but nonetheless with a clear and focused artistic vision. It is a cultural artifact that provides a fascinating look into a world of which I have no knowledge or interest, namely K-pop bands and their dueling fandoms. Anyway, the plot is that for millennia, female Korean musicians have used the magic of their voices to keep the demons locked away in a demon world. The current incarnation is a three-woman K-Pop group called Huntrix, and they are on the verge of sealing away the demons forever. Naturally, the Demon King doesn't like this, so one of his cleverer minions comes up with a plan. They'll start a Demon K-Pop Boy Band! Disguised as humans, the demon K-Pop group will win away Huntrix's fans, allowing them to breach the barrier and devour the world. However, one of the Huntrix musicians is half-demon, and she starts falling for the lead demon in the boy band, who is handsome and of course has a dark and troubled past. Essentially a musical K-drama follows. I have to admit I know practically nothing about K-Pop groups and their dueling fandoms, other than the fact that they exist. However, this was an interesting movie to watch. The animation was excellent, it did have a focused vision, and there were some funny bits. Overall grade: A Next up is Clarkson's Farm Season Four, which came out in 2025. A long time ago in the ‘90s, I watched the episode of Frasier where Frasier and Niles attempt to open a restaurant and it all goes horribly (yet hilariously) wrong. At the time, I had no money, but I promised myself that I would never invest in a restaurant. Nothing I have seen or learned in the subsequent thirty years has ever changed that decision. Season 4 of Clarkson's Farm is basically Jeremy Clarkson, like Frasier and Niles, attempting to open a restaurant, specifically a British pub. On paper it's a good idea, since Clarkson can provide the pub with food produced from his own farm and other local farmers. However, it's an enormous logistical nightmare, and Clarkson must deal with miles of red tape, contractors, and a ballooning budget, all while trying to keep his farm from going under. An excellent and entertaining documentary into the difficulties of both the farming life and food service. I still don't want to own a restaurant! Overall grade: A Next up is Tombstone, which came out in 1993. The Western genre of fiction is interesting because it's limited to such a very specific period of time and geographical region. Like the “Wild West” period that characterizes the Western genre really only lasted as a historical period from about 1865 to roughly 1890. The Western genre was at its most popular in movies from the 1940s and the 1960s, and I wonder if it declined because cultural and demographic changes made it unpopular to romanticize the Old West the way someone like Walt Disney did at Disneyland with “Frontierland.” Of course, the genre lives on in different forms in grittier Western movies, neo-Westerns like Yellowstone and Longmire, and a lot of the genre's conventions apply really well to science fiction. Everyone talks about Firefly being the first Space Western, but The Mandalorian was much more successful and was basically a Western in space (albeit with occasional visits from Space Wizards). Anyway! After that long-winded introduction, let's talk about Tombstone. When Val Kilmer died earlier this year, the news articles mentioned Tombstone as among his best work, so I decided to give it a watch. The plot centers around Wyatt Earp, played by Kurt Russell, who has decided to give up his career in law enforcement and move to Tombstone, Arizona, a silver mining boomtown, in hopes of making his fortune. However, Tombstone is mostly controlled by the Cowboys outlaw gang, and Earp is inevitably drawn into conflict with them. With the help of his brothers and Doc Holliday (Val Kilmer's character), Earp sets out to bring some law and order to Tombstone, whether the Cowboys like it or not. Holliday is in the process of dying from tuberculosis, which makes him a formidable fighter since he knows getting shot will be a less painful and protracted death than the one his illness will bring him. Kilmer plays him as a dissolute, scheming warrior-poet who nonetheless is a very loyal friend. Definitely a classic of the Western genre, and so worth watching. Overall grade: A Next up is Mission Impossible: The Final Reckoning, the eighth Mission Impossible movie. Of the eight movies, I think the sixth one was the best one, but this one comes in at a close second. It continues on from Dead Reckoning. Ethan Hunt now possesses the key that will unlock the source code of the Entity, the malicious AI (think ChatGPT, but even more obviously evil) that is actively maneuvering the world's nuclear powers into destroying each other so the Entity can rule the remnants of humanity. Unfortunately, the Entity's source code is sitting in a wrecked Russian nuclear sub at the bottom of the Bering Sea. Even more unfortunately, the Entity knows that Hunt has the key and is trying to stop him, even as the Entity's former minion and Hunt's bitter enemy Gabriel seeks to seize control of the Entity for himself. A sense of apocalyptic doom hangs over the movie, which works well to build tension. Once again, the world is doomed, unless Ethan Hunt and his allies can save the day. The tension works extremely well during the movie's underwater sequence, and the final airborne duel between Hunt and Gabriel. I don't know if they're going to make any more Mission Impossible movies after this (they are insanely expensive), but if this is the end, it is a satisfying conclusion for the character of Ethan Hunt and the Impossible Mission Force. Overall grade: A Next up is Deep Cover, which came out in 2025. This is described as a comedy thriller, and I didn't know what to expect when I watched it, but I really enjoyed it. Bryce Dallas Howard plays Kat, a struggling comedy improv teacher living in London. Her best students are Marlon (played by Orlando Bloom), a dedicated character actor who wants to portray gritty realism but keeps getting cast in tacky commercials, and Hugh (played by Nick Mohammed), an awkward IT worker with no social skills whatsoever. One day, the three of them are recruited by Detective Sergeant Billings (played by Sean Bean) of the Metropolitan Police. The Met wants to use improv comedians to do undercover work for minor busts with drug dealers. Since it plays 200 pounds a pop, the trio agrees. Of course, things rapidly spiral out of control, because Kat, Marlon, and Hugh are actually a lot better at improv than they think, and soon they find themselves negotiating with the chief criminals of the London underworld. What follows is a movie that is both very tense and very funny. Kat, Marlon, and Hugh are in way over their heads, and will have to do the best improv of their lives to escape a very grisly fate. Whether Sean Bean dies or not (as is tradition), you will just have to watch the movie and find out. Overall grade: A Next up is Puss in Boots: The Final Wish, which came out in 2022. I don't personally know much about the history of Disney as a corporation, and I don't much care, but I do have several relatives who are very interested in the history of the Disney corporation, and therefore I have picked up some by osmosis. Apparently Disney CEO Michael Eisner forcing out Jeffrey Katzenberg in the 1990s was a very serious mistake, because Katzenberg went on to co-found DreamWorks, which has been Disney's consistent rival for animation for the last thirty years. That's like “CIA Regime Change Blowback” levels of creating your own enemy. Anyway, historical ironies aside, Puss in Boots: The Final Wish was a funny and surprisingly thoughtful animated movie. Puss in Boots is a legendary outlaw and folk hero, but he has used up eight of his nine lives. An ominous bounty hunter who looks like a humanoid wolf begins pursuing him, and the Wolf is able to shrug off the best of Puss In Boots' attacks. Panicked, Puss hides in a retirement home for elderly cats, but then hears rumors of the magical Last Wish. Hoping to use it to get his lives back, Puss In Boots sets off on the quest. It was amusing how Little Jack Horner and Goldilocks and the Three Bears were rival criminal gangs seeking the Last Wish. Overall grade: A Next up is Chicken People, which came out in 2016. A good documentary film gives you a glimpse into an alien world that you would otherwise never visit. In this example, I have absolutely no interest in competitive chicken breeding and will only raise chickens in my backyard if society ever collapses to the level that it becomes necessary for survival. That said, this was a very interesting look into the work of competitive chicken breeding. Apparently, there is an official “American Standard of Perfection” for individual chicken breeds, and the winner of the yearly chicken competition gets the title “Super Grand Champion.” Not Grand Champion, Super Grand Champion! That looks impressive on a resume. It is interesting how chicken breeding is in some sense an elaborate Skinner Box – like you can deliberately set out to breed chickens with the desirable traits on the American Standard of Perfection, but until the chickens are hatched and grow up, you don't know how they're going to turn out, so you need to try again and again and again… Overall grade: A Next up is The Mask of Zoro, which came out in 1998. I saw this in the theatre when it came out 27 years ago, but that was 27 years ago, and I don't have much of a memory of it, save that I liked it. So when I had the chance to watch it again, I did! Anthony Hopkins plays Diego de la Vega, who has the secret identity of Zorro in the final days before Mexico breaks away from the Spanish Empire. With Mexico on the verge of getting its independence, Diego decides to hang up his sword and mask and focus on his beloved wife and daughter. Unfortunately, the military governor Don Montero realizes Diego is Zorro, so has him arrested, kills his wife, and steals his baby daughter to raise as his own. Twenty years later, a bandit named Alejandro loses his brother and best friends to a brutal cavalry commander. It turns out that Montero is returning to California from Spain, and plans to seize control of California as an independent republic (which, of course, will be ruled by him). In the chaos, Diego escapes from prison and encounters a drunken Alejandro, and stops him from a futile attack upon the cavalry commander. He then proposes a pact – Diego will train Alejandro as the next Zorro, and together they can take vengeance upon the men who wronged them. This was a good movie. It was good to see that my taste in movies 27 years ago wasn't terrible. It manages to cram an entire epic plot into only 2 hours and 20 minutes. In some ways it was like a throwback to a ‘40s movie but with modern (for the ‘90s) production values, and some very good swordfights. Overall grade: A Next up is Wick is Pain, which came out in 2025. I've seen all four John Wick movies and enjoyed them thoroughly, though I've never gotten around to any of the spinoffs. Wick is Pain is a documentary about how John Wick went from a doomed indie movie with a $6.5 million hole in its budget to one of the most popular action series of the last few decades. Apparently Keanu Reeves made an offhand joke about how “Wick is pain” and that became the mantra of the cast and crew, because making an action movie that intense really was a painful experience. Definitely worth watching if you enjoyed the John Wick movies or moviemaking in general. Overall grade: A The last movie I saw this summer was Game Night, which came out in 2016. It was a hilarious, if occasionally dark comedy action thriller. Jason Bateman and Rachel McAdams play Max and Annie Davis, a married couple who are very competitive and enjoy playing games of all kinds. Jason has an unresolved conflict with his brother Brooks, and one night Brooks invites them over for game night, which Max resents. Halfway through the evening, Brooks is kidnapped, with Max and Annie assume is part of the game. However, Brooks really is involved in something shady. Hilarity ensues, and it's up to Max and Annie to rescue Brooks and stay alive in the process. This was really funny, though a bit dark in places. That said, Max and Annie have a loving and supportive marriage, so it was nice to see something like that portrayed on the screen. Though this also leads to some hilarity, like when Annie accidentally shoots Max in the arm. No spoilers, but the punchline to that particular sequence was one of the funniest things I've ever seen. Overall grade: A So no A+ movie this time around, but I still saw a bunch of solid movies I enjoyed. One final note, I have to admit, I've really come to respect Adam Sandler as an entertainer, even if his movies and comedy are not always to my taste. He makes what he wants, makes a lot of money, ensures that his friends get paid, and then occasionally takes on a serious role in someone else's movie when he wants to flex some acting muscles. I am not surprised that nearly everyone who's in the original Happy Gilmore who was still alive wanted to come back for Happy Gilmore 2. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show enjoyable and perhaps a guide to some good movies to watch. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

For this episode, we spend basically all of our time in the water, a Mac-El-Dee classic! But we begin with Edda staring at her reflection in a mirror, because of COURSE that's what she's doing. Edda provides multiple opportunities for the Brooke-ster to draw crazy teeth, for reasons that are completely unclear. Turns out, she's trying out various monster faces to look sexier for Amos -- like that would make any fucking difference with him. Amos points out that she has spinach in her teeth (which she somehow missed while staring at her mouth in the mirror) and Edda is despondent from shame. He makes up for it by calling her "the sweetest girl in all the world." Edda and Amos kiss in front of Polly and Lolly who hope that Amos "doesn't pick up her cold sore." Yep. That's a normal phrase: "pick up a cold sore." Edda then grabs Amos's legs underwater causing him to scream "like a little girl," which she then shames him for over the course of several strips. Proving, naturally, that she is indeed "the sweetest girl in all the world." Later, when Polly and Lolly are older, they again have a conversation with Edda about being sexy, which is a totally normal conversation moms have with their daughters literally all the time. Lolly makes out with Alistair at the beach, climbing up him and sliding her feet into his swimsuit to remove it. Yes, you read that right. And then she locks toes with him. Because: ROMANCE! The world is on fire but romance is still alive on Chickweed Lane! Hooray! The Chickweed strips we discuss this episode: You can find all of this episode's strips on Instagram by clicking here (https://www.instagram.com/p/DNgVzuzPgv7/?utm_source=ig_web_copy_link). We've abandoned Twitter, because it's terrible, but you can now find this episode's strips on Bluesky by clicking here (https://bsky.app/profile/9chickweedrage.bsky.social/post/3lwoxklgzmc2y). This strangely vegan episode includes: Peeps vs. Peeps Defending Your Life YouTube Rosetta Stone Jeff's Crazy Mom Oberammergau Garmisch-Partenkirchen The Passion Play Munich Marienplatz Hofbräuhaus I said "Angry Orange" but I meant "Annoying Orange (https://www.youtube.com/watch?v=DD5UKQggXTc)" High School Swimsuits Vegans Cold sores Seth Meyers Crimepot The Wilhelm Scream (https://www.youtube.com/watch?v=r6JK-gRELI0) Christopher Lloyd as Judge Doom (https://www.youtube.com/watch?v=TE0KLwfbM-0) Talk to Us! Having trouble understanding what's going on in a 9 Chickweed Lane strip you just read? Send it our way! We'll take a shot at interpreting it for you! Or maybe you just want someone to talk to? We're on Bluesky: @9ChickweedRAGE.bsky.social (https://bsky.app/profile/9chickweedrage.bsky.social). And we're on Instagram: @9ChickweedRage (https://www.instagram.com/9chickweedrage/).

In this Reel Insights episode, Sean Tajipour, the Mayor of Nerdtropolis, chats with legendary animator Genndy Tartakovsky to talk all things Fixed, his outrageous new R-rated 2D animated comedy from Sony Pictures Animation.Genndy opens up about pushing his animation team into uncharted territory, recruiting top-tier talent from Disney and Who Framed Roger Rabbit to tackle the film's wild and raunchy subject matter. He shares why Fixed proves that adult animation doesn't have to look crude, and explains the biggest misconception people still have about the genre.From why he always aims for timeless storytelling to the one thing he wishes he could “fix” about today's animation industry, Genndy offers a candid, passionate look at the making of Fixed—and why originality will always matter more than reboots.Visit Nerdtropolis.comFacebookInstagramTwitter

This week we examine two 'family friendly' noir films. The films are the 1976 Alan Parker musical Bugsy Malone and the 1988 Robert Zemekis-helmed Who Framed Roger Rabbit? Timings for this week are: Bugsy Malone: (04:15) Who Framed Roger Rabbit?: (25:58) Next week, we will be discussing iconic cinematic rugs. Follow us on social media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: frame.to.frame250@gmail.com Join our Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Frame to Framers⁠⁠⁠⁠⁠⁠⁠⁠⁠ and that of the wider ⁠⁠⁠⁠⁠⁠⁠⁠⁠Film Stories Podcast Network⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Film Stories Podcast Network on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/simonbrew⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: @filmstories Facebook/Instagram/Threads: Film Stories Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://filmstories.co.uk/⁠⁠⁠⁠⁠⁠⁠⁠⁠ Gothamlicious by Kevin MacLeod ⁠⁠⁠⁠⁠⁠⁠⁠⁠Link⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠License⁠⁠⁠⁠⁠⁠⁠⁠⁠ Leave us a review on Podchaser or Apple Podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 132 - Dave Barclay - My Life With Animatronics. Movies, Puppets and Beyond!At just 19 years old, Dave Barclay found himself stepping into the role of chief puppeteer for Yoda in The Empire Strikes Back. It was the start of an extraordinary career in animatronics and puppetry that would see him bringing to life some of cinema's most beloved and memorable characters. In this episode, Dave takes us back to his creative beginnings, growing up in a family of puppeteers, and the serendipitous chain of events that led from working in Hamleys toy shop to meeting Mark Hamill — and ultimately joining Stuart Freeborn's Yoda team. We cover:His early inspirations from Planet of the Apes to making masks at home.The technical and creative challenges of performing Yoda alongside Frank Oz.Becoming chief puppeteer for Jabba the Hutt in Return of the Jedi.Working on The Dark Crystal, Little Shop of Horrors and Who Framed Roger Rabbit.The importance of collaboration between puppeteers, animators, special effects teams and actors.The process of writing his new autobiography My Life with Animatronics, Movies, Puppets and Beyond, filled with stories and photos from across his career.Dave's journey is a mix of artistry, technical problem-solving, and being in the right place at the right time — but also about saying “yes” when opportunity knocks. Listen now to hear stories from a man whose work has shaped how we see and believe in some of cinema's most iconic creatures. Find Dave's book:My Life with Animatronics, Movies, Puppets and Beyond – available now at Cool Waters Productions.All my links

Ice'd Tea baby! That wonderful, lovely brown substance, flowing down the gullet, sitting ever so neatly in the belly. The best thing since iced tea, it's Ice'd Tea. Yeah. Anyways, what were we talking about. Oh right. Who Framed Roger Rabbit, your boys Bruce and Pat are coming at you with another fantastic installment of the best iced tea fueled in-depth analysis of movies you could ever hope for. Join us, as we get our iced tea on.

"Boy, did you see that? Nobody takes a wallop like Goofy. What timing! What finesse! What a genius!" For those who cherish Disney, worship at the altar of Spielberg, love nothing more than immersing themselves into the world of Aardman, let us introduce you to Not Just For Kids. This is the podcast that revisits the films we cherished growing up, be they family films or something we maybe shouldn't have been watching. Host Russell Bailey brings back three guests to discuss some bangers. Past guest Linda McGarrigle (https://linktr.ee/lindamcg) returns to discuss 80s cinema magic, Who Framed Roger Rabbit? Email us: notjustforkidspodcast@gmail.com Find us on Threads, Instagram and Letterboxd: @adultstoopod Give the Not Just For Kids Movie Club a listen: https://anchor.fm/russell-bailey2

In the Season 3 finale Luca and Nate join Detective Eddie Valiant as he ventures into ToonTown to answer one simple question, Who Framed Roger Rabbit?

Welcome back to another episode of the Video Store Podcast, where we love sharing about the films that mean the most to us. Today, in honor of my fortieth birthday, I'm going to share with you four of the films that have shaped my life in varying ways. I hope you enjoy these films as much as I do, or at minimum, appreciate why I appreciate them. Sleeping Beauty (1959)First up is the 1959 Disney animated classic, Sleeping Beauty. This is perhaps the most gorgeous animated film Disney has ever produced. Nearly a decade to create, it is a genuine testament to the commitment to quality that Disney had at the time. With a leading lady from my hometown of Knoxville, Tennessee, Sleeping Beauty has a certain intangible draw for me and influenced my view of art, animation, and aesthetics, which is why it makes the staff picks wall this week. Who Framed Roger Rabbit (1988) A combo of animation, live action, film noir, and comedy, Who Framed Roger Rabbit is a laugh-a-minute satire full of puns, double entendres, and sheer joy. It gave me my sense of humor, an appreciation for satire, and a lifelong desire to be a cartoon character, or at the very least, act like one. It was nominated for 7 Academy Awards and won 4 of them, making it perhaps one of the silliest films to win an Oscar. Star Trek (2009)J. J. Abrams' 2009 Star Trek reboot literally changed my life and career trajectory. This film breathed life into the Star Trek franchise, and for me, gave me my biggest fandom. I am a better human being because of my love for Star Trek, and it's all because of this film. Live long and prosper, and join me on the couch for the film that began my deep dive into the Star Trek fandom. The Marvels (2023)A Marvel film that puts women at the forefront, is directed by a woman, written by women, where the women are allowed to be women, is exactly what this lifelong nerd girl needed. A film about family, personal responsibility, fandom, and hero worship, Nia DaCosta's The Marvels is fun and silly, while simultaneously thoughtful and refreshingly different from the majority of the superhero film genre. If you missed this one, give it a look, or at least try to understand why this film matters so much to me and to so many other women and girls. It's my Barbie. Thanks for joining me for my fortieth birthday celebration today on the Video Store Podcast. Since you were kind enough to hear out four of my favorite and most influential films, I would love to hear about the films that helped shape you, too. Leave me a comment and tell me all about them. Happy my birthday to you, from all of us at the Video Store Podcast. Thanks for reading Video Store Podcast! This post is public so feel free to share it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

This week, J.B. and Eddie dive headfirst into the zany, genre-bending world of Who Framed Roger Rabbit. From its groundbreaking animation/live-action hybrid to the utterly deranged performance of Judge Doom, they debate whether this movie still holds up, and what Disney would even do with a project like this today.Later, they react to Pixar's current box-office flop Elio.

Get ready for a trip down memory lane as we rank the Top 10 Movies of 1988

I could tell it was going to be one of those days.  A day that reality bleeds into fantasy, like ink on a wet newspaper. And today, the guys are talking about "Who Framed Roger Rabbit". On this episode, Eric activates some sleeper agents. John lets everyone else know that they are wrong. And Richard researches furiously. So remember your theater etiquette, pull up your comfy cab, and listen to Plot Spackle!  Music: TheFatRat - Epic https://lnk.to/ftrepic

Ren Wednesday and Adam Whybray are joined by returning guest Ava Foxfort (veteran of our Deptford Mice episodes) to talk about the beloved 80s masterpiece Terrorvision, and also some film called Who Framed Roger Rabbit. The Bob Hoskins Appreciation Society is fully represented, and the adjective grody finds its perfect application. Grab yourself a specific brand of lager beer, and get on into it! *Unlike the movie Terrorvision, this podcast is not sponsered by any American beer companies.

We got a Rabbit, we got an Eddie, we got a Bruce, we got a Pat, we got some sleezy a patty cake being played in the backroom of a juice joint in 1950's Hollywood. Listen in as Pat and the Fat Man slowly peel the onion layers off of the greasy cheeseburger that is the amazing movie Who Framed Roger Rabbit.

Can toons and humans co-exist? Are you surprised Doom is evil? Why is this movie so awesome?All these questions, and more, are answered when we talk about Who Framed Roger Rabbit!Follow the boys on social media: Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/letstalkaboutflix⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/letstalkaboutflix/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@letstalkaboutflix⁠⁠⁠⁠⁠Support the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/talkaboutflix

A laugh can be a very powerful thing. Why, sometimes in life, it's the only weapon we have.Enjoy our podcast review of WHO FRAMED ROGER RABBIT? (1988), directed by Robert Zemeckis and starring Bob Hoskins and Christopher Lloyd! We reflect on our reaction video from a couple years back, our own relationships with humor as a coping mechanism, and we gush about how well the animation holds up to this day!Support the showPodcast theme song by Jaron Jon - https://www.instagram.com/jaron.jon/VIDEO PODCAST: https://www.youtube.com/@moviesthatchangedusREACTION CHANNEL: https://www.youtube.com/nicedudemovienightMERCH: https://nicedudemovienight.com/PATREON (early access, exclusive podcasts and polls): https://www.patreon.com/moviesthatchangedusTWITTER: https://twitter.com/nicedudemoviesINSTAGRAM: https://www.instagram.com/moviesthatchangedusBUSINESS INQUIRIES: alex@risingsunsagency.com

To kick off a month of movie choices only from Zach (and voted on by our Patreon subscribers), we're jumping headfirst into Toontown for a review of Robert Zemeckis's Who Framed Roger Rabbit. It's a one-of-a-kind blend of live-action and cartoon, set against a 1940s Hollywood backdrop, and featuring a hilarious combination of slapstick violence and hard-boiled mystery.Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodFollow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChairZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/Check out other shows from our network 'That's Not Canon'! https://thatsnotcanon.com/ Hosted on Acast. See acast.com/privacy for more information.

1988's Who Framed Roger Rabbit? For some, this movie is the light of their life, the apple of their eye, the cream in their coffee. But is there enough to love about this movie or are we dropping a piano on its head? Hosted on Acast. See acast.com/privacy for more information.

Who Framed Roger Rabbit is a timeless showcase of filmmaking wonder, an excellent combination of animation and live-action that relied heavily on craftsmanship, crazy planning, and artistic ingenuity. In a world before CGI became commonplace, the movie harnessed traditional hand-drawn animation techniques, practical effects, and carefully choreographed live-action moments. It united directors, animators, actors, and set designers, each discipline contributing an essential layer to the magic. The seamless blending of humans and cartoons required precision timing, painstaking frame-by-frame animation supervised by Richard Williams, and thoughtful performances by actors such as Bob Hoskins, who convincingly interacted with characters who weren't physically present. This dedication to craftsmanship elevated the movie into a timeless classic, a testament to what cinema could achieve when multiple creative talents collaborate harmoniously.Today, the magic behind Who Framed Roger Rabbit feels somewhat lost amidst the digital convenience of modern film production. The charm of practical effects, detailed set-building, and meticulous animation that brought Roger and Jessica Rabbit vividly to life has often been replaced by computer-generated imagery, sacrificing the unique artistry of hands-on filmmaking. The film serves as a good reminder of a time when storytelling relied not just on technology, but on the collective talents of artisans who dedicated countless hours to perfecting their craft. By returning to these roots, modern cinema could recapture the heart, imagination, and enchantment that made films like Who Framed Roger Rabbit an enduring symbol of cinematic magic.Stick around until the end for a round of Movie 20 Questions!Safe travels, nomads.

As part of another filmmaker who's signature style we get to study, we reviewed screenwriter Zak Penn's virtual reality themed movie trilogy: LAST ACTION HERO, READY PLAYER ONE and FREE GUY.   Why is the first film gone from the butt of many jokes to the perfect Hollywood insider satire? What similiarities does it share with other meta-comedies Purple Rose of Cairo, Who Framed Roger Rabbit and even UHF? And what are some of the best one-liners?   Why is the second film actually fun on its own terms despite being based on an infamously hackneyed book? What easter eggs to MINORITY REPORT does Spielberg insert? Why did most of us not see it given how bad the trailer for it was?   Why is the villain in FREE GUY so similar to other evil movie CEOs from GREMLINS 2 and ROBOCOP? And how do these films deal with themes of virtual reality effecting the hero's actual humanity?   Plug yourself in to some immersive worlds that defy any kind of reality and come game with us!       GUESTS INCLUDE: *Jon Mark *Chris Page *Ken Bates *James Avinash Jackson & Culture Shocked Podcast duo (Mike Craig & Corey Baker)!             MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/        SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222   Discord:  https://discord.com/channels/796154005914779678/796154006358851586         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass     

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz interviews Scott Ross, a pioneering figure in the visual effects industry. As the former general manager of Industrial Light and Magic (ILM), Senior VP of LucasArts Entertainment, and co-founder of Digital Domain with James Cameron and Stan Winston, Scott Ross shares insights into the evolution of visual effects, from practical models to the digital revolution. His impressive portfolio includes iconic films like Star Wars, Terminator 2, Titanic, Apollo 13, and What Dreams May Come, and in this conversation, Ross reflects on working with some of Hollywood's greatest directors and creative minds.Early Career and Entry into Visual Effects (01:59)Ross talks about his unexpected journey from studying film at Hofstra University to running ILM.The Evolution of Visual Effects (04:26)Ross offers a historical perspective on the development of visual effects, from early innovations like The Great Train Robbery and Trip to the Moon, through the stop-motion animation of King Kong, to the groundbreaking digital effects of the 1980s.Working at Industrial Light and Magic (09:19)Ross recounts his experience running ILM, explaining how he rose through the ranks despite having limited direct experience with the optical and chemical processes used before the digital era.Seminal Projects: Who Framed Roger Rabbit (15:04)Ross shares insights on his groundbreaking work on Who Framed Roger Rabbit.Collaborating with George Lucas and James Cameron (17:57)Ross offers candid reflections on working with George Lucas and his partnership with James Cameron in founding Digital Domain.Visual Effects Economics and Challenges (25:54)Ross explains why visual effects are so expensive, mainly due to the enormous personnel requirements.The Impact of AI on Visual Effects (30:36)Ross offers a balanced view of artificial intelligence as both "an incredibly wonderful technology" and a potentially frightening force that could eliminate jobs.Reflections on Iconic Films (39:09)In a rapid-fire segment, Ross shares memories of working on films like Apollo 13, Titanic, Terminator 2, and What Dreams May Come.Throughout the conversation, Ross shares his perspective as a business leader who navigated the transition from creating practical to digital effects, offering both historical context and insights about the future of filmmaking as the technology continues to evolve.We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger! Please leave us a review or connect on social media.Host: Kevin GoetzGuest: Scott RossProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment) For more information about Scott Ross:Wikipedia: https://en.wikipedia.org/wiki/Scott_Ross_(film_executive)IMDB:https://www.imdb.com/name/nm0743824/Upstart: The Digital Film Revolution (Book): https://a.co/d/iRhI0uR For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Instagram, Facebook, X, TikTok, YouTube, and Substack: @KevinG

Flashback to 1988! The world was changing in significant ways. And in the movie theaters, Americans were treated to a wonderfully inventive, original slate of films that would delight both audiences and critics. So join the Great Pop Culture Debate as we throw it back to determine the Best Film of 1988. Films discussed: Who Framed Roger Rabbit?, Gorillas in the Mist, Scrooged, Heathers, The Naked Gun, Die Hard, The Land Before Time, Rain Man, Beetlejuice, Big, Beaches, Twins, A Fish Called Wanda, Hairspray, Coming to America. Join host Eric Rezsnyak and GPCD panelists Bob Erlenback, Kate Racculia, and Michael Schwarz as they discuss 16 of the most-loved movies of 1988. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For more exclusive content, including the warm-up in which we discuss even more notable films from 1988 that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Bob Erlenback, Kate Racculia, Michael Schwarz Producer: Derek Mekita Editor: Bob Erlenback Theme Music: “Dance to My Tune” by Marc Torch #film #movies #1980s #80smovies #80sfilms #rogerrabbit #whoframedrogerrabbit #big #bigmovie #beetlejuice #beaches #rainman #heathers #thenakedgun #diehard #comingtoamerica #hairspray #afishcalledwanda Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Eric and Josh discuss: Mother's Day, 1980s nightmare fuel kids movies, Who Framed Roger Rabbit?, Schindler's List, tearjerkers, The Penguin Lessons, throwing out grabage protocol, John Travolta, Neil Breen, David Cronenberg, and more! They also mention the movies screening from Friday May 16 - Thursday May 22: The Ballad Of Wallis Island, Bonjour Tristesse, A Nice Indian Boy, Flow, Saturday Night Sinema, and Phenomena! They neglect to mention Paddington In Peru, and MIckey 17, which were booked after the recording of the podcast. Updated listings are always available at mayfairtheatre.ca

Animated Movie Draft - Ep 344: Grab your drafting paper, pencils, and every crayon you can find because on today's episode your hosts are scribbling down their thoughts and converting them to pretty pictures with an Animated Movie Draft! We go head to head to see who can pick the best films two dimensions can offer, only on Normies Like Us! @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

Ever wondered what would happen if natural disasters just stopped and the effects didn't last? Ever wondered if Spongebob actually ate a bomb? Find out on our podcast, “Where Toon Meets Reality,” a hypothetical, satirical and comedic podcast about real-life events played out like a cartoon... or if cartoons had to deal with the harsh realities of real life. Hosts Ted, Quincy, and Alyssa talk about cartoons and how the physics just don't make sense! We also flip the script, taking classic cartoon catastrophes and asking, “What if this happened in real life… and it didn't just reset in the next scene?”This podcast is for fans of pop culture, history nerds, and comedy lovers who enjoy speculative “what-if” scenarios. Think Last Week Tonight meets Who Framed Roger Rabbit?, with a splash of MythBusters. It's smart, irreverent, and wildly creative—perfect for animation fans, satirical history buffs, and anyone who's ever wished they could survive a 100-foot fall by holding up a tiny umbrella. Ted Kalogris: Director and WriterQuincy Simmons: Writer and Editor Alyssa Roldan: Producer and RecordistCover art by Alyssa RoldanDr. von Fusion AI Voice from ElevenLab

Ever wonder where the magic started for animated characters stepping into the live-action world? While it's practically a genre of its own today, one groundbreaking '80s flick truly pioneered the concept as a full-length feature film. Get ready to dive into the toon-tastic world of "Who Framed Roger Rabbit" from 1988!From the visionary minds of producer Steven Spielberg and director Robert Zemeckis, this Academy Award-winning box office sensation takes us to an alternate 1947 Hollywood where humans and 'Toons' co-exist. Our story follows a jaded human private eye reluctantly tangled in a zany conspiracy, tasked with helping a beloved animated rabbit clear his name after being framed for murder.So, hop on the back of the Red Car, hold on to your disappearing ink, and whatever you do, don't get dipped in The Dip! Join Nicholas Pepin, Laramy Wells, Bethany Wells, and your host, Tim Williams, as they pull back the curtain on this cinematic masterpiece on this episode of the 80s Flick Flashback.Here are some additional behind-the-scenes trivia we were unable to cover in this episode:Initially, there were to be seven weasels (Greasy, Sleazy, Wheezy, Smartass, Psycho, Stupid, and Slimy) to parody the seven dwarfs.Although the film's title is a question, no question mark appears in the title because this is considered bad luck in the industry.Sources:Wikipedia, IMDB, BoxOfficeMojohttps://www.cinemablend.com/movies/who-framed-roger-rabbit-behind-the-scenes-facts-about-the-moviehttps://www.mentalfloss.com/article/62910/15-things-you-might-not-know-about-who-framed-roger-rabbitSome sections were composed by ChatGPTWe'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media. Your opinions are incredibly valuable to us, and we'd be so grateful to know what you enjoyed about our show. If we missed anything or if you have any suggestions for 80s movies, we'd love to hear them too! If you're feeling extra supportive, you can even become a subscription member through "Buy Me A Coffee". For more details and other fun extensions of our podcast, check out this link. Thank you for your support!https://linktr.ee/80sFlickFlashback

What film do the Aeronauts think is the objective greatest? Does Zac know who Victorious is? Email us your questions at wordballoonspod@gmail.com

Send us a textEpisode 213 of the Hey You Guys Podcast is here, and this week, Liam and Rob look back at Robert Zemeckis' groundbreaking fantasy noir, Who Framed Roger Rabbit. Probably more influential and successful than you remember, but does it hold up? Listen in and find out via the link in the bio. 

Who's the Temu Michael Jordan? Will Eddie Winslow ever play basketball again?!? And what did we cut out of the episode? We bounce back and forth the answers to these questions and more as we watch Season 1, Episode 6 of Family Matters. Alex Diamond, David Kenny, and John McDaniel heard that the long-running network sitcom Family Matters ends with side character Steve Urkel going to space. And the best way to figure out how that happened - obviously - is to watch the last episode first and make our way backwards through nearly ten years of television.Join our countdown to number one (and our slow descent into madness) in all the places you expect internet people to be:Website: jumpingtheshuttle.spaceEmail: jumpingtheshuttle@gmail.comInstagram: @JumpingTheShuttle / @ThatAlexD / @dak577Twitter: @JumpingShuttle / @ThatAlexD / @dak577TikTok: @JumpingTheShuttle / @ThatAlexD / @dak577Brought to you by Smooth My Balls

Tom and Eden pitch a film about a politician poisoning the water supply! As well as revealing the awesome sounding origins of the film "Who Framed Roger Rabbit"

This week, we're busting out the slammer and potentially wishing we were back in it depending on who you ask, as we team up with the canary-clad copper to take down a star-studded mob in a wildly stylish and outlandishly conceived blockbuster starring a charming old man incapable of doing action scenes, that's been seemingly buried in the Disney vault in the years since. It's 1990's Dick Tracy, directed and produced by Warren Beatty, and starring Beatty, Madonna, Al Pacino, Glenne Headly, Charlie Korsmo, Mandy Patinkin, Dustin Hoffman, Seymour Cassel, William Forsythe, Charles Durning, Dick Van Dyke, Paul Sorvino, James Caan, Kathy Bates and Catherine O'Hara. Most of these stars are unrecognizeable under the monstrous makeup required to make them look like their vintage crime comic strip counterparts, but Pacino made enough of an impression with a wildly comedic take on his typical mobster persona that he netted an Oscar nom for Best Supporting Actor, losing to Joe Pesci for GoodFellas. While Beatty is at least a decade too old to be proper fit as the movie's lead, it's his ambition behind the camera that makes the movie such a curiosity all these years later, as the film is either an enchanting dreamscape filled with unsolvable How Did They Do That movie magic puzzles, or a steaming pile of neon-drenched puke depending on which of our two hosts you ask. But that's okay, as we have some heated disagreement this week that is maybe the closest we've yet come to vintage Siskel & Ebert kinda stuff. Plus: We've both been to the theater and are happy to sound off on Ryan Coogler's latest as JMo and Hayley both greatly enjoyed Sinners in the cinema, and Justin's got a bonus theatrical field report on Drop, the latest from Happy Death Day director Christopher Landon. If you'd like to watch Dick Tracy before listening along to our conversation, good luck finding a physical copy, and Disney will seemingly never stream this thing on Disney+ -- possibly for rights reasons to avoid paying anything more to Warren Beatty, or possibly because they are cowards who are ashamed of the fun movie they made. Either way, it's tough to find outside of renting it on YouTube. Other works discussed in this episode include Creed, Fruitvale Station, Black Panther: Wakanda Forever, Bram Stoker's Dracula, Puss In Boots: The Last Wish, Mad Max: Fury Road, Loki, The Accountant, The Perfect Storm, Bridge of Spies, War Horse, The Adventures of Tintin, Red Eye, Trap, Reign of Fire, Surrogates, The Expendables 2, The Last Boy Scout, Princess Mononoke, Hook, This Is The Tom Green Documentary, Cutthroat Island, Pirates of the Caribbean: Curse of the Black Pearl, G20, The Silence of the Lambs, Longlegs, Resident Orca, Avatar: The Way of Water, Blackfish, Batman ('89), Batman Returns, Batman Forever, Batman & Robin, Who Framed Roger Rabbit?, X-Men, Blade, The Shadow, The Phantom, The Rocketeer, Darkman, Speed Racer, Furiosa, Challengers and Sin City, among others. We'll be back (more than likely) next week, with another special in-theaters spectacular, as 100+ episodes after we covered the original film, it is tax season once again and we're back for more Ben Affleck and Jon Bernthal in The Accountant 2. So look for that next Friday, and until then we'll see you at the movies!!

In episode #237, hosts Dave Bossert and Aljon Go share part two of their interview with animator/art director Roger Chiasson, where they discuss the behind-the-scenes of "Who Framed Roger Rabbit," the challenges of developing projects, and the current state of animation. The hosts also answer listener emails and review the latest movies, streaming shows, and books. Roger Chiasson is a former animator at Walt Disney Animation Studios and a former animation supervisor at Yowza! Animation, which his brother Claude founded in 1996. Learn more at ⁠IMDB⁠.We are now on Patreon! Click this link to support the show -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Skull Rock Podcast | Join our crew! | Patreon. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Skull Rock Podcast is powered by Riverside.fm. Click⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and start making great podcasts today! Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theoldmillpress.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Faceboook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠|⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X/Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aljon Go (aljongo) - Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Aljon's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dining at Disney Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Sorcerer Radio - All Disney Music, All Day Long⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SRSounds.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - E-mail: aljon@skullrockpodcast.com ||⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dave Bossert (@dave_bossert) • Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Email dave@skullrockpodcast.com. For behind-the-scenes stories and articles, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠davidbossert.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Shop using our Amazon affiliate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The Skull Rock Podcast is one of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠best Disney podcasts you must follow (feedspot.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. LISTEN to Dave's ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Tunes Behind the Toons" segment on Sirius/XM's Disney Hits channel 133⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Send us a textStep into the animated world of creativity and imagination with "Who Created Roger Rabbit?" In this special episode, we sit down with the visionary author and creator of Roger Rabbit, Gary K. Wolf, to uncover the fascinating story behind the beloved character that changed animation forever. From the genesis of *Who Framed Roger Rabbit?* to the enduring legacy of Toontown, join us for an exclusive interview that dives into Gary's creative process, inspiration, and the behind-the-scenes tales that shaped a cultural phenomenon. Whether you're a long-time fan or new to the toon universe, this is a conversation you won't want to miss!Support the show►Want a question answered on iCritic Live? Send a question here and we'll answer it (if it's a reasonable question): https://streamelements.com/kevintrod/tip►Get free money just from buying gas! Download GetUpside to start making an average of $50 a day: https://upside.app.link/5TMVT►Want to invest in stocks commission-free? Use Robinhood! Sign up through this link to get a free stock: https://share.robinhood.com/kevin1823►PATREON: https://www.patreon.com/KevinTRodWebsite: http://www.icritic.netE-Mail: greatmediauniverse@gmail.comInstagram: https://www.instagram.com/icritic_official/Letterboxd: https://letterboxd.com/KevinTRod/Pinterest: https://www.pinterest.com/kevintrod/pins/Twitter: https://twitter.com/KevinTRodMy Amazon Wish List: https://www.amazon.com/registry/wishlist/22VIH93Q0H9EP/ref=cm_sw_em_r_mt_gm__wlMy Criterion Wish List: https://www.criterion.com/wishlist/392515If you would like to send me snail mail, please send all (legal) packages to:iCriticPO Box 2130Huntington Beach, CA 92647All view are protected by the First Amendment and all images and video clips used are protected under Fair Use.

This week, Brett joins Ian and Dan to laugh their way through the comedies of the 80s and 90s.  So join us for more gags, jokes and hijinks!Who Framed Roger Rabbit – 5:30Office Space – 17:00This is Spinal Tap – 39:30Crocodile Dundee –53:00Groundhog Day – 1:02:30Austin Powers – 1:16:30

WHO framed a classic Toontown star for murder? We're gonna find out tonight as we kick off Animation April with the classic live action/cartoon hybrid "Who Framed Roger Rabbit?"

Back in the saddle and blasting indiscriminately, John, Niki and LB gather their various dogs for a ruff-riding romp through a number of discussion topics, which include (but are not limited to) the mural at Johnny Rockets, the Quibi guy, watching Who Framed Roger Rabbit while standing outside of a FUBU, British people and their historical chants, The Rock and how he "ruins things," and despite our best efforts, somehow even more.Welcome to If You're Driving, Close Your Eyes, a podcast about navigating the cruelty, chaos, and wonder of our terrifying world. Niki, John, LB— and our producer Jordo— try to find meaning and clarity one or twelve subjects at a time: from the menu at Cheesecake Factory to a human man dressed up as Snoopy tucking you into bed.Who are we?: We are Niki Grayson (https://twitter.com/godsewa) (the Buster Keaton of basketball), John Warren (https://twitter.com/FloppyAdult) (business boy and wassail pervert, short), LB Hunktears (https://twitter.com/hunktears) (handsome genius, 5'8", America's Gamer), and producer Jordan Mallory (https://bsky.app/profile/jordo.bsky.social) (frog with computer). Music by Jordan Mallory and Art by Max Schwartz (https://maxds.itch.io/).Follow the show: https://www.twitter.com/ifyouredriving Support us: https://www.patreon.com/ifyouredriving Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

"I'm not bad.  I'm just drawn that way." Who Framed Roger Rabbit (1988) directed by Robert Zemeckis and starring Bob Hoskins, Charles Fleischer, Christopher Lloyd, Joanna Cassidy, Kathleen Turner and Mel Blanc Next Time: Deception 1946

We talk to Mike Quinn - Puppeteer, Actor, Director, Animator and Nien Nunb in the Star Wars Movies. Equipped with a relentless passion and drive, it was without doubt that the young Mike Quinn was always going to be a Puppeteer, there was nothing else he ever wanted to do. After showcasing his skills to the legendary Jim Henson it would set him on a path working on some of the most iconic movies of the 1980s and beyond. From The Muppet Movies, through Labyrinth, The Dark Crystal, Who Framed Roger Rabbit and most recently Beetlejuice Beetlejuice, Mike Quinn has been and continues to be a invaluable asset to so many parts of movie magic. Special thanks to Affinity Photo - The hottest photo editing software on iPad, Mac & PChttps://affinity.serif.com/photoIntro Music by Johnny Monacohttps://www.johnnymonaco.com Incidental Music by Night Fires Please visit The 80s Video Shop Patreon Page to find out how you can help grow our very own 80s Video Shop. https://www.patreon.com/80sVideoShop

Welcome to the Pee Wee's Big Adventure After Party show!  Here's all the stuff Joe and Steve deleted from the original show to make it a LITTLE bit shorter! Ideas for upcoming shows - Who Framed Roger Rabbit? Crime Pantheon? A future bracket with Steve? The Wizard of Ozverse and Joe's thoughts on Wicked "In the Zone" provided by: Wavtracks Music PO Box 56 Sylvania, 2224 NSW Australia

This week, Alanah and Mike start out by talking about the lay-offs across WB Games, then jump into talking about Microsoft's newly announced AI "Muse", and then we - finally - get Alanah's thoughts on Who Framed Roger Rabbit.

Nate sits for a chat with Master puppeteer and Animatronic Designer, Dave Barclay to chat about his new autobiography, My Life With Animatronics. Movies, Puppets and Beyond. They discuss Dave's childhood growing up in England, his parents's puppetry group, his desire to get into film and special effects makeup, Yoda and bridging puppetry and animatronics, how Mark Hamill got him into the film industry, the gravity of working on Empire Strikes Back, joining the Henson Company on The Dark Crystal, performing Jabba the Hutt in Return of the Jedi, practical vs. CG, Who Framed Roger Rabbit?, collaboration, the Labyrinth sequel and the legacy of the original, the Outabody rig, the memoir, unsung heroes, Mauldrix, and working on the Secret Life of Pets ride at Universal. Then, Dave tries his hand in The Jawntlet! Dave Barclay website Dave Barclay IMDb Dave Barclay Vimeo Purchase My Life With Animatronics (via Coolwaters Productions)⁠Subscribe to the Y!TMJ Newsletter!

Hello Friends of the Most Excellent 80s Movies Podcast! We are taking a short break between seasons during February and March. In the meantime please enjoy these REBROADCAST episodes, some favorites of ours, to tide you over until we return on Wednesday April 9th with new episodes!Join hosts Krissy Lenz, Nathan Blackwell and special guest Nate McWhortor (Gank that Drank: A Supernatural Drinking Game Podcast) as they journey down the rabbit hole of 1988's groundbreaking live-action/animated smash hit Who Framed Roger Rabbit. In this fun and insightful episode, we look at:The stunning visual effects that seamlessly blended live action and animation like never before, paving the way for modern CGIHow Robert Zemeckis brought together Disney and Warner Bros. characters on screen for the first time, an almost unthinkable crossover at the timeJessica Rabbit as a male fantasy icon but also a surprisingly nuanced female character who defies expectationsThe core theme of laughter as a unifying force contrasted with the humorless villainsThe not-so-subtle satire of Los Angeles development and transportationHow well the film holds up today as an introduction to noir for kids and familiesKrissy, Nate, and Nathan also share their personal memories of seeing Who Framed Roger Rabbit for the first time, get into the deeper themes, and analyze what still works and what doesn't all these years later. It's a spirited back-and-forth between two movie lovers taking a fond look back at a comedy classic.Other topics discussed:The rapid-fire opening cartoon sequence introducing Roger RabbitThe groundbreaking interaction of cartoons and humans at the Ink & Paint ClubThe horrifying introduction of Christopher Lloyd's Judge Doom and his deadly "Dip"The scene-stealing performance of Bob Hoskins as Eddie ValiantThe chase scenes and vintage Los Angeles settingsThe mystery plot and film noir tropesHow the plot wraps up rather quickly in the endComparing Who Framed Roger Rabbit to Cool World and Space JamSo put on your best Eddie Valiant fedora and give a listen to Krissy, Nate and Nathan pay tribute to this outrageous live action/animated mashup that brought new levels of visual wizardry to the big screen. It's a spirited and enlightening dive into a comedy classic that still delights today. --We couldn't do this without your support of The Most Excellent 80s Movies Podcast! Thank you!Join now for: $5/Month • $55/year • Learn More

Send us a textEpisode 530"Blade Runner", "Who Framed Roger Rabbit" and "Uppercut" Actor: Joanna CassidyThe timeless Joanna Cassidy joins me to talk "Blade Runner", her character Zhora and that iconic scene, working with a variety of directors and her new Film,  "Uppercut"#bladerunner #bladerunner2049 #bladerunneredit #whoframedrogerrabbit #80smovies #podcast #interview #fyp Reach out to Darek Thomas and Monday Morning Critic!www.mmcpodcast.comInstagram:   / mondaymorningcritic  Facebook:   / mondaymorningcritic  TikTok:   / mondaymorningcritic  Mondaymorningcritic@gmail.com

DigitalFoundry's John Linneman joins Brandon Sheffield once again to delve into their video game collections, and contemplate liquid-cooled 3DOs, India-exclusive PS2 games, and the sensation of removing $300 worth of cellophane. Hosted by Brandon Sheffield, with John Linnemann. Edited by Esper Quinn, original music by Kurt Feldman. SHOW NOTES: 1: Tomak: Save the Earth Again (02:44) GP32 Tomak: Save the Earth PC Genjin 2: Pyramid Intruder (06:32) Mega LD LaserDisc 3DO The Hive Scavenger 4 FM Towns Marty Silpheed Sega CD 3: Congo: The Movie: The Lost City of Zinj (11:56) Congo Jurassic Park Michael Crichton Sega Saturn John Romero's Daikatana 4: Thexder (15:14) IBM 8086 Nintendo Entertainment System Grandia: Digital Museum 5: First Kiss Monogatari (19:34) PC-FX Battle Heat! Cutie Honey Tokimeki Memorial PC Engine Psycho-Chaser Zero Divide Phalanx HuneX 6: Galactic Pinball (22:16) Virtual Boy TechnoWarriors (1998) Super Metroid MultiBoy VB Multicart 7: Screamin' Mad George's Paranoiascape (27:43) Keita Amemiya Zeiram (1991) Mechanical Violator Hakaider (1995) Nanatsu Kaze no Shima Monogatari Masaya Matsuura PaRappa the Rapper Metamour Jupiter Shigesato Itoi 8: Darius II (31:43) Taito Memories PlayStation 2 9: Pup-Breeder (34:32) 10: Tryrush Deppy (37:43) Who Framed Roger Rabbit? (1988) Croc! Pau-Pau Island Blast Wind 11: Ginga Ojōsama Densetsu Yuna (41:46) Ginga Ojōsama Densetsu Yuna 2: Eien no Princess Ginga Ojōsama Densetsu Yuna 3: Lightning Angel Ginga Ojōsama Densetsu Yuna FX: Kanashimi no Sirene Ginga Ojōsama Densetsu Yuna Remix UltraBox Atari Jaguar 12: Skyhammer (47:15) Descent Blade Runner (1982) G-Police Sniper Elite Alien Vs Predator Tempest Doom Black ICE White Noise EJagFest Amiga 13: Colors (55:13) Gizmondo Alien Hominid Sticky Balls 14: Phase Paradox (59:27) Philosoma Until Dawn Chris Redfield J League games Dino Crisis II Dino Crisis 15: Hanuman: Boy Warrior (01:04:28) PlayStation Portable Chandragupta: Warrior Prince RaOne: The Game RaOne (2011) Don 2 the Game Power Stone Tron (1982) 16: MTV's Beavis and Butt-Head in Virtual Stupidity (01:07:56) Way of the Warrior Gate of Thunder 17: Asuka 120% Special: BURNING Fest. (01:11:57) Asuka 120% Final: BURNING Fest. Asuka 120% Return: BURNING Fest. Mad Stalker: Full Metal Force Sega Genesis 18: ActRaiser 2 (01:15:33) Auto Modellista 19: Manic Game Girl (01:18:51) Parasite Eve The Saboteur Apex Axel Impact/DT Racer 20: Chiki Chiki Boys (01:22:02) Chelnov: Atomic Runner Quarantine Return Fire: Maps O' Death Command & Conquer TV Sports series Arzette: The Jewel of Faramore This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

DigitalFoundry's John Linneman joins Brandon Sheffield once again to delve into their video game collections, and contemplate liquid-cooled 3DOs, India-exclusive PS2 games, and the sensation of removing $300 worth of cellophane. Hosted by Brandon Sheffield, with John Linnemann. Edited by Esper Quinn, original music by Kurt Feldman. SHOW NOTES: 1: Tomak: Save the Earth Again (02:44) GP32 Tomak: Save the Earth PC Genjin 2: Pyramid Intruder (06:32) Mega LD LaserDisc 3DO The Hive Scavenger 4 FM Towns Marty Silpheed Sega CD 3: Congo: The Movie: The Lost City of Zinj (11:56) Congo Jurassic Park Michael Crichton Sega Saturn John Romero's Daikatana 4: Thexder (15:14) IBM 8086 Nintendo Entertainment System Grandia: Digital Museum 5: First Kiss Monogatari (19:34) PC-FX Battle Heat! Cutie Honey Tokimeki Memorial PC Engine Psycho-Chaser Zero Divide Phalanx HuneX 6: Galactic Pinball (22:16) Virtual Boy TechnoWarriors (1998) Super Metroid MultiBoy VB Multicart 7: Screamin' Mad George's Paranoiascape (27:43) Keita Amemiya Zeiram (1991) Mechanical Violator Hakaider (1995) Nanatsu Kaze no Shima Monogatari Masaya Matsuura PaRappa the Rapper Metamour Jupiter Shigesato Itoi 8: Darius II (31:43) Taito Memories PlayStation 2 9: Pup-Breeder (34:32) 10: Tryrush Deppy (37:43) Who Framed Roger Rabbit? (1988) Croc! Pau-Pau Island Blast Wind 11: Ginga Ojōsama Densetsu Yuna (41:46) Ginga Ojōsama Densetsu Yuna 2: Eien no Princess Ginga Ojōsama Densetsu Yuna 3: Lightning Angel Ginga Ojōsama Densetsu Yuna FX: Kanashimi no Sirene Ginga Ojōsama Densetsu Yuna Remix UltraBox Atari Jaguar 12: Skyhammer (47:15) Descent Blade Runner (1982) G-Police Sniper Elite Alien Vs Predator Tempest Doom Black ICE White Noise EJagFest Amiga 13: Colors (55:13) Gizmondo Alien Hominid Sticky Balls 14: Phase Paradox (59:27) Philosoma Until Dawn Chris Redfield J League games Dino Crisis II Dino Crisis 15: Hanuman: Boy Warrior (01:04:28) PlayStation Portable Chandragupta: Warrior Prince RaOne: The Game RaOne (2011) Don 2 the Game Power Stone Tron (1982) 16: MTV's Beavis and Butt-Head in Virtual Stupidity (01:07:56) Way of the Warrior Gate of Thunder 17: Asuka 120% Special: BURNING Fest. (01:11:57) Asuka 120% Final: BURNING Fest. Asuka 120% Return: BURNING Fest. Mad Stalker: Full Metal Force Sega Genesis 18: ActRaiser 2 (01:15:33) Auto Modellista 19: Manic Game Girl (01:18:51) Parasite Eve The Saboteur Apex Axel Impact/DT Racer 20: Chiki Chiki Boys (01:22:02) Chelnov: Atomic Runner Quarantine Return Fire: Maps O' Death Command & Conquer TV Sports series Arzette: The Jewel of Faramore This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

Marvin Acme is dead...his will is missing...Toontown's fate hangs in the balance!  There's only one question to answer...Who Framed Roger Rabbit?  Join me as we discuss how the game was made, the history behind the film on which the game is based on, and whether it's still worth your time to save the denizens of Toontown from certain Doom, even today. Join the discussion on Discord! Want more Classic Gaming Today?  Sign up as a patron at Patreon.com/ClassicGamingToday!

On the 434th episode of Piecing It Together, we are LIVE from Maya Cinemas in Las Vegas with guests Faith Nault, Jorge Lara and Kristopher West to talk about Captain America: Brave New World. The latest entry in the Marvel Cinematic Universe doesn't exactly move things forward like fans had hoped, but we had a good time with it anyway. Puzzle pieces include The Manchurian Candidate, Bond movies, Who Framed Roger Rabbit and a bunch of X-Men movies that we have trouble distinguishing between.As always, SPOILER ALERT for Captain America: Brave New World and the movies we discuss!Written by Rob EdwardsDirected by Julius OnahStarring Anthony Mackie, Harrison Ford, Danny Ramirez, Shira Haas, Tim Blake Nelson, Giancarlo EspositoMarvelhttps://www.marvel.com/movies/captain-america-brave-new-worldFaith Nault is an award winning short film director, writer, and sound designer. She recently graduated magma cum laude from UNLV with a film degree and continues to work freelance in film/television. Check out Faith's work at https://linktr.ee/faithnaultFollow Faith on Instagram @strongfaith1Jorge Lara is a photographer and is the editor in chief of VIM Magazine.Check out VIM Mag at https://www.vimmag.com/Check out Jorge on Instagram @worldofjorgelaraKristopher West is a podcaster and filmmaker. He co-hosts the Reel Sick Podcast and Spiral Out Podcast.Check out the Reel Sick Podcast at https://www.reelsickpodcast.com/Check out the Spiral Out Podcast at https://www.spiraloutpodcast.com/Check out his latest film Apoptosis on YouTube at https://www.youtube.com/watch?v=BqfuLz4IlSMAnd Follow Reel Sick Podcast on Instagram @reelsickpodcastMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at

The free movie gods have blessed us this week with one of the podcast's most beloved childhood movies Who Framed Roger Rabbit, about a lovesick animated rabbit who is framed for murder.Emily Fleming is on cameo now!Matt Lieb and his wife will be doing comedy at the Ice House in Pasadena on Wednesday February 19th, at 7:30pm!Jordan has a story in an issue of Marvel Comics Spiderman, it's called Web Of Spiderverse which comes out on March 5th and you can pre-order it RIGHT HERE! So do it!Also, Jordan contributed to Godzilla vs LA, a comic book anthology which comes out April 30th and all the proceeds will go to those affected by the LA fires. If you can't figure out how to get the comics, Jordan is offering tech support. Email us freewithads@maximumfun.org for Jordan to help you!Jordan will be at Arsenal Comics on March 5th signing comics, then March 9th Golden Apple Comics in Hollywood, and March 15th at Cape and Cowl Comics in Oakland.Finally, PLEASE BUY OUR MERCH HERE!

In this MEGA EPISODE (pew pew pew) Will & Jace talk about Frasier tutoring Kirby to help Lana (not Lorna) to win a date with Claire!  Also, Jace looked up some boxing history, and Will can't believe Jace hasn't seen Who Framed Roger Rabbit!  *Our friend and Frasier expert Katy Garretson was going to join us for an interview about this episode, but has been dealing with the horrible wild fires in Los Angeles, so she will be joining us as soon as things calm down.  For bonus content and early access to episodes, join our Patreon: www.patreon.com/willandjaceWill & Jace Merchandise is now available at: http://tee.pub/lic/willandjace