Podcasts about Semele

durée : 01:28:26 - invité : Carlo Vistoli, contre-ténor - par : Lionel Esparza - Depuis à peine 5 ans, la carrière du contre-ténor Carlo Vistoli a explosé ; il est devenu une quasi star, au point de faire le mois dernier la couverture d'Opéra Magazine. Il est en ce moment au Théâtre des Champs-Elysées dans Semele de Haendel : l'occasion de découvrir ce magnifique chanteur.

durée : 01:28:26 - invité : Carlo Vistoli, contre-ténor - par : Lionel Esparza - Depuis à peine 5 ans, la carrière du contre-ténor Carlo Vistoli a explosé ; il est devenu une quasi star, au point de faire le mois dernier la couverture d'Opéra Magazine. Il est en ce moment au Théâtre des Champs-Elysées dans Semele de Haendel : l'occasion de découvrir ce magnifique chanteur.

durée : 00:28:58 - Les Midis de Culture - par : Marie Labory - Semele aime Zeus et Zeus aime Semele mais Zeus est marié à Junon et Junon est jalouse. Qui mourra d'amour ? La cheffe d'orchestre Emmanuelle Haïm dirige le Concert d'Astrée dans une nouvelle version de "Semele" et nous parle des ressorts de cette passion baroque. - réalisation : Laurence Malonda - invités : Emmanuelle Haïm Claveciniste et chef d'orchestre (Paris, 1962 - )

Dcn. Harrison Garlick and Adam Minihan are joined by Evan Amato of Rewire the West to discuss Book Five of Odyssey: Odysseus escapes Calypso's Island.Check out thegreatbookspodcast.com for a written guide to the Odyssey. A couple questions from the guide: 28. What happens in book five?King Odysseus is trapped on Calypso's island. Zeus, at Athena's pleading, agrees to two proposals: first, Odysseus may leave the captivity of Calypso; and second, Athena may help Telemachus escape the trap set by the suitors (5.24). Hermes, the messenger god, goes and tells Calypso that it is Zeus' will that Odysseus be set free upon a make-shift raft, and Calypso, though upset, acquiesces to the will of Zeus (5.125, 176).[1] She tells Odysseus he may leave, and he has her promise she is not plotting some new harm against him (5.202). After four days of working on the raft, Odysseus sets sail on the fifth with gifts and provisions from Calypso (5.288).Poseidon, who is returning from Ethiopia, sees Odysseus has left the island and, “it made his fury boil even more” (5.313). Poseidon sends a storm to sink Odysseus (5.321). As he's being battered by the waves, a goddess of the sea, Ino, pities Odysseus, and tells him to strip off his clothes, tie her scarf around his waist, and swim for land (5.377). Poseidon smashes the raft to pieces (5.403), and Odysseus, with the help of Athena, makes it to the shore (5.471). The book ends with Odysseus falling asleep beneath two olive trees (5.544).[2] 29. Why does Odysseus refuse Calypso's offer of immortality?Calypso tells Hermes that she has offered immortality to Odysseus (5.151), and again makes the offer after Odysseus knows he's free to leave the island (5.230). How can Odysseus refuse immortality? How can a mortal man refuse an immortal life with a beautiful goddess? A subtle clue is found in the opening of book five. It does not repeat the typical line of Dawn and her rosy fingers but instead invokes Dawn's lover, Tithonus (5.01).[3] It is said that Dawn (Eos) asked Zeus to make her mortal lover, Tithonus, immortal, and Zeus agreed—but Zeus did not grant Tithonus immortal youth. Thus, Tithonus, immortal, continued to age until he “became an old shriveled creature little more than a voice.”[4] Tithonus attempts to graft onto human nature something that is unnatural to it: immortality. As Dr. Patrick Deneen observes: “Tithonus accepts what is unacceptable for mortals to attain, but which is nevertheless clearly tempting to normal mortal desires.”[5]One aspect of the unnaturalness of immortality in man is the necessity for the possibility of death to achieve glory (kleos). It is in facing death that man achieves renown. Without death, what is man? Furthermore, observe how those who are without death, the immortal gods, are presented: imploded personalities, obsessive, petty, and narcissistic. The sinews between man, death, and glory are one to observe, as the story of Odysseus continues to develop.Similarly to Tithonus, we should observe Homer references the goddess Ino who was “a mortal woman once” (5.367). Ino, the sister of Semele, was driven mad by Hera, and she jumped into the sea with her son in her arms. She...

Son of Semele & The Victory Theatre Center Present the World Premiere of CREVASSE @ The Victory Theatre Center - 8.8 out of 10! Great Show! LA Theatre Bites Recommended! JULY 26 - AUGUST 18, 2024. www.latheatrebites.com

fWotD Episode 2645: Homeric Hymns Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Thursday, 1 August 2024 is Homeric Hymns.The Homeric Hymns (Ancient Greek: Ὁμηρικοὶ ὕμνοι, romanized: Homērikoì húmnoi) are a collection of thirty-three ancient Greek hymns and one epigram. The hymns praise deities of the Greek pantheon and retell mythological stories, often involving a deity's birth, their acceptance among the gods on Mount Olympus, or the establishment of their cult. In antiquity, the hymns were generally, though not universally, attributed to the poet Homer: modern scholarship has established that most date to the seventh and sixth centuries BCE, though some are more recent and the latest, the Hymn to Ares, may have been composed as late as the fifth century CE.The Homeric Hymns share compositional similarities with the Iliad and the Odyssey, also traditionally attributed to Homer. They share the same artificial literary dialect of Greek, are composed in dactylic hexameter, and make use of short, repeated phrases known as formulae. It is unclear how far writing, as opposed to oral composition, was involved in their creation. They may initially have served as preludes to the recitation of longer poems, and have been performed, at least originally, by singers accompanying themselves on a lyre or other stringed instrument. Performances of the hymns may have taken place at sympotic banquets, religious festivals and royal courts.There are references to the Homeric Hymns in Greek poetry from around 600 BCE; they appear to have been used as educational texts by the early fifth century BCE, and to have been collected into a single corpus after the third century CE. Their influence on Greek literature and art was relatively small until the third century BCE, when they were used extensively by Alexandrian poets including Callimachus, Theocritus and Apollonius of Rhodes. They were also an influence on Roman poets, such as Lucretius, Catullus, Virgil, Horace and Ovid. In late antiquity (c. 200 – c. 600 CE), they influenced both pagan and Christian literature, and their collection as a corpus probably dates to this period. They were comparatively neglected during the succeeding Byzantine period (that is, until 1453), but continued to be copied in manuscripts of Homeric poetry; all the surviving manuscripts of the hymns date to the fifteenth century. They were also read and emulated widely in fifteenth-century Italy, and indirectly influenced Sandro Botticelli's painting The Birth of Venus.The Homeric Hymns were first published in print by Demetrios Chalkokondyles in 1488–1489. George Chapman made the first English translation of them in 1624. Part of their text was incorporated, via a 1710 translation by William Congreve, into George Frideric Handel's 1744 musical drama Semele. The rediscovery of the Homeric Hymn to Demeter in 1777 led to a resurgence of European interest in the hymns. In the arts, Johann Wolfgang von Goethe used the Hymn to Demeter as an inspiration for his 1778 melodrama Proserpina. Their textual criticism progressed considerably over the nineteenth century, particularly in German scholarship, though the text continued to present substantial difficulties into the twentieth. The Homeric Hymns were also influential on the English Romantic poets of the early nineteenth century, particularly Leigh Hunt, Thomas Love Peacock and Percy Bysshe Shelley. Later poets to adapt the hymns included Alfred, Lord Tennyson, and Constantine P. Cavafy. Their influence has also been traced in the works of James Joyce, the films of Alfred Hitchcock, and the novel Coraline by Neil Gaiman.This recording reflects the Wikipedia text as of 00:47 UTC on Thursday, 1 August 2024.For the full current version of the article, see Homeric Hymns on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Arthur.

Today's Topics: 1) God is not mocked: Blasphemous depiction of Last Supper at Olympic ceremony sparks outrage https://www.lifesitenews.com/news/god-is-not-mocked-blasphemous-depiction-of-last-supper-at-olympic-ceremony-sparks-outrage/?utm_source=featured-news&utm_campaign=usa 2) Catholic leaders join French Bishops in condemning Last Supper scene at Paris Olympics opening https://www.ncregister.com/cna/world-response-to-mockery-of-christianity-at-paris-olympics 3) Originally Dionysus was the Greek god of fertility, later coming to be known chiefly as the god of wine and pleasure. Romans called him Bacchus. Dionysus was the son of the supreme god Zeus and Semele, the daughter of a king https://www.rijksmuseum.nl/en/rijksstudio/subjects/dionysusbacchus#:~:text=Originally%20Dionysus%20was%20the%20Greek,the%20daughter%20of%20a%20king 4) Emperor Theodosius condemned and banned the olympic games as pagan and unworthy of Christian culture, with the approval of the Catholic bishops, Saint Ambrose in particular https://taylormarshall.com/2012/08/how-catholic-emperor-banned-olympic.html

Laureátkou 18. ročníku cen L'Oréal-UNESCO Ženy ve vědě se stala Kateřina Sam z Přírodovědecké fakulty Jihočeské univerzity v Českých Budějovicích. Jako terénní bioložka zkoumá interakce mezi ptáky, hmyzem a rostlinami, a to v různých zemích světa.Všechny díly podcastu Dopolední host můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Hör tre favoriter i repris i det här specialminisnittet!Det grekiska dramat var en av antikens stora konstformer, med tävlingar för manusförfattare och skådespelare lika viktiga som dagens Oscarsgala för filmbranschen. Dramat växte fram ur det religiösa firandet till guden Dionysos ära, och blev snabbt populärt. Det var tragedier med svåra familjekonflikter, gripande monologer och hemska specialeffekter. Men också komedier med löspenisar, politisk satir, sång och dans.Backanterna brukar anses vara ett av den atenska tragikern Euripides allra främsta verk, tillika ett av de främsta tragiska verken någonsin. Det berättar historien om kung Pentheus av Thebe, vars familj bestraffas av Dionysos. Orsaken? De har förtalat Dionysos dödliga mor, Semele, och vägrat erkänna honom som son till Zeus. Efter att ha färdats över hela världen befinner sig nu Dionysos i Thebe för att utkräva sin hämnd, genom att inrätta en extatisk mysteriekult i staden.Aischylos pjäs De sju mot Thebe är ett prisbelönt drama från antikens Grekland som innehåller lite av varje; familjefejd, intriger och ett blodigt slut. Men framför allt en varning om att man inte kan fly från sitt öde. Hosted on Acast. See acast.com/privacy for more information.

Dr. Muna Yako, leading the Human Rights Commission in the KRG, disclosed to SBS that her aspiration to erect the monument of Simele dates back many years. Despite her efforts, she noted a lack of support from Assyrian organisations in reaching an agreement to commence the project. However, Dr. Yako affirmed that the Governor of Duhok has essentially agreed to support and finance the endeavour. This is part one of the report from Naseem Sadiq. Part two will follow soon.

Being the lover of Zeus can be a difficult job. Just ask Semele or Io... However, it turns out being his son can be very, very easy. Join us for the story of Perseus- the man who, after a. bit of a rocky start, had everything pretty much handed to him on a silver plate. Many thanks to Quest for Power for collaborating with us! You can find them at the following links: Spotify: ⁠https://open.spotify.com/show/2tcN4SLk27BAvqKkvBxqz1?si=c125768fecac4f42⁠ Apple Podcasts: ⁠https://podcasts.apple.com/gb/podcast/quest-for-power/id1645972223⁠ Instagram: ⁠https://www.instagram.com/questforpowerpod/⁠ Sources for this episode: Berger, B. M. (1960), How Long Is a Generation? The British Journal of Sociology 11(1): 10-23. Coleridge, A. P. (1889), "The Argonautica" of Apollonius Rhodius. Translated into English Prose from Text of R. Merkel. London: George Bell and Sons. De Lamotte, D. F., Leturmy, P., Missenard, Y., Khomsi, S., Ruiz, G., Saddaqi, O., Guillocheau, F. and Michard, A. (2009), Mesozoic and Cenozoic vertical movements in the Atlas system (Algeria, Morocco, Tunisia): An overview. Tectonophysics 475: 9-28. Frazer, J. G. (1921), Apollodorus: The Library (Volume I). London: William Heinemann. Guerber, H. A. (1929), The Myths of Greece & Rome: Their Stories Signification and Origin. London: George G. Harrap & Company Ltd. MacLeod, M. D. (1961), Lucian in Eight Volumes (Volume VII). London and Cambridge, Massachusetts: William Heinemann Ltd. and Harvard University Press. Matsamura, S. and Forster, P. (2008), Generation time and effective popular size in Polar Eskimos. Proceedings of the Royal Society B: Biological Sciences 275: 1501-1508. Rawlinson, G. (1871), A Manual of Ancient History, From the Earliest Times to the Fall of the Western Empire. Comprising the History of Chaldea, Assyria, Media, Babylonia, Lydia, Phoenicia, Syria, Judaea, Egypt, Carthage, Greece, Macedonia, Parthia, and Rome. New York: Harper & Brothers, Publishers. Riley, H. T. (1889), The Metamorphoses (Ovid), Literally Translated Into English Prose, With Copious Notes and Explanations. London: George Bell & Sons. Robertson, J. (1788), The Parian Chronicle, or the Chronicle of the Arundelian Marbles; with a Dissertation Concerning its Authenticity. London: J. Walter, Charing Cross. Author unknown (2007), Shorter Oxford English Dictionary on Historical Principles (6th edition). Volume 1: A-M. Oxford: Oxford University Press. Author unknown (2007), Shorter Oxford English Dictionary on Historical Principles (6th edition). Volume 2: N-Z. Oxford: Oxford University Press.

One of the UK's most popular vocalists and broadcasters, Aled Jones MBE, today announces the release of his brand-new album which not only celebrates 40 years in show business but reveals some previously unreleased tracks, recently unearthed by Aled himself. Whilst visiting his family home in Anglesey earlier this year, Aled began reminiscing over the 40 years of memorabilia his parents have collected throughout his career. They literally had everything, even a collection of multi-coloured shirts and bow ties. Aled's mother explained they had been handmade for him by a BBC employee for a series he made in 1983, at the age of 13. This prompted Aled to go and find the original programme. He began to go through the footage and discovered recordings, which have never been released or even heard since the original broadcast 40 years ago. The album includes brand new arrangements of those classics including Ave Maria and Bright Eyes.Aptly titled, ‘One Voice – Full Circle', the new record is the fourth (and probably final, says Aled!) instalment in his utterly unique ‘One Voice' series in which, through the magic of technology, Aled is able to duet with his younger self: man and boy, baritone and treble. Here, album highlights include ‘Sailing', The Sutherland Brothers' 1972 track best known as a hit for Rod Stewart, Handel's ‘Where'er you Walk', from the musical drama Semele, Welsh love song ‘Bugeilo'r Gwenith Gwyn' and traditional ballad ‘Scarborough Fair'. Aled even tracked down the original 80's guitarist, Dylan Fowler, to re-record his part for this new recording. TRACKLIST:1. Bright Eyes 2. Sea Fever 3. Scarborough Fair 4. Where ‘ere You Walk 5. Bugeilio'r Gwenith Gwyn6. Sailing 7. Trees 8. Panis Angelicus 9. At the River 10. Brand New Day 11. Ave Maria12. Sarah (Mi Glywaf Dyner Lais) 13. Pie Jesu 14. Walking In The Air (Piano Solo version)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

La Divina comedia del PARAISO Libro de Dante Alighieri CANTO VIGESIMOPRIMERO MIS ojos se habían fijado de nuevo en el rostro de mi Dama, y el ánimo con ellos se había separado de todo otro objeto. Ella no sonreía: —Pero si yo riese—empezó a decirme—, te quedarías como Semele, cuando fué reducida a cenizas; pues mi belleza, que, según has visto, brilla más cuanto más asciende por las gradas del eterno palacio, si no se moderase, resplandecería tanto, que tu fuerza mortal perecería ante su fulgor como la rama destrozada por el rayo. Nos hemos elevado al séptimo esplendor[168] que, colocado bajo el pecho del ardiente León, difunde ahora sobre la Tierra sus rayos mezclados con el fuerte influjo de aquél. Fija la mente en pos de tus miradas, y haz de tus ojos un espejo para la imagen que se te aparecerá en este espejo. Quien supiese cuán dulcemente se recreaba mi vista en el semblante dichoso de Beatriz, cuando invitado por ella la dirigí hacia otro objeto, conocería lo grato que me sería obedecer a mi Guía celestial, considerando que el placer de obedecerla contrabalanceaba al que yo sentía contemplándola. Dentro del cristal que, rodeando al mundo, lleva el nombre de su querido señor, bajo cuyo imperio permaneció muerto todo mal, vi una escala del color del oro en que se refleja un rayo de Sol, y tan elevada, que mis ojos no podían seguirla. Vi además bajar por sus escalones tantos resplandores, que pensé que todas las luces que brillaban en el cielo estaban esparcidas allí. Y así, como, por una costumbre natural, las cornejas se agitan reunidas al romper el día para dar calor a sus ateridas alas, y mientras se alejan algunas sin volver, otras regresan al punto de donde se remontaban, y otras revolotean sobre él, lo mismo me pareció que hacían aquellos fulgores que habían ido descendiendo hasta que se detuvieron en un escalón determinado. El que se quedó más cerca de nosotros empezó a resplandecer tanto, que yo decía entre mí: "Conozco el amor que me anuncias." Pero Aquélla, de quien espero la orden para hablar o callar, permaneció inmóvil: así es que, a pesar mío, hice bien en no preguntar nada. Por lo cual, ella, que leía en la vista de Aquél que lo ve todo el deseo que yo ocultaba, me dijo:...

On Max Q we're featuring soprano and arts-administrator Mira Fu-En Huang (MM '22 Historical Performance Voice). Mira masterfully juggles her performance career—highlighted by roles in operas like Handel's “Semele” and collaborations with contemporary composers—with her arts administration work at organizations … Continue reading →

Rhada, Callisto, Uranus, Semele, and Nolan continue to explore Snowpoint Temple, letting no person or creature stand in their way.

Hostem pátečního seriálu rozhovorů Na tandemu s Vláďou je závodník a manažer Miloš Čihák, který ještě donedávna řídil japonský závodní tým MIE Racing Honda Team sídlící v Praze. Nyní se ale plně soustředí na jediného českého zástupce v mistrovství světa superbiků, kterým je Oliver König sedlající litrovou Kawasaki v týmu Orelac Racing Movisio. Poslechněte si rozhovor o drsném světě silničních závodů, o závodní technice a o angažmá českého jezdce ve světovém šampionátu, kde český pas rozhodně není výhodou. Více na: https://motorkari.cz/a/w7t

Assyrians of Dohuk commemorated the 90th anniversary of the Semele Massacre with a lecture prepared and presented by Mr Evan Gorbeel, President of Diana assyrian Cultural Centre, at the Hall of Mar Narsai Church of the East in Dohuk-Nohardra

Joining Netty in the latest episode is Václav Luks, who is currently conducting Handel's Semele with the OAE at Glyndebourne. We travel back in time with Václav to an era when libraries and photocopy machines were the norm. He shares his passion for mountaineering, survival instincts, and taking a leap of faith in the Baroque world.Conductor, director, harpsichordist, horn player and musicologist Václav Luks shares how his love for nature and focus on emotion and intuition have shaped his musicianship. He reflects on his experience with the OAE and emphasises the significance of establishing a connection and understanding the nuances of an orchestra. Václav also talks of his younger self, which can inspire us all.--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

I det här minisnittet från våren 2022 tar vi oss an tragikern Euripides verk, Backanterna. Förutom att pjäsen anses vara Euripides främsta, så anses det även vara ett av de främsta tragiska verken någonsin. Backanterna berättar historien om kung Pentheus av Thebe, vars familj bestraffas av Dionysos. Orsaken? De har förtalat Dionysos dödliga mor, Semele, och vägrat erkänna honom som son till Zeus. Efter att ha färdats över hela världen befinner sig nu Dionysos i Thebe för att utkräva sin hämnd, genom att inrätta en extatisk mysteriekult i staden. Hosted on Acast. See acast.com/privacy for more information.

Divina comedia Libro de Dante Alighieri CANTO TRIGESIMO EN aquel tiempo en que Juno, por causa de Semele, estaba irritada contra la sangre tebana, como lo demostró más de una vez, Atamas se volvió tan insensato que, al ver acercarse a su mujer, llevando de la mano a sus dos hijos, exclamó: "Tendamos las redes de modo que yo coja a su paso la leona con sus cachorros;" y extendiendo después las desapiadadas manos, agarró a uno de ellos, que se llamaba Learco, le hizo dar vueltas en el aire y lo estrelló contra una roca: la madre se ahogó con el hijo restante. Cuando la fortuna abatió la grandeza de los troyanos, que a todo se atrevían, hasta que el reino fué destruído juntamente con el rey, la triste Hécuba, miserable y cautiva, después de haber visto a Polixena muerta, y el cuerpo de su Polidoro tendido en la orilla del mar quedó con el corazón tan desgarrado, que, fuera de sí, empezó a ladrar como un perro; de tal modo la había trastornado el dolor. Pero ni los tebanos ni los troyanos furiosos demostraron tanta crueldad, no ya en torturar cuerpos humanos, sino ni siquiera animales, como la que vi en dos sombras desnudas y pálidas, que corrían mordiéndose, como el cerdo cuando se escapa de su pocilga. Una de ellas alcanzó a Capocchio, y se le afianzó a la nuca de tal modo, que tirando de él, le hizo arañar con su vientre el duro suelo. El aretino, que quedó temblando, me dijo: —Ese loco es Gianni Schicchi, que va rabioso maltratando a los demás. —¡Oh!—le dije yo—: no temas decirme quién es la otra sombra que va con él, antes que desaparezca, y ojalá no venga a hincarte los dientes en el cuerpo. Me contestó: —Es el alma antigua de la perversa Mirra, que fué amante de su padre contra las leyes del amor honesto: para cometer tal pecado se disfrazó bajo la forma de otra; como aquel que ya se va tuvo empeño en fingirse Buoso Donati, a fin de ganar la "Donna della Torma," testando en su lugar, y dictando las cláusulas del testamento.[38] Cuando hubieron pasado aquellas dos almas furiosas, sobre las cuales había tenido fija mi vista, me volví para mirar las sombras de los otros mal nacidos. Vi uno, que pareciera un laúd, si hubiese tenido el cuerpo cortado en el sitio donde el hombre se bifurca. La pesada hidropesía, que, a causa de los humores convertidos en maligna sustancia, hace los miembros tan desproporcionados, que el rostro no corresponde al vientre, le obligaba a tener la boca abierta, pareciéndose al hético que, cuando está sediento, dirige uno de sus labios hacia la barba y otro hacia la nariz. —¡Oh vosotros, que no sufrís pena alguna (y no sé por qué) en este mundo miserable!—nos dijo—: mirad y estad atentos al infortunio de maese Adam: yo tuve en abundancia, mientras viví, todo cuanto deseé; y ahora, ¡ay de mí!, sólo deseo una gota de agua. Los arroyuelos que desde las verdes colinas del Casentino descienden hasta el Arno, trazando frescos y apacibles cauces, continuamente están ante mi vista, y no en vano; pues su imagen me reseca más que el mal que descarna mi rostro. La rígida justicia que me castiga se sirve del mismo lugar donde he pecado para hacerme exhalar más suspiros. Allí está Romena, donde falsifiqué la moneda acuñada con el busto del Bautista, por lo cual dejé en la tierra mi cuerpo quemado. Pero si yo viese aquí el alma criminal de Guido, o la de Alejandro, o la de su hermano, no cambiaría el placer de mirarlos a mi lado ni aun por la fuente Branda. Una de ellas está ya aquí dentro, si es cierto lo que dicen las coléricas sombras de los que giran por estos sitios; pero ¿qué me importa, si tengo encadenados mis miembros? Si a lo menos fuese yo tan ágil que en cien años pudiera andar una pulgada, ya me habría internado por el sendero, buscándola entre esa gente deforme, a pesar de que la fosa tiene once millas de circunferencia y no menos de media milla de diámetro. Por su causa me veo entre estos condenados: ellos me indujeron a acuñar los florines, que bien tenían tres quilates de liga.

Die subjektive, leicht beschwipste Opernkritik-Ach du lieber Schwan! Diesmal sprechen Kathi Roeb und Linda Becker mit unserem Fan Flo, Gewinner unseres

Georg Friedrich Händels späte Oratorien sind eigentlich allesamt verkappte Bühnenwerke. Für kaum ein Werk gilt das mehr als für „Semele“, das Händel 1743 als veritablen Ehekrimi gestaltet. Im Rahmen der Münchner Opernfestspiele hat Regisseur Claus Guth mit bildmächtigen Räumen das Stück neu inszeniert.

Vor gut 20 Jahren begeisterte der damalige Intendant Peter Jonas die Opernfans für Barockmusik. Jetzt will sein Nach-Nachfolger Serge Dorny daran anknüpfen: Bei den Opernfestspielen feierte am 15. Juli Händels "Semele" im Prinzregententheater Premiere.

Fuchs, Jörn Florianwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Stürz, Franziskawww.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

14/07/2023 Lar Harmonia

Bei den Opernfestspielen in München steht noch eine große Premiere an: Am 15. Juli kommt im Prinzregententheater "Semele" von Georg Friedrich Händel auf die Bühne. Regisseur Claus Guth zeigt Semele als emanzipierte junge Frau, die ihre Zukunft selbst in die Hand nehmen will. Bei der Inszenierung setzt Guth auf scharfe Kontraste in schwarz-weiß - und auf Breakdance.

In der aktuellen Folge sprechen Kathi Roeb und Linda Becker über die Neuproduktion Semele von Regisseur Claus Guth, die am 15.7.2023 im Prinzregententheater Premiere feiert. Dabei sprechen sie mit Dramaturg Christopher Warmuth über den Zwiespalt vom gesellschaftlich, konventionellen Bild der Ehe und der Verwirklichung des Individuums. Außerdem erklären sie die musikalische Besonderheit der Da-capo-Arien und wie diese das Barockstück so prägten. FRAGEN, ANREGUNGEN, IDEEN? Dann schreibt Kathi und Linda: how-to-oper@staatsoper.de

Semele soll Athamas heiraten. Alles ist vorbereitet für die Hochzeit. Die Braut aber spielt nicht mit, Semele will etwas anderes. Ihr Geliebter ist immerhin der Gott Jupiter selbst. Als dessen Gattin Juno in der jungen Frau den Wunsch nach Unsterblichkeit weckt, als sie dem Geliebten in seiner göttlichen Gestalt begegnen will, ist das ihr Untergang: Im Glanz der Erscheinung Jupiters muss sie verbrennen. – Claus Guth liest Georg Friedrich Händels Opern-Oratorium als den Versuch einer Befreiung aus gesellschaftlichen Konventionen. Am Ende ist Semele psychisch durchgeglüht, „es wird halt anders geheiratet und die Story geht weiter…“ Autor und Sprecher: Holger Noltze Sprecher:innen: Cathrin Störmer, Claus Guth, Michael Spyres, Brenda Rae Schnitt: Thomas Rott Dramaturgie und Projektleitung: Christopher Warmuth

In the latest couple episodes of Lore Olympus we get to see everybody set lots of healthy boundaries. And by “everybody” we mean Hades and Persephone, because Aries can and will crash all the parties and Zeus is still a giant jerk. (He’s definitely lying about Semele, right? Cause he’s certainly been lying about EVERYTHING... The post Binary System Podcast #363 – Lore Olympus #243 and #244, and Umbrella Academy first appeared on Pixelated Geek.

Original broadcast date April 20, 2023. The original podcast post is here: https://pixelatedgeek.com/2023/05/binary-system-podcast-361-lore-olympus-243-and-244-and-umbrella-academy/https://pixelatedgeek.com/2023/05/binary-system-podcast-361-lore-olympus-243-and-244-and-umbrella-academy/ In the latest couple episodes of Lore Olympus we get to see everybody set lots of healthy boundaries. And by "everybody" we mean Hades and Persephone, because Aries can and will crash all the parties and Zeus is still a giant jerk. (He's definitely lying about Semele, right? Cause he's certainly been lying about EVERYTHING ELSE.) After that, Kathryn watched episodes 3 and 4 of Umbrella Academy season 3, so we've got to discuss Luther making mixtapes, Diego being a terrible Dad, Five and Lyla making a discovery, Klaus being Klaus, and Viktor being responsible for ANOTHER APOCALYPSE. AGAIN. Finally we take a darker turn with a heads up about the latest episode of Swindled; we love that podcast but if intensely graphic depictions of Death By Killer Whale are not your speed, maybe skip that one. (And if you'd rather not even hear us making some vague mentions of death and dismemberment, you can skip from 21:40 to 23:05). But we finish up with a lighter look at some more MidJourney fan art. This week's outro is a clip from deepgaze (Game Size) by Akira Sora. In related news Elizabeth got kinda close with the name of the actress who plays Molly Hooper, it's Louise Brealey. Looking for a present for that hard-to-shop-for person? Want to buy them (or yourself) a square foot of a castle in Scotland? Look no further! You can support the restoration of Dunan's castle, legally call yourself Lady or Laird, AND if you use http://www.scottishlaird.co.uk/#_a_2gk to get there, you can support this podcast too! For updates, fan art, and other randomness, come follow us on Facebook, Tumblr, Twitter, and Instagram!

Taking a look at the evolution of playwright Branden Jacobs-Jenkins with special guest LISA DRING Lisa is a writer, director and actor originally from Hilo, Hawaii and Reno, Nevada. Her play SUMO will be co-produced by La Jolla Playhouse and Ma-Yi Theater Company in 2023. She has recently worked on multiple projects with Meow Wolf and was a member of The Geffen Writers' Room. She was honored as a recipient of the 2020/21 PLAY LA Stage Raw/Humanitas Prize. Her play The Wicked One was a finalist for the Relentless Award, a finalist for the Bay Area Playwrights Festival, a finalist for the Seven Devils Playwrights Conference and a semi-finalist for the O'Neill Playwrights Conference. Kaidan Project: Walls Grow Thin, a piece she co-wrote with Chelsea Sutton, was nominated for 7 Ovation Awards including Best Production (winner of 5). Lisa's work has been developed/produced by The New Group, Actors Theatre of Louisville, East West Players, Circle X, SCF @ Son of Semele, Playwrights' Arena, Rogue Artists Ensemble, UCSB Launch Pad Series, The Motor Company and Theatre of NOTE. Lisa has been awarded fellowships at MacDowell, Blue Mountain Center and Yaddo. Her play SUMO was recently named as a finalist for the O'Neill Playwrights Conference. Lisa graduated from the University of Southern California. She was awarded the 2021 Dorothy and Granville Hicks Residency at Yaddo, which honors one promising young writer a year, and was nominated for an Emmy for Welcome to the Blumhouse Live, a project she co-wrote and co-directed with Matt Hill. Shows Discussed: Part 1: An Octoroon Part 2: Gloria Part 3: Everybody SUBSCRIBE. RATE. REVIEW!! THEME and Stingers: Ryan Thomas Johnson IG: @theatre_theater_pod Twitter: @the_theatre_pod Gmail: theatretheaterpod@gmail.com tiktok: @theatre_of_the_absurd LA SPOTLIGHTS: A New BrainIG: @CelebrationThTr www.celebrationtheatre.org Resources below FGM Education Resources https://www.fgmeducation.com/post_resources/fgm-medical-resources/ BLM Donation and Education LinkTree: https://linktr.ee/NationalResourcesList Black Owned Businesses in LA: https://docs.google.com/spreadsheets/d/18w-0RBhwBBlXDN9kRV9DVSCAGSCjtHb9K0Pq2YBv18U/htmlview?usp=sharing&pru=AAABcpXptV0*XfoiE2Ay5SJUCEO3tXROGQ&urp=gmail_link MPJI https://marshap.org/ Petitions https://linktr.ee/petitions_123

The excitement is brewing!  Opera Omaha is ending this season with The Marriage of Figaro, and we had a lovely conversation with Michael Adams and Mary Feminear, who play the Count and the Countess in this beloved opera.  Mary and Michael are married in real life as well as their characters onstage, and it made for a great interview.  Our conversation was cut short because of technical problems, and we hope to talk with them again in the future. Both of these Creatives are immensely experienced and talented and it was an honor to talk with them.  Don't miss this famous and timeless opera, which is Directed by Dean Anthony and Conducted by Steven White.   Performances are March 31st and April 2nd and ticket prices begin at $19. You can get your tickets to this beloved opera, The Marriage of Figaro at ticketomaha.com.    Opera Omaha also offers their Opera in Conversation, The Art of Comedy: "Comedic Tropes at Types" which will be held at the Blackstone Theatre March 21st at 6PM.  And for a talkback after the opera, Opera in Conversation:  "After The Curtain Call" on April 4th at the Benson Theatre at 6PM.  These events are free of charge. OPERA OMAHA CONTACT INFO: For Tickets:  ticketomaha.com Website: www.operaomaha.org  Facebook:https://www.facebook.com/operaomaha/ Instagram:https://www.instagram.com/operaomaha/ Twitter:https://twitter.com/operaomaha You Tube:  https://www.youtube.com/user/operaomaha Soprano Mary Feminear returns to Opera Omaha after last performing in Opera Under the Stars. This season Ms. Feminear will also perform the title role of Carlisle Floyd's Susannah with Wichita Grand Opera and Alice Ford in Verdi's Falstaff with Maryland Lyric Opera. Her previous performances include the Countess Almaviva with Maryland Lyric Opera, Micaëla in Bizet's Carmen and Zerlina in Mozart's Don Giovanni at the Grand Théâtre de Genève, where she was also a member of the Troupe des Jeunes Solistes, Ginevra in a workshop of Handel's Ariodante at the Opera Omaha One Festival, the soprano soloist in Mariana Sadovska's The Wreck at the Opera Omaha ONE Festival, and Amore in Cavalli's Il Giasone at the Château de Versailles. Other opera credits include the title role in Handel's Semele at Opera Omaha and Seattle Opera, Pamina in Mozart's Die Zauberflöte with Pacific MusicWorks, Proserpine in Charpentier's La Descente d'Orphee aux Enfers with Gotham Chamber Opera, and Polissena in Handel's Radamisto at Juilliard.   Baritone Michael Adams returns to Opera Omaha after last performing in Opera Under the Stars. This season, Mr. Adams will also sing the Count in Le nozze di Figaro with Madison Opera, Castro in La fanciulla del West with the Cleveland Orchestra, Figaro in Il barbiere di Siviglia with Opera Idaho, and Eugene Onegin with Vallejo Festival Orchestra. Last season, he made two company and role debuts: Sharpless in Madama Butterfly with Dallas Opera and Count in Le nozze di Figaro with Austin Opera. He also returned to the Deutsche Oper Berlin as the Count and Herald in Der Schatzgräber and Utah Opera for Figaro in Il barbiere di Siviglia. Other recent performances include Les pêcheurs de perles with Gran Teatre del Liceu; Eugene Onegin, Così fan tutte, and L'elisir d'amore with Seattle Opera; La bohème, Alcina, and Don Giovanni with Grand Théâtre de Genève; Die Zauberflöte, Silent Night, Alcina and The Little Prince with Washington National Opera; Manon with Des Moines Metro Opera, Pagliacci, Il barbiere di Siviglia, and La bohème with Utah Opera; and Show Boat at Glimmerglass Festival. ***** HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on YouTube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   Music provided by musopen.com: Public Domain Mark 1.0 Le Nozze di Figaro - No. 11 Cavatina 'Porgi, Amor' Overture to The marriage of Figaro, K. 492 https://creativecommons.org/publicdomain/mark/1.0/

Synopsis Many music lovers will confess they prefer to hear symphonies or operas in the comfort of their own home rather than live in person at a concert hall or theater. On today's date in 1911, the famous French novelist, hypochondriac, and notorious homebody Marcel Proust wrote to his friend, the composer Reynaldo Hahn, that he had just listened to a live afternoon performance of the whole first act of Wagner's opera Die Meistersinger tucked up in bed and planned to hear Debussy's still-new opera Pelléas and Mélisande later that same evening, once again snugly secure in his Parisian apartment. Now, these days with radio, TV, and multiple live-streaming devices, this would be no big deal – but in 1911 how could that be possible? Well, for 60 francs a month -- a small fortune in 1911 -- wealthy Parisians could hear live performances of operas and plays relayed by a special phone line to a home receiver called the “théâtrophone.” First demonstrated in Paris in 1881, by 1890, the “théâtrophone was commercialized and the service continued 1932. Of course, even an enthusiastic subscriber like Proust had to admit the phone line sound quality was “très mal” (“really bad” in plain English) and hardly the same as being there in person. Music Played in Today's Program Claude Debussy (1862-1918) Pelléas et Mélisande Symphonie Suite (arr. Marius Constant) Orchestre National de Lyon; Jun Märkl, conductor. Naxos 8.570993 On This Day Births 1801 - Czech composer Johann Wenzel Kalliwoda, in Prague; 1836 - French composer Léo Delibes, in St. Germain du Val, Sarthe; 1844 - French composer and organist Charles Marie Widor, in Lyons; Deaths 1996 - American composer and conductor Morton Gould, age 82, in Orlando, Fla. Premieres 1727 - Bach: Sacred Cantata No. 52 ("Ich habe genug") performed on the Feast of the Purification as part of Bach's third annual Sacred Cantata cycle in Leipzig (1725/27); 1744 - Handel: oratorio “Semele,” in London (Julian date: Feb. 10); 1749 - Handel: oratorio “Susanna” in London (Julian date: Feb. 10); 1886 - Mussorgsky (arr. Rimsky-Korsakov): opera “Khovanschchina,” posthumously, in St. Petersburg (Julian date: Feb. 9); 1907 - Delius: opera, "A Village Romeo and Juliet," in Berlin; 1909 - Liadov: “Enchanted Lake” for orchestra, in St. Petersburg (Julian date: Feb. 8); 1917 - Rachmaninoff: “Etudes-tableaux,” Op. 39 (Gregorian date: March 6); 1920 - Milhaud: ballet "Le Boeuf sur la toît," in Paris; 1929 - Respighi: orchestral suite, "Roman Festivals," by the New York Philharmonic, Toscanini conducting; 1946 - Roy Harris: "Memories of a Child's Sunday," by the New York Philharmonic with the composer conducting; 1948 - Cowell: Suite for Woodwind Quintet, by an ensemble at the McMillan Theater of Columbia University in New York City; This work was written in 1933 for the French flutist Georges Barrère, but the score and parts remained lost until 1947. Links and Resources On Debussy On the Théâtrophone

On episode 221, Maeg Keane and Sabrina Monarch discuss Maeg's Dionysus 5th House astrology readings, the 5th house and the myths of Dionysus, Ariadne & Semele.Maeg is a consulting astrologer, herbalist, and writer. Their practice is rooted in an animist, relational approach that tends to the ties between people, their bodies, the land, and stars. With the help of traditional astrology and vitalist herbalism, Maeg seeks to honor the wisdom already inside each person and help them remember how interconnected they are to the living, enchanted world all around them. Website: third-sister.comNewsletter: tinyletter.com/third-sisterTwitter handle: @maegkeaneInstagram handle: @maeg.thirdsisterMENTIONED:Dragon of the Moon: an Evolutionary Astrology InitiationHungry Ghosts of Paradise: an audio novella - playlist on Spotify✨

First, Liv reads a selection from the new translation of Ovid's Metamorphoses, by Stephanie McCarter, because it's ARACHNE and it's AMAZING. Then, the cursed legacy of Thebes, the stories of Ino and Semele.Help keep LTAMB going by subscribing to Liv's Patreon for bonus content!CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Ovid's Metamorphoses translated by Stephanie McCarter; Theoi.com; Early Greek Myths by Timothy Gantz.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. Selections read from METAMORPHOSES by Ovid and translated by Stephanie McCarter, published by Penguin Classics, an imprint of Penguin Random House, LLC. The unabridged audio recording narrated by Bahni Turpin is published by Ground Cherry Press, available at Audible, at other major online audiobook retailers, and to borrow at public libraries. Hosted on Acast. See acast.com/privacy for more information.

Semele's Director Patrick Mason, its conductor Christian Curnyn and one of its stars Kelli-Ann Masterson who plays the titular role speak to Sean - Jenn Gannon on Neighbours, as it finishes after 37 years on screen - Poem – Colm Toibin - Gemma Dunleavy at the All Together Now festival.

Roger Q. Mason (Playwright) (they/them) joins Black Hair in the Big Leagues with host, Salisha Thomas. They were recently touted by The Brooklyn Rail as "quickly becoming one of the most significant playwrights of the decade." Their playwriting has been seen on Broadway at Circle in the Square (Circle Reading Series); Off and Off-Off-Broadway at MCC Theatre with Carnegie Hall, La Mama ETC, New York Theatre Workshop, New Group, The Fire This Time Festival, Dixon Place, American Theatre of Actors, Flea Theatre, and Access Theater; and regionally at McCarter Theatre, Center Theatre Group, Victory Gardens, Chicago Dramatists, Steep Theatre, Serenbe Playhouse, Theatre Rhinoceros, Open Fist Theatre Company, EST/LA, Coeurage Theatre, Rogue Artists Ensemble, Son of Semele, and Skylight Theatre. Roger is an honoree of the Kilroys List; the Chuck Rowland Pioneer Award; the Fire This Time Festival Alumni Spotlight; and the Hollywood Fringe Festival Encore Producers Award. Mason's films have been recognized by the British Film Institute Flare Festival, Lonely Wolf International Film Festival, SCAD Film Festival, AT&T Film Award, Atlanta International Film Festival, Webby Awards, and Telly Awards. They've screened at the British Film Institute Flare Festival, Lonely Wolf International Film Festival, Inside Out Festival (Toronto), SCAD Film Festival, Hollyshorts, Outfest and Outfest Fusion, Rio LGBT Film Festival (Brazil), Bentonville Film Festival, Outshine Film Festival, and the Pan African Film Festival.  Mason serves as an associate producer on Discovery+ docuseries BOOK OF QUEER and researcher for Freeform/Disney's HOW WE GOT HERE. Mason holds degrees from Princeton University, Middlebury College, and Northwestern University. They are a member of Page 73's Interstate 73 Writers Group and Primary Stages Writing Cohort, the co-host of Sister Roger's Gayborhood podcast with Lovell Holder, and the lead mentor of the New Visions Fellowship and Shay Foundation Fellowship. Roger Q. Mason will premiere their much-anticipated play Lavender Men with Skylight Theatre Company and Playwrights' Arena in Los Angeles, August 6-September 4. Directed by Lovell Holder, this genre-pushing play courageously re-imagines one of America's most beloved historical icons, President Abraham Lincoln, through a queer person of color's storytelling lens. The production will also be accessible to a national audience via streaming performances beginning August 20. Visit www.LavenderMenPlayLA.com for more information and to purchase tickets. Follow Roger @rogerq.mason Follow Host, Salisha Thomas @salishathomas Learn more about your ad choices. Visit megaphone.fm/adchoices

How does a curse like theirs filter down the generations? The fate of the family of Cadmus and Harmonia, and their own...CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Early Greek Myths, by Timothy Gantz; Theoi.com entries on: Harmonia, Ares' Wrath (Cadmus), Artemis' Wrath (Actaeon), Pentheus, Semele, and Leucothea.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.

Backanterna brukar anses vara ett av den atenska tragikern Euripides allra främsta verk, tillika ett av de främsta tragiska verken någonsin. Det berättar historien om kung Pentheus av Thebe, vars familj bestraffas av Dionysos. Orsaken? De har förtalat Dionysos dödliga mor, Semele, och vägrat erkänna honom som son till Zeus. Efter att ha färdats över hela världen befinner sig nu Dionysos i Thebe för att utkräva sin hämnd, genom att inrätta en extatisk mysteriekult i staden.

Meet Dionysus's family. To join the discussion, visit the blog at Triumvir Clio's School of Classical Civilization. If there's no hyperlink showing up here, you can go to triumvirclio.school.blog to find a feed of recent episodes as well as discussion pages for every episode. Join me on Patreon at www.patreon.com/triumvirclio to get early access to ad-free episodes and bonus content. References Apollodorus. The Library. Translated by Sir James George Frazer. Loeb Classical Library Volumes 121 & 122. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. Available online at https://www.theoi.com/Text/Apollodorus1.html and http://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.01.0022. --- Send in a voice message: https://anchor.fm/bethany-banner/message Support this podcast: https://anchor.fm/bethany-banner/support

Angela and I explore the myth of Semele, Mother of Dionysus, and also called "The Mother of Frenzy." Semele was the youngest daughter of Cadmus, an ambitious king with connections to Aphrodite, Aries and more. Semele dared to fall in love with Zeus, and was shamed for it by her sisters. Ultimately, she was duped into requiring Zeus to reveal his true divinity, thereby rendering her to dust. However, Dionysus, being the good son, ensured that she was transformed into a goddess. At times called, "Thyone," meaning something like "Mother of Frenzy," we delve into the different types of frenzy, from panic to spiritual ecstasy. Semele's key themes: desire, shame, love, death, rebirth, frenzy, and ecstasy. Known as The Mother of Dionysus, Semele was venerated as an expression of The Great Mother in areas of the ancient Mediterranean where the cult of Dionysus was prevalent. In ancient Athens, she was honored during a minor festival. Generally, her origins are thought to be in Thebes. She is an expression of The Death Mother that is particularly potent, as she began as a mortal woman and then became a Goddess. keepingherkeys.com

Cadmo, il mitico fondatore della città di Tebe, non solo costruisce da zero una città, dà origine ad un luogo che pare essere il fulcro del mito: i più grandi eroi vi soggiornano o vi combattono, qui ha i natali Edipo dai piedi gonfi, il triste eroe di cui ti ho narrato tanto tempo fa, qui nasce Semele, che diviene la madre di Dioniso, il dio dell'ebbrezza e della pazzia, qui nasce Penteo, cugino e nemico giurato di Dioniso e ancora qui viene al mondo il cacciatore Atteone, destinato ad essere mutato in cervo per volere di Artemide…Ma prima di essere questa città capitale, Tebe era nulla, nient'altro che una vasta landa desolata e inospitale.In questo primo episodio e nei prossimi cercherò di tratteggiare per te questo affresco complesso e affascinante che temporaneamente culmina col matrimonio tra Cadmo, figlio di Agenore con Armonia, figlia di Ares e Afrodite.

This is a reading of the first half of Book 3 of the Metamorphoses. The translation is by Brookes More and is available via the  Creative Commons Attribution-ShareAlike 3.0 United States License. CW/TW: suggested rape. Twitter: @MetamorphosesK Tumblr: key-metamorphoses Email: metamorphoses.key@gmail.com Website: metamorphoses.buzzsprout.com Music: Underwater Exploration - Godmode; In 3 - Godmode; Amber - VYEN; Sleepy Hollow - E's Jammy Jams; Ammil - The Tides; Pure Potentiality - Benjamin Martins; Dream Escape - The Tides; Whispering Streams - E's Jammy Jams; Somnolent - The Tides

Things are not going well for the house of Cadmus. His grandson meets an unfortunate fate and his daughter meets Jupiter (and Juno). You can imagine how this will go.Twitter: @MetamorphosesK Tumblr: ket-metamorphoses Email: metamorphoses.key@gmail.com Website: metamorphoses.buzzsprout.com Music: Vishnu - Patrick Patrikios; Traversing - Godmode; Away - Patrick Patrikios

Semele Halkedis Heller was born and raised in the Philadelphia area, and is now living in Northern California. She was a project manager in tech, but left to be a stay-at-home mom to her three children. She serves on the board of directors of the National Youth Science Foundation, her local chapter of the Young Men's Service League, and her local Little League. In non-COVID times she spends a lot of time volunteering at her children's schools. Semele and her family attend Holy Cross Orthodox Church in Belmont, CA, where she taught Religious Ed for many years and served as the co-director of the Religious Ed program. She likes to joke that she's passed the church volunteering baton on to her husband, who converted to Orthodoxy after all their children were born, and now serves on the parish council.

Semele Halkedis Heller was born and raised in the Philadelphia area, and is now living in Northern California. She was a project manager in tech, but left to be a stay-at-home mom to her three children. She serves on the board of directors of the National Youth Science Foundation, her local chapter of the Young Men's Service League, and her local Little League. In non-COVID times she spends a lot of time volunteering at her children's schools. Semele and her family attend Holy Cross Orthodox Church in Belmont, CA, where she taught Religious Ed for many years and served as the co-director of the Religious Ed program. She likes to joke that she's passed the church volunteering baton on to her husband, who converted to Orthodoxy after all their children were born, and now serves on the parish council.

Julian began his life surrounded by music with his siblings, and was sent away to music courses by his parents, where he developed a real need to make music and share it with others. Between his classical training at King's College Cambridge and the Royal Academy of Music in London, he explored the world of historical performance at the Schola Cantorum in Basel, where he swiftly learnt Swiss German, how to improvise on the organ, and much more. Soon after his studies, on a course with Mary King and Rufus Norris at English National Opera, Julian discovered some unusual tips and tricks he would later apply in his work with singers. Julian now plays harpsichord at the highest level, coaches, and conducts – including his recent acclaimed recordings of John Eccles' Semele with the Academy of Ancient Music and Cambridge Handel Opera Company, and the world premiere recording of Stephen Dodgson's Margaret Catchpole: Two Worlds Apart for Naxos, and is also the Artistic Director of Cambridge Handel Opera Company. You can read more about Julian on his website here , and find out more about Cambridge Handel Opera Company here. John Eccles' Semele, conducted by Julian is available here and Stephen Dodgsons's Margaret Catchpole: Two Worlds Apart is available here

I am reunited with one of the lights of my life @gparlattolire!!! We talk Handel's sexiest oratorio, Semele, and I give Opera Philly more plugs than someone who is actually paid to talk about them • Where'er you walk sung by Robert Murray • Why dost thou this untimely grieve sung by the Monteverdi Choir & Orchestra • Hence, Iris hence away sung by Jennifer Larmore • I myself I shall adore sung by Kathleen Battle •

Wines:Jessica (host): Naussa Xinomavro 2017Naussa Xinomavro is a dry red that many say is a Greek's answer to a Burgandy wine. Legend has it that Semele, mother of Dionysus—the Greek god of wine and fertility—called the area (Naoussa) home. I was able to pick this bottle up at local wine bar @wetstonewinebar_sd for half price!Wendy (Guest): Unsung Hero Shiraz, a South African wineIn today's episode, I get to speak with Wendy Amara. Wendy is an accomplished transformational Strategy Coach, Speaker, Trainer, and Best Selling Author. She has coached thousands of individuals over the past 15 years into reaching powerful goals for their lives! Her results oriented, no holding back approach- has clients produce extraordinary results. She particularly loves coaching Ambitious Women of Color who want to step into elevating their lives. She teaches women how to balance all the moving parts of life and live authentically and energetically- taking courageous action!Link to Manifesting Uncertainty Social Media Links: InstagramFacebook Additional Information on Wendy: Heritage or Ethnic Background - Guatemalan AmericanWhat is your why? - I want my clients to Go for what they want! To live a courageous life where they move forward and make their best life happen in real life. I allow my clients to get connected to their big dreams and goals and then we make a map to get there!If your life was described in one word, what would that word be? - Passion