Podcasts about mulk raj anand

Hey everyone! Welcome to this week's episode of the True Fiction Project. Today I'm honored to talk with Sathya Saran and learn her story about rising in the editorial world in India that was typically dominated by men. Sathya shares her experience in journalism and explains how she turned around and brought success to the magazine's Femina India and Me Magazine for the DNA, Daily News and Analysis. Tune in to learn how she flew high, even when her wings were clipped. IN THIS EPISODE: [2:16] Sathya shares how she got started with her career path.  [8:10] What led to hostility that Sathya experienced in journalism?  [9:07] Who is Dr. Mulk Raj Anand and what did meeting with him lead to?  [10:34] What was so important about the magazine Femina?  [11:55] Sathya shares how she turned Femina magazine around.  [18:20] What happened after Sathya left Femina?  [21:43] Sathya shares her journey of writing her first book. [23:13] What was the Me Magazine for the DNA, Daily News and Analysis?  [28:52] Sathya shares what led her to focus full time on her books.  [30:50] Sathya discusses her journey of sharing with others how to write.   KEY TAKEAWAYS: If you love what you do, and do it with confidence and do it with integrity, it will reward you in some way.  Take a chance on yourself! Sathya went outside the box, challenged the norm, and created wild success.  Fly high, even if your wings are clipped! Subscribe to Reenita's Storytelling Den on Substack for free or become a paid subscriber to watch the video version of this episode and be eligible to receive other extras such as exclusive content from podcast guests, short stories, exclusive fiction and more! https://substack.com/@reenitahora   Fiction Credits: Read by Sathya Saran  GUEST RESOURCES: Sathya Saran's Twitter  Sathya Saran's Instagram  Sathya Saran's LinkedIn  HOST RESOURCES Website LinkedIn  Tiktok  Instagram  Facebook  Twitter (X)  Substack  Threads  LinkTree  BIO: Best known for her long association with Femina, which she edited for 12 years, Sathya Saran is currently Consulting Editor with Penguin Random House India. Sathya Saran is also the author of a diverse variety of books. The Dark Side reflects her love of the short story, while the critically acclaimed biographies, Ten Years with Guru Dutt Abrar Alvi's Journey; Sun Mere Bandhu Re The Musical World of SD Burman and Baat Niklegi toh Phir The Life and Music of Jagjit Singh bear testimony to her love of cinema and music. Sathya has also written the hugely appreciated biography of Pt Hariprasad Chaurasia. Sathya teaches fashion journalism at NIFT Mumbai, Kangra and Srinagar. She has been a stage actor with Veenapani Chawla. Passionate about writing, she conceptualised and curates the first of its kind Writers Conclave titled The Spaces between Words the unfestival sponsored by JSW at Kaladham near Hampi. Sathya has written a tv serial titled Kashmakash on marital problems. Her column in Femina and Me magazine is now continuing to gain new fans as a guest column in Dainik Jagran. She also writes a column for the New Indian Express. Support this podcast at — https://redcircle.com/true-fiction-project/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Cauvery Madhavan talks about Mulk Raj Anand, Amitav Ghosh, Khalil Gibran and more as she talks to Ruth McKee about starting school early, a tragedy in her life, and moving to Ireland when she was 23. Discover the books she'd save if her house was on fire in the latest episode of Burning Books.   Cauvery Madhavan was born in India and moved to Ireland thirty-three years ago. She is the author of Paddy Indian, The Uncoupling, and The Tainted. Her latest novel, The Inheritance (HopeRoad Publishing), is out now.

How did superpower competition and the cold war affect writers in the decolonizing world? In the book The Aesthetic Cold War, Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka —carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. With us today is the book's author Peter J. Kalliney. Dr. Kalliney is Professor of  English at the University of Kentucky. His books include Cities of Affluence and Anger, Commonwealth of Letters, and Modernism in a Global Context.Recommended Reading:Peter J. Kalliney, The Aesthetic Cold War: Decolonization and Global Literature, 2022This podcast is sponsored by Riverside, the most efficient platform for video recording and editing for podcasters.Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Nigel Planer discusses with Ivan six things which should be better known. Nigel Planer is an actor, writer and musician. He played Neil in the BBC comedy The Young Ones and Ralph Filthy in Filthy Rich & Catflap. He has appeared in many West End musicals, including original casts of Evita, Chicago, We Will Rock You, Wicked, and Charlie and the Chocolate Factory. His play, It's Headed Straight Towards Us, is co-written with Adrian Edmondson, stars Samuel West and Rufus Hound, and is on at the Park Theatre, London. His latest book is Jeremiah Bourne in Time. Myths of 20th century leftist icons https://www.theguardian.com/politics/from-the-archive-blog/2019/may/01/eugenics-founding-fathers-british-socialism-archive-1997 Ambedkar and Mulk Raj Anand https://blogs.lse.ac.uk/lsereviewofbooks/2023/02/27/book-review-ambedkar-in-london-by-william-gould-santosh-dass-and-christophe-jaffrelot/ Jane Jacobs https://www.nybooks.com/online/2012/03/30/jane-jacobs-neocons-health-care/ Anselm Keifer https://www.newyorker.com/magazine/2017/07/03/anselm-kiefers-beautiful-ruins Nenda Neururer https://www.imdb.com/name/nm10130242/ Learning languages https://www.cambridge.org/elt/blog/2022/04/29/learning-language-changes-your-brain/ This podcast is powered by ZenCast.fm

Starting this year, English literature students of Doon University will read Kim by Rudyard Kipling, Gitanjali by Rabindranath Tagore, A Passage to India by EM Forster, Heat and Dust by Ruth Prawer Jhabvala, Untouchable by Mulk Raj Anand, and Train to Pakistan by Khushwant Singh. Read More-  https://theprint.in/opinion/6-books-for-doon-literature-students-why-i-picked-them-what-they-say-about-1900-1947-india/1746410/

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In 1940s India, revolutionary and nationalistic feeling surged against colonial subjecthood and imperial war. Two-and-a-half million men from undivided India served the British during the Second World War, while 3 million civilians were killed by the war-induced Bengal Famine, and Indian National Army soldiers fought against the British for Indian independence. This captivating new history shines a spotlight on emotions as a way of unearthing these troubled and contested experiences, exposing the personal as political. Diya Gupta draws upon photographs, letters, memoirs, novels, poetry and philosophical essays, in both English and Bengali languages, to weave a compelling tapestry of emotions felt by Indians in service and at home during the war. She brings to life an unknown sepoy in the Middle East yearning for home, and anti-fascist activist Tara Ali Baig; a disillusioned doctor on the Burma frontline, and Sukanta Bhattacharya's modernist poetry of hunger; Mulk Raj Anand's revolutionary home front, and Rabindranath Tagore's critique of civilisation. India in the Second World War: An Emotional History (Oxford UP, 2023) recovers a truly global history of the Second World War, revealing the crucial importance of cultural approaches in challenging a traditional focus on the wartime experiences of European populations. Seen through Indian eyes, this conflict is no longer the 'good' war. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1940s India, revolutionary and nationalistic feeling surged against colonial subjecthood and imperial war. Two-and-a-half million men from undivided India served the British during the Second World War, while 3 million civilians were killed by the war-induced Bengal Famine, and Indian National Army soldiers fought against the British for Indian independence. This captivating new history shines a spotlight on emotions as a way of unearthing these troubled and contested experiences, exposing the personal as political. Diya Gupta draws upon photographs, letters, memoirs, novels, poetry and philosophical essays, in both English and Bengali languages, to weave a compelling tapestry of emotions felt by Indians in service and at home during the war. She brings to life an unknown sepoy in the Middle East yearning for home, and anti-fascist activist Tara Ali Baig; a disillusioned doctor on the Burma frontline, and Sukanta Bhattacharya's modernist poetry of hunger; Mulk Raj Anand's revolutionary home front, and Rabindranath Tagore's critique of civilisation. India in the Second World War: An Emotional History (Oxford UP, 2023) recovers a truly global history of the Second World War, revealing the crucial importance of cultural approaches in challenging a traditional focus on the wartime experiences of European populations. Seen through Indian eyes, this conflict is no longer the 'good' war. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1940s India, revolutionary and nationalistic feeling surged against colonial subjecthood and imperial war. Two-and-a-half million men from undivided India served the British during the Second World War, while 3 million civilians were killed by the war-induced Bengal Famine, and Indian National Army soldiers fought against the British for Indian independence. This captivating new history shines a spotlight on emotions as a way of unearthing these troubled and contested experiences, exposing the personal as political. Diya Gupta draws upon photographs, letters, memoirs, novels, poetry and philosophical essays, in both English and Bengali languages, to weave a compelling tapestry of emotions felt by Indians in service and at home during the war. She brings to life an unknown sepoy in the Middle East yearning for home, and anti-fascist activist Tara Ali Baig; a disillusioned doctor on the Burma frontline, and Sukanta Bhattacharya's modernist poetry of hunger; Mulk Raj Anand's revolutionary home front, and Rabindranath Tagore's critique of civilisation. India in the Second World War: An Emotional History (Oxford UP, 2023) recovers a truly global history of the Second World War, revealing the crucial importance of cultural approaches in challenging a traditional focus on the wartime experiences of European populations. Seen through Indian eyes, this conflict is no longer the 'good' war. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In 1940s India, revolutionary and nationalistic feeling surged against colonial subjecthood and imperial war. Two-and-a-half million men from undivided India served the British during the Second World War, while 3 million civilians were killed by the war-induced Bengal Famine, and Indian National Army soldiers fought against the British for Indian independence. This captivating new history shines a spotlight on emotions as a way of unearthing these troubled and contested experiences, exposing the personal as political. Diya Gupta draws upon photographs, letters, memoirs, novels, poetry and philosophical essays, in both English and Bengali languages, to weave a compelling tapestry of emotions felt by Indians in service and at home during the war. She brings to life an unknown sepoy in the Middle East yearning for home, and anti-fascist activist Tara Ali Baig; a disillusioned doctor on the Burma frontline, and Sukanta Bhattacharya's modernist poetry of hunger; Mulk Raj Anand's revolutionary home front, and Rabindranath Tagore's critique of civilisation. India in the Second World War: An Emotional History (Oxford UP, 2023) recovers a truly global history of the Second World War, revealing the crucial importance of cultural approaches in challenging a traditional focus on the wartime experiences of European populations. Seen through Indian eyes, this conflict is no longer the 'good' war. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In 1940s India, revolutionary and nationalistic feeling surged against colonial subjecthood and imperial war. Two-and-a-half million men from undivided India served the British during the Second World War, while 3 million civilians were killed by the war-induced Bengal Famine, and Indian National Army soldiers fought against the British for Indian independence. This captivating new history shines a spotlight on emotions as a way of unearthing these troubled and contested experiences, exposing the personal as political. Diya Gupta draws upon photographs, letters, memoirs, novels, poetry and philosophical essays, in both English and Bengali languages, to weave a compelling tapestry of emotions felt by Indians in service and at home during the war. She brings to life an unknown sepoy in the Middle East yearning for home, and anti-fascist activist Tara Ali Baig; a disillusioned doctor on the Burma frontline, and Sukanta Bhattacharya's modernist poetry of hunger; Mulk Raj Anand's revolutionary home front, and Rabindranath Tagore's critique of civilisation. India in the Second World War: An Emotional History (Oxford UP, 2023) recovers a truly global history of the Second World War, revealing the crucial importance of cultural approaches in challenging a traditional focus on the wartime experiences of European populations. Seen through Indian eyes, this conflict is no longer the 'good' war. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In 1940s India, revolutionary and nationalistic feeling surged against colonial subjecthood and imperial war. Two-and-a-half million men from undivided India served the British during the Second World War, while 3 million civilians were killed by the war-induced Bengal Famine, and Indian National Army soldiers fought against the British for Indian independence. This captivating new history shines a spotlight on emotions as a way of unearthing these troubled and contested experiences, exposing the personal as political. Diya Gupta draws upon photographs, letters, memoirs, novels, poetry and philosophical essays, in both English and Bengali languages, to weave a compelling tapestry of emotions felt by Indians in service and at home during the war. She brings to life an unknown sepoy in the Middle East yearning for home, and anti-fascist activist Tara Ali Baig; a disillusioned doctor on the Burma frontline, and Sukanta Bhattacharya's modernist poetry of hunger; Mulk Raj Anand's revolutionary home front, and Rabindranath Tagore's critique of civilisation. India in the Second World War: An Emotional History (Oxford UP, 2023) recovers a truly global history of the Second World War, revealing the crucial importance of cultural approaches in challenging a traditional focus on the wartime experiences of European populations. Seen through Indian eyes, this conflict is no longer the 'good' war.

It was a personal tragedy that propelled Mulk Raj Anand into a writing career. His first essay was in response to the suicide of an aunt excommunicated by her family for sharing a meal with a Muslim woman. It is the rigidity of the caste system and the deplorable condition that the poor of the country live in that became his literary preoccupation for the rest of his life. Known as India's Charles Dickens, Mulk Raj Anand, along with R. K Narayan is credited for having brought Indian English writing to International readers. One of the founding members of Progressive Writers Association, Mulk Raj Anand remained committed to the cause of Indian independence, writing propaganda materials while living in London. He continued to write after he moved back to India in 1947. #hindikahani #IndianEnglish #ShortStories #audiostories --- Send in a voice message: https://podcasters.spotify.com/pod/show/storyjam/message

Abdul "Late Lateef" was always late. His father had given up on him. But, his mother hoped that he would understand the necessity to be on time, sooner than later. One day, as usual, he returned home only to find disaster. Did being Late Lateef, actually pay off? If he had been there earlier, he would have... What did Abdul find or lose? Listen to this short story by one of the best writers, ever was.

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War: Decolonization and Global Literature (Princeton UP, 2022), Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police. A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century.

In October 1946, shortly before Independence, Mulk Raj Anand founded Marg, a magazine that soon became a pioneering forum for research on Indian and South Asian art and architecture. Over its 75 years, Marg (in its quarterly magazine as well as books) has promoted a deeper understanding of eras past while examining contemporary art practices. To mark our platinum anniversary, we are delving into Marg's archive of writing on temple art and architecture, to understand the shifts in perspective over the decades. The result is a lavishly illustrated magazine, which could also serve as a guide for educators teaching the Indian Temple over a semester. It presents a cross-section of themes and covers both key sites—Khajuraho, Thanjavur and Konarak—and those less written about—Kashmir, Bangladesh, Nepal, Sri Lanka, and Kerala. These are unique not only architecturally, but also from the point of view of patronage and the diverse public functions they served. Conceptualized and curated by our General Editor, Dr Naman P. Ahuja, the essays have been contextualised through a contemporary lens. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

In October 1946, shortly before Independence, Mulk Raj Anand founded Marg, a magazine that soon became a pioneering forum for research on Indian and South Asian art and architecture. Over its 75 years, Marg (in its quarterly magazine as well as books) has promoted a deeper understanding of eras past while examining contemporary art practices. To mark our platinum anniversary, we are delving into Marg's archive of writing on temple art and architecture, to understand the shifts in perspective over the decades. The result is a lavishly illustrated magazine, which could also serve as a guide for educators teaching the Indian Temple over a semester. It presents a cross-section of themes and covers both key sites—Khajuraho, Thanjavur and Konarak—and those less written about—Kashmir, Bangladesh, Nepal, Sri Lanka, and Kerala. These are unique not only architecturally, but also from the point of view of patronage and the diverse public functions they served. Conceptualized and curated by our General Editor, Dr Naman P. Ahuja, the essays have been contextualised through a contemporary lens. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In October 1946, shortly before Independence, Mulk Raj Anand founded Marg, a magazine that soon became a pioneering forum for research on Indian and South Asian art and architecture. Over its 75 years, Marg (in its quarterly magazine as well as books) has promoted a deeper understanding of eras past while examining contemporary art practices. To mark our platinum anniversary, we are delving into Marg's archive of writing on temple art and architecture, to understand the shifts in perspective over the decades. The result is a lavishly illustrated magazine, which could also serve as a guide for educators teaching the Indian Temple over a semester. It presents a cross-section of themes and covers both key sites—Khajuraho, Thanjavur and Konarak—and those less written about—Kashmir, Bangladesh, Nepal, Sri Lanka, and Kerala. These are unique not only architecturally, but also from the point of view of patronage and the diverse public functions they served. Conceptualized and curated by our General Editor, Dr Naman P. Ahuja, the essays have been contextualised through a contemporary lens. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In October 1946, shortly before Independence, Mulk Raj Anand founded Marg, a magazine that soon became a pioneering forum for research on Indian and South Asian art and architecture. Over its 75 years, Marg (in its quarterly magazine as well as books) has promoted a deeper understanding of eras past while examining contemporary art practices. To mark our platinum anniversary, we are delving into Marg's archive of writing on temple art and architecture, to understand the shifts in perspective over the decades. The result is a lavishly illustrated magazine, which could also serve as a guide for educators teaching the Indian Temple over a semester. It presents a cross-section of themes and covers both key sites—Khajuraho, Thanjavur and Konarak—and those less written about—Kashmir, Bangladesh, Nepal, Sri Lanka, and Kerala. These are unique not only architecturally, but also from the point of view of patronage and the diverse public functions they served. Conceptualized and curated by our General Editor, Dr Naman P. Ahuja, the essays have been contextualised through a contemporary lens. Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A lifetime spent reading, writing and reflecting teaches you a lot. Nilanjana Roy joins Amit Varma in episode 284 of The Seen and the Unseen to talk about books, feminism, family, memory and the state of the world.  Also check out:1. Nilanjana Roy on Twitter, Instagram, Amazon, Financial Times, Business Standard and her own website. 2. The Girl Who Ate Books: Adventures in Reading -- Nilanjana Roy. 3. The Wildings -- Nilanjana Roy. 4. The Hundred Names of Darkness -- Nilanjana Roy. 5. Episodes of The Seen and the Unseen that discuss reading and writing with Sara Rai, Amitava Kumar, VK Karthika, Sugata Srinivasaraju, Mrinal Pande, Sonia Faleiro, Vivek Tejuja, Samanth Subramanian, Annie Zaidi and Prem Panicker. 6.  Episodes of The Seen and the Unseen on the creator ecosystem with Roshan Abbas, Varun Duggirala, Neelesh Misra, Snehal Pradhan, Chuck Gopal, Nishant Jain, Deepak Shenoy and Abhijit Bhaduri. 7. A Meditation on Form -- Amit Varma. 8. Why Are My Episodes so Long? -- Amit Varma. 9. The Prem Panicker Files -- Episode 217 of The Seen and the Unseen. 10. Jonathan Haidt on Amazon. 11. Where Have All the Leaders Gone? -- Amit Varma. 12. The Ranga-Billa Case. 13. Sarojini Naidu on Amazon. 14. The Collected Works of Mahatma Gandhi. 15. The Mahatma and the Poet — The letters between Gandhi and Tagore, compiled by Sabyasachi Bhattacharya. 16. Amitava Kumar Finds the Breath of Life -- Episode 265 of The Seen and the Unseen. 17. Margaret Mascarenhas on Amazon. 18. The Web We Have to Save -- Hossein Derakhshan. 19. The Country Without a Post Office -- Agha Shahid Ali. 20. Wanting — Luke Burgis. 21. René Girard on Amazon and Wikipedia. 22. The Silence of Scheherazade -- Defne Suman. 23. Silver -- Walter de la Mare. 24. Lessons from an Ankhon Dekhi Prime Minister — Amit Varma. 25. George Saunders and Barack Obama on Amazon. 26. A life in 5,000 books -- Nilanjana Roy. 27. Surender Mohan Pathak, Ibne Safi and Gabriel Garcia Marquez on Amazon.  28. The Power Broker — Robert Caro. 29. The Death and Life of Great American Cities — Jane Jacobs. 30. JRR Tolkien, Ursula Le Guin and Terry Pratchett on Amazon. 31. Forget reading Thomas Piketty. Try a bit of Terry Pratchett -- Robert Shrimsley. 32. Fifty Shades of Grey -- EL James. 33. Ankur Warikoo, Aanchal Malhotra, Manu Pillai and Ira Mukhoty on Amazon. 34. Mahashweta Devi and Naiyer Masud on Amazon. 35. The former homes of Hurree Babu and Putu the Cat. 36. The Life and Times of Abhinandan Sekhri -- Episode 254 of The Seen and the Unseen. 37. Om Namah Volume -- Amit Varma. 38. Salman's Sea of Stories -- Salman Rushdie's Substack newsletter. 39. What Is It Like to Be a Bat? — Thomas Nagel. 40. The Hidden Life of Trees -- Peter Wohlleben. 41. An Immense World -- Ed Yong. 42. The Twitter thread by Sergej Sumlenny that Nilanjana mentioned. 43. The Inheritance of Loss -- Kiran Desai. 44. The Grapes of Wrath -- John Steinbeck. 45. Pather Panchali --  Bibhutibhushan Bandopadhyay. 46. Gora -- Rabindranath Tagore. 47. William Shakespeare, Kalidasa, Geoffrey Chaucer and Krishna Sobti on Amazon. 48. The Cult of Authenticity -- Vikram Chandra. 49. Meenakshi Mukherjee: The Death of a Critic -- Nilanjana Roy. 50. Field Notes from a Waterborne Land: Bengal Beyond the Bhadralok -- Parimal Bhattacharya. 51. Patriots, Poets and Prisoners: Selections from Ramananda Chatterjee's The Modern Review, 1907-1947 -- Edited by Anikendra Sen, Devangshu Datta and Nilanjana Rao. 52. The City Inside -- Samit Basu. 53. Understanding India Through Its Languages -- Episode 232 of The Seen and the Unseen (w Peggy Mohan). 54. Wanderers, Kings, Merchants: The Story of India through Its Languages — Peggy Mohan. 55. The Life and Times of Mrinal Pande -- Episode 263 of The Seen and the Unseen. 56. Manjula Padmanathan on Amazon. 57. The Life and Letters of Raja Rammohun Roy. 58. If No One Ever Marries Me -- Lawrence Alma-Tadema. 59. If No One Ever Marries Me -- Natalie Merchant. 60. Kavitha Rao and Our Lady Doctors -- Episode 235 of The Seen and the Unseen. 61. Lady Doctors: The Untold Stories of India's First Women in Medicine — Kavitha Rao. 62. The Memoirs of Dr Haimabati Sen — Haimabati Sen (translated by Tapan Raychoudhuri). 63. Women at Work — Episode 132 of The Seen and the Unseen (w Namita Bhandare). 64. The Loneliness of the Indian Woman -- Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya). 65. Films, Feminism, Paromita — Episode 155 of The Seen and the Unseen (w Paromita Vohra). 66. The Kavita Krishnan Files — Episode 228 of The Seen and the Unseen. 67. Manjima Bhattacharjya: The Making of a Feminist -- Episode 280 of The Seen and the Unseen. 68. I, Lalla: The Poems of Lal Dĕd -- Translated by Ranjit Hoskote. 69. Lal Ded's poem on wrestling with a tiger. 70. Anarchy is a likelier future for the west than tyranny -- Janan Ganesh. 71. The Better Angels of Our Nature -- Steven Pinker. 72. The Ferment of Our Founders -- Episode 272 of The Seen and the Unseen (w Shruti Kapila). 73. Rukmini Sees India's Multitudes — Episode 261 of The Seen and the Unseen (w Rukmini S). 74. A Life in Indian Politics -- Episode 149 of The Seen and the Unseen (w Jayaprakash Narayan). 75. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 76. Gita Press and the Making of Hindu India — Akshaya Mukul. 77. Manohar Malgonkar, Mulk Raj Anand and Kamala Das on Amazon. 78. Kanthapura -- Raja Rao. 79. India's Greatest Civil Servant -- Episode 167 of The Seen and the Unseen (w Narayani Basu, on VP Menon). 80. Private Truths, Public Lies — Timur Kuran. 81. Alice Munro on Amazon. 82. The Bear Came Over the Mountain -- Amit Varma's favourite Alice Munro story. 83. The Median Voter Theorem. 84. The Ice Cream Vendors. 85. Mohammad Zubair's Twitter thread on the Dharam Sansad. 86. The Will to Change -- Bell Hooks. 87. Paul Holdengraber, Maria Popova, Rana Safvi and Rabih Alameddine on Twitter. 88. The hounding of author Kate Clanchy has been a witch-hunt without mercy -- Sonia Sodha. 89. Democrats have stopped listening to America's voters -- Edward Luce. 90. From Cairo to Delhi With Max Rodenbeck -- Episode 281 of The Seen and the Unseen. 91. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 92. GN Devy. 93. The Art of Translation -- Episode 168 of The Seen and the Unseen (w Arunava Sinha). 94. Alipura -- Gyan Chaturvedi (translated by Salil Yusufji). 95. Tomb of Sand -- Geetanjali Shree (translated by Daisy Rockwell). 96. Writer, Rebel, Soldier, Lover: The Many Lives of Agyeya -- Akshaya Mukul. 97. Ashapurna Devi, Agyeya, Saadat Hasan Manto, Ismat Chugtai, Qurratulain Hyder, Amrita Pritam and Girish Karnad on Amazon. 98. The Adventures of Dennis -- Viktor Dragunsky. 99. Toni Morrison on Amazon. 100. Haroun and the Sea of Stories -- Salman Rushdie. 101. The Penguin Book Of Indian Poets -- Edited by Jeet Thayil. 102. These My Words: The Penguin Book of Indian Poetry -- Edited by Eunice de Souza and Melanie Silgardo. 103. The Autobiography of a Goddess -- Andal (translated by Priya Sarrukai Chabria and Ravi Shankar). 104. Ghachar Ghochar — Vivek Shanbhag (translated by Srinath Perur). 105. Amit Varma talks about Ghachar Ghochar in episode 13 of The Book Club on Storytel. 106. River of Fire -- Qurratulain Hyder. 107. The Ones Who Walk Away from Omelas -- Ursula K Le Guin. 108. The Left Hand of Darkness -- Ursula K Le Guin. 109. Mother of 1084 -- Mahashweta Devi. 110. Jejuri -- Arun Kolatkar. 111. The Collected Essays of AK Ramanujan -- Edited by Vinay Dharwadker. 112. The Collected Poems of AK Ramanujan. 113. Folktales From India -- Edited by AK Ramanujan. 114. The Interior Landscape: Classical Tamil Love Poems -- Edited and translated by AK Ramanujan. 115. The Essential Kabir -- Translated by Arvind Krishna Mehrotra. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! The illustration for this episode is by Nishant Jain aka Sneaky Artist. Check out his work on Twitter, Instagram and Substack.

R.K. Narayan was a well-known Indian writer famous for his set of work and writing in the fictional South Indian town of Malgudi. He was one of the leading and famous authors of early Indian literature written in English along with two others, Mulk Raj Anand and Raja Rao.Narayan's greatest achievement was to make India accessible to the outside world through his writing and powerful words in his literature. Today I am narrating one of his essays titled An Average Man. Don't forget to subscribe.