Podcasts about laius

An in-depth conversation with Queer Psychologist Dr. Jason Durant about his new book "The Boy from the North Country", and all about using mindfulness when dealing with trauma. PLUS! We have new music from LGBTQ artists: Adelide, Come to Mine, Damien Nova feat. Durand Bernarr, Kyle Motsinger, Laius, Lola Wild, The Ellis Court, TONIE, and Tora Woloshin. ⚡️CONNECT WITH THE Q⚡️ Website: ⁠⁠⁠⁠https://www.curatedbyq.com⁠⁠⁠⁠ ⚡️FB/Instagram/TikTok @theqreviews ⚡️YouTube.com/@QCreativeNetwork⚡️Apparel Shop https://qreview.threadless.com ⚡️Theme Music provided and performed by UK DJ and producer Hectic @hectictracks on Instagram⚡️

"Oedipus Rex" (Ancient Greek: Οἰδίπους Τύραννος, Oidipous Tyrannos), also known as "Oedipus the King" or "Oedipus the Tyrant," is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as "Oedipus, King of Thebes"). It was the second in order of Sophocles's composition of his three plays dealing with Oedipus. Thematically, however, it was the first in the trilogy's historical chronology, followed by Oedipus at Colonus and then Antigone. "Oedipus the King" tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall (as opposed to making fate the sole cause). Over the centuries, "Oedipus Rex" has come to be regarded by many as the Greek tragedy par excellence. (Adapted from Wikipedia.)Translated by Gilbert Murray.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"Oedipus Rex" (Ancient Greek: Οἰδίπους Τύραννος, Oidipous Tyrannos), also known as "Oedipus the King" or "Oedipus the Tyrant," is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as "Oedipus, King of Thebes"). It was the second in order of Sophocles's composition of his three plays dealing with Oedipus. Thematically, however, it was the first in the trilogy's historical chronology, followed by Oedipus at Colonus and then Antigone. "Oedipus the King" tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall (as opposed to making fate the sole cause). Over the centuries, "Oedipus Rex" has come to be regarded by many as the Greek tragedy par excellence. (Adapted from Wikipedia.)Translated by Gilbert Murray.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“I talk about The Sexual Covert Incest, The Sexual Jocasta Complex, Sexual Laius Complex, Sexual Parentification, Sexual Phaedra Complex, The Sexual Oedipus Complex, and The Sexual Electra Complex.” -Antonio Myers. --- Support this podcast: https://podcasters.spotify.com/pod/show/antonio-myers4/support

Sophocles' play Oedipus Rex begins with a warning: the murderer of the old king of Thebes, Laius, has never been identified or caught, and he's still at large in the city. Oedipus is the current king of Thebes, and he sets out to solve the crime. His investigations lead to a devastating conclusion. Not only is Oedipus himself the killer, but Laius was his father, and Laius' wife Jocasta, who Oedipus has married, is his mother. Oedipus Rex was composed during the golden age of Athens, in the 5th century BC. Sophocles probably wrote it to explore the dynamics of power in an undemocratic society. It has unsettled audiences from the very start: it is the only one of Sophocles' plays that didn't win first prize at Athens' annual drama festival. But it's had exceptionally good write-ups from the critics: Aristotle called it the greatest example of the dramatic arts. Freud believed it laid bare the deepest structures of human desire. With: Nick Lowe, Reader in Classical Literature at Royal Holloway, University of London Fiona Macintosh, Professor of Classical Reception and Fellow of St Hilda's College at the University of Oxford Edith Hall, Professor of Classics at Durham University

Sophocles' play Oedipus Rex begins with a warning: the murderer of the old king of Thebes, Laius, has never been identified or caught, and he's still at large in the city. Oedipus is the current king of Thebes, and he sets out to solve the crime. His investigations lead to a devastating conclusion. Not only is Oedipus himself the killer, but Laius was his father, and Laius' wife Jocasta, who Oedipus has married, is his mother. Oedipus Rex was composed during the golden age of Athens, in the 5th century BC. Sophocles probably wrote it to explore the dynamics of power in an undemocratic society. It has unsettled audiences from the very start: it is the only one of Sophocles' plays that didn't win first prize at Athens' annual drama festival. But it's had exceptionally good write-ups from the critics: Aristotle called it the greatest example of the dramatic arts. Freud believed it laid bare the deepest structures of human desire. With: Nick Lowe, Reader in Classical Literature at Royal Holloway, University of London Fiona Macintosh, Professor of Classical Reception and Fellow of St Hilda's College at the University of Oxford Edith Hall, Professor of Classics at Durham University

Why was Thebes the way it was? Why was the Sphinx sent there, and was it Laius' fault? We're looking at all the Sphinxian background to Oedipus Tyrannos. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Oedipus Tyrannos as retold in the past three episodes; Early Greek Myths by Timothy Gantz; Theoi.com entries on The Sphinx and Chrysippus. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Oedipus defends himself against the accusations, but there's much more to the death of Laius than he understands... Plus, gods so many prophecies! Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Short excerpt from Homer's Odyssey, translated by Samuel Butler; Oedipus Tyrannos (sometimes called Oedipus Rex or Oedipus the King): short quotes are from the translation by Frank Nisetich, passages quoted from Richard Jebb translation. Other editions/translations referred to: David Mulroy, and Robert Fagles. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

“According to New Testament scholar Frank Stagg and classicist Evelyn Stagg,[1] the synoptic Gospels of the canonical New Testament contain a relatively high number of references to women. Evangelical Bible scholar Gilbert Bilezikian agrees, especially by comparison with literary works of the same epoch.[2]: p.82 Neither the Staggs nor Bilezikian find any recorded instance where Jesus disgraces, belittles, reproaches, or stereotypes a woman. These writers claim that examples of the manner of Jesus are instructive for inferring his attitudes toward women and show repeatedly how he liberated and affirmed women.[1] Starr writes that of all founders of religions and religious sects, Jesus stands alone as the one who did not discriminate in some way against women. By word or deed, he never encouraged the disparagement of a woman.[3] Based on the account of Jesus' interaction with a Syrophoenician woman in Mark 7:24-30 and Matthew 15:21-28, Karen King concludes that "an unnamed Gentile woman taught Jesus that the ministry of God is not limited to particular groups and persons, but belongs to all who have faith."[4] “In psychoanalytic theory, the Jocasta complex is the incestuous sexual desire of a mother towards her son.[1] Raymond de Saussure introduced the term in 1920 by way of analogy to its logical converse in psychoanalysis, the Oedipus complex, and it may be used to cover different degrees of attachment,[2] including domineering but asexual mother loves – something perhaps particularly prevalent with an absent father. The Jocasta complex is named for Jocasta, a Greek queen who unwittingly married her son, Oedipus. The Jocasta complex is similar to the Oedipus complex, in which a child has sexual desire toward their parent(s). The term is a bit of an extrapolation since in the original story Oedipus and Jocasta were unaware that they were mother and son when they married. The usage in modern contexts involves a son with full knowledge of who his mother is. Theodor Reik saw the "Jocasta mother", with an unfulfilled adult relationship of her own and an over-concern for her child instead, as a prime source of neurosis.[3] George Devereux went further, arguing that the child's Oedipal complex was itself triggered by a pre-existing parental complex (Jocasta/Laius).[4] Eric Berne also explored the other (parental) side of the Oedipus complex, pointing to related family dramas such as "mother sleeping with daughter's boyfriend ... when the mother has no son to play Jocasta with".[5] With her feminist articulation of the Jocasta Complex[6] and Laius complex[7] Bracha L. Ettinger criticizes the classical psychoanalytic perception of Jocasta, of the maternal, the feminine, and the Oedipal/castration model in relation to the mother-child links. Atossa, in the Greek tragedy The Persians, has been seen as struggling in her dreams with a Jocasta complex.[8] Some American folk tales, like Jocasta, often feature figures expressing a maternal desire for their sons.[9]” According to The Bible, Jesus' cousin John was beheaded to death and put in prison, Herod committed incestuous marriage with his brother's wife, Herod was seduced by a striptease by Herodias' daughter, and Herod wanted infant Jesus to be a fatality via infanticide. That's Biblical organized crime. Judas was a rat and snitch according to organized crime figures. --- Send in a voice message: https://anchor.fm/antonio-myers4/message Support this podcast: https://anchor.fm/antonio-myers4/support

What about Thebes? When thinking of the ancient Greek world, Athens and Sparta are the cities that jump to mind. Of Course the birth of Democracy and the Elite Warrior society capture the imagination right away. Perhaps after that, with the help of capitals and Hannibal's elephants, one might conjure Corinth or Carthage... but Poor little Thebes, so instrumental in history and mythology, often gets overlooked. In fact, when it comes to mythical origin legends, Thebes is rivaled only by Troy itself.  It was in Thebes that Cadmus, one of the very first Greek Heroes, founded the citadel Cadmea and there sown the seeds of the Spartoi or "Sown Men", the origin of the Theban nobility.It was in Thebes young Dionysus was sewn into his father’s godly thigh after he had accidentally blown up poor the mother, Semele, into smithereens after jealous Hera tricked Zeus’s young lover into demanding the king of gods show his full - lightning bolt - glory.  It was in Thebes that the seven gated wall was built by Amphion and his brother Zethus. It was in Thebes the tale of Laius, whose misdeeds culminated in the tragedy of Oedipus and the wars of the Seven against Thebes, took place. Outside the city walls, the path where Antigone dragged the dead body of her brother was a popular ancient tourist attraction.  And of course it was in Thebes that Heracles, arguably the most famous of all the Greek heroes was born and raised. But it is not only for the incredibly rich and extensive myths that Thebes deserves our attention. Its historical relevance can not be understated; at one point Thebes was the most powerful city in ancient Greece. This peak culminated in 371 BC when the Thebans enjoyed a remarkable victory against Sparta - all due to the Sacred Band of Thebes. But who were these ancient warriors? What role did they play in Theban history... and maybe more importantly, what did the discovery of the burial site of the sacred band reveal about Thebes, its role in ancient politics as well as ancient Greek culture? This June 8th, you can find out. James Romm, chair of Classics at Bard College and author of "The Sacred Band", discusses Sex, Soldiers and Thebes with Cambridge Professor and author of “Thebes: The Forgotten City of Ancient Greece”, Paul Cartledge, and Columbia Professor, Helene Foley. Join this fascinating conversation (including Q&A), hosted by Classical Wisdom, on Tuesday, June 8th, 2021 at noon EDT (That’s NY Time)  to discover the history of Thebes, the evolution of male eros and the essential role of the Sacred Band in fighting for Greek democracy. Simply to go to https://classicalwisdom.com/sex-soldiers-thebes/ to learn how you can watch and participate in this live event for free. 

In this episode, Marisa interviews emerging artist in the film industry, Pablo De la Fuente. Pablo talks about the process of creating Laius, a film collaboration with friend Diego Ramírez. He also chats about co-hosting the podcast Macondo Filmmaking, taking on a new role as an assistant at New Cadence Productions, and his favorite aspects about the film industry. Pablo even touches on the importance of creating better representations of Latinos on screen and finding more ways to share their stories in the media.Follow Pablo @pablodlfpCheck out the trailer for Laius athttps://vimeo.com/441013306Check out Macondo Filmmaking on Spotify https://open.spotify.com/show/6n11ogaqZ3xIvddPCWNaZK?si=f-jxSprbTbmxxqhT7uZY7wor watch the interviews on YouTube https://www.youtube.com/channel/UCiSNvgORbEMCsRLR8xTm4aw/videosCheck out Pablo's work on his YouTube channel https://www.youtube.com/channel/UCntPcRsjdst-msC6Dm5QUbA

"Rock star classicist" and reformed stand-up Natalie Haynes is obsessed with the ancient world. In these series she explores (historical and mythological) lives from ancient Rome and Greece that still have resonance today. They are hilarious and tragic, mystifying, revelatory. And they always tell us more about ourselves now than seems possible of stories from a couple of thousand years ago. Today Natalie stands up for Jocasta, whose second marriage was to Oedipus. Now for some spoilers if you're thinking of watching or reading Sophocles' play Oedipus Tyrannus. After some years of happy marriage and four children, Jocasta discovers that Oedipus is, in fact, her son, and the murderer of her first husband (his father) Laius. Jocasta only has a few lines in the famous play, but we learn a remarkable amount about her character. She is smarter than her husband, quicker to understand what's happening and its implications. She is courageous. And she is quicker to act. The story - in all its forms - is still spellbindingly shocking today. With Professor Edith Hall. Produced by Mary Ward-Lowery for BBC Audio in Bristol

At the Midnight Hour on Mother's Day, Seava shares the Legacy of Laius, the missing play of the Oedipus Cycle, songs from the Choose Heaven Album, readings from Meredith Quinn's the Great Matriarch and a journal from the wild and wooly days of NOMAD'S AID PEACE TREK from 2003 and more... A MOTHER'S DAY PRAYER POEM, A LIVE PERFORMANCE ART HAPPENING...A Late Night MENDING THE HOOP Meditation. If you happen to be awake and want to share your heart song, phone: 914-205-5803...   HAPPENING LIVE FROM HOME NOW GARDEN. A ONE SHOT WONDER PRODUCTION...WALAWANKANTANKA RADIO...YES, SHE REALLY JUST SAID THAT...DANG...LOL

Kennel Kelp Holistic Healing Hour Whats The American Dream Look Like Now? Oedipus vs Willie LomanWhat was the American Dream For You? How has It Changed Now IN 2021 What is Your American Dream? When I was a kid in the fifties & sixties, it was aspiring to owning a home, and preserving, clean drinking water, clean food, and owning my own business. Even in a pandemic, and even as thousands, maybe even hundreds of thousands of businesses will not survive over the next year PLUS, the Census Bureau says there have been 3.2 million requests for employer identification numbers, which is what a business needs to get started. Compare that to 2.7 million in the same period in 2019.The term "American Dream" was apparently invented in 1931 by historian James Truslow Adams; he was referring to "That dream of a land in which life should be better and richer and fuller for every man, with opportunity for each according to his ability or achievement."Sophocles vs Arthur Miller+Oedipus the King is Greek tragedy by Sophocles and was first performed 429 BC whereas Death of a Salesman 1949 is a problem play by Arthur Miller. The two plays can compare in a number of ways despite being written in different historical times. Despite the fact that Oedipus is not formally divided into scenes and acts it clearly occurs in six phases, with transition between episodes marked by an ode sung by the chorus or stasimon while Miller’s play is divided into two acts, with a requiem at the end.the American dream is one of the main themes that come forth in Millar’s play. Willy is an average Joe; just like everyone else, he has to pay mortgages and all other necessities we all pay for, and in the pressure not being able to pay for it he adds it his oldest son, Biff. At first, Oedipus is searching for the truth behind Laius’ murder, but ends up looking for his own identity. Willy is after his American dream, which is wealth by esteem from others, but ends up trying to force success into his sons since he realizes he’s a failure with no legacy. CITED ESSAYS.COM Now what is The American Dream? No Not Dusty Rhodes! American Way The Water Consciousness Movement https://www.facebook.com/groups/thewaterconsciousnessmovement/?multi_permalinks=1586136995109065¬if_id=1612479369330928¬if_t=group_highlights&ref=notif https://tourmalinespring.com/?rfsn=3081786.b5dc92 American Constitution- Life, Liberty, and pursuit of Human Happiness, with Equal Protection under the Law for All. Whats YourView Turn Key Business Opportunity -https://bhsales.myctfo.com/boost.html --- Send in a voice message: https://anchor.fm/bhsales/message

Commençons par “faire un laius” qui signifie faire un discours creux ou tenir des propos dont la longueur, le ton et la banalité sont ennuyeux pour l'auditoire. Il s'agit donc d'une formule clairement péjorative... See acast.com/privacy for privacy and opt-out information.

Show Notes This week, we recap, review, and analyze Mobile Suit Zeta Gundam (機動戦士Ζガンダム) episode 5 “Father and Son” (父と子と), discuss our first impressions, and provide commentary and research on parenting in Japan in the 1970s and 80s, a Cat Stevens song, angry ghosts, and posessed crabs. - Articles on parenting, that give some historical insight and analysis of more recent attitudes and trends:Holloway, Susan & Nagase, Ayumi. (2014). Child Rearing in Japan. 10.1007/978-94-007-7503-9_6. The Japanese Family, Anne E. lmamura For Video Letter from Japan II: A Young Family. Asia Society (1990): 7-17.- Youtube link for the Cat Stevens song "Father and Son" with original music video.- Wikipedia page for the Cat Stevens song "Father and Son," and for the Japan-exclusive live album "Saturnight," which came out in 1974.- Articles about ghosts in Japanese tradition generally: Yurei: Japanese Ghosts, Yūrei: the Ghosts of Japan, Ghosts on the shore, Ghosts, Demons and Spirits in Japanese Lore, and Ghosts in Ancient Japan.- Funerary practices in American communities of Japanese descent.- Modern changes to the funerary practices. - Wikipedia pages on Japanese funerals, Yūrei (ghosts), and Onryō (vengeful spirits).- Two stories about the crab ghosts, and a photograph of one of the crabs (see if you can spot the face-like markings!). - Two versions of the Story of Hoichi.- Other stories about the Taira ghosts that didn't make it into the podcast:Ghosts of the Taira: The Relationship Between The Wars of The Gempei and the Warrior Ghost Noh Dramas Haunted at Sea: The Tale of Yoshitsune and the Taira Ghosts- Stories of Kronos/Cronus/Saturn and Ouranous/Uranus/Caelus.- The music from the memorial is:Caribdis by @nop (c) copyright 2016 Licensed under a Creative Commons Attribution (3.0) license.Brave New World by RavenWing (c) copyright 2014 Licensed under a Creative Commons Attribution (3.0) license. You can subscribe to the Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, follow us on twitter @gundampodcast, check us out at gundampodcast.com, email your questions, comments, and complaints to gundampodcast@gmail.com.Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photo and video, MSB gear, and much more!The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 license. Both have been edited for length. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.comFind out more at http://gundampodcast.com

In this lecture, we consider (a) Oedipus' slowly dawning revelation that the man who killed Laius was he; (b) that Polybus and Merope whom he believed his parents are not, and (c) that he may have brought the corruption of Thebes about himself if only the herdman who was the man who witnessed Laius' murder says so. --- Send in a voice message: https://anchor.fm/alexander-schmid9/message Support this podcast: https://anchor.fm/alexander-schmid9/support

Sparky Sweets PhD is leavin the crib as he counts down the worst baby mammas and daddies in literature. Find out which parents are not worth taking to court with Thug Notes: Get Lit.   Thug Notes: GET LIT features literary OG Sparky Sweets PhD, your street-smart guide through the best stuff ever written. In each episode, he counts down the greatest works in the lit game with a fresh perspective – blending top-shelf literature with street certified insights.

Listen to my podcast on Delphi: Episode #19: The Oracle at Delphi CROSSROADS OF THEBES On the way to Delphi today we stopped at the place where Oedipus and Laius met on the road.  It was amazing to stand where such an important event in mythology occurred. Here is my Achilles helping me write a […]

Listen to my podcast on Delphi: Episode #19: The Oracle at Delphi CROSSROADS OF THEBES On the way to Delphi today we stopped at the place where Oedipus and Laius met on the road.  It was amazing to stand where such an important event in mythology occurred. Here is my Achilles helping me write a […]

Incest, fratricide and patricideare central to the Theban myths explored in Athenian tragedy, particularly Sophocles’ Oedipus the King. Written during a plague at Athens, the play opens with plague at Thebes, which as Oedipus discovers, has been caused by his own unwitting murder of his father, Laius; he then marries and fathers children with his mother, Jocasta. This lecture explores the importance of the Oedipus myth at Athens; how it fits into the self-destructive and deviant myths which Athenian tragedy sets at Thebes, and how it still resonates for us, particularly after Freud wrote of it andused Oedipus’ quest for self-knowledge as an analogy for psychoanalysis. Copyright 2013 Rhiannon Evans / La Trobe University, all rights reserved. Contact for permissions.

Incest, fratricide and patricideare central to the Theban myths explored in Athenian tragedy, particularly Sophocles’ Oedipus the King. Written during a plague at Athens, the play opens with plague at Thebes, which as Oedipus discovers, has been caused by his own unwitting murder of his father, Laius; he then marries and fathers children with his mother, Jocasta. This lecture explores the importance of the Oedipus myth at Athens; how it fits into the self-destructive and deviant myths which Athenian tragedy sets at Thebes, and how it still resonates for us, particularly after Freud wrote of it andused Oedipus’ quest for self-knowledge as an analogy for psychoanalysis. Copyright 2013 Rhiannon Evans / La Trobe University, all rights reserved. Contact for permissions.