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"Dockery Farms is said to be the place where the Delta Blues began. That is a bold statement but once you hear the research I have gathered it will be hard to argue. Robert Johnson did not sell his soul for great musical talent. He went to Dockery Farms which is still open today and welcoming visitors."
"If you have an extra 12495 dollars lying around then you can be a roadie for Gene Simmons on his solo tour. We will discuss what you must do and if the money is worth it. We will also talk about the average monies paid to real roadies."
"First you need to know there are no swear words in this show. It was this week back in the 60s when the FBI released a letter stating that there were no curse words in the song Louie Louie. But people keep looking. This is a list of songs that were banned or otherwise maligned because someone was sure the singer was cursing. But there was no curse word. It is a long list."
"This week back in 2007 Sammy Hagar sold an 80 percent stake in his Cabo Wabo tequila for $80 million. Since then it seems every musician or band has their own line of booze. Here is a good long list and where you can buy it."
"We all know the stories of the Beatles, Doors, Dylan and Stones on Ed Sullivan. However, there are a few more good stories you might find interesting. They are not as big at the main stories, but interesting nonetheless."
Skywalking Through Neverland: A Star Wars / Disney Fan Podcast
Bryce Eller, the man behind all the Darth Vader TV appearances and the official Vader meet and greets at local department stores, gives us exclusive stories of his time on many TV variety shows and live meet and greet engagements. As a companion piece to my article, Star Wars x 1970's Variety TV, I talk with Bryce to fill in details you won't find anywhere else. Bryce appeared on Midnight Special with Wolfman Jack, Donny and Marie, The Wacko Saturday Preview and Other Good Stuff Special, and Kaptain Kool and the Kongs Present ABC All-Star Saturday! We also go into voicing Darth Vader for these shows, perfecting the Vader walk, and the time he was hit on at a wrap party by a woman who wanted to turn Darth Vader to the deep dark side. Bryce made his Skywalking debut on the two part episodes - 236 and 237. But little did we know then, there were even more stories to tell.
Bryce Eller, the man behind all the Darth Vader TV appearances and the official Vader meet and greets at local department stores, gives us exclusive stories of his time on many TV variety shows and live meet and greet engagements. As a companion piece to my article, Star Wars x 1970's Variety TV, I talk with Bryce to fill in details you won't find anywhere else. Bryce appeared on Midnight Special with Wolfman Jack, Donny and Marie, The Wacko Saturday Preview and Other Good Stuff Special, and Kaptain Kool and the Kongs Present ABC All-Star Saturday! We also go into voicing Darth Vader for these shows, perfecting the Vader walk, and the time he was hit on at a wrap party by a woman who wanted to turn Darth Vader to the deep dark side. Bryce made his Skywalking debut on the two part episodes - 236 and 237. But little did we know then, there were even more stories to tell.
"A story about the Payola Hearings came up in a music history feed and it occurred to me that we have never done a show on Payola. It is a rather interesting story of companies acting in their own interest with the backing of the government. You may think Payola is bad but I believe I can change your mind."
"At the time of this recording, President Trump has paused the Tariffs but for China. Even so, the tariffs will have a marked effect on the cost of almost everything dealing with music including instruments to records to touring to streaming."
"Tool was just roundly booed off the stage at their own festival. Seems they promised two separate sets over two night and did not deliver. But it is not just them. You will not believe some other bands who were booed off stage as well."
I veckans avsnitt av Solvalla Podcast gästar Adrian Kolgjini som berättar om stallformen, träningsupplägg och morgondagens STL-finaler. Dessutom snackas det om elitloppshästar, restaurangnyheter och Lackes hetaste V75-tips. 0:00 – Adrian Kolgjini om vinterträningen Adrian Kolgjini berättar om stall Kolgjinis starka inledning på året och hur ombyggnaden av deras tunga sandbacke påverkat hästarnas träningsupplägg. Nu används pulsmätare i träningen för att hitta rätt nivå. 06.40 – Talanger i stallet och filial på Solvalla Adrian lyfter fram sina fyraåriga topphästar Luke The Spook och Dark Photon Face som imponerat. Han berättar också om planerna att åter öppna filial på Solvalla med 14 hästar under våren, samt om brodern Dantes kärleksliv som påverkat deras arbetsfördelning. 11.07 – Fyra hästar i STL på Solvalla Adrian går igenom sina fyra hästar till lördagens STL-lopp. Han berättar om Countess Face som ska få ett snällt lopp, Midnight Special som kan leda länge, Savastano som är en klassklättrare och Gudrid Face som har bra läge och hög form. 19:17 – Elitloppsnytt: The Locomotive från Australien Australiske The Locomotive har blivit inbjuden till Elitloppet. Hästen kommer stå hos Magnus A Djuse och Sussie Frang på Stora Alby och fortsätta tävla i Sverige under sommaren efter Elitloppet. 23:18 – Restaurangnyheter med Henrik Gunnerfalk Solvallas kökschef Henrik Gunnerfalk gästar podden och berättar om restaurangförberedelserna inför lördagens fina tävlingar. Nästan alla restauranger är slutsålda och köket ska servera över 2000 gäster. Henrik pratar även om premiären för Solvallas nya lunchservering i Bistro Stig H som startar på måndag 31 mars. 31:58 – Veckans nödvändiga vetande: Margaretas tidiga unghästserie Ola Lernå bjuder på statistik om Margaretas tidiga unghästserie. Sammanfattning: Ola Lernå presenterar statistik om Margaretas tidiga unghästserie som delat ut över 80 miljoner kronor. Mattias Djuse och Örjan Kihlström är seriens mest framgångsrika aktiva. 38:18 – Lackes luringar till V75 på Solvalla Det var alldeles för längesedan som någon i podden körde häst – det måste det bli ändring på! Lacke bjuder på luringar till V75-omgången på Solvalla och inleder med två som kan rensa fint. Solvalla Podcast presenteras av Stall Courant Gäster: Adrian Kolgjini och Lacke Programledare: Markus Myron, Ola Lernå och Anders Malmrot Sammanfattningen ovan är maskingenererad men manuellt redigerad.
On this week's episode, we look at the ultimate song and dance man, Andy Kaufman, and the new documentary about him, Thank You Very Much, directed by this week's guest, Alex Braverman. We discussed Alex's parents working on the filming of Andy Kaufman's Carnegie Hall stage show and how Alex discovered Andy through that VHS sitting on his parent's shelf, how most of Andy's comedy was infused with music, Tony Clifton, Andy's skill at wasting valuable network TV time, the incredible footage of Andy with the Maharishi and asking him about comedy, how Andy was happiest when the audience was against him, his congo playing skills, what shaped Andy's humor, his comedy partner Bob Zmuda, his appearance on The Midnight Special and Fridays, the has-been corner, Andy busing tables at Jerry's Deli at the height of his career, Andy taking everyone out for milk and cookies after the Carnegie Hall show, the scoring of the documentary by Chris Bear of Grizzly Bear & Alessandro Cortini of Nine Inch Nails, his turn as a wrestling villain, Andy's devotion to Transcendental Meditation, Laurie Anderson's friendship & stage partnership with Andy, our favorite Andy Kaufman moments, how Andy was a great fake crier and more!So, in honor of Andy, let's beat on the congas two more times on this week's episode of Revolutions Per Movie.ALEX BRAVERMAN:www.instagram.com/alexbravermanWHERE TO WATCH THANK YOU VERY MUCH:https://drafthousefilms.com/thankyouverymuchREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.
"There are a lot of songs that have famous people in their titles. We wanted to know who some of the lesser known people named in titles are. The internet did not disappoint. We have a good long list."
Tom Ellis joins me on episode 132 for another look into the life and career of the legendary Paul Butterfield. Butter gained access to the Chicago blues scene at a young age when his lawyer father carried out pro bono work for some of the musicians there. The black blues musicians took a paternal interest in Paul's musical development, none more so than Muddy Waters who knew Butter from around the age of sixteen. Butter later returned the favour after having made his own name. He gave something back to Muddy by recording the Fathers and Sons album with him in 1969, followed by a second album with Muddy, The Woodstock album in 1975.Tom then goes on to tell us about how Butter changed his sound during the middle part of his career with the release of the two Better Days albums in 1973, producing possibly the first Americana albums, and seeing Butter having developed into a more nuanced harmonica player.Links:Tom article on Substack platform: https://ellist.substack.com/p/down-by-the-riverArticle on the Super Cosmic Joy-Scout Jamboree concert (Father and Sons): https://bobsblog73.wordpress.com/2015/04/16/super-cosmic-joy-scout-jamboree-april-1969/Fathers and Sons album blog by David Hawkins: https://paulbutterfield.blogspot.com/2014/03/37-fathers-and-sons.htmlButter on the Woodstock album blog by David Hawkins: https://paulbutterfield.blogspot.com/2016/10/61-muddy-waters-woodstock-album.htmlVideos:Mannish Boy in Last Waltz concert: https://www.youtube.com/watch?v=wGG-oBrmzbQButter on Midnight Special: https://www.youtube.com/watch?v=SZhfIOuiPe4Bonnie Raitt live with Butter: https://www.youtube.com/watch?v=3ZOdeROUz2UPlaying Why Are People Like That on David Letterman show: https://www.youtube.com/watch?v=VDvdTabtRN0Podcast website:https://www.harmonicahappyhour.comDonations:If you want to make a voluntary donation to help support the running costs of the podcast then please use this link (or visit the podcast website link above):https://paypal.me/harmonicahappyhour?locale.x=en_GBSpotify Playlist: Also check out the Spotify Playlist, which contains most of the songs discussed in the podcast:https://open.spotify.com/playlist/5QC6RF2VTfs4iPuasJBqwT?si=M-j3IkiISeefhR7ybm9qIQPodcast sponsors:This podcast is sponsored by SEYDEL harmonicas - visit the oldest harmonica factory in the world at www.seydel1847.com or on Facebook or Instagram at SEYDEL HARMONICAS--------------------------------Blue Moon Harmonicas: https://bluemoonharmonicas.comSupport the show
“Never apologize, never explain - didn't we always say that? Well, I haven't, and I don't.” - the late, great Marianne FaithfullFew women in rock-and-roll history embody the idea of, “Don't be the rock star's girlfriend, BE the rock star” like this week's Doll. This week we remember singer, actress, fashion icon, and “queen of the underground,” Marianne Faithfull. Marianne refused to be just another pretty face in the ‘60s hit parade. She refused to be called a “survivor” - but let's face it, she was. Over and over again, she came back from the brink of destruction. She forged ahead each time, having been better for it. Through all her trials and troubles, she held her head high and never lost her spark - gotta love a woman who hangs a portrait of her ex over her toilet! Hear about Marianne's incredible life on the Dolls Pod, available wherever you stream your podcasts
"We hit a thread that listed some songs that were written for revenge. A single Google Search later and we had a good long list. And it is not just Taylor Swift."
Send us a textFinally the special series no one was asking for! The boys take a break from the movie theater this week to introduce their new nostalgia podcast series, ReMembers Only (get it, like the jacket?).For the premier episode, we're looking back at the glorious era of late nite tv shows. Not the boring talk shows of today. We talking Benny Hill, the Midnight Special, the Gong Show, and all the other disturbing television that warped young kids minds while in their pajamas and sleeping bags every weekend.
"It seems that lately that are more plane crashes and close calls than we have had in a while. There are many stories of musicians dying in plane crashes but what we have here are stories of survival over multiple crashes and air mishaps."
Segunda entrega de canciones que alcanzaron su puesto más alto en listas norteamericanas de pop en este mes de hace 60 años. Quedaron muchas cosas fuera del primer episodio que no podíamos pasar por alto.Playlist;(sintonía) THE ARROWS feat DAVIE ALLAN “Apache 65” (top 64)ROGER MILLER “King of the road” (top 4)BOBBY GOLDSBORO “Little things” (top 13)JOHNNY RIVERS “Midnight Special” (top 20)JOHNNY CASH “Orange blossom Special” (top 80)HERMAN’S HERMITS “Can’t you hear my heartbeat” (top 2)GERRY and THE PACEMAKERS “Ferry cross the Mersey” (top 6)THE BEATLES “I don’t want to spoil the party” (top 39)GEORGIE FAME and THE BLUE FLAMES “Yeh Yeh” (top 21)THE NASHVILLE TEENS “Find my way back home” (top 98)THE KINGSMEN “The Jolly Green giant” (top 4)DEL SHANNON “Stranger in town” (top 30)RICK NELSON “Mean old world” (top 96)IAN WHITCOMB and BLUESVILLE “This sporting life” (top 100)JEWEL AKENS “The birds and the bees” (top 3)ROY ORBISON “Goodnight” (top 21)RODDIE JOY “Come back baby” (top 86)DUSTY SPRINGFIELD “Losing you” (top 91)STEVE ALAIMO “Real live girl” (top 77)Escuchar audio
"This is something we should keep a good eye on. In an effort to become a leading force in AI the government in the UK is strongly considering rewriting their copyright laws to allow all copyrighted material including music to be offered fully to all AI companies. I know it sounds fake but it is not."
"Brian Setzer of the Stray Cats announced he is dealing with an unnamed autoimmune disease that has taken his ability to play guitar. This is certainly not the first time something like this has happened. We have a list of musicians who are in a battle that has taken away their ability to play."
"Fred Durst and the members of Limp Bizkit have brought a rather substantial lawsuit against their record company for unpaid royalties. I know it is Limp Bizkit but the suit goes back to before streaming to when artists had lousy deals and if it is upheld in court, could lay bare much of what was going on in the 90s."
"It seems impossible that a judge in Brazil could stop streaming services worldwide from playing a song due to a copyright concern. That is what is happening now to Adele. If other countries stand by the injunction then it could have a rather wide ranging concerns."
"I wrote a book. It is titled We Will Try and Get That On For You. My Life in Personality Radio. It is a memoir of radio in the 80s and 90s when I did it for real. In this show we will tell you where you can get it and play some excerpts from the Audible audio version."
"The LA Wildfires have devastated multiple communities. The number of not only musicians but producers and orchestras and studios and engineers affected is vast. There are some big names but mainly those who simply made their living in music. We will talk about it and how you can help if you wish."
"If you use Spotify then you know it gives you a year end rundown of the songs you most listened to. It is called Spotify Wrapped and it is more than just a nice way of saying you are being tracked. It is a successful marketing ploy."
"January 1 was the 2025 Public Domain Day but it goes a bit further. It is not only those works of art that are from 1929. This year the Digital Millennium Act went into effect so other years came into the Public Domain. We will explain."
"The US will inaugurate a new president come January 20. We went back as far as we could to get audio and found who performed at each of the Inaugurations. Plus we play a game. Who did the president defeat in the vote and who was his Vice President. See how you do."
"This is our second show celebrating the anniversaries you'll hear about during 2025. Throughout the show we will have some predictions about music from websites and a few from the Rock School hosts."
"Welcome to 2025! Here is the first of two shows where we look at many of the big music anniversaries of the year ahead."
After vaulting to stardom as a charismatic presence and chief collaborator in Kid Rock's Twisted Brown Trucker Band, Uncle Kracker, kicked off a stunning solo career of his own. His 2000 major label debut, Double Wide, fittingly went double-platinum and yielded #1 smash “Follow Me”. Its 2002 follow-up No Stranger to Shame reached gold status and spawned cross-format hits such as “In A Little While” and the powerful cover of Dobie Gray's “Drift Away” which set a Billboard record for most weeks at #1 on any chart, topping their #1 run on the Adult Contemporary radio charts for a staggering 28 weeks. Before Uncle Kracker flew up the charts for 5 weeks at #1 with “When the Sun Goes Down”, a duet with good friend Kenny Chesney, country music might've seemed an odd place to find the Detroit-based good-time Kid Rock alumni. But after a few summer tours with Chesney, Uncle Kracker reached country's Top 10 with his double-platinum crossover hit “Smile”. Then, 2012 saw him fully embrace his countryside with his critically acclaimed fifth outing, Midnight Special produced by Keith Stegall which leaves no doubt this feel-good rocker is exactly where he should be. Uncle Kracker has played sold out shows across the country and appeared everywhere from the American Country Music Awards to Late Night with Conan O'Brien.”
"Every year we take the last full week of the year and offer a tip of the hat and a raise of the glass to those in the music world who left us. Here are the names from 2024."
"This is our second Christmas show of 2024. We asked AI to tell us the No 1 Christmas song and Christmas movie each year right up until this current year. Mariah Carey might show up."
"Merry Christmas and Happy Holidays. We have a two part Christmas offering this year. We are counting down both the No 1 Christmas song and the No 1 Christmas movie for every year starting in 1950 through 2024."
"It had to happen. The Grammys have changed their ruling that music can only be made by humans. The Beatles changed their minds but this is no where near the first time The Grammys have had to accept machine and computer generated music. We have a timeline."
"This is one of the oddest topics we have done in a while. There are Guinness World Records in music. They are easy to find. However many of them are disputed as someone now believes he or she owns the record. It is fascinating."
"Here is a sampling of some important music events that happened on Thanksgiving Day. I think it would be the best day to have a concert. Everyone is off work."
"An album can go Gold, then Platinum, then multiplatinum and then Diamond for ten million in sales. However, there have been 13 albums that have gone Diamond twice, the Double Diamonds. Here they are."
On the 410th episode of Piecing It Together, I am at the FilmQuest Film Festival in Provo, Utah and am joined by Nicole Murray, Paige Henderson and David Tappan to talk about Daughter of the Sun, as well as their own projects. Puzzle pieces include Logan, Midnight Special, The Florida Project and Firestarter.As always, SPOILER ALERT for Daughter of the Sun and the movies we discuss!Written by Ryan WardDirected by Ryan WardStarring Ryan Ward, Nyah Perkin, Lennox Leacock, Courtney SawyerIndiecan Entertainmenthttps://www.filmquestfest.com/speakers/daughter-of-the-sun/David Tappan is a filmmaker and director of the film universe 25 that played at FilmQuest.Check out David's films at https://www.level11films.co/ And follow David on Instagram @davethefilmguy Paige Henderson and Nicole Murray are filmmakers and actresses and co-founders of Svelte Dog Productions. They have a film called Three Easy Steps that played at FilmQuest.Check out Svelte Dog Productions on YouTube at https://www.youtube.com/@SvelteDogProductionsAnd follow on Instagram: Nicole - @lil_ginga Paige - @paigellah and Svelte Dog Productions - @sveltedogprodMy sixth album, MORE CONTENT is available NOW on iTunes, Bandcamp and all other digital music stores! Make sure to check it out!My latest music is the 24 for 2024 series in which I'm releasing a new single on the 1st and 3rd Fridays of every month in 2024. 24 new songs total. Follow along on the Spotify Playlist at https://open.spotify.com/playlist/4PDKoUQ1CoFpiogLu2Sz4D?si=3cb1df0dd0384968My latest music video “Burn" which you can watch at https://www.youtube.com/watch?v=UxKAWFm0gAoThe song at the end of the episode is "Signals" from my album MORE CONTENT.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our TeePublic store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://www.teepublic.com/stores/piecing-it-togetherShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't...
"Usually when you hear about a musician being sued it comes from their label or a venue but seldom the fans. However it does happen. Here is a list of some of the more interesting suits over the years."
"I read an opinion that asked if this was the last year for Classic Rock. The Stones are still out there. Paul McCartney as well. But it seems this year has a lot of the genre retiring. We have a list for you."
This week Tom Zeus review the legendary 1975 appearance by KISS on the T.V. show The Midnight Special. The Midnight Special was a late night musical variety show that ran on NBC from 1973 to 1981 after the Tonight Show on Friday nights, starting at 1:00 AM. KISS recorded four songs on April 1, 1975 just after they released Dressed To Kill. They performed 4 songs, Deuce, C'mon And Love Me (which never aired), She and Black Diamond. This legendary performance is KISS at its early inception. Hungry, raw and dangerous. Their look and performance can only be described as jaw dropping. The guys breakdown the appearance in SIOL fashion. The guys then rank this KISS TV appearance against the previous KISS TV appearances they have reviewed so far. Tune in for a fun conversation about an incredible time in KISStory! To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below: Raise Your Glasses Book For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below: SIOL Patreon Get all your Shout It Out Loudcast Merchandise by clicking below: Shout It Out Loudcast Merchandise at AMAZON Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
"This is our 2024 Halloween show. I read an article explaining John Carpenters theme to Halloween and it got me interested in other famous horror movie themes. Here are all the facts I found."
"On September 13, Janes Addiction was performing in Boston when singer Perry Farrell showed and punched guitarist Dave Navarro. The band is now on a hiatus. However this is no where near the first time band members have fought on stage. We have a list for you."
"Two members of Journey have settled a lawsuit over money and are back out on tour. It seems one of them was spending too much. This is often a problem for a band. The money. We have some examples of poor management and some tips about how bands have handled their income."
This week Tom Zeus review the legendary 1975 appearance by KISS on the T.V. show The Midnight Special. The Midnight Special was a late night musical variety show that ran on NBC from 1973 to 1981 after the Tonight Show on Friday nights, starting at 1:00 AM. KISS recorded four songs on April 1, 1975 just after they released Dressed To Kill. They performed 4 songs, Deuce, C'mon And Love Me (which never aired), She and Black Diamond. This legendary performance is KISS at its early inception. Hungry, raw and dangerous. Their look and performance can only be described as jaw dropping. The guys breakdown the appearance in SIOL fashion. The guys then rank this KISS TV appearance against the previous KISS TV appearances they have reviewed so far. Tune in for a fun conversation about an incredible time in KISStory! To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below: Raise Your Glasses Book For all things Shout It Out Loudcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below: SIOL Patreon Get all your Shout It Out Loudcast Merchandise by clicking below: Shout It Out Loudcast Merchandise at AMAZON Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
"We are once again in a presidential election season and musicians are once again angry when Donald Trump uses their songs. I was asked to lecture on the laws of a candidate using a song at a rally so I thought I would do them for you here as well."
"In honor of Tammy and my 36th wedding anniversary this week, we are offering up a list of the shortest musician marriages on record. Those crazy kids."
Candyman and Cultural Contradictions: Grateful Dead's Egypt AdventureIn this episode of the Deadhead Cannabis Show, host Larry Mishkin highlights two key topics: a favorite Grateful Dead show and his recent experiences at Goose concerts. First, Larry talks about an iconic Grateful Dead concert that took place on September 16, 1978, at the Sun et Lumiere Theater in Giza, Egypt, near the pyramids and the Sphinx. This event is special not just for its unique location but also for featuring collaborations with Egyptian musician Hamza El Din, who joined the Dead for a jam session. The Egypt shows are remembered for their blend of American rock and ancient Egyptian culture, marking a historic moment in music history.Larry also reflects on the song "Candyman" by the Grateful Dead, exploring its themes of melancholy and contradiction within the counterculture of the 1960s. He discusses how the song portrays a sympathetic yet flawed character, and how it resonates with the complex dynamics of that era, blending elements of peace, revolution, and criminality.Switching gears, Larry shares his recent experiences attending two Goose concerts in Chicago. He highlights Goose's cover of Bob Seger's "Hollywood Nights" and talks about the band's growing popularity. Larry attended the concerts with family and friends and praises the outdoor venue in Chicago, noting its impressive atmosphere and the city's skyline as a backdrop. He fondly recalls his connections to Bob Seger's music from his youth and marvels at how younger bands like Goose continue to bring classic rock into their performances. Grateful DeadSeptember 16, 1978 (46 years ago)Son Et Lumiere Theater (aka Sphinx Theatre)Giza, EgyptGrateful Dead Live at Sphinx Theatre on 1978-09-16 : Free Borrow & Streaming : Internet Archive Giza (/ˈɡiːzə/; sometimes spelled Gizah, Gizeh, Geeza, Jiza; Arabic: الجيزة, romanized: al-Jīzah, pronounced [ald͡ʒiːzah], Egyptian Arabic: الجيزةel-Gīza[elˈgiːzæ])[3] is the third-largest city in Egypt by area after Cairo and Alexandria; and fourth-largest city in Africa by population after Kinshasa, Lagos, and Cairo. It is the capital of Giza Governorate with a total population of 4,872,448 in the 2017 census.[4] It is located on the west bank of the Nile opposite central Cairo, and is a part of the Greater Cairo metropolis. Giza lies less than 30 km (18.64 mi) north of Memphis (Men-nefer, today the village of Mit Rahina), which was the capital city of the unified Egyptian state during the reign of pharaoh Narmer, roughly 3100 BC. Giza is most famous as the location of the Giza Plateau, the site of some of the most impressive ancient monuments in the world, including a complex of ancient Egyptian royal mortuary and sacred structures, among which are the Great Sphinx, the Great Pyramid of Giza, and a number of other large pyramids and temples. Giza has always been a focal point in Egypt's history due to its location close to Memphis, the ancient pharaonic capital of the Old Kingdom. Son et lumière (French pronunciation: [sɔ̃n e lymjɛʁ] (French, lit. "sound and light")), or a sound and light show, is a form of nighttime entertainment that is usually presented in an outdoor venue of historic significance.[1] Special lighting effects are projected onto the façade of a building or ruin and synchronized with recorded or live narration and music to dramatize the history of the place.[1] The invention of the concept is credited to Paul Robert-Houdin, who was the curator of the Château de Chambord in France, which hosted the world's first son et lumière in 1952.[1] Another was established in the early 1960s at the site of the Great Pyramid of Giza in Egypt. One of the Seven Wonders of the Ancient World and a star attraction in Egypt, the pyramids of Giza offer a completely different experience at night, when lasers, lights, and visual projections bring their history to life. Here's how to visit the pyramids after dark. The sound and light show at Giza takes place every night for 55 minutes by the Great Sphinx of king Kephren, it is a laser show with history narration of your own language. Kyle FitzgeraldThe National Standing under a total lunar eclipse at the foot of ancient power by the Great Pyramid, the Grateful Dead were concluding the final show of their three-night run at the Sound and Light Theatre in Giza in 1978.His hair in pigtails, guitarist Jerry Garcia wove the outro of the percussive Nubian composition Olin Arageed into an extended opening of Fire on the Mountain. “There were Bedouins out on the desert dancing … It was amazing, it really was amazing,” Garcia said in a 1979 radio interview. The September 14-16 shows in Giza were the ultimate experiment for the American band – the first to play at the pyramids – known for pushing music beyond the realms of imagination. And just as the Grateful Dead were playing in the centre of ancient Egypt, a landmark peace treaty was being brokered in the US that would reshape geopolitics in the Middle East. For as the Grateful Dead arrived in Egypt as cultural ambassadors, on the other side of the world US president Jimmy Carter had gathered his Egyptian counterpart Anwar Sadat and Israeli prime minister Menachem Begin to broker the Camp David Accords that led to an Egyptian-Israeli peace settlement. “No show that they have ever done has the international significance of their three performances in Egypt,” said Richard Loren, the Grateful Dead's manager from 1974-1981. “When we left the stage on the last show, everybody was high on acid, and the first news that came on: They signed the Camp David agreement. Sadat, Begin and Carter signed the agreement in Camp David. This happened during those three days.” Loren, who produced the shows, credited his friendship with Jefferson Airplane vocalist Marty Balin, who had a keen interest in Egypt, for developing his own fascination with the country. “The lead singer for Jefferson Airplane is the seed that resulted in the Grateful Dead playing in Egypt,” he said. Loren recalled riding a camel around the pyramid site during a three-week visit in 1975. To his right were the pyramids. In front of him, the Sphinx. “And I look down and I see a stage, and a light bulb went off in my head immediately. The Grateful Dead ought to play in Egypt,” he said. Loren, associate Alan Trist and Grateful Dead bass player Phil Lesh formed a scouting committee that would be responsible for liaising with American and Egyptian officials, Secret Service members and Egyptian first lady Jehan Sadat to allow the Grateful Dead to play in front of the pyramids. After the mission to the proposed site, meetings in Washington and Egypt, discussions with government officials and a party for the consulate, the band still needed to convince officials the purpose of the show was to make music – not money. And so the Dead paid their own expenses and offered to donate all the proceeds.Half would be donated to the Faith and Hope Society – the Sadats' favourite charity – and the other to Egypt's Department of Antiquities. “It was a sales pitch by the three of us – Alan, Richard and Phil,” Loren said. A telegram was sent on March 21, 1978, confirming the Grateful Dead would perform two open-air shows at the Sound and Light in front of the Great Pyramid and Sphinx. They would go on to play three shows. Describing the planning, bassist Phil Lesh said, "It sort of became my project because I was one of the first people in the band who was on the trip of playing at places of power. You know, power that's been preserved from the ancient world. The pyramids are like the obvious number one choice because no matter what anyone thinks they might be, there is definitely some kind of mojo about the pyramids."[11]Rather than ship all of the required sound reinforcement equipment from the United States, the PA and a 24-track, mobile studio recording truck were borrowed from the Who, in the UK. The Dead crew set up their gear at the open-air theater on the east side of the Great Sphinx, for three nights of concerts. The final two, September 15 & 16, 1978, are excerpted for the album. The band referred to their stage set-up as "The Gizah Sound and Light Theater". The final night's performance coincided with a total lunar eclipse. Drummer Bill Kreutzmann played with a cast, having broken his wrist while horseback riding. The King's Chamber of the nearby Great Pyramid of Giza was rigged with a speaker and microphone in a failed attempt to live-mix acoustical echo.[12] Lesh recalled that through the shows he observed "an increasing number of shadowy figures gathering just at the edge of the illuminated area surrounding the stage and audience – not locals, as they all seem to be wearing the same garment, a dark, hooded robe. These, it turns out, are the Bedouin, the nomadic horsemen of the desert: drawn in by the music and lights... each night they have remained to dance and sway rhythmically for the duration of the show."[13] Kreutzmann recalls "Egypt instantly became the biggest, baddest, and most legendary field trip that we took during our entire thirty years as a band... It was priceless and perfect and, at half a million dollars, a bargain in the end. Albeit, a very expensive bargain."[14] The concerts weren't expected to be profitable (proceeds were donated to the Department of Antiquities and a charity chosen by Jehan Sadat). Costs were to be offset by the production of a triple-live album; however, performances did not turn out as proficient as planned, musically, and technical problems plagued the recordings.[10] The results were shelved as the band focused instead on a new studio album, Shakedown Street. INTRO: Candyman Track #3 2:54 – 4:50 From Songfacts: the American Beauty album is infused with sadness. Jerry Garcia's mother was still seriously injured and her still fate uncertain following an automotive accident, while Phil Lesh was still grieving his father's passing. The melancholic aura comes through in "Candyman" as much as any other song on the album.The effect of the melodic sadness on the song's context is interesting, to say the least. It makes everything about the candyman character in the song seem sympathetic, when the lyrics suggest that he is anything but. Dead lyricist Robert Hunter said he certainly didn't resonate with the character's penchant for violence (more on that below).The Random House Historical Dictionary of American Slang defines the term "candyman" primarily as a drug dealer and secondarily as a man who is lucky in general and lucky with women in particular. The latter version seems to fit better with the song, as the character announces his arrival to all the women in town and tells them they ought to open their windows (presumably to let him in). While there's no evidence to suggest that Hunter was getting at anything too deep with the song, "Candyman" does provide an interesting perspective on the contradictions of the 1960s counterculture. Mixed in with all the peaceniks and flowers were hard-drug pushers, violent revolutionaries, and common criminals. By 1970, this stew had long since become so mixed-up that its attendant parts could no longer be cleanly extracted from each other. The fact that American Beauty came out in the midst of the Manson Family "hippie cult killings" trial says just about all that needs to be said about the complicated reality that had arisen out of the 1960s counterculture.Beyond all that, though, the outlaw song that romanticizes criminality is a long-held and cherished tradition in American music. With American Beauty, Jerry Garcia wanted the Dead to do something like "California country western," where they focused more on the singing than on the instrumentation. So the sang Hunter's lyrics: Good mornin', Mr. BensonI see you're doin' wellIf I had me a shotgunI'd blow you straight to HellThis is an oddly violent line for a song by the Grateful Dead, who sought to embody the '60s peace-and-love ethos about as sincerely and stubbornly as any act to come out of the era. It always got a raucous applause from the audience, too, which seems equally incongruous with the Deadhead culture.Hunter was bothered by the cheers. In an interview published in Goin' Down the Road by Blair Jackson (p. 119), he brings this phenomenon up when asked if any of his songs has been widely misinterpreted. He mentions that he had first witnessed an audience's enthusiastic response to violence while watching the 1975 dystopian film Rollerball and "couldn't believe" the cheers.Hunter tells Jackson that he hopes fans know that the perspective in "Candyman" is from a character and not from himself. He stresses the same separation between himself and the womanizer in "Jack Straw." As far as the Mr. Benson in "Candyman," David Dodd in the Annotated Grateful Dead Lyrics makes a great case for that being Sheriff Benson from Leadbelly's "Midnight Special" (who may very well have been based on a real sheriff). If true, this might place "Candyman" in Houston, Texas (though Hunter might not have had anything so specific in mind). Almost always a first set song. Often featured in acoustic sets, back in the day. This version features this awesome Garcia solo that we were listing to. Maybe he was inspired by the pyramids or whatever magical spirits might have come out from within to see this American band the Grateful Dead. Hopefully, it made those spirits grateful themselves. Played: 273First: April 3, 1970 at Armory Fieldhouse, Cincinnati, OH, USALast: June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA SHOW No. 1: Hamza El Din Track #10 7:30 – 9:00 Hamza El Din (Arabicحمزة علاء الدين) (July 10, 1929 – May 22, 2006) was an Egyptian Nubian composer, oudplayer, tar player, and vocalist. He was born in southern Egypt and was an internationally known musician of his native region Nubia, situated on both sides of the Egypt–Sudan border. After musical studies in Cairo, he lived and studied in Italy, Japan and the United States. El Din collaborated with a wide variety of musical performers, including Sandy Bull, the Kronos Quartet and the Grateful Dead. His performances attracted the attention of the Grateful Dead, Joan Baez, and Bob Dylan in the 1960s, which led to a recording contract and to his eventual emigration to the United States. In 1963, El Din shared an apartment in the San Francisco Bay Area with folk musician Sandy Bull. Following his appearance at the Newport Folk Festival in 1964, he recorded two albums for Vanguard Records, released 1964–65. His 1971 recording Escalay: The Water Wheel, published by Nonesuch Records and produced by Mickey Hart, has been recognized as one of the first world music recordings to gain wide release in the West, and was claimed as an influence by some American minimalist composers, such as Steve Reich and Terry Riley, as well as by Grateful Dead percussionist Mickey Hart.[1] He also performed with the Grateful Dead, most famously during their Egypt concerts of 1978. During these three shows, Hamza El Din, performed as a guest and played his composition "Ollin Arageed" He was backed by the students of his Abu Simbel school and accompanied by the Grateful Dead. After Egypt, hamza el din played with the dead in the U.S. On October 21st, back in 1978, the Grateful Dead were in the midst of wrapping up a fiery five-night run at San Francisco's Winterland Ballroom. This string of shows was particularly special for the band, as they marked the first shows played by the Dead following their now-legendary performances near the Great Pyramid of Giza in Egypt a month prior. n an effort to bring their experiences in Northern Africa home with them to share with their fans, the Dead's '78 Winterland run saw sit-ins by Egyptian percussionist, singer, and oud player Hamza El Din. On October 21st, El Din opened the show solo, offering his divine percussion before the Grateful Dead slowly emerged to join him for an ecstatic rendition of “Ollin Arageed”, a number based off a Nubian wedding tune, before embarking on a soaring half-acoustic, half-electric jam, that we will get to on the other side of Music News: MUSIC NEWS: Lead in music: Goose — "Hollywood Nights" (Bob Seger) — Fiddler's Green — 6/8/24 (youtube.com) 0:00 – 1:10 Goose covering Bob Seeger and the Silver Bullet Band's Hollywood Nights, this version from earlier this year but Goose did play it Friday night in Chicago at the Salt Shed's Festival stage outside along the Chicago river with the Skyline in the background. Very impressive. "Hollywood Nights" is a song written and recorded by American rock artist Bob Seger. It was released in 1978 as the second single from his album, Stranger in Town. Seger said "The chorus just came into my head; I was driving around in the Hollywood Hills, and I started singing 'Hollywood nights/Hollywood hills/Above all the lights/Hollywood nights.' I went back to my rented house, and there was a Time with Cheryl Tiegs on the cover...I said 'Let's write a song about a guy from the Midwest who runs into someone like this and gets caught up in the whole bizarro thing.'" [1] Seger also said that "Hollywood Nights" was the closest he has had to a song coming to him in a dream, similar to how Keith Richards described the riff to "(I Can't Get No) Satisfaction" coming to him in a dream. Robert Clark Seger (/ˈsiːɡər/SEE-gər; born May 6, 1945) is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums. A roots rock musician with a classic raspy, powerful voice, Seger is known for his songs concerning love, women, and blue-collar themes, and is one of the best-known artists of the heartland rock genre. He has recorded many hits, including "Night Moves", "Turn the Page", "Mainstreet", "Still the Same", "Hollywood Nights", "Against the Wind", "You'll Accomp'ny Me", "Shame on the Moon", "Roll Me Away", "Like a Rock", and "Shakedown", the last of which was written for the 1987 film Beverly Hills Cop II and topped the Billboard Hot 100 chart. He also co-wrote the Eagles' number-one hit "Heartache Tonight", and his recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. Which leads us to: Goose plays three nights in Chicago: Wednesday, Thursday and Friday night at the Salt Shed. I caught the Thursday and Friday show. Went with my wife on Thursday and hung out with good friends John and Marnie, her brothers Rick and Joel, Stephan and others. Friday with my son Daniel and good buddy Kevin who got us rock star parking and even more impressively killer seats dead center at the bottom of the grandstands in the back of the floor, a few feet off the floor and dead center so we could see everything, hear everything and have a place to sit and rest for a few minutes when needed. I have to say, I've now seen Goose five times and enjoy them more and more. Great musical jams, great light show, lots of good energy from the band and the fans. Rick Mitoratando is a first class guitartist and singer, Peter Anspach on keyboard and guitar and vocals, Jeff Arevalo, percussionist, Trevor Weekz on bass and newcomer, Cotter Ellis on drums, replacing original drummer, Ben Askind. Began playing in 2014 in Wilton Connecticut so this is their 10 year and they are just getting stronger. They really love what they do and its shows in their live performances. Great set lists in Chicago: Thursday night they were joined on stage by Julian Lage, a jazz composer and guitarist for the last two songs of the first set, A Western Sun and Turned Clouds. If you have not yet seen Goose you need to see Goose. Soon. Jane's Addiction Concert Ends Abruptly After Perry Farrell Punches Dave Navarro Onstage 3. Jane's Addiction Offer ‘Heartfelt Apology' for Fight, Cancel Sunday's Show Phish announce 3 night run in Albany Oct. 25 – 27 to benefit Divided Sky Foundation A residential program for people recovering from drug and alcohol abuse. The Divided Sky Foundation, a 46-bed nonprofit recovery center spearheaded by Phish frontman Trey Anastasio, will be an abstinence-based, nonmedical residence, one of the first ofits kind in Vermont. The Divided Sky Foundation is a charitable nonprofit founded by Anastasio; it purchased the Ludlow location to create a substance-use disorder treatment center back in 2021. Anastasio, Phish's lead guitarist and vocalist, has dealt publicly with his own drug and alcohol use and later sobriety, a journey that brought him under the supervision of drug court in Washington County, New York, in the mid-2000s. There, he met Gulde, who worked in the court system at the time, and the two have stayed friends since. Together, Gulde and Anastasio used their personal experiences with treatment facilities to implement a vision for the Ludlow space, she said. Very cool organization, deserves everyone's support. Trey turned it around which is why he is now 5 years older than Jerry was when he died in 1995 and Trey and Phish are just getting stronger and stronger. SHOW No. 2: Ollin Arageed Track #11 13:10 – 14:42 Musical composition written by Hamza El-Din. He and members of the Abu Simbel School of Luxor choir opened the shows with his composition Olin Arageed on nights one and two, and opened set two of night three with the song as well. Joined on stage by the band. Fun, different and a shout out to the locals. The Dead played it a few more times with Hamza and then retired it for good. SHOW No. 3: Fire On The Mountain Track #12 13:00 – end INTO Iko Iko Track #13 0:00 – 1:37 This transition is one of my all time Dead favorites. Out of a stand alone Fire (no Scarlet lead in) into a sublime and spacey Iko Iko. Another perfect combination for the pyramids, sphinx and full lunar eclipse.A great reason to listen to this show and these two tunes. MJ NEWS: MJ Lead in Song Still Blazin by Wiz Khalifa: Still Blazin (feat. Alborosie) (youtube.com) 0:00 – 0:45 We talked all about Wiz Khalifa on last week's episode after I saw him headline the Miracle in Mundelein a week ago. But did not have a chance to feature any of his tunes last week. This one is a natural for our show. This song is from Kush & Orange Juice (stylized as Kush and OJ) is the eighth mixtape by American rapper Wiz Khalifa. It was released on April 14, 2010, by Taylor Gang Records and Rostrum Records. Kush & Orange Juice gained notoriety after its official release by making it the number-one trending topic on both Google and Twitter.[1] On the same day, a link to the mixtape was posted for download on Wiz's Twitter.[2] The hashtag#kushandorangejuice became the number-six trending topic on the microblogging service after its release and remained on the top trending items on Twitter for three days.[ 1. Nixon Admitted Marijuana Is ‘Not Particularly Dangerous' In Newly Discovered Recording2. Marijuana Use By Older Americans Has Nearly Doubled In The Last Three Years, AARP-Backed Study Shows3. Medical Marijuana Helps People With Arthritis And Other Rheumatic Conditions Reduce Use Of Opioids And Other Medications, Study Shows4. U.S. Marijuana Consumers Have Spent More Than $4.1 Billion On Pre-Rolled Joints In The Past Year And A Half, Industry Report Finds SHOW No. 4: Sunrise Track #162:08 – 3:37 Grateful dead song written, music and lyrics by Donna Jean Godchaux. Released on Terrapin Station album, July 27, 1977 There are two accounts of the origins of this song, both of which may be true. One is that it is about Rolling Thunder, the Indian Shaman, conducting a ceremony (which certainly fits with many of the lyrics). The other is that it was written by Donna in memory of Rex Jackson, one of the Grateful Dead's crew (after whom the Rex Foundation is named). The song is about a Native American medicine man named Rolling Thunder, who spent a lot of time with the Dead."'Sunrise' is about sunrise services we attended and what Rolling Thunder would do," Godchaux said on the Songfacts Podcast. "It's very literal actually. Rolling Thunder would conduct a sunrise service, so that's how that came about."Donna Jean Godchaux wrote this song on piano after Jerry Garcia asked her to write a song for the Terrapin Station album. She said it just flowed out of her - music and lyrics - and was one of the easiest songs she ever wrote.The drumming at the end of the song was played by a real medicine man. "We cut it in Los Angeles, and he came and brought the medicine drum, so what you hear on the end is the real deal," Godchaux told Songfacts. "It was like a sanctuary in that studio when he was playing that. It was very heavy." It was played regularly by the Grateful Dead in 1977 and 1978 (Donna left the band in early 1979).This version is the last time the band ever played it. Played: 30 timesFirst: May 1, 1977 at The Palladium, New York, NY, USALast: September 16, 1978 at the Pyramids, Giza Egypt OUTRO: Shakedown Street Track #17 3:07 – 4:35 Title track from Shakedown Street album November 8, 1978 One of Jerry's best numbers. A great tune that can open a show, open the second set, occasionally played as an encore, but not here. It is dropped into the middle of the second set as the lead in to Drums. This is only the second time the song is played by the band. Played: 164 timesFirst: August 31, 1978 at Red Rocks Amphitheatre, Morrison, CO, USALast: July 9, 1995 at Soldier Field, Chicago, IL – opened the second set, the final set of music ever performed by the band. Shout outs: Karen Shmerling's birthday This week my beautiful granddaughter, Ruby, is coming to town to visit. Can't wait to see her and her parents. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
It's the Season Finale of Season 20. Come join us around the campfire for tales of traumatic trains. “The Midnight Special” written by Canyon Sanford (Story starts around 00:06:25) TRIGGER WARNING! Produced & scored by: David Cummings Cast: Narrator – Dan Zappulla, Elliot – Elie Hirschman, Jim – Matthew Bradford, Chris – Kyle Akers “The Wrong Side of the Tracks” written by Seth Borgen (Story starts around 00:39:55) TRIGGER WARNING! Produced by: Phil Michalski Cast: Ginny – Jessica McEvoy, Chema – Mick Wingert, Claude – Jeff Clement, John Aught – Peter Lewis, Ginny's Dad – Mike DelGaudio, Ginny's Mom – Sarah Thomas, Claude's Dad – Graham Rowat This episode is sponsored by: GhostBed – Get ready for the coolest beds in the world! GhostBed provides high-quality & super comfortable award-winning mattresses crafted in the United States and Canada. Get 50% off your purchase by going to GhostBed.com/nosleep Betterhelp – This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/nosleep and get on your way to being your best self. Click here to learn more about The NoSleep Podcast team Click here to learn more about the Tales from the Void TV show Click here to learn more about Seth Borgen Executive Producer & Host: David Cummings Musical score composed by: Brandon Boone “The Wrong Side of the Tracks” illustration courtesy of Kelly Turnbull Audio program ©2024 – Creative Reason Media Inc. – All Rights Reserved – No reproduction or use of this content is permitted without the express written consent of Creative Reason Media Inc. The copyrights for each story are held by the respective authors.
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