Podcast appearances and mentions of brandi carlisle

Autumn Nicholas joins the podcast to talk about being a part of Brandi Carlisle's Mothership and more after Mary and Frank outline other shows in Moore County for this week.

Brendan's guest for My Life in Five Songs this week is astronaut, pilot, and author Chris Hadfield, whose music choices included Christy Moore, Brandi Carlisle, Neil Young, The Kingston Trio, and Elton John.

Music superstars Sir Elton John and Brandi Carlile talk with correspondent Tracy Smith about the songwriting process and the challenge of collaborating on their first joint album, "Who Believes In Angels?". They also discuss their friendship, their families, and John's belief that "art has to be painful sometimes". To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

SHE'S GOT A PROBLEM - Hotwax DIAL TONE - Paint  OVERPLAYED MY HAND - Prism Shores RIVER - Suzzallo  JUNIOR - Great Grandpa TELL ME WHY - Anxious COME ON - Webbed Wing I WROTE SONG CALLED TAKE THE SKINHEADS BOWLING - David Lowery STRANGE - The Tubs NIMERUDI - Goat, MC Yallah LIVING LO-FI - Cheekface FALL FOR YOU - Sacred Paws SHOULDN'T BE - Lilly Hiatt I GOT CRACKED - Vundabar NOT IN SURRENDER - Obongjayar AQUARIUM COWGIRL - Babe Rainbow I AM ONE THOUSAND - The Taxpayers THE WORLD'S FAIR - Swervedriver LOVER IN REAL LIFE - Lizzo PRAISE - Panda Bear SOBER - Bartees Strange STELLAR CAST  - The Lathums ESTER WIND - Cloakroom ESPRESSO - I'm With Her, Sarah Jarosz, Aoife O'Donovan, Sara Watkins SHOOTING Star - Hovvdy, runo plum SWING FOR THE FENCES - Brandi Carlisle, Elton John  

The best of this week's New Releases, featuring tracks from Elton John & Brandi Carlisle, Bryan Adams, Spirit Box and the mighty Sleep Token amongst others.

Making a Scene Presents an Interview with FinickBased in Minneapolis, Minnesota, 18-year-old singer-songwriter FINICK (real name Josie Hasnik) creates moving, whimsical indie folk on the guitar. FINICK expertly balances their real-life emotions with shimmering, imaginative narratives of their own creation. The result is a powerful, unique, and compelling sound reminiscent of inspirations like Brandi Carlisle, Florence + The Machine, and Phoebe Bridgers. With their songs, FINICK hopes to reach the people who seek escape through music. http://www.makingascene.org

KC Johns music is infectious and with dynamic powerhouse pipes that take you on a whiskey-soaked jaunt to your favorite honky-tonk in the best way possible. Think Miranda Lambert meets Sheryl Crow with a touch of Brandi Carlisle, and you've got an artist with a voice all her own, with songs that make you feel like you've known her forever. Take “Mama didn't raise no big city pretty girl…” for example. Those are the first words sung by rising Country star KC Johns on her 2024 viral single “Rodeo Queen.” It's an upbeat rocker, awash with country steel roaring guitars. It's clear that this is more than just a song. It's a true story written from the heart. KC's mom was a champion barrel racer and her stepdad was a bull rider. They fell in love, and a true love story was born. KC always admired their story. Rodeo Queen is a tribute to their story. Born in Memphis, Tennessee and raised in Hernando, Mississippi, a small town along the Tennessee-Mississippi line, KC was surrounded by music for as long as she can remember. Named after KC and the Sunshine Band and raised on the greats like Led Zeppelin, Stevie Nicks, and Sheryl Crow. Like many successful singers, KC started singing at church, but frequent family rodeo excursions made keeping regular attendance difficult. “My mom is a championship barrel racer and my stepdad was a bull rider,” So, by 17, with her acoustic guitar, KC and her mom headed to Nashville to make her dreams of becoming a recording artist a reality. “I just took my guitar and started hitting all the clubs on Broadway asking people if I could sing on stage,” KC adds. One thing led to another, and ultimately she landed an offer to work on Carnival Cruise Lines as a cruise ship performer. “It was supposed to just be a six-month contract but ended up lasting seven years cruising around the world singing for international audiences.'” she says. Having discovered and honed her stage legs young, KC was featured in Dolly Parton's “Coat of Many Then the pandemic began. KC, along with her fellow songwriters and musician friends utilized social media to grow a new audience. They performed live online and galvanizing new fan bases across the globe. They started playing cover songs and soon integrated some of their own material. “With that whole 2020 year, I just started doing TikTok Lives, Facebook Lives, and started meeting people on the internet,” she recalls. “And they were like, ‘Man, we'd love for you to come and do a private party. Then all of a sudden, we're doing shows in Norway.'” As the world opened back up, KC continued traveling to perform at various venues and festivals. Songs like “Whiskey Break” and later “Confused” fueled the shape of things to come. She released her digital debut album Thunder in 2022 and released her own whiskey line of the same name a year later. By 2024, it was game on. “Rodeo Queen” kissed the airwaves, reaching more than 300,000 streams on Spotify alone. “Rodeo Queen” has gained significant traction reaching #28 on Texas Country radio and being recognized as one of the Top 10 songs by the Texas Country Music Association. KC has recently performed at major events like Texas Motor Speedway, Big As Texas Festival, Idaho's HWY 30 Music Fest and the Grand View Music Festival in Oklahoma. “Texas Country is so much fun,” she says. “It's very genuine, and I felt like ‘Rodeo Queen' captured my story and the passion of so many other country music fans.” As KC gears up for 2025, new songs and performances will follow. KC Johns is a unique musical force, and as she enters the next phase of her career, her mission remains clear. “I honestly just want to continue going out and meeting wonderful people,” she humbly advises. “I love relating to people through my music.” #kcjohns #musician #songwriter #country #chrispomay #livewithcdp #barrycullenchevrolet #wellingtonbrewery https://kcjohns.rocks/ https://beacons.ai/chrisdpomay https://www.cameo.com/chrispomay

C'est lors de l'émission A Carpool Karaoke Christmas de ce 15 décembre que le public, mais aussi Lady Gaga, a eu droit à une surprise de taille. Les membres de Soundgarden se sont retrouvés pour un concert caritatif à Seattle et joué sous le nom de "Nudedragons" (anagramme de Soundgarden), comme lorsque le groupe s'était reformé en 2010. Metallica a joué deux sets complets lors du concert de charité annuel au profit de Helping Hands ce 14 décembre, l'un acoustique accompagné d'une section de cordes et set "électrique''. Le guitariste de Blink-182 et grand amateur de l'univers des OVNIs, Tom DeLonge, s'est exprimé sur la vague de "drones" observés sur la côte Est, et compare le phénomène à celui des OVNIs dans les années 1960. ‘'Last Christmas" de Wham ! retrouve sa place de numéro un de Noël à l'occasion du 40e anniversaire du single. Une nouvelle série documentaire explorant l'histoire de la musique heavy metal sera diffusée l'année prochaine, titre provisoire : ‘'Into the Void''. Mots-Clés : chanteuse, tube, invité, Chappell Roan, Dua Lipa, Brian Johnson, AC/DC, voiture, fan, rock, artiste, Highway To Hell, anecdote, figurante, adolescente, clip, Stiff Upper Lip, Kim Thayil, Ben Shepherd, Matt Cameron, Brandi Carlisle, Shaina Shepherd, chant, Duff McKagan, GNR, Kickstand, Kick Out The Jams, MC5, Nothing Else Matters, The Unforgiven II, 2015, Jeff Ament, Pearl Jam, Hit The Lights, show, Master of Puppets, polémique, multiplication, signalement, drone, appareils volants non identifiés, habitant, régions New York, New Jersey, porte-parole, Maison Blanche, nord-est, États-Unis, publication, phénomène, sixties, formation, 1984, Do They Know It's Christmas, Band Aid, Pogues, record, voyage, classements, Royaume-Uni, saga, émotionnel, grandes légendes, artistes, icônes. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Kim Thayil, Ben Shepherd et Matt Cameron , les membres de Soundgarden se retrouveront la semaine prochaine pour un concert à Seattle avec Shaina Shepherd et joueront sous le nom de ‘'Nudedragons'' (anagramme de Soundgarden), comme lorsque le groupe s'était reformé en 2010. Il n'y aura finalement plus de derniers concerts d'adieu en Australie : Sum 41 a annulé sa tournée dans le pays, à cause de l'état de santé du chanteur Deryck Whibley. Bob Dylan ne tarit pas d'éloges à propos de Timothée Chalamet et le qualifie de ‘'brillant acteur'' pour son rôle dans le futur biopic s'appelle ‘'A Complete Unknown''. Mots-Clés : Brandi Carlisle, Showbox, cadre, soirée, SMooCH, profit, hôpital pour enfants, réseaux sociaux, chant, compositrice, éducatrice musicale, organisatrice, communautaire, reprise, classique, A Change Is Gonna Come, Sam Cooke, bassiste, Guns N' Roses, Duff McKagan, batteur, Red Hot Chili Peppers, Chad Smith, pneumonie, décision, australien, déclaration, médecin, annulation, état, produire, film, rôle principal. Timmy, crédible, star, Dune, passage, controversé, artiste, guitare acoustique, guitare électrique, années 60, salles américaines, Belgique. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Tom Monahan, co-host of the 1001 Album Complaints Podcast, joins Jenn Tully to get to know each other through a couple of song selections as well as talk about his long-running podcast.  Stay tuned for the end where Tom challenges Jenn to talk about what she's learned about him from his song choices.IG: @1001albumcomplaintshttps://open.spotify.com/playlist/4J5OKkr3XaQlc82ZJXpQKk?si=55ac29308e414f2b1. Right on Time by Brandi Carlisle2. Watching the Detective by Elvis Costello3. Not Strong Enough by Boygenius4. With a Little Luck by Wings

Episode 3 of The Road To Joni picks up a thread from our conversation with Don Was… and leads us to esperanza spalding. In 2021 esperanza collaborated with her mentor Wayne Shorter on Iphigenia, an opera with a revisionary take on Euripides' Greek tragedy Iphigenia at Aulis. It was Ipheigenia that led esperanza to Joni's living room, though her path on the road to Joni started years prior with a track from the 1976 album Hejira. esperanza tells host Carmel Holt how, at a recent Janet Jackson concert, she was reminded that Joni Mitchell has “literally influenced everyone.” Joni's influence on powerhouse string players and Joni Jam members Chauntee and Monique of SistaStrings began with “the lady that sings on the Janet Jackson song. (‘Got Til It's Gone').” A move from their hometown of Milwaukee to Nashville immersed the sisters in the Americana scene… which led them to a place in Brandi Carlisle's touring band… which led to that fateful Newport 2022 performance when Joni took the stage. SistaStrings credit Joni for being an example for women to “stand on your own, be who you are, make weird music and be loud about it.”

As one of the most recognizable artists of the last 30 years, Linda Perry became an icon with her signature hat, attitude and chart-topping hit “What's Up” with her band 4 Non Blondes. Since then, she has gone on to make a name for herself as a Grammy-nominated songwriter and producer, creating hits for artists such as Adele, Christina Aguilera, Brandi Carlisle, Miley Cyrus, Celine Dion, Ariana Grande, Alicia Keys, Dolly Parton, Pink and Gwen Stefani. In his film, award-winning Tribeca alum Don Hardy takes viewers on an intimate and revealing journey, exploring the life of this pioneering and talented artist.  Join Harlan Friedman on the red carpet from the Tribeca Festival as the discuss the film which features extraordinary access to Perry herself as she shares some of her most intimate moments, struggling with the past and present as well as obligations to family and her profession, all while questioning the meaning of her life. Combining interviews of colleagues, family and friends with new performance and recording footage, the story unfolds as one of strength and resilience of a gifted artist, daughter, mother, who is finally able to embark on a search to find her own voice. Follow Harlan on Instagram at ‪@theofficialharlan‬ EXECUTIVE PRODUCERS: Harlan Friedman and ‪@donnadrakeshow‬ PRODUCER/EDITOR: ‪@RobinCAdams‬ #music #culture #rock #film #fyp #women #lgbtq #Tribeca2024

This week, Stub reviews the BST show in London's Hyde Park with headliner Stevie Nicks supported by Brandi Carlisle, chats a bit about his weekend, and goes through the signature drinks of Svanen in Oslo, Norway, which is currently number 84 on the list of World's Best Bars. If you find yourself liking, singing along to, or playing along with One Bourbon, One Chard, or One Beer, please Please PLEASE rate and review us on iTunes, Spotify, Stitcher, Soundcloud, or wherever you found our podcast. It helps other lushes like you find our podcast and to build our community. If you rate and review us and we ever meet you, we'll buy you one bourbon, one chard, or one beer (our choice). Cheers, mates!

Hello friends! Irish born, Austin based singer-songwriter, and entrepreneur Andrea Magee returns to the show for episode 1403! Andrea is currently gearing up for her second annual, Andrea Magee's She Rises Festival taking place Labor Day weekend at Kit Carson Park in Taos, New Mexico, featuring performances by Yola, KT Tunstall, Jade Bird, Mary Gauthier, Jaimee Harris, Carrie Rodriguez, Deanna Carter, PAACK, and many more. Go to sherisesfest.com for tickets and info. She's also releasing a new album this year. Go to andreamageemusic.com for music, show dates, and more. We have a great conversation about how she got the idea for She Rises by going to Brandi Carlisle's festival a couple of years ago, starting and running her non-profit Music Helps ATX, and what inspired her to start it, her bands, Beat Root Revival, PAACK and Ulla, her relationship to the Austin music scene and much more. I had a great time catching up with Andrea. I'm sure you will too. Let's get down!   Follow us on Instagram, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: www.venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Ruby Amanfu is a singer, songwriter, activist, chef, and actress who has been nominated for Grammy's for her work with H.E.R as well as Brandi Carlisle and Alicia Keys, she was a member of Jack White's band, is producer and songwriter for the ABC series "Queens", has placed songs on ABC, CBS, MTV, amongst others, worked with Patti Labelle, Norah Jones, John Prine, Sara Bareilles, and was part of Beyonce's 'Lemonade' album. We chat with her about owning your truth, prioritizing personal connection before professional, balancing the need to earn with your passion, showing up in integrity, the parallels between cooking and creating music, activism and using your voice and creativity, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Ruby AmanfuSam & RubyPorter's CallAndy LittleMusiCaresLeanne WomackWillie NelsonLove RisingBeyonceClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

SPECIAL SUMMER EPISODE: A Conversation w/ Ann Powers, author of Traveling: On the Path of Joni MitchellFor Part Two of our celebration of Joni Mitchell, the great ANN POWERS, esteemed rock writer and NPR music critic, joins Mark for a conversation about her brilliant new book Traveling: On the Path of Joni Mitchell. Topics include: the question of critical enthusiasm, Ann Beattie, Don DeLillo & Don Henley, Joni's plug into the pulse of the culture, Joan Didion and Play It As It Lays, Roberta Flack, Miles Davis, Art Nouveau and Don Juan's Reckless Daughter, Joni's evolving obsession with rhythm (and percussionists), Los Lobos, Chaka Khan, Prince's song for Joni, the Jazz Fusion scene of the mid-1970s, Jaco Pastorius, Brandi Carlisle and the Joni Jams, Taylor Swift and a celebration of the studio nerd, the underrated Larry Klein, Joni's relationship with the press, Joni's live performances, Michelle Mercer, and what moment in music Ann would travel in a time machine. Plus, a passionate reappraisal of Joni's four 1980s albums on Geffen Records and the value of meeting (and not!) your musical heroes. Special thank you to Dey Street Books and Mr. Brian Ulicky for his assistance with this conversation.Order Ann's book at your local independent bookstore here!

The Secret Sisters are a Grammy-nominated (sister) duo from Alabama who have put out 5 records, and navigated a rollercoaster of highs and lows from being signed to Universal records and produced by T Bone Burnett, getting dropped, to lawsuits with a manager, bankruptcy, opening for (and being produced by) Brandi Carlisle, and onto a Grammy nomination. We talk about that ride, the lessons learned and experience earned, motherhood, doing the hard internal work and how that improves your creativity, putting the play back in music, and more.Get more access and support this show by subscribing to our Patreon, right here.Links:The Secret SistersRay LamontagneGregory Alan IsakovEp  57 - The Brother BrothersEp 4 - Emily Scott RobinsonYuval Noah Harari"Sapiens"Ep  50 - Sierra HullEp  46 - Mary Chapin CarpenterClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Welcome to another fantastic and enjoyable podcast of Musical Shenanigans, the show your mom will not stop talking about to all her friends at the Bingo Parlor.Stick around for a quiz that is all about that bass, and a discussion (rant) about the recent changes to the Rolling Stone Top 500 list.Peace, Love, and Coffee,Cory, Dave, and Scott (alphabetically by height) The Matchups:Round OneThe Who - "Tommy" (1969)vsLorde - "Melodrama" (2017) Round TwoWilco - "Yankee Hotel Foxtrot" (2002)vsKendrick Lamar - "To Pimp A Butterfly" (2015) Round ThreeHole - "Live Through This" (1994)vsJoni Mitchell - "Blue" (1971) Round FourStevie Wonder - "Innervisions" (1973)vsJason Isbell - "Southeastern" (2013)*Note: although it is grammatically correct to use a comma after OK in our title, but after a lengthy discussion, we realized that most Zoomers have no care for proper punctuation and grammar or simply do not know what proper punctuation and grammar is.Support the showCheck out our homepage website here!Follow us on Instagram!You can now listen to the show on YouTube!Support your favorite uncaffeinated podcasters - buy us a coffee... please???

We're taking a look at Jacob Collier's 4th studio album DJESSE Vol 4, which offers a rich blend of genres, musical experimentation and intricacies as well as collaborations with big names such as Brandi Carlisle, Tori Kelly, Michael McDonald, John Meyer, and so many more.  While the panel is impressed by his musical brilliance and the album's musicality, they may have reservations. See omnystudio.com/listener for privacy information.

In this episode of Influenced, we cover one of the most famous Folk-Songwriters of all time, Joni Mitchell. Born in Canada and inspired. y the likes of 50s and 60s folk from artists like Pete Seeger and Bob Dylan, Joni forged her own voice and quickly found her way to California where after some work with David Crosby and writing for other artists, she took off withg Grammy Winning albums like "Clouds" and amazing folk songs like "Old Yellow Taxi" she pushed further and further into her musical journey as she began to listen to and draw from Jazz Musicians like Herbie Hancock and Chick Corea. Collaborating with amazing musicians like Jaco Pastorius and Pat Metheny, she would revolutionize the jazz fusion genre with her vocals and songs. Further into her career she would collaborate with artists like Lionel Richie, Tom Petty and Billy Idol to craft impeccable pop music. She's gone on to inspire dozens of artists as far ranging as Taylor Swift, Brandi Carlisle, Harry Styles and Jacob Collier. She's truly one of the greatest songwriters ever. Check out this Episode of Influenced to dive into her deep and amazing career.Follow Influenced: https://www.instagram.com/influenced.podcast/

On this episode, Laura is joined by Mary Gauthier, award-winning singer-songwriter and author of the book, Saved by a Song: The Art and Healing Power of Songwriting. Described as a “must read book” by Rolling Stone, fellow songwriter Brandi Carlisle says, “Mary's songwriting speaks to the tender aspects of our humanness. We need her voice in times like these more than we ever have.” Mary has won numerous awards and her songs have been recorded by dozens of artists, including Jimmy Buffett, Dolly Parton, Boy George, Kathy Mattea, and Tim McGraw to name a few. She has released eleven albums, including her latest masterful work, Dark Enough to See the Stars and the Grammy-nominated Rifles and Rosary Beads, a collection of songs Mary co-wrote with soldiers healing from their experience of war. This poignant collaboration echoes a theme in her book – that songwriting is a healing tool. Filled with wisdom, Mary shines as a storyteller in the book, sharing the stories of her own healing journey and call to music as she reflects on aspects of her life including her adoption, addiction and recovery, and her experience of being a gay woman in the music industry. In this conversation, Mary and Laura explore this theme of healing through song and discuss the role of the songwriter, the strength found in vulnerability, and the importance of being willing to dig deeply into our human experience. Mary's intelligence, sensitivity, and humor shine throughout the book and this interview. For more information about Mary, her records, and Saved by a Song, visit marygauthier.com.

Today, we're talking about another album of the year nominee from the 2023 GRAMMYs. Steve was able to see Brandi LIVE with P!nk back in August at Comerica Park in Detroit, so what are his thoughts on this since seeing her? -------------------- PODCAST SOCIAL MEDIA: YouTube & Facebook: The Notes McGotes Podcast Instagram/TikTok: @NotesMcGotesPod Email: TheNotesMcGotesPodcast@gmail.com COMEDY AT MCDUFF'S Follow on Facebook. Just search: Comedy at McDuff's BRANDON SOCIAL MEDIA: TikTok/Twitter/Instagram: @brandonalberda and Brandon.alberda STEVE SOCIAL MEDIA: TikTok: @stevemadole Music used throughout the show created by Jair Driesenga Follow him @brotherjair on Instagram, Facebook, Bandcamp, and Youtube. Logos were created by Amelia Grace. Our podcast is sponsored by: Spotifyforpodcasters.com Leave us a voice message: https://podcasters.spotify.com/pod/show/thenotesmcgotespodcast/message --- Send in a voice message: https://podcasters.spotify.com/pod/show/thenotesmcgotespodcast/message

The daughter of two preacher's kids, Pieta Brown's early upbringing in Iowa was in a rural outpost with no furnace, running water, or TV. There, she was exposed to traditional and rural folk music through her father, Greg Brown, the now beloved Midwestern folk singer. Later, while living with her mother in Birmingham, Alabama during her formative years, Pieta drew on and expanded these influences and began writing poems and composing instrumental songs on piano. By the time she left home at 18 she had lived in at least 19 different houses and apartments between Iowa and Alabama.In her early 20's, after experiencing what she describes as "the songs calling,” Pieta started experimenting with the banjo and eventually picked up a 1930's Maybell arch-top guitar during a visit to her father's place and never looked back. Emerging from a disjointed and distinctly 'bohemian' upbringing, Pieta began performing live and making independent recordings soon after teaching herself how to play guitar. "I grew up around a lot of musicians and artists living on the fringe, and have always felt most at home among them," Pieta says.Continually revealing new layers as both a songwriter and performer, Pieta is being recognized as one of modern Americana's true gems. In recent years Pieta has released multiple highly critically acclaimed albums, with much attention being paid not only to her distinct sound and style, but also the power of her singing and songwriting, including fan favorite Paradise Outlaw (2014 Red House, which Bon Iver master mind, Justin Vernon, called his “favorite recording made at our studio.”) Pieta has toured North America with Mark Knopfler, and toured various regions of the U.S., Australia and Canada with John Prine, Amos Lee, Brandi Carlisle, JJ Cale, Ani Difranco, Mavis Staples, and Calexico among others. She has co-written songs with and made recent guest appearances on albums by Calexico, Amos Lee, and Iris Dement, whose latest masterpiece Workin' On A World (2023) Pieta co-produced. Pieta's songs and music have been heard in various TV Shows and indie films including Everything Will Be Fine (Wim Wenders). With the release of her most recent album Freeway (September 2019, Righteous Babe) co-produced by Bon Iver drummer, S. Carey, followed by multiple experimental collaborations since with various artists including JT Bates, S.Carey, and Howe Gelb & The Colorist Orchestra, as well as a new instrumental based side-project she calls Sylvee & The Sea, Pieta's music and artistry continue to rise.~ "...a style and a sensuality that's all her own...."- Pop Matters~ "Among the top tier of songwriters today..." - FAME (Folk and Acoustic Music Exchange)~ "...a gifted singer-songwriter whose lyrics are pieces of polished poetry" - Huffington PostPieta's WebsiteSRTN Website

CJ Miller takes a break from painting to share his experience of feeling blue and depressed. He encourages the listener to feel the emotion and keep on painting. When we feel our emotions, they process through us and take us to a new place. He also discusses his childhood experience with Seasonal Depression Disorder and how he learned to walk through emotions he cites a recent interview with Dr. Jane Gardner who explains the Emotional Scale and how we must feel an emotion completely before moving on to the next step. Watch “How do Emotions Hold Us Back from Creativity with Dr. Jayne Gardner” for more information. CJ reminds us to keep painting. A pdf of the emotional scale is listed on the Spiritual Artist Today website in the Practice Guides section. What sad song is CJ really into right now? "Dear Insecurity" by Brandi Clark featuring Brandi Carlisle. https://open.spotify.com/album/5vLQakn5RIIinS715tqgjI Learn more about CJ, his podcast, book, and retreats by visiting www.spiritualartisttoday.com.  

Allison Miller is a New York-based drummer, bandleader, educator, and producer. She studied with Michael Carvin and Lenny White and went on to play with Dr. Lonnie Smith, Ani DiFanco, Brandi Carlisle, and many others. She's active as an educator in many capacities including at The New School in New York, and her new album, Rivers In Our Veins is out now. In this episode, Allison talks about: Getting started with big bands in DC, and studying classical percussion in college The role that traditional bepop vocabulary plays in developing a modern jazz drumming voice The importance of experiencing jazz in a live setting Her new record and raising awareness about the role and health of America's rivers How her jazz credentials and experience led to pop opportunities Playing with Dr. Lonnie Smith

Donna saw Brandi Carlisle at the Grandstand and gives us her review of the performance. Steve challenges Donna and Mike with Real or Fake featuring pumpkin spice themed products. Plus, is your ego balloon about to pop? Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Shortened show at the Minnesota State Fair on the heels of a Twins loss against the Guardians. We start by talking about the weather (literally) and the many career trades 5 Eyewitness News Meteorologist Wren Clair has taken on up to this point and how tough being a forecaster of weather really is as well as sharing some of her fondest Fair memories. Then we conduct a very telling interview with a llama and an alpaca alongside Claudia Sclough and Addison Kolhoff join us to talk about the costume party taking place tonight at the Fair for these animals. We also briefly talk Brandi Carlisle 

Donna saw Brandi Carlisle at the Grandstand and gives us her review of the performance. Steve challenges Donna and Mike with Real or Fake featuring pumpkin spice themed products. Plus, is your ego balloon about to pop? Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Nashville super-producer Dave Cobb, whose work with some of the true artists in modern country music—Sturgill Simpson, Chris Stapleton, Brandi Carlisle, Jason Isbell—has earned him nine Grammys, talks about “Time of the Preacher.” It's the overture/aria to Willie's classic Red Headed Stranger, an album that Dave calls a beautiful, barren landscape, and it gets him thinking about Pink Floyd, the real definition of “outlaw,” and the most important instrument an artist can take into the studio: A belief in themselves.

Plowsy is super excited for Evolution Fest and Brandi Carlisle. Listenrs saying Plowsy will call in Monday since she isn't off stage till 11:30pm. We talking concerts and Iggy gives his thoughts. Iggy ranks the female golfers social media accounts....and the listeners did not like the topic. Iggy has major beef with Steve in Ballpark Village. EMOTD Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Plowsy is super excited for Evolution Fest and Brandi Carlisle. Listenrs saying Plowsy will call in Monday since she isn't off stage till 11:30pm. We talking concerts and Iggy gives his thoughts. Iggy ranks the female golfers social media accounts....and the listeners did not like the topic. Iggy has major beef with Steve in Ballpark Village. EMOTD Learn more about your ad choices. Visit megaphone.fm/adchoices

The Evolution Festival will feature headliners the Black Keys and Brandi Carlisle, plus a focus on local barbecue. Producers are counting on a strong first year in the hopes of creating a signature event in St. Louis.

Celebrating the Timeless Legacy of Joni Mitchell through Music and MemoriesJoni Mitchell recently made a comeback with a series of shows at the Gorge in Washington, Judy Mishkin and Alex Greenberg join Larry Mishkin to talk about this "event of the century" Brandi Carlile, a popular musician, played a key role in bringing Joni back to the stage after more than 20 years. The shows featured a lineup of talented performers, including Annie Lennox, Sarah McLachlan, and Lucius, creating a memorable experience for the audience. Joni's voice has evolved with age, singing in a lower register, but still maintaining its power and resonance. The performances were described as a love fest and a celebration of women in music.Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast

Graduation season is officially here! If you or someone you know is closing the chapter on this season of life, Dan'l and Megan are sharing advice they believe every graduate should know as they take on life's next steps. Stay tuned for today's music moment to hear more about Joni Mitchell and her influence on Brandi Carlisle's career.Show Notes: If you're looking for the perfect graduation gift for yourself or someone you know, Dan'l is offering a 1-hour coaching session for up to five graduates completely for FREE! Whether you're graduating from high school, college, trade school, or getting an extended degree, fill out the form on our website for a personalized coaching session to help guide your next steps.#23: Growing up Self Smarter With Mackey Payton episode – The Self Smarter PodcastAtomic Habits book – James Clear#49: Why You Need To Read Atomic Habits Now episode – The Self Smarter Podcast#12: Humility & Leadership episode – The Self Smarter PodcastThe Power of Who: You Already Know Everyone You Need to Know book – Bob Beaudine#57: The Trouble with Gossip episode – The Self Smarter PodcastWatch Joni Mitchell Perform 'Summertime' at Gershwin Prize Concert article – NPRMichelle Wewer's Manhattan Recipe2oz of Rye Whiskey (Michelle's preference is Angel's Envy Rye Whiskey)1oz of sweet vermouth4-5 dashes of bittersA spoonful of Luxardo Maraschino Cherry juiceStir (never shake) the ingredients togetherTo serve, drain the cocktail into a coupe glass over ice with a Maraschino Cherry on topFollow the podcast:Instagram: https://www.instagram.com/selfsmarterpodcast/Facebook: https://www.facebook.com/selfsmarterpodcast/LinkedIn: https://www.linkedin.com/company/self-smarter-podcast/about/Rate the Self Smarter Podcast on Spotify and Apple Podcasts and leave a review to help us improve our content.Advertise on the Self Smarter Podcast to reach our audience of business leaders via info@dma-solutions.com.

Another insightful and enjoyable edition full of tributes, reviews, memories, and explorations includes The Beach Boys, Brandi Carlisle, Beck, My Morning Jacket, The Midnight Special, REM, Fall Out Boy, Talking Heads, Metallica, Weezer, wedding music, and much more, Enjoy!

SHE'S BACK!!! And holy balls is this conversation juicy AF.If you're newer to the pod, Jordan Shomer (she/her) is a friend, colleague and our very own resident astrologer. Jordan is a Queer Jewish intuitive astrologer who recognizes the patterns and puzzles of astrology and synthesizes them into stories that land on your heart. She believes that within the map of the stars lives a blueprint to healing and guidebook to growth. She is passionate about holding space for you to greet yourself in all your cosmic glory. And f*ck me, is she pure magic. Every time we have Jordan on, I get full body chills. And in preparation for todays episode, I listened back to the episode we last did in December 2021 and when I tell you every. thing. that. she. predicated. came. true. And in true to form of our previous episodes, I got hella fucking emotional and am brimming with gratitude for this conversation, and I know you will feel it too. And learn SO much about what's to come and where we're moving from as a collective, so you can come home to yourself as the uniquely beautiful individual you are.Things we talk about in todays episode:owning and embodying our intuitive witchy selvesyour sun, moon and rising signs in astrologysetting boundaries and navigating the patriarchal culture in our intimate relationshipssaturn returns, what to expect, and how Amanda's coincided with the downfall of her marriagestanding in your power and coming home to your wholehearted selfanti-capitalism, what to expect astrologically speaking in 2023, finding the magic in the mess, breaking the binary, some personal updates & beyond CONNECT WITH JORDAN:Jordans Instagram | Newsletter Book a reading with JordanMoon gatherings ADDITIONAL RESOURCES MENTIONED:Fucking Queer Merch - use code QUEERDO for 15% off Jordans previous episodes: episode 76, episode 111 The 7 spiritual laws of success by Deepak Choprah Alok V MenonAll About love Thousand Miles (feat. Brandi Carlisle) by Miley Cyrus WORK, SUPPORT & CONNECT WITH AMANDA:Fucking Queer Merch — 100% of proceeds from now through the end of Pride Month will go towards the LGBTQ+ charity/organization the community chooses Amanda's Instagram | Website | Tik TokAmanda's book, I Chopped Off My TitsPatreon to support the pod Join her email list for free curated playlists and very occasional gifts & announcements in your inbox

John's guest is legendary session drummer, Matt Chamberlain! Matt's recording credits reads like a 'who's who' of recording artists. He was voted #1 Studio Drummer in the Modern Drummer Readers Poll in 2016, 2019, and 2021. John and Matt do a deep dive into Matt's long and stellar career, going back to studying with David Garibaldi and Murray Spivak, to his brief time at North Texas State and then joining Edie Brickell & New Bohemians in 1988. After moving to New York in 1991 to join the house band for "Saturday Night Live," Matt made the decision to focus on being a successful session musician and he hasn't looked back. Through it all, Matt's humor, humility, passion, expertise and love for all things drums and vintage gear comes shining through.     Subscribe to Live From My Drum Room With John DeChristopher! @livefrommydrumroom ! And check out John's new series, “TrackTalk.” Iconic songs with iconic drum tracks and the drummers who created them! Exclusively on Live From My Drum Room! Matt Chamberlain's website: https://www.mattchamberlain.com/ https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

“The Story” by Brandi Carlisle inspired this episode.  We have read or heard stories that helped us, guided us, changed us.  The story helps when it's shared.  Your story doesn't mean anything if you don't share it.  Go share your story.   Episode Quotes and Links “Your life is your story.  Write well.  Edit often.” Unknown “Share your story with someone.  You never know how one sentence of your life story could inspire someone to rewrite their own.“ - unknown “One day you will tell your story of how you overcame what you went through, and it will become someone else's survival guide.” Brené Brown https://www.youtube.com/watch?v=o8pQLtHTPaI https://www.instagram.com/nicole_bachle/

On this episode of MyFi I get to chat with rising alternative/pop sensation Okay Kenedi who just recently dropped her debut single, “Young, Dumb, & Naive” to rave reviews and a quickly increasing fanbase of fans who can't wait for her next single. Join in the conversation as we talk about how much she loves Brandi Carlisle, the time she almost gave up music for good, and why she wants all the music documentary recommendations. Okay Kenedi - Songwriter/Artist SOCIAL MEDIA - @okaykenedi Website - www.okaykenedi.com New Single “Young, Dumb, & Naive”Apple Music: https://music.apple.com/us/album/young-dumb-naive-single/1659732239 Spotify: https://open.spotify.com/track/1jnGxGl4xkBPvsqSR2QObh?si=eeb5f21595974539 YouTube: https://www.youtube.com/watch?v=p84Kg3ROtJE Artists we discuss in the show: Journey Rick Springfield Guns n Roses Jonas Brothers Hannah Montana Miley Cyrus Brandi Carlisle Bonnie Raitt Zach Bryan Maggie Rodgers Elvis Coin John Mark McMillian Bruno Mars Anderson Paak MyFi Podcast Website - www.myfipodcast.com Social Media - @myfipodcast MyFi Stinger Music by Cure Audio @cureaudioco ©2022 MyFiPodcast

Based in Austin, TX, Tom was the drummer and music director for singer/songwriter Robert Earl Keen from 1997 until Robert retired from touring in September of 2022. Before that, he was the original drummer for the Dixie Chicks. In addition, he has been very active as a freelance drummer, both live and in the studio, for a variety of artists including Cross Canadian Ragweed, the Platters, Bo Diddley, Ricky Skaggs, Larry Coryell, Tyler Childers and Lee Ann Womack..... As a member of the Austin City Limits "All Star House Band", he has performed with Bonnie Raitt, Sheryl Crow, Kris Kristofferson, Jeff Bridges, Doyle Bramhall II, Gary Clark Jr, Jimmy Vaughn, Joe Ely, Brittany Howard, Taj Majal, Mavis Staples, Willie Nelson, Rodney Crowell, Chris Isaak, Neko Case, Brandi Carlisle, Elvis Costello, Rosanne Cash, John Leventhal, Ry Cooder, Raul Malo, Norah Jones, Ruthie Foster, Lucinda Williams, Margo Price, Jason Isbell, Alejandro Escovedo, Sheila E, Wilco, Marcia Ball, the Flatlanders, and Brittney Spencer.   Some Things That Came Up:  1:30 PASIC 4:50 Austin City Limits All Star Band  6:45 Being the original drummer with The Dixie Chicks 12:40 The Dallas scene  16:00 Live Free or Die  18:00 75th Anniversary of the UNT Jazz Program  25:45 How the economy affects creating a music scene 28:00 Advocacy for Austin Musicians and affecting change  31:45 Making the effort to help others and give back  35:40 The thrill of starting a new career chapter  38:30 Drum RX 47:00 Working with Robert Earl Keen for 25 years and recording with him  48:30 Getting the big gig through Lloyd Maines  50:00 Learn the show that changes every night!  52:00 Charting the show and being over prepared  53:30 New set lists 10 minutes before the show  56:00 The two hour farewell show  65:00 The retirement meeting  70:30 Survival strategy=being over prepared, conveying confidence,  71:40 working with ex student Norah Jones  75:20 Being open to all suggestions from all musicians  71:00 The Gear  79:20 Heroes=Gadd and Porcaro. Studying with Rick Latham.  84:20 Count Offs, clicks, loops and controlling feel and stage volume.  88:20 The FAST 5    Contact:  www.tomvanschaik.com Twitter: @tvsdrumr Insta: @tvsdrumr           The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits!   Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:   https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Pre Order Rich's new book:  https://www.amazon.com/Making-Country-Music-Insiders-Industry/dp/1538172518/   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Amy and Nancy Harrington, Co-Founders of The Passionistas Project talk with the creative team from “I Thought the Earth Remembered Me” about the Power of Filmmaking. Director Prem Santana, producer Carylanna Taylor and star Madonna Cacciatore discuss the process of making the short film, the AFI program and their inspirations. Learn more about “I Thought The Earth Remembered Me” and Prem Santana. Learn more about Carylanna Taylor. Learn more about Madonna Cacciatore. Learn more about The Passionistas Project. FULL TRANSCRIPT: Passionistas: Hi, we're sisters, Amy and Nancy Harrington, the founders of the Passionista Project Podcast, where we give women a platform to tell their own unfiltered stories. On every episode, we discuss the unique ways in which each woman is following her passions, talk about how she defines success and explore her path to breaking down the barriers that women too often face.  Today we're talking with the team from the gorgeous and powerful short film “I Thought The Earth Remembered Me.” We'd like to welcome the film's director Prem Santana, producer Carylanna Taylor and star Madonna Cacciatore, who along with her wife Robin McWilliams have been long-time and beloved members of our Passionsitas community. We're going to let each of them introduce themselves, tell you a little bit about their backgrounds and share what they are most passionate about. Madonna: Hello, I'm Madonna Cacciatore. I feel like I'm in a group. So, hi Madonna. I love these two women on the screen with me. And of course, I love you two women who are hosts. You've been friends of mine for a long time, and Robin and I adore you. Prem and I magically met during her work at AFI, at the conservatory. And I've always been drawn to her sort of directing style and her work. I mean, she's just got a brilliant vision. This is the second film I worked on with Prem. I have a background in theater, dance, film, television, and I also produce events when I'm not, you know, in the downtime. And I do some nonprofit fundraising as well. I'm passionate about telling stories, helping change the world through stories and being able to create those characters that are brought to me by wonderful people like this. How about you? Prem: Hi everyone. Thanks so much for having me. My name is Prem Santana and I am a director and a writer. I'm also an actor. I was an actor for over a decade, almost 15 years before I transitioned into becoming a director. I recently graduated as a directing fellow from the American Film Institute Conservatory, where I met my Muse, Madonna. We met in a class and she and her wife Robin were my actors. And I instantly fell in love and saw a talent I had never seen before and started writing. “I Thought the Earth Remembered Me” based on seeing Madonna's face. There were some other experiences in my life that had inspired the short. Madonna's, my muse, and I've just been very honored and grateful to be able to work with such an actor. Passionistas: I actually want to follow up on one of the things you were saying, because it was actually a question we had is, and we'll get into it more, but the whole movie that we're talking about really lives or dies on Madonna's face. Prem: Yeah. Passionistas: And the amazing range of emotions she can portray through her face. So that really was actually part of the inspiration for writing it? Prem: Absolutely. Because she's able to, I mean, when an actor can act without words is to me, is the hardest thing is to act in the silences. When there's so much carried in the eyes that is the number one thing that I look for in an actor to collaborate with. And Madonna does it super. Carylanna: My name's Carylanna Taylor. I'm a filmmaker and anthropologist recent graduate of the AFI producing program and I have the pleasure of producing “I Thought the Earth Remembered Me” with Prem and Madonna. It was really Prem's script that just gave me a gut punch when I read it and we'd been kind of talking about maybe doing something together but hadn't had a chance to work together yet. The script, I have an environmental conservation and migration past, and it just really hit me on the environmental connection very strongly in a way that I hadn't felt for a long, long time. And Madonna embodies that beautifully. So, yeah, and, and she's, she said it beautifully. I'm passionate about bringing stories to life that might just move culture's needle a little bit, might give people a chance to walk in somebody else's shoes that they wouldn't have otherwise. That can come in lots of different forms, but this is certainly one of them. Passionistas: That's great. Well, sounds like a perfect marriage between the three of you to make this film happen, which is, you can tell when you watch it that the people who created it have that passion for all of those things. So, it's really well done. And Prem, maybe you could talk a little bit about what the film is about and, and again, a little bit more about your inspiration beyond the beauty of Madonna. What else inspired you to write it? Prem: I realize I didn't say what I'm passionate about. So, I'll say first that I'm passionate about telling stories from the margins, especially from the female perspective, and I believe that we can make a huge difference. Telling stories and making movies that reflect our human experience. And I'm so grateful to be able to do that. So yeah, that's what I'm passionate about. But the story, so I also take 35mm photographs. And my mom is also someone I, she's 76, and I've been photographing her throughout my life. And just the process of aging has been something that I find so beautiful. It is something that I find so beautiful. And watching my grandmother who passed away at 98 a couple years ago, go through this transformation from the finite to the infinite or whatever you want to call it. And then my mom getting older and myself, you know I'm now what they call “of a certain age.” And I've just committed to using that in my art and celebrating aging as something that's not negative or bad or something we have to hide or erase or change or transform or fill up or fill out or whatever. So anyway, back to the photographs. Sorry. I took a photo of my mom's hand, the beautiful like texture and wrinkles and she laid it against this beautiful oak. And I took this photograph, and I was like, that's the image. That's where originally in the script, we start on her hand. It changed over time but that was the igniting image. I was like, there is a woman and she's in the woods for some reason. And then, you know, I started writing and just dealing with my own grief and losing a friend during the pandemic. Losing my grandmother. It was a real way for me to cope, was to write this story. And having had such a connection with Madonna, I was able to step into that emotion myself, I feel like, in a way, and write this story about transitioning from end-of-life transition. Madonna: That's funny because when I saw that, when I saw that, that image of Prem's mother's hand on the tree, I thought it was my hand. I said, “Oh, when did you take that? I don't remember that?” Like, I remembered us going to the woods and shooting some photos and I thought, oh, that's, that picture we took. And she goes, “That's my mom's hand.” And I was like, “Our hands look so much alike.” And then her mom came to the premiere we sat and we compared hands. Prem: Oh yeah. That was so sweet. Madonna: Yeah, it was very sweet. So, it was cool because I felt like, I felt that connection too, you know, through her and through you, Prem, through your love for her and your heart. So, it was really, really cool to sort of have that background to know that it actually wasn't my hand that inspired her. It was her mom's, but cosmically. Cosmic. Prem: Yeah. Cosmically. Passionistas: So, Madonna, what did you think when you first saw the script? Madonna: Well, I had worked with Prem on another beautiful script that she wrote called “Dreamhouse of Salt” and also just in that first class where Prem and I really connected. We were on a Zoom. We were all isolated. We were on a Zoom. We weren't in person, but there's just something in her soul and energy that just drew me in right away and I thought, she's going to be getting an Oscar in my lifetime. This woman, I know that's not why she's doing it, but her work is that impeccable and her stories are beautiful. So, we did this. It was one of your cycle films, wasn't it? It felt like a big studio film because it was just so beautifully done. But it was really just in her process and as a fellow. And so, I knew when we talked about collaborating again in the future, and I knew whatever she brought to me, it was just going to be, it is going to speak to me, you know? And so when I read it, you know, it's always interesting to have a script that doesn't have dialogue and that has a younger version of me in it. So it was, you know, back backstory and, and memories and so I'd never done anything quite like it before. So, I was like, yes, let's dive in. You know, in those moments when Prem talks about me connecting, that's because she would come over to me and say something. She would give me something that really resonated with me. So that was sort of, it was a wonderful process. The whole thing was just incredible. Even it was, it was freezing cold, I think I remember being cold. And it was in that beautiful space. And there was a lot of, you know, everybody on the crew was just, Carylanna was running an amazing production team. And the cinematography was beautiful, and it was really safe working with a crew of mostly women. You know, it felt really, I felt nurtured through the whole thing by the trees. We were standing from everything from the trees. We were standing into the, just the backdrop to the house to our beautiful crew. So, it was a great experience and so when I saw the script, I knew that's what it was going to be. I knew it was just, I'm ready. Passionistas: It sounds a little cliché these days to say the location is another character, but it really does feel like that in this production, and it feels, maybe it was right off the main road, but it feels like it's incredibly remote. So Carylanna, talk about finding that location and the complexity of shooting there and bringing your crew there. Carylanna: Credit for finding it actually goes to our Unit Production Manager and Line Producer Sarah Niver, Prem, the Production Designer Daniel Berkman and our cinematographer Liz Charky. Prem and I had done a lot of scouting from, I don't know, I guess kind of casually starting over the summer and the fall and a little bit more aggressively in January, February. And we weren't finding anything that looked like this vision of the Pacific Northwest that Prem wanted. If you read the script, it sounds like it's either in an old-growth forest in Washington or Oregon, or maybe in the Adirondacks of New York – but nothing. We're limited to shooting within 30 miles of the center of Los Angeles. That's all that we were allowed to shoot at AFI. So, trying to find something that looked even remotely lush was quite the challenge. And we had gotten to the point where we were almost ready to switch it to the desert. I don't know how serious that was, but that's about where we were at. When Sarah started location scouting and she came up with this place. And it was a challenging location in a lot of ways. It's in Topanga Canyon and it's like deep down in a canyon. And just the topography of it is such that it keeps the water in. There's just a little stream that runs through, but the moisture stays in. It's cooler than the surrounding areas. This is a place where they used to run liquor during the prohibition. It's got a total history of this area but it's also pretty remote. Like Madonna was saying we had to go past another film set even to get to where we were at. And we couldn't drive our vehicles right up to the house or right up to any of the scenes that you see shootings. We were having to do a lot of couriering with carts and things like that. So there was a whole logistical element to it. And it was a big enough piece of our budget that we didn't have a full prep day and a full wrap day. So all of that was done in five days in one location including load in and load out. So it was, yeah, it was, it was a lot of fun logistically. But it's beautiful. I mean, I don't think there's anything quite like it that we would've found elsewhere in the area. Passionistas: Yeah, it's really extraordinarily beautiful. And like we said, the cinematography just is incredible. It just captures it all so well. The other thing that's amazing is the casting of the other two women — and especially the woman who plays young Lee. So, tell us a little bit. Madonna: They were calling me Elder Lee, which is really sweet. Always. Just Lee. Passionistas: You were the original Lee. So, Prem, tell us a little bit about the casting process. Prem: Well, Madonna was locked in, like day zero. I was determined to find someone that looked like Madonna because I really find it annoying when on TV or in a movie and people are cast and you're just like, that looks nothing like this person. I'm like, okay, I get it. I get maybe because of this and I'm making justifications or there are limitations and things get in the way, whatever. But it's something I noticed. So, I was determined and our casting director, Rich Mento, gathered so many, like, there were a lot of submissions. We had a ton and I mean honestly it was like going through, I went through every single one. And Penny, it was like one of the last ones. That's how it always is. And I was like, in shock, like how much they looked alike. And then her audition was perfect. So, I wanted, it was those moments where I just wanted to be like, you have the part, but you have to wait and do a callback and follow procedure and really talk about it with Carylanna and, you know have a conversation. It was all done on Zoom too, so that was… but I guess from what I haven't been acting in a while, but Madonna, I feel like a lot of auditions are Zoom now anyway, right? Or it's self-tape, anyway. Madonna: Right. Prem: So I guess that was right — not in the room as much. So, I guess that wasn't too out of the ordinary. And then we found Christine through our Casting Director, as well, and she had this beautiful, just, I felt like she was this angel in this way, that she just carried a light that I think balanced Lee Lee's heaviness and her weight. The weight of the world that Lee sort of is holding so deep inside of her and not wanting to… she's not ready to fully give it all. But Janine, Christine was able to bring that out in both, I think in Penny's character, younger Lee. But Madonna and I actually rehearsed with Christine. I wanted them two to rehearse together because it wouldn't, it would deepen the memories for Madonna. At least that was the goal. I think it helped, right Madonna, like working with Christine? So yes, even though you're not on screen together, I wanted them to have that established relationship in the energy that they carry on. We would feel that connection. But yeah, we were blessed. We were just blessed with the cast. Like it just really worked out perfectly. Madonna: Penny has an Irish accent. And it was interesting because you know, I don't say anything. My character Lee, Elder Lee, doesn't say a thing. Patty does an American dialect, I guess. She drops the accent and beautifully. She's a really talented actor. And when I first saw her, I was, we met… Our first rehearsal together was on a Zoom and I think the first time I couldn't wait to see her. I was like, what? Damn, I was cute when I was young. Okay… So, it was cool to sort of… I've never worked with somebody who's me in my past experience. So, I really enjoyed that process and sort of enjoyed… We hung out together and we just, on set, we just sort of like bonded and that was our opportunity physically to be together because we had really just mostly been… I think we had one rehearsal in the grass somewhere. Was that this film? Yeah, yeah, yeah. That was Christine. That was with Christine, yeah. Yeah. And it was we were at the at the beautiful campus of AFI and a deer showed up when we were… just like walked around by us and. There we were on Las Feliz and Western, you know, Franklin. And there comes a deer. So, it just all felt so storybook like. It felt like a little fairytale we were doing. But it was really great to sort of get that background with Christine and for us to connect. And I hope it helped her with her scenes with Penny as well. Passionistas: For people who aren't from LA or haven't been here, AFI where you were all attending is right in the middle of the city of Los Angeles. So, it would be like being in Times Square and having a deer walk by. Madonna: Exactly. Passionistas: It's really a random thing, but that's how Southern California is. We have peacocks in the middle of our neighborhoods, like suburban neighborhoods. Talk a little bit about AFI for people who don't really understand what that is because it's such a unique and special place and experience. So, what is that program and how does it prepare you for being in the film industry differently than most film schools? Carylanna: So, it's a two-year conservatory, very hands-on. There are six disciplines producing, directing, cinematography, production design, editing, and screenwriting and it changes each year, but roughly we had about 22 directors and producers and such. There's a track of just classroom classes and watching films and reacting to film classes. But in addition to that we have two years of production. So, our first year we actually, each of us does at least three films. And we team up around the idea for each of the films. So, someone generates the idea, then there's a pitch process. The producer comes on board, we hire the rest of the team, then we go out and work with volunteers from the filmmaking community like gaffers and art directors, and what have you. And there's a conservatory program for SAG, as well. So, Madonna's part of a SAG/AFTRA AFI conservatory program. So, we have access to these wonderful, wonderful actors even for our classroom exercises and these three short films that we produced our first year. And then the second year everybody produces a thesis film, which is what we're talking about. “I Thought The Earth Remembered Me” is Prem and my thesis film. So, I produced four, no, six films in two years including the cinematographers had visual essays. And there are, I have classmates who did way more than that. I was actually on the low end, but it's a lot of hands-on. And our crews aren't union, but we run them like union shoots. So, we follow SAG-AFTRA rules for everything we follow. We try to keep our days tight and our crews are usually around 30 because it was capped because of Covid. Ours were definitely 30 or under and so they're big. They're big projects. We have a lot of gear from AFI that gives us. We shoot in sound stages, but also like, just all around LA. It's a lot of hands-on experience. Pretty amazing. Passionistas: that's incredible. And so, we keep talking around the COVID thing. When did you film this? Carylanna: It was it in the midst of COVID or was it sort of towards the tail end of lockdown and. So Prem and I found out that we were accepted into AFI about the week that the shit hit the fan in March 2020. So we had to decide whether we were coming or not. I'm coming from New York. A lot of our classmates were coming internationally, and we had to decide whether to try doing this or not. Our first year of classes were totally online. And then our production was the only thing we were doing in person. It's like with masks and if we were near actors, we had to have face shields and such. There are lots of social distancing rules. There's like a whole list, COVID compliance officer on set and what have you. The second-year production continued like that and this was produced during our second year. So, this we produced April 2022. And our classes at that point were mostly in person, kind of. Passionistas: We're Amy and Nancy Harrington and you're listening to the Passionistas Project Podcast and our interview with Prem Santana, Carylanna Taylor and Madonna Cacciatore. To learn more about “I Thought The Earth Remembered Me” and Prem Santana's other work visit www.premsantana.com Go to first encounter productions dot.com to stay up to date on Carylanna Taylor's projects. Stay on top of all of the great work that Madonna Cacciatore is doing at IMDb dot com and on her website m cacciatore dot com. Now here's more of our interview with Prem, Carylanna and Madonna. Madonna, why do you like to be a part of these AFI projects? Madonna: Well, I think, as every actor in town, we work sometimes, sometimes we don't. Like on TV film sets, and commercials, we are always auditioning. And so, when there's an opportunity to work, I want to work, you know? And I find I don't do every project like this. This particular class of people was extraordinary. I've worked on another director's films, as well. I liked it because of the story. I like also the thesis films, you know go, can go to festivals, so that's great. But you know, when there's an opportunity to work your craft, work it, you know, and I love working my craft. I love roles. I love working. I love being on set. I love the experience. AFI films are done in such a way that you really are getting the full, you know, you're being treated, I'm treated really well. It's like it's working on a SAG set. I also like the Conservatory a lot because of what they do for students and what actors can get out of it, as well. Like sometimes I'll get just called in Victoria Hoffman, you know, call and goes, “Can you do this kind of class or that kind of class?” Well, for me it's class. I love class. I love working. I love learning. You know, we never stop learning and we never stop connecting. So, every experience onset is different and you know, you learn something new no matter what your age or how many roles you've done. I came to LA pretty late in my life. So, I didn't get here in time to sort of have a young career here. My background was, I was dancing most of my life and then I ended up going to musical theater. And then I started training in Washington, D.C. at the Studio Theater there in all the forms. So, I took a lot of classes and, you know, I had this experience. I was in Seattle and I got a little under five part on “The Fugitive” that Tim Daly was in, that they were shooting up there. And I had only ever done as far as film and television at that time. I'd only ever done extra work, background work. So, I go on set and they had an umbrella for me because of course it was Seattle and it was raining. And then they take me and they said, “We'll take you to your trailer.” I said, “I have a trailer. I have five lines. I'm so excited.” And I thought, I'm moving to L.A. That's it. But you know, I wish I'd done, you know, I don't regret it because I had a lot of experience along the way and I got to do a lot of wonderful theater and I still love theater very, very much. But it was good to you know, get here. And so, it didn't matter to me because yeah, I was older, but then I just got different roles so I just, you know, I just keep going like we all do. So, there's, you know, all the auditions, all the ones you don't get, and those gems you do get, just make it, it never leaves you, it's part of you. So, I'm, you know, I'm always happy when AFI called. Passionistas: Prem, based on what Madonna was saying, do you think as an actor, she brings something to a part because she has those life experiences that weren't all… She wasn't just an actress for 20 years. She had all these other life experiences. Do you think that makes a difference as an actress from a directing standpoint? Prem: Absolutely. The way Madonna carries, there's her body and the physicality of an all a dancing background and a theater background. You really have to I mean, I also have a theater background and dance actually, but you really have to know space and your emotions are constantly be connected to your physical, and those things are never separate. And so Madonna is a master at… there's just a natural… Madonna carries her body so naturally and is able to sink into it, you know like this is the scene. Because sometimes, you know, you see actors and you can tell that they're not comfortable or they're not… and their physical body shows that. So, to answer your question, I think it's such a treat to have an actor with this diverse background. And also, I think Madonna, women your age, my age… beautiful time. I feel like that is to see, this is what I'm passionate about too is putting women that are older on screen, you know what I mean? And I think there's such like power in the age that you are, and I can't wait to be, you know, each year it's like, oh, this is so fascinating and interesting, like, my body's changing and, but I have so much more to offer and storytelling and to see. I don't know. To see a face like Madonna's on screen is like, every time I see our short film, I'm like, this is what I think we need more of. Passionistas: It's funny you say that about her body and her walk because I don't know that I've ever seen an actor act with their back before. Like Madonna walking away from camera. expresses more than most actors can do with a five-page monologue. Madonna: Wow. Passionistas: And it was fascinating to see. I'm in tears and all she's doing is walking away from me. I can't even see her face. Because what's going on, even though we're not on her face, like it's all happening still inside of her. Prem: So, and you're right. You see through everything, you see it. You see it no matter what. Like the camera picks up all of it. Even that, you know, being on her back, I'm not going to give away the shot we're talking about, but yeah, it's really magical. Yeah. Madonna; But there was a lot of magic in that space too and, in that environment it was, you couldn't have found a better place to shoot this film. Honestly. There were so many natural lines and, and so much beauty in that forest, you know that it was just like, honestly, like the film resonated. The message of the film resonated and the foliage in the trees. And the house like you were asking earlier, you know, when you asked Carylanna like this almost was another character. The house was definitely another character. The house was like, I felt like I had to be very respectful of the house and we had to have a connection. Honestly, there was just some stuff going on there. And then the outdoors, of course, was, I love being out in nature, so it was very much fun for me. Passionistas: I love that house. Tell us about it. Was that the condition that it was in or did your production designers bring it to life like that? Carylanna: A bit of both. Our production designer definitely pushed it. The house was built as a prop house in the eighties for a movie called “Shiloh 2.” And it is just… Prem: You remember that, Carylanna? Carylanna: Yeah, especially with my memory for names. But it sat there just open to the elements for what is that now going on 40 years that it was not ever meant to stand for more than the length of a production. So, there are literal holes in the ceiling where vines are growing into the building. And yeah, it's definitely on its way to succumbing to nature. And Daniel and his team definitely pushed it a bit more, but it's, yeah, it's, it's certainly like infused with that environment. It definitely felt like a place with history. That's interesting that you say that, Madonna, the feeling like you had to respect it. You really see their work whenever they're making it seem present because the past is kind of there. There are some scenes in the kitchen, and they really make that warm and inviting and feel lived in. There are some dark room scenes too that are kind of the same, that's where you see their magic on screen. Passionistas: Prem, you were saying that it's important for you to foster women in film, on screen and off, and one of the things that you have founded is the Moonfaze Feminist Film Festival. So tell us what that is and why you started it and what's the current situation like that Prem: The festival is no longer, unfortunately. It lasted for four. Two years in person live events and then we went online but I created it out of just necessity. I directed my first short film called “Luna” which I also acted in, and I was struggling to find a platform for this baby of a film that I'd made. It was my first film, you know, so, I was struggling to find a platform to showcase my work and I just was struck with the idea of why not make a film festival for myself and my peers. And once it was one of those, you know, when you get creative, like, I'm sure you felt that when you started Passionistas, where you're like, oh my God, that's it. This is what I have to do. Right? You're just like, you know, in every cell. And we get those hits. I don't know how many we get in a lifetime, but I'm, I'm grateful for every one. And that was one of them where I was just like the doors started to open and the right people came in and all of a sudden, we had a venue and I had the most amazing experience curating that festival where we celebrated, it was all, you know, female-led, non-binary-led films. And it was amazing. But as I transitioned into really focusing on directing, I couldn't do both. And it was one of those things that just naturally dissolved, but I'm still hold it up to one of the most amazing experiences of an artist and an activist being able to provide a platform. I wouldn't, maybe someday we'll bring it back because it was pretty amazing to be honest. Yeah, it was cool. You're making me think about it. Passionistas: Maybe it could be part of the Power of Passionistas Summit some year. Prem: Yes. Ooh… Passionistas: We'll have to talk. Prem: There you go. Oh my God, I would love that. Yeah. I mean, asking about that. Passionistas: Yeah, there is so much synchronicity in all of us, I think in what we are doing with The Passionistas Project, in what you have all said is your passion and about storytelling and advancing women and social justice issues. So maybe each of you could just talk a little bit about that and about how that informs the film projects that you like to work on. Madonna: You know, I'm a been an activist since, I've been an out LGBTQIA person since I was, since 1971. I saw a thing one time that said Gay AF Since 1971 on somebody else's thing. I was like, that's me. Uh, I've always sort of been out. I've never really, I mean, I grew up in Texas, so I, you know, there was a lot of opportunity for bad things to happen. I don't know why they didn't, but they didn't. So, I've always been a person who has fought for people's rights one way or the other, and for animals rights, like to protect our, our four-legged and our, and our humans with kindness and respect and dignity, which is what every, I think, every living being deserves. Why we beat each other up, I have no idea. I think it's a horrible model. I think we should stop doing it immediately. I'm putting my foot down. We all need to stop doing that. But, you know, so, any time, like Carylanna was saying, and Prem, we're saying anytime you can tell a story or I can find a character who's revealing something about that, who's helping someone else who might be in a situation and they somehow, something you do helps them through that situation, helps them. You know, there are many ways, there are many instances where that could happen and I just think, you know, my wife and I have both had people reach out to us from through our acting and through other means because they are young. We've had people reach out to us from Russia and other sort of hostile areas where they could not be themselves and say, you know, something you did helped me see myself. So I think when you can do that through living your life with the passion that we all have in this room, and that I'm sure many people watching have that you, that you are making, by simply living your life, but then to take it further and make films and, and do The Passionistas Project. You know, I watch a lot of the people you interview and your shows, and it's just the work you're doing is making change in the world. So, we've all sort of made that choice. And sometimes it gets hard to keep the light shining when things are happening, but it's these mediums that help us keep it shining. We can reflect something to someone. And I think that's, for me, that's why it's important and that's why I'll always choose projects. I mean, I, you know, I want to work, but I also love projects that advance social justice for humans and animals and the earth. Carylanna: So, I mentioned before, I come from cultural anthropology and that's. It's about understanding the world holistically and understanding humanity and all its diversity in time and place and in connection to other things that are going on in the world. So I tend to look for stories that channel that. And it's never all of that in one thing like I've done a feature film called “Anya” that has, that's like critiquing the idea of what difference truly means and how we can get past that. Because underneath it, we're still humans. And I'm currently working writing a project that's inspired by my research in Honduras with migrants and natural resource management there and trying to shape it as a lens into what makes Central America unstable. Like we have a tendency in the US to look at it as being this very unstable place that's not livable and that that's why we get all these migrants at the border and yada yada, when in reality I've spent, I mean, a decade off and on living in Honduras and working with people from there and they come from a beautiful place, a place that's a home, a place that they love, a place where they love, a place where they work hard and when it becomes unstable, it's tragic. When somebody has to leave home, it's involuntary. So, I'm trying to write, probably a series. It keeps splitting around between a film and a series and a novel that captures that sense of home, but that does it in a way that an American audience can kind of encounter that and understand it — maybe people who wouldn't automatically think like that. So that's what I'm working on right now. I'm also passionate about mental health issues and working on a script for that. I also get to read for some really interesting companies and have a little bit of an opportunity to say, this is a really great project. You should think about making it. And it's always exciting when I find something that's really, really special that might get made. Prem: I'm very like, proud of you, Carylanna. I'm like, yes. So exciting. Hard. You know, Madonna said it. It's hard. It's hard to have the faith in yourself to say, I can have a voice in this. I can, yeah. It's worth the next four months of my life to work on this as opposed to like scrambling to find a particular job. It's like it's hard to, yeah, it's hard to hang onto the passion. So, I really appreciate this because it helps remind me to hang onto the passion. Yeah. It reignites the flame that's like, sometimes it's like just about to go out and then things like this happen and I'm like, “Oh, okay. Yes. Okay.” I was just thinking of, you know, I realized. I tend to write stories that don't have a political or any sort of agenda. I don't think stories necessarily have to have an agenda to shift the paradigm, to have an impact because I think the thing that really does change us is the emotional feeling, connection. That's the beauty of drama and raw, brutal, honest, beautiful truth. So that's where I'm coming from because I think we can get lost in pushing an agenda, political, gender, all of it, you know, and lose the root intention and core and heart and soul of what we're trying to say. And so, to me the most important thing is that and the other stuff will come naturally if that is part of what you're passionate about, and we all are. Passionistas: What did you each learn about yourself from making this film together? Carylanna: I'm going to kind of punt and say that I, coming from academia, I'm very, I tend to be very analytical and it gets in the way of filmmaking and it gets in the way of writing sometimes. It's very helpful with research. It's helpful with market analysis. It's helpful with all kinds of things. But in terms of telling a story that just grabs somebody by the lapels and carries them along and immerses them in somebody's life, that requires emotion. And that's why I wanted to work with Prem is because she does such a beautiful job of embodying emotion. So, our relationship was not always like super easy because we're coming at things from very different sides. But I learned a lot about tapping into emotion and working with somebody who's so in tune with it and watching her work with actors was really enlightening, too. So, I think in that arena, I grew a lot because of this. Prem: I'm going to dive in if that's okay, because I want to say the same with Carylanna, like working with the other side of my brain and learning how to hone the emotion, but like use it efficiently and productively and adapt to different ways of using it to my best ability. Being on set is such a magical thing… like there's all this emotion and you have to go, and just be like locked in sort of like carrying all this emotion, but also very in a jar, like you have the lid and you're releasing it every now and then to like connect with the actors. So yeah, I just learned a lot working with Carylanna and working with such a good producer. I learned what the director's part in that collaboration really is. And I think that I can now go forward and, I don't know, have some really beautiful relationships and I'm excited about that. Madonna: I just learned, I mean, it's just another experience of being with a group of people who have really great hearts and are incredibly talented and can show me something about myself. As an actor, you want to get feedback, you want to get notes. I mean, Prem and I had the luxury of having some rehearsal time, which you don't often get. And so we got to have some nice conversations. And seeing Prem's sort of point of view reminded me of myself when I was younger and when I was sort of really, I mean, I'm still passionate, but it's different for me. It's taken a different kind of a vibe. And I was able to sort of harness like Prem's passion in the way that she works and use that in my, in this character, but also just sort of as an actor, like opening myself up again to my younger self and to my older self. You know, sort of really appreciating my age. And that's what this story does. I've never had a problem aging. I love the lines on my fa I love that Brandi Carlisle song. You know, the story. That's one of my favorite songs. Mm-hmm.., because these lines are my experience in, in this world and I like them, you know? And so, this film continues to help me see that and embrace that part of myself. Because aging is also not for the fainthearted. You just start going through new things. You just, things hurt that you didn't know were going to hurt. And so, you know, it was really a reflection of honoring my aging process as well. Prem: So, Carylanna, you were telling us about up your upcoming projects. What about Prem and Madonna, what do you guys have in the pipeline? Prem: I am developing multiple projects, multiple feature film scripts. One of them is the feature film version of this film, which recently I made it to semi-finalists in the Outfest screenwriting lab. So, that was a win for me. I'm celebrating all semi-finalist things. Every little step counts. So, I was really excited about that, but I also got some feedback that I feel like is really beneficial to the script. So, I'm thrilled to execute that and take it to the next level. I'm also working on a feature film script about, The California Gold Rush seen from a non-heteronormative female perspective. I'm, I'm obsessed with westerns and period pieces. It's like my other… So, it's a huge undertaking. So that'll probably be in a decade, maybe. And then a horror film I'm slowly working on. Madonna: Oh, I love horror films. Prem: Me too. Madonna: I just keep auditioning. I've got a couple of fingers crossed on a couple of things right now that I can't talk about, but I, you know, just hopefully, I just keep, as all actors do, I, we just keep auditioning. Robin and I set up, we finally have a media area where we can keep our ring light and our backdrop up and we can keep doing scenes. And two of the things that I have had come my way recently, whether I get them or not, they're really great projects. And I always consider an audition like I'm going to work. So, yeah, just fingers crossed on those. And we just keep going, like looking at I've got great agents and a great manager and, and they know me, so I'm really happy about all that. Passionistas: Thanks for listening to The Passionistas Project Podcast and our interviews with Prem Santana, Carylanna Taylor and Madonna Cacciatore. To learn more about “I Thought The Earth Remembered Me” and Prem Santana's other work visit www.premsantana.com Go to first encounter productions dot.com to stay up to date on Carylanna Taylor's projects. Stay on top of all of the great work that Madonna Cacciatore is doing at IMDb dot com and on her website m cacciatore dot com. And be sure to visit ThePassionistasProject.com to sign up for our mailing list, find all the ways you can follow us on social media and join our worldwide community of women working together to level the playing field for us all. We'll be back next week with another Passionista who is defining success on her own terms and breaking down the barriers for herself and women everywhere. Until then. Stay well and stay passionate.

Oh it's bent alright! Dig in for these hot pretzel-like stories:-Bono explains why U2 is ditching their new album!-Motley Crue's Mick Mars retires from touring!-Chrissie Hynde announces new Pretenders record!-Music Cares to honor Berry and Smokey!-Stadium Tour Part 2 announced, and more!!! We have fantastic sponsors of our podcast, please visit their web sites, and support those who make the show go:Boldfoot Socks   https://boldfoot.comCrooked Eye Brewery   https://crookedeyebrewery.com/Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/ 

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Introducing Wonder Media Network's first true crime show, I Was Never There. Thirty-four years ago, Marsha “Mudd” Ferber vanished without a trace from Morgantown, WV. Mother-daughter duo Karen and Jamie Zelermyer are going back to the land to figure out what the hell happened. Named a 2022 Tribeca Film Festival official selection for audio storytelling, I Was Never There is as much true crime show as it is an ode to Appalachian countercultural movements of the 1970s and 1980s. Listen wherever you get your podcasts.For archival photos, videos, and more, follow I Was Never There on Instagram. For more information on the show and to get in touch with the team, check out our website. Follow host Jamie Zelermyer on Instagram and Twitter. Follow Wonder Media Network:WebsiteTwitterInstagramI Was Never There is a Wonder Media Network production. It's hosted by Jamie Zelermyer and Karen Zelermyer. It's produced by Allie Wollner, Lindsey Kratochwill, Adesuwa Agbonile, and Liz Smith. It's edited by Jenny Kaplan and Liz Smith. Our executive producers are Jenny Kaplan, Jamie Zelermyer and Karen Zelermyer. Production assistance by Alesandra Tejeda. Our music supervisor is Sarah Tembeckjian. The theme music is "Take Me Home Country Roads" by John Denver, performed by Brandi Carlile. 

Introducing Wonder Media Network's first true crime show, I Was Never There. Thirty-four years ago, Marsha “Mudd” Ferber vanished without a trace from Morgantown, WV. Mother-daughter duo Karen and Jamie Zelermyer are going back to the land to figure out what the hell happened. Named a 2022 Tribeca Film Festival official selection for audio storytelling, I Was Never There is as much true crime show as it is an ode to Appalachian countercultural movements of the 1970s and 1980s. Listen wherever you get your podcasts. For archival photos, videos, and more, follow I Was Never There on Instagram. For more information on the show and to get in touch with the team, check out our website. Follow host Jamie Zelermyer on Instagram and Twitter. Follow Wonder Media Network:WebsiteTwitterInstagramI Was Never There is a Wonder Media Network production. It's hosted by Jamie Zelermyer and Karen Zelermyer. It's produced by Allie Wollner, Lindsey Kratochwill, Adesuwa Agbonile, and Liz Smith. It's edited by Jenny Kaplan and Liz Smith. Our executive producers are Jenny Kaplan, Jamie Zelermyer and Karen Zelermyer. Production assistance by Alesandra Tejeda. Our music supervisor is Sarah Tembeckjian.  The theme music is "Take Me Home, Country Roads" performed by Brandi Carlile, courtesy of Elektra Records / A Low Country Sound, written by John Denver, Taffy Nivert, William Thomas Danoff.

Introducing Wonder Media Network's first true crime show, I Was Never There. Thirty-four years ago, Marsha “Mudd” Ferber vanished without a trace from Morgantown, WV. Mother-daughter duo Karen and Jamie Zelermyer are going back to the land to figure out what the hell happened. Named a 2022 Tribeca Film Festival official selection for audio storytelling, I Was Never There is as much true crime show as it is an ode to Appalachian countercultural movements of the 1970s and 1980s. Listen wherever you get your podcasts. For archival photos, videos, and more, follow I Was Never There on Instagram. For more information on the show and to get in touch with the team, check out our website. Follow host Jamie Zelermyer on Instagram and Twitter. Follow Wonder Media Network:WebsiteTwitterInstagramI Was Never There is a Wonder Media Network production. It's hosted by Jamie Zelermyer and Karen Zelermyer. It's produced by Allie Wollner, Lindsey Kratochwill, Adesuwa Agbonile, and Liz Smith. It's edited by Jenny Kaplan and Liz Smith. Our executive producers are Jenny Kaplan, Jamie Zelermyer and Karen Zelermyer. Production assistance by Alesandra Tejeda. Our music supervisor is Sarah Tembeckjian. The theme music is "Take Me Home Country Roads" by John Denver, performed by Brandi Carlile.

Through interviews with Marsha's friends, Jamie and Karen detail everything that is known about the days leading up to and following the disappearance. They read through the police notes which leaves them with more questions than answers. Why didn't the detectives do better follow up with one of the primary suspects? And, why didn't anyone investigate the role Marsha's drug business might have played in all of this?For archival photos, videos, and more, follow I Was Never There on Instagram. For more information on the show and to get in touch with the team, check out our website. Follow host Jamie Zelermyer on Instagram and Twitter. Follow Wonder Media Network:WebsiteTwitterInstagramI Was Never There is a Wonder Media Network production. It's hosted by Jamie Zelermyer and Karen Zelermyer. It's produced by Allie Wollner, Lindsey Kratochwill, Adesuwa Agbonile, and Liz Smith. It's edited by Jenny Kaplan and Liz Smith. Our executive producers are Jenny Kaplan, Jamie Zelermyer and Karen Zelermyer. Production assistance by Alesandra Tejeda. Our music supervisor is Sarah Tembeckjian. The theme music is "Take Me Home, Country Roads" performed by Brandi Carlile, courtesy of Elektra Records / A Low Country Sound, written by John Denver, Taffy Nivert, William Thomas Danoff.

I Was Never There launches with the range of theories swirling around the disappearance of Marsha “Mudd” Ferber. We meet our hosts, Jamie and Karen Zelermyer and learn who they are in relation to Marsha's story, and why they've decided to try to find out what really happened to her now.For archival photos, videos, and more, follow I Was Never There on Instagram. For more information on the show and to get in touch with the team, check out our website. Follow host Jamie Zelermyer on Instagram and Twitter. Follow Wonder Media Network:WebsiteTwitterInstagramI Was Never There is a Wonder Media Network production. It's hosted by Jamie Zelermyer and Karen Zelermyer. It's produced by Allie Wollner, Lindsey Kratochwill, Adesuwa Agbonile, and Liz Smith. It's edited by Jenny Kaplan and Liz Smith. Our executive producers are Jenny Kaplan, Jamie Zelermyer and Karen Zelermyer. Production assistance by Alesandra Tejeda. Our music supervisor is Sarah Tembeckjian. The theme music is "Take Me Home, Country Roads" performed by Brandi Carlile, courtesy of Elektra Records / A Low Country Sound, written by John Denver, Taffy Nivert, William Thomas Danoff.

Introducing Wonder Media Network's first true crime show, I Was Never There. Thirty-four years ago, Marsha “Mudd” Ferber vanished without a trace from Morgantown, WV. Mother-daughter duo Karen and Jamie Zelermyer are going back to the land to figure out what the hell happened. Named a 2022 Tribeca Film Festival official selection for audio storytelling, I Was Never There is as much true crime show as it is an ode to Appalachian countercultural movements of the 1970s and 1980s. Listen wherever you get your podcasts. For archival photos, videos, and more, follow I Was Never There on Instagram. For more information on the show and to get in touch with the team, check out our website. Follow host Jamie Zelermyer on Instagram and Twitter. Follow Wonder Media Network:WebsiteTwitterInstagramI Was Never There is a Wonder Media Network production. It's hosted by Jamie Zelermyer and Karen Zelermyer. It's produced by Allie Wollner, Lindsey Kratochwill, Adesuwa Agbonile, and Liz Smith. It's edited by Jenny Kaplan and Liz Smith. Our executive producers are Jenny Kaplan, Jamie Zelermyer and Karen Zelermyer. Production assistance by Alesandra Tejeda. Our music supervisor is Sarah Tembeckjian. The theme music is "Take Me Home Country Roads" by John Denver, performed by Brandi Carlile. 

Introducing Wonder Media Network's first true crime show, I Was Never There. Thirty-four years ago, Marsha “Mudd” Ferber vanished without a trace from Morgantown, WV. Mother-daughter duo Karen and Jamie Zelermyer are going back to the land to figure out what the hell happened. Named a 2022 Tribeca Film Festival official selection for audio storytelling, I Was Never There is as much true crime show as it is an ode to Appalachian countercultural movements of the 1970s and 1980s. Listen wherever you get your podcasts. For archival photos, videos, and more, follow I Was Never There on Instagram. For more information on the show and to get in touch with the team, check out our website. Follow host Jamie Zelermyer on Instagram and Twitter. Follow Wonder Media Network:WebsiteTwitterInstagramI Was Never There is a Wonder Media Network production. It's hosted by Jamie Zelermyer and Karen Zelermyer. It's produced by Allie Wollner, Lindsey Kratochwill, Adesuwa Agbonile, and Liz Smith. It's edited by Jenny Kaplan and Liz Smith. Our executive producers are Jenny Kaplan, Jamie Zelermyer and Karen Zelermyer. Production assistance by Alesandra Tejeda. Our music supervisor is Sarah Tembeckjian. The theme music is "Take Me Home Country Roads" by John Denver, performed by Brandi Carlile.