Podcasts about casting directors

Have you ever had a dream shatter and you not know what to do next? Our guest this week had that happen from an injury and her solution was to leave her small town and head for Hollywood. Though there were bumps along the way she knew immediately when she stepped into one particular role that she would own the company one day!Follow Kelly, The Voicecaster, & Blank Pages on Instagram: @kelly.moscinski.vc @thevoicecaster & @blankpagesinitiativeEmail Kelly - Kelly@Voicecaster.comCheck out Kelly's Podcast: Creative ImperfectionsSupport the showIf you'd like to support this podcast, you can buy me a coffee HERE. Check out the "Keep the Darkness at Bay" Journal & T's Here I'd also appreciate it if you left a 5 star rating and review for the podcast on whichever platform you listen on. Thank You!Special Thanks To:@jasonthe29th - Logo Design@jacobjohnsontunes - Theme MusicPod Decks - Fast 5 QuestionsDISCLAIMER: Some of the links here are affiliate links, which means I will make a small commission if you click them and make a qualifying purchase, at no extra cost to you :)*I hereby solemnly swear to only promote products and services I actually love and use in my podcast and everyday life!

On this Friday's episode, Daniel converses with celebrated Irish casting director Maureen Hughes.Maureen's singular career in casting spans both film and theatre, and she's been behind casting decisions for plenty of beloved properties, from Irish and international.In 1990, Maureen became the head of casting at the Abbey Theatre Dublin, Over the years she has worked on beloved projects from Love/Hate, the Irish music film “Once” and the Cillian Murphy starrer “Small Things Like These”. She's worked with incredible talents along the way, from writer Martin McDonagh, Cillian Murphy & Barry Keoghan.On today's episode, Maureen will share all she's learned during her varied career, she'll take listeners through her mindset and approach as a casting director and insights into casting talents like Cillian Murphy and Barry Keogan at the start of their careers.Plus, in a Creatively Me first she'll answer social media questions from those who've engaged with the podcast with an interest in acting.Maureen Hughes Casting on Instagram - ⁠https://www.instagram.com/maureenhughescasting/?hl=enConnect with Daniel on Instagram - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/d.heaphymedia/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Connect with Daniel on Facebook -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://m.facebook.com/100067449105174/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Connect with Daniel on LinkedIn -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://ie.linkedin.com/in/daniel-heaphy-4984381a3⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Daniel on IMDB -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://www.imdb.com/name/nm13256427/?ref_=nv_sr_srsg_0_tt_1_nm_7_q_DANIEL%2520HEAPHY⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email - creativelymepodcast@gmail.com“Creatively Me” Theme Music by Bukky -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠https://open.spotify.com/artist/1v7rqTLaVA3Ce6Q9R98dSq⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Daniel Heaphy is a twenty-six years old graduate of a BA in Creative Digital Media and an MA in Film & Screen Media. He is a writer, actor, filmmaker and podcast host. His short-film work has been screened in festivals across Ireland and the UK. His debut novel for children and teens "Breanne 1975" was released in August 2024. He launched the podcast "Creatively Me" in February 2024.

The Tony Awards often celebrate the names on a show poster, but every Broadway production is carried by countless artists whose work rarely fits neatly into a category. So in anticipation of this year's awards ceremony, we're spotlighting a few of the performers, collaborators, and creative forces behind nominated productions. Victor Vazquez has spent his career expanding the possibilities of who gets seen onstage and whose stories Broadway embraces. As the founder of X Casting and casting director for CATS: The Jellicle Ball, Victor has helped build one of the most joyful, original, and culturally electric productions of the season from the ground up.  In this conversation, Victor offers a rare look inside the audition room, reflects on what it means to bring Ballroom culture into the spotlight with care and authenticity, and discusses why he remains hopeful about the future of theater and the artists shaping it. —— LINKS CATS: The Jellicle Ball: https://catsthejellicleball.com/ X Casting: https://www.xcastingnyc.com/ The New York Public Library for the Performing Arts: https://www.nypl.org/locations/lpa

In this episode of OPERA Road Trip, host Sebastian F. Schwarz turns to Belgium—a country whose operatic culture emerged at the crossroads of Europe's great linguistic and political traditions. From the Habsburg courts of Brussels and the French influence on eighteenth-century musical life to the revolutionary atmosphere surrounding Belgian independence in 1830, the episode traces how opera became deeply interwoven with the cultural identity of the young nation. At the centre of that story stands La Monnaie / De Munt—one of Europe's most influential opera houses and a leading force in contemporary music theatre today. The episode features a conversation with Christina Scheppelmann and composer Iain Bell, whose opera Medusa recently received its world premiere in Brussels. Together, they discuss the realities of commissioning new operas in the twenty-first century, the collaboration between institutions and composers, and the importance of understanding the human voice not merely as a dramatic medium, but as one of the composer's central instruments. Special thanks to Iain Bell, La Monnaie / De Munt and Palazzetto Bru Zane for their support and participation in this episode.   Opera Road Trip is hosted by Sebastian F. Schwarz who is Casting Director of Milan's Teatro alla Scala and whose curriculum as an opera manager includes CEO and Artistic Director and Administrator positions at Theater an der Wien, Glyndebourne, Teatro Regio Torino, Festival della Valle d'Itria, Hamburgische Staatsoper and Wexford Festival Opera. He is Vice-president of the International Richard Strauss Society, member of the board of the European Musical Theatre Academy and co-founder of the Cesti Competition for Baroque Opera. All episodes: https://operavision.eu/features/opera-road-trip Music extracts for this episode: Introduction: Fidelio (Beethoven): Overture, op. 72 Ecerpts from Thésée (Francois-Joseph Gossec): Virginie Pochon, Les Agrémens, Chœur de Chambre de Namur, Guy van Waas Ecerpts from the duet "De ton epoux voila donc le partage" from La Caravane de Caïre (André-Ernest-Modeste Grétry): Katia Velletaz, Cyrille Dubois, Les Agrémens, Guy van Waas   Ecerpt from the Ouverture from Medusa (Iain Bell): Marie-Nicole Lemieux, La Monnaie Symphony Orchestra and Chorus, Michiel Delanghe   Excerpt from an Aria of Medusa from Medusa (Iain Bell): Claudia Boyle, La Monnaie Symphony Orchestra, Michiel Delanghe Bonus Music: Excerpt from a duet from Hulda (César Franck): Jennifer Holloway, Edgaras Montvidas, Orchestre Philhamonique Royal de Liège, Gergely Madaras   Link to the recorded catalogue of rediscovered works published by Palazzetto Bru Zane: https://bru-zane.com/en/dischi/ OperaVision is a freeview opera streaming platform, supported by the European Union's Creative Europe programme.   Watch live streams as the performances themselves unfold in the opera house. Enjoy a variety of shows - including opera, operetta, musical theatre, dance, ballet and concerts. Opera connaisseur or curious newcomer, there is something for everyone on OperaVision.

Welcome to The DMF — Discovering Meaning in Film and Acting. I'm Justin Younts, and this is part three with casting director Tiffany Little Canfield of Telsey Company.This one is about something that's been a long time coming — the Academy Awards is finally establishing a casting branch, officially recognizing casting directors for their contributions to film. Tiffany has been part of the push to make that happen, and she talks about what that fight looked like, why it took this long, and what it actually means for casting professionals who have been working behind the scenes for years without that acknowledgment.We get into what the casting branch means going forward, how casting directors can now advocate for themselves and educate the industry about their role, and why every casting decision — not just the stars — is a creative one that shapes the entire film. Tiffany also talks about upcoming projects including Only Murders in the Building and Paradise.We close with Inside the Actors Studio questions.In this episode we discuss:The Academy finally recognizing casting directorsThe establishment of a casting branch within the AcademyWhy casting directors have been overlooked for so longThe creative role of casting in shaping a film's narrativeCollaboration with directors, producers, and actorsUpcoming projects: Only Murders in the Building & Paradise00:00:00 - Introduction 00:00:05 - Recognition of Casting Directors 00:00:28 - The Role of a Casting Director 00:01:18 - The Process and Challenges 00:02:22 - The Journey to Recognition 00:02:38 - The Casting Branch 00:04:34 - Future Projects 00:05:12 - Inside the Actors Studio Questions 00:11:57 - Conclusion#DMF #TiffanyLittleCanfield #CastingDirector #Academy #Oscars #TelseyCompany #OnlyMurdersInTheBuilding #Acting #Casting #Filmmaking #Podcast

Lawrence Ellyard, shares his powerful journey that began with a simple parking ticket

Have you ever felt like you were in over your head in a job and that any day you would be fired? Our guest this week talks about going through that anxiety for a year and how he finally broke free of that feeling.Follow Andy on Instagram - @shineynogginSupport the showIf you'd like to support this podcast, you can buy me a coffee HERE. Check out the "Keep the Darkness at Bay" Journal & T's Here I'd also appreciate it if you left a 5 star rating and review for the podcast on whichever platform you listen on. Thank You!Special Thanks To:@jasonthe29th - Logo Design@jacobjohnsontunes - Theme MusicPod Decks - Fast 5 QuestionsDISCLAIMER: Some of the links here are affiliate links, which means I will make a small commission if you click them and make a qualifying purchase, at no extra cost to you :)*I hereby solemnly swear to only promote products and services I actually love and use in my podcast and everyday life!

Ryan Carter is coming to the end of his run as The Iceberg in the West End production of Titaníque at the Criterion Theatre.Ryan is a multi-faceted performer and creative. Prior to his run in Titaníque, Ryan starred as Jagwire in Bat Out Of Hell in the West End and on tour.His other theatre credits include: Motown The Musical (Shaftesbury Theatre), Choir Of Man (Edinburgh Fringe Festival), The Boyfriend (Menier Chocolate Factory) and The World Goes Round (Barn Theatre). Most recently, Ryan played Smokey Robinson and covered Eddie Kendricks in the West End production of Ain't Too Proud (Prince Edward Theatre).As the Creative Producer of RyCa Productions, Ryan produced the acclaimed Refresh concerts, as well as a series of shows at Jack Solomons. Ryan was one of the Creative Directors for Turn Up London and was Creative Director of Digital Projects for The Barn Theatre, where he made the interactive concert The Secret Society of Leading Ladies and worked on Now Or Never by Matthew Harvey. He was the Casting Director for The Wiz at the Hope Mill Theatre and has also worked with Urdang. Ryan also does graphic design and creates and manages social media content for productions within the theatre industry, including the UK premiere of Ride The Cyclone and the reunion concert of Spring Awakening.In this episode, Ryan discusses landing his role in Titaníque and the impact of Bat Out Of Hell. He also delves into his work as a creative, explains why it is important for him to stand up for what he believes in and reflects on his path into theatre.Ryan plays The Iceberg in Titaníque at the Criterion Theatre until 7th June 2026. Follow him on Instagram: @ryanjesse95 This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

“Junior does not have an agent or a manager. Junior has a community in front of him and we had to move through that in order to get the call.” This episode features the casting directors of Cats: “The Jellicle Ball” Victor Vazquez and Sujotta Pace of X Casting talking about casting the show from early workshops through the PAC run and to Broadway. They discuss their personal introductions to CATS, receiving the initial “ballroom CATS” pitch, and how evolving workshops shaped everything about the show. They describe prioritizing the ballroom community through dedicated open calls, using community networks to reach artists without traditional representation, and the challenges of assembling an ensemble while honoring CATS legacy. Enjoy this deep dive into the creative process and the intricacies of the show. 02:31 The Ballroom CATS Pitch 04:56 Writing the Viral Casting Call 07:34 Workshops and Role Discoveries 09:43 Finding Stars and Ballroom Legends 32:40 Casting For Representation 41:48 Honoring Elders Legacy 45:13 Icons Leading The Company 48:20 Rapid Fire Check out X Casting on Instagram: @xcastingnyc Check out Victor on Instagram: @victorvictorv Check out Sujotta on Instagram: @sujotta Check out CATS: The Jellicle Ball on Social Media: @catsjellicleball Check out CATS: The Jellicle Ball: ⁠⁠⁠⁠⁠catsthejellicleball.com⁠⁠⁠⁠⁠ Produced by: ⁠⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

What's secretly hurting your auditions before you even say a line? In this episode of The Actor's Career Compass, Martin Bentsen breaks down the biggest self tape mistakes actors make and shares 10 simple fixes that can help your auditions look more professional fast.Many actors lose callbacks because of distracting backgrounds, poor sound, awkward framing, or performances that feel too “acted.” Casting directors and agents move quickly, and small mistakes can create doubt right away. This episode shows you how to remove those problems and make stronger first impressions.You'll learn:The simple lighting and audio changes that instantly make your tapes feel more professionalWhy framing, eyelines, and backgrounds can quietly affect casting decisionsThe surprising habit that helps actors stand out from most audition submissionsPlay this episode now to learn how small self tape improvements can help you book more callbacks and make casting directors take you seriously.Email: martin@cityheadshots.comWebsite: https://www.martinbentsen.comAdditional Resources:Headshots: https://www.cityheadshots.comShoot Footage for Your Reel: https://www.actorscreenershoot.comEdit Footage Into a Reel: https://www.demoreelsnyc.com"This show dives deep into the world of acting in film, exploring the journey of movie acting with stories, building confidence among aspiring actors, navigating auditions and productions, and offering insights from acting agents, coaches, and the challenges of becoming SAG-AFTRA eligible to advance your acting career, skills, and landing roles."

Welcome to The DMF — Discovering Meaning in Film and Acting. I'm Justin Younts, and in this episode I sit down with casting director Tiffany Little Canfield for part one of our conversation.Season 6 is here. Tiffany Little Canfield is the perfect way to kick it off — a casting director who's been on both sides of the table and has a lot to say about what actors are getting wrong.Tiffany's path into casting wasn't a straight line. She started in acting, moved into directing — including work with opera singers — and eventually found her way to casting, where her directing background changed how she reads actors and scene work. That experience in the room as a director is something she brings to every project.We get into what a casting director actually does day to day, what it looks like to interview for those jobs, and how Tiffany thinks about actors differently because of her background. We also talk about the misconception around acting and fame, why continuous training is non-negotiable, how subjective casting really is, what self-tapes mean for the audition process now, and the biggest challenges actors are facing in the industry.In this episode we discuss:Tiffany's path from acting to directing to castingWhat casting directors actually doWorking with opera singers and how it shapes her approachThe misconception of acting and fameWhy continuous training matters at every levelThe subjectivity of casting and what that means for actorsSelf-tapes and how auditions have changedThe biggest challenges in the acting industry today00:00:00 - Introduction and Guest Introduction 00:00:28 - Early Life and Influence on Career 00:00:39 - Journey into Acting and Realization 00:01:57 - Transition from Acting to Directing 00:03:10 - Transition from Directing to Casting 00:09:02 - Understanding the Role of a Casting Director 00:09:45 - Interviewing for Jobs as a Casting Director 00:11:52 - Working with Opera Singers 00:13:21 - Understanding Actors and Scene Work 00:13:37 - Influence of Directing Degree in Casting 00:15:01 - Closing Thoughts on Actor Expectations 00:15:30 - The Misconception of Acting and Fame 00:17:08 - The Importance of Continuous Training for Actors 00:18:47 - The Subjectivity of Acting and Casting 00:22:04 - The Role of Self-Tapes in Auditions 00:24:29 - The Biggest Challenges in the Acting Industry#DMF #TiffanyLittleCanfield #CastingDirector #Acting #TelseyCompany #ActingTips #SelfTape #Audition #Filmmaking

Join us this week as we welcome to the podcast Emmy Award Winning Reality Casting Director, Jazzy Collins! Most recently named in Vultures Reality Masterminds list for 2026, she is dominating the reality casting game. Known for casting some of your favorites like The Bachelor and The Bachelorette, The Circle, Traitors and Love Island, she is definitely at the top of her game and only rising. We chat about the casting process and how casting directors are the architects of these shows. She divulges what stands out to her in interviews and how the industry has shifted through out the years.  We loved having the opportunity to dive deeper into the reality space and know you'll get a ton of fun tidbits out of this episode.  Grab your favorite cocktail and join us for an amazing episode!Make sure to subscribe to our YOU TUBE channel for more fun video content!Resources:Vulture's Reality Masterminds 2026Jazzy Collins InstagramJazzy's IMDB──────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys 

Actor and Equity member Monica Sayers will chat to Australian casting director Kirsty McGregor about discuss auditions, castings and the actor/casting director relationship. Kirsty McGregor's journey from performer to an influential casting director working across Australia and internationally has had a significant impact on film and television. She is the recipient of three AACTA Awards and seventeen Casting Guild of Australia Awards, and has also received three nominations from the Casting Society of Americas well as an Emmy nomination. A long-time advocate for the craft of casting, Kirsty has been a leading voice within the Casting Guild of Australia, championing the recognition of casting as a key creative department. Her work has helped shape some of the most acclaimed Australian productions of recent years, including Lion, Animal Kingdom, Babyteeth, Colin from Accounts, Top Of The Lake, The Twelve, Apple Cider Vinegar and Bump. Her work continues to shape and elevate talent both in Australia and internationally. Kirsty is a proud member of the Casting Guild of Australia, the Casting Society of America and the Academy of Motion Picture Arts and Sciences.

Send us Fan MailTwo Unemployed Actors | Episode 109: Greg AppsWelcome back to another episode of Two Unemployed Actors. In Episode 109, we are diving deep into the psychology of the casting room with one of the industry's most respected voices: Greg Apps. With over 80 films and countless television hours under his belt, Greg has seen it all—and he's here to tell you why your "best" acting might actually be what's standing in the way of your next big role.Greg is the mastermind behind "The Audition Technique," a revolutionary approach that challenges the traditional "performance" model. Instead of focusing on technical perfection or hitting every mark, Greg encourages actors to find the organic connection and the unique "vibe" that makes a tape unforgettable. In this conversation, we explore the shift from being a "good student" to being a compelling human being on screen, explaining the science of human connection from the perspective of a seasoned casting director.Inside the EpisodeWe break down the nuances of self-taping in the modern era, the first ten seconds of a submission, and how to manage the mental hurdles of rejection. Greg shares candid advice on how to stop worrying about the script and start focusing on the impact you have on the viewer. Whether you are navigating the Australian screen industry or looking to break into international markets, his insights offer a practical roadmap for the working actor.And this episode isn't just about technical tips; it's about a complete mindset shift. We discuss the reality of the industry today and how to maintain your passion while navigating the "numbers game." Join us for an hour of blunt honesty and incredible wisdom that will help you stop "acting" and start getting cast. Don't forget to subscribe and leave a review to help us continue bringing world-class guests to the show. It is time to take control of your craft and your professional career.Episode Webpage: https://shorturl.at/3s11jSupport the showAn Add Kulcha Production

Casting director Ben Armstrong co-hosts The West End Frame Show! Ben joins Andrew Tomlins (West End Frame's Editor) to discuss Billy Nevers' album The First 25: Live At Konk Studios and Hercules starring Felipe Bejarano as well as the latest news about Evita's Broadway transfer, High School Musical's London transfer, Rent's West End revival, new Hamilton casting, and lots more.Ben is an Anglo-Sri Lankan Casting Director, specialising in stage and musical theatre. He has solo and assistant casting credits for acclaimed productions in the West End, regional theatres, UK tours and international projects. Most recently, Ben cast the West End concert production of Once On This Island featuring Tony Award winner Alex Newell and is currently casting Rumi: The Musical, written by Nadim Naaman and Dana Al Fardan for the Dubai Opera Festival 2026. One of his highlights as Casting Director includes Happy & Glorious, a short film starring Jane Asher and Nancy Carroll. Alongside his independent projects, Ben works for Ginny Schiller CDG. Recent productions include Sir Trevor Nunn's Easy Virtue for Cambridge Arts Theatre starring Greta Scacchi and Alice Orr-Ewing, Ralph Fiennes' As You Like It for Theatre Royal Bath starring Dame Harriet Walter, and John Doyle's Alfred Hitchcock Presents for Theatre Royal Bath starring Scarlett Strallen, Sally Ann Triplett and Alistair Brammer, as well as The Secret Garden for York Theatre Royal.He is the founder of RepresentAsian, an initiative dedicated to championing Asian performers within the industry and advancing meaningful representation both on and off stage. Through this platform, he also provides scholarships to support young Asian individuals pursuing careers in the arts.The next RepresentAsian concert takes place at the Lyric Theatre on Monday 9th November 2026. Visit www.nimaxtheatres.com for info and tickets. Follow Ben on Instagram: @ben_armstrong_4 This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Ich beobachte gerade einen extrem spannenden Wandel im Modelbusiness: Agenturen, Kunden und Casting Directors wollen plötzlich ALLE dasselbe. Sie sehnen sich nach diesem einen Model Typ:Ein echtes Model ohne Filler, ohne Botox; keine perfekte Instagram-Ästhetik. Stattdessen: Wahre Schönheit und Natürlichkeit. Echte Gesichter, echte Ausstrahlung, echte Menschen.In dieser Folge spreche ich darüber, warum sich dieser Trend gerade entwickelt, welche Rolle AI dabei spielt und was das konkret für Models bedeutet.Eine ehrliche Folge über Schönheit, Veränderung und warum „nicht perfekt“ gerade dein größter Vorteil sein kann.

In this episode of OPERA Road Trip, host Sebastian F. Schwarz turns to France—one of the historic strongholds of the European operatic tradition—shaped by a dense network of public institutions, a strong culture of state support, and a long-standing belief in opera as a public good. From the court of Louis XIV and the founding of the Académie Royale de Musique to the grand opéra tradition of the 19th century and the decentralisation policies of the post-war period, the episode traces how France developed a uniquely structured and highly institutionalised operatic ecosystem. It is a system built on stability and public investment, yet increasingly confronted with financial pressures, evolving audience expectations, and the need for renewal. At the heart of the episode are conversations with two leading figures of today's French opera landscape: Valérie Chevalier, General Director of Opéra Orchestre National Montpellier Occitanie, reflecting on regional opera, decentralisation, and the realities of leading a major house outside Paris; and Stéphane Degout, one of France's most internationally acclaimed baritones, offering a performer's perspective on the French repertoire, artistic identity, and the relationship between national tradition and global careers. Together, their voices reveal a system negotiating continuity and change—raising questions about how a deeply rooted cultural model can adapt to the demands of the present while preserving its artistic core. Opera Road Trip is hosted by Sebastian F. Schwarz who is Casting Director of Milan's Teatro alla Scala and whose curriculum as an opera manager includes CEO and Artistic Director and Administrator positions at Theater an der Wien, Glyndebourne, Teatro Regio Torino, Festival della Valle d'Itria, Hamburgische Staatsoper and Wexford Festival Opera. He is Vice-president of the International Richard Strauss Society, member of the board of the European Musical Theatre Academy and co-founder of the Cesti Competition for Baroque Opera. All episodes: https://operavision.eu/features/opera-road-trip Music extracts for this episode: Introduction: Fidelio (Beethoven): Overture, op. 72 Ecerpts from Herculanum (Félicien David): Véronique Gens, Edgaras Montvidas, Brussels Philharmonic, Hervé Niquet Ecerpts from L'île du rêve (Reynaldo Hahn): Hélène Guilmette, Cyrill Dubois, Munich Radio Orchestra, Hervé Niquet Ecerpts from Werther (Jules Massenet): Marie-Nicole Lemieux, Orchestre del'Opéra Orchestre National Montpellier-Occitanie, Jean-Marie Zeitouni   Excerpt from Le Nozze di Figaro (Wolfgang Amadeus Mozart): Stéphane Degout, Dutch National Opera, Netherlands Chamber Orchestra, Ivor Bolton Bonus Music: Excerpt from Mazeppa (Clémence Grandval): Julien Dran, Munich Radio Orchestra, Mihhail Gerts Link to the recorded catalogue of rediscovered works published by Palazzetto Bru Zane: https://bru-zane.com/en/dischi/ OperaVision is a freeview opera streaming platform, supported by the European Union's Creative Europe programme.   Watch live streams as the performances themselves unfold in the opera house. Enjoy a variety of shows - including opera, operetta, musical theatre, dance, ballet and concerts. Opera connaisseur or curious newcomer, there is something for everyone on OperaVision.       In dieser Episode von OPERA Road Trip richtet Gastgeber Sebastian F. Schwarz den Blick auf Frankreich – eines der historischen Zentren der europäischen Operntradition, geprägt von einem dichten Netz öffentlicher Institutionen, einer ausgeprägten Kultur staatlicher Förderung und dem tief verwurzelten Verständnis von Oper als öffentliches Gut. Vom Hof Ludwigs XIV. und der Gründung der Académie Royale de Musique über die Grand opéra des 19. Jahrhunderts bis hin zu den Dezentralisierungspolitiken der Nachkriegszeit zeichnet die Episode nach, wie sich in Frankreich ein einzigartig strukturiertes und stark institutionalisiertes Opernsystem entwickelt hat. Es ist ein System, das auf Stabilität und öffentlicher Finanzierung beruht, zugleich jedoch zunehmend mit finanziellem Druck, sich wandelnden Publikumserwartungen und dem Bedarf nach Erneuerung konfrontiert ist. Im Zentrum der Episode stehen Gespräche mit zwei prägenden Persönlichkeiten der heutigen französischen Opernlandschaft: Valérie Chevalier, Generaldirektorin des Opéra Orchestre National Montpellier Occitanie, die über regionale Oper, Dezentralisierung und die Realität der Leitung eines großen Hauses außerhalb von Paris spricht; sowie Stéphane Degout, einer der international renommiertesten französischen Baritone, der eine künstlerische Perspektive auf das französische Repertoire, Fragen der Identität und das Spannungsverhältnis zwischen nationaler Tradition und internationaler Karriere einbringt. Gemeinsam zeichnen ihre Stimmen das Bild eines Systems im Spannungsfeld von Kontinuität und Wandel – und werfen die Frage auf, wie sich ein tief verwurzeltes kulturelles Modell an die Anforderungen der Gegenwart anpassen kann, ohne seinen künstlerischen Kern zu verlieren. Opera Road Trip wird moderiert von Sebastian F. Schwarz, Casting Director des Mailänder Teatro alla Scala, dessen Laufbahn als Opernmanager Positionen als CEO, Künstlerischer Leiter und Administrator am Theater an der Wien, bei Glyndebourne, am Teatro Regio Torino, beim Festival della Valle d'Itria, an der Hamburgischen Staatsoper und beim Wexford Festival Opera umfasst. Er ist Vizepräsident der Internationalen Richard-Strauss-Gesellschaft, Mitglied des Vorstands der European Musical Theatre Academy und Mitbegründer des Cesti Competition for Baroque Opera. Alle Episoden: https://operavision.eu/features/opera-road-trip Musikbeispiele dieser Episode: Einleitung: Fidelio (Beethoven): Ouvertüre op. 72 Auszüge aus Herculanum (Félicien David): Véronique Gens, Edgaras Montvidas, Brussels Philharmonic, Hervé Niquet Auszüge aus L'île du rêve (Reynaldo Hahn): Hélène Guilmette, Cyrill Dubois, Münchner Rundfunkorchester, Hervé Niquet Auszüge aus Werther (Jules Massenet): Marie-Nicole Lemieux, Orchestre de l'Opéra Orchestre National Montpellier-Occitanie, Jean-Marie Zeitouni Auszug aus Le Nozze di Figaro (Wolfgang Amadeus Mozart): Stéphane Degout, Dutch National Opera, Netherlands Chamber Orchestra, Ivor Bolton Bonusmusik: Auszug aus Mazeppa (Clémence de Grandval): Julien Dran, Münchner Rundfunkorchester, Mihhail Gerts Link zum Aufnahmen-Katalog wiederentdeckter Werke, herausgegeben vom Palazzetto Bru Zane: https://bru-zane.com/en/dischi/ OperaVision ist eine frei zugängliche Streaming-Plattform für Oper, unterstützt durch das Programm Creative Europe der Europäischen Union. Erleben Sie Live-Streams, während die Aufführungen direkt im Opernhaus stattfinden. Entdecken Sie eine Vielfalt an Formaten – darunter Oper, Operette, Musiktheater, Tanz, Ballett und Konzerte. Ob Opernkenner oder neugieriger Neueinsteiger – bei OperaVision findet jeder etwas.     Dans cet épisode d'OPERA Road Trip, l'animateur Sebastian F. Schwarz se tourne vers la France — l'un des bastions historiques de la tradition lyrique européenne — façonnée par un dense réseau d'institutions publiques, une forte culture de soutien étatique et une conviction durable de l'opéra comme bien public. De la cour de Louis XIV et de la fondation de l'Académie Royale de Musique à la tradition du grand opéra au XIXe siècle, jusqu'aux politiques de décentralisation de l'après-guerre, l'épisode retrace la manière dont la France a développé un écosystème lyrique à la fois fortement structuré et hautement institutionnalisé. Un système fondé sur la stabilité et l'investissement public, mais aujourd'hui confronté à des pressions financières croissantes, à l'évolution des attentes du public et à la nécessité de se renouveler. Au cœur de l'épisode, des entretiens avec deux figures majeures du paysage lyrique français actuel : Valérie Chevalier, directrice générale de l'Opéra Orchestre National Montpellier Occitanie, qui revient sur l'opéra en région, la décentralisation et les réalités de la direction d'une grande maison en dehors de Paris ; et Stéphane Degout, l'un des barytons français les plus acclamés à l'international, qui apporte le point de vue de l'interprète sur le répertoire français, l'identité artistique et le lien entre tradition nationale et carrière internationale. Ensemble, leurs regards dessinent un système en équilibre entre continuité et transformation — et interrogent la capacité d'un modèle culturel profondément ancré à s'adapter aux exigences du présent tout en préservant son essence artistique. Opera Road Trip est présenté par Sebastian F. Schwarz, directeur de casting du Teatro alla Scala de Milan, dont le parcours de directeur d'opéra comprend des fonctions de CEO, directeur artistique et administrateur au Theater an der Wien, à Glyndebourne, au Teatro Regio de Turin, au Festival della Valle d'Itria, à l'Opéra d'État de Hambourg et au Wexford Festival Opera. Il est vice-président de l'International Richard Strauss Society, membre du conseil de l'European Musical Theatre Academy et cofondateur du Cesti Competition for Baroque Opera. Tous les épisodes : https://operavision.eu/features/opera-road-trip Extraits musicaux de cet épisode : Introduction : Fidelio (Beethoven) : Ouverture, op. 72 Extraits de Herculanum (Félicien David) : Véronique Gens, Edgaras Montvidas, Brussels Philharmonic, Hervé Niquet Extraits de L'île du rêve (Reynaldo Hahn) : Hélène Guilmette, Cyrill Dubois, Orchestre de la Radio de Munich, Hervé Niquet Extraits de Werther (Jules Massenet) : Marie-Nicole Lemieux, Orchestre de l'Opéra Orchestre National Montpellier-Occitanie, Jean-Marie Zeitouni Extrait de Le Nozze di Figaro (Wolfgang Amadeus Mozart) : Stéphane Degout, Dutch National Opera, Netherlands Chamber Orchestra, Ivor Bolton Musique bonus : Extrait de Mazeppa (Clémence de Grandval) : Julien Dran, Orchestre de la Radio de Munich, Mihhail Gerts Lien vers le catalogue enregistré des œuvres redécouvertes publié par le Palazzetto Bru Zane : https://bru-zane.com/en/dischi/ OperaVision est une plateforme gratuite de streaming d'opéra, soutenue par le programme Europe créative de l'Union européenne. Regardez des diffusions en direct au moment même où les représentations se déroulent à l'opéra. Profitez d'une grande variété de spectacles — opéra, opérette, théâtre musical, danse, ballet et concerts. Que vous soyez mélomane averti ou simple curieux, OperaVision propose une offre pour tous.      

Als Rose trägt Sandra Hüller in „Rose“ eine Hose und gibt sich zur Zeit des 30jährigen Krieges als Mann aus. Weil – so sagt sie – in der Hose steckt mehr Freiheit, mehr selbstbestimmtes Leben. Um Freiheit in verschiedenen Formen drehen sich alle Filme von Markus Schleinzer: „Michael“, Angelo“ und auch „Rose“. Im FM4 Filmpodcast erzählt der Wiener über seine lange Arbeit als Casting-Director, seine Abstecher ins Schauspiel, seine Liebe zu Klarheit und Authentizität in den eigenen Regiearbeiten. Mit Pia Reiser und Christian Fuchs spricht das autodidaktische Multitalent auch ausführlich über die Zusammenarbeit mit Sandra Hüller – und sein nächstes Projekt: Ein Film über den queeren New-Wave-Sänger Klaus Nomi. Sendungshinweis: FM4 Film Podcast, 13.04.2026, 0 Uhr

This week on That Was Us, we're joined by one of the most pivotal people behind This Is Us: casting director Josh Einsohn. Josh reflects on 25 years in casting and shares how he got his start in production, what led him to feel passionate about casting, and how This Is Us ultimately changed his life forever. In this episode, Josh chats about: * His 25-year journey in casting and how he got his start * The role Tommy Lee Jones played early in his career * Working on The Polar Express and The West Wing * Partnering with Tiffany Little Canfield to cast This Is Us * Bringing Jon Huertas onto the show * The pressure of casting multiple ages of the same characters * The urgent recasting of the teen Big Three * How auditions changed after COVID * Casting Griffin Dunne as Nicky * Casting Jennifer Morrison as Cassidy * His advice for actors navigating the industry * How This Is Us influenced his decision to adopt his daughter, Molly" That Was Us is produced by Rabbit Grin Productions. Music by Taylor Goldsmith and Griffin Goldsmith. ------------------------- Support Our Sponsors: - With Shipt, it's never just a delivery order – it's shopped same day – in the same way you would. Use code "podcast" to get a year of Shipt for only $49 – HALF OFF the regular $99 price – at https://Shipt.com/offer. Terms apply -------------------------

Equity's Live Stream Program continues with esteemed casting director Lauren Wiley talking with Equity member Helen Dallimore about all things auditions, musicals, casting, current and past projects, the actor/casting director relationship and answering all your questions. Lauren Wiley is one of Australia's most accomplished Casting Directors, bringing more than two decades of experience. She is currently the Casting Director for the forthcoming Australian premiere of A Beautiful Noise – The Neil Diamond Musical (TEG Dainty/Ken Davenport). Her extensive credits include MJ The Musical (Michael Cassel Group), Gaslight (Newtheatricals/Queensland Theatre), Hamilton (International Tour) and Hamilton (Australia) (Michael Cassel Group), Come From Away (Junkyard Dog/Newtheatricals), Beautiful: The Carole King Musical (Michael Cassel Group), and Kinky Boots (Michael Cassel Group). Lauren also served as Consulting Casting Director for Tina – The Tina Turner Musical (TEG Dainty/Stage Entertainment) and was Casting Administrator for Cameron Mackintosh's Les Misérables (Michael Cassel Group). Lauren began her theatrical casting career at Sydney Theatre Company in 2009, appointed Casting Coordinator to Co-Artistic Directors Cate Blanchett and Andrew Upton. She later returned to Sydney Theatre Company as in-house Casting Director under Artistic Director Kip Williams, a role she held until 2019. A graduate of Charles Sturt University with a Bachelor of Arts in Communications (Theatre/Media), Lauren spent two years based in London, where she worked as Casting Assistant to Jina Jay on major feature films including The Lovely Bones (Dir. Peter Jackson), Body of Lies (Dir. Ridley Scott), Agora (Dir. Alejandro Amenábar), and The Adventures of Tintin (Dir. Steven Spielberg) as well as time working for London's most established talent agencies.

Clocking back in for magic! This week on Disney Countdown with The Magical Millennial and The Dapper Danielle, we're wrapping up one of our most fun (and slightly controversial

She's been on film sets across the country. She's been partially in the space shuttle. She's even been to the Pompano Beach dump. This is the life one leads as a casting director. And now that Sora is winding down and Disney isn't putting a billion dollars into replacing actors with AI, it would appear the position is safe. Everybody wins.Topics:Sora AI being shut downPeople quitting CNNSavanna Guthrie on TodayIowaEllen's careerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kim tells Ket about a movie too triggering for the girls to have done any earlier than the 397th episode. Starry Eyes sends the girls barreling back to a time and place that feels, frankly, all too real. But Kim apparently is far enough removed that she doesn't even know the correct term for Casting Director. Stay tuned for part 2 to see if Kim survives the PTSD of working in a chain restaurant.Dir. Kevin Kölsch, Dennis WidmyerWriters Kevin Kölsch, Dennis WidmyerNominate your picks for the Sammie Awards: https://www.patreon.com/posts/sammie-awards-us-153856987Support the girls on PATREON for some sweet BONE CON (bonus content) at: www.patreon.com/kimandketstayalivemaybeCheck out Ket & Producer Arik's new show MAJOR SLAYAGE: KET & ARIK REWATCH BUFFY THE VAMPIRE SLAYER on YouTube! https://www.youtube.com/@majorslayagepod and follow on instagram: instagram.com/majorslayagepod KKSAM Facebook Discussion Group!!"Sammies Stay Alive... Maybe"www.facebook.com/groups/kksampodcastGet acquainted with all things KIM & KET at www.kimandketstayalive.com Chat with the girls at kksampodcast@gmail.comPeep the girls on Instagram: @kksampodcastRock with the girls on Tik Tok: @kksampodcastBook the face of the girls on Facebook: @kksampodcastWear the shirts of the girls from the MERCH Store: kimandketstayalivemaybe.threadless.comOk we'll see ourselves out.Thanks for listening!xo and #StayAlive,K&KKIM AND KET'S SURVIVE THE CELLAR: link.chtbl.com/kkstcProud members of the Dread Podcast NetworkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dave Hondel sits down with sought after casting director, David Guglielmo. David's credits are a who's who of Hollywood and he comes to his casting career with the background of being a filmmaker himself. In this podcast, David shares his insights and more importantly, advice for actors looking for transparent knowledge from one of Hollywood's busiest casting directors. This is a must-listen for anyone looking for a career in the entertainment industry.

Today on Whats My Frame, I'm joined by Casting Director Meg Morman. Meg is a casting director and partner at Morman Boling Casting. Her award-winning work includes the feature films Omaha (Sundance 2025), Green and Gold, Waitress, Hello, My Name is Doris, Aporia, The Ballad of Lefty Brown, and Me and You and Everyone We Know. TV and streaming credits include The Baxters, Sneakerheads, Ish Hashuv Meod, The Dead Girls Detective Agency, and the Emmy-nominated Relationship Status. Meg has also worked extensively in narrative podcasts, casting notable projects such as DC High: Volume Batman, Blackout, Ad Lucem, 13 Days of Halloween (Seasons 2 & 3), Last Known Position, and Narcissa.An Artios Award winner and Heller Award nominee, she is currently in her second term on the Casting Society Board. She has also served as a casting advisor for Film Independent's Directing Lab and the Global Media Makers project.

In this episode of ConvoRoom, we dive into the real mechanics of the Creator Economy—from how talent is sourced and cast to how influencer marketing actually works behind the scenes. We unpack what brands are looking for, how creators should think about positioning and compensation, and where the biggest opportunities are emerging across niche platforms and serialized content. If you've ever wondered how deals are structured, how creators get discovered, or what the future of content and media means for your income and influence, this conversation offers a clear, practical roadmap.TakeawaysCreator EconomyCasting and Influencer MarketingContent Creation and OpportunityMonetization and CompensationNiche Platforms and Serialized ContentChapters00:00 Introduction to Creator Economy05:31 Deliverables and Expectations11:19 Expectations and Compensation for Creators18:44 Compensation for Influencers25:07 Baseline Criteria for Talent Selection31:11 Opportunities for Emerging Creators

On Sunday the first Oscar for Achievement in Casting will be given in the 98-year history of the Academy Awards. Today, The Kitchen Sisters and host Frances McDormand bring you the story of two legendary casting directors: Juliet Taylor and Ellen Lewis.Listen to Part 1 of this saga: Everyone's a Casting Director: The First-Ever Academy Award for Casting in the 98-Year History of the Academy Awards“Casting is the first thing that is done on a movie. Everybody's sort of in a great mood, nothing's gone wrong yet, and everybody's feeling very positive. And it's the first time the director's heard the words read and it can really influence the way the movie goes.” —Juliet TaylorDuring her career, Juliet cast 103 films including Annie Hall, Taxi Driver, Manhattan, Terms of Endearment, Big, Schindler's List, Midnight Cowboy, Network and so many more. “It's an old-fashioned trade. You are learning from the person that you are working for. That's like your graduate school.” —Ellen LewisEllen has cast some dozen films for Martin Scorsese including Goodfellas, Casino, Gangs of New York, The Age of Innocence, Cape Fear, Kundun, The Wolf of Wall Street, The Irishman, The Departed, Killers of the Flower Moon. Also Forrest Gump, The Devil Wears Prada, A League of Their Own, lots of Jim Jarmusch movies, and the television series The Queen's Gambit, Godless, Boardwalk Empire and so much more.“More than 90% of directing a picture is the right casting.” —Martin ScorseseHave a Seat, The Casting Director Will See You Shortly: The Legends of Juliet Taylor & Ellen Lewis was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell and Hannah Kaye. Mixed by Jim McKee.

The 98th Academy Awards will honor casting directors for the first time in the ceremony's history. It's the first new category in 25 years. We'll speak with casting directors on the Academy Board of Governors about the joys and challenges of their work — and what it actually entails — before the inaugural “Achievement in Casting” Oscar is handed out on Sunday. Guests: Davia Nelson, radio producer, "The Kitchen Sisters Present" Debra Zane, casting director; governor on the Academy Board for the casting branch John Waters is set to receive San Francisco's LGBTQ+ film festival Frameline's eponymous award for his lifelong contributions to queer cinema.  We'll talk with Waters about what makes a great queer film, and the power of movies to challenge the status quo. Guests: John Waters, legendary director of works including "Hairspray" (1988), "Pink Flamingos" (1972) and "Polyester" (1981) Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us this week as we recap the whole drama with Timothee Chalamet and the ballet/ opera comments he made that seems to have tanked his chances and reputation. Jessica and Jenn watched all 10 Oscar films collectively and have thoughts. We dive into them individually both as a whole and the casting in them. We discuss the new Casting Director award and who we are championing for! And lastly we are psyched that Conan O'Brien is hosting this year and will hopefully, maybe watch :) Grab your favorite cocktail and join us for a fun episode!Make sure to subscribe to our YOU TUBE channel for more fun video content!──────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys --  Thank you,Jess & Jenn⁠⁠⁠⁠www.TipsyCasting.com ⁠⁠⁠⁠ ⁠⁠⁠⁠Check out our Podcast HERE!⁠⁠⁠

What really happens inside the room where casting decisions are made? Casting director Paul Ruddy has spent nearly three decades shaping careers in film, television, and now the emerging world of vertical storytelling. In this revealing conversation, he explains how actors get cast, why self-tapes changed Hollywood forever, and how star power can be felt in the first 20 seconds of an audition. Paul shares behind-the-scenes stories about discovering talent early, including Sydney Sweeney's early auditions, the tiny acting choices that win roles, and why memorizing your lines still matters more than anything else. He also dives deep into: • The rise of verticals and micro-dramas • Why pilot season disappeared • The impact of streaming and the Hollywood strikes • Why in-person auditions are unlikely to return • How actors accidentally talk themselves out of roles • The truth about success, ego, and reputation in Hollywood If you're an actor, filmmaker, or simply curious about how Hollywood really works, this episode pulls back the curtain on the casting process and the industry's evolution. Subscribe for more insider conversations with the people shaping entertainment. 00:00 Intro: Inside the Room Where Careers Are Decided 01:02 Paul Ruddy's Origin Story: Scranton, TV Obsession, Law School 03:10 The Leap to Hollywood and the “Lied on My Resume” Move 05:21 The Power of Casting and Changing Lives 05:39 Early Talent Spotting and Sydney Sweeney's First Jobs 07:42 How Fast Casting Instincts Kick In 07:46 Paul's Best Advice: Do the Homework, Understand Tone 08:20 The #1 Audition Killer: Not Being Off Book 09:46 Can You Feel Star Power Right Away? 10:10 The Wetsuit Audition Disaster and Growth Over Time 12:39 Estelle Getty and Why Careers Can Start Later 13:20 Casting Directors Have Long Memories 14:05 When Someone Walks In and Wins the Role Instantly 16:20 What Are Verticals and Micro-Dramas? 16:35 TikTok Meets Soap Opera on Red Bull: The Vertical Model 18:40 How Episodes Work: 1–3 Minutes and Constant Cliffhangers 20:10 The Paywall Funnel and Why It's Exploding 21:20 Why Verticals Are a New Frontier for Hollywood 22:08 Patreon Break 22:57 How Casting Works: Breakdowns, Submissions, Narrowing Down 25:15 Will In-Person Auditions Ever Return? 25:25 Why Self-Tapes Took Over Permanently 27:49 The Reality of Nerves and “Pilot Season” Chaos 31:24 Self-Tapes vs Live Auditions and the 47th Take Problem 32:19 How the Pandemic Accelerated the Industry 10 Years 33:20 How Actors Talk Themselves Out of Roles 33:30 “You Sold It. Don't Buy It Back.” 38:58 Small Choices That Instantly Elevate an Actor 39:08 The Peephole Choice That Got Attention 40:15 The Orange Slice Prop That Won the Role 42:27 Break 42:43 Calling an Actor With Life-Changing News 44:11 Does Success Change an Actor's Energy? 44:30 Reputation Matters and Word Travels Fast 46:54 Watching Movies as a Casting Director 47:03 Why Every Role Must Be Cast at a High Level 48:49 Why He Didn't Become a Full-Time Producer or Director 50:00 Why Verticals Are an Incubator for Future Stars 52:10 “Nothing Is New” and Why People Always Dismiss New Formats 54:00 Verticals, Short Attention Spans, and the Real Competition 56:08 What He's Proudest Of After 27 Years 57:15 Advice for Actors: Tenacity and Knowing the Business 59:43 Is Hollywood Becoming a Dinosaur? Production Slowdown Explained 1:05:01 Fewer Risks, Fewer Sitcom Hits, and Why Shows Need Time 1:07:13 The Loss of Shared TV Culture and Knowing What Came Before 1:09:20 Closing and Thanks Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com   Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

5 weeks, 7 episodes, 24 categories, 50 films, 232 nominees! On the final Contenders episode of the season, Sophia and Nick break down the nominees for the final five categories: Original Screenplay, Adapted Screenplay (18:48), Casting (36:14), Director (48:09), and last but not least, Best Picture (1:01:35). And that's all she wrote…for now. Thank you for following along on this journey through the nominees and stay tuned for final nomination predictions before the telecast on Sunday, March 15th! Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Become a patron and listen to more content at patreon.com/OscarWild Find updated predictions and merch @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

Padhaku Nitin के इस एपिसोड में हमारे मेहमान हैं मुक्काबाज़, राइटर और दिल से एक्टर Vineet Kumar Singh. आपने उन्हें कई फिल्मों में देखा ही होगा. कभी गैंग्स ऑफ़ वसेपुर के छरहरे दानिश ख़ान. कभी Ugly Film में Police Station में रिपोर्ट लिखवाने ऐसे पहुंचे घबराए हुए Casting Director के तौर पर. कभी Boxer जैसी कड़ी बॉडी लिए मुक्काबाज़ के श्रवण बने. कभी हाथ में पन्ने लेकर SuperBoys of Malegaon में चिल्लाते दिखे ‘Writer सबका बाप होता है'. छावा में जब संभाजी से संवाद किया तो लोगों की आंखें भरी. और इनका सबसे लेटेस्ट काम आपको देखने को मिलेगा. Netflix पर आई वेब सीरीज़ Hello Bachhon में. Vineet इस सीरीज़ में Physicswallah के CEO और Star Teacher Alakh Pandey का किरदार निभा रहे हैं. ये पॉडकास्ट पूरा सुनिएगा और हां, उसके बाद Netflix पर जाकर Hello Bacchon भी देखिएगा. दोनों में मज़ा आना पक्का है. प्रड्यूसर: मानव देव रावत साउंड मिक्स: रोहन भारती

Who discovered Diane Keaton and put her in Annie Hall? Who found Dustin Hoffman and made sure he played Ratso Rizzo in Midnight Cowboy? Who saw Jason Schwartzman and made sure Wes Anderson knew about him for Rushmore? Casting Directors, that's who. When the 98th Oscar ceremony airs on March 15, the first Academy Award for Achievement in Casting will be given in nearly 100 years of Academy history. Five films, laden with stars and fascinating new discoveries, are nominated — Hamnet, Marty Supreme, One Battle After Another, The Secret Agent and Sinners. The Kitchen Sisters and four-time Academy Award winner Frances McDormand take us behind the scenes and into the lives and work of this first-ever batch of nominees and into the mysterious and fascinating world of film casting. Everyone's a Casting Director was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton and Brandi Howell. Mixed by Jim McKee. Hosted by Frances McDormand.

oin this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/joinWhat's Your Story - Casting Director Debbie McWilliams? LIFE IN FILM PodcastOur guest today has had a career that spans 5 decades, she discovered actors like Daniel Day-Lewis and has chosen the last three 007s, having recently won a Casting Lifetime Achievement Award, she is undoubtedly one of the most influential casting directors in film. Join us as we ask for her top pieces advice for actors, why no one wanted to the in ‘American werewolf in London'. And who would she cast as the next James Bond….Credits Include Casino Royal / Golden Eye / American Werewolf in London / The Bounty / Monty Python's The Meaning of Life / For Your Eyes Only / Superman II / III / A View to a Kill / Octopussy / Othello / Henrey V / The Living Daylights / Tomorrow Never Dies / The World is not Enough / Die Another Day / Hitman / Robin Hood / Centurion / Skyfall / Spectre / The Foreigner / No Time to Die ...etc-----------------------------Host - Actor/Writer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elliot James Langridge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Please contact (Scott Marshall Partners) -----------------------------Our SponsorsMoviePosters.com is the #1 place for movie posters old and new! use our affiliate link https://www.movieposters.com/?sca_ref=8773240.c977RvLKKpL& Get 10% off with code LIFEINFILM10⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ provides you with access to the largest online therapy service in the world. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get 10% off⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ your first month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠betterhelp.com/lifeinfilm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----------------------------Thank you Debbie, Deborah and the rest at Independant talent. As always thank you to our sponsors better help and MoviePosters.com-----------------------------If you enjoyed this episode, please review and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You Tube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠etc and please share. It makes a huge difference. -----------------------------Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @LIFEINFILMpod. Check out the ⁠Patreon⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/Lifeinfilmpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join -----------------------------Please don't forget to⁠ LIKE & SUBSCRIBE⁠!╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝Thanks for watching this episode ... see you in the next video!

Join us this week for the FIRST part of our interview with Casting Director turned Agent turned Coach turned into one of the most popular podcasters today, Dana Bowling! We had such an amazing chat with Dana that we had to split it into 2 segments. This week we will dive into her time as a casting director and her constant need to change and evolve as the industry changed. She stared in casting and then worked her way into agenting and coaching and eventually started a few different podcasts. Today we know her from DAILY DOSE OF DANA, where she dives into all things pop culture and her instagram is a page everyone should be following to keep up to date. Make sure to tune in NEXT week for Part 2 where we go into the pop culture / industry side of things to discuss the Blake Lively / Justin Baldoni case along with Nancy Guthrie and so much more!Make sure you are following us on our Instagram and subscribe to our YOUTUBE channel for amazing video content!Resources:Dana's InstagramDaily Dose of Dana WebsiteDaily Dose of Dana YouTube Channel──────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting Journeys --  Thank you,Jess & Jenn⁠⁠www.TipsyCasting.com ⁠⁠ ⁠⁠Check out our Podcast HERE!⁠

Our Spotlight Series continues with Sarah Davison, Director of Casting and Performance at Feld Entertainment and a leader in performer development across large-scale live productions.In this episode, Sarah shares why self-confidence matters in auditions, how artists can show up authentically, and why planning for career transitions is essential. A valuable listen for teachers supporting dancers through auditions and helping them prepare for what comes next. About Sarah Davison Sarah Davison is a dancer, casting leader, and performing arts professional with a career spanning international performance, casting, and artist development. Originally from Toulouse, France, Sarah began her formal dance training at a young age and earned her degree in Dance and Choreography from the Conservatoire National Supérieur de Lyon at just 16. Her performing career includes work with neo-classical and jazz companies in France, as well as original cast roles in major live productions including Céline Dion's A New Day, Le Rêve, and Viva ELVIS. Along the way, she trained and performed across multiple styles including ballet, jazz, modern, hip-hop, ballroom, and physical theater, with appearances on television and major live stages. After transitioning offstage, Sarah spent several years working in casting, where she supported dancers, athletes, and performers through auditions and professional pathways. She later led casting operations in Las Vegas, helping artists navigate some of the most pivotal moments of their careers. Alongside her casting work, Sarah has taught workshops and classes internationally and worked as a producer and project manager on live events. Today, Sarah is the Director of Casting and Performance at Feld Entertainment, where she supports casting and performance development for productions including Ringling Bros. and Barnum & Bailey, Monster Jam, and other character-based and live entertainment experiences. She remains deeply committed to mentoring the next generation of performers and helping artists prepare for long, sustainable careers in the performing arts. https://www.instagram.com/casting_by_sd/ A full transcript of the podcast is available here: https://www.acrobaticarts.com/blog/ep-129-spotlight-episode-confidence-auditions-and-career-transitions-with-sarah-davison If you'd like more amazing content more tips and ideas check out our Acrobatic Arts Channel on YouTube. Subscribe Now! Connect with Acrobatic Arts on your favourite social media platform: Instagram: https://www.instagram.com/acrobaticarts/ Facebook: https://www.facebook.com/Acroarts Twitter: https://twitter.com/acrobatic_arts/ Learn more and register for our programs at AcrobaticArts.com

Today on What's My Frame, I'm joined by casting director Leeba Zakharov, a native New Yorker whose career spans more than two decades across film and television. An immigrant raised on the Lower East Side, Leeba's journey into storytelling is deeply personal. She minored in theater at SUNY Albany. Prior to transitioning into casting, she built a foundation in development and acquisitions, serving as an assistant at Miramax and Madstone Films, and later joining Focus Features.Leeba proudly credits legendary casting director Avy Kaufman as a pivotal mentor and someone who instilled in her a lifelong commitment to collaboration, trust, and honoring the vulnerability of actors. That philosophy continues to shape her work today. Bilingual in Russian and English, Leeba brings a culturally nuanced perspective to the stories she helps bring to life.

Welcome back to The NYWIFT Podcast! We're starting season 8 with Casting Society (CSA) President Destiny Lilly and Academy Award Winning Actress Jessica Chastain. Destiny speaks about her career as a Casting Director and the new Casting Director Category recognition for the 2026 Academy Awards. Jessica shares her experience starring in and producing the upcoming film Dreams, debuting nationwide on February 27th 2026.Hosts Tammy and Penni celebrate Teyana Taylor and SINNERS' record-breaking 16 Academy Award Nominations for Black History Month, updates on the upcoming MOM Film Fest and Children's Emmy Awards, and binge-watch recommendations for snowy days inside.  We can't wait for another exciting season of thoughtful interviews with guests from all areas of media and entertainment, and candid industry news.   To be featured on the podcast email us at communications@nywift.org. For more great content go to NYWIFT.org.Special thanks to⁠ Elspeth Collard⁠, the creator of our podcast theme song.Social Media:Destiny Lilly: IG: @destinycasting CSA: IG: @csacastingJessica Chastain: IG: @jessicachastain / X: @jes_chastainPenni Malloy-Harper: IG: @Pennbrookconsultingcorp / X: @PennbrookConsu1Tammy Reese: IG: @tammyreesemedia / X: @tammyreesemediaNYWIFT: Instagram:⁠⁠ @NYWIFT⁠⁠ / Twitter/X⁠⁠ @NYWIFT⁠⁠ / #NYWIFT

In Episode 96, Brennan is once again joined by actor and now casting assistant, Sarah Hogewood, as they talk about TYA, the fear of cringe, the idea of "play", and the ways being on the casting side of the process has influenced how she approaches the acting side now! Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Having worked on projects such as Homeland, Avatar, Paranormal Activity 2 and many others, Kimberly shares her journey from opera singer to one of the top casting directors in the industry and shed some light on the business of casting for film and television.Please subscribe, it's FREE!

On this episode of Da Best Hawai‘i Unedited,  learn about the television and film industry in Hawai‘i, Brent's role as a casting agent/associate and why Hawai‘i people love high school graduations.  

Today on Whats My Frame, I'm joined by Casting Director Anya Colloff. Born and raised in Los Angeles to a family of artists and educators, storytelling has always been at the center of Anya's life. She earned her BA from UCLA's School of Theater, Film and Television. It was during her senior year, through an internship in casting, that Anya discovered her love for casting!After graduating, Anya began her career working with legendary casting directors Jane Jenkins and Janet Hirshenson, where she had the opportunity to collaborate on projects with Steven Spielberg, Rob Reiner, and Ron Howard. In 1999, she co-founded CFB Casting, which later evolved into Colloff/Nicolo in 2011.Anya is a four-time Emmy nominee and two-time Artios nominee, notable credits include Party Down, New Girl, Buffy the Vampire Slayer, Young Rock & High Potential. What she loves most about casting is being part of meaningful storytelling, whether through comedy or drama, and helping artists find their way into roles that truly resonate.Beyond casting, Anya is a passionate mentor and a deep believer in supporting the next generation of creatives. She currently mentors through weareempower.org bringing the same care, curiosity, and compassion to her life that she brings to her work.@colloffnicolocasting

Casting director Andy Roth has cast more than 1,000 commercials, along with countless roles in TV, animation, and streaming series. In this episode, Andy pulls back the curtain on how casting really works and why every audition you submit is bigger than the job in front of you. Andy explains how casting directors “bank” auditions, why relationships matter more than perfection, and how one strong read can lead to dozens of future opportunities. We also dig into mindset, audition anxiety, social media, efficiency in modern casting, and why being yourself is still the most underrated skill in voice acting. This conversation is a must-listen for any voice actor who wants to stop overthinking auditions and start playing the long game. What we cover: • Why you're never auditioning for just one role   • How casting directors actually listen to auditions   • The truth about “Strong but Wrong” reads   • What makes a casting director lean in   • How auditions build relationships over time   • The role of confidence, ease, and efficiency   • How social media really factors into casting decisions   • Why overthinking hurts more than it helps   • What voice actors should focus on as the industry evolves  

Today on Beyond the Torch, Leslie and Todd sit down with Lynne Spillman, the legendary former head of casting for Survivor and other reality shows. Lynne shares her unconventional journey from a career in sales to becoming a pivotal figure in reality TV, recounting behind-the-scenes stories about casting, the evolution of Survivor, and the impact of authentic storytelling. The conversation delves into the casting process, memorable contestants, the importance of being genuine, and the unique bonds formed through the Survivor experience. Lynne also reflects on her current projects, her entrepreneurial venture with Mahjong, and offers candid advice for aspiring reality TV participants.Special thanks to the best Whiskey on the Planet Watertown Whiskey! Check them out on instagram: https://www.instagram.com/watertownwhiskey/?hl=en Tell them Fairplay sent you! Please Drink Responsibly https://watertownwhiskey.com/ Our new Website is live! Check it out at: www.realityaftershow.com Join our Patreon at RealityPatron.com If you would like a cameo from Jonny Fairplay order one now! cameo.com/jonnyfairplay Check us out on Tiktok @fairplaytok Get your shirt JUST like Jonny Fairplay at fairplayshirts.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/reality-after-show--5448874/support.

This week, we're diving into the steamy, twist-filled sequel Wild Things 2 (now streaming on Tubi) — and for it, we're joined by casting director Michael Testa, the man behind the scenes helping shape countless careers and characters in Hollywood.Casting directors rarely get the spotlight, but Michael's stories prove just how much power, chaos, and instinct go into choosing the right actor for the right role.We get into everything, including:

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Josh Safdie's 2025 epic to hell and back pursuit of greatness drama, MARTY SUPREME, is our bonus feature presentation this week! We argue about the synth-inspired score, Timothee Chalamet, the greatness of the Casting Director, intimacy coordinators, Gwyneth Paltrow, and much more! We also pick our Top 7 Movies of 2025 in a special bonus Silver Screen 7!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Have you ever walked into an audition and thought, “Okay… I'm confident. I'm confident. I'm confident,” while your body is screaming, “We're absolutely not confident!” Meanwhile, casting directors are looking at you like, “Are they… are they okay?” Confidence is one of those weird acting ingredients you can't fake, can't force, but absolutely need— even though most actors have no idea what real confidence looks like. Well, today we're pulling back the curtain. Because what you think confidence is…and what casting directors actually see as confidence… are two completely different things. Let's fix the gap. Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Long Walk" is an American dystopian survival thriller film directed and produced by Francis Lawrence from a screenplay by JT Mollner, based on the 1979 novel of the same name by Stephen King. The film stars Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Josh Hamilton, Judy Greer, and Mark Hamill and has been awarded the Robert Altman Award for Best Ensemble at the 2025 Film Independent Spirit Awards. Screenwriter JT Mollner and casting director Rich Delia were kind enough to spend some time talking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now available to rent and own at home from Lionsgate. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Well, I always tell actors to always bring your A game to every audition. Because you never know. Like exactly what Matt just said. I have extensive notes on actor's that I've read. And I go, 'This guy is really good we can bring him in for another part.' Sometimes for the same project. Sometimes I go, 'Oh yeah we are going to bring him in for this project down the road.' So you know what I mean, you always bring your A game to every audition. And you don't get it, you don't get it. There's a million factors that go into the casting process."Today's episode is a sit down with Casting Director Lisa London. Lisa has been a Casting Director for 30 plus years and has cast over a 100 successful film and television shows. Along with her business partner, Catherine Stroud, they have cast many notable actors and actresses at the beginning of their careers who have all gone on to become stars; such as Miley Cyrus in Hannah Montana, Jonah Hill in Grandma's Boy, Emma Stone, Katharine McPhee and Kat Dennings in House Bunny, Selena Gomez in two Disney pilots - What's Stevie Thinking and Arwin, Jennifer Aniston in her first feature, Leprechaun, Mark Ruffalo in the CBS series, Due South, Brad Pitt in an episode of the series, Freddy's Nightmares, Megan Hilty, Adrian R. Mante, Cierra Ramirez and Joey King in The Suite Life of Zack and Cody, Yara Shahidi in her first television series, The First Family and Noah Centineo in a Disney pilot, Growing Up and Down.In today's conversation Matt and Lisa discuss what it takes to be a successful working actor and how to leave an impression while enjoying the process of being an actor.Lisa's Book, From Start to Stardom: The Casting Director's Guide For Actors, is available now on Amazon.Lisa's classes can be found on her website From Start to Stardom.10,000 NOs is here to inspire you and help you realize you are not alone if you're battling to overcome rejection in your career or life.So, if you're an actor, writer or filmmaker and you like what you hear in the snippets from our Working Actors Community zooms enough to want to be a part of it, CLICK HERE.Remember, “failure” is just opportunity in disguise, and you can flip the script to make your setbacks serve you.SHOW LINKS:10,000 NOs: THE BOOKSUBSCRIBE TO OUR (WEEKLY) NEWSLETTERFOLLOW MATT ON SOCIALFIND OUT HOW YOU CAN JOIN THE WORKING ACTORS COMMUNITY