Podcasts about Riddle

Samson is a fascinating character who has puzzled students of the Bible for centuries. Today, W. Robert Godfrey explains how we can gain clarity by studying Samson's life in the broader context of the book of Judges. Get The Life of Samson, W. Robert Godfrey's video teaching series on DVD, with your donation. You'll also gain digital access to all 10 messages and the study guide: https://gift.renewingyourmind.org/4609/offer   Live outside the U.S. and Canada? Request the digital teaching series and study guide with your donation: https://www.renewingyourmind.org/global Gather with Christians around God's Word at one of Ligonier's upcoming events: https://www.ligonier.org/events   Meet Today's Teacher:   W. Robert Godfrey is a Ligonier Ministries teaching fellow and chairman of Ligonier Ministries. He is president emeritus and professor emeritus of church history at Westminster Seminary California.   Meet the Host:   Nathan W. Bingham is vice president of media for Ligonier Ministries, executive producer and host of Renewing Your Mind, and host of the Ask Ligonier podcast. Renewing Your Mind is a donor-supported outreach of Ligonier Ministries. Explore all of our podcasts: https://www.ligonier.org/podcasts

Send us a textJonathan and Redge plunge back into the Fantasea, when the magical minivan transformed into a submarine and carried them to the vibrant underwater village of Red Herring Reef. The adventure started as a dazzling tour of colorful coral and amazing art, until an empty frame led to an unexpected mystery to solve. As clues rippled to the surface, they discovered a special kind of magic hiding beneath the waves about finding the confidence to share who you are.Listen to the original episode 113, Riddle of Red Herring Reef: https://jonincharacter.com/riddle-of-red-herring-reef/ We're having a special Dorktales Storytime merch giveaway!Where would your child like to go with us on a future T.A.L.E. Tour? Grownups, you can submit that idea on their behalf for a chance to win a Dorktales Storytime merch prize pack.The giveaway is open to families in the USA, Canada, the UK, and Australia. If you live outside those regions and have a child who would love to participate, please reach out and we'll be happy to share a digital reward option.Last day to submit: Wednesday, February 25, 2026. Seven winners will be randomly selected and announced in a Mr. Redge Hotline episode on March 5.Learn more and submit your child's idea here: https://jonincharacter.com/tale-tour-adventure-playlist/CREDITS: This episode is a Jonincharacter production. It was produced by Molly Murphy and performed by Jonathan Cormur. Sound recording and production by Jermaine Hamilton at Pacific Grove Soundworks.DORKTALES MERCH GIVEAWAY! Enter by February 25, 2026. More info about the giveaway here: https://jonincharacter.com/tale-tour-adventures-rewind/Support the showREACH OUT! Send us a TEXT: if your young listener has a question. Pls include their first name in the text. Your name/number is hidden so it's a safe way to reach out. Send us an email: dorktalesstorytime@gmail.com DM us on IG @dorktalesstorytime Library of Resources: https://dorktalesstorytime.aweb.page/Dorktales-Library-Card One time donation: https://www.buymeacoffee.com/dorktales Our Pod's Songs on Bandcamp: https://dorktalesstorytime.bandcamp.com/music Now, go be the hero of your own story and we'll see you next once-upon-a-time!

Season 10 starts off with the pilot episode, aka Episode Zero. This is a great place to start if you are a new listener to the podcast. Sit back and listen as Peter and Chris talk about RIDDLEBOX, discuss the Insane Clown Posse's timeline leading up to the release of the almighty 3rd Jokers Card, talk about making Dallas an official Clown Town, and tackle important topics like sugar free Faygo!        The LinkTree can be found at https://linktr.ee/juggalorwd. Otherwise here are all of our links -  Twitter/X: @JuggaloRWD  IG: @JuggaloRWD  Facebook: @JuggaloRWD  TikTok: @JuggaloRWD  Threads: @JuggaloRWD  BlueSky: @JuggaloRWD  The website is www.JuggaloRewind.com.  Join us everywhere to talk to other listeners and about ICP, Twiztid and random juggalo nonsense.  Email us at juggalorwd@gmail.com or call/text us at (810) 666-1570.        Join our Patreon! For only FOUR DOLLARS a month, you can join Kilnore's Army and get at least two bonus episodes per month, videos, chats and more! Even without paying, you can join the Patreon community! Become an official member of the Phat or Wack Pack today! -- Juggalo Rewind Patreon.      Additional music provided by the IRTD. Voiceover work provided by Christmas. All music played is owned by the respective publishers and copywrite holders and is reproduced for review purposes only under fair use. #ForTheJuggaloCulture

What's your favorite thing to say in a small talk situation? Ours is: Casey Clip ThatStarring:Adal RifaiJohn Patrick CoanErin KeifEditing by: Casey ToneyTheme by: Arne ParrottLogo by: Emily Kardamis & Emmaline MorrisWant more? Get Weekly Bonus Eps on Patreon!JPC's Guided Meditations Volume 1, available now at our Patreon digital store!Want merch? Visit our Dashery Store!Want to mail us something? Hey Riddle Riddle 6351 W Montrose Ave #267Chicago, IL, 60634Want to leave us a voicemail? Call (805) RIDDLE-1 or (805-743-3531)Want to advertise on the show? Check out Hey Riddle Riddle via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this week's 5 Yrs Ago Flashback episode of the Wade Keller Pro Wrestling Post-show (2-1-2021), PWTorch editor Wade Keller and PWTorch's Cameron Hawkins reviewed WWE Monday Night Raw with live callers and emails. They talked about Bad Bunny giving a celebrity rub to Damien Priest's Raw debut, Sheamus turning on Drew McIntyre, the latest with Charlotte, Lacey Evans, Ric Flair, and Asuka, an Edge vs. Randy Orton main event, more special effects and edits with Alexa Bliss, Lana & Naomi succeed as a new team, Riddle destroyed by Bobby Lashley, and more.Then in a bonus section, the one-year ago Wade Keller Hotline reviewing the Feb. 3, 2020 episode of Raw start-to-finish including Randy Orton addressing last week's Edge attack, a big Charlotte-Ripley angle, Drew McMahon shows confidence about beating Brock Lesnar, Ricochet earns shot at Lesnar in the main event, and much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/wade-keller-pro-wrestling-post-shows--3275545/support.

This week, we're stanning cool robots. Donate to TRANS LIFELINE! Join our PATREON! Buy some MERCH! Join Katey's PATREON! Follow us on INSTAGRAM!

On this episode of ZTL podcast: The Polynesian Threesome is the newest tantalizing cocktail in our library. Sunshine tries a new brand of coffee, Makenna Coffee Company and an interview with Mark Riddle ahead of his upcoming album release.

This time, we continue our discussion of the draft script for the show's second Riddler story, "A Riddle A Day Keeps the Riddler Away"! We touch on how Fred DeGorter wrote the Riddler vs how the lines were re-written, Robin inadvertently insulting Batman, and more, including a certain establishing shot that we didn't get in the finished episode…. Listen to Bat Bits and see the script we're discussing by subscribing to our Patreon for at least $2 a month! At $4 a month, you'll get that AND our monthly discussion of silver age Batman comics, as Paul or another in our stable of co-hosts joins me to examine individual Batman stories from the 1950s and '60s — most recently, the first appearance of Bat Mite! So  slide down your Batpole to join our Patreon today!

We play some movie-mashup riddles all the way back from 2019 and then our friend Sandy stops by for a classic Sandbox segment. Don't forget to check out Sandy's daily game: Raddle!Starring:Adal RifaiJohn Patrick CoanErin KeifGuest Starring:Sandor WeiszEditing by: Casey ToneyTheme by: Arne ParrottLogo by: Emily Kardamis & Emmaline MorrisWant more? Get Weekly Bonus Eps on Patreon!JPC's Guided Meditations Volume 1, available now at our Patreon digital store!Want merch? Visit our Dashery Store!Want to mail us something? Hey Riddle Riddle 6351 W Montrose Ave #267Chicago, IL, 60634Want to leave us a voicemail? Call (805) RIDDLE-1 or (805-743-3531)Want to advertise on the show? Check out Hey Riddle Riddle via Gumball.fmThis episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/RIDDLE and get on your way to being your best self.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this week's 5 Yrs Ago Flashback episode of the Wade Keller Pro Wrestling Post-show (1-25-2021), PWTorch columnist Zack Heydorn and PWTorch contributor Robert Vallejos discussed WWE Monday Night Raw with listener calls and emails. Topics included Edge's return, his successful Raw promo, what opportunities are available for him at WrestleMania, and whether or not he has a chance to win the Royal Rumble. Other topics include the idea of less is more with Drew McIntyre and Goldberg, Alexa Bliss as a future Raw Women's Champion, the success of the Fiend vs. Randy Orton storyline, the issue WWE has on their hands with Riddle vs. Lashley, the newly signed WWE Network to Peacock deal, and much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/wade-keller-pro-wrestling-post-shows--3275545/support.

This week, bring your finest gin (Andrew's is indigo!) to a party at the Muggle orphanage where Mrs. Cole is meets Dumbledore, as our Chapter-by-Chapter series continues discussing Harry Potter and the Half-Blood Prince. Our Chapter 13 discussion of "The Secret Riddle" is thought-provoking and focused largely on Dumbledore's actions and his intentions, based on what he might have known about things way back in the early 1940's. News: We discuss two new castings for the recent Prisoner of Azkaban full cast audiobook release. Stay tuned for a review of these new audiobooks! Chapter-by-Chapter continues with Half-Blood Prince, Chapter 13: The Secret Riddle Is Harry treating Dumbledore differently at the start of the chapter than Young Tom Riddle treats him during the memory? What changes in Dumbledore's response to Harry if he already knows what Harry is saying about Draco is true? The Pensieve memory with Burke might seem different - but we've actually seen something like it before! A listener email asks, could Dumbledore have sent Mundungus to raid Grimmauld Place for Aberforth? How is what Dumbledore does to Mrs. Cole different than what Young Tom does to his fellow orphans? What made Merope still honor her father when naming Tom? We discuss Tom Riddle's mental state and one possibly identifiable diagnosis for his behavior. How come Harry didn't turn out like Tom Riddle given their similar trajectories? Was Dumbledore intentionally trying to impress Tom by making fire? Is he therefore playing with fire? Our MVP segment asks what the creepiest thing Young Tom Riddle does in this chapter? Our Lynx Line topic this week for Slug Club patrons: Which character would you most like to Confund and get to spill all the tea? Participate in our weekly trivia segment by answering this week's Quizzitch question at MuggleCast.com/Quizzitch! Coming up in Bonus MuggleCast: it's another edition of Harry Potter Hot Takes, NSFW! Pledge to MuggleCast on Patreon to listen to this and all of our bonus episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Part 5. Big Trouble chapter 4 to chapter 16 David Pawson regards the book of Revelation as “probably the most important book in the New Testament for the Church to be studying right now for the very practical purpose for which it was written”, namely, to be “a manual for martyrdom”. Jesus provides encouragement to Christians facing persecution, exhorting them to endure and overcome. The book has present and future relevance for believers, and while it is addressed to the believers in the first-century AD, Jesus' words and the prophecies (some yet to be fulfilled) speak just as powerfully to Christians and the Church today. The many competing interpretations have caused confusion, particularly in relation to prophetic symbolism and the timings and nature of future events. If there are “as many riddles as there are words” here, then David demystifies and solves the book's riddle by explaining the more controversial, widely debated, and variously interpreted middle chapters, while also advocating reading Revelation in the plainest sense where possible. Jesus, in his compassion, has warned believers to prepare for his Second Coming. They are to remain faithful by upholding morals, resisting corruption, and identifying and opposing deception (false teaching), and, if necessary, enduring persecution. David unpacks Revelation's symbolism while addressing divisive subjects. Regarding the (Secret) Rapture, he argues that the book prepares believers to live through the Big Trouble (Tribulation), and adopts a pre-millennial position. Jesus promises to return to avenge the blood of the martyrs, while warning that backsliding believers will lose their place in the Book of Life and the New Jerusalem. Yet faithful overcomers will receive their inheritance. God is in control and Christians must ready themselves for Christ's return. Revelation's message is not just that “Jesus wins” but that he wants every believer to win” with him.

In the third hour of the show: - Draymond Green calling Pelle Larrson a dirty European player - Leroy use of Twitter - Bam Adebayo getting called out by the fan base

All four hosts are back!Starring:Adal RifaiJohn Patrick CoanErin Keif4th Host:Janet VarneyEditing by: Casey ToneyTheme by: Arne ParrottLogo by: Emily Kardamis & Emmaline MorrisWant more? Get Weekly Bonus Eps on Patreon!JPC's Guided Meditations Volume 1, available now at our Patreon digital store!Want merch? Visit our Dashery Store!Want to mail us something? Hey Riddle Riddle 6351 W Montrose Ave #267Chicago, IL, 60634Want to leave us a voicemail? Call (805) RIDDLE-1 or (805-743-3531)Want to advertise on the show? Check out Hey Riddle Riddle via Gumball.fmThis episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/RIDDLE and get on your way to being your best self.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Well, here we are folks.... Another couple of big milestones for the podcast! This 200th episode also marks two years of being on my own under Falconry Chronicles, and I held this recording back to mark such an occasion! The guest for this episode, Dr. Ken Riddle, has been requested many times over the years, and thanks to the help of Rob Rainey, Robert Bagley, and other mutual friends, this recording was finally able to take place last summer. I'm so glad that it did, because Ken has roughly 75 years of falconry experiences and memories, and over this nearly 3.5 hour long episode, you'll get to hear quite an amazing story! It goes without saying, but it's impossible to encompass 75 years, 35 of which were in the Middle East, in 3.5 hours, but Ken shares an overview of some of his life, endeavors, and accomplishments in this lengthy episode, and because some of these things need clarified and expounded upon further, he's already agreed to another follow up episode! This recording is a great example of why I've been motivated for so long to continue the podcast, and why I've believed in this mission for so long. I appreciate you all for continuing to listen over 200 episodes, and I hope you enjoy this milestone episode! Support at buymeacoffee.com/falconrychroniclesSpecial thanks to the organizations and businesses who've kindly helped support the podcast!The Archives of Falconryhttp://www.falconry.orgMarshall Radio Telemetryhttp://www.marshallradio.comMasters of the Skieshttp://www.mastersoftheskies.orgBaba Yaga Craftshttp://www.instagram.com/babayagagoshawkNorth Mountain Goshawkshttp://www.northmountaingoshawks.comNew Mexico Falconers AssociationArizona Falconers Assocationhttp://www.arizonafalconers.comTexas Hawking Associationhttp://www.texashawking.orgNorth American Falconers Associationhttp://www.n-a-f-a.comFalconry Fundhttp://www.falconryfund.orgPursuit Falconry and Conservation Magazinehttp://pursuitfalconry.co.ukThe Specialist Falconhttp://www.thespecialistfalcon.comCape Falconry Clubhttp://www.capefalconry.co.zaEast Coast Falconshttp://www.eastcoastfalcons.comBlackhawk Falconry Dachshundshttps://www.facebook.com/blackhawkdachshunds Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Part 4. How is it Interpreted? David Pawson regards the book of Revelation as “probably the most important book in the New Testament for the Church to be studying right now for the very practical purpose for which it was written”, namely, to be “a manual for martyrdom”. Jesus provides encouragement to Christians facing persecution, exhorting them to endure and overcome. The book has present and future relevance for believers, and while it is addressed to the believers in the first-century AD, Jesus' words and the prophecies (some yet to be fulfilled) speak just as powerfully to Christians and the Church today. The many competing interpretations have caused confusion, particularly in relation to prophetic symbolism and the timings and nature of future events. If there are “as many riddles as there are words” here, then David demystifies and solves the book's riddle by explaining the more controversial, widely debated, and variously interpreted middle chapters, while also advocating reading Revelation in the plainest sense where possible. Jesus, in his compassion, has warned believers to prepare for his Second Coming. They are to remain faithful by upholding morals, resisting corruption, and identifying and opposing deception (false teaching), and, if necessary, enduring persecution. David unpacks Revelation's symbolism while addressing divisive subjects. Regarding the (Secret) Rapture, he argues that the book prepares believers to live through the Big Trouble (Tribulation), and adopts a pre-millennial position. Jesus promises to return to avenge the blood of the martyrs, while warning that backsliding believers will lose their place in the Book of Life and the New Jerusalem. Yet faithful overcomers will receive their inheritance. God is in control and Christians must ready themselves for Christ's return. Revelation's message is not just that “Jesus wins” but that he wants every believer to win” with him.

John Riddle preaches on the witness of the church of the Thessalonians as an example for churches today. The centre, clarity, content and consistency of their witness from 1 Thess 1:7-10. (Recorded in Lendrick Muir, Scotland, 2006) The post Commitment to Gospel Witness | John Riddle first appeared on Gospel Hall Audio.

This time we begin a new series on the draft script for the show's second Riddler story, "A Riddle A Day Keeps the Riddler Away"! We cover everything from rearranged scenes to a missing answer to a riddle, as well as some obvious cost cutting! Listen to Bat Bits and see the scropt we're discussing by subscribing to our Patreon for at least $2 a month! For $4 a month, you ALSO get our monthly discussion of silver age Batman comics as Paul or another in our stable of co-hosts joins Tim to examine individual Batman stories from the 1950s and '60s! Slide down your Batpole to join our Patreon today!

In this episode of Rocks to Roots, Hilary and Duane sit down with Josh Riddle of Farm It for a grounded and motivating conversation about what it means to farm with the future in mind.Josh shares his journey from farming alongside his grandfather and dad to now embracing regenerative agriculture on his own land. They talk about the shift from traditional methods to innovative practices like cover cropping, no-till systems, and reducing synthetic inputs — all to rebuild soil health and create a more sustainable food system.From finding support through his biofarming Group to rethinking what success looks like on the farm, Josh brings a thoughtful, hopeful perspective to what it means to grow food that's good for people and the planet.Whether you're a grower, a curious eater, or someone who just wants to better understand how food and conservation connect, this episode offers a fresh look at the power of farming in partnership with nature.

Happy January Valentine's Day! Starring:Adal RifaiJohn Patrick CoanErin KeifEditing by: Casey ToneyTheme by: Arne ParrottLogo by: Emily Kardamis & Emmaline MorrisWant more? Get Weekly Bonus Eps on Patreon!JPC's Guided Meditations Volume 1, available now at our Patreon digital store!Want merch? Visit our Dashery Store!Want to mail us something? Hey Riddle Riddle 6351 W Montrose Ave #267Chicago, IL, 60634Want to leave us a voicemail? Call (805) RIDDLE-1 or (805-743-3531)Want to advertise on the show? Check out Hey Riddle Riddle via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this week's 5 Yrs Ago Flashback episode of the Wade Keller Pro Wrestling Post-show (1-11-2021), PWTorch editor Wade Keller is joined by Frank Peteani from PWTorch.com to review WWE Monday Night Raw with live callers and emails. They talk about Triple H replacing Drew McIntyre against Randy Orton, Drew talks COVID positive test, Alexa Bliss shows a fireball, Bobby Lashley vs. Riddle for the U.S. Title, and much more with live callers and emails.Become a supporter of this podcast: https://www.spreaker.com/podcast/wade-keller-pro-wrestling-post-shows--3275545/support.

On Today's episode, Melissa Riddle (operations wizard at Toast and Jam) spills the tea on her business journey, from running her own show to joining someone else's. She and Mary get real about the whiplash of going from entrepreneur life to team life, the highs and hiccups of working closely together, and why complementary skills (and mutual respect) are the secret sauce to making it all work. Don't forget to subscribe so you never miss an episode, then come hang with us on Instagram & X!Have a question or thought for Mary? Leave us a voicemail for your chance to be featured on the show!Learn more about A Mary Nisi ProductionFind your next DJ at Toast & JamLaunch your DJ business with the Toast & Jam LabSupport the show

Part 3. This Is Your Life David Pawson regards the book of Revelation as “probably the most important book in the New Testament for the Church to be studying right now for the very practical purpose for which it was written”, namely, to be “a manual for martyrdom”. Jesus provides encouragement to Christians facing persecution, exhorting them to endure and overcome. The book has present and future relevance for believers, and while it is addressed to the believers in the first-century AD, Jesus' words and the prophecies (some yet to be fulfilled) speak just as powerfully to Christians and the Church today. The many competing interpretations have caused confusion, particularly in relation to prophetic symbolism and the timings and nature of future events. If there are “as many riddles as there are words” here, then David demystifies and solves the book's riddle by explaining the more controversial, widely debated, and variously interpreted middle chapters, while also advocating reading Revelation in the plainest sense where possible. Jesus, in his compassion, has warned believers to prepare for his Second Coming. They are to remain faithful by upholding morals, resisting corruption, and identifying and opposing deception (false teaching), and, if necessary, enduring persecution. David unpacks Revelation's symbolism while addressing divisive subjects. Regarding the (Secret) Rapture, he argues that the book prepares believers to live through the Big Trouble (Tribulation), and adopts a pre-millennial position. Jesus promises to return to avenge the blood of the martyrs, while warning that backsliding believers will lose their place in the Book of Life and the New Jerusalem. Yet faithful overcomers will receive their inheritance. God is in control and Christians must ready themselves for Christ's return. Revelation's message is not just that “Jesus wins” but that he wants every believer to win” with him.

We do our annual celebrity death preditions for 2026! Happy New Year!Starring:Adal RifaiJohn Patrick CoanErin KeifEditing by: Casey ToneyTheme by: Arne ParrottLogo by: Emily Kardamis & Emmaline MorrisWant more? Get Weekly Bonus Eps on Patreon!JPC's Guided Meditations Volume 1, available now at our Patreon digital store!Want merch? Visit our Dashery Store!Want to mail us something? Hey Riddle Riddle 6351 W Montrose Ave #267Chicago, IL, 60634Want to leave us a voicemail? Call (805) RIDDLE-1 or (805-743-3531)Want to advertise on the show? Check out Hey Riddle Riddle via Gumball.fmThis episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/RIDDLE and get on your way to being your best self.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The fabled Library of Alexandria, one of the greatest centers of learning in the ancient world, was home to vast collections of scrolls from across the Mediterranean and beyond. Despite the wonders it contained, by late antiquity, the library's collections had disappeared, leaving questions about the depth of the ancient knowledge it once contained. But could such "lost knowledge" from the ancient past ever be recovered?  This week on The Micah Hanks Program, we explore the enigma of lost information from antiquity, as well as several of the most curious surviving ancient technologies that point to the existence of remarkable knowledge that was harnessed in the ancient world. From the famous 'Antikithera Mechanism,' to mysteries that include "Greek Fire," Damascus Steel, Roman Concrete, and the enigmatic "Visby Lenses," we examine echoes of a technological past on Earth that history has largely forgotten... or has it?  Have you had a UFO/UAP sighting? Please consider reporting your sighting to the UAP Sightings Reporting System, a public resource for information about sightings of aerial phenomena. The story doesn't end here... become an X Subscriber and get access to even more weekly content and monthly specials. Want to advertise/sponsor The Micah Hanks Program? We have partnered with the AdvertiseCast to handle our advertising/sponsorship requests. If you would like to advertise with The Micah Hanks Program, all you have to do is click the link below to get started: AdvertiseCast: Advertise with The Micah Hanks Program Show Notes Below are links to stories and other content featured in this episode: NEWS: "The Officer Turned Into a Frog": Heber City Police Department test-pilots AI software  AI showing signs of self-preservation and humans should be ready to pull plug, says pioneer  Research Library at NASA's Goddard Space and Flight Center to Close Friday  THE LIBRARY OF ALEXANDRIA: The Burning of the Library of Alexandria Library of Alexandria: Description, Facts, & Destruction LOST KNOWLEDGE: Nalanda: The university that changed the world  ANCIENT TECHNOLOGY: Decoding the Antikythera Mechanism, the First Computer  The Mystery of Greek Fire The Endurance of Ancient 'Damascus Steel' The Riddle of the Visby Lenses BECOME AN X SUBSCRIBER AND GET EVEN MORE GREAT PODCASTS AND MONTHLY SPECIALS FROM MICAH HANKS. Sign up today and get access to the entire back catalog of The Micah Hanks Program, as well as "classic" episodes, weekly "additional editions" of the subscriber-only X Podcast, the monthly Enigmas specials, and much more. Like us on Facebook Follow @MicahHanks on X. Keep up with Micah and his work at micahhanks.com.

Ваш любимый канал «ВОТ ЭТО английский» — теперь в аудиоформате!Попробуйте и научитесь понимать английский на слух с удовольствием

Dr. Lisa Mathew interviews Dru Riddle, Professor of Professional Practice and Director of Clinical Education in the School of Nurse Anesthesia at Texas Christian University and a past president of the American Association of Nurse Anesthesiology, about the role certified registered nurse anesthetists (CRNAs) play in providing anesthesia for GI care. CRNAs are essential to maintaining access to GI procedures that require anesthesia, particularly in outpatient endoscopy centers where many GI practices rely on CRNAs as their primary anesthesia workforce. UnitedHealthcare recently implemented a 15 percent reduction in reimbursement for anesthesia services provided by CRNAs, which could make it harder for outpatient endoscopy centers to maintain anesthesia coverage, push more care into hospital settings, and limit timely access to GI procedures. Join Dr. Mathew and Dr. Riddle as they discuss the importance of CRNA-delivered anesthesia, the potential impact of insurer policy changes on patient access to GI care, and practical considerations for independent GI practices that are navigating these issues. Produced by Andrew Sousa and Hayden Margolis for Steadfast Collaborative, LLC Mixed and mastered by Hayden Margolis Gastro Broadcast, Episode 87, presented by TissueCypher from Castle Biosciences

Part 2. Why Was It Written? David Pawson regards the book of Revelation as “probably the most important book in the New Testament for the Church to be studying right now for the very practical purpose for which it was written”, namely, to be “a manual for martyrdom”. Jesus provides encouragement to Christians facing persecution, exhorting them to endure and overcome. The book has present and future relevance for believers, and while it is addressed to the believers in the first-century AD, Jesus' words and the prophecies (some yet to be fulfilled) speak just as powerfully to Christians and the Church today. The many competing interpretations have caused confusion, particularly in relation to prophetic symbolism and the timings and nature of future events. If there are “as many riddles as there are words” here, then David demystifies and solves the book's riddle by explaining the more controversial, widely debated, and variously interpreted middle chapters, while also advocating reading Revelation in the plainest sense where possible. Jesus, in his compassion, has warned believers to prepare for his Second Coming. They are to remain faithful by upholding morals, resisting corruption, and identifying and opposing deception (false teaching), and, if necessary, enduring persecution. David unpacks Revelation's symbolism while addressing divisive subjects. Regarding the (Secret) Rapture, he argues that the book prepares believers to live through the Big Trouble (Tribulation), and adopts a pre-millennial position. Jesus promises to return to avenge the blood of the martyrs, while warning that backsliding believers will lose their place in the Book of Life and the New Jerusalem. Yet faithful overcomers will receive their inheritance. God is in control and Christians must ready themselves for Christ's return. Revelation's message is not just that “Jesus wins” but that he wants every believer to win” with him.

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We are joined by our editor, Patrick Musilek, to discuss the signature moments of the main seven characters in the Harry Potter series, as defined by J. K. Rowling: Harry Potter Hermione Granger Ron Weasley Ginny Weasley Neville Longbottom Luna Lovegood Draco Malfoy Join the discussion on our website In this episode: Harry's defining moment might be when he falls apart Ron shines when he overcomes his insecurities Draco goes where a Horcrux won't! Hermione is Harry's ally through and through "Ginny is obviously bae" Plot twist: Ginny is possessed the whole time ChatGPT is just like Riddle's diary We offer you dramatic readings here at the pub We're in our feelings about Luna Draco is defined as a ferret Podcasts:  Fandom Shmandom by Aureo, Sam & Sierra Hurry Potter by Patrick Musilek Pub's Jukebox:  On the Other Hand by Witherwings Hurry Potter original music by Patrick Musilek Contact: Website: https://threebroomstickspod.com/ Facebook: https://www.facebook.com/threebroomstickspod/ Instagram: https://www.instagram.com/threebroomstickspodcast/ Twitter: https://twitter.com/threebroompod Email: 3broomstickspod@gmail.com Patreon: https://www.patreon.com/3broomsticks 

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It's a ClipShowsmas miracle! A part 2 of our annual best of show!Also, we have released audio of all fourteen 2025 liveshows for purchase on our PatreonStarring:Adal RifaiJohn Patrick CoanErin KeifEditing by: Casey ToneyTheme by: Arne ParrottLogo by: Emily Kardamis & Emmaline MorrisWant more? Get Weekly Bonus Eps on Patreon!JPC's Guided Meditations Volume 1, available now at our Patreon digital store!Want merch? Visit our Dashery Store!Want to mail us something? Hey Riddle Riddle 6351 W Montrose Ave #267Chicago, IL, 60634Want to leave us a voicemail? Call (805) RIDDLE-1 or (805-743-3531)Want to advertise on the show? Check out Hey Riddle Riddle via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Part 1. How Was It Written? David Pawson regards the book of Revelation as “probably the most important book in the New Testament for the Church to be studying right now for the very practical purpose for which it was written”, namely, to be “a manual for martyrdom”. Jesus provides encouragement to Christians facing persecution, exhorting them to endure and overcome. The book has present and future relevance for believers, and while it is addressed to the believers in the first-century AD, Jesus' words and the prophecies (some yet to be fulfilled) speak just as powerfully to Christians and the Church today. The many competing interpretations have caused confusion, particularly in relation to prophetic symbolism and the timings and nature of future events. If there are “as many riddles as there are words” here, then David demystifies and solves the book's riddle by explaining the more controversial, widely debated, and variously interpreted middle chapters, while also advocating reading Revelation in the plainest sense where possible. Jesus, in his compassion, has warned believers to prepare for his Second Coming. They are to remain faithful by upholding morals, resisting corruption, and identifying and opposing deception (false teaching), and, if necessary, enduring persecution. David unpacks Revelation's symbolism while addressing divisive subjects. Regarding the (Secret) Rapture, he argues that the book prepares believers to live through the Big Trouble (Tribulation), and adopts a pre-millennial position. Jesus promises to return to avenge the blood of the martyrs, while warning that backsliding believers will lose their place in the Book of Life and the New Jerusalem. Yet faithful overcomers will receive their inheritance. God is in control and Christians must ready themselves for Christ's return. Revelation's message is not just that “Jesus wins” but that he wants every believer to win” with him.

Riddles often look difficult. In reality, the answer is usually right in front of us. Often we treat God's worth like a riddle. It looks difficult to describe, but the answer is right in front of us. As we look back at 2025, let's recognize how God has shown-up time and time again in our lives.

On today's episode of the Mind of Smoothie podcast I talk about another album that is turning 30 this year and has also had an impact on my life. Today we are going to talk about the Insane Clown Posse's 3rd Jokers Card, the Almighty RIDDLE BOX!Sit back, relax, crack a Cotton Candy Faygo, and TURN THE CRANK!Don't forget to rate and review this podcast wherever you get your podcasts from!Follow Me on:Instagram: @mindofsmoothieThreads: @mindofsmoothieBluesky: @mindofsmoothie.bsky.socialMastodon: @MindOfSmoothieYouTube: https://youtube.com/mindofsmoothieFacebook Page: https://www.facebook.com/mindofsmoothie Facebook Group: https://www.facebook.com/groups/mindofsmoothieWebsite: https://www.mindofsmoothie.comMusic:"Mind of Smoothie" Intro and "Arcade Fighter 2" by Ryall K

It's the Holidays and we are celebrating our favorite holiday: ClipShowsmas.Also, we have released audio of all of our 14 2025 liveshows for purchase on our PatreonStarring:Adal RifaiJohn Patrick CoanErin KeifEditing by: Casey ToneyTheme by: Arne ParrottLogo by: Emily Kardamis & Emmaline MorrisWant more? Get Weekly Bonus Eps on Patreon!JPC's Guided Meditations Volume 1, available now at our Patreon digital store!Want merch? Visit our Dashery Store!Want to mail us something? Hey Riddle Riddle 6351 W Montrose Ave #267Chicago, IL, 60634Want to leave us a voicemail? Call (805) RIDDLE-1 or (805-743-3531)Want to advertise on the show? Check out Hey Riddle Riddle via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is not a typical Gnar Couch episode. Tonight, the boys focused on Jaxson Riddle's real story and the challenges he's faced early in life, many of which mirror struggles listeners have shared privately with the hosts over the years. After watching Buried Alive, the importance of hearing directly from him felt immediate. The conversation went deeper than riding, touching on mental health, personal setbacks, and the work of building something better out of difficult experiences. The boys also opened up about their own struggles, making this episode less about bikes and more about honesty, perspective, and reminding listeners that they aren't alone even when it feels that way. As always, we remain available to the community we've built. Your continued support reinforces that this show has become more than just a podcast about bikes and questionable decisions. If you have anything you ever need to talk about or feel alone, DM us or call the OC Line and leave a message. We're all here for you. Guest info: Jaxson Riddle Check out our store for sick shirts. Got to our Patreon and give us money. We've added old episodes, downloadable songs, and give you early access to raw, uncut shows for only $4.20/month. Get 30% off BLIZ sunglasses and more with the code "sponchesmom".  

On Episode 483 we discuss...→ The Politics of Power: Slughorn and Riddle's Relationship→ The Political Undercurrents of Voldemort's Choices→ Unpacking the Magic and Philosophy of Soul Splitting→ The Prophecy and Its Impact→ Felix Felicia→ Fuzzy At Best→ Inaction can be seen as complicityBecome a supporter of this podcast: https://www.spreaker.com/podcast/alohomora-the-original-harry-potter-book-club--5016402/support.

We talk to Ronnie Riddle - Vocalist for North Carolina, Southern Rockers Preacher Stone. With a brand new album 'By The Horns' already making waves with it's no apologies brand of rock and roll, Ronnie and his bandmates are set once again to hit the road to satisfy their ever growing fanbase - or 'Congregation' as they're more well known. We chat about taking things back to bare bones in the studio on their new album along with tales of navigating the UK's roads, backstage etiquette and loving it when you see your friends have much deserved success. Special thanks to Affinity Photo - The hottest photo editing software on iPad, Mac & PChttps://affinity.serif.com/photoIntro Music by Johnny Monacohttps://www.johnnymonaco.com Incidental Music by Night Fires Please visit The 80s Video Shop Patreon Page to find out how you can help grow our very own 80s Video Shop. https://www.patreon.com/80sVideoShop

What was it that made Paul McCartney's bass sound so unique?  We dive into that before welcoming our amazing guest, Diallo Riddle, and talking best Beatles roommates, a lot of Pee Wee's Big Adventure, the strange creepiness of The Magical Mystery Tour Cover, and the sped up b-side Rain.  Is it the best Beatles cover?  Where does it land on our big old list?  Listen in to find out.As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter / X (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can always drunk dial us at 1.857.233.9793 to share your thoughts, feedback, confessions, and concerns to be featured in an upcoming episode. Enjoying the show? Buy us a beer via the tip jar (don't forget to include a message telling us what we should drink with the money).You know we're making a list of it, see the canonical, argument-ending list of Beatles songs we are assembling here: http://www.blottobeatles.com & listen to it on Spotify here.Please remember to always enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyGuest: Diallo Riddle (@diallo)Executive Producer: Scotty C.Senior Director of Sonic Strategies: RBAssociate Musical Supervision: Tim Clark (@nodisassemble)Artist-in-Residence: Colin Driscoll (@theroyal.we)

We only make Erin almost lose it three times this episode, so we are really slipping. And also Sandy is back!Starring:Adal RifaiJohn Patrick CoanErin KeifGuest Starring:Sandor WeiszEditing by: Casey ToneyTheme by: Arne ParrottLogo by: Emily Kardamis & Emmaline MorrisWant more? Get Weekly Bonus Eps on Patreon!JPC's Guided Meditations Volume 1, available now at our Patreon digital store!Want merch? Visit our Dashery Store!Want to mail us something? Hey Riddle Riddle 6351 W Montrose Ave #267Chicago, IL, 60634Want to leave us a voicemail? Call (805) RIDDLE-1 or (805-743-3531)Want to advertise on the show? Check out Hey Riddle Riddle via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Even dads deserve ASMRStarring:Adal RifaiJohn Patrick CoanErin KeifEditing by: Casey ToneyTheme by: Arne ParrottLogo by: Emily Kardamis & Emmaline MorrisWant more? Get Weekly Bonus Eps on Patreon!JPC's Guided Meditations Volume 1, available now at our Patreon digital store!Want merch? Visit our Dashery Store!Want to mail us something? Hey Riddle Riddle 6351 W Montrose Ave #267Chicago, IL, 60634Want to leave us a voicemail? Call (805) RIDDLE-1 or (805-743-3531)Want to advertise on the show? Check out Hey Riddle Riddle via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this Write Big session of the #amwriting podcast, host Jennie Nash welcomes Pulitzer Prize–winning journalist Jennifer Senior for a powerful conversation about finding, knowing, and claiming your voice.Jennifer shares how a medication once stripped away her ability to think in metaphor—the very heart of her writing—and what it was like to get that voice back. She and Jennie talk about how voice strengthens over time, why confidence and ruthless editing matter, and what it feels like when you're truly writing in flow.It's an inspiring reminder that your voice is your greatest strength—and worth honoring every time you sit down to write.TRANSCRIPT BELOW!THINGS MENTIONED IN THIS PODCAST:* Jennifer's Fresh Air interview with Terry Gross: Can't Sleep? You're Not Alone* Atlantic feature story: What Bobby McIlvaine Left Behind* Atlantic feature story: The Ones We Sent Away* Atlantic feature story: It's Your Friends Who Break Your Heart* The New York Times article: Happiness Won't Save You* Heavyweight the podcastSPONSORSHIP MESSAGEHey, it's Jennie Nash. And at Author Accelerator, we believe that the skills required to become a great book coach and build a successful book coaching business can be taught to people who come from all kinds of backgrounds and who bring all kinds of experiences to the work. But we also know that there are certain core characteristics that our most successful book coaches share. If you've been curious about becoming a book coach, and 2026 might be the year for you, come take our quiz to see how many of those core characteristics you have. You can find it at bookcoaches.com/characteristics-quiz.EPISODE TRANSCRIPTJennie NashHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast. This is a Write Big Session, where I'm bringing you short episodes about the mindset shifts that help you stop playing small and write like it matters. This one might not actually be that short, because today I'm talking to journalist Jennifer Senior about the idea of finding and knowing and claiming your voice—a rather big part of writing big. Jennifer Senior is a staff writer at The Atlantic. She won the Pulitzer Prize for feature writing in 2022 and was a finalist again in 2024. Before that, she spent five years at The New York Times as both a daily book critic and a columnist for the opinion page, and nearly two decades at New York Magazine. She's also the author of a bestselling parenting book, and frequently appears on NPR and other news shows. Welcome, Jennifer. Thanks for joining us.Jennifer SeniorThank you for having me. Hey, I got to clarify just one thing.Jennie NashOh, no.Jennifer SeniorAll Joy and No Fun is by no means a parenting book. I can't tell you the first thing about how to raise your kids. It is all about how kids change their parents. It's all like a sociological look at who we become and why we are—so our lives become so vexed. I like, I would do these book talks, and at the end, everybody would raise their hand and be like, “How do I get my kid into Harvard?” You know, like, the equivalent obviously—they wouldn't say it that way. I'd be like; I don't really have any idea, or how to get your kid to eat vegetables, or how to get your kid to, like, stop talking back. But anyway, I just have to clarify that, because every time...Jennie NashPlease, please—Jennifer SeniorSomeone says that, I'm like, “Noooo.” Anyway, it's a sociology book. Ah, it's an ethnography, you know. But anyway, it doesn't matter.Jennie NashAll right, like she said, you guys—not what I said.Jennifer SeniorI'm not correcting you. It came out 11 years ago. There were no iPads then, or social media. I mean, forget it. It's so dated anyway. But like, I just...Jennie NashThat's so funny. So the reason that we're speaking is that I heard you recently on Fresh Air with Terry Gross, where you were talking about an Atlantic feature story that you wrote called “Why Can't Americans Sleep?” And this was obviously a reported piece, but also a really personal piece and you're talking about your futile attempts to fall asleep and the latest research into insomnia and medication and therapy that you used to treat it, and we'll link to that article and interview in the show notes. But the reason that we're talking, and that in the middle of this conversation, which—which I'm listening to and I'm riveted by—you made this comment, and it was a little bit of a throwaway comment in the conversation, and, you know, then the conversation moved on. But you talked about how you were taking a particular antidepressant you'd been prescribed, and this was the quote you said: “It blew out all the circuitry that was responsible for generating metaphors, which is what I do as a writer. So it made my writing really flat.” And I was just like, hold up. What was that like? What happened? What—everything? So that's why we're talking. So… can we go back to the very beginning? If you can remember—Jess Lahey actually told me that when she was teaching fifth and sixth grade, that's around the time that kids begin to grasp this idea of figurative language and metaphor and such. Do you remember learning how to write like that, like write in metaphor and simile and all such things?Jennifer SeniorOh, that's funny. Do I remember it? I remember them starting to sort of come unbidden in my—like they would come unbidden in my head starting maybe in my—the minute I entered college, or maybe in my teens. Actually, I had that thing where some people have this—people who become writers have, like, a narrator's voice in their head where they're actually looking at things and describing them in the third person. They're writing them as they witness the world. That went away, that narrator's voice, which I also find sort of fascinating. But, like, I would say that it sort of emerged concurrently. I guess I was scribbling a little bit of, like, short story stuff, or I tried at least one when I was a senior in high school. So that was the first time maybe that, like, I started realizing that I had a flair for it. I also—once I noticed that, I know in college I would make, you know, when I started writing for the alternative weekly and I was reviewing things, particularly theater, I would make a conscientious effort to come up with good metaphors, and, like, 50% of them worked and 50% of them didn't, because if you ever labor over a metaphor, there's a much lower chance of it working. I mean, if you come—if you revisit it and go, oh, that's not—you know, that you can tell if it's too precious. But now if I labor over a metaphor, I don't bother. I stop. You know, it has to come instantaneously or...Jennie NashOr that reminds me of people who write with the thesaurus open, like that's going to be good, right? That's not going to work. So I want to stick with this, you know, so that they come into your head, you recognize that, and just this idea of knowing, back in the day, that you could write like that—you… this was a thing you had, like you used the word “flair,” like had a flair for this. Were there other signs or things that led you to the work, like knowing you were good, or knowing when something was on the page that it was right, like, what—what is that?Jennifer SeniorIt's that feeling of exhilaration, but it's also that feeling of total bewilderment, like you've been struck by something—something just blew through you and you had nothing to do with it. I mean, it's the cliché: here I am saying the metaphors are my superpower, which my editors were telling me, and I'm about to use a cliché, which is that you feel like you're a conduit for something and you have absolutely nothing to do with it. So I would have that sense that it had almost come without conscious thought. That was sort of when I knew it was working. It's also part of being in a flow state. It's when you're losing track of time and you're just in it. And the metaphors are—yeah, they're effortless. By the way, my brain is not entirely fogged in from long COVID, but I have noticed—and at first I didn't really notice any decrements in cognition—but recently, I have. So I'm wondering now if I'm having problems with spontaneous metaphor generation. It's a little bit disconcerting. And I do feel like all SSRIs—and I'm taking one now, just because, not just because long COVID is depressing, but because I have POTS, which is like a—it's Postural Orthostatic Tachycardia Syndrome, and that's a very common sequela from long COVID, and it wipes out your plasma serotonin. So we have to take one anyway, we POTS patients. So I found that nicotine often helped with my long COVID, which is a thing—like a nicotine patch—and that made up for it. It almost felt like I was doping [laughing]. It made my writing so much better. But it's been...Jennie NashWait, wait, wait, this is so interesting.Jennifer SeniorI know…it's really weird. I would never have guessed that so much of my writing would be dampened by Big Pharma. I mean—but now with the nicotine patches, I was like, oh, now I get why writers are smoking until into the night, writing. Like, I mean, and I always wished that I did, just because it looked cool, you know? I could have just been one of those people with their Gitanes, or however you pronounce it, but, yeah.Jennie NashWow. So I want to come—I want to circle back to this in a minute, but let's get to the first time—well, it sounds like the first time that happened where you were prescribed an antidepressant and—and you recognized that you lost the ability to write in metaphor. Can you talk about—well, first of all, can you tell us what the medication was?Jennifer SeniorYeah, it was Paxil, which is actually notorious for that. And at the top—which I only subsequently discovered—those were in the days where there were no such things as Reddit threads or anything like that. It was 1999… I guess, no, eight, but so really early. That was the bespoke antidepressant at the time, thought to be more nuanced. I think it's now fallen out of favor, because it's also a b***h to wean off of. But it was kind of awful, just—I would think, and nothing would come. It was the strangest thing. For—there's all this static electricity usually when you write, right? And there's a lot of free associating that goes on that, again, feels a little involuntary. You know, you start thinking—it's like you've pulled back the spring in the pinball machine, and suddenly the thing is just bouncing around everywhere, and the ball wasn't bouncing around. Nothing was lighting up. It was like a dis… it just was strange, to be able to summon nothing.Jennie NashWow. So you—you just used this killer metaphor to describe that.Jennifer SeniorYeah, that was spontaneous.Jennie NashRight? So—so you said first, you said static, static energy, which—which is interesting.Jennifer SeniorYeah, it's... [buzzing sound]Jennie NashYeah. Yeah. Because it's noisy. You're talking about...Jennie SeniorOh, but it's not disruptive noise. Sorry, that might seem like it's like unwanted crackling, like on your television. I didn't really—yeah, maybe that's the wrong metaphor, actually, maybe the pinball is sort of better, that all you need is to, you know, psych yourself up, sit down, have your caffeine, and then bam, you know? But I didn't mean static in that way.Jennie NashI understood what you meant. There's like a buzzy energy.Jennifer SeniorYeah, right. It's fizz.Jennie NashFizz... that's so good. So you—you recognized that this was gone.Jennifer SeniorSo gone! Like the TV was off, you know?Jennie NashAnd did you...?Jennifer SeniorOr the machine, you know, was unplugged? I mean, it's—Jennie NashYeah, and did you? I'm just so curious about the part of your brain that was watching another part of your brain.Jennifer Senior[Laughing] You know what? I think... oh, that's really interesting. But are you watching, or are you just despairing because there's nothing—I mean, I'm trying to think if that's the right...Jennie NashBut there's a part of your brain that's like, this part of my brain isn't working.Jennifer SeniorRight. I'm just thinking how much metacognition is involved in— I mean, if you forget a word, are you really, like, staring at that very hard, or are you just like, s**t, what's the word? If you're staring at Jack Nicholson on TV, and you're like, why can't I remember that dude's name?Multiple speakers[Both laughing]Jennifer SeniorWhich happens to me far more regularly now, [unintelligible]… than it used to, you know? I mean, I don't know. There is a part of you that's completely alarmed, but, like, I guess you're right. There did come a point where I—you're right, where I suddenly realized, oh, there's just been a total breakdown here. It's never happening. Like, what is going on? Also, you know what would happen? Every sentence was a grind, like...Jennie NashOkay, so—okay, so...Jennifer Senior[Unintelligible]... Why is this so effortful? When you can't hold the previous sentence in your head, suddenly there's been this lapse in voice, right? Because, like, if every sentence is an effort and you're starting from nothing again, there's no continuity in how you sound. So, I mean, it was really dreadful. And by the way, if I can just say one thing, sorry now that—Jennie NashNo, I love it!Jennifer SeniorYeah. Sorry. I'm just—now you really got me going. I'm just like, yeah, I know. I'm sort of on a tear and a partial rant, which is Prozac—there came a point where, like, every single SSRI was too activating for me to sleep. But it was, of course, a problem, because being sleepless makes you depressed, so you need something to get at your depression. And SNRIs, like the Effexor's and the Cymbalta's, are out of the question, because those are known to be activating. So I kept vainly searching for SSRIs, and Prozac was the only one that didn't—that wound up not being terribly activating, besides Paxil, but it, too, was somewhat deadening, and I wrote my whole book on it.Jennie NashWow!Jennifer SeniorIt's not all metaphor.Multiple Speakers[both laughing]Jennifer SeniorIt's not all me and no—nothing memorable, you know? I mean, it's—it's kind of a problem. It was—I can't really bear to go back and look at it.Jennie NashWow.Jennie NashSo—so the feeling...Jennifer SeniorI'm really giving my book the hard sell, like it's really a B plus in terms of its pro…—I mean, you know, it wasn't.Jennie NashSo you—you—you recognize its happening, and what you recognize is a lack of fizzy, buzzy energy and a lack of flow. So I just have to ask now, presumably—well, there's long COVID now, but when you don't have—when you're writing in your full powers, do you—is it always in a state of flow? Like, if you're not in a state of flow, do you get up and go do something else? Like, what—how does that function in the life of a writer on a deadline?Jennifer SeniorOK. Well, am I always in a state of flow? No! I mean, flow is not—I don't know anyone who's good at something who just immediately can be in flow every time.Jennie NashYeah.Jennifer SeniorIt's still magic when it happens. You know, when I was in flow almost out of the gate every day—the McIlvaine stories—like, I knew when I hit send, this thing is damn good. I knew when I hit send on a piece that was not as well read, but is like my second or third favorite story. I wrote something for The New York Times called “Happiness Wont Save You,” about a pioneer in—he wrote one of the foundational studies in positive psychology about lottery winners and paraplegics, and how lottery winners are pretty much no happier than random controls found in a phone book, and paraplegics are much less unhappy than you might think, compared to controls. It was really poorly designed. It would never withstand the scrutiny of peer review today. But anyway, this guy was, like, a very innovative thinker. His name was Philip Brickman, and in 1982 at 38 years old, he climbed—he got—went—he found his way to the roof of the tallest building in Ann Arbor and jumped, and took his own life. And I was in flow pretty much throughout writing that one too.Jennie NashWow. So the piece you're referring to, that you referred to previous to that, is What Bobby McIlvaine Left Behind, which was a feature story in The Atlantic. It's the one you won the—Pul…Pulitzer for? It's now made into a book. It has, like...Jennifer SeniorAlthough all it is like, you know, the story between...Jennie NashCovers, right?Jennifer SeniorYeah. Yeah. Because—yeah, yeah.Jennie NashBut—Jennifer SeniorWhich is great, because then people can have it, rather than look at it online, which—and it goes on forever—so yeah.Jennie NashSo this is a piece—the subtitle is Grief, Conspiracy Theories, and One Family's Search for Meaning in the Two Decades Since 9/11—and I actually pulled a couple of metaphors from that piece, because I re-read it knowing I was going to speak to you… and I mean, it was just so beautifully written. It's—it's so beautifully structured, everything, everything. But here's a couple of examples for our listeners. You're describing Bobby, who was a 26-year-old who died in 9/11, who was your brother's college roommate.Jennifer SeniorAnd at that young adult—they—you can't afford New York. They were living together for eight years. It was four in college, and four—Jennie NashWow.Jennifer SeniorIn New York City. They had a two-bedroom... yeah, in a cheaper part... well, to the extent that there are cheaper parts in...Jennie NashYeah.Jennifer SeniorThe way over near York Avenue, east side, yeah.Jennie NashSo you write, “When he smiled, it looked for all the world like he'd swallowed the moon.” And you wrote, “But for all Bobby's hunger and swagger, what he mainly exuded, even during his college years, was warmth, decency, a corkscrew quirkiness.” So just that kind of language—a corkscrew quirkiness, like he'd swallowed the moon—that, it's that the piece is full of that. So that's interesting, that you felt in flow with this other piece you described and this one. So how would you describe—so you describe metaphors as things that just come—it just—it just happens. You're not forcing it—you can't force it. Do you think that's true of whatever this ineffable thing of voice—voices—as well?Jennifer SeniorOh, that's a good question. My voice got more distinct as I got older—it gets better. I think a lot of people's—writers'—powers wax. Philip Roth is a great example of that. Colette? I mean, there are people whose powers really get better and better, and I've gotten better with more experience. But do you start with the voice? I think you do. I don't know if you can teach someone a voice.Jennie NashSo when you say you've gotten better, what does that mean to you?Jennifer SeniorYeah. Um, I'm trying to think, like, do I write with more swing? Do I—just with more confidence because I'm older? Being a columnist…which is the least creative medium…Jennie NashYeah.Jennifer SeniorSeven hundred and fifty words to fit onto—I had a dedicated space in print. When David Leonhardt left, I took over the Monday spot, during COVID. So it's really, really—but what it forces you to do is to be very—your writing becomes lean, and it becomes—and structure is everything. So this does not relate to voice, but my—I was always pretty good at structure anyway. I think if you—I think movies and radio, podcasts, are, like, great for structure. Storytelling podcasts are the best thing to—I think I unconsciously emulate them. The McIlvaine story has a three-act structure. There's also—I think the podcast Heavyweight is sublime in that way.Jennie NashIs that Roxane Gay?Jennifer SeniorNo, no, no, no.Jennie NashOh, it's, um—Jennifer SeniorIt's Jonathan Goldstein.Jennie NashYes, got it. I'm going to write that down and link to that in our show notes.Jennifer SeniorIt's... I'm trying to think of—because, you know, his is, like, narratives, and it's—it's got a very unusual premise. But voice, voice, voice—well, I, you know, I worked on making my metaphors better in the beginning. I worked on noticing things, you know, and I worked on—I have the—I'm the least visual person alive. I mean, this is what's so interesting. Like, I failed to notice once that I had sat for an hour and a half with a woman who was missing an arm. I mean, I came back to the office and was talking—this is Barbara Epstein, who was a storied editor of The New York Review of Books, the story editor, along with Bob Silver. And I was talking to Mike Tomasky, who was our, like, city politic editor at the time. And I said to him, I just had this one—I knew she knew her. And he said, was it awkward? Was—you know, with her having one arm and everything? And I just stared at him and went one arm? I—I am really oblivious to stuff. And yet visual metaphors are no problem with me. Riddle me that, Batman. I don't know why that is. But I can, like, summon them in my head, and so I worked at it for a while, when my editors were responsive to it. Now they come more easily, so that seems to maybe just be a facility. I started noticing them in other people's writing. So Michael Ondaatje —in, I think it was In the Skin of a Lion, but maybe it was The English Patient. I've read, like, every book of his, like I've, you know— Running… was it Running in the Family? Running with the Family? I think it was Running in the—his memoir. And, I mean, doesn't—everything. Anil's Ghost—he— you know, that was it The Ballad of Billy the Kid? [The Collected Works of Billy the Kid] Anyway, I can go on and on. He had one metaphor talking about the evening being as serene as ink. And it was then that I realized that metaphors without effort often—and—or is that a simile? That's a simile.Jennie NashLike—or if it's “like” or “as,” it's a simile.Jennifer SeniorYeah. So I'm pretty good with similes, maybe more than metaphors. But... serene as ink. I realized that what made that work is that ink is one syllable. There is something about landing on a word with one syllable that sounds like you did not work particularly hard at it. You just look at it and keep going. And I know that I made a real effort to make my metaphors do that for a while, and I still do sometimes. Anything more than that can seem labored.Jennie NashOh, but that's so interesting. So you—you noticed in other people what worked and what you liked, and then tried to fold that into your own work.Jennifer SeniorYeah.Jennie NashSo does that mean you might noodle on—like, you have the structure of the metaphor or simile, but you might noodle on the word—Jennifer SeniorThe final word?Jennie NashThe final word.Jennifer SeniorYeah. Yeah, the actual simile, or whatever—yeah, I guess it's a simile—yeah, sometimes. Sometimes they—like I said, they come unbidden. I think I have enough experience now—which may make my voice better—to know what's crap. And I also, by the way, I'll tell you what makes your voice better: just being very willing to hit Select Alt, Delete. You know, there's more where that came from. I am a monster of self-editing. I just—I have no problem doing it. I like to do it. I like to be told when things are s**t. I think that improves your voice, because you can see it on the page.Jennie NashYeah.Jennifer SeniorAnd also, I think paying attention to other people's writing, you know, I did more and more of that, you know, reverse engineering stuff, looking at how they did stuff as I got older, so...Jennie NashSo I was going to ask a question, which now maybe you already answered, but the question was going to be… you said that you're—you feel like you're getting better as a writer as you got older. And you—you said that was due to experience. And I was going to ask, is it, or is it due to getting older? You know, is there something about literally living more years that makes you better, or, you know, like, is wisdom something that you just get, or is it something you work for? But I think what I'm hearing is you're saying you have worked to become the kind of writer who knows, you know, what you just said—you delete stuff, it comes again. But tell me if—you know, you welcome the kind of tough feedback, because you know that makes you better. You know, this sort of real effort to become better, it sounds like that's a practice you have. Is that—is that right?Jennifer SeniorOh yeah. I mean, well, let's do two things on that, please. I so easily lose my juju these days that, like, you've got to—if you can put a, you know, oh God, I'm going to use a cliché again—if you can put a pin in or bookmark that, the observation about, you know, harsh feedback. I want to come back to that. But yes, one of the things that I was going to keep—when I said that I have the confidence now, I also was going to say that I have the wisdom, but I had too many kind of competing—Jennie NashYeah. Yeah.Jennifer SeniorYou know, were running at once, and I, you know, many trains on many tracks—Jennie NashYeah, yeah.Jennifer Senior…about to leave, so…, Like, I had to sort of hop on one. But, like, the—the confidence and wisdom, yes, and also, like, I'll tell you something: in the McIlvaine piece, it may have been the first time I did, like, a narrative nonfiction. I told a story. There was a time when I would have hid behind research on that one.Jennie NashOoh, and did you tell a story. It was the—I remember reading that piece when it first came out, and there you're introducing, you know, this—the situation. And then there's a moment, and it comes very quickly at the top of the piece, where you explain your relationship to the protagonist of the story. And there's a—there's just a moment of like, oh, we're—we're really in something different here. There's really—is that feel of, this is not a reported story, this is a lived story, and that there's so many layers of power, I mean, to the story itself, but obviously the way that you—you present it, so I know exactly what you're talking about.Jennifer SeniorYeah, and by the way, I think writing in the first person, which I've been doing a lot of lately, is not something I would have done until now. Probably because I am older and I feel like I've earned it. I have more to say. I've been through more stuff. It's not, like, with the same kind of narcissism or adolescent—like, I want to get this out, you know. It's more searching, I think, and because I've seen more, and also because I've had these pent up stories that I've wanted to tell for a long time. And also I just don't think I would have had the balls, you know.Jennie NashRight.Jennifer SeniorSo some of it is—and I think that that's part of—you can write better in your own voice. If it's you writing about you, you're—there's no better authority, you know? So your voice comes out.Jennie NashRight.Jennifer SeniorBut I'm trying to think of also—I would have hid behind research and talked about theories of grief. And when I wrote, “It's the damnedest thing, the dead abandon you, and then you abandon the dead,” I had blurted that out loud when I was talking to, actually, not Bobby's brother, which is the context in which I wrote it, but to Bobby's—I said that, it's, like, right there on the tape—to his former almost fiancée. And I was thinking about that line, that I let it stand. I didn't actually then rush off and see if there was a body of literature that talked about the guilt that the living feel about letting go of their memories. But I would have done that at one point. I would have turned it into this... because I was too afraid to just let my own observations stand. But you get older and you're like, you know what? I'm smart enough to just let that be mine. Like, assume...Jennie NashRight.Jennifer SeniorIt's got to be right. But can we go back, also, before I forget?Jennie NashYeah, we're going to go back to harsh, but—but I would just want to use your cliché, put a pin in what you said, because you've said so many important things— that there's actual practice of getting better, and then there's also wisdom of—of just owning, growing into, embracing, which are two different things, both so important. So I just wanted to highlight that you've gone through those two things. So yes, let's go back to—I said harsh, and maybe I miss—can...misrepresenting what you meant.Jennifer SeniorYou may not have said that. I don't know what you said.Jennie NashNo, I did, I did.Jennifer SeniorYou did, okay, yeah, because I just know that it was processed as a harsh—oh no, totally. Like, I was going to say to you that—so there was a part of my book, my book, eventually, I just gave one chapter to each person in my life whom I thought could, like, assess it best, and one of them, so this friend—I did it on paper. He circled three paragraphs, and he wrote, and I quote, “Is this just a shitty way of saying...?” And then I was like, thank God someone caught it, if it was shitty. Oh my God. And then—and I was totally old enough to handle it, you know, I was like 44, whatever, 43. And then, who was it? Someone else—oh, I think I gave my husband the intro, and he wrote—he circled a paragraph and just wrote, “Ugh.” Okay, Select Alt, Delete, redo. You know, like, what are you going to do with that? That's so unambiguous. It's like, you know—and also, I mean, when you're younger, you argue. When you're older, you never quarrel with Ugh. Or Is this...Jennie NashRight, you're just like, okay, yep.Jennifer SeniorYeah. And again, you—you've done it enough that, you know, there's so much more where that came from.Jennie NashYeah.Jennifer SeniorWhy cling to anything that someone just, I don't know, had this totally allergic reaction to? Like, you know, if my husband broke out in a hive.Jennie NashYeah. So, circling back to the—the storyline of—you took this medication, you lost your ability to write in this way, you changed medications, presumably, you got it back. What did it feel like to get it back? Did you—do you remember that?Jennifer SeniorOh God, yes, it was glorious.Jennie NashReally?!Jennifer SeniorOh, you don't feel like yourself. I think that—I mean, I think there are many professions that are intertwined with identity. They may be the more professional—I'm sorry, the more creative professions. But not always, you know. And so if your writing voice is gone, and it's—I mean, so much of writing is an expression of your interior, if not life, then, I don't know some kind of thought process and something that you're working out. To have that drained out of you, for someone to just decant all the life out of your—or something to decant all the life out of your writing, it's—it's, I wouldn't say it's traumatic, that's totally overstating it, but it's—it's a huge bummer. It's, you know, it's depressing.Jennie NashWell, the word glorious, that's so cool. So to feel that you got back your—the you-ness of your voice was—was glorious. I mean, that's—that's amazing.Jennifer SeniorWhat—if I can just say, I wrote a feature, right, that then, like, I remember coming off of it, and then I wrote a feature that won the News Women's Club of New York story for best feature that year. Like, I didn't realize that those are kind of hard to win, and not like I won... I think I've won one since. But, like, that was in, like, 99 or something. I mean, like, you know, I don't write a whole lot of things that win stuff, until recently, you know. There was, like, a real kind of blackout period where, you know, I mean, but like—which I think, it probably didn't have to do with the quality of my writing. I mean, there was—but, I mean, you know, I wasn't writing any of the stuff that floated to the tippy top, and, like, I think that there was some kind of explosion thereof, like, all the, again, stuff that was just desperate to come out. I think there was just this volcanic outpouring.Jennie NashSo you're saying now you are winning things, which is indeed true. I mean, Pulitzer Prizes among them. Do you think that that has to do with this getting better? The wisdom, the practice, the glorious having of your abilities? Or, I guess what I'm asking is, like, is luck a part of—a part of all that? Is it just, it just happens? Or do you think there's some reason that it's happening? You feel that your writing is that powerful now?Jennifer SeniorWell, luck is definitely a part of it, because The Atlantic is the greatest place to showcase your feature writing. It gets so much attention, even though I think fewer people probably read that piece about Bobby McIlvaine than would have read any of my columns on any given day. The kind of attention was just so different. And it makes sense in a funny way, because it was 13,600 words or something. I mean, it was so long, and columns are 750 words. But, like, I think that I just lucked out in terms of the showcase. So that's definitely a part of it. And The Atlantic has the machinery to, you know, and all these dedicated, wonderful publicity people who will make it possible for people to read it, blah, blah, blah. So there's that. If you're older, you know everyone in the business, so you have people amplifying your work, they're suddenly reading it and saying, hey, everybody read it. It was before Twitter turned to garbage. Media was still a way to amplify it. It's much harder now, so passing things along through social media has become a real problem. But at that moment, it was not—Jennie NashYeah.Jennifer SeniorSo that was totally luck. Also, I wonder if it was because I was suddenly writing something from in the first person, and my voice was just better that way. And I wouldn't have had, like, the courage, you know?Jennie NashYeah.Jennifer SeniorAnd also, you're a book critic, which is what I was at The Times. And you certainly are not writing from the first person. And as a columnist, you're not either.Jennie NashYeah.Jennifer SeniorSo, you know, those are very kind of constricted forms, and they're also not—there are certainly critics who win Pulitzers. I don't think I was good enough at it. I was good, but it was not good enough. I could name off the top of my head, like, so many critics who were—who are—who haven't even won anything yet. Like Dwight Garner really deserves one. Why has he not won a Pulitzer? He's, I think, the best writer—him and Sophie Gilbert, who keeps coming close. I don't get it, like, what the hell?Jennie NashDo you—as a—as a reader of other people's work, I know you—you mentioned Michael Ondaatje that you'd studied—study him. But do you just recognize when somebody else is on their game? Like, do you recognize the voice or the gloriousness of somebody else's work? Can you just be like, yeah, that...?Jennifer SeniorWell, Philip Roth, sentence for sentence. Martin Amis, even more so—I cannot get over the originality of each of his sentences and the wide vocabulary from which he recruits his words, and, like, maybe some of that is just being English. I think they just get better, kind of more comprehensive. They read more comprehensively. And I always tell people, if they want to improve their voice, they should read the Victorians, like that [unintelligible]. His also facility with metaphor, I don't think, is without equal. The thing is, I can't stand his fiction. I just find it repellent. But his criticism is bangers and his memoirs are great, so I love them.Jennie NashYeah.Jennifer SeniorSo I really—I read him very attentively, trying to think of, like, other people whose kind of...Jennie NashI guess I was—I was getting at more... like, genius recognizes genius, that con... that concept, like, when you know you can do this and write in this way from time to time anyway, you can pull it off.Jennifer SeniorYeah, genius as in—I wouldn't—we can't go there.Jennie NashWell, that's the—that's the cliché, right? But, like...Jennifer SeniorOh no, I know, I know. Game—game, game recognizes game.Jennie NashGame recognizes game is a better way of saying it. Like, do you see—that's actually what the phrase is. I don't know where I came up with genius, but...Jennifer SeniorNo, it's fine. You can stick anything in that template, you know—evil recognizes evil, I mean, you know, it's like a...Jennie NashYeah. Do you see it? Do you see it? Like, you can see it in other people?Jennifer SeniorSure. Oh yeah, I see it.Jennie NashYeah.Jennifer SeniorI mean, you're just talking about among my contemporaries, or just as it...Jennie NashJust like anything, like when you pick up a book or you read an article or even listen to a storytelling pack podcast, that sense of being in the hands of somebody who's on it.Jennifer SeniorYeah, I think that Jonathan Goldstein—I mean, I think that the—the Heavyweight Podcast, for sure, is something—and more than that, it's—it's storytelling structure, it's just that—I think that anybody who's a master at structure would just look at that show and be like, yeah, that show nails it each and every time.Jennie NashI've not listened, but I feel like I should end our time together. I would talk to you forever about this, but I always like to leave our listeners with something specific to reflect or practice or do. And is there anything related to metaphor or practicing, finding your voice, owning your voice, that you would suggest for—for folks? You've already suggested a lot.Jennifer SeniorRead the Victorians.Jennie NashAwesome. Any particular one that you would say start with?Jennifer SeniorYeah, you know what? I find Dickens rough sledding. I like his, you know, dear friend Wilkie Collins. I think No Name is one of the greatest books ever. I would read No Name.Jennie NashAmazing. And I will add, go read Jennifer's work. We'll link to a bunch of it in the show notes. Study her and—and watch what she does and learn what she does—that there it is, a master at work, and that's what I would suggest. So thank you for joining us and having this amazing discussion.Jennifer SeniorThis has been super fun.Jennie NashAnd for our listeners, until next time, stop playing small and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

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Sometimes the Lord starts working in our lives long before we realize it—arranging circumstances and setting us apart for His purpose. Dr. Tony Evans reminds us that God's power isn't based on our perfection but on His unstoppable purpose and plan.

Sometimes the Lord starts working in our lives long before we realize it—arranging circumstances and setting us apart for His purpose. Dr. Tony Evans reminds us that God's power isn't based on our perfection but on His unstoppable purpose and plan.

Tom Sandoval’s hit peak annoyance and Dolores is happy to witness it! She tells us what it was like to hear his crazy theories in real time and why they believe production had some beef with him too…And, which player could we never marry, simply because he can talk himself out of anything?! Which traitor do we feel the most sorry for, and who are we ready to say goodbye to? See omnystudio.com/listener for privacy information.

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Great...now I want to play Kingdom Hearts....Tickets still available for our DC and NYC shows!Starring:Adal RifaiJohn Patrick CoanErin KeifEditing by: Casey ToneyTheme by: Arne ParrottLogo by: Emily Kardamis & Emmaline MorrisWant more? Get Weekly Bonus Eps on Patreon!JPC's Guided Meditations Volume 1, available now at our Patreon digital store!Want merch? Visit our Dashery Store!Want to mail us something? Hey Riddle Riddle 6351 W Montrose Ave #267Chicago, IL, 60634Want to leave us a voicemail? Call (805) RIDDLE-1 or (805-743-3531)Want to advertise on the show? Check out Hey Riddle Riddle via Gumball.fmThis episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/RIDDLE and get on your way to being your best self.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.