Podcasts about em forster

Andrew Copson speaks to bestselling author Sarah Bakewell who discusses her intellectual journey through the lives and ideas of history's great thinkers. From Montaigne's enduring wisdom to the existentialists' quest for meaning and the rich tapestry of humanism, Sarah discusses how she uncovers the 'inhabited philosophy' of fascinating individuals from the past and what these explorations reveal about the particularities and universalities of being human. What I Believe was the title of two separate essays by the philosopher Bertrand Russell and the philosopher EM Forster in the early 20th century. These two humanists set out their approach to life, their fundamental worldview, in a way that was accessible to all. In this podcast, Chief Executive of Humanists UK, Andrew Copson, speaks to humanists today to understand more about what they believe, to understand more about the values, convictions, and opinions they live by. Humanists UK is the national charity working on behalf of non religious people to advance free thinking and promote a tolerant society. If you'd like to support the podcast or find out more about the humanist approach to life or the work that we do, please visit humanists.uk. If you like what you see, please consider joining as a member. You can follow Humanists UK on Bluesky, Facebook, Instagram, X, and TikTok – and please remember to leave a 5 star review! What I Believe is produced by Sophie Castle.

Andrew Copson speaks to journalist and political powerhouse Ian Dunt about the uncomfortable truths of liberalism, the rise of populism, and tensions between freedom to Vs freedom from.  This episode was recorded in January 2024.   What I Believe was the title of two separate essays by the philosopher Bertrand Russell and the philosopher EM Forster in the early 20th century. These two humanists set out their approach to life, their fundamental worldview, in a way that was accessible to all. In this podcast, Chief Executive of Humanists UK, Andrew Copson, speaks to humanists today to understand more about what they believe, to understand more about the values, convictions, and opinions they live by. Humanists UK is the national charity working on behalf of non religious people to advance free thinking and promote a tolerant society. If you'd like to support the podcast or find out more about the humanist approach to life or the work that we do, please visit humanists.uk. If you like what you see, please consider joining as a member: You can follow Humanists UK on Bluesky, Facebook, Instagram, X, and TikTok – and please remember to leave a 5 star review! What I Believe is produced by Sophie Castle.

Andrew Copson speaks to acclaimed novelist and Humanists UK patron Jane Fallon about the beliefs that have shaped her journey from vegetarianism to veganism, her lifelong love for animals, and her transition from TV producer to the author of 14 bestselling books. What I Believe was the title of two separate essays by the philosopher Bertrand Russell and the philosopher EM Forster in the early 20th century. These two humanists set out their approach to life, their fundamental worldview, in a way that was accessible to all. In this podcast, Chief Executive of Humanists UK, Andrew Copson, speaks to humanists today to understand more about what they believe, to understand more about the values, convictions, and opinions they live by. Humanists UK is the national charity working on behalf of non religious people to advance free thinking and promote a tolerant society. If you'd like to support the podcast or find out more about the humanist approach to life or the work that we do, please visit humanists.uk. If you like what you see, please consider joining as a member: You can follow Humanists UK on Bluesky, Facebook, Instagram, X, and TikTok – and please remember to leave a 5 star review! What I Believe is produced by Sophie Castle.

Andrew Copson speaks to Labour peer, campaigner, humanist, and former child refugee Lord Alf Dubs who shares the beliefs that have shaped his lifelong quest for social justice, including a childhood encounter with discrimination in 1940s UK and finding himself unexpectedly part of history as a hospital patient on the day the NHS began. He also opens up fleeing the Nazis, travelling as a child refugee on Nicholas Winton's Kindertransport. What I Believe was the title of two separate essays by the philosopher Bertrand Russell and the philosopher EM Forster in the early 20th century. These two humanists set out their approach to life, their fundamental worldview, in a way that was accessible to all. In this podcast, Chief Executive of Humanists UK, Andrew Copson, speaks to humanists today to understand more about what they believe, to understand more about the values, convictions, and opinions they live by. Humanists UK is the national charity working on behalf of non religious people to advance free thinking and promote a tolerant society. If you'd like to support the podcast or find out more about the humanist approach to life or the work that we do, please visit humanists.uk. If you like what you see, please consider joining as a member: You can follow Humanists UK on Bluesky, Facebook, Instagram, X, and TikTok – and please remember to leave a 5 star review! What I Believe is produced by Sophie Castle.

David Volodzko talks to former guest Kevin Ray about a disturbing experience he recently had on the New York subway, the pathology of woke activism, its influence in the arts and why things are getting worse rather than better, Yevgeny Zamyatin's dystopian novel We, his experience with compelled speech, and the effort to turn educators into activist therapists.Kevin Ray is a New York City theater director with over 20 years of experience as an arts educator. He produced and directed “Unearthly Visitants,” based on ghost stories by Edith Wharton, “The Machine Stops,” from EM Forster's short story, and “We,” from Russian dissident Yevgeny Zamyatin's dystopian science-fiction novel. You can find more on his website or find him on Instagram, YouTube and Facebook.The Radicalist is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theradicalist.com/subscribe

Let us know your views now - text us hereSam, Ashley and Lewis take a deep breath about all the crazy happenings from America. How worried should the rest of the world be about developments in the White House? British TV writer Russell T Davies says he's noticed a change and an increase in hatred towards LGBTQ people. Chris, whose 48 from Nebraska in the States tells us his bisexual journey story - Chris works for the military. How's he coping with recent pronouncements from the Trump regime?Sam, Ashley and Lewis talk candidly about 'the trouble with straight men' after a queer woman said she's stopped dating heterosexual men.Would you consider polyamory? activist Zachary Zane says it's made him truly realise his bisexuality. But could Lewis, Sam, Ashley and Tom ever embrace being poly themselves?Bi actor and writer Tom Ward-Thomas joins Ashley to chat all things film, tv, theatre, radio - and this time books! Maurice, the coming of age gay EM Forster novel was made into a film with Hugh Grant, James Wilby and Rupert Graves. How much of it actually had a bi theme in reality?Bi author Sam Mills tells her bisexual journey story as she talks to Ashley about her new book 'Uneven' which charts the lives of 9 famous bi people through history starting with Oscar Wilde.The packed show concludes with another 'Ask a Bisexual'. If you have a question, do please drop us a line.Heads up - another Bisexual Brunch will be out soon including stories from Imogen in Guernsey and David in Belgium. And we've an episode discussing bisexual experience of dating apps coming up. If you'd like to be part of that discussion message us at info@madeinmanchester.tv OR contact us via the Fan Mail tab (text link above) on Buzzsprout. But remember to leave your contact details.Support the show

Sculptor Antony Gormley and Professor of French literature, Catriona Seth discuss Victor Hugo's visual art with Tom Sutcliffe. Victor Hugo was a 19th century cultural colossus, known for monumental works such as The Hunchback of Notre Dame and Les Miserables as well as his poems, plays and political writings. It's not so well known that throughout his career Hugo drew with pen and ink - the same tools he wrote with - creating some 4,000 pictures. The Royal Academy has gathered together about 70 of these in its exhibition 'Astonishing Things: The Drawings of Victor Hugo'. Julian Barnes, one of our greatest living novelists, talks about his latest nonfiction book Changing My Mind. A series of essays published today by Notting Hill Editions, it ponders moments in his life when he's reconsidered long-held views, from memories and politics to words and the writing of EM Forster.Bestselling author Emma Donoghue is known for her novel Room. She talks about mixing in real life characters to her latest work of fiction The Paris Express, which was inspired by seeing a surreal photograph of a nineteenth century French railway disaster.Presenter: Tom Sutcliffe Producer: Claire Bartleet

Hey there, hero!Most of the decisions that are made in the professional world revolve around money, and they are never on schedule.(Thanks to EM Forster for this episode's thought starter.)Much of what happens is random, unpredictable and not based in the arts, but rather in the commerce.And you need to be OK with that.I hope that money isn't looked at as a bad thing, either from the funding of projects so you can get work, or from you getting paid to do those things.Are you OK with money? How's your relationship with the commerce aspect (rather than the art aspect) of acting, VO or writing? Let me know in the comments below.REQUEST: Please join this video's conversation and see the full episode on VOHeroes, where the comments are moderated and civil, at https://voheroes.com/the-competition-and-randomness-of-art-and-money/#Acting #Voice #VoiceOver #Performance #Productivity #Tips #Art #Commerce #Science #Mindset #Success #Process #Options #BestPractices #MarketingWant to be a better VO talent, actor or author? Here's how I can help you......become a VO talent (or a more successful one): https://voheroes.com/start ...become an audiobook narrator on ACX (if you're an actor or VO talent): https://acxmasterclass.com/ ...narrate your own book (if you're an author): https://narrateyourownbook.com/ ...have the most effective pop filter (especially for VO talent): https://mikesock.com/ ...be off-book faster for on-camera auditions and work (memorize your lines): https://rehearsal.pro/...master beautiful audiobook and podcast audio in one drag and drop move on your Mac: https://audiocupcake.com/ The VOHeroes Podcast is heroically built with: BuddyBoss | LearnDash | DreamHost | SamCart | TextExpander | BuzzSprout

In this episode, we get excited about two new books: Every Tom, Dick & Harry by Elinor Lipman and On the Hippie Trail: Istanbul to Kathmandu and the Making of a Travel Writer by Rick Steves. Then Dave shares a sweet poem about the good stuff: love and dogs. Links Every Tom, Dick & Harry by Elinor Lipman Podcast: Mel talks about Ms. Demeanor by Elinor Lipman Visit Elinor Lipman's website. Elinor Lipman is the new EM Forster. Fight me. Review of The Inn at Lake Devine by Elinor Lipman Review of The Way Men Act by Elinor Lipman Review of Isabel's Bed by Elinor Lipman On the Hippie Trail: Istanbul to Kathmandu and the Making of a Travel Writer_ by Rick Steves Photos from On the Hippie Trail on Rick Steves' website Video: Rick Steves talks about his book Taylor Mali's website What Learning Leaves by Taylor Mali Video: Taylor Mali performing ‘How Falling in Love is Like Owning a Dog' Transcript of this episode. The Library of Lost Time is a Strong Sense of Place Production! https://strongsenseofplace.com Join our FREE Substack to get our (awesome) newsletter and join in chats with other people who love books and travel. Do you enjoy our show? Do you want to make friends with other (lovely) listeners? Please support our work on Patreon. Every little bit helps us keep the show going and makes us feel warm and fuzzy inside - https://www.patreon.com/strongsenseofplace As always, you can find us at: Our site Instagram Substack Patreon Parts of the Strong Sense of Place podcast are produced in udio! Some effects are provided by soundly. Learn more about your ad choices. Visit megaphone.fm/adchoices

This Sunday, Vintage Classic Radio's "Sunday Night Playhouse" invites you to step back in time with the "NBC University Theater" radio show for an engaging adaptation of E.M. Forster's "Howard's End." Originally broadcast on March 26th, 1950, this episode stars Angela Lansbury in a compelling narrative that delves into the intertwining lives of three families in England's changing social landscape of the early 20th century. The story meticulously explores themes of class division, cultural clash, and the challenges of personal integrity. Angela Lansbury's portrayal is both nuanced and powerful, supported by John Carradine's authoritative voice and Vanessa Brown's lively and spirited character interpretation. This performance not only brings the complex characters and emotional depth of Forster's work to life but also underscores the timeless relevance of his themes. "Sunday Night Playhouse" continues to celebrate the golden age of radio by bringing such classic tales to new and returning audiences, bridging the past and present with thoughtful, high-quality productions. "Howard's End" exemplifies this mission, offering a rich auditory experience that echoes the concerns of its era while resonating with today's listeners. Join us on Vintage Classic Radio to relive this timeless story through the voices of a remarkable cast, ensuring an evening of entertainment that is as enriching as it is enjoyable.

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast On this episode, we discuss “The Celestial Omnibus” by E. M. Forster (starts page 54). What can we learn from this literary version of a fairy-story? How does the story pit pedantry against […]

Send us a textI've got two brilliant guests with me to today, Roo Shah and Jens Foell, who have written a phenomenal book called Fighting for the Soul of General Practice: the Aagorithm will see you now. This is a wonderful book, two GPs, one based in London, one based in rural North Wales writing about  patient stories and the values of relational medicine, thinking about what we are at risk of losing as we try wholly appropriately to manage demand, to keep services running when there isn't enough money and there aren't enough staff.But what we're losing by doing it, and whether in fact it's okay to stand up and say, "I don't want to be replaced by a computer". I've long said that the things that are of the most value are those which are not directly measurable and so I absolutely loved Jens and Roo's book.  It's very, very readable and it'll make you think, but it won't hurt your head. It's not difficult. It's not dense text. They are both phenomenal storytellers, and this is really about stories and the value of what lies beneath the iceberg, the tip of the iceberg perhaps being a diagnosis but recognising there is so so much more going on and really what we risk losing if we don't remember that. I love the book and I have really really enjoyed talking to Jens and Roo and I would really strongly encourage you to go and buy yourself a copy of this book as soon as you possibly can.Roo mentions the brilliant short story The Machine Stops  by E M Forster you can read it online here: http://www.public-library.uk/ebooks/59/59.pdf

In a future where human contact is almost eliminated by The Machine, Vashti's tranquil, isolated life is interrupted by a plea from her son, to experience the world outside the Machine's influence. As Vashti struggles to understand his desire to see the stars from the Earth's surface, a profound disconnect between their realities begins to emerge. The Machine Stops by E. M. Forster, that's next on The Lost Sci-Fi Podcast.Our latest 5 star review is from MaddzW via Apple Podcasts, Great Britain, “ Obsessed! My go to podcast! I enjoy the journey of discovering these stories, authors, and their backgrounds. With gripping narration and an incredible voice, I thank you for my new nightly tales!” Thank you MaddzW we appreciate your review and we are proud that our podcast is your obsession! If you haven't already left us a 5 star review on Apple Podcasts we hope you will and if you listen on Spotify could you please leave a 5 star rating? if you think we deserve it of course. Edward Morgan Forster, born in 1879, was a renowned English author celebrated for his novels A Room with a View, Howards End, and A Passage to India. His works have been adapted into well-known films, A Room with a View, which featured Maggie Smith and Helena Bonham Carter, and Howards End, starring Anthony Hopkins and Emma Thompson.Science Fiction fans will perhaps remember him forever for the amazing story you are about to hear. It was the most requested story we had never narrated until today. First published in 1909 this dystopian short story explores a future society where humanity lives underground, entirely dependent on a vast, all-encompassing machine that provides for their every need, The Machine Stops by E. M. Forster…Next on The Lost Sci-Fi Podcast, Ever done anything for no particular reason at all ? Ever feel as if you were arguing with yourself? Do you sometimes get the feeling that you're really two people who are at odds over the basic rights and wrongs of life?. . . The Parasite by Arthur C. Clarke☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsVYouTube - https://www.youtube.com/@VintageSciFiAudiobooksFacebook - https://www.facebook.com/TheLostSciFiPodcastTwitter - https://twitter.com/lost_sci_fi=========================== ❤️ ❤️ Thanks to All Our Listeners Who Bought Us a Coffee$200 Someone$75 James Van Maanenberg$50 Anonymous Listener$25 Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Tif Love, Chrystene, Richard Hoffman, Anonymous Listener Hosted on Acast. See acast.com/privacy for more information.

Containing a Matters which arrive at a decisive Finish. Bibliography: Moffat, Wendy - "A Great Unrecorded History: A New Life of E. M. Forster" (2010)

Shahidha Bari discusses EM Forster's A Passage to India with Neel Mukherjee, Elizabeth Lowry and Dr Chris Mourant.

On a journey to Tuscany with her young friend and traveling companion Caroline Abbott, widowed Lilia Herriton falls in love with both Italy and a handsome Italian much younger than herself, and decides to stay. Furious, her dead husband's family send Lilia's brother-in-law to Italy to prevent a misalliance, but he arrives too late. Lilia marries the Italian and in due course becomes pregnant again. When she dies giving birth to her child, the Herritons consider it both their right and their duty to travel to Monteriano to obtain custody of the infant so that he can be raised as an Englishman. (From Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On a journey to Tuscany with her young friend and traveling companion Caroline Abbott, widowed Lilia Herriton falls in love with both Italy and a handsome Italian much younger than herself, and decides to stay. Furious, her dead husband's family send Lilia's brother-in-law to Italy to prevent a misalliance, but he arrives too late. Lilia marries the Italian and in due course becomes pregnant again. When she dies giving birth to her child, the Herritons consider it both their right and their duty to travel to Monteriano to obtain custody of the infant so that he can be raised as an Englishman. (From Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On a journey to Tuscany with her young friend and traveling companion Caroline Abbott, widowed Lilia Herriton falls in love with both Italy and a handsome Italian much younger than herself, and decides to stay. Furious, her dead husband's family send Lilia's brother-in-law to Italy to prevent a misalliance, but he arrives too late. Lilia marries the Italian and in due course becomes pregnant again. When she dies giving birth to her child, the Herritons consider it both their right and their duty to travel to Monteriano to obtain custody of the infant so that he can be raised as an Englishman. (From Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On a journey to Tuscany with her young friend and traveling companion Caroline Abbott, widowed Lilia Herriton falls in love with both Italy and a handsome Italian much younger than herself, and decides to stay. Furious, her dead husband's family send Lilia's brother-in-law to Italy to prevent a misalliance, but he arrives too late. Lilia marries the Italian and in due course becomes pregnant again. When she dies giving birth to her child, the Herritons consider it both their right and their duty to travel to Monteriano to obtain custody of the infant so that he can be raised as an Englishman. (From Wikipedia.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Join us as we discuss a classic that still has modern relevance. Air Force attorney, Mike Bunnell will provide his unique perspective as he specializes in criminal cases involving sexual assault. He discusses the difficulty found in proving or disproving consent (particularly when alcohol is involved) and compares it to the accusation and subsequent trial that take place in the book. In E.M. Forster's novel A Passage to India, Forster seems to be asking if people of different cultural, religious, and racial backgrounds can co-exist, particularly in situations of high tension and biases. It leads to a good discussion regarding what it means to really see a person, or really see a country.

We read Maurice, by EM Forster, for the Queers of Time bookclub! It's (finally) time for Camille and Matt to chat about it...Support the Show.Check out our Twitter, Instagram, TikTok, and Patreon.Intro and outro music by Julius H.

We debut a new feature: Recall This Story, in which a contemporary writer picks out a bygone story to read and to analyze. Surely there is no better novelist to begin with than RTB' shouse sage, Steve McCauley. And not just because he's got the pipes to power through a whole fantabulous John Cheever story. "The Five-Forty-Eight" (published in The New Yorker 70 years ago) is about sordidness uncovered, a train, and a face in the dirt. It ticks almost every Cheever box, evoking an infinitude of lives unled elsewhere while ostensibly documenting nothing more than the time to takes to down a couple of drinks, scuttle feverishly through some midtown streets, and take a lumbering commuter train out of the city. Steve feels that in our own century, things have changed for the American short story and there's no going back to Cheever's mode. After Raymond Carver, it would be hard to embrace the proliferation (sometimes dizzying, sometimes delightful) of solid details that Cheever deploys. The two try out a final comparison to E M Forster who also quasi-fit into this society, but, Steve opines, could project himself into his female characters in a way that Cheever cannot or will not. John Cheever works mentioned: "The Swimmer" (also a Gregory Peck movie) "The Jewels of the Cabots" "Oh Youth and Beauty" and other stories that nest multiple lives within a single frame, like "The Day the Pig Fell into the Well" Works by others: Sloane Wilson's 1955 novel, Man in the Gray Flannel Suit (and the 1956 film) Flannery O'Connor, "A Good Man is Hard to Find" ("she would have been a good woman if there had been someone there to shoot her every day of her life.") Anton Chekov, "Lady with the Lapdog" Richard Yates and mid-century office nihilism (eg his 1961 Revolutionary Road) Jean Stafford's novels (The Mountain Lion, Boston Adventure) do get reprinted and re-read, Steve points out. Raymond Carver, only partially minimalist, but reduced still further by Gordon Lish in e.g. the story "Mr Copy and Mr fix-it" Listen to and read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We debut a new feature: Recall This Story, in which a contemporary writer picks out a bygone story to read and to analyze. Surely there is no better novelist to begin with than RTB' shouse sage, Steve McCauley. And not just because he's got the pipes to power through a whole fantabulous John Cheever story. "The Five-Forty-Eight" (published in The New Yorker 70 years ago) is about sordidness uncovered, a train, and a face in the dirt. It ticks almost every Cheever box, evoking an infinitude of lives unled elsewhere while ostensibly documenting nothing more than the time to takes to down a couple of drinks, scuttle feverishly through some midtown streets, and take a lumbering commuter train out of the city. Steve feels that in our own century, things have changed for the American short story and there's no going back to Cheever's mode. After Raymond Carver, it would be hard to embrace the proliferation (sometimes dizzying, sometimes delightful) of solid details that Cheever deploys. The two try out a final comparison to E M Forster who also quasi-fit into this society, but, Steve opines, could project himself into his female characters in a way that Cheever cannot or will not. John Cheever works mentioned: "The Swimmer" (also a Gregory Peck movie) "The Jewels of the Cabots" "Oh Youth and Beauty" and other stories that nest multiple lives within a single frame, like "The Day the Pig Fell into the Well" Works by others: Sloane Wilson's 1955 novel, Man in the Gray Flannel Suit (and the 1956 film) Flannery O'Connor, "A Good Man is Hard to Find" ("she would have been a good woman if there had been someone there to shoot her every day of her life.") Anton Chekov, "Lady with the Lapdog" Richard Yates and mid-century office nihilism (eg his 1961 Revolutionary Road) Jean Stafford's novels (The Mountain Lion, Boston Adventure) do get reprinted and re-read, Steve points out. Raymond Carver, only partially minimalist, but reduced still further by Gordon Lish in e.g. the story "Mr Copy and Mr fix-it" Listen to and read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

We debut a new feature: Recall This Story, in which a contemporary writer picks out a bygone story to read and to analyze. Surely there is no better novelist to begin with than RTB' shouse sage, Steve McCauley. And not just because he's got the pipes to power through a whole fantabulous John Cheever story. "The Five-Forty-Eight" (published in The New Yorker 70 years ago) is about sordidness uncovered, a train, and a face in the dirt. It ticks almost every Cheever box, evoking an infinitude of lives unled elsewhere while ostensibly documenting nothing more than the time to takes to down a couple of drinks, scuttle feverishly through some midtown streets, and take a lumbering commuter train out of the city. Steve feels that in our own century, things have changed for the American short story and there's no going back to Cheever's mode. After Raymond Carver, it would be hard to embrace the proliferation (sometimes dizzying, sometimes delightful) of solid details that Cheever deploys. The two try out a final comparison to E M Forster who also quasi-fit into this society, but, Steve opines, could project himself into his female characters in a way that Cheever cannot or will not. John Cheever works mentioned: "The Swimmer" (also a Gregory Peck movie) "The Jewels of the Cabots" "Oh Youth and Beauty" and other stories that nest multiple lives within a single frame, like "The Day the Pig Fell into the Well" Works by others: Sloane Wilson's 1955 novel, Man in the Gray Flannel Suit (and the 1956 film) Flannery O'Connor, "A Good Man is Hard to Find" ("she would have been a good woman if there had been someone there to shoot her every day of her life.") Anton Chekov, "Lady with the Lapdog" Richard Yates and mid-century office nihilism (eg his 1961 Revolutionary Road) Jean Stafford's novels (The Mountain Lion, Boston Adventure) do get reprinted and re-read, Steve points out. Raymond Carver, only partially minimalist, but reduced still further by Gordon Lish in e.g. the story "Mr Copy and Mr fix-it" Listen to and read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We debut a new feature: Recall This Story, in which a contemporary writer picks out a bygone story to read and to analyze. Surely there is no better novelist to begin with than RTB' shouse sage, Steve McCauley. And not just because he's got the pipes to power through a whole fantabulous John Cheever story. "The Five-Forty-Eight" (published in The New Yorker 70 years ago) is about sordidness uncovered, a train, and a face in the dirt. It ticks almost every Cheever box, evoking an infinitude of lives unled elsewhere while ostensibly documenting nothing more than the time to takes to down a couple of drinks, scuttle feverishly through some midtown streets, and take a lumbering commuter train out of the city. Steve feels that in our own century, things have changed for the American short story and there's no going back to Cheever's mode. After Raymond Carver, it would be hard to embrace the proliferation (sometimes dizzying, sometimes delightful) of solid details that Cheever deploys. The two try out a final comparison to E M Forster who also quasi-fit into this society, but, Steve opines, could project himself into his female characters in a way that Cheever cannot or will not. John Cheever works mentioned: "The Swimmer" (also a Gregory Peck movie) "The Jewels of the Cabots" "Oh Youth and Beauty" and other stories that nest multiple lives within a single frame, like "The Day the Pig Fell into the Well" Works by others: Sloane Wilson's 1955 novel, Man in the Gray Flannel Suit (and the 1956 film) Flannery O'Connor, "A Good Man is Hard to Find" ("she would have been a good woman if there had been someone there to shoot her every day of her life.") Anton Chekov, "Lady with the Lapdog" Richard Yates and mid-century office nihilism (eg his 1961 Revolutionary Road) Jean Stafford's novels (The Mountain Lion, Boston Adventure) do get reprinted and re-read, Steve points out. Raymond Carver, only partially minimalist, but reduced still further by Gordon Lish in e.g. the story "Mr Copy and Mr fix-it" Listen to and read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This week on The Literary Life, we bring you another episode in our “Best of” series with a throwback to one of our 2021 Summer of the Short Story shows. In this episode, Angelina, Cindy, and Thomas talk about E. M. Forster's short story “The Machine Stops.” If you are interested in more E. M. Forster chat, you can go listen to our hosts discuss “The Celestial Omnibus” in Episode 17. Angelina points out how this story made her think of Dante. Thomas and Cindy share their personal reactions to reading “The Machine Stops.” They marvel at how prescient Forster was to imagine a world that comes so close to our current reality. They also discuss how to stay human in an increasingly de-humanizing world.  Past events mentioned in this episode replay: Back to School 2021 Conference: Awakening Cindy's new edition of Morning Time: A Liturgy of Love Cindy's Charlotte Mason podcast The New Mason Jar Commonplace Quotes: Imagination, in its earthbound quest, Seeks in the infinite its finite rest. Walter de la Mare (from “Books”) from “The Hollow Men” by T. S. Eliot This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man's hand Under the twinkle of a fading star.       Is it like this In death's other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms       In this last of meeting places We grope together And avoid speech Gathered on this beach of the tumid river       Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death's twilight kingdom The hope only Of empty men. Book List: Two Stories and a Memory by Giuseppe Tomasi di Lampedusa Howards End by E. M. Forster The Great Divorce by C. S. Lewis Fahrenheit 451 by Ray Bradbury The Worm Ouroboros by E. R. Eddison 1984 by George Orwell Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

The earth's surface is no longer habitable, and all humanity is sequestered beneath the ground, couched in isolation and contentment. The Machine provides the needs of humanity. But what happens when the Machine stops?  E.M. Forster, today on The Classic Tales Podcast.  Welcome to this Vintage Episode of The Classic Tales Podcast. Thank you for listening.  A Vintage Episode is released every Tuesday. Please help us to continue producing amazing audiobooks by going to http://classictalesaudiobooks.com, and becoming a supporter. New stories are coming your way on Friday.  Keep an ear open for our Kickstarter for The Golden Triangle – the seventh novel in the Arsène Lupin series. We're getting ready with boxed sets, special editions, and more! We'll let you know when we're ready to kick off.  E.M. Forster, largely known for his novels such as A Room with a View, Howard's End, and A Passage to India, also delved in the realm of science fiction, and he was no slouch. Today's story is often heralded as one of the greatest science fiction stories of all time, and was included in the Science Fiction Hall of Fame, Volume 2.  Versions of this story have often made their way into film, including George Lucas' THX 1138 and the original Logan's Run film from 1967 bear similarities to it. Even the Pixar film Wall-E depicts a future where the world in uninhabitable, and humanity is dependent upon machines for survival.  And now, The Machine Stops, by E.M. Forster.  Follow this link to become a monthly supporter:   Follow this link to subscribe to our YouTube Channel:   Follow this link to subscribe to the Arsène Lupin Podcast:   Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:          

Today on The Literary Life Podcast, Angelina Stanford and Thomas Banks are joined by Atlee Northmore to explore the various screen adaptations based on Howards End by E. M. Forster. They begin the discussion with the question of what is the good of translating one art form, in this case a book, into another art form, such as a screen play. They talk about the beauty of the Merchant Ivory film adaptation, while critiquing the casting and chemistry of the cast, sharing their favorite and least favorite scenes. In contrast, they praise the BBC-Starz series for its excellent adaptation, although it missed some important things that the 1992 film did include. Atlee also highlights some of the ways in which the screen adaptations serve as subtle visual cues for ideas from the story. In the end, Angelina, Thomas, and Atlee share thoughts on enjoying a film as a stand-alone work of art versus judging it as an adaptation of a novel. There are still spots open in many of the classes at House of Humane Letters, so if you or your student are interested in taking something, head over to houseofhumaneletters.com to register today! We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” You can visit the HHL Facebook page or Instagram to find the post to share and enter our giveaway for a $20 discount code! During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. Commonplace Quotes: Every poet, in his kind, is bit by him that comes behind. Jonathan Swift, from “Critics” Narrative prose, especially the novel, has taken, in modern societies, the place occupied by the recitation of myths and fairy tales in traditional and popular societies. Furthermore, the ‘mythic' structure of certain modern novels can be discerned, demonstrating the literary survival of major mythological themes and characters. Mircea Eliade Now, doesn't it seem absurd to you? What is the good of the ear if it tells you the same as the eye? Helen's one aim is to translate tunes into the language of painting and pictures into the language of music. It's very ingenious, and she says several pretty things in the process, but what's gained, I'd like to know? E. M. Forster, from Howards End Cargoes By John Masefield Quinquireme of Nineveh from distant Ophir, Rowing home to haven in sunny Palestine, With a cargo of ivory, And apes and peacocks, Sandalwood, cedarwood, and sweet white wine. Stately Spanish galleon coming from the Isthmus, Dipping through the tropics by the palm-green shores, With a cargo of diamonds, Emeralds, amythysts, Topazes, and cinnamon, and gold moidores. Dirty British coaster with a salt-caked smoke stack, Butting through the channel in the mad March days, With a cargo of Tyne coal, Road-rails, pig-lead, Firewood, iron-ware, and cheap tin trays. Book and Link List: From Pharos from Pharillon by E. M. Forster Howards End (1992) Howards End (BBC-Starz) Howards End Episode 1 The Remains of the Day The English Patient Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Welcome to The Literary Life Podcast and the final episode in our our series on Howards End by E. M. Forster. Today Angelina and Thomas seek to sum up the book and wrap up their thoughts on the way Forster weaves this story. The open with some comments on the almost allegorical nature of Howards End, then talk about the words “only connect” and their meaning in the context of the book. They discuss the problem of Helen and Leonard's relationship and the romance of pity. Other topics of the conversation are the crisis point between Mr. Wilcox and Margaret, the contrast between Charles and Tibby, the fate of Leonard Bast, and the future of Howards End. We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. Commonplace Quotes: Life without dragons would be tame indeed. Desmond MacCarthy, “The Poetry of Chesterton” Howards End is a novel of extraordinary ambition and wide scope. Written in prose with the texture of restrained poetry, it is consummately controlled and sure of purpose. It is Forster's most complexly orchestrated work to its date, and it smoothly manipulates imagery and symbolism, plot and character, into an organic whole. In so doing, it gracefully integrates social comedy, metaphysical explorations, and political concerns. Howards End tests Forster's liberal humanism, finds it wanting, and proposes a marriage of liberal values to conservative tradition. Without destroying the practical contributions of progressivism, it forcefully attacks the mindless materialism that yields rootlessness and spiritual poverty. Claude J. Summers, from E. M. Forster Finis By Marjorie Pickthall Give me a few more hours to pass With the mellow flower of the elm-bough falling, And then no more than the lonely grass And the birds calling. Give me a few more days to keep With a little love and a little sorrow, And then the dawn in the skies of sleep And a clear to-morrow. Give me a few more years to fill With a little work and a little lending, And then the night on a starry hill And the road's ending. Book List: Jayber Crow by Wendell Berry Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Welcome back to The Literary Life Podcast and our series discussing Howards End by E. M. Forster. This week Angelina Stanford and Thomas Banks cover chapters 26-34. Together they continue to talk about the ideas Forster is presenting in the book as seen in this section, including Howards End as a character, the echoes of Wind in the Willows (thanks to Jen Rogers!), Helen's idealism, Margaret and Henry's conflict, the idea of rootedness, and more. On March 7, 2024 you can join Thomas and his brother James live for a webinar on King Alfred the Great. Register today at houseofhumaneletters.com. The webinar recording will also be available for lifetime access after that date. We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. If you want to get the special literary themed teas created by our Patron Erin Miller, go to adagiotea.com to check them out! Commonplace Quotes: Everything has been said already; but since nobody was listening, we shall have to begin all over again. Toutes choses sont dites déjà; mais comme personne n'écoute, il faut toujours recommencer. Andre Gide, from “Narcissus” It is under these “present conditions” of materialism, urbanization, and cosmopolitanism that Howards End poses the question, “Who shall inherit England?” This question is given a lyrical resonance shortly after Margaret tells Helen of her intention to marry Henry. The two women, visiting Aunt Julie at Swanage, gaze across Poole Harbor and watch the tide return. “England was alive, throbbing through all her estuaries, crying for joy through the mouths of all her gulls, and the north wind, with contrary motion, blew stronger against her rising sea,” the narrator records, and then asks: “What did it mean? For what end are her fair complexities, her change of soil, her sinuous coast? Does she belong to those who have moulded her and made her feared by other lands, or to those who had added nothing to her power, but have somehow seen her, seen the whole island at once, lying as a jewel in a silver sea, sailing as a ship of souls, with all the brave world's fleet accompanying her towards eternity?” These questions are at the heart of the book. More crudely stated, they ask whether England belongs to the imperialist or to the yeoman, to those who see life steadily or to those who see it whole, to the prosaic or to the poet. Put another way, they ask whether the inheritors of England are to be people of action or vision. Claude J. Summer, from “E. M. Foster” To E. M. Forster By W. H. Auden Here, though the bombs are real and dangerous, And Italy and Kings are far away, And we're afraid that you will speak to us, You promise still the inner life shall pay. As we run down the slope of Hate with gladness You trip us up like an unnoticed stone, And just as we are closeted with Madness You interrupt us like the telephone. For we are Lucy, Turton, Phillip, we Wish international evil, are excited To join the jolly ranks of the benighted Where Reason is denied and Love ignored: But, as we swear our lie, Miss Avery Comes out into the garden with the sword. Book List: Theodore Dreiser Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Aspects of the Novel by E. M. Forster audiobook. This s a series of lectures given at Trinity College by the acclaimed author E.M. Forster (A Passage to India, Howard's End, A Room With a View) . In them, he discusses 'both the different ways we can look at a novel and the different ways a novelist can look at his work.' The aspects of the novel Forster discusses are the story, people, plot,, fantasy, prophecy and rhythm. While this is a work of academic analysis and not what one expects in a Forster work, the author's wit and voice help make the book very accessible and engaging. Learn more about your ad choices. Visit megaphone.fm/adchoices

Manners, decorum, morals, tact, niceties, propriety. Doesn't this all sound fun!'A Room With A View' by E. M. Forster is the tale of a young woman who is constrained by the conventions of her time. Lucy Honeychurch lives in 1900's England and meets the strange George Emerson whilst travelling to Italy. After a brief but intense contact she returns home and becomes engaged to the uptight Cecil Vyse. However coincidence throws the two back together and she has to decide whether to be a proper lady or do what would make her happy.Would love to hear your feedback and appreciate any support you wish to give :)Timeline:(0:00) - Intro(3:00) - Themes/Questions(13:11) - Author & Extras(19:10) - Summary(22:28) - Value 4 Value(26:53) - Join Live!Value 4 Value Support:Boostagram: https://www.meremortalspodcast.com/supportPaypal: https://www.paypal.com/paypalme/meremortalspodcastConnect with Mere Mortals:Website: https://www.meremortalspodcast.com/Discord: https://discord.gg/jjfq9eGReUTwitter/X: https://twitter.com/meremortalspodInstagram: https://www.instagram.com/meremortalspodcast/TikTok: https://www.tiktok.com/@meremortalspodcast

On The Literary Life Podcast, Angelina and Thomas continue our series on Howards End by E. M. Forster with a discussion of chapters 17-25. In opening the conversation on this chapter, they consider the various houses and ask the question of what role Howards End plays in this whole story. They also delve into the seemingly unlikely romance between Margaret and Mr. Wilcox and the complexity of their personalities, as well as the reactions of their family members. Other ideas they share are about the seen and the unseen, connections versus transactions, and more! Keep listening next week as we cover chapters 26-34. On March 7, 2024 you can join Thomas and his brother James live for a webinar on King Alfred the Great. Register today at houseofhumaneletters.com. The webinar recording will also be available for lifetime access after that date. We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. Commonplace Quotes: Sapiens est qui novit tacere. Wise is he who knows when to keep silence. St. Ambrose, from De Oficibus Ministrorum (On the Duties of the Clergy) But “Only connect” was the exact phrase I had been leading up to, and it has been precious to me ever since I read Howards End, of which it is the epigraph. Perhaps, indeed, it is the theme of all Forster's writing, the attempt to link a passionate skepticism with the desire for meaning, to find the human key to the inhuman world about us, to connect the individual with the community, the known with the unknown, to relate the past to the present, and both to the future. P. L. Travers, from “Only Connect” To My Dear and Loving Husband By Anne Bradstreet If ever two were one, then surely we. If ever man were loved by wife, then thee. If ever wife was happy in a man, Compare with me, ye women, if you can. I prize thy love more than whole mines of gold, Or all the riches that the East doth hold. My love is such that rivers cannot quench, Nor ought but love from thee give recompense. Thy love is such I can no way repay; The heavens reward thee manifold, I pray. Then while we live, in love let's so persever, That when we live no more, we may live ever. Book List: The Celestial Omnibus and Other Stories by E. M. Forster Selected Stories by E. M. Forster What the Bee Knows: Reflections on Myth, Symbol, and Story by P. L. Travers The Liberal Imagination by Lionel Trilling Vanity Fair by William Makepeace Thackeray Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB  

Welcome to The Literary Life Podcast and our second episode in our series on E. M. Forster's book Howards End. This week, Angelina and Thomas cover chapters 8-16, continuing their discussion of the book and the overarching concept of “Story” along the way. In talking about different plot points and characters, Angelina and Thomas make some comparisons between the two couples presented in these chapters and share some thoughts on the friendship between Margaret and Mrs. Wilcox. Angelina points out that Forster is doing some medieval things in this story, as we will see as we go on further. They also bring out more of the significance and symbolism of Howards End the place in the story. If you want to check out our previous episodes on two of E. M. Forster's short stories, you can find those here: Episode 17: “The Celestial Omnibus” Episode 99: “The Machine Stops” We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. This March you can join Thomas and his brother James back for a webinar on King Alfred the Great. You can sign up at houseofhumaneletters.com. Commonplace Quotes: [The Greeks] were children with the intellects of men. R. W. Livingstone, from The Greek Genius and Its Meaning to Us It is astonishing how little attention critics have paid to Story considered in itself. Granted the story, the style in which it should be told, the order in which it should be disposed, and (above all) the delineation of the characters, have been abundantly discussed. But the Story itself, the series of imagined events, is nearly always passed over in silence, or else treated exclusively as affording opportunities for the delineation of character. There are indeed three notable exceptions. Aristotle in the Poeticsconstructed a theory of Greek tragedy which puts Story in the centre and relegates character to a strictly subordinate place. C. S. Lewis, from On Stories A Selection from “Terminus” By Ralph Waldo Emerson It is time to be old, To take in sail:— The god of bounds, Who sets to seas a shore, Came to me in his fatal rounds, And said: “No more! No farther shoot Thy broad ambitious branches, and thy root. Fancy departs: no more invent; Contract thy firmament  To compass of a tent. There's not enough for this and that, Make thy option which of two; Economize the failing river, Not the less revere the Giver, Leave the many and hold the few. Book List: Aspects of the Novel by E. M. Forster The Longest Journey by E. M. Forster Wendell Berry An Experiment in Criticism by C. S. Lewis Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Welcome to a new series on The Literary Life Podcast with Angelina Stanford and husband Thomas Banks. This week they begin talking about E. M. Forster's book Howards End, giving some introductory information about Forster and also cover the first seven chapters of the book. Thomas shares some background on the Bloomsbury Group authors in contrast to their Victorian predecessors. Angelina highlights the literary tradition of naming books after houses and invites us to consider the importance of place in this story as we go forward. We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas. Also, The House of Humane Letters is expanding to include more classes, and pre-registration for returning students and registration for new students opens soon. Sign up for their email list to find out when you can sign up at houseofhumaneletters.com. Commonplace Quotes: We are not concerned with the very poor. They are unthinkable, and only to be approached by the statistician or the poet. E. M. Forster, Howards End Howards End is Mr. Forster's first fully adult book. It is richly packed with meanings; it has a mellow brilliance, a kind of shot beauty of texture; it runs like a bright, slowish, flickering river, in which different kinds of exciting fish swim and dart among mysterious reedy leptons and are observed and described by a highly interested, humane, sympathetic, often compassionate, and usually ironic commentator. The effect is of uncommon beauty and charm; the fusion of humor, perception, social comedy, witty realism, and soaring moral idealism, weaves a rare captivating, almost hypnotic spell; and many people think it (in spite of the more impressive theme and more serious technique of A Passage in India) Mr. Forester's best book. Rose Macaulay, The Writings of E. M. Forster The Pity of It By Thomas Hardy April 1915 I walked in loamy Wessex lanes, afar From rail-track and from highway, and I heard In field and farmstead many an ancient word Of local lineage like 'Thu bist,' 'Er war,' 'Ich woll', 'Er sholl', and by-talk similar, Nigh as they speak who in this month's moon gird At England's very loins, thereunto spurred By gangs whose glory threats and slaughters are. Then seemed a Heart crying: 'Whosoever they be At root and bottom of this, who flung this flame Between kin folk kin tongued even as are we, 'Sinister, ugly, lurid, be their fame; May their familiars grow to shun their name, And their brood perish everlastingly.' Source: Thomas Hardy: The Complete Poems (Palgrave, 2001) Book List: Howards End by E. M. Forster The Enchanted April by Elizabeth von Arnim Rose Macaulay Dorothy Parker Virginia Woolf George Eliot Matthew Arnold Northanger Abbey by Jane Austen Mansfield Park by Jane Austen Brideshead Revisited by Evelyn Waugh The Castle of Otranto by Horace Walpole The House of Seven Gables by Nathaniel Hawthorne Wendell Berry An Experiment in Criticism by C. S. Lewis Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

“Tôi đáng lẽ sẽ thuộc về anh trọn kiếp này nếu ngày ấy anh chịu níu giữ tôi, nhưng giờ tôi đã là của người khác rồi...” Đại học Cambridge, những năm 1920, Maurice Hall trẻ tuổi đã gặp Clive Durham lịch lãm và trí thức. Tình bạn giữa hai chàng trai dần trở thành một tình yêu thuần khiết và chân thành. Nhưng đây không phải là thời đại cho phép họ được sống theo mong muốn của chính mình; những lựa chọn cần đưa ra, dẫu có trong thống khổ. Với Clive, câu chuyện tình yêu được định sẵn phải chôn vùi trong sự “bình thường” của xã hội; còn với Maurice, tình yêu là thử thách dẫn lối tới một cuộc đời mới. MAURICE có lẽ là kiệt tác và chắc chắn là cuốn tiểu thuyết riêng tư nhất của E. M. Forster, hoàn thành vào năm 1914 nhưng phải đến năm 1971 mới được xuất bản, sau khi ông qua đời. Trung thực theo cách đầy hấp dẫn cùng những lời văn tuyệt đẹp, tác phẩm lên án mạnh mẽ thái độ đàn áp con người của xã hội Anh Quốc lúc bấy giờ, đồng thời cũng là một chuyện tình cảm động và câu chuyện mang tính tự sự sâu sắc về hành trình khám phá bản thân trong ái tình của một người đàn ông. --- Mặc dù E. M. Forster đã cho một số người bạn đáng tin cậy của mình xem bản thảo MAURICE, cuốn tiểu thuyết chỉ được xuất bản sau khi ông qua đời. Forster không tìm cách xuất bản tác phẩm này trong suốt cuộc đời của mình, vì tin rằng nó không thể ra mắt trong thời kì đó do thái độ của công chúng và pháp lí đối với tình yêu đồng giới. Một ghi chú được tìm thấy trên bản thảo có nội dung: “Có thể xuất bản, nhưng liệu có đáng?” Forster quyết tâm rằng tiểu thuyết này của mình nên có một cái kết có hậu, nhưng đồng thời cũng lo sợ rằng điều này sẽ khiến cuốn sách có thể bị truy tố khi đồng tính luyến ái nam lúc bấy giờ vẫn là bất hợp pháp ở Anh. MAURICE được James Ivory và Kit Hesketh-Harvey chuyển thể thành phim điện ảnh cùng tên vào năm 1987, với sự tham gia của các diễn viên chính James Wilby, Hugh Grant, và Rupert Graves. Bộ phim đã giành ba giải thưởng danh giá của Liên hoan phim Venice, và cho đến nay vẫn luôn nhận được nhiều lời khen ngợi về chất lượng. --- Về tác giả: E. M. Forster (1879 – 1970) là tác giả, nhà phê bình lẫy lừng người Anh, đồng thời là thành viên của Nhóm Bloomsbury. Trong tin cáo phó, tờ The Times đã vinh danh ông là “một trong những tiểu thuyết gia người Anh được yêu mến nhất thời đại này”. Tiểu thuyết Maurice, hoàn thành vào năm 1914, được chỉnh duyệt nhiều lần trong đời Forster, và cuối cùng xuất bản vào năm 1971 sau khi ông qua đời. --- Được sự cho phép của NXB Kim Đồng, Trạm Radio trích đọc một phần nội dung tác phẩm Maurice của E.M.Forster. Bản quyền tiếng Việt thuộc đơn vị phát hành. __________ Để cam kết với bạn nghe đài dự án Trạm Radio sẽ chạy đường dài, chúng tôi cần sự ủng hộ của quý bạn để duy trì những dịch vụ phải trả phí. Mọi tấm lòng đều vô cùng trân quý đối với ban biên tập, và tạo động lực cho chúng tôi tiếp tục sản xuất và trau chuốt nội dung hấp dẫn hơn nữa. Mọi đóng góp cho Trạm Radio xin gửi về: Nguyen Ha Trang STK 19034705725015 Ngân hàng Techcombank. Chi nhánh Hà Nội.

As featured in The Office's "Finer Things Club", Taylor and Dylan sit down to talk about Italian vacations, socialism, predictable plot lines, and cheesy Hallmark movies as they discuss A Room With A View, by E. M. Forster. Intro: 00:25 Book Discussion: 4:55 Gospel Reflection: 35:18

Andrew Copson speaks to award-winning writer, comedian, and former doctor Adam Kay who shares the beliefs that have shaped his life and career. From the original values of the NHS, to questions about its future, he lifts the lid on one of the UK's most cherished institutions, founded by humanist Nye Bevan, and offers a glimpse into the challenges facing patients, healthcare workers, and the NHS as a service.   Adam's new book, Kay's Incredible Inventions, is out now: https://www.waterstones.com/book/kays-incredible-inventions/adam-kay/henry-paker/9780241540787   He is a patron of Humanists UK: https://humanists.uk/about/our-people/patrons/adam-kay/   In May 2023, Humanists UK held an 'In Conversation Event' with Adam Kay, hosted by its President, Adam Rutherford: https://humanists.uk/2023/05/17/humanists-uk-presents-adam-kay-with-the-voltaire-lecture-medal/ What I Believe was the title of two separate essays by the philosopher Bertrand Russell and the philosopher EM Forster in the early 20th century. These two humanists set out their approach to life, their fundamental worldview, in a way that was accessible to all. In this podcast, Chief Executive of Humanists UK, Andrew Copson, speaks to humanists today to understand more about what they believe, to understand more about the values, convictions, and opinions they live by. Humanists UK is the national charity working on behalf of non religious people to advance free thinking and promote a tolerant society. If you'd like to support the podcast or find out more about the humanist approach to life or the work that we do, please visit humanists.uk. If you like what you see, please consider joining as a member:  You can follow Humanists UK on Twitter (X), Facebook, Instagram, and TikTok – and please remember to leave a 5 star review! What I Believe is produced by Sophie Castle.

Andrew Copson speaks to Liberal Democrat peer and patron of Humanists UK, Baroness Lynne Featherstone who shares her political experiences as a Minister of the Conservative–Liberal Democrat Coalition Government (2010-2015). From being the chief architect of the same-sex marriage act, to the values that drive her liberal beliefs, it's must-listen episode about an individual whose actions have left a significant impact on the world of politics and social change. What I Believe was the title of two separate essays by the philosopher Bertrand Russell and the philosopher EM Forster in the early 20th century. These two humanists set out their approach to life, their fundamental worldview, in a way that was accessible to all. In this podcast, Chief Executive of Humanists UK, Andrew Copson, speaks to humanists today to understand more about what they believe, to understand more about the values, convictions, and opinions they live by. Humanists UK is the national charity working on behalf of non religious people to advance free thinking and promote a tolerant society. If you'd like to support the podcast or find out more about the humanist approach to life or the work that we do, please visit humanists.uk. If you like what you see, please consider joining as a member:  You can follow Humanists UK on Twitter (X), Facebook, Instagram, and TikTok – and please remember to leave a 5 star review! What I Believe is produced by Sophie Castle.

Everyone is talking about AI right now. Rishi Sunak's new best friend is Elon Musk, who has been over in Britain to talk about it and the danger it presents. ‘Civilization destruction' is how he described it. But, whilst that might be a long-term concern, isn't the short-term danger of more concern. Liker deep fakes. Or the rising use of energy by data centres and processing power. Or a reliance on an intelligence that just be plain wrong about things – there are some examples in the podcast. Even the wins, like fighting cyber-crime, could they be negated by cyber-criminals using AI to fight AI? And how much of what we are going through was predicted in EM Forster's 1909 short story, The Machine Stops? Hosted on Acast. See acast.com/privacy for more information.

Andrew Copson speaks to science communicator Alom Shaha who shares his experiences as a teacher and author. From growing up in a strict Bangladeshi Muslim area in south-east London, to the role of his teachers in shaping his worldview, it's a thought-provoking episode about the power of education and the thrill of intellectual endeavour.    Alom Shaha is a patron of Humanists UK. In 2012, he published The Young Atheist's Handbook: Living a Good Life Without God. The book chronicles his upbringing in a strict Bangladeshi Muslim area in south-east London in the 1970s and 80s and outlines the intellectual journey which led him to identify as a humanist. It was launched at an event organised by Humanists UK, which later ran a successful crowdfunder to distribute copies of the book to every school in the country. Alom is also a former trustee of Humanists UK.   What I Believe was the title of two separate essays by the philosopher Bertrand Russell and the philosopher EM Forster in the early 20th century. These two humanists set out their approach to life, their fundamental worldview, in a way that was accessible to all. In this podcast, Chief Executive of Humanists UK, Andrew Copson, speaks to humanists today to understand more about what they believe, to understand more about the values, convictions, and opinions they live by.   Humanists UK is the national charity working on behalf of non religious people to advance free thinking and promote a tolerant society. If you'd like to support the podcast or find out more about the humanist approach to life or the work that we do, please visit humanists.uk. If you like what you see, please consider joining as a member:    You can follow Humanists UK on Twitter (X), Facebook, Instagram, and TikTok – and please remember to leave a 5 star review! What I Believe is produced by Sophie Castle.

Andrew Copson speaks to SNP MP Tommy Sheppard about his life and career as a politician. From his childhood in Northern Ireland during the Troubles, to his unwavering commitment to Scottish independence, it's an engaging episode that explores the importance of collective endeavour, democracy, and the need for progressive change in a rapidly changing world. Tommy Sheppard MP is the Chair of the All-Party Parliamentary Humanist Group, a cross-party group of Members of the House of Commons and the House of Lords of all the main parties, including members from the Crossbenches in the Lords: https://humanists.uk/about/humanists-in-parliament/   He secured a backbench business debate on the presence of 26 unelected bishops in the House of Lords in July 2023: https://humanists.uk/2023/07/06/mps-slam-automatic-right-for-bishops-to-sit-in-the-house-of-lords/   What I Believe was the title of two separate essays by the philosopher Bertrand Russell and the philosopher EM Forster in the early 20th century. These two humanists set out their approach to life, their fundamental worldview, in a way that was accessible to all. In this podcast, Chief Executive of Humanists UK, Andrew Copson, speaks to humanists today to understand more about what they believe, to understand more about the values, convictions, and opinions they live by. Humanists UK is the national charity working on behalf of non religious people to advance free thinking and promote a tolerant society. If you'd like to support the podcast or find out more about the humanist approach to life or the work that we do, please visit humanists.uk. If you like what you see, please consider joining as a member:  You can follow Humanists UK on Twitter (X), Facebook, Instagram, and TikTok – and please remember to leave a 5 star review! What I Believe is produced by Sophie Castle.  

Andrew Copson chats to multi award-winning journalist, writer, and broadcaster Samira Ahmed who shares the secrets and skills behind her successful career. From questioning those in power, to taking an equal pay case against the BBC, it's an inspiring episode about the fight for equality and challenging the status quo. Samira Ahmed is a regular contributor to New Humanist magazine: https://newhumanist.org.uk/contributors/5253/samira-ahmed She also regularly chairs Humanists UK events: https://www.youtube.com/@HumanistsUK  What I Believe was the title of two separate essays by the philosopher Bertrand Russell and the philosopher EM Forster in the early 20th century. These two humanists set out their approach to life, their fundamental worldview, in a way that was accessible to all. In this podcast, Chief Executive of Humanists UK, Andrew Copson, speaks to humanists today to understand more about what they believe, to understand more about the values, convictions, and opinions they live by.  Humanists UK is the national charity working on behalf of non religious people to advance free thinking and promote a tolerant society. If you'd like to support the podcast or find out more about the humanist approach to life or the work that we do, please visit humanists.uk. If you like what you see, please consider joining as a member: https://humanists.uk/ You can follow Humanists UK on Twitter (X), Facebook, Instagram, and TikTok – and please remember to leave a 5 star review!   What I Believe is produced by Sophie Castle.

David Volodzko talks to Kevin Ray about the philosophy of teaching, how Paulo Freire's “Pedagogy of the Oppressed” has changed education in America, the harms of woke pedagogy, the tragic death of Richard Bilkszto after enduring genocidal rhetoric at the hands of a DEI trainer, and more.Kevin Ray is a theater director and teaching artist with over 20 years of arts education experience in New York City. He has produced and directed Unearthly Visitants, based on ghost stories by Edith Wharton, The Machine Stops, based on the short story by EM Forster, and is now developing a play based on the science-fiction novel We by Russian dissident Yevgeny Zamyatin, premiering October 2024 in Brooklyn. You can find more on his website or find him on Instagram, YouTube and Facebook. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theradicalist.com/subscribe

Starting this year, English literature students of Doon University will read Kim by Rudyard Kipling, Gitanjali by Rabindranath Tagore, A Passage to India by EM Forster, Heat and Dust by Ruth Prawer Jhabvala, Untouchable by Mulk Raj Anand, and Train to Pakistan by Khushwant Singh. Read More-  https://theprint.in/opinion/6-books-for-doon-literature-students-why-i-picked-them-what-they-say-about-1900-1947-india/1746410/

In this episode, we're excited about two books — ‘Ms. Demeanor' by Elinor Lipman Moreno-Garcia and ‘Speech Team: A Novel' By Tim Murphy — then Mel gets nostalgic about Concorde and those zippy flights across the Atlantic. Links Ms. Demeanor by Elinor Lipman Speech Team: A Novel by Tim Murphy Visit Elinor Lipman's website. Elinor Lipman is the new EM Forster. Fight me. Review of The Inn at Lake Devine by Elinor Lipman. Review of The Way Men Act by Elinor Lipman. Review of Isabel's Bed by Elinor Lipman. My Ride on the Concorde. What It Was Like to Fly Concorde in the '70s. Concorde Stories: Remembering the ‘Pocket Rocket'. What Food & Drink Were Passengers Served On Concorde? Vintage Champagne on the Edge of Space: The Supersonic World of a Concorde Stewardess by Sally Armstrong Supersonic: The Design and Lifestyle of Concorde by Lawrence Azerrad Transcript of this episode. The Library of Lost Time is a Strong Sense of Place Production! https://strongsenseofplace.com Do you enjoy our show? Want access to fun bonus content? Please support our work on Patreon. Every little bit helps us keep the show going and makes us feel warm and fuzzy inside - https://www.patreon.com/strongsenseofplace As always, you can find us at: Our site Instagram Facebook Twitter Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the guys dive into the underground world of E. M. Forster's The Machine Stops. People live in pods, communication is done almost solely by instant messaging/video conferencing, and the omnipotent Machine takes care of people's bodily and spiritual needs. The guys analyze the situation and realizations that arise as the machine breaks down and people are condemned to their fate.

Look out the window. Do you see a love triangle? Characters that embody turn-of-the-century tensions? Or do you see a boring courtyard? Best ask for a new room, perhaps one with a view. Our theme music was composed by Nick Lerangis. Advertise on OverdueSee omnystudio.com/listener for privacy information.