Podcasts about madonna you

Madonna wants to be a movie star, huh Well I just want to be Madonna Maybe we could help each other out, huh Maybe that's why God's been calling out Madonna, Madonna You want it, i got it Just call up the number She's listed as “A Nobody” So far, so I hope you know the code The extension is 666 If you get disconnected Just call back And your call will be answered In the order it was Received Kaskade made two of my favorite songs of all time ever. One at the very begginning of his career… And one well—- SEATTLE WASHINGTON, 2021 Wherever he was a couple years ago. Who knows, man. Fucking time travelers. Present day. JAMAICA, QUEENS, NEW YORK. Vs. Add more weight. DUFF VS *** WHAT, I have to fight MYSELF. You've been fighting yourself the whole time! Shut the fuck up, Kaskade! Language. Shove it! *eats popcorn obnoxiously* Ugh. Fuck me, man. Whatever. I'm in the winners circle. SAD NEIL DEGRASSE TYSON. Woah: uh oh. What happened. Still a genius. SAD NEIL DEGRASSE TYSON has no formal education. Oh no. However, He sees multitudes of equations as synergetic values swirling in his mind as he rides the bus , appearing to be in a mindless daze, however, still a genius, trapped in the confines of his own mind, stuck at a dead-end job. Oh no. That is bad. Sup Neil deGrasse Tyson! *bully smacks pizza to the ground* Ugh. Sucks to suck. Laaaagh! Ugh. *sighs deeply, attempts to pick up pizza* Birds swarm the pizza, and a passerby steps on it* This brings a single, aolitary tear to his eye. Suddenly, the hunger struck me. MEANWHILE, at the eye of NOWHERE, whereas in the multiverse Jamaica, Queens resides—AT BLINK FITNESS. Father said, Skrillex (Mixed—Have a seat) [Blū fails to raise the bench press] V.O. Or maybe it was the Skrillex. *** Help. Please help. THE GODS Lol. [a group of men rush to blu's aide—the entire gym, all men besides the workers, erupt into laughter. “The Games of The Gods” Do you ever finish these episodes? Nope. Meanwhile, Dillon Francis is the biggest dick ever. Ahem. I said IS, not HAS. You don't know me. Shut up, Mrs.pancakes. That joke is so 2013. I told you, already—- PICKLE RICK AAAAAAAAAAAAAAAAAAAAAAAAAAAAGGGGHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH *falling* Hey look, a pickle. Oh. NOOOOOOOOOOOOOOOO. You know what! I like you! Oh! That sucks! Can you not say things like that?! Things like what?! Things like me?! I thought you liked me! I do—just— What?! What Dillon Francis?! Try to remember this is all just a dream. A what?! Fuck you! I'm going to count backwards from three— Backwards for what? Three What Two What the fuck? -One. Lightning strikes— he claps his hands in time with the thunderclap—Sunni Blu immediately falls asleep—he watches them with a meniacal look in his eye, whispering into their ear, snapping one time— DILLON FRANCIS I'm going to count to three: when I clap my hands you'll wake up from this dream and into another—this world is my world— and in my world, from now on, whenever you hear the sound of a clap, you will remember who you are; and you will remember the sound of my voice. [He claps—Sunni Blū remains asleep in this reality—but suddenly, in a cross-dimensional parallel, CC wakes up in bed, holding instead of a handgun, a banana—startled and still appearing to be soaking wet, though drenched in sweat rather than rain, she draws the banana outward, tumbling out of bed and looking over her shoulder, cursing.] GODDDAMIT IT, DILLON FRANCIS. Cut back t Dillon Francis drags Sunni Blu's body into a Holda Civic Why a Honda civic Seems like a regular car Why not Nissan. Could be a Nissan So just make it a Nissan. Ok. [in the closest parallalell dimension, it is a Nissan.] Nice. (Shrugs) Anything but a Subaru. [being Skrillex] SKRILLEx SUBARRUUUUUUUUUUU—- *zoom* *splrSH* (All wet) Whatthefuck. Meanwhile, Did it work? Is she here? Well, not yet… Suddenly, a blue dot appears on the map. Bingo. YO. we did it. Suddenly, the dot turns from blue to red. Wait, what happened. I don't know Suddenly, the red dot turns purple. What the fuck is that. The dot then splits into two dots What. I dunno. I've never seen this before The two dots each split into two dots—now there are four dots—a green, a blue, a red, and a yellow dot—they begin to blink and swirl in a mesmerizing pattern, before dissipating and dissappearing entirely. The fuck! I don't know! Dude, do something. Do WHAT. Something! This has no logical fucking explaination whatsoever. The screen goes black. The map dissappears. What happened. We got hacked?! That's IMPOSSIBLE. It's not impossible It IS impossible. It's the most impossible impossibility fucking EVER. Okay, well— Okay well?! I don't know!!! The screen returns—the map is blank—the four dots reappear, each changing in color sequences and shapes quickly and drastically, dancing and swirling around the screen—the map reappears, the dots each spread to a separate corner of the map: north east south and west— the trails of the colors spelling out in the center of the map M A G I C I S R E A L, Then exploding into candy coated sparkles and confetti. What the fuck. *exasperated, under breath* It's fucking…Dillon Francis. What?! ITS FUCKING GODDAMN DILLON FRANCIS. FUCK! WHAT, No WAY. AAAAAGAGGGHHHHHHHHH. *throws shit, all mad* Careful! What's it MATTER!? …still… *loses shit* As he exits the base and enters his living room, he opens the outer door to find that l the entire living room is covered in candy coated confetti and sparkles; he slips into a puddle of strange gellatenous goo. UHMPH. The other two hackers come running o it from the lair, one also slipping in the goo, and the other stopping short at the door, in awe of the disaster. Ow! What the fuck! Whaaaaaaaaaa…… FUCKING—FUCK!! On a speeding bullet to nowhere, Comb out my hair for a moped Or hope of a slow rush to Some sorry apartment I pour all my art into Home, where the heart is It's cold, but she needs the attention— Just as much as I need the move that she gets from it anyway Envy in outfits, Dismissal of seasonal effective— A positive adjustment suggests that The entrance of pumpkin spiced Knitted sweaters and puffed jackets Are just as perhaps as attractive in essence As nakedness, To those in possession of Personality Then, something suggests As progressed in possessions, The payment was lovelessness Entering sequence SHIT! What?! is it Skrillex?! [Loading semi-automatic rave weapon] Can't be too sure… Yo. Yo. Madonna just walked in with Bob Saget. Bob Saget is dead. I KNOW THAT. YO. And they're about to do a B2B. That's WILD. Lol where is this party. Bag as a basket, Has to match the boots, hasn't it? Suede, like encantmemts, Enchanted, the spider, Still, she works hard at it (Hard as Manhattan) Masterful hat, my dear Happened to stand at the platform, Just long enough to— *SLAM* Got ‘em. Fuck. Alright, Okay. So it's dark, right? Yeah. Ow watch this. ^immensely bright shiny light* WOW. You see that? YEAH. That's your light. WOW. Yeah, okay, now turn it off. HOW? That's right, you don't know how. NO! I DONT. Try to remember. Remember what. How to turn it off. Why?! It's AWESOME. Yeah, turn it off. I don't know how. Try to remember. I—remember what. Turn it— I don't know how to do that. Well, I need you to try. What? What for?! -*huge scary monster appears out of darkness WOAH. That's what for. *MONSTER IS SCARY* OH. Yeah. *SCARY MONSTER ROAR* Ugh. With a snap, they instantly CHARGE into THE VOID. *heavy sigh* Dang. *nods* You see, that thing— *very scary monster* And other things like it— *vampires* *demons* *zombies* *racists* Eat light. But I make light. Exactly. So why is that a problem. Because. These dark things can't be satisfied— they'll take all of your light, until there's nothing left Oh... And worse, There are far worse things— Worse than that? Far worse. Things that will not only devour your light, but absorb you, and make you into a ravenous darkness—entrapped within the deepest realms of the outer worlds—a nothingness in which light cannot dwell—where no light can penetrate—no light is known—and you become such darkness so how multidimensional is she. Like, way multidimensional. Way, multidimensional, dude. I don't know if you want to take this on. I like a challengeS This is beyond a challenge, dude. This is, like— This could be career suicide. DILLON FRANCIS has a flashback to the most miserable moment in his career. …I'm willing to risk that. You're fucking crazy, man. Crazy is good. Let's do it. He slaps the table, cracks open a bottle of water and leaves, seeming bizzarely chipper. …he's fucking insane. *shrugs* Pays my bills. Yeah, I guess. Gh0st. What's all this supposed to mean. I thought we were getting fat. I wasn't serious. Neither was I. We were each other's imaginary friends. What's that, a coping mechanism? Almost. What's that, a calling card? Almost. Hijacking Beyoncé. Gold. I think the point I was making is I can't even touch Beyoncé. Nobody touches Beyoncé. Except Beyoncé. Well, maybe Jay-Z. Like I said. JAY-Z is also BEYONCÉ. Hah. Nice. Everything is Every— Shut up. Why are you in GA. I'm not gonna pay for a front row ticket to Fangirl Beyoncé. I thought you were fangirling me. Somebody has to. Japanese Lady badly singing on the train Should I record it? Tempting, but—I'll just keep this moment to myself. [literally the star of a movie] (At least I tried. ) Besides, I want to know what she's saying. How are you ever gonna know what she's saying. Meanwhile, at Ultra Japan SKRILLEX (Being Skrillex) Ugh. MEANWHRHIRLE. PASQUALLE ROTELLA is the head of the EDMADFIA Ok. Is that Electronic Dance Mafia Fuxk, now I want Pop-Tarts. Or Electronic Daisy Mafia PORQUE NO LAS DOS. Fuck, or I want tacos! THE ELECTRONIC DANCE MAFIA Wearing sleek black mysteriously dark attire, only ever so rarely accented by red as to notate the higher ranks of the most organized *possibly criminal* organization Wait, does the mafia still exist? Yes. Yes it does m. Ever. Oh wow. Yeah: THE ELECTRINIC DAISY MAFIA These flamboyant motherfuckers dress in purple with accents of pink, electric blue, and neon shades of yellow, green, and orange—but are highly mysterious, though almost obnoxiously Lol. This bitch is literally singing on the train. Wasn't that you just earlier? I— EARLIER, (but not that part:) She seems to have taken a sudden interest in the occult. [literally battling demons] This isn't SUDDEN. That is interesting. [in agreement and solidarity] Open the doors. The thing that was sudden, was that I started to notice that something about my voice changed the energy in any room, depending on the way I used it—it became important to notate exactly how the energy changed, and also— There she is. What kind of people arrived at the sound of my voice— Let's go. Who was I calling to. What was the nature of this force, and Your HIghness. Uh, okay. Why were they following me? Alright, I'm signing off. No, not yet... Not yet? Dude— It's not time. What is time?! *sighs* You pushed it at Beyoncé. Now who's fangirling. NOBODY. Yeah, except BEYONCÉ. BEYONCÉ approached ME. EXACTLY MY POINT. You and points. Explains the tattoos. You're one to talk. Nah, not really. I'm signing off. *sighs frustratedly* (whispered) HART. The bright light which once illumated the space between them fades out. Darkness. It is a simple room, where the two archangels meet to discuss their ongoing journey through the inner and outer worlds—they are, in essence, twin flames, perhaps, as to be described as one soul, split to display spectrums of opposite, which together signify balance— and apart exemplify chaos, confusion, and dissasemblance; imbalance, impurity, and unsynchronistic—not yet true Gods but dieties of a higher existence, escaping often between realms and plains to telepathically banter in a battle of wits; they are alike because they are one another—they are seperate because in order to fulfill all duties of the higher calling, they must remain as opposites until the day is called that they must forge their powers for the betterment of humanity, and become as one. A dark blue couch illuminated by a bright light, unseen but acting as the fourth wall, an old TV screen which displays a silent staic. c o l o r s Fuck, where is SUPACREE. Oh, she's dead. I know that. Then why did you ask. Because she should be here. Are you serious? I know she's here. She's not. She's dead. I know that: Then why'd you— THIS Is the land of the dead. This is not. What—of course it is. It is not, Yes it is! I just died this morning. Hah. Okay. “Okay?” Yeah: “Okay.” What's that mean? It means “okay” “Okay?!” “Okay!” [beat] *sighs frustratedly* Look, you said “SUPACREE”, right? Yes. And you just died, right? Right? Yeah! This morning! Okay. “Okay” you keep saying *he shoots him through the heart* [he is speechless, bleeding out] Do you know how many times supacree died to be supacree [he gasps for his final breaths, gushing blood] Continued I'm doing you a favor. [He fully dies] You owe me. THE GOOGLE KIDS are so cute. *super cute kids* WOW. Very, very cute. *crying from cuteness overload* Look, puppies. ugh. so what did you do after you graduated Fame School. NOTHING. Huh?!? In fact, I almost starved to death *eggagetates gasps* In fact, if it hadn't been for Whole Foods Market, I probably would have. *more gasps* Were they one of your sponsors?! [braking* fourth wall, looking directly into camera] I don't know yet. WHOLE FOODS MARKET yes. Ok. DILLON FRANCIS is the worlds most inconspicuous psychopath since Ted Bundy—his charm, fame, and status has kept his devious use of coercion, hypnotism, and lust for paysical and material possession under wraps for— DILLON FRANCIS (Jokingly, but not) Haha. I'm immortal. Well, centuries. Meanwhile, wherever this is at: See. Haha. This is fun. Adventure time. Woo! Haha. What do you want, Dillon Francis. I don't know yet. Haha. We'll see. At this point, he's just fully meniacal. This turnt up 8000 levels, bruh. Eithe thousand levels. What's that gonna do. We'll see. I just feel bad for Dillon's mom. Don't worry— I am Dillon's mom. Aww. You hijacked his mom? I hijacked his everything. You want a SPRIte?! I don't drink— DRINK THE SPRITE. okok. DRINK IT AD: DRINK SPRITEx Ok. Ok. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. ©

Madonna wants to be a movie star, huh Well I just want to be Madonna Maybe we could help each other out, huh Maybe that's why God's been calling out Madonna, Madonna You want it, i got it Just call up the number She's listed as “A Nobody” So far, so I hope you know the code The extension is 666 If you get disconnected Just call back And your call will be answered In the order it was Received Kaskade made two of my favorite songs of all time ever. One at the very begginning of his career… And one well—- SEATTLE WASHINGTON, 2021 Wherever he was a couple years ago. Who knows, man. Fucking time travelers. Present day. JAMAICA, QUEENS, NEW YORK. Vs. Add more weight. DUFF VS *** WHAT, I have to fight MYSELF. You've been fighting yourself the whole time! Shut the fuck up, Kaskade! Language. Shove it! *eats popcorn obnoxiously* Ugh. Fuck me, man. Whatever. I'm in the winners circle. SAD NEIL DEGRASSE TYSON. Woah: uh oh. What happened. Still a genius. SAD NEIL DEGRASSE TYSON has no formal education. Oh no. However, He sees multitudes of equations as synergetic values swirling in his mind as he rides the bus , appearing to be in a mindless daze, however, still a genius, trapped in the confines of his own mind, stuck at a dead-end job. Oh no. That is bad. Sup Neil deGrasse Tyson! *bully smacks pizza to the ground* Ugh. Sucks to suck. Laaaagh! Ugh. *sighs deeply, attempts to pick up pizza* Birds swarm the pizza, and a passerby steps on it* This brings a single, aolitary tear to his eye. Suddenly, the hunger struck me. MEANWHILE, at the eye of NOWHERE, whereas in the multiverse Jamaica, Queens resides—AT BLINK FITNESS. Father said, Skrillex (Mixed—Have a seat) [Blū fails to raise the bench press] V.O. Or maybe it was the Skrillex. *** Help. Please help. THE GODS Lol. [a group of men rush to blu's aide—the entire gym, all men besides the workers, erupt into laughter. “The Games of The Gods” Do you ever finish these episodes? Nope. Meanwhile, Dillon Francis is the biggest dick ever. Ahem. I said IS, not HAS. You don't know me. Shut up, Mrs.pancakes. That joke is so 2013. I told you, already—- PICKLE RICK AAAAAAAAAAAAAAAAAAAAAAAAAAAAGGGGHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH *falling* Hey look, a pickle. Oh. NOOOOOOOOOOOOOOOO. You know what! I like you! Oh! That sucks! Can you not say things like that?! Things like what?! Things like me?! I thought you liked me! I do—just— What?! What Dillon Francis?! Try to remember this is all just a dream. A what?! Fuck you! I'm going to count backwards from three— Backwards for what? Three What Two What the fuck? -One. Lightning strikes— he claps his hands in time with the thunderclap—Sunni Blu immediately falls asleep—he watches them with a meniacal look in his eye, whispering into their ear, snapping one time— DILLON FRANCIS I'm going to count to three: when I clap my hands you'll wake up from this dream and into another—this world is my world— and in my world, from now on, whenever you hear the sound of a clap, you will remember who you are; and you will remember the sound of my voice. [He claps—Sunni Blū remains asleep in this reality—but suddenly, in a cross-dimensional parallel, CC wakes up in bed, holding instead of a handgun, a banana—startled and still appearing to be soaking wet, though drenched in sweat rather than rain, she draws the banana outward, tumbling out of bed and looking over her shoulder, cursing.] GODDDAMIT IT, DILLON FRANCIS. Cut back t Dillon Francis drags Sunni Blu's body into a Holda Civic Why a Honda civic Seems like a regular car Why not Nissan. Could be a Nissan So just make it a Nissan. Ok. [in the closest parallalell dimension, it is a Nissan.] Nice. (Shrugs) Anything but a Subaru. [being Skrillex] SKRILLEx SUBARRUUUUUUUUUUU—- *zoom* *splrSH* (All wet) Whatthefuck. Meanwhile, Did it work? Is she here? Well, not yet… Suddenly, a blue dot appears on the map. Bingo. YO. we did it. Suddenly, the dot turns from blue to red. Wait, what happened. I don't know Suddenly, the red dot turns purple. What the fuck is that. The dot then splits into two dots What. I dunno. I've never seen this before The two dots each split into two dots—now there are four dots—a green, a blue, a red, and a yellow dot—they begin to blink and swirl in a mesmerizing pattern, before dissipating and dissappearing entirely. The fuck! I don't know! Dude, do something. Do WHAT. Something! This has no logical fucking explaination whatsoever. The screen goes black. The map dissappears. What happened. We got hacked?! That's IMPOSSIBLE. It's not impossible It IS impossible. It's the most impossible impossibility fucking EVER. Okay, well— Okay well?! I don't know!!! The screen returns—the map is blank—the four dots reappear, each changing in color sequences and shapes quickly and drastically, dancing and swirling around the screen—the map reappears, the dots each spread to a separate corner of the map: north east south and west— the trails of the colors spelling out in the center of the map M A G I C I S R E A L, Then exploding into candy coated sparkles and confetti. What the fuck. *exasperated, under breath* It's fucking…Dillon Francis. What?! ITS FUCKING GODDAMN DILLON FRANCIS. FUCK! WHAT, No WAY. AAAAAGAGGGHHHHHHHHH. *throws shit, all mad* Careful! What's it MATTER!? …still… *loses shit* As he exits the base and enters his living room, he opens the outer door to find that l the entire living room is covered in candy coated confetti and sparkles; he slips into a puddle of strange gellatenous goo. UHMPH. The other two hackers come running o it from the lair, one also slipping in the goo, and the other stopping short at the door, in awe of the disaster. Ow! What the fuck! Whaaaaaaaaaa…… FUCKING—FUCK!! On a speeding bullet to nowhere, Comb out my hair for a moped Or hope of a slow rush to Some sorry apartment I pour all my art into Home, where the heart is It's cold, but she needs the attention— Just as much as I need the move that she gets from it anyway Envy in outfits, Dismissal of seasonal effective— A positive adjustment suggests that The entrance of pumpkin spiced Knitted sweaters and puffed jackets Are just as perhaps as attractive in essence As nakedness, To those in possession of Personality Then, something suggests As progressed in possessions, The payment was lovelessness Entering sequence SHIT! What?! is it Skrillex?! [Loading semi-automatic rave weapon] Can't be too sure… Yo. Yo. Madonna just walked in with Bob Saget. Bob Saget is dead. I KNOW THAT. YO. And they're about to do a B2B. That's WILD. Lol where is this party. Bag as a basket, Has to match the boots, hasn't it? Suede, like encantmemts, Enchanted, the spider, Still, she works hard at it (Hard as Manhattan) Masterful hat, my dear Happened to stand at the platform, Just long enough to— *SLAM* Got ‘em. Fuck. Alright, Okay. So it's dark, right? Yeah. Ow watch this. ^immensely bright shiny light* WOW. You see that? YEAH. That's your light. WOW. Yeah, okay, now turn it off. HOW? That's right, you don't know how. NO! I DONT. Try to remember. Remember what. How to turn it off. Why?! It's AWESOME. Yeah, turn it off. I don't know how. Try to remember. I—remember what. Turn it— I don't know how to do that. Well, I need you to try. What? What for?! -*huge scary monster appears out of darkness WOAH. That's what for. *MONSTER IS SCARY* OH. Yeah. *SCARY MONSTER ROAR* Ugh. With a snap, they instantly CHARGE into THE VOID. *heavy sigh* Dang. *nods* You see, that thing— *very scary monster* And other things like it— *vampires* *demons* *zombies* *racists* Eat light. But I make light. Exactly. So why is that a problem. Because. These dark things can't be satisfied— they'll take all of your light, until there's nothing left Oh... And worse, There are far worse things— Worse than that? Far worse. Things that will not only devour your light, but absorb you, and make you into a ravenous darkness—entrapped within the deepest realms of the outer worlds—a nothingness in which light cannot dwell—where no light can penetrate—no light is known—and you become such darkness so how multidimensional is she. Like, way multidimensional. Way, multidimensional, dude. I don't know if you want to take this on. I like a challengeS This is beyond a challenge, dude. This is, like— This could be career suicide. DILLON FRANCIS has a flashback to the most miserable moment in his career. …I'm willing to risk that. You're fucking crazy, man. Crazy is good. Let's do it. He slaps the table, cracks open a bottle of water and leaves, seeming bizzarely chipper. …he's fucking insane. *shrugs* Pays my bills. Yeah, I guess. Gh0st. What's all this supposed to mean. I thought we were getting fat. I wasn't serious. Neither was I. We were each other's imaginary friends. What's that, a coping mechanism? Almost. What's that, a calling card? Almost. Hijacking Beyoncé. Gold. I think the point I was making is I can't even touch Beyoncé. Nobody touches Beyoncé. Except Beyoncé. Well, maybe Jay-Z. Like I said. JAY-Z is also BEYONCÉ. Hah. Nice. Everything is Every— Shut up. Why are you in GA. I'm not gonna pay for a front row ticket to Fangirl Beyoncé. I thought you were fangirling me. Somebody has to. Japanese Lady badly singing on the train Should I record it? Tempting, but—I'll just keep this moment to myself. [literally the star of a movie] (At least I tried. ) Besides, I want to know what she's saying. How are you ever gonna know what she's saying. Meanwhile, at Ultra Japan SKRILLEX (Being Skrillex) Ugh. MEANWHRHIRLE. PASQUALLE ROTELLA is the head of the EDMADFIA Ok. Is that Electronic Dance Mafia Fuxk, now I want Pop-Tarts. Or Electronic Daisy Mafia PORQUE NO LAS DOS. Fuck, or I want tacos! THE ELECTRONIC DANCE MAFIA Wearing sleek black mysteriously dark attire, only ever so rarely accented by red as to notate the higher ranks of the most organized *possibly criminal* organization Wait, does the mafia still exist? Yes. Yes it does m. Ever. Oh wow. Yeah: THE ELECTRINIC DAISY MAFIA These flamboyant motherfuckers dress in purple with accents of pink, electric blue, and neon shades of yellow, green, and orange—but are highly mysterious, though almost obnoxiously Lol. This bitch is literally singing on the train. Wasn't that you just earlier? I— EARLIER, (but not that part:) She seems to have taken a sudden interest in the occult. [literally battling demons] This isn't SUDDEN. That is interesting. [in agreement and solidarity] Open the doors. The thing that was sudden, was that I started to notice that something about my voice changed the energy in any room, depending on the way I used it—it became important to notate exactly how the energy changed, and also— There she is. What kind of people arrived at the sound of my voice— Let's go. Who was I calling to. What was the nature of this force, and Your HIghness. Uh, okay. Why were they following me? Alright, I'm signing off. No, not yet... Not yet? Dude— It's not time. What is time?! *sighs* You pushed it at Beyoncé. Now who's fangirling. NOBODY. Yeah, except BEYONCÉ. BEYONCÉ approached ME. EXACTLY MY POINT. You and points. Explains the tattoos. You're one to talk. Nah, not really. I'm signing off. *sighs frustratedly* (whispered) HART. The bright light which once illumated the space between them fades out. Darkness. It is a simple room, where the two archangels meet to discuss their ongoing journey through the inner and outer worlds—they are, in essence, twin flames, perhaps, as to be described as one soul, split to display spectrums of opposite, which together signify balance— and apart exemplify chaos, confusion, and dissasemblance; imbalance, impurity, and unsynchronistic—not yet true Gods but dieties of a higher existence, escaping often between realms and plains to telepathically banter in a battle of wits; they are alike because they are one another—they are seperate because in order to fulfill all duties of the higher calling, they must remain as opposites until the day is called that they must forge their powers for the betterment of humanity, and become as one. A dark blue couch illuminated by a bright light, unseen but acting as the fourth wall, an old TV screen which displays a silent staic. c o l o r s Fuck, where is SUPACREE. Oh, she's dead. I know that. Then why did you ask. Because she should be here. Are you serious? I know she's here. She's not. She's dead. I know that: Then why'd you— THIS Is the land of the dead. This is not. What—of course it is. It is not, Yes it is! I just died this morning. Hah. Okay. “Okay?” Yeah: “Okay.” What's that mean? It means “okay” “Okay?!” “Okay!” [beat] *sighs frustratedly* Look, you said “SUPACREE”, right? Yes. And you just died, right? Right? Yeah! This morning! Okay. “Okay” you keep saying *he shoots him through the heart* [he is speechless, bleeding out] Do you know how many times supacree died to be supacree [he gasps for his final breaths, gushing blood] Continued I'm doing you a favor. [He fully dies] You owe me. THE GOOGLE KIDS are so cute. *super cute kids* WOW. Very, very cute. *crying from cuteness overload* Look, puppies. ugh. so what did you do after you graduated Fame School. NOTHING. Huh?!? In fact, I almost starved to death *eggagetates gasps* In fact, if it hadn't been for Whole Foods Market, I probably would have. *more gasps* Were they one of your sponsors?! [braking* fourth wall, looking directly into camera] I don't know yet. WHOLE FOODS MARKET yes. Ok. DILLON FRANCIS is the worlds most inconspicuous psychopath since Ted Bundy—his charm, fame, and status has kept his devious use of coercion, hypnotism, and lust for paysical and material possession under wraps for— DILLON FRANCIS (Jokingly, but not) Haha. I'm immortal. Well, centuries. Meanwhile, wherever this is at: See. Haha. This is fun. Adventure time. Woo! Haha. What do you want, Dillon Francis. I don't know yet. Haha. We'll see. At this point, he's just fully meniacal. This turnt up 8000 levels, bruh. Eithe thousand levels. What's that gonna do. We'll see. I just feel bad for Dillon's mom. Don't worry— I am Dillon's mom. Aww. You hijacked his mom? I hijacked his everything. You want a SPRIte?! I don't drink— DRINK THE SPRITE. okok. DRINK IT AD: DRINK SPRITEx Ok. Ok. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. ©

Madonna wants to be a movie star, huh Well I just want to be Madonna Maybe we could help each other out, huh Maybe that's why God's been calling out Madonna, Madonna You want it, i got it Just call up the number She's listed as “A Nobody” So far, so I hope you know the code The extension is 666 If you get disconnected Just call back And your call will be answered In the order it was Received Kaskade made two of my favorite songs of all time ever. One at the very begginning of his career… And one well—- SEATTLE WASHINGTON, 2021 Wherever he was a couple years ago. Who knows, man. Fucking time travelers. Present day. JAMAICA, QUEENS, NEW YORK. Vs. Add more weight. DUFF VS *** WHAT, I have to fight MYSELF. You've been fighting yourself the whole time! Shut the fuck up, Kaskade! Language. Shove it! *eats popcorn obnoxiously* Ugh. Fuck me, man. Whatever. I'm in the winners circle. SAD NEIL DEGRASSE TYSON. Woah: uh oh. What happened. Still a genius. SAD NEIL DEGRASSE TYSON has no formal education. Oh no. However, He sees multitudes of equations as synergetic values swirling in his mind as he rides the bus , appearing to be in a mindless daze, however, still a genius, trapped in the confines of his own mind, stuck at a dead-end job. Oh no. That is bad. Sup Neil deGrasse Tyson! *bully smacks pizza to the ground* Ugh. Sucks to suck. Laaaagh! Ugh. *sighs deeply, attempts to pick up pizza* Birds swarm the pizza, and a passerby steps on it* This brings a single, aolitary tear to his eye. Suddenly, the hunger struck me. MEANWHILE, at the eye of NOWHERE, whereas in the multiverse Jamaica, Queens resides—AT BLINK FITNESS. Father said, Skrillex (Mixed—Have a seat) [Blū fails to raise the bench press] V.O. Or maybe it was the Skrillex. *** Help. Please help. THE GODS Lol. [a group of men rush to blu's aide—the entire gym, all men besides the workers, erupt into laughter. “The Games of The Gods” Do you ever finish these episodes? Nope. Meanwhile, Dillon Francis is the biggest dick ever. Ahem. I said IS, not HAS. You don't know me. Shut up, Mrs.pancakes. That joke is so 2013. I told you, already—- PICKLE RICK AAAAAAAAAAAAAAAAAAAAAAAAAAAAGGGGHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH *falling* Hey look, a pickle. Oh. NOOOOOOOOOOOOOOOO. You know what! I like you! Oh! That sucks! Can you not say things like that?! Things like what?! Things like me?! I thought you liked me! I do—just— What?! What Dillon Francis?! Try to remember this is all just a dream. A what?! Fuck you! I'm going to count backwards from three— Backwards for what? Three What Two What the fuck? -One. Lightning strikes— he claps his hands in time with the thunderclap—Sunni Blu immediately falls asleep—he watches them with a meniacal look in his eye, whispering into their ear, snapping one time— DILLON FRANCIS I'm going to count to three: when I clap my hands you'll wake up from this dream and into another—this world is my world— and in my world, from now on, whenever you hear the sound of a clap, you will remember who you are; and you will remember the sound of my voice. [He claps—Sunni Blū remains asleep in this reality—but suddenly, in a cross-dimensional parallel, CC wakes up in bed, holding instead of a handgun, a banana—startled and still appearing to be soaking wet, though drenched in sweat rather than rain, she draws the banana outward, tumbling out of bed and looking over her shoulder, cursing.] GODDDAMIT IT, DILLON FRANCIS. Cut back t Dillon Francis drags Sunni Blu's body into a Holda Civic Why a Honda civic Seems like a regular car Why not Nissan. Could be a Nissan So just make it a Nissan. Ok. [in the closest parallalell dimension, it is a Nissan.] Nice. (Shrugs) Anything but a Subaru. [being Skrillex] SKRILLEx SUBARRUUUUUUUUUUU—- *zoom* *splrSH* (All wet) Whatthefuck. Meanwhile, Did it work? Is she here? Well, not yet… Suddenly, a blue dot appears on the map. Bingo. YO. we did it. Suddenly, the dot turns from blue to red. Wait, what happened. I don't know Suddenly, the red dot turns purple. What the fuck is that. The dot then splits into two dots What. I dunno. I've never seen this before The two dots each split into two dots—now there are four dots—a green, a blue, a red, and a yellow dot—they begin to blink and swirl in a mesmerizing pattern, before dissipating and dissappearing entirely. The fuck! I don't know! Dude, do something. Do WHAT. Something! This has no logical fucking explaination whatsoever. The screen goes black. The map dissappears. What happened. We got hacked?! That's IMPOSSIBLE. It's not impossible It IS impossible. It's the most impossible impossibility fucking EVER. Okay, well— Okay well?! I don't know!!! The screen returns—the map is blank—the four dots reappear, each changing in color sequences and shapes quickly and drastically, dancing and swirling around the screen—the map reappears, the dots each spread to a separate corner of the map: north east south and west— the trails of the colors spelling out in the center of the map M A G I C I S R E A L, Then exploding into candy coated sparkles and confetti. What the fuck. *exasperated, under breath* It's fucking…Dillon Francis. What?! ITS FUCKING GODDAMN DILLON FRANCIS. FUCK! WHAT, No WAY. AAAAAGAGGGHHHHHHHHH. *throws shit, all mad* Careful! What's it MATTER!? …still… *loses shit* As he exits the base and enters his living room, he opens the outer door to find that l the entire living room is covered in candy coated confetti and sparkles; he slips into a puddle of strange gellatenous goo. UHMPH. The other two hackers come running o it from the lair, one also slipping in the goo, and the other stopping short at the door, in awe of the disaster. Ow! What the fuck! Whaaaaaaaaaa…… FUCKING—FUCK!! On a speeding bullet to nowhere, Comb out my hair for a moped Or hope of a slow rush to Some sorry apartment I pour all my art into Home, where the heart is It's cold, but she needs the attention— Just as much as I need the move that she gets from it anyway Envy in outfits, Dismissal of seasonal effective— A positive adjustment suggests that The entrance of pumpkin spiced Knitted sweaters and puffed jackets Are just as perhaps as attractive in essence As nakedness, To those in possession of Personality Then, something suggests As progressed in possessions, The payment was lovelessness Entering sequence SHIT! What?! is it Skrillex?! [Loading semi-automatic rave weapon] Can't be too sure… Yo. Yo. Madonna just walked in with Bob Saget. Bob Saget is dead. I KNOW THAT. YO. And they're about to do a B2B. That's WILD. Lol where is this party. Bag as a basket, Has to match the boots, hasn't it? Suede, like encantmemts, Enchanted, the spider, Still, she works hard at it (Hard as Manhattan) Masterful hat, my dear Happened to stand at the platform, Just long enough to— *SLAM* Got ‘em. Fuck. Alright, Okay. So it's dark, right? Yeah. Ow watch this. ^immensely bright shiny light* WOW. You see that? YEAH. That's your light. WOW. Yeah, okay, now turn it off. HOW? That's right, you don't know how. NO! I DONT. Try to remember. Remember what. How to turn it off. Why?! It's AWESOME. Yeah, turn it off. I don't know how. Try to remember. I—remember what. Turn it— I don't know how to do that. Well, I need you to try. What? What for?! -*huge scary monster appears out of darkness WOAH. That's what for. *MONSTER IS SCARY* OH. Yeah. *SCARY MONSTER ROAR* Ugh. With a snap, they instantly CHARGE into THE VOID. *heavy sigh* Dang. *nods* You see, that thing— *very scary monster* And other things like it— *vampires* *demons* *zombies* *racists* Eat light. But I make light. Exactly. So why is that a problem. Because. These dark things can't be satisfied— they'll take all of your light, until there's nothing left Oh... And worse, There are far worse things— Worse than that? Far worse. Things that will not only devour your light, but absorb you, and make you into a ravenous darkness—entrapped within the deepest realms of the outer worlds—a nothingness in which light cannot dwell—where no light can penetrate—no light is known—and you become such darkness so how multidimensional is she. Like, way multidimensional. Way, multidimensional, dude. I don't know if you want to take this on. I like a challengeS This is beyond a challenge, dude. This is, like— This could be career suicide. DILLON FRANCIS has a flashback to the most miserable moment in his career. …I'm willing to risk that. You're fucking crazy, man. Crazy is good. Let's do it. He slaps the table, cracks open a bottle of water and leaves, seeming bizzarely chipper. …he's fucking insane. *shrugs* Pays my bills. Yeah, I guess. Gh0st. What's all this supposed to mean. I thought we were getting fat. I wasn't serious. Neither was I. We were each other's imaginary friends. What's that, a coping mechanism? Almost. What's that, a calling card? Almost. Hijacking Beyoncé. Gold. I think the point I was making is I can't even touch Beyoncé. Nobody touches Beyoncé. Except Beyoncé. Well, maybe Jay-Z. Like I said. JAY-Z is also BEYONCÉ. Hah. Nice. Everything is Every— Shut up. Why are you in GA. I'm not gonna pay for a front row ticket to Fangirl Beyoncé. I thought you were fangirling me. Somebody has to. Japanese Lady badly singing on the train Should I record it? Tempting, but—I'll just keep this moment to myself. [literally the star of a movie] (At least I tried. ) Besides, I want to know what she's saying. How are you ever gonna know what she's saying. Meanwhile, at Ultra Japan SKRILLEX (Being Skrillex) Ugh. MEANWHRHIRLE. PASQUALLE ROTELLA is the head of the EDMADFIA Ok. Is that Electronic Dance Mafia Fuxk, now I want Pop-Tarts. Or Electronic Daisy Mafia PORQUE NO LAS DOS. Fuck, or I want tacos! THE ELECTRONIC DANCE MAFIA Wearing sleek black mysteriously dark attire, only ever so rarely accented by red as to notate the higher ranks of the most organized *possibly criminal* organization Wait, does the mafia still exist? Yes. Yes it does m. Ever. Oh wow. Yeah: THE ELECTRINIC DAISY MAFIA These flamboyant motherfuckers dress in purple with accents of pink, electric blue, and neon shades of yellow, green, and orange—but are highly mysterious, though almost obnoxiously Lol. This bitch is literally singing on the train. Wasn't that you just earlier? I— EARLIER, (but not that part:) She seems to have taken a sudden interest in the occult. [literally battling demons] This isn't SUDDEN. That is interesting. [in agreement and solidarity] Open the doors. The thing that was sudden, was that I started to notice that something about my voice changed the energy in any room, depending on the way I used it—it became important to notate exactly how the energy changed, and also— There she is. What kind of people arrived at the sound of my voice— Let's go. Who was I calling to. What was the nature of this force, and Your HIghness. Uh, okay. Why were they following me? Alright, I'm signing off. No, not yet... Not yet? Dude— It's not time. What is time?! *sighs* You pushed it at Beyoncé. Now who's fangirling. NOBODY. Yeah, except BEYONCÉ. BEYONCÉ approached ME. EXACTLY MY POINT. You and points. Explains the tattoos. You're one to talk. Nah, not really. I'm signing off. *sighs frustratedly* (whispered) HART. The bright light which once illumated the space between them fades out. Darkness. It is a simple room, where the two archangels meet to discuss their ongoing journey through the inner and outer worlds—they are, in essence, twin flames, perhaps, as to be described as one soul, split to display spectrums of opposite, which together signify balance— and apart exemplify chaos, confusion, and dissasemblance; imbalance, impurity, and unsynchronistic—not yet true Gods but dieties of a higher existence, escaping often between realms and plains to telepathically banter in a battle of wits; they are alike because they are one another—they are seperate because in order to fulfill all duties of the higher calling, they must remain as opposites until the day is called that they must forge their powers for the betterment of humanity, and become as one. A dark blue couch illuminated by a bright light, unseen but acting as the fourth wall, an old TV screen which displays a silent staic. c o l o r s Fuck, where is SUPACREE. Oh, she's dead. I know that. Then why did you ask. Because she should be here. Are you serious? I know she's here. She's not. She's dead. I know that: Then why'd you— THIS Is the land of the dead. This is not. What—of course it is. It is not, Yes it is! I just died this morning. Hah. Okay. “Okay?” Yeah: “Okay.” What's that mean? It means “okay” “Okay?!” “Okay!” [beat] *sighs frustratedly* Look, you said “SUPACREE”, right? Yes. And you just died, right? Right? Yeah! This morning! Okay. “Okay” you keep saying *he shoots him through the heart* [he is speechless, bleeding out] Do you know how many times supacree died to be supacree [he gasps for his final breaths, gushing blood] Continued I'm doing you a favor. [He fully dies] You owe me. THE GOOGLE KIDS are so cute. *super cute kids* WOW. Very, very cute. *crying from cuteness overload* Look, puppies. ugh. so what did you do after you graduated Fame School. NOTHING. Huh?!? In fact, I almost starved to death *eggagetates gasps* In fact, if it hadn't been for Whole Foods Market, I probably would have. *more gasps* Were they one of your sponsors?! [braking* fourth wall, looking directly into camera] I don't know yet. WHOLE FOODS MARKET yes. Ok. DILLON FRANCIS is the worlds most inconspicuous psychopath since Ted Bundy—his charm, fame, and status has kept his devious use of coercion, hypnotism, and lust for paysical and material possession under wraps for— DILLON FRANCIS (Jokingly, but not) Haha. I'm immortal. Well, centuries. Meanwhile, wherever this is at: See. Haha. This is fun. Adventure time. Woo! Haha. What do you want, Dillon Francis. I don't know yet. Haha. We'll see. At this point, he's just fully meniacal. This turnt up 8000 levels, bruh. Eithe thousand levels. What's that gonna do. We'll see. I just feel bad for Dillon's mom. Don't worry— I am Dillon's mom. Aww. You hijacked his mom? I hijacked his everything. You want a SPRIte?! I don't drink— DRINK THE SPRITE. okok. DRINK IT AD: DRINK SPRITEx Ok. Ok. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. ©

Amy and Nancy Harrington, Co-Founders of The Passionistas Project talk with the creative team from “I Thought the Earth Remembered Me” about the Power of Filmmaking. Director Prem Santana, producer Carylanna Taylor and star Madonna Cacciatore discuss the process of making the short film, the AFI program and their inspirations. Learn more about “I Thought The Earth Remembered Me” and Prem Santana. Learn more about Carylanna Taylor. Learn more about Madonna Cacciatore. Learn more about The Passionistas Project. FULL TRANSCRIPT: Passionistas: Hi, we're sisters, Amy and Nancy Harrington, the founders of the Passionista Project Podcast, where we give women a platform to tell their own unfiltered stories. On every episode, we discuss the unique ways in which each woman is following her passions, talk about how she defines success and explore her path to breaking down the barriers that women too often face.  Today we're talking with the team from the gorgeous and powerful short film “I Thought The Earth Remembered Me.” We'd like to welcome the film's director Prem Santana, producer Carylanna Taylor and star Madonna Cacciatore, who along with her wife Robin McWilliams have been long-time and beloved members of our Passionsitas community. We're going to let each of them introduce themselves, tell you a little bit about their backgrounds and share what they are most passionate about. Madonna: Hello, I'm Madonna Cacciatore. I feel like I'm in a group. So, hi Madonna. I love these two women on the screen with me. And of course, I love you two women who are hosts. You've been friends of mine for a long time, and Robin and I adore you. Prem and I magically met during her work at AFI, at the conservatory. And I've always been drawn to her sort of directing style and her work. I mean, she's just got a brilliant vision. This is the second film I worked on with Prem. I have a background in theater, dance, film, television, and I also produce events when I'm not, you know, in the downtime. And I do some nonprofit fundraising as well. I'm passionate about telling stories, helping change the world through stories and being able to create those characters that are brought to me by wonderful people like this. How about you? Prem: Hi everyone. Thanks so much for having me. My name is Prem Santana and I am a director and a writer. I'm also an actor. I was an actor for over a decade, almost 15 years before I transitioned into becoming a director. I recently graduated as a directing fellow from the American Film Institute Conservatory, where I met my Muse, Madonna. We met in a class and she and her wife Robin were my actors. And I instantly fell in love and saw a talent I had never seen before and started writing. “I Thought the Earth Remembered Me” based on seeing Madonna's face. There were some other experiences in my life that had inspired the short. Madonna's, my muse, and I've just been very honored and grateful to be able to work with such an actor. Passionistas: I actually want to follow up on one of the things you were saying, because it was actually a question we had is, and we'll get into it more, but the whole movie that we're talking about really lives or dies on Madonna's face. Prem: Yeah. Passionistas: And the amazing range of emotions she can portray through her face. So that really was actually part of the inspiration for writing it? Prem: Absolutely. Because she's able to, I mean, when an actor can act without words is to me, is the hardest thing is to act in the silences. When there's so much carried in the eyes that is the number one thing that I look for in an actor to collaborate with. And Madonna does it super. Carylanna: My name's Carylanna Taylor. I'm a filmmaker and anthropologist recent graduate of the AFI producing program and I have the pleasure of producing “I Thought the Earth Remembered Me” with Prem and Madonna. It was really Prem's script that just gave me a gut punch when I read it and we'd been kind of talking about maybe doing something together but hadn't had a chance to work together yet. The script, I have an environmental conservation and migration past, and it just really hit me on the environmental connection very strongly in a way that I hadn't felt for a long, long time. And Madonna embodies that beautifully. So, yeah, and, and she's, she said it beautifully. I'm passionate about bringing stories to life that might just move culture's needle a little bit, might give people a chance to walk in somebody else's shoes that they wouldn't have otherwise. That can come in lots of different forms, but this is certainly one of them. Passionistas: That's great. Well, sounds like a perfect marriage between the three of you to make this film happen, which is, you can tell when you watch it that the people who created it have that passion for all of those things. So, it's really well done. And Prem, maybe you could talk a little bit about what the film is about and, and again, a little bit more about your inspiration beyond the beauty of Madonna. What else inspired you to write it? Prem: I realize I didn't say what I'm passionate about. So, I'll say first that I'm passionate about telling stories from the margins, especially from the female perspective, and I believe that we can make a huge difference. Telling stories and making movies that reflect our human experience. And I'm so grateful to be able to do that. So yeah, that's what I'm passionate about. But the story, so I also take 35mm photographs. And my mom is also someone I, she's 76, and I've been photographing her throughout my life. And just the process of aging has been something that I find so beautiful. It is something that I find so beautiful. And watching my grandmother who passed away at 98 a couple years ago, go through this transformation from the finite to the infinite or whatever you want to call it. And then my mom getting older and myself, you know I'm now what they call “of a certain age.” And I've just committed to using that in my art and celebrating aging as something that's not negative or bad or something we have to hide or erase or change or transform or fill up or fill out or whatever. So anyway, back to the photographs. Sorry. I took a photo of my mom's hand, the beautiful like texture and wrinkles and she laid it against this beautiful oak. And I took this photograph, and I was like, that's the image. That's where originally in the script, we start on her hand. It changed over time but that was the igniting image. I was like, there is a woman and she's in the woods for some reason. And then, you know, I started writing and just dealing with my own grief and losing a friend during the pandemic. Losing my grandmother. It was a real way for me to cope, was to write this story. And having had such a connection with Madonna, I was able to step into that emotion myself, I feel like, in a way, and write this story about transitioning from end-of-life transition. Madonna: That's funny because when I saw that, when I saw that, that image of Prem's mother's hand on the tree, I thought it was my hand. I said, “Oh, when did you take that? I don't remember that?” Like, I remembered us going to the woods and shooting some photos and I thought, oh, that's, that picture we took. And she goes, “That's my mom's hand.” And I was like, “Our hands look so much alike.” And then her mom came to the premiere we sat and we compared hands. Prem: Oh yeah. That was so sweet. Madonna: Yeah, it was very sweet. So, it was cool because I felt like, I felt that connection too, you know, through her and through you, Prem, through your love for her and your heart. So, it was really, really cool to sort of have that background to know that it actually wasn't my hand that inspired her. It was her mom's, but cosmically. Cosmic. Prem: Yeah. Cosmically. Passionistas: So, Madonna, what did you think when you first saw the script? Madonna: Well, I had worked with Prem on another beautiful script that she wrote called “Dreamhouse of Salt” and also just in that first class where Prem and I really connected. We were on a Zoom. We were all isolated. We were on a Zoom. We weren't in person, but there's just something in her soul and energy that just drew me in right away and I thought, she's going to be getting an Oscar in my lifetime. This woman, I know that's not why she's doing it, but her work is that impeccable and her stories are beautiful. So, we did this. It was one of your cycle films, wasn't it? It felt like a big studio film because it was just so beautifully done. But it was really just in her process and as a fellow. And so, I knew when we talked about collaborating again in the future, and I knew whatever she brought to me, it was just going to be, it is going to speak to me, you know? And so when I read it, you know, it's always interesting to have a script that doesn't have dialogue and that has a younger version of me in it. So it was, you know, back backstory and, and memories and so I'd never done anything quite like it before. So, I was like, yes, let's dive in. You know, in those moments when Prem talks about me connecting, that's because she would come over to me and say something. She would give me something that really resonated with me. So that was sort of, it was a wonderful process. The whole thing was just incredible. Even it was, it was freezing cold, I think I remember being cold. And it was in that beautiful space. And there was a lot of, you know, everybody on the crew was just, Carylanna was running an amazing production team. And the cinematography was beautiful, and it was really safe working with a crew of mostly women. You know, it felt really, I felt nurtured through the whole thing by the trees. We were standing from everything from the trees. We were standing into the, just the backdrop to the house to our beautiful crew. So, it was a great experience and so when I saw the script, I knew that's what it was going to be. I knew it was just, I'm ready. Passionistas: It sounds a little cliché these days to say the location is another character, but it really does feel like that in this production, and it feels, maybe it was right off the main road, but it feels like it's incredibly remote. So Carylanna, talk about finding that location and the complexity of shooting there and bringing your crew there. Carylanna: Credit for finding it actually goes to our Unit Production Manager and Line Producer Sarah Niver, Prem, the Production Designer Daniel Berkman and our cinematographer Liz Charky. Prem and I had done a lot of scouting from, I don't know, I guess kind of casually starting over the summer and the fall and a little bit more aggressively in January, February. And we weren't finding anything that looked like this vision of the Pacific Northwest that Prem wanted. If you read the script, it sounds like it's either in an old-growth forest in Washington or Oregon, or maybe in the Adirondacks of New York – but nothing. We're limited to shooting within 30 miles of the center of Los Angeles. That's all that we were allowed to shoot at AFI. So, trying to find something that looked even remotely lush was quite the challenge. And we had gotten to the point where we were almost ready to switch it to the desert. I don't know how serious that was, but that's about where we were at. When Sarah started location scouting and she came up with this place. And it was a challenging location in a lot of ways. It's in Topanga Canyon and it's like deep down in a canyon. And just the topography of it is such that it keeps the water in. There's just a little stream that runs through, but the moisture stays in. It's cooler than the surrounding areas. This is a place where they used to run liquor during the prohibition. It's got a total history of this area but it's also pretty remote. Like Madonna was saying we had to go past another film set even to get to where we were at. And we couldn't drive our vehicles right up to the house or right up to any of the scenes that you see shootings. We were having to do a lot of couriering with carts and things like that. So there was a whole logistical element to it. And it was a big enough piece of our budget that we didn't have a full prep day and a full wrap day. So all of that was done in five days in one location including load in and load out. So it was, yeah, it was, it was a lot of fun logistically. But it's beautiful. I mean, I don't think there's anything quite like it that we would've found elsewhere in the area. Passionistas: Yeah, it's really extraordinarily beautiful. And like we said, the cinematography just is incredible. It just captures it all so well. The other thing that's amazing is the casting of the other two women — and especially the woman who plays young Lee. So, tell us a little bit. Madonna: They were calling me Elder Lee, which is really sweet. Always. Just Lee. Passionistas: You were the original Lee. So, Prem, tell us a little bit about the casting process. Prem: Well, Madonna was locked in, like day zero. I was determined to find someone that looked like Madonna because I really find it annoying when on TV or in a movie and people are cast and you're just like, that looks nothing like this person. I'm like, okay, I get it. I get maybe because of this and I'm making justifications or there are limitations and things get in the way, whatever. But it's something I noticed. So, I was determined and our casting director, Rich Mento, gathered so many, like, there were a lot of submissions. We had a ton and I mean honestly it was like going through, I went through every single one. And Penny, it was like one of the last ones. That's how it always is. And I was like, in shock, like how much they looked alike. And then her audition was perfect. So, I wanted, it was those moments where I just wanted to be like, you have the part, but you have to wait and do a callback and follow procedure and really talk about it with Carylanna and, you know have a conversation. It was all done on Zoom too, so that was… but I guess from what I haven't been acting in a while, but Madonna, I feel like a lot of auditions are Zoom now anyway, right? Or it's self-tape, anyway. Madonna: Right. Prem: So I guess that was right — not in the room as much. So, I guess that wasn't too out of the ordinary. And then we found Christine through our Casting Director, as well, and she had this beautiful, just, I felt like she was this angel in this way, that she just carried a light that I think balanced Lee Lee's heaviness and her weight. The weight of the world that Lee sort of is holding so deep inside of her and not wanting to… she's not ready to fully give it all. But Janine, Christine was able to bring that out in both, I think in Penny's character, younger Lee. But Madonna and I actually rehearsed with Christine. I wanted them two to rehearse together because it wouldn't, it would deepen the memories for Madonna. At least that was the goal. I think it helped, right Madonna, like working with Christine? So yes, even though you're not on screen together, I wanted them to have that established relationship in the energy that they carry on. We would feel that connection. But yeah, we were blessed. We were just blessed with the cast. Like it just really worked out perfectly. Madonna: Penny has an Irish accent. And it was interesting because you know, I don't say anything. My character Lee, Elder Lee, doesn't say a thing. Patty does an American dialect, I guess. She drops the accent and beautifully. She's a really talented actor. And when I first saw her, I was, we met… Our first rehearsal together was on a Zoom and I think the first time I couldn't wait to see her. I was like, what? Damn, I was cute when I was young. Okay… So, it was cool to sort of… I've never worked with somebody who's me in my past experience. So, I really enjoyed that process and sort of enjoyed… We hung out together and we just, on set, we just sort of like bonded and that was our opportunity physically to be together because we had really just mostly been… I think we had one rehearsal in the grass somewhere. Was that this film? Yeah, yeah, yeah. That was Christine. That was with Christine, yeah. Yeah. And it was we were at the at the beautiful campus of AFI and a deer showed up when we were… just like walked around by us and. There we were on Las Feliz and Western, you know, Franklin. And there comes a deer. So, it just all felt so storybook like. It felt like a little fairytale we were doing. But it was really great to sort of get that background with Christine and for us to connect. And I hope it helped her with her scenes with Penny as well. Passionistas: For people who aren't from LA or haven't been here, AFI where you were all attending is right in the middle of the city of Los Angeles. So, it would be like being in Times Square and having a deer walk by. Madonna: Exactly. Passionistas: It's really a random thing, but that's how Southern California is. We have peacocks in the middle of our neighborhoods, like suburban neighborhoods. Talk a little bit about AFI for people who don't really understand what that is because it's such a unique and special place and experience. So, what is that program and how does it prepare you for being in the film industry differently than most film schools? Carylanna: So, it's a two-year conservatory, very hands-on. There are six disciplines producing, directing, cinematography, production design, editing, and screenwriting and it changes each year, but roughly we had about 22 directors and producers and such. There's a track of just classroom classes and watching films and reacting to film classes. But in addition to that we have two years of production. So, our first year we actually, each of us does at least three films. And we team up around the idea for each of the films. So, someone generates the idea, then there's a pitch process. The producer comes on board, we hire the rest of the team, then we go out and work with volunteers from the filmmaking community like gaffers and art directors, and what have you. And there's a conservatory program for SAG, as well. So, Madonna's part of a SAG/AFTRA AFI conservatory program. So, we have access to these wonderful, wonderful actors even for our classroom exercises and these three short films that we produced our first year. And then the second year everybody produces a thesis film, which is what we're talking about. “I Thought The Earth Remembered Me” is Prem and my thesis film. So, I produced four, no, six films in two years including the cinematographers had visual essays. And there are, I have classmates who did way more than that. I was actually on the low end, but it's a lot of hands-on. And our crews aren't union, but we run them like union shoots. So, we follow SAG-AFTRA rules for everything we follow. We try to keep our days tight and our crews are usually around 30 because it was capped because of Covid. Ours were definitely 30 or under and so they're big. They're big projects. We have a lot of gear from AFI that gives us. We shoot in sound stages, but also like, just all around LA. It's a lot of hands-on experience. Pretty amazing. Passionistas: that's incredible. And so, we keep talking around the COVID thing. When did you film this? Carylanna: It was it in the midst of COVID or was it sort of towards the tail end of lockdown and. So Prem and I found out that we were accepted into AFI about the week that the shit hit the fan in March 2020. So we had to decide whether we were coming or not. I'm coming from New York. A lot of our classmates were coming internationally, and we had to decide whether to try doing this or not. Our first year of classes were totally online. And then our production was the only thing we were doing in person. It's like with masks and if we were near actors, we had to have face shields and such. There are lots of social distancing rules. There's like a whole list, COVID compliance officer on set and what have you. The second-year production continued like that and this was produced during our second year. So, this we produced April 2022. And our classes at that point were mostly in person, kind of. Passionistas: We're Amy and Nancy Harrington and you're listening to the Passionistas Project Podcast and our interview with Prem Santana, Carylanna Taylor and Madonna Cacciatore. To learn more about “I Thought The Earth Remembered Me” and Prem Santana's other work visit www.premsantana.com Go to first encounter productions dot.com to stay up to date on Carylanna Taylor's projects. Stay on top of all of the great work that Madonna Cacciatore is doing at IMDb dot com and on her website m cacciatore dot com. Now here's more of our interview with Prem, Carylanna and Madonna. Madonna, why do you like to be a part of these AFI projects? Madonna: Well, I think, as every actor in town, we work sometimes, sometimes we don't. Like on TV film sets, and commercials, we are always auditioning. And so, when there's an opportunity to work, I want to work, you know? And I find I don't do every project like this. This particular class of people was extraordinary. I've worked on another director's films, as well. I liked it because of the story. I like also the thesis films, you know go, can go to festivals, so that's great. But you know, when there's an opportunity to work your craft, work it, you know, and I love working my craft. I love roles. I love working. I love being on set. I love the experience. AFI films are done in such a way that you really are getting the full, you know, you're being treated, I'm treated really well. It's like it's working on a SAG set. I also like the Conservatory a lot because of what they do for students and what actors can get out of it, as well. Like sometimes I'll get just called in Victoria Hoffman, you know, call and goes, “Can you do this kind of class or that kind of class?” Well, for me it's class. I love class. I love working. I love learning. You know, we never stop learning and we never stop connecting. So, every experience onset is different and you know, you learn something new no matter what your age or how many roles you've done. I came to LA pretty late in my life. So, I didn't get here in time to sort of have a young career here. My background was, I was dancing most of my life and then I ended up going to musical theater. And then I started training in Washington, D.C. at the Studio Theater there in all the forms. So, I took a lot of classes and, you know, I had this experience. I was in Seattle and I got a little under five part on “The Fugitive” that Tim Daly was in, that they were shooting up there. And I had only ever done as far as film and television at that time. I'd only ever done extra work, background work. So, I go on set and they had an umbrella for me because of course it was Seattle and it was raining. And then they take me and they said, “We'll take you to your trailer.” I said, “I have a trailer. I have five lines. I'm so excited.” And I thought, I'm moving to L.A. That's it. But you know, I wish I'd done, you know, I don't regret it because I had a lot of experience along the way and I got to do a lot of wonderful theater and I still love theater very, very much. But it was good to you know, get here. And so, it didn't matter to me because yeah, I was older, but then I just got different roles so I just, you know, I just keep going like we all do. So, there's, you know, all the auditions, all the ones you don't get, and those gems you do get, just make it, it never leaves you, it's part of you. So, I'm, you know, I'm always happy when AFI called. Passionistas: Prem, based on what Madonna was saying, do you think as an actor, she brings something to a part because she has those life experiences that weren't all… She wasn't just an actress for 20 years. She had all these other life experiences. Do you think that makes a difference as an actress from a directing standpoint? Prem: Absolutely. The way Madonna carries, there's her body and the physicality of an all a dancing background and a theater background. You really have to I mean, I also have a theater background and dance actually, but you really have to know space and your emotions are constantly be connected to your physical, and those things are never separate. And so Madonna is a master at… there's just a natural… Madonna carries her body so naturally and is able to sink into it, you know like this is the scene. Because sometimes, you know, you see actors and you can tell that they're not comfortable or they're not… and their physical body shows that. So, to answer your question, I think it's such a treat to have an actor with this diverse background. And also, I think Madonna, women your age, my age… beautiful time. I feel like that is to see, this is what I'm passionate about too is putting women that are older on screen, you know what I mean? And I think there's such like power in the age that you are, and I can't wait to be, you know, each year it's like, oh, this is so fascinating and interesting, like, my body's changing and, but I have so much more to offer and storytelling and to see. I don't know. To see a face like Madonna's on screen is like, every time I see our short film, I'm like, this is what I think we need more of. Passionistas: It's funny you say that about her body and her walk because I don't know that I've ever seen an actor act with their back before. Like Madonna walking away from camera. expresses more than most actors can do with a five-page monologue. Madonna: Wow. Passionistas: And it was fascinating to see. I'm in tears and all she's doing is walking away from me. I can't even see her face. Because what's going on, even though we're not on her face, like it's all happening still inside of her. Prem: So, and you're right. You see through everything, you see it. You see it no matter what. Like the camera picks up all of it. Even that, you know, being on her back, I'm not going to give away the shot we're talking about, but yeah, it's really magical. Yeah. Madonna; But there was a lot of magic in that space too and, in that environment it was, you couldn't have found a better place to shoot this film. Honestly. There were so many natural lines and, and so much beauty in that forest, you know that it was just like, honestly, like the film resonated. The message of the film resonated and the foliage in the trees. And the house like you were asking earlier, you know, when you asked Carylanna like this almost was another character. The house was definitely another character. The house was like, I felt like I had to be very respectful of the house and we had to have a connection. Honestly, there was just some stuff going on there. And then the outdoors, of course, was, I love being out in nature, so it was very much fun for me. Passionistas: I love that house. Tell us about it. Was that the condition that it was in or did your production designers bring it to life like that? Carylanna: A bit of both. Our production designer definitely pushed it. The house was built as a prop house in the eighties for a movie called “Shiloh 2.” And it is just… Prem: You remember that, Carylanna? Carylanna: Yeah, especially with my memory for names. But it sat there just open to the elements for what is that now going on 40 years that it was not ever meant to stand for more than the length of a production. So, there are literal holes in the ceiling where vines are growing into the building. And yeah, it's definitely on its way to succumbing to nature. And Daniel and his team definitely pushed it a bit more, but it's, yeah, it's, it's certainly like infused with that environment. It definitely felt like a place with history. That's interesting that you say that, Madonna, the feeling like you had to respect it. You really see their work whenever they're making it seem present because the past is kind of there. There are some scenes in the kitchen, and they really make that warm and inviting and feel lived in. There are some dark room scenes too that are kind of the same, that's where you see their magic on screen. Passionistas: Prem, you were saying that it's important for you to foster women in film, on screen and off, and one of the things that you have founded is the Moonfaze Feminist Film Festival. So tell us what that is and why you started it and what's the current situation like that Prem: The festival is no longer, unfortunately. It lasted for four. Two years in person live events and then we went online but I created it out of just necessity. I directed my first short film called “Luna” which I also acted in, and I was struggling to find a platform for this baby of a film that I'd made. It was my first film, you know, so, I was struggling to find a platform to showcase my work and I just was struck with the idea of why not make a film festival for myself and my peers. And once it was one of those, you know, when you get creative, like, I'm sure you felt that when you started Passionistas, where you're like, oh my God, that's it. This is what I have to do. Right? You're just like, you know, in every cell. And we get those hits. I don't know how many we get in a lifetime, but I'm, I'm grateful for every one. And that was one of them where I was just like the doors started to open and the right people came in and all of a sudden, we had a venue and I had the most amazing experience curating that festival where we celebrated, it was all, you know, female-led, non-binary-led films. And it was amazing. But as I transitioned into really focusing on directing, I couldn't do both. And it was one of those things that just naturally dissolved, but I'm still hold it up to one of the most amazing experiences of an artist and an activist being able to provide a platform. I wouldn't, maybe someday we'll bring it back because it was pretty amazing to be honest. Yeah, it was cool. You're making me think about it. Passionistas: Maybe it could be part of the Power of Passionistas Summit some year. Prem: Yes. Ooh… Passionistas: We'll have to talk. Prem: There you go. Oh my God, I would love that. Yeah. I mean, asking about that. Passionistas: Yeah, there is so much synchronicity in all of us, I think in what we are doing with The Passionistas Project, in what you have all said is your passion and about storytelling and advancing women and social justice issues. So maybe each of you could just talk a little bit about that and about how that informs the film projects that you like to work on. Madonna: You know, I'm a been an activist since, I've been an out LGBTQIA person since I was, since 1971. I saw a thing one time that said Gay AF Since 1971 on somebody else's thing. I was like, that's me. Uh, I've always sort of been out. I've never really, I mean, I grew up in Texas, so I, you know, there was a lot of opportunity for bad things to happen. I don't know why they didn't, but they didn't. So, I've always been a person who has fought for people's rights one way or the other, and for animals rights, like to protect our, our four-legged and our, and our humans with kindness and respect and dignity, which is what every, I think, every living being deserves. Why we beat each other up, I have no idea. I think it's a horrible model. I think we should stop doing it immediately. I'm putting my foot down. We all need to stop doing that. But, you know, so, any time, like Carylanna was saying, and Prem, we're saying anytime you can tell a story or I can find a character who's revealing something about that, who's helping someone else who might be in a situation and they somehow, something you do helps them through that situation, helps them. You know, there are many ways, there are many instances where that could happen and I just think, you know, my wife and I have both had people reach out to us from through our acting and through other means because they are young. We've had people reach out to us from Russia and other sort of hostile areas where they could not be themselves and say, you know, something you did helped me see myself. So I think when you can do that through living your life with the passion that we all have in this room, and that I'm sure many people watching have that you, that you are making, by simply living your life, but then to take it further and make films and, and do The Passionistas Project. You know, I watch a lot of the people you interview and your shows, and it's just the work you're doing is making change in the world. So, we've all sort of made that choice. And sometimes it gets hard to keep the light shining when things are happening, but it's these mediums that help us keep it shining. We can reflect something to someone. And I think that's, for me, that's why it's important and that's why I'll always choose projects. I mean, I, you know, I want to work, but I also love projects that advance social justice for humans and animals and the earth. Carylanna: So, I mentioned before, I come from cultural anthropology and that's. It's about understanding the world holistically and understanding humanity and all its diversity in time and place and in connection to other things that are going on in the world. So I tend to look for stories that channel that. And it's never all of that in one thing like I've done a feature film called “Anya” that has, that's like critiquing the idea of what difference truly means and how we can get past that. Because underneath it, we're still humans. And I'm currently working writing a project that's inspired by my research in Honduras with migrants and natural resource management there and trying to shape it as a lens into what makes Central America unstable. Like we have a tendency in the US to look at it as being this very unstable place that's not livable and that that's why we get all these migrants at the border and yada yada, when in reality I've spent, I mean, a decade off and on living in Honduras and working with people from there and they come from a beautiful place, a place that's a home, a place that they love, a place where they love, a place where they work hard and when it becomes unstable, it's tragic. When somebody has to leave home, it's involuntary. So, I'm trying to write, probably a series. It keeps splitting around between a film and a series and a novel that captures that sense of home, but that does it in a way that an American audience can kind of encounter that and understand it — maybe people who wouldn't automatically think like that. So that's what I'm working on right now. I'm also passionate about mental health issues and working on a script for that. I also get to read for some really interesting companies and have a little bit of an opportunity to say, this is a really great project. You should think about making it. And it's always exciting when I find something that's really, really special that might get made. Prem: I'm very like, proud of you, Carylanna. I'm like, yes. So exciting. Hard. You know, Madonna said it. It's hard. It's hard to have the faith in yourself to say, I can have a voice in this. I can, yeah. It's worth the next four months of my life to work on this as opposed to like scrambling to find a particular job. It's like it's hard to, yeah, it's hard to hang onto the passion. So, I really appreciate this because it helps remind me to hang onto the passion. Yeah. It reignites the flame that's like, sometimes it's like just about to go out and then things like this happen and I'm like, “Oh, okay. Yes. Okay.” I was just thinking of, you know, I realized. I tend to write stories that don't have a political or any sort of agenda. I don't think stories necessarily have to have an agenda to shift the paradigm, to have an impact because I think the thing that really does change us is the emotional feeling, connection. That's the beauty of drama and raw, brutal, honest, beautiful truth. So that's where I'm coming from because I think we can get lost in pushing an agenda, political, gender, all of it, you know, and lose the root intention and core and heart and soul of what we're trying to say. And so, to me the most important thing is that and the other stuff will come naturally if that is part of what you're passionate about, and we all are. Passionistas: What did you each learn about yourself from making this film together? Carylanna: I'm going to kind of punt and say that I, coming from academia, I'm very, I tend to be very analytical and it gets in the way of filmmaking and it gets in the way of writing sometimes. It's very helpful with research. It's helpful with market analysis. It's helpful with all kinds of things. But in terms of telling a story that just grabs somebody by the lapels and carries them along and immerses them in somebody's life, that requires emotion. And that's why I wanted to work with Prem is because she does such a beautiful job of embodying emotion. So, our relationship was not always like super easy because we're coming at things from very different sides. But I learned a lot about tapping into emotion and working with somebody who's so in tune with it and watching her work with actors was really enlightening, too. So, I think in that arena, I grew a lot because of this. Prem: I'm going to dive in if that's okay, because I want to say the same with Carylanna, like working with the other side of my brain and learning how to hone the emotion, but like use it efficiently and productively and adapt to different ways of using it to my best ability. Being on set is such a magical thing… like there's all this emotion and you have to go, and just be like locked in sort of like carrying all this emotion, but also very in a jar, like you have the lid and you're releasing it every now and then to like connect with the actors. So yeah, I just learned a lot working with Carylanna and working with such a good producer. I learned what the director's part in that collaboration really is. And I think that I can now go forward and, I don't know, have some really beautiful relationships and I'm excited about that. Madonna: I just learned, I mean, it's just another experience of being with a group of people who have really great hearts and are incredibly talented and can show me something about myself. As an actor, you want to get feedback, you want to get notes. I mean, Prem and I had the luxury of having some rehearsal time, which you don't often get. And so we got to have some nice conversations. And seeing Prem's sort of point of view reminded me of myself when I was younger and when I was sort of really, I mean, I'm still passionate, but it's different for me. It's taken a different kind of a vibe. And I was able to sort of harness like Prem's passion in the way that she works and use that in my, in this character, but also just sort of as an actor, like opening myself up again to my younger self and to my older self. You know, sort of really appreciating my age. And that's what this story does. I've never had a problem aging. I love the lines on my fa I love that Brandi Carlisle song. You know, the story. That's one of my favorite songs. Mm-hmm.., because these lines are my experience in, in this world and I like them, you know? And so, this film continues to help me see that and embrace that part of myself. Because aging is also not for the fainthearted. You just start going through new things. You just, things hurt that you didn't know were going to hurt. And so, you know, it was really a reflection of honoring my aging process as well. Prem: So, Carylanna, you were telling us about up your upcoming projects. What about Prem and Madonna, what do you guys have in the pipeline? Prem: I am developing multiple projects, multiple feature film scripts. One of them is the feature film version of this film, which recently I made it to semi-finalists in the Outfest screenwriting lab. So, that was a win for me. I'm celebrating all semi-finalist things. Every little step counts. So, I was really excited about that, but I also got some feedback that I feel like is really beneficial to the script. So, I'm thrilled to execute that and take it to the next level. I'm also working on a feature film script about, The California Gold Rush seen from a non-heteronormative female perspective. I'm, I'm obsessed with westerns and period pieces. It's like my other… So, it's a huge undertaking. So that'll probably be in a decade, maybe. And then a horror film I'm slowly working on. Madonna: Oh, I love horror films. Prem: Me too. Madonna: I just keep auditioning. I've got a couple of fingers crossed on a couple of things right now that I can't talk about, but I, you know, just hopefully, I just keep, as all actors do, I, we just keep auditioning. Robin and I set up, we finally have a media area where we can keep our ring light and our backdrop up and we can keep doing scenes. And two of the things that I have had come my way recently, whether I get them or not, they're really great projects. And I always consider an audition like I'm going to work. So, yeah, just fingers crossed on those. And we just keep going, like looking at I've got great agents and a great manager and, and they know me, so I'm really happy about all that. Passionistas: Thanks for listening to The Passionistas Project Podcast and our interviews with Prem Santana, Carylanna Taylor and Madonna Cacciatore. To learn more about “I Thought The Earth Remembered Me” and Prem Santana's other work visit www.premsantana.com Go to first encounter productions dot.com to stay up to date on Carylanna Taylor's projects. Stay on top of all of the great work that Madonna Cacciatore is doing at IMDb dot com and on her website m cacciatore dot com. And be sure to visit ThePassionistasProject.com to sign up for our mailing list, find all the ways you can follow us on social media and join our worldwide community of women working together to level the playing field for us all. We'll be back next week with another Passionista who is defining success on her own terms and breaking down the barriers for herself and women everywhere. Until then. Stay well and stay passionate.

A consistent theme in Madonna's song writing is that she doesn't know long term love, which has made for some brilliant music. A big thanks to the Madonna Remixers United and all the remix revolutionairies. This is Madonna's Heartbreak Beats. Free: www.clubkerrynyc.com. Support the Madonna Remixers United and get their latest releases at www.madonnaremixersunited.com/ "The undiscovered brilliance... DJ Kerry is magic!" (App Review). Ranked in the top 1% most popular podcasts globally by Listen Notes. "Awesomesauce" featured Tunr app. Chartable.com "Global Reach" top 20 music podcast. "Stylistically superior. The best vocal house podcast on the net" (iTunes Review). "Top Electronic Podcast" category on Player FM. Celebrating 13 years: 2009-2022. Listen on the Club Kerry NYC free app: iOS App: http://bit.ly/kerryiosapp Android App: http://bit.ly/AndroidKerry Windows App: http://bit.ly/KerryWindows Premium Subscribe for extra episodes! Track List (65:32): 1. Madonna - Beautiful Scars (Dubtronic Unvisible Scars Remix) 2. Madonna - Across The Sky (Dubtronic Skyrain Remix) 3. Madonna - You'll See (Okjames Scorpio Rising Mix) 4. Madonna - Extreme Occident (NEPHEW SOM Breakthrough Remix) 5. Madonna - HeartBroken (Lukesavant & Cleo Nasser Interlude) 6. Madonna - Sorry (Early Backdrop Mix) 7. Madonna - Voices (2017 Loka Nunda version 3) 8. Madonna - Till Death Do Us Part (Luin's Marriage Story Mix) 9. Madonna - Devil Wouldn't Recognize You (Rising Sun Remix) 10. Madonna - Love Spent (JAMIE MANGO TWIN Mix) 11. Madonna - Bad Girl (Cavalier's Memory Loss Remix) 12. Madonna - Drowned World_Substitute For Love [Arihlis Remix] 13. Madonna - Falling Free (Deepstereo Seen Molly remix) 14. Masterpiece (DJ Yonce Her-issue Re-Edit) 15. Madonna - Alone With You (with Avicci) Listen on your fave app for your device: www.clubkerrynyc.com iTunes/iOS http://bit.ly/iTunesKerry Gaana (Android, iOS) http://bit.ly/GaanaClubKerry Google Podcasts (Android, iOS) https://bit.ly/GoogleClubKerry Amazon Music Podcasts (Android, iOS) https://bit.ly/AmazonMusicClubKerryNYC Deezer https://bit.ly/DeezerClubKerry Tunr (Visualize your music! iOS) by Soundspectrum Podcast Republic (Android) https://bit.ly/PodcastRepublicClubKerry CastBox (Android, Alexa, iOS) https://bit.ly/CastBoxClubKerryNYC Podcast Addict (Android) https://bit.ly/PodcastAddictClubKerry Stitcher (iOS, Android) http://bit.ly/stitcherkerry iHeartRadio (iOS, Android) https://bit.ly/iHeartRadioClubKerry Overcast (iOS) https://bit.ly/OvercastClubKerry TuneIn (Alexa, Roku, Google Assistant, Cortana, iOS, Android) http://bit.ly/TuneInClubKerry PocketCasts (iOS/GooglePlay) https://bit.ly/PocketCastsClubKerry PlayerFM (iOS, Android/Google Play) http://bit.ly/PlayerFMkerry Podbean: https://bit.ly/PodbeanClubKerry Podchaser (Database): https://www.podchaser.com/CLUBKERRYNYC Mixcloud: http://bit.ly/MixcloudClubKerry Listen Notes (Club Kerry NYC top 1% most popular shows globally): co/H0tP73Z94ld RSSFeed: http://clubkerrynyc.libsyn.com/rss Track Lists, subscribe, & Download: www.clubkerrynyc.com 

Jonny is an MBE-holding mental health advocate, author, and filmmaker. He talks about living with schizoaffective disorder, and his social media campaign to find the man who saved his life, six years after they met on a bridge. They subsequently started a mental health charity together, We Are Beyond. He also talks about the consistency of music in the maelstrom of mental health, and the ups and downs of 2020, and the ways in which this year has both helped and hindered our mental health. Blair and Jonny discuss different medications and their effects, and the alternative to FOMO: JOMO!Listen along to Jonny’s songs at this Spotify playlist. Discussions begin:Amy Winehouse - Rehab (05:38)Taylor Dayne - Tell It To My Heart (10:28)Janet Jackson - Together Again (11:45)Gabrielle - Rise (21:00)Whitney Houston - I Wanna Dance With Somebody (35:22)Madonna - You’ll See (36:46)Florence + The Machine - Dog Days Are Over (41:20)Nina Simone - I Wish I Knew How It Would Feel to be Free (46:46)ABBA - Dancing Queen (55:30)Sam Cooke - A Change is Gonna Come (58:22)Nina Simone - Don’t Let Me Be Misunderstood (1:03:04)You can find Jonny:On Twitter and Instagram @mrjonnybenjaminResources/Links:For emergency support over the phone, you can call The Samaritans free on 116 123.For men who want to talk to others in a private and safe space, visit Talk Club - founded by two Music To Survive By guests Ben Akers and Gavin Thorpe. Check out their episodes for more info about the initiative for male mental fitness.

TRACKLISTING ---------------------------- 01 - Nothing Really Matters (Club 69 Radio Mix) 02 - What It Feels Like For A Girl (Richard Vission Velvet Masta Edit) 03 - Don't Cry For Me Argentina (Miami Spanglish Mix Edit) 04 - Don't tell me (Vission Radio Mix) 05 - Get Together (Jacques Lu Cont Vocal Edit) 06 - Beautiful Stranger (Calderone Radio Mix) 07 - Ray Of Light (Sasha's Strip Down Mix) 08 - Die Another Day (Deepsky Edit) 09 - Music (HQ2 Radio Mix) 10 - Secret (Junior's Luscious Single Mix) 11 - American Pie (Richard 'Humpty' Vission Radio Mix) 12 - Sky Fits Heaven (Victor Calderone Remix Edit) 13 - Human Nature (Runway Club Mix Radio Edit) 14 - Bye Bye Baby (House Mix) 15 - Hung Up (Tracy Young's Get Up And Dance Groove Edit) 16 - 4 Minutes (Peter Saves London Edit) 17 - Give It 2 Me (Jody Den Broeder Edit TV) 18 - Give Me All Your Luvin' (LMFAO Remix) 19 - Girl Gone Wild (Justin Cognito Radio Edit) 20 - Turn Up The Radio (Offer Nissim Radio Edit) ---------------------------- LYRICS ---------------------------- "Nothing Really Matters" When I was very young Nothing really mattered to me But making myself happy I was the only one Now that I am grown Everything's changed I'll never be the same Because of you [Chorus:] Nothing really matters Love is all we need Everything I give you All comes back to me Looking at my life It's very clear to me I lived so selfishly I was the only one I realize That nobody wins Something is ending And something begins [chorus, repeat] Nothing takes the past away Like the future Nothing makes the darkness go Like the light You're shelter from the storm Give me comfort in your arms [chorus, repeat and fade] "What It feels Like For A Girl" [Spoken:] Girls can wear jeans And cut their hair short Wear shirts and boots 'Cause it's OK to be a boy But for a boy to look like a girl is degrading 'Cause you think that being a girl is degrading But secretly you'd love to know what it's like Wouldn't you What it feels like for a girl Silky smooth Lips as sweet as candy, baby Tight blue jeans Skin that shows in patches Strong inside but you don't know it Good little girls they never show it When you open up your mouth to speak Could you be a little weak Do you know what it feels like for a girl Do you know what it feels like in this world For a girl Hair that twirls on finger tips so gently, baby Hands that rest on jutting hips repenting Hurt that's not supposed to show And tears that fall when no one knows When you're trying hard to be your best Could you be a little less Do you know what it feels like for a girl Do you know what it feels like in this world What it feels like for a girl Strong inside but you don't know it Good little girls they never show it When you open up your mouth to speak Could you be a little weak Do you know what it feels like for a girl Do you know what it feels like in this world For a girl In this world Do you know Do you know Do you know what it feels like for a girl What it feels like in this world "Don't Cry For Me Argentina (Miami Spanglish Mix)" (Evita, Evita, Evita, Evita) (Evita, Evita, Evita) It won't be easy, you'll think it strange When I try to explain how I feel That I still your love after all that I've done You won't believe me All you will see is a girl you once knew Although she's dressed up to the nines At sixes and sevens with you I had to let it happen, I had to change Couldn't stay all my life down at heel Looking out of the window, staying out of the sun So I chose freedom Running around, trying everything new But nothing impressed me at all I never expected it to [Chorus:] No llores por mi Argentina Mi alma esta contigo Mi vida entera, te la dedico Mas no te alejes Te necesito Don't cry for me Argentina My soul is with you My whole life, I dedicate to you Don't keep your distance I need you And as for fortune, and as for fame I never invited them in Though it seemed to the world they were all I desired They are illusions They're not the solutions they promise to be The answer was here all the time I love you and hope you love me [chorus] [Chorus2:] No llores por mi Argentina Jamas yo te he abandonado Aunque en silencio, mi alma te grita Hoy y por siempre (Soy Argentina) Soy Argentina Don't cry for me Argentina I have never left you Although in silence, my soul cries to you Now and forever (I am Argentina) I am Argentina (Ahh, so I chose freedom for Argentina, ahh) (No llores por mi) (Evita, Evita, Evita, Evita) (Evita, Evita, Evita) So I chose freedom Running around, trying everything new But nothing impressed me at all I never expected it to [chorus] [chorus2] No llores por mi Have I said too much? There's nothing more I can think of to say to you. But all you have to do is look at me to know That every word is true "Don't Tell Me" Don't tell me to stop Tell the rain not to drop Tell the wind not to blow 'Cause you said so, mmm Tell the sun not to shine Not to get up this time, no, no Let it fall by the way But don't leave me where I lay down Tell me love isn't true It's just something that we do Tell me everything I'm not [first time:] But please don't tell me to stop [all other times:] But don't ever tell me to stop Tell the leaves not to turn But don't ever tell me I'll learn, no, no Take the black off a crow But don't tell me I have to go Tell the bed not to lay Like the open mouth of a grave, yeah Not to stare up at me Like a calf down on its knees Tell me love isn't true It's just something that we do Tell me everything I'm not [first time:] But please don't tell me to stop [all other times:] But don't ever tell me to stop [chorus, prefixing 1st and 3rd lines with "Don't you ever"] (Don't you ever) Please don't Please don't Please don't tell me to stop (Don't you ever) Don't you ever Don't ever tell me to stop (Tell the rain not to drop) Tell the bed not to lay Like a open mouth of a grave, yeah Not to stare up at me Like a calf down on its knees "Get Together" (There's too much confusion) (It's all an illusion) (there's too much confusion) Down, down, down in your heart Find, find, find the secret Turn, turn, turn your head around Baby we can do it We can do it all right Do you believe in love at first sight It's an illusion, I don't care Do you believe I can make you feel better Too much confusion, come on over here [Chorus] Can we get together? I really, I really wanna be with you Come on, check it out with me I hope you, I hope you feel the same way too I searched, I searched, I searched my whole life To find, find, find the secret But all I did was open up my eyes Baby we can do it we can do it all right Do you believe that we can change the future Do you believe I can make you feel better [Chorus X2] It's all an illusion There's too much confusion I'll make you feel better If it's bitter at the start Then it's sweeter in the end "Beautiful Stranger" Haven't we met You're some kind of beautiful stranger You could be good for me I've had the taste for danger If I'm smart then I'll run away But I'm not so I guess I'll stay Heaven forbid I'll take my chance on a beautiful stranger I looked into your eyes And my world came tumbling down You're the devil in disguise That's why I'm singing this song [Bridge:] To know you is to love you You're everywhere I go And everybody knows To love you is to be part of you I've paid for you with tears And swallowed all my pride [Chorus:] Da-da-da-dum da-dum da-dum da da da-da dum Beautiful stranger Da-da-da-dum da-dum da-dum da da da-da dum Beautiful stranger If I'm smart then I'll run away But I'm not so I guess I'll stay Haven't you heard I fell in love with a beautiful stranger I looked into your face My heart was dancing all over the place I'd like to change my point of view If I could just forget about you [bridge] I looked into your eyes And my world came tumbling down You're the devil in disguise That's why I'm singing this song to you [bridge] I've paid for you with tears And swallowed all my pride [chorus] "Ray Of Light" [Verse:] Zephyr in the sky at night I wonder Do my tears of mourning sink beneath the sun She's got herself a universe gone quickly For the call of thunder threatens everyone [Chorus:] And I feel like I just got home And I feel And I feel like I just got home And I feel Faster than the speeding light she's flying Trying to remember where it all began She's got herself a little piece of heaven Waiting for the time when Earth shall be as one [chorus] Quicker than a ray of light Quicker than a ray of light Quicker than a ray of light [verse] And I feel Quicker than a ray of light Then gone for Someone else shall be there Through the endless years She's got herself a universe She's got herself a universe She's got herself a universe And I feel And I feel And I feel like I just got home And I feel Quicker than a ray of light she's flying Quicker than a ray of light I'm flying "Die Another Day" I'm gonna wake up, yes and no I'm gonna kiss some part of I'm gonna keep this secret I'm gonna close my body now I guess, die another day I guess, die another day I guess, die another day I guess, die another day I guess I'll die another day (Another day) I guess I'll die another day (Another day) I guess I'll die another day (Another day) I guess I'll die another day Sigmund Freud Analyze this Analyze this Analyze this I'm gonna break the cycle I'm gonna shake up the system I'm gonna destroy my ego I'm gonna close my body now Uh, uh I think I'll find another way There's so much more to know I guess I'll die another day It's not my time to go For every sin, I'll have to pay I've come to work, I've come to play I think I'll find another way It's not my time to go I'm gonna avoid the cliche I'm gonna suspend my senses I'm gonna delay my pleasure I'm gonna close my body now I guess, die another day I guess I'll die another day I guess, die another day I guess I'll die another day I think I'll find another way There's so much more to know I guess I'll die another day It's not my time to go Uh, uh [Laugh] I guess, die another day I guess I'll die another day I guess, die another day I guess I'll die another day Another day [x6] "Music" Hey, Mr DJ put a record on I wanna dance with my baby Do you like to Boogie woogie, do you like to Boogie woogie, do you like to Boogie woogie, do you like my dancing? Hey Mr. DJ put a record on I wanna dance with my baby And when the music starts I never wanna stop, it's gonna drive me crazy Music, music Music makes the people come together Music mix the bourgeoisie and the rebel Don't think of yesterday and I don't look at the clock I like to boogie woogie It's like ridin' on the wind and it never goes away But she's everything I'm in got to have it everyday Music makes the people come together Music mix the bourgeoisie and the rebel Hey Mr. DJ Do you like to Boogie woogie, do you like to Boogie woogie, do you like to Boogie woogie, do you like my dancing Hey Mr. DJ put a record on I wanna dance with my baby And when the music starts I never wanna stop, it's gonna drive me crazy Music makes the people come together Music mix the bourgeoisie and the rebel Music makes the people come together Music mix the bourgeoisie and the rebel "Secret" Things haven't been the same Since you came into my life You found a way to touch my soul And I'm never, ever, ever gonna let it go [Bridge:] Happiness lies in your own hand It took me much too long to understand How it could be Until you shared your secret with me [Chorus:] Mmm mmm [skip for the first two times] Something's comin' over, mmm mmm Something's comin' over, mmm mmm Something's comin' over me My baby's got a secret You gave me back the paradise That I thought I lost for good You helped me find the reasons why It took me by surprise that you understood You knew all along What I never wanted to say Until I learned to love myself I was never ever lovin' anybody else [bridge] [chorus, repeat] [bridge] [chorus, repeat] Mmm mmm, my baby's got a secret Mmm mmm, my baby's got a secret Mmm mmm, my baby's got a secret for me Mmm mmm, mmm mmm, mmm mmm "American Pie" A long, long time ago I can still remember how that music used to make me smile And I knew that if I had my chance I could make those people dance And maybe they'd be happy for a while Did you write the book of love And do you have faith in God above If the Bible tells you so Now do you believe in Rock 'n' roll And can music save your mortal soul And can you teach me how to dance real slow Well, I know that you're in love with him 'Cos I saw you dancin' in the gym You both kicked off your shoes Man, I dig those rhythm and blues I was a lonely teenage broncin' buck With a pink carnation and a pick-up truck But I knew that I was out of luck The day the music died I started singing Bye, bye, Miss American Pie Drove my Chevy to the levee But the levee was dry And good old boys were drinkin' whiskey and rye Singing this'll be the day that I die This'll be the day that I die I met a girl who sang the blues And I asked her for some happy news But she just smiled and turned away I went down to the sacred store Where I'd heard the music years before But the man there said the music wouldn't play Well now, in the streets the children screamed The lovers cried, and the poets dreamed But not a word was spoken Tho church bells all were broken And the three men I admire the most The Father, Son and the Holy Ghost They caught the last train for the coast The day the music died We started singin' Bye, bye, Miss American Pie Drove my Chevy to the levee But the levee was dry And good old boys were drinkin' whiskey and rye Singing this'll be the day that I die This'll be the day that I die Bye, bye, Miss American Pie Drove my Chevy to the levee But the levee was dry And good old boys were drinkin' whiskey and rye Singing this'll be the day that I die This'll be the day that I die We started singin' We started singin' We started singin' We started singin' "Sky Fits Heaven" Sky fits heaven so fly it That's what the prophet said to me Child fits mother so hold your baby tight That's what my future could see Fate fits karma so use it That's what the wise man said to me Love fits virtue so hold on to the light That's what our future will be [Chorus:] Traveling down this road Watching the signs as I go I think I'll follow the sun Isn't everyone just Traveling down their own road Watching the signs as they go I think I'll follow my heart It's a very good place to start Traveling down my own road Watching the signs as I go Traveling down my own road And I'm watching the signs as they go Traveling, traveling Watching the signs as I go Hand fits giving so do it That's what the Gospel said to me Life fits living so let your judgments go That's how our future should be [chorus] Traveling down my own road Watching the signs as they go Traveling down my own road And I'm watching the signs as I go Traveling, traveling Watching the signs as I go "Human Nature" [Spoken:] Express yourself, don't repress yourself [repeat 4 times] [Chorus:] And I'm not sorry (I'm not sorry) It's human nature (it's human nature) And I'm not sorry (I'm not sorry) I'm not your bitch don't hang your shit on me (it's human nature) You wouldn't let me say the words I longed to say You didn't want to see life through my eyes (Express yourself, don't repress yourself) You tried to shove me back inside your narrow room And silence me with bitterness and lies (Express yourself, don't repress yourself) Did I say something wrong? Oops, I didn't know I couldn't talk about sex (I musta been crazy) Did I stay too long? Oops, I didn't know I couldn't speak my mind (What was I thinking) [chorus] You punished me for telling you my fantasies I'm breakin' all the rules I didn't make (Express yourself, don't repress yourself) You took my words and made a trap for silly fools You held me down and tried to make me break (Express yourself, don't repress yourself) [Bridge:] Did I say something true? Oops, I didn't know I couldn't talk about sex (I musta been crazy) Did I have a point of view? Oops, I didn't know I couldn't talk about you (What was I thinking) [chorus] Express yourself, don't repress yourself [repeat twice] Express yourself, don't repress yourself [repeat twice] [bridge] [chorus] [chorus, with the following spoken substitutions] (I'm not apologizing) (Would it sound better if I were a man?) (You're the one with the problem) (Why don't you just deal with it) [chorus, with the following spoken substitutions] (Would you like me better if I was?) (We all feel the same way) (I have no regrets) (Just look in the mirror) [chorus, with the following spoken substitutions] (I don't have to justify anything) (I'm just like you) (Why should I be?) (Deal with it) "Bye Bye Baby" This is not a love song Bye bye baby I keep on waiting, anticipating But I can't wait forever You say you love me You're thinking of me But we're never together [Chorus:] Bye bye baby bye bye It's your turn to cry That's why we have to say goodbye So say goodbye Bye bye baby bye bye It's your turn to cry This time we have to say goodbye So say goodbye You had your chances All your romances And now I just don't want you I know I love you because I hate you And now I'd rather haunt you [chorus, repeat] You're so beautiful What makes you feel exciting? What wakes you up inside? Does it make you feel good to see me cry? I think it does That's why it's time to say bye bye [chorus, repeat] I don't wanna keep the bright flame Of your ego going So I'll just stop blowin' in the wind To love you is a sin Adios Uh, this is not a love song I'd like to hurt you What excites you? What turns you on? What makes you feel good? Does it make you feel good to see me cry? I think it does That's why it's time to say goodbye Bye bye The first time and the last time You can forget about it baby Forget the rules, forget the fools Forget your fears, forget my tears You can forget about it baby, bye bye baby bye bye You can forget about it baby 'Cause it's the first time and the last time You'll ever see me cry You f*cked it up "Hung Up" Time goes by so slowly Time goes by so slowly Time goes by so slowly Time goes by so slowly Time goes by so slowly Time goes by so slowly Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Time goes by so slowly for those who wait No time to hesitate Those who run seem to have all the fun I'm caught up I don't know what to do Time goes by so slowly Time goes by so slowly Time goes by so slowly I don't know what to do Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Ring ring ring goes the telephone The lights are on but there's no-one home Tick tick tock it's a quarter to two And I'm done I'm hanging up on you I can't keep on waiting for you I know that you're still hesitating Don't cry for me 'cause I'll find my way you'll wake up one day but it'll be too late Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you "4 Minutes" (feat. Justin Timberlake, Timbaland) [Timbaland:] I'm outta time and all I got is 4 minutes (Fricki fricki) 4 minutes eh [x8] Ha ha Yeah Ha ha Breakdown come on [Justin Timberlake:] Hey Uh Come on Madonna [Madonna:] Come on boy I've been waiting for somebody to pick up my stroll [Justin:] Now don't waste time, give me desire, tell me how you wanna roll [Madonna:] I want somebody to speed it up for me then take it down slow There's enough room for both [Justin:] Girl I can hit you back just gotta show me where it's at Are you ready to go? (Are you ready to go?) [Madonna and Justin:] If you want it You've already got it If you thought it It better be what you want If you feel it It must be real just Say the word and I'm gonna give you what you want [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating Grab a boy [Justin:] Go grab your girl [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating [Justin:] We only got four minutes huh four minutes So keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock [Justin:] That's right keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock Sometimes I think what I need is a you intervention Yeah [Justin:] And I know I can tell that you like it and that it's good By the way that you move Oh hey [Madonna:] The road to hell is paved with good intentions Yeah [Justin:] But if I die tonight at least I can say I did what I wanted to do Tell me how 'bout you? [Madonna and Justin:] If you want it You've already got it If you thought it It better be what you want If you feel it It must be real just Say the word and I'm gonna give you what you want [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating Grab a boy [Justin:] Go grab your girl [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating [Justin:] We only got four minutes huh four minutes So keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock [Justin:] That's right keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock [Timbaland:] Breakdown Yeah [Madonna:] Tick tock tick tock tick tock [Timbaland:] Yeah uh [Madonna:] Tick tock tick tock tick tock [Timbaland:] I've only got four minutes to save the world "Give It 2 Me" What are you waiting for? Nobody's gonna show you how Why work for someone else To do what you can do right now? Got no boundaries and no limits If there's excitement, put me in it If it's against the law, arrest me If you can handle it, undress me Don't stop me now, don't need to catch my breath I can go on and on and on When the lights go down and there's no one left I can go on and on and on Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now They say that a good thing never lasts And then it has to fall Those are the the people that did not Amount to much at all Give me the bassline and I'll shake it Give me a record and I'll break it There's no beginning and no ending Give me a chance to go and I'll take it Don't stop me now, don't need to catch my breath I can go on and on and on When the lights go down and there's no one left I can go on and on and on Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now [Pharrell:] Watch this Get stupid, get stupid, get stupid, don't stop it (what?) Get stupid, get stupid, get stupid, don't stop it (what?) Get stupid, get stupid, get stupid, don't stop it (what?) Get stupid, get stupid, get stupid, don't stop it Get stupid, get stupid, get stupid, don't stop it (to the left, to the right, to the left, to the right) Get stupid, get stupid, get stupid, don't stop it (to the left, to the right, to the left, to the right) Get stupid, get stupid, get stupid, don't stop it (to the left, left, right, right, left, left, right, right) Get stupid stupid stupid stupid stupid stupid stupid... (left, left, right, right, left, left, right, right) Don't stop me now, don't need to catch my breath I can go on and on and on When the lights go down and there's no one left I can go on and on and on Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now You're only here to win Get what they say? You're only here to win Get what they do? They'd do it too If they were you You done it all before It ain't nothing new You're only here to win Get what they say? You're only here to win Get what they do? They'd do it too If they were you You done it all before It ain't nothing new Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now Give it to me "Give Me All Your Luvin'" (feat. Nicki Minaj & M.I.A.) [Madonna] L-U-V Madonna Y-O-U you wanna I see you coming and I don't wanna know your name L-U-V Madonna I see you coming and you're gonna have to change the game Y-O-U you wanna Would you like to try? Give me a reason why Give me all that you got Maybe you'll do fine As long as you don't lie to me And pretend to be what you're not [Chorus] Don't play the stupid game Cause I'm a different kind of girl Every record sounds the same You've got to step into my world Give me all your love and give me your love Give me all your love today Give me all your love and give me your love Let's forget about time And dance our lives away [Madonna] L-U-V Madonna Y-O-U you wanna Keep trying don't give up, it's if you want it bad enough L-U-V Madonna It's right in front of you, now tell me what you're thinking of Y-O-U you wanna In another place, at a different time You can be my lucky star We can drink some wine Burgundy is fine Let's drink the bottle every drop [Chorus] Don't play the stupid game Cause I'm a different kind of girl Every record sounds the same You've got to step into my world Give me all your love and give me your love Give me all your love today Give me all your love and give me your love Let's forget about time And dance our lives away [Nicki Minaj] Give me all your love boy You could be my boy, you could be my boy toy In the nick of time I could say a sicker rhyme Cause its time for change like a nickel and a dime I'm Roman, I'm a barbarian, I'm Conan You were sleeping on me you were dozin' Now move, I'm goin' in!! [Bridge] You have all the L-U-V I gave you everything you need Now it's up to y-o-u Are you the one, shall we proceed? [M.I.A.] Sw-sw-swag shh No one gives you this Supersonic bionic, uranium So I break ‘em off tricks Let's pray that it sticks I'ma say this once, yeah I don't give a shit M-a-d don't make me l-u-v it's time for y-o-u it's up to l-u-v i want your [Chorus] Don't play the stupid game Cause I'm a different kind of girl Every record sounds the same You've gotta step into my world Give me all your love and give me your love (L-U-V- Madonna) Give me all your love and give me your love (Y-O-U You wanna) Give me all your love and give me your love Give me all your love today Give me all your love and give me your love Let's forget about time And dance our lives away "Girl Gone Wild" [Spoken:] Oh, my God, I am heartily sorry for having offended Thee And I detest all my sins Because I dread the loss of heaven, and the pains of hell. But most of all because I love Thee, And I want so badly to be good. It's so hypnotic The way he pulls on me It's like the force of gravity Right up under my feet It's so erotic This feeling can't be beat It's coursing through my whole body Feel the heat I got that burnin' hot desi-i-i-re And no one can put out my fi-i-i-re It's coming right down through the wi-i-i-re Here it comes When I hear them 808 drums It's got me singing Hey, ey, ey, ey Like a girl gone wild A good girl gone wild I'm like, hey, ey, ey, ey Like a girl gone wild A good girl gone wild Girls they just wanna have some fun Get fired up like smokin' gun On the floor til the daylight comes Girls they just wanna have some fun A girl gone wild A good girl gone wild I'm like a girl gone wild A good girl gone wild The room is spinning It must be the tanqueray I'm about to go astray My inhibition's gone away I feel like sinning You got me in the zone DJ play my favorite song Turn me on I got that burnin' hot desi-i-i-re And no one can put out my fi-i-i-re It's coming right down through the wi-i-i-re Here it comes When I hear them 808 drums It's got me singing Hey, ey, ey, ey Like a girl gone wild A good girl gone wild I'm like, hey, ey, ey, ey Like a girl gone wild A good girl gone wild Girls they just wanna have some fun Get fired up like smokin' gun On the floor til the daylight comes Girls they just wanna have some fun I know, I know, I know I shouldn't act this way I know, I know, I know Good girls don't misbehave Misbehave But I'm a bad girl, anyway Forgive me Hey, ey, ey, ey Like a girl gone wild A good girl gone wild I'm like, hey, ey, ey, ey Like a girl gone wild A good girl gone wild Girls they just wanna have some fun Get fired up like smokin' gun On the floor til the daylight comes Girls they just wanna have some fun A girl gone wild A good girl gone wild I'm like a girl gone wild A good girl gone wild "Turn Up The Radio" When the world starts to get you down And nothing seems to go your way And the noise of the maddening crowd Makes you feel like you’re going to go insane There’s a glow of a distant light Calling you to come outside To feel the wind on your face and your skin And it’s here I begin my story Turn up the radio Turn up the radio Don’t ask me where I wanna go We gotta turn up the radio It was time that I opened my eyes I’m leaving the past behind Nothing’s ever what it seems Including this time and these crazy dreams I’m stuck like a moth to a flame I’m so tired of playing this game I don’t know how I got to this state Let me out of my cage cause I’m dying Turn up the radio Turn up the radio Don’t ask me where I wanna go We gotta turn up the radio Turn up the radio Turn up the radio Don’t ask me where I wanna go We gotta turn up the radio I just wanna get in my car I wanna go fast and I gotta go far Don’t ask me to explain how I feel ‘Cause I don’t want to say where I’m going Turn down the noise and turn up the volume Don’t have a choice cause the temperatures pounding Leaving this place is the last thing I do That I want to escape with a person just like you I’m stuck like a moth to a flame I’m so sick and tired of playing this game We gotta have fun it it’s all that we do Gotta shake up the system and break all the rules Gotta turn up the radio until the speakers blow Turn up the radio Turn up the radio Don’t ask me where I wanna go We gotta turn up the radio Turn up the radio Turn up the radio There’s somethings you don’t need to know Just let me turn up the radio Turn up the radio Just let me turn up the radio Just let me turn up the radio

TRACKLISTING ---------------------------- 01 - Nothing Really Matters (Club 69 Radio Mix) 02 - What It Feels Like For A Girl (Richard Vission Velvet Masta Edit) 03 - Don't Cry For Me Argentina (Miami Spanglish Mix Edit) 04 - Don't tell me (Vission Radio Mix) 05 - Get Together (Jacques Lu Cont Vocal Edit) 06 - Beautiful Stranger (Calderone Radio Mix) 07 - Ray Of Light (Sasha's Strip Down Mix) 08 - Die Another Day (Deepsky Edit) 09 - Music (HQ2 Radio Mix) 10 - Secret (Junior's Luscious Single Mix) 11 - American Pie (Richard 'Humpty' Vission Radio Mix) 12 - Sky Fits Heaven (Victor Calderone Remix Edit) 13 - Human Nature (Runway Club Mix Radio Edit) 14 - Bye Bye Baby (House Mix) 15 - Hung Up (Tracy Young's Get Up And Dance Groove Edit) 16 - 4 Minutes (Peter Saves London Edit) 17 - Give It 2 Me (Jody Den Broeder Edit TV) 18 - Give Me All Your Luvin' (LMFAO Remix) 19 - Girl Gone Wild (Justin Cognito Radio Edit) 20 - Turn Up The Radio (Offer Nissim Radio Edit) ---------------------------- LYRICS ---------------------------- "Nothing Really Matters" When I was very young Nothing really mattered to me But making myself happy I was the only one Now that I am grown Everything's changed I'll never be the same Because of you [Chorus:] Nothing really matters Love is all we need Everything I give you All comes back to me Looking at my life It's very clear to me I lived so selfishly I was the only one I realize That nobody wins Something is ending And something begins [chorus, repeat] Nothing takes the past away Like the future Nothing makes the darkness go Like the light You're shelter from the storm Give me comfort in your arms [chorus, repeat and fade] "What It feels Like For A Girl" [Spoken:] Girls can wear jeans And cut their hair short Wear shirts and boots 'Cause it's OK to be a boy But for a boy to look like a girl is degrading 'Cause you think that being a girl is degrading But secretly you'd love to know what it's like Wouldn't you What it feels like for a girl Silky smooth Lips as sweet as candy, baby Tight blue jeans Skin that shows in patches Strong inside but you don't know it Good little girls they never show it When you open up your mouth to speak Could you be a little weak Do you know what it feels like for a girl Do you know what it feels like in this world For a girl Hair that twirls on finger tips so gently, baby Hands that rest on jutting hips repenting Hurt that's not supposed to show And tears that fall when no one knows When you're trying hard to be your best Could you be a little less Do you know what it feels like for a girl Do you know what it feels like in this world What it feels like for a girl Strong inside but you don't know it Good little girls they never show it When you open up your mouth to speak Could you be a little weak Do you know what it feels like for a girl Do you know what it feels like in this world For a girl In this world Do you know Do you know Do you know what it feels like for a girl What it feels like in this world "Don't Cry For Me Argentina (Miami Spanglish Mix)" (Evita, Evita, Evita, Evita) (Evita, Evita, Evita) It won't be easy, you'll think it strange When I try to explain how I feel That I still your love after all that I've done You won't believe me All you will see is a girl you once knew Although she's dressed up to the nines At sixes and sevens with you I had to let it happen, I had to change Couldn't stay all my life down at heel Looking out of the window, staying out of the sun So I chose freedom Running around, trying everything new But nothing impressed me at all I never expected it to [Chorus:] No llores por mi Argentina Mi alma esta contigo Mi vida entera, te la dedico Mas no te alejes Te necesito Don't cry for me Argentina My soul is with you My whole life, I dedicate to you Don't keep your distance I need you And as for fortune, and as for fame I never invited them in Though it seemed to the world they were all I desired They are illusions They're not the solutions they promise to be The answer was here all the time I love you and hope you love me [chorus] [Chorus2:] No llores por mi Argentina Jamas yo te he abandonado Aunque en silencio, mi alma te grita Hoy y por siempre (Soy Argentina) Soy Argentina Don't cry for me Argentina I have never left you Although in silence, my soul cries to you Now and forever (I am Argentina) I am Argentina (Ahh, so I chose freedom for Argentina, ahh) (No llores por mi) (Evita, Evita, Evita, Evita) (Evita, Evita, Evita) So I chose freedom Running around, trying everything new But nothing impressed me at all I never expected it to [chorus] [chorus2] No llores por mi Have I said too much? There's nothing more I can think of to say to you. But all you have to do is look at me to know That every word is true "Don't Tell Me" Don't tell me to stop Tell the rain not to drop Tell the wind not to blow 'Cause you said so, mmm Tell the sun not to shine Not to get up this time, no, no Let it fall by the way But don't leave me where I lay down Tell me love isn't true It's just something that we do Tell me everything I'm not [first time:] But please don't tell me to stop [all other times:] But don't ever tell me to stop Tell the leaves not to turn But don't ever tell me I'll learn, no, no Take the black off a crow But don't tell me I have to go Tell the bed not to lay Like the open mouth of a grave, yeah Not to stare up at me Like a calf down on its knees Tell me love isn't true It's just something that we do Tell me everything I'm not [first time:] But please don't tell me to stop [all other times:] But don't ever tell me to stop [chorus, prefixing 1st and 3rd lines with "Don't you ever"] (Don't you ever) Please don't Please don't Please don't tell me to stop (Don't you ever) Don't you ever Don't ever tell me to stop (Tell the rain not to drop) Tell the bed not to lay Like a open mouth of a grave, yeah Not to stare up at me Like a calf down on its knees "Get Together" (There's too much confusion) (It's all an illusion) (there's too much confusion) Down, down, down in your heart Find, find, find the secret Turn, turn, turn your head around Baby we can do it We can do it all right Do you believe in love at first sight It's an illusion, I don't care Do you believe I can make you feel better Too much confusion, come on over here [Chorus] Can we get together? I really, I really wanna be with you Come on, check it out with me I hope you, I hope you feel the same way too I searched, I searched, I searched my whole life To find, find, find the secret But all I did was open up my eyes Baby we can do it we can do it all right Do you believe that we can change the future Do you believe I can make you feel better [Chorus X2] It's all an illusion There's too much confusion I'll make you feel better If it's bitter at the start Then it's sweeter in the end "Beautiful Stranger" Haven't we met You're some kind of beautiful stranger You could be good for me I've had the taste for danger If I'm smart then I'll run away But I'm not so I guess I'll stay Heaven forbid I'll take my chance on a beautiful stranger I looked into your eyes And my world came tumbling down You're the devil in disguise That's why I'm singing this song [Bridge:] To know you is to love you You're everywhere I go And everybody knows To love you is to be part of you I've paid for you with tears And swallowed all my pride [Chorus:] Da-da-da-dum da-dum da-dum da da da-da dum Beautiful stranger Da-da-da-dum da-dum da-dum da da da-da dum Beautiful stranger If I'm smart then I'll run away But I'm not so I guess I'll stay Haven't you heard I fell in love with a beautiful stranger I looked into your face My heart was dancing all over the place I'd like to change my point of view If I could just forget about you [bridge] I looked into your eyes And my world came tumbling down You're the devil in disguise That's why I'm singing this song to you [bridge] I've paid for you with tears And swallowed all my pride [chorus] "Ray Of Light" [Verse:] Zephyr in the sky at night I wonder Do my tears of mourning sink beneath the sun She's got herself a universe gone quickly For the call of thunder threatens everyone [Chorus:] And I feel like I just got home And I feel And I feel like I just got home And I feel Faster than the speeding light she's flying Trying to remember where it all began She's got herself a little piece of heaven Waiting for the time when Earth shall be as one [chorus] Quicker than a ray of light Quicker than a ray of light Quicker than a ray of light [verse] And I feel Quicker than a ray of light Then gone for Someone else shall be there Through the endless years She's got herself a universe She's got herself a universe She's got herself a universe And I feel And I feel And I feel like I just got home And I feel Quicker than a ray of light she's flying Quicker than a ray of light I'm flying "Die Another Day" I'm gonna wake up, yes and no I'm gonna kiss some part of I'm gonna keep this secret I'm gonna close my body now I guess, die another day I guess, die another day I guess, die another day I guess, die another day I guess I'll die another day (Another day) I guess I'll die another day (Another day) I guess I'll die another day (Another day) I guess I'll die another day Sigmund Freud Analyze this Analyze this Analyze this I'm gonna break the cycle I'm gonna shake up the system I'm gonna destroy my ego I'm gonna close my body now Uh, uh I think I'll find another way There's so much more to know I guess I'll die another day It's not my time to go For every sin, I'll have to pay I've come to work, I've come to play I think I'll find another way It's not my time to go I'm gonna avoid the cliche I'm gonna suspend my senses I'm gonna delay my pleasure I'm gonna close my body now I guess, die another day I guess I'll die another day I guess, die another day I guess I'll die another day I think I'll find another way There's so much more to know I guess I'll die another day It's not my time to go Uh, uh [Laugh] I guess, die another day I guess I'll die another day I guess, die another day I guess I'll die another day Another day [x6] "Music" Hey, Mr DJ put a record on I wanna dance with my baby Do you like to Boogie woogie, do you like to Boogie woogie, do you like to Boogie woogie, do you like my dancing? Hey Mr. DJ put a record on I wanna dance with my baby And when the music starts I never wanna stop, it's gonna drive me crazy Music, music Music makes the people come together Music mix the bourgeoisie and the rebel Don't think of yesterday and I don't look at the clock I like to boogie woogie It's like ridin' on the wind and it never goes away But she's everything I'm in got to have it everyday Music makes the people come together Music mix the bourgeoisie and the rebel Hey Mr. DJ Do you like to Boogie woogie, do you like to Boogie woogie, do you like to Boogie woogie, do you like my dancing Hey Mr. DJ put a record on I wanna dance with my baby And when the music starts I never wanna stop, it's gonna drive me crazy Music makes the people come together Music mix the bourgeoisie and the rebel Music makes the people come together Music mix the bourgeoisie and the rebel "Secret" Things haven't been the same Since you came into my life You found a way to touch my soul And I'm never, ever, ever gonna let it go [Bridge:] Happiness lies in your own hand It took me much too long to understand How it could be Until you shared your secret with me [Chorus:] Mmm mmm [skip for the first two times] Something's comin' over, mmm mmm Something's comin' over, mmm mmm Something's comin' over me My baby's got a secret You gave me back the paradise That I thought I lost for good You helped me find the reasons why It took me by surprise that you understood You knew all along What I never wanted to say Until I learned to love myself I was never ever lovin' anybody else [bridge] [chorus, repeat] [bridge] [chorus, repeat] Mmm mmm, my baby's got a secret Mmm mmm, my baby's got a secret Mmm mmm, my baby's got a secret for me Mmm mmm, mmm mmm, mmm mmm "American Pie" A long, long time ago I can still remember how that music used to make me smile And I knew that if I had my chance I could make those people dance And maybe they'd be happy for a while Did you write the book of love And do you have faith in God above If the Bible tells you so Now do you believe in Rock 'n' roll And can music save your mortal soul And can you teach me how to dance real slow Well, I know that you're in love with him 'Cos I saw you dancin' in the gym You both kicked off your shoes Man, I dig those rhythm and blues I was a lonely teenage broncin' buck With a pink carnation and a pick-up truck But I knew that I was out of luck The day the music died I started singing Bye, bye, Miss American Pie Drove my Chevy to the levee But the levee was dry And good old boys were drinkin' whiskey and rye Singing this'll be the day that I die This'll be the day that I die I met a girl who sang the blues And I asked her for some happy news But she just smiled and turned away I went down to the sacred store Where I'd heard the music years before But the man there said the music wouldn't play Well now, in the streets the children screamed The lovers cried, and the poets dreamed But not a word was spoken Tho church bells all were broken And the three men I admire the most The Father, Son and the Holy Ghost They caught the last train for the coast The day the music died We started singin' Bye, bye, Miss American Pie Drove my Chevy to the levee But the levee was dry And good old boys were drinkin' whiskey and rye Singing this'll be the day that I die This'll be the day that I die Bye, bye, Miss American Pie Drove my Chevy to the levee But the levee was dry And good old boys were drinkin' whiskey and rye Singing this'll be the day that I die This'll be the day that I die We started singin' We started singin' We started singin' We started singin' "Sky Fits Heaven" Sky fits heaven so fly it That's what the prophet said to me Child fits mother so hold your baby tight That's what my future could see Fate fits karma so use it That's what the wise man said to me Love fits virtue so hold on to the light That's what our future will be [Chorus:] Traveling down this road Watching the signs as I go I think I'll follow the sun Isn't everyone just Traveling down their own road Watching the signs as they go I think I'll follow my heart It's a very good place to start Traveling down my own road Watching the signs as I go Traveling down my own road And I'm watching the signs as they go Traveling, traveling Watching the signs as I go Hand fits giving so do it That's what the Gospel said to me Life fits living so let your judgments go That's how our future should be [chorus] Traveling down my own road Watching the signs as they go Traveling down my own road And I'm watching the signs as I go Traveling, traveling Watching the signs as I go "Human Nature" [Spoken:] Express yourself, don't repress yourself [repeat 4 times] [Chorus:] And I'm not sorry (I'm not sorry) It's human nature (it's human nature) And I'm not sorry (I'm not sorry) I'm not your bitch don't hang your shit on me (it's human nature) You wouldn't let me say the words I longed to say You didn't want to see life through my eyes (Express yourself, don't repress yourself) You tried to shove me back inside your narrow room And silence me with bitterness and lies (Express yourself, don't repress yourself) Did I say something wrong? Oops, I didn't know I couldn't talk about sex (I musta been crazy) Did I stay too long? Oops, I didn't know I couldn't speak my mind (What was I thinking) [chorus] You punished me for telling you my fantasies I'm breakin' all the rules I didn't make (Express yourself, don't repress yourself) You took my words and made a trap for silly fools You held me down and tried to make me break (Express yourself, don't repress yourself) [Bridge:] Did I say something true? Oops, I didn't know I couldn't talk about sex (I musta been crazy) Did I have a point of view? Oops, I didn't know I couldn't talk about you (What was I thinking) [chorus] Express yourself, don't repress yourself [repeat twice] Express yourself, don't repress yourself [repeat twice] [bridge] [chorus] [chorus, with the following spoken substitutions] (I'm not apologizing) (Would it sound better if I were a man?) (You're the one with the problem) (Why don't you just deal with it) [chorus, with the following spoken substitutions] (Would you like me better if I was?) (We all feel the same way) (I have no regrets) (Just look in the mirror) [chorus, with the following spoken substitutions] (I don't have to justify anything) (I'm just like you) (Why should I be?) (Deal with it) "Bye Bye Baby" This is not a love song Bye bye baby I keep on waiting, anticipating But I can't wait forever You say you love me You're thinking of me But we're never together [Chorus:] Bye bye baby bye bye It's your turn to cry That's why we have to say goodbye So say goodbye Bye bye baby bye bye It's your turn to cry This time we have to say goodbye So say goodbye You had your chances All your romances And now I just don't want you I know I love you because I hate you And now I'd rather haunt you [chorus, repeat] You're so beautiful What makes you feel exciting? What wakes you up inside? Does it make you feel good to see me cry? I think it does That's why it's time to say bye bye [chorus, repeat] I don't wanna keep the bright flame Of your ego going So I'll just stop blowin' in the wind To love you is a sin Adios Uh, this is not a love song I'd like to hurt you What excites you? What turns you on? What makes you feel good? Does it make you feel good to see me cry? I think it does That's why it's time to say goodbye Bye bye The first time and the last time You can forget about it baby Forget the rules, forget the fools Forget your fears, forget my tears You can forget about it baby, bye bye baby bye bye You can forget about it baby 'Cause it's the first time and the last time You'll ever see me cry You f*cked it up "Hung Up" Time goes by so slowly Time goes by so slowly Time goes by so slowly Time goes by so slowly Time goes by so slowly Time goes by so slowly Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Time goes by so slowly for those who wait No time to hesitate Those who run seem to have all the fun I'm caught up I don't know what to do Time goes by so slowly Time goes by so slowly Time goes by so slowly I don't know what to do Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Ring ring ring goes the telephone The lights are on but there's no-one home Tick tick tock it's a quarter to two And I'm done I'm hanging up on you I can't keep on waiting for you I know that you're still hesitating Don't cry for me 'cause I'll find my way you'll wake up one day but it'll be too late Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you "4 Minutes" (feat. Justin Timberlake, Timbaland) [Timbaland:] I'm outta time and all I got is 4 minutes (Fricki fricki) 4 minutes eh [x8] Ha ha Yeah Ha ha Breakdown come on [Justin Timberlake:] Hey Uh Come on Madonna [Madonna:] Come on boy I've been waiting for somebody to pick up my stroll [Justin:] Now don't waste time, give me desire, tell me how you wanna roll [Madonna:] I want somebody to speed it up for me then take it down slow There's enough room for both [Justin:] Girl I can hit you back just gotta show me where it's at Are you ready to go? (Are you ready to go?) [Madonna and Justin:] If you want it You've already got it If you thought it It better be what you want If you feel it It must be real just Say the word and I'm gonna give you what you want [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating Grab a boy [Justin:] Go grab your girl [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating [Justin:] We only got four minutes huh four minutes So keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock [Justin:] That's right keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock Sometimes I think what I need is a you intervention Yeah [Justin:] And I know I can tell that you like it and that it's good By the way that you move Oh hey [Madonna:] The road to hell is paved with good intentions Yeah [Justin:] But if I die tonight at least I can say I did what I wanted to do Tell me how 'bout you? [Madonna and Justin:] If you want it You've already got it If you thought it It better be what you want If you feel it It must be real just Say the word and I'm gonna give you what you want [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating Grab a boy [Justin:] Go grab your girl [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating [Justin:] We only got four minutes huh four minutes So keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock [Justin:] That's right keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock [Timbaland:] Breakdown Yeah [Madonna:] Tick tock tick tock tick tock [Timbaland:] Yeah uh [Madonna:] Tick tock tick tock tick tock [Timbaland:] I've only got four minutes to save the world "Give It 2 Me" What are you waiting for? Nobody's gonna show you how Why work for someone else To do what you can do right now? Got no boundaries and no limits If there's excitement, put me in it If it's against the law, arrest me If you can handle it, undress me Don't stop me now, don't need to catch my breath I can go on and on and on When the lights go down and there's no one left I can go on and on and on Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now They say that a good thing never lasts And then it has to fall Those are the the people that did not Amount to much at all Give me the bassline and I'll shake it Give me a record and I'll break it There's no beginning and no ending Give me a chance to go and I'll take it Don't stop me now, don't need to catch my breath I can go on and on and on When the lights go down and there's no one left I can go on and on and on Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now [Pharrell:] Watch this Get stupid, get stupid, get stupid, don't stop it (what?) Get stupid, get stupid, get stupid, don't stop it (what?) Get stupid, get stupid, get stupid, don't stop it (what?) Get stupid, get stupid, get stupid, don't stop it Get stupid, get stupid, get stupid, don't stop it (to the left, to the right, to the left, to the right) Get stupid, get stupid, get stupid, don't stop it (to the left, to the right, to the left, to the right) Get stupid, get stupid, get stupid, don't stop it (to the left, left, right, right, left, left, right, right) Get stupid stupid stupid stupid stupid stupid stupid... (left, left, right, right, left, left, right, right) Don't stop me now, don't need to catch my breath I can go on and on and on When the lights go down and there's no one left I can go on and on and on Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now You're only here to win Get what they say? You're only here to win Get what they do? They'd do it too If they were you You done it all before It ain't nothing new You're only here to win Get what they say? You're only here to win Get what they do? They'd do it too If they were you You done it all before It ain't nothing new Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now Give it to me "Give Me All Your Luvin'" (feat. Nicki Minaj & M.I.A.) [Madonna] L-U-V Madonna Y-O-U you wanna I see you coming and I don't wanna know your name L-U-V Madonna I see you coming and you're gonna have to change the game Y-O-U you wanna Would you like to try? Give me a reason why Give me all that you got Maybe you'll do fine As long as you don't lie to me And pretend to be what you're not [Chorus] Don't play the stupid game Cause I'm a different kind of girl Every record sounds the same You've got to step into my world Give me all your love and give me your love Give me all your love today Give me all your love and give me your love Let's forget about time And dance our lives away [Madonna] L-U-V Madonna Y-O-U you wanna Keep trying don't give up, it's if you want it bad enough L-U-V Madonna It's right in front of you, now tell me what you're thinking of Y-O-U you wanna In another place, at a different time You can be my lucky star We can drink some wine Burgundy is fine Let's drink the bottle every drop [Chorus] Don't play the stupid game Cause I'm a different kind of girl Every record sounds the same You've got to step into my world Give me all your love and give me your love Give me all your love today Give me all your love and give me your love Let's forget about time And dance our lives away [Nicki Minaj] Give me all your love boy You could be my boy, you could be my boy toy In the nick of time I could say a sicker rhyme Cause its time for change like a nickel and a dime I'm Roman, I'm a barbarian, I'm Conan You were sleeping on me you were dozin' Now move, I'm goin' in!! [Bridge] You have all the L-U-V I gave you everything you need Now it's up to y-o-u Are you the one, shall we proceed? [M.I.A.] Sw-sw-swag shh No one gives you this Supersonic bionic, uranium So I break ‘em off tricks Let's pray that it sticks I'ma say this once, yeah I don't give a shit M-a-d don't make me l-u-v it's time for y-o-u it's up to l-u-v i want your [Chorus] Don't play the stupid game Cause I'm a different kind of girl Every record sounds the same You've gotta step into my world Give me all your love and give me your love (L-U-V- Madonna) Give me all your love and give me your love (Y-O-U You wanna) Give me all your love and give me your love Give me all your love today Give me all your love and give me your love Let's forget about time And dance our lives away "Girl Gone Wild" [Spoken:] Oh, my God, I am heartily sorry for having offended Thee And I detest all my sins Because I dread the loss of heaven, and the pains of hell. But most of all because I love Thee, And I want so badly to be good. It's so hypnotic The way he pulls on me It's like the force of gravity Right up under my feet It's so erotic This feeling can't be beat It's coursing through my whole body Feel the heat I got that burnin' hot desi-i-i-re And no one can put out my fi-i-i-re It's coming right down through the wi-i-i-re Here it comes When I hear them 808 drums It's got me singing Hey, ey, ey, ey Like a girl gone wild A good girl gone wild I'm like, hey, ey, ey, ey Like a girl gone wild A good girl gone wild Girls they just wanna have some fun Get fired up like smokin' gun On the floor til the daylight comes Girls they just wanna have some fun A girl gone wild A good girl gone wild I'm like a girl gone wild A good girl gone wild The room is spinning It must be the tanqueray I'm about to go astray My inhibition's gone away I feel like sinning You got me in the zone DJ play my favorite song Turn me on I got that burnin' hot desi-i-i-re And no one can put out my fi-i-i-re It's coming right down through the wi-i-i-re Here it comes When I hear them 808 drums It's got me singing Hey, ey, ey, ey Like a girl gone wild A good girl gone wild I'm like, hey, ey, ey, ey Like a girl gone wild A good girl gone wild Girls they just wanna have some fun Get fired up like smokin' gun On the floor til the daylight comes Girls they just wanna have some fun I know, I know, I know I shouldn't act this way I know, I know, I know Good girls don't misbehave Misbehave But I'm a bad girl, anyway Forgive me Hey, ey, ey, ey Like a girl gone wild A good girl gone wild I'm like, hey, ey, ey, ey Like a girl gone wild A good girl gone wild Girls they just wanna have some fun Get fired up like smokin' gun On the floor til the daylight comes Girls they just wanna have some fun A girl gone wild A good girl gone wild I'm like a girl gone wild A good girl gone wild "Turn Up The Radio" When the world starts to get you down And nothing seems to go your way And the noise of the maddening crowd Makes you feel like you’re going to go insane There’s a glow of a distant light Calling you to come outside To feel the wind on your face and your skin And it’s here I begin my story Turn up the radio Turn up the radio Don’t ask me where I wanna go We gotta turn up the radio It was time that I opened my eyes I’m leaving the past behind Nothing’s ever what it seems Including this time and these crazy dreams I’m stuck like a moth to a flame I’m so tired of playing this game I don’t know how I got to this state Let me out of my cage cause I’m dying Turn up the radio Turn up the radio Don’t ask me where I wanna go We gotta turn up the radio Turn up the radio Turn up the radio Don’t ask me where I wanna go We gotta turn up the radio I just wanna get in my car I wanna go fast and I gotta go far Don’t ask me to explain how I feel ‘Cause I don’t want to say where I’m going Turn down the noise and turn up the volume Don’t have a choice cause the temperatures pounding Leaving this place is the last thing I do That I want to escape with a person just like you I’m stuck like a moth to a flame I’m so sick and tired of playing this game We gotta have fun it it’s all that we do Gotta shake up the system and break all the rules Gotta turn up the radio until the speakers blow Turn up the radio Turn up the radio Don’t ask me where I wanna go We gotta turn up the radio Turn up the radio Turn up the radio There’s somethings you don’t need to know Just let me turn up the radio Turn up the radio Just let me turn up the radio Just let me turn up the radio

TRACKLISTING ---------------------------- 01 - Nothing Really Matters (Club 69 Radio Mix) 02 - What It Feels Like For A Girl (Richard Vission Velvet Masta Edit) 03 - Don't Cry For Me Argentina (Miami Spanglish Mix Edit) 04 - Don't tell me (Vission Radio Mix) 05 - Get Together (Jacques Lu Cont Vocal Edit) 06 - Beautiful Stranger (Calderone Radio Mix) 07 - Ray Of Light (Sasha's Strip Down Mix) 08 - Die Another Day (Deepsky Edit) 09 - Music (HQ2 Radio Mix) 10 - Secret (Junior's Luscious Single Mix) 11 - American Pie (Richard 'Humpty' Vission Radio Mix) 12 - Sky Fits Heaven (Victor Calderone Remix Edit) 13 - Human Nature (Runway Club Mix Radio Edit) 14 - Bye Bye Baby (House Mix) 15 - Hung Up (Tracy Young's Get Up And Dance Groove Edit) 16 - 4 Minutes (Peter Saves London Edit) 17 - Give It 2 Me (Jody Den Broeder Edit TV) 18 - Give Me All Your Luvin' (LMFAO Remix) 19 - Girl Gone Wild (Justin Cognito Radio Edit) 20 - Turn Up The Radio (Offer Nissim Radio Edit) ---------------------------- LYRICS ---------------------------- "Nothing Really Matters" When I was very young Nothing really mattered to me But making myself happy I was the only one Now that I am grown Everything's changed I'll never be the same Because of you [Chorus:] Nothing really matters Love is all we need Everything I give you All comes back to me Looking at my life It's very clear to me I lived so selfishly I was the only one I realize That nobody wins Something is ending And something begins [chorus, repeat] Nothing takes the past away Like the future Nothing makes the darkness go Like the light You're shelter from the storm Give me comfort in your arms [chorus, repeat and fade] "What It feels Like For A Girl" [Spoken:] Girls can wear jeans And cut their hair short Wear shirts and boots 'Cause it's OK to be a boy But for a boy to look like a girl is degrading 'Cause you think that being a girl is degrading But secretly you'd love to know what it's like Wouldn't you What it feels like for a girl Silky smooth Lips as sweet as candy, baby Tight blue jeans Skin that shows in patches Strong inside but you don't know it Good little girls they never show it When you open up your mouth to speak Could you be a little weak Do you know what it feels like for a girl Do you know what it feels like in this world For a girl Hair that twirls on finger tips so gently, baby Hands that rest on jutting hips repenting Hurt that's not supposed to show And tears that fall when no one knows When you're trying hard to be your best Could you be a little less Do you know what it feels like for a girl Do you know what it feels like in this world What it feels like for a girl Strong inside but you don't know it Good little girls they never show it When you open up your mouth to speak Could you be a little weak Do you know what it feels like for a girl Do you know what it feels like in this world For a girl In this world Do you know Do you know Do you know what it feels like for a girl What it feels like in this world "Don't Cry For Me Argentina (Miami Spanglish Mix)" (Evita, Evita, Evita, Evita) (Evita, Evita, Evita) It won't be easy, you'll think it strange When I try to explain how I feel That I still your love after all that I've done You won't believe me All you will see is a girl you once knew Although she's dressed up to the nines At sixes and sevens with you I had to let it happen, I had to change Couldn't stay all my life down at heel Looking out of the window, staying out of the sun So I chose freedom Running around, trying everything new But nothing impressed me at all I never expected it to [Chorus:] No llores por mi Argentina Mi alma esta contigo Mi vida entera, te la dedico Mas no te alejes Te necesito Don't cry for me Argentina My soul is with you My whole life, I dedicate to you Don't keep your distance I need you And as for fortune, and as for fame I never invited them in Though it seemed to the world they were all I desired They are illusions They're not the solutions they promise to be The answer was here all the time I love you and hope you love me [chorus] [Chorus2:] No llores por mi Argentina Jamas yo te he abandonado Aunque en silencio, mi alma te grita Hoy y por siempre (Soy Argentina) Soy Argentina Don't cry for me Argentina I have never left you Although in silence, my soul cries to you Now and forever (I am Argentina) I am Argentina (Ahh, so I chose freedom for Argentina, ahh) (No llores por mi) (Evita, Evita, Evita, Evita) (Evita, Evita, Evita) So I chose freedom Running around, trying everything new But nothing impressed me at all I never expected it to [chorus] [chorus2] No llores por mi Have I said too much? There's nothing more I can think of to say to you. But all you have to do is look at me to know That every word is true "Don't Tell Me" Don't tell me to stop Tell the rain not to drop Tell the wind not to blow 'Cause you said so, mmm Tell the sun not to shine Not to get up this time, no, no Let it fall by the way But don't leave me where I lay down Tell me love isn't true It's just something that we do Tell me everything I'm not [first time:] But please don't tell me to stop [all other times:] But don't ever tell me to stop Tell the leaves not to turn But don't ever tell me I'll learn, no, no Take the black off a crow But don't tell me I have to go Tell the bed not to lay Like the open mouth of a grave, yeah Not to stare up at me Like a calf down on its knees Tell me love isn't true It's just something that we do Tell me everything I'm not [first time:] But please don't tell me to stop [all other times:] But don't ever tell me to stop [chorus, prefixing 1st and 3rd lines with "Don't you ever"] (Don't you ever) Please don't Please don't Please don't tell me to stop (Don't you ever) Don't you ever Don't ever tell me to stop (Tell the rain not to drop) Tell the bed not to lay Like a open mouth of a grave, yeah Not to stare up at me Like a calf down on its knees "Get Together" (There's too much confusion) (It's all an illusion) (there's too much confusion) Down, down, down in your heart Find, find, find the secret Turn, turn, turn your head around Baby we can do it We can do it all right Do you believe in love at first sight It's an illusion, I don't care Do you believe I can make you feel better Too much confusion, come on over here [Chorus] Can we get together? I really, I really wanna be with you Come on, check it out with me I hope you, I hope you feel the same way too I searched, I searched, I searched my whole life To find, find, find the secret But all I did was open up my eyes Baby we can do it we can do it all right Do you believe that we can change the future Do you believe I can make you feel better [Chorus X2] It's all an illusion There's too much confusion I'll make you feel better If it's bitter at the start Then it's sweeter in the end "Beautiful Stranger" Haven't we met You're some kind of beautiful stranger You could be good for me I've had the taste for danger If I'm smart then I'll run away But I'm not so I guess I'll stay Heaven forbid I'll take my chance on a beautiful stranger I looked into your eyes And my world came tumbling down You're the devil in disguise That's why I'm singing this song [Bridge:] To know you is to love you You're everywhere I go And everybody knows To love you is to be part of you I've paid for you with tears And swallowed all my pride [Chorus:] Da-da-da-dum da-dum da-dum da da da-da dum Beautiful stranger Da-da-da-dum da-dum da-dum da da da-da dum Beautiful stranger If I'm smart then I'll run away But I'm not so I guess I'll stay Haven't you heard I fell in love with a beautiful stranger I looked into your face My heart was dancing all over the place I'd like to change my point of view If I could just forget about you [bridge] I looked into your eyes And my world came tumbling down You're the devil in disguise That's why I'm singing this song to you [bridge] I've paid for you with tears And swallowed all my pride [chorus] "Ray Of Light" [Verse:] Zephyr in the sky at night I wonder Do my tears of mourning sink beneath the sun She's got herself a universe gone quickly For the call of thunder threatens everyone [Chorus:] And I feel like I just got home And I feel And I feel like I just got home And I feel Faster than the speeding light she's flying Trying to remember where it all began She's got herself a little piece of heaven Waiting for the time when Earth shall be as one [chorus] Quicker than a ray of light Quicker than a ray of light Quicker than a ray of light [verse] And I feel Quicker than a ray of light Then gone for Someone else shall be there Through the endless years She's got herself a universe She's got herself a universe She's got herself a universe And I feel And I feel And I feel like I just got home And I feel Quicker than a ray of light she's flying Quicker than a ray of light I'm flying "Die Another Day" I'm gonna wake up, yes and no I'm gonna kiss some part of I'm gonna keep this secret I'm gonna close my body now I guess, die another day I guess, die another day I guess, die another day I guess, die another day I guess I'll die another day (Another day) I guess I'll die another day (Another day) I guess I'll die another day (Another day) I guess I'll die another day Sigmund Freud Analyze this Analyze this Analyze this I'm gonna break the cycle I'm gonna shake up the system I'm gonna destroy my ego I'm gonna close my body now Uh, uh I think I'll find another way There's so much more to know I guess I'll die another day It's not my time to go For every sin, I'll have to pay I've come to work, I've come to play I think I'll find another way It's not my time to go I'm gonna avoid the cliche I'm gonna suspend my senses I'm gonna delay my pleasure I'm gonna close my body now I guess, die another day I guess I'll die another day I guess, die another day I guess I'll die another day I think I'll find another way There's so much more to know I guess I'll die another day It's not my time to go Uh, uh [Laugh] I guess, die another day I guess I'll die another day I guess, die another day I guess I'll die another day Another day [x6] "Music" Hey, Mr DJ put a record on I wanna dance with my baby Do you like to Boogie woogie, do you like to Boogie woogie, do you like to Boogie woogie, do you like my dancing? Hey Mr. DJ put a record on I wanna dance with my baby And when the music starts I never wanna stop, it's gonna drive me crazy Music, music Music makes the people come together Music mix the bourgeoisie and the rebel Don't think of yesterday and I don't look at the clock I like to boogie woogie It's like ridin' on the wind and it never goes away But she's everything I'm in got to have it everyday Music makes the people come together Music mix the bourgeoisie and the rebel Hey Mr. DJ Do you like to Boogie woogie, do you like to Boogie woogie, do you like to Boogie woogie, do you like my dancing Hey Mr. DJ put a record on I wanna dance with my baby And when the music starts I never wanna stop, it's gonna drive me crazy Music makes the people come together Music mix the bourgeoisie and the rebel Music makes the people come together Music mix the bourgeoisie and the rebel "Secret" Things haven't been the same Since you came into my life You found a way to touch my soul And I'm never, ever, ever gonna let it go [Bridge:] Happiness lies in your own hand It took me much too long to understand How it could be Until you shared your secret with me [Chorus:] Mmm mmm [skip for the first two times] Something's comin' over, mmm mmm Something's comin' over, mmm mmm Something's comin' over me My baby's got a secret You gave me back the paradise That I thought I lost for good You helped me find the reasons why It took me by surprise that you understood You knew all along What I never wanted to say Until I learned to love myself I was never ever lovin' anybody else [bridge] [chorus, repeat] [bridge] [chorus, repeat] Mmm mmm, my baby's got a secret Mmm mmm, my baby's got a secret Mmm mmm, my baby's got a secret for me Mmm mmm, mmm mmm, mmm mmm "American Pie" A long, long time ago I can still remember how that music used to make me smile And I knew that if I had my chance I could make those people dance And maybe they'd be happy for a while Did you write the book of love And do you have faith in God above If the Bible tells you so Now do you believe in Rock 'n' roll And can music save your mortal soul And can you teach me how to dance real slow Well, I know that you're in love with him 'Cos I saw you dancin' in the gym You both kicked off your shoes Man, I dig those rhythm and blues I was a lonely teenage broncin' buck With a pink carnation and a pick-up truck But I knew that I was out of luck The day the music died I started singing Bye, bye, Miss American Pie Drove my Chevy to the levee But the levee was dry And good old boys were drinkin' whiskey and rye Singing this'll be the day that I die This'll be the day that I die I met a girl who sang the blues And I asked her for some happy news But she just smiled and turned away I went down to the sacred store Where I'd heard the music years before But the man there said the music wouldn't play Well now, in the streets the children screamed The lovers cried, and the poets dreamed But not a word was spoken Tho church bells all were broken And the three men I admire the most The Father, Son and the Holy Ghost They caught the last train for the coast The day the music died We started singin' Bye, bye, Miss American Pie Drove my Chevy to the levee But the levee was dry And good old boys were drinkin' whiskey and rye Singing this'll be the day that I die This'll be the day that I die Bye, bye, Miss American Pie Drove my Chevy to the levee But the levee was dry And good old boys were drinkin' whiskey and rye Singing this'll be the day that I die This'll be the day that I die We started singin' We started singin' We started singin' We started singin' "Sky Fits Heaven" Sky fits heaven so fly it That's what the prophet said to me Child fits mother so hold your baby tight That's what my future could see Fate fits karma so use it That's what the wise man said to me Love fits virtue so hold on to the light That's what our future will be [Chorus:] Traveling down this road Watching the signs as I go I think I'll follow the sun Isn't everyone just Traveling down their own road Watching the signs as they go I think I'll follow my heart It's a very good place to start Traveling down my own road Watching the signs as I go Traveling down my own road And I'm watching the signs as they go Traveling, traveling Watching the signs as I go Hand fits giving so do it That's what the Gospel said to me Life fits living so let your judgments go That's how our future should be [chorus] Traveling down my own road Watching the signs as they go Traveling down my own road And I'm watching the signs as I go Traveling, traveling Watching the signs as I go "Human Nature" [Spoken:] Express yourself, don't repress yourself [repeat 4 times] [Chorus:] And I'm not sorry (I'm not sorry) It's human nature (it's human nature) And I'm not sorry (I'm not sorry) I'm not your bitch don't hang your shit on me (it's human nature) You wouldn't let me say the words I longed to say You didn't want to see life through my eyes (Express yourself, don't repress yourself) You tried to shove me back inside your narrow room And silence me with bitterness and lies (Express yourself, don't repress yourself) Did I say something wrong? Oops, I didn't know I couldn't talk about sex (I musta been crazy) Did I stay too long? Oops, I didn't know I couldn't speak my mind (What was I thinking) [chorus] You punished me for telling you my fantasies I'm breakin' all the rules I didn't make (Express yourself, don't repress yourself) You took my words and made a trap for silly fools You held me down and tried to make me break (Express yourself, don't repress yourself) [Bridge:] Did I say something true? Oops, I didn't know I couldn't talk about sex (I musta been crazy) Did I have a point of view? Oops, I didn't know I couldn't talk about you (What was I thinking) [chorus] Express yourself, don't repress yourself [repeat twice] Express yourself, don't repress yourself [repeat twice] [bridge] [chorus] [chorus, with the following spoken substitutions] (I'm not apologizing) (Would it sound better if I were a man?) (You're the one with the problem) (Why don't you just deal with it) [chorus, with the following spoken substitutions] (Would you like me better if I was?) (We all feel the same way) (I have no regrets) (Just look in the mirror) [chorus, with the following spoken substitutions] (I don't have to justify anything) (I'm just like you) (Why should I be?) (Deal with it) "Bye Bye Baby" This is not a love song Bye bye baby I keep on waiting, anticipating But I can't wait forever You say you love me You're thinking of me But we're never together [Chorus:] Bye bye baby bye bye It's your turn to cry That's why we have to say goodbye So say goodbye Bye bye baby bye bye It's your turn to cry This time we have to say goodbye So say goodbye You had your chances All your romances And now I just don't want you I know I love you because I hate you And now I'd rather haunt you [chorus, repeat] You're so beautiful What makes you feel exciting? What wakes you up inside? Does it make you feel good to see me cry? I think it does That's why it's time to say bye bye [chorus, repeat] I don't wanna keep the bright flame Of your ego going So I'll just stop blowin' in the wind To love you is a sin Adios Uh, this is not a love song I'd like to hurt you What excites you? What turns you on? What makes you feel good? Does it make you feel good to see me cry? I think it does That's why it's time to say goodbye Bye bye The first time and the last time You can forget about it baby Forget the rules, forget the fools Forget your fears, forget my tears You can forget about it baby, bye bye baby bye bye You can forget about it baby 'Cause it's the first time and the last time You'll ever see me cry You f*cked it up "Hung Up" Time goes by so slowly Time goes by so slowly Time goes by so slowly Time goes by so slowly Time goes by so slowly Time goes by so slowly Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Time goes by so slowly for those who wait No time to hesitate Those who run seem to have all the fun I'm caught up I don't know what to do Time goes by so slowly Time goes by so slowly Time goes by so slowly I don't know what to do Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Ring ring ring goes the telephone The lights are on but there's no-one home Tick tick tock it's a quarter to two And I'm done I'm hanging up on you I can't keep on waiting for you I know that you're still hesitating Don't cry for me 'cause I'll find my way you'll wake up one day but it'll be too late Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you Every little thing that you say or do I'm hung up I'm hung up on you Waiting for your call Baby night and day I'm fed up I'm tired of waiting on you "4 Minutes" (feat. Justin Timberlake, Timbaland) [Timbaland:] I'm outta time and all I got is 4 minutes (Fricki fricki) 4 minutes eh [x8] Ha ha Yeah Ha ha Breakdown come on [Justin Timberlake:] Hey Uh Come on Madonna [Madonna:] Come on boy I've been waiting for somebody to pick up my stroll [Justin:] Now don't waste time, give me desire, tell me how you wanna roll [Madonna:] I want somebody to speed it up for me then take it down slow There's enough room for both [Justin:] Girl I can hit you back just gotta show me where it's at Are you ready to go? (Are you ready to go?) [Madonna and Justin:] If you want it You've already got it If you thought it It better be what you want If you feel it It must be real just Say the word and I'm gonna give you what you want [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating Grab a boy [Justin:] Go grab your girl [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating [Justin:] We only got four minutes huh four minutes So keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock [Justin:] That's right keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock Sometimes I think what I need is a you intervention Yeah [Justin:] And I know I can tell that you like it and that it's good By the way that you move Oh hey [Madonna:] The road to hell is paved with good intentions Yeah [Justin:] But if I die tonight at least I can say I did what I wanted to do Tell me how 'bout you? [Madonna and Justin:] If you want it You've already got it If you thought it It better be what you want If you feel it It must be real just Say the word and I'm gonna give you what you want [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating Grab a boy [Justin:] Go grab your girl [Madonna:] Time is waiting [Justin:] We only got four minutes to save the world [Madonna:] No hesitating [Justin:] We only got four minutes huh four minutes So keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock [Justin:] That's right keep it up keep it up Don't be a prima donna [Madonna:] You gotta get em a heart Tick tock tick tock tick tock [Timbaland:] Breakdown Yeah [Madonna:] Tick tock tick tock tick tock [Timbaland:] Yeah uh [Madonna:] Tick tock tick tock tick tock [Timbaland:] I've only got four minutes to save the world "Give It 2 Me" What are you waiting for? Nobody's gonna show you how Why work for someone else To do what you can do right now? Got no boundaries and no limits If there's excitement, put me in it If it's against the law, arrest me If you can handle it, undress me Don't stop me now, don't need to catch my breath I can go on and on and on When the lights go down and there's no one left I can go on and on and on Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now They say that a good thing never lasts And then it has to fall Those are the the people that did not Amount to much at all Give me the bassline and I'll shake it Give me a record and I'll break it There's no beginning and no ending Give me a chance to go and I'll take it Don't stop me now, don't need to catch my breath I can go on and on and on When the lights go down and there's no one left I can go on and on and on Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now [Pharrell:] Watch this Get stupid, get stupid, get stupid, don't stop it (what?) Get stupid, get stupid, get stupid, don't stop it (what?) Get stupid, get stupid, get stupid, don't stop it (what?) Get stupid, get stupid, get stupid, don't stop it Get stupid, get stupid, get stupid, don't stop it (to the left, to the right, to the left, to the right) Get stupid, get stupid, get stupid, don't stop it (to the left, to the right, to the left, to the right) Get stupid, get stupid, get stupid, don't stop it (to the left, left, right, right, left, left, right, right) Get stupid stupid stupid stupid stupid stupid stupid... (left, left, right, right, left, left, right, right) Don't stop me now, don't need to catch my breath I can go on and on and on When the lights go down and there's no one left I can go on and on and on Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now You're only here to win Get what they say? You're only here to win Get what they do? They'd do it too If they were you You done it all before It ain't nothing new You're only here to win Get what they say? You're only here to win Get what they do? They'd do it too If they were you You done it all before It ain't nothing new Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now Give it to me, yeah No one's gonna show me how Give it to me, yeah No one's gonna stop me now Give it to me "Give Me All Your Luvin'" (feat. Nicki Minaj & M.I.A.) [Madonna] L-U-V Madonna Y-O-U you wanna I see you coming and I don't wanna know your name L-U-V Madonna I see you coming and you're gonna have to change the game Y-O-U you wanna Would you like to try? Give me a reason why Give me all that you got Maybe you'll do fine As long as you don't lie to me And pretend to be what you're not [Chorus] Don't play the stupid game Cause I'm a different kind of girl Every record sounds the same You've got to step into my world Give me all your love and give me your love Give me all your love today Give me all your love and give me your love Let's forget about time And dance our lives away [Madonna] L-U-V Madonna Y-O-U you wanna Keep trying don't give up, it's if you want it bad enough L-U-V Madonna It's right in front of you, now tell me what you're thinking of Y-O-U you wanna In another place, at a different time You can be my lucky star We can drink some wine Burgundy is fine Let's drink the bottle every drop [Chorus] Don't play the stupid game Cause I'm a different kind of girl Every record sounds the same You've got to step into my world Give me all your love and give me your love Give me all your love today Give me all your love and give me your love Let's forget about time And dance our lives away [Nicki Minaj] Give me all your love boy You could be my boy, you could be my boy toy In the nick of time I could say a sicker rhyme Cause its time for change like a nickel and a dime I'm Roman, I'm a barbarian, I'm Conan You were sleeping on me you were dozin' Now move, I'm goin' in!! [Bridge] You have all the L-U-V I gave you everything you need Now it's up to y-o-u Are you the one, shall we proceed? [M.I.A.] Sw-sw-swag shh No one gives you this Supersonic bionic, uranium So I break ‘em off tricks Let's pray that it sticks I'ma say this once, yeah I don't give a shit M-a-d don't make me l-u-v it's time for y-o-u it's up to l-u-v i want your [Chorus] Don't play the stupid game Cause I'm a different kind of girl Every record sounds the same You've gotta step into my world Give me all your love and give me your love (L-U-V- Madonna) Give me all your love and give me your love (Y-O-U You wanna) Give me all your love and give me your love Give me all your love today Give me all your love and give me your love Let's forget about time And dance our lives away "Girl Gone Wild" [Spoken:] Oh, my God, I am heartily sorry for having offended Thee And I detest all my sins Because I dread the loss of heaven, and the pains of hell. But most of all because I love Thee, And I want so badly to be good. It's so hypnotic The way he pulls on me It's like the force of gravity Right up under my feet It's so erotic This feeling can't be beat It's coursing through my whole body Feel the heat I got that burnin' hot desi-i-i-re And no one can put out my fi-i-i-re It's coming right down through the wi-i-i-re Here it comes When I hear them 808 drums It's got me singing Hey, ey, ey, ey Like a girl gone wild A good girl gone wild I'm like, hey, ey, ey, ey Like a girl gone wild A good girl gone wild Girls they just wanna have some fun Get fired up like smokin' gun On the floor til the daylight comes Girls they just wanna have some fun A girl gone wild A good girl gone wild I'm like a girl gone wild A good girl gone wild The room is spinning It must be the tanqueray I'm about to go astray My inhibition's gone away I feel like sinning You got me in the zone DJ play my favorite song Turn me on I got that burnin' hot desi-i-i-re And no one can put out my fi-i-i-re It's coming right down through the wi-i-i-re Here it comes When I hear them 808 drums It's got me singing Hey, ey, ey, ey Like a girl gone wild A good girl gone wild I'm like, hey, ey, ey, ey Like a girl gone wild A good girl gone wild Girls they just wanna have some fun Get fired up like smokin' gun On the floor til the daylight comes Girls they just wanna have some fun I know, I know, I know I shouldn't act this way I know, I know, I know Good girls don't misbehave Misbehave But I'm a bad girl, anyway Forgive me Hey, ey, ey, ey Like a girl gone wild A good girl gone wild I'm like, hey, ey, ey, ey Like a girl gone wild A good girl gone wild Girls they just wanna have some fun Get fired up like smokin' gun On the floor til the daylight comes Girls they just wanna have some fun A girl gone wild A good girl gone wild I'm like a girl gone wild A good girl gone wild "Turn Up The Radio" When the world starts to get you down And nothing seems to go your way And the noise of the maddening crowd Makes you feel like you're going to go insane There's a glow of a distant light Calling you to come outside To feel the wind on your face and your skin And it's here I begin my story Turn up the radio Turn up the radio Don't ask me where I wanna go We gotta turn up the radio It was time that I opened my eyes I'm leaving the past behind Nothing's ever what it seems Including this time and these crazy dreams I'm stuck like a moth to a flame I'm so tired of playing this game I don't know how I got to this state Let me out of my cage cause I'm dying Turn up the radio Turn up the radio Don't ask me where I wanna go We gotta turn up the radio Turn up the radio Turn up the radio Don't ask me where I wanna go We gotta turn up the radio I just wanna get in my car I wanna go fast and I gotta go far Don't ask me to explain how I feel ‘Cause I don't want to say where I'm going Turn down the noise and turn up the volume Don't have a choice cause the temperatures pounding Leaving this place is the last thing I do That I want to escape with a person just like you I'm stuck like a moth to a flame I'm so sick and tired of playing this game We gotta have fun it it's all that we do Gotta shake up the system and break all the rules Gotta turn up the radio until the speakers blow Turn up the radio Turn up the radio Don't ask me where I wanna go We gotta turn up the radio Turn up the radio Turn up the radio There's somethings you don't need to know Just let me turn up the radio Turn up the radio Just let me turn up the radio Just let me turn up the radio

¿Puede un gran festival permitirse un lineup con un 50% de mujeres? ¿Hay suficientes artistas femeninas? ¿Continuará siendo atractivo para el público? ¿Se venderán menos entradas? El festival TRNSMT, uno de los más grandes de Escocia, ha anunciado la primera tanda de artistas que actuarán en su edición de 2020. Y de los 13 primeros nombres confirmados, solo dos, Rita Ora y Little Simz, son mujeres. El director del festival, Geoff Ellis, respondió a las críticas por la escasa presencia femenina en el avance de su lineup afirmando que tienen que pasar "varios años" antes que un “festival importante” pueda ser paritario porque, según él, “hay muchas menos artistas femeninas". Cuestionamos estas declaraciones así como el tópico ‘mujeres = veneno para la taquilla’ haciendo tertulia con Marta Pallarés, del departamento de comunicación de Primavera Sound y portavoz oficial del festival, que tuvo un lineup paritario en 2019, y con Leonora Casacu, fundadora de la agencia de música urbana Ladradora, que representa artistas mujeres. A contrarreloj, María Pagola y Marta Salicrú repasan los nuevos lanzamientos de artistas como Caribou o Dua Lipa, repasan la agenda de conciertos, y comentan la estética de artistas tanto en conciertos como videoclips. 'Countdown', Beyoncé ‘Hot Topic’, Le Tigre ‘Venom’, Little Simz ‘Religion (you can lay your hands in me), Shura ‘Make Me Feel’, Janelle Monae ‘Almeda’, Solange ‘Dancing On My Now’, Robyn ‘Can’t Get You Out Of My Head’, Kylie Minogue ‘Alligator’, Of Monsters and Men ‘Black Horse and the Cherry Tree’, KT Tunstall ‘Ritual’, Rita Ora, Tiësto, Jonas Blue ‘Hung Up’, Madonna ‘You and I’, Caribou ‘Don’t Start Now’, Dua Lipa ‘Blinding Lights’, The Weeknd ‘Connemara’, Núria Graham ‘Cosas Buenas’, Soleá Morente, Cariño ‘Jet Black’, Channel Tres ‘Adore You’, Harry Styles ‘A palé’, Rosalía ‘Tu presencia’, Lidia Damunt ‘Dame bien’, Mala Rodríguez, Guaynaa, Big Freedia ‘El relámpago’, Amaia ‘Kevin’, Ferran Palau ‘Gritos’, Pinpilinpussies ‘La escalera’, Yawners ‘Ana y los pájaros’, Christina Rosenvinge

This week on View's From The 7 we're talking music. Popping things off with the battle of the albums between Twista's #AdrenailineRush vs #Kamikaze. Are we so hung up on nostalgia that we hand out the classic title on body's of work that aren't really worthy? We going track for track on this one! Speaking of nostalgia who had a better album between #50Cent and #DMX?? This one is a hard one. Moving on right into the #TRASHAlbumReview with #Lloyd's LP Tru. Going through the album we couldn't help but to get into our top 5 Lloyd records. Getting past that we get into the moment we've all been waiting for....#Eminem drops #Kamikaze. Addressing his beef with #JoeBudden and #MGK. He set the internet on fire with this one. MGK got a lot goin on right now not only with Eminem but with G-Eazy. Diss records coming out and getting interesting. #JanetJackson was recently awarded the first ever #ImpactAward which is highlighting her influence as an artist on the pop world. Our question is who was more influence over the pop world? Janet Jackson or #Madonna? You know we won't be able to come to a unanimous decision on this one. Last but not least we HAD to talk about Kaepernick and his Nike endorsement. We got all that and more! Follow us on all social media platforms. Like, share and subscribe! Twitter - @viewsfromthe7 Instagram - @viewsfromthe_7 Facebook - Views From The 7 If you would like to submit a #TRASHRelationship question email us at viewsfrmthe7@gmail.com

What do you get when you cross an anthropomorphized duck, a radio personality with a nervous breakdown, Prince, and Madonna? You get the worst movies of 1986!

This Week: Can I make Jay cry, when he listens??? And so much more! Podcasts Mentioned: The Podcast Podcast Chin Stroker vs. Punter Are You Serious? Cinecultinia Paperbag Radio Bionacast and more, more more! Music in Episode: Stand Up! Landing Party Live to tell – Madonna You can Subscribe via Itunes: search for First Time [...]