Podcasts about storytel

De komende weken hoor je een greep uit de beste afleveringen van Over de Liefde. Gesprekken waarvan Debby vindt dat ze het verdienen om opnieuw beluisterd te worden. Deze week: seksuoloog Eveline StallaartEveline heeft naast een vlammende tv-carrière ook een eigen praktijk in Amsterdam. Op haar divan worstelen cliënten tegenwoordig met veel stress. Want er moet zoveel, de prestatiedruk is hoog en de verwachtingen zijn hooggespannen. Ook als het gaat om seks streven mensen naar het perfecte plaatje, hetgeen wordt opgepikt uit de media en uit porno. Dat onrealistische beeld kan grote gevolgen hebben, zegt Stallaart: ,,De bak dopamine die vrijkomt bij porno is heel slecht voor ons brein. Daar is geen mens tegen opgewassen. Porno is een snoepwinkel met oneindig veel keuze. Als je daar teveel naartoe gaat, en gewend raakt aan die dopamineshots, dan is seks met je partner maar een saaie winegum. Dat doet te weinig.''Ook over de hoeveelheid seks, wat ‘normaal' zou zijn, hebben veel mensen een onrealistisch beeld. Stallaart: ,,50 procent van de Nederlanders doet het één keer per maand. 25 procent van Nederland doet het maar één keer per jaar. Dat is dus heel anders dan de één à twee keer per week, die ik vaak hoor.'' Toch houden veel mensen zich vast aan die norm, en leggen daarmee onnodig veel druk op hun relatie. ,,En als er iets níet werkt, is het onder druk seks hebben. Het is echt oké om te zeggen dat je even geen zin hebt in seks. Wants als je het tegen je zin in doet, dan leer je je brein dat seks een taakje is. En groei je alleen maar verder uit elkaar.'' Ook daarvan zijn de gevolgen soms extreem pijnlijk duidelijk. Stallaart: ,,Ik zie in mijn praktijk dat mensen elkaar verliezen in een relatie. Omdat ze slecht communiceren of een stukje van zichzelf kwijt zijn. Het zijn redenen waarom mensen het buiten de deur gaan zoeken. Vreemdgaan gaat vaak helemaal niet om platte seks, maar is een schreeuw om iets wat er gemist wordt in de relatie. Ik wil niks goedpraten, maar soms kan ik best begrijpen dat mensen vreemdgaan.”Deze aflevering is mede mogeljk gemaakt door Storytel. Zin om deze zomer moeiteloos meer boeken te verslinden? Download je favoriete verhalen en luister onbeperkt, waar en wanneer je maar wilt (zelfs offline!). Probeer Storytel 45 dagen gratis via https://story.tel/vakantie *Actie is geldig t/m 2 augustus 2026.Aflevering bekijken? Ga naar YouTube: @overdeliefde en abonneer je!Volg Debby via Instagram @debby_gerritsen of haar Substack: debbygerritsen.substack.comAdverteren in Over de Liefde? Mail naar adverteren@bienmedia.nl❤️ Over de Liefde gaat het theater in! Debby Gerritsen trekt samen met Eveline Stallaart en Ronald Giphart door het land met een gloednieuwe theatershow. Bestel je tickets via: www.debbyoverdeliefde.nl Hosted on Acast. See acast.com/privacy for more information.

Er bestaat gelukkig geen leeftijdsgrens voor uit de kast komen. Daar weet Max Mansholt (35) alles van. In deze aflevering van Over de Liefde vertelt hij hoe hij, na jarenlang relaties met vrouwen te hebben gehad, smoorverliefd werd op een man.We praten over daten met mannen versus daten met vrouwen, Tinder, Grindr, bindingsangst en het stigma rondom uit de kast komen. Max vertelt hoe hij lange tijd dacht dat hij zijn gevoelens nog kon wegstoppen. "Ik dacht lang dat ik bi was, of dat ik weer terug kon naar vrouwen."Pas nadat hij zijn familie over zijn gevoelens had verteld, durfde hij de kastdeur definitief achter zich dicht te trekken. Inmiddels richt Max zich volledig op mannen. Hij vertelt waarom hij het gevoel had iets te moeten inhalen op de datingmarkt, waarom hij vooral valt op het type "heteromannen", hoe de Amsterdamse gayscene volgens hem werkt en waarom hij nog altijd droomt van een huisje, boompje, beestje – mét kinderen. Een open, eerlijk en hoopvol gesprek over liefde, identiteit, coming-out, seksuele geaardheid, zelfacceptatie en de moed om je hart te volgen.▶️ Abonneer je op Over de Liefde voor iedere week een nieuw openhartig gesprek over liefde, seks en relaties.

#162 - Isa is nog precies 11 dagen verwijderd van haar operatie. En hoewel ze ooit plechtig zwoer dat er nóóit iets aan haar nek zou gebeuren, moet die er nu toch echt aan geloven. Marc-Marie deelt wat hij in hemelsnaam gemeen heeft met P. Diddy én wat het allerbeste wapen uit je keukenla is. Het thema van vandaag is ‘luisteren’. Dus: oren open, nestel je voor de radio en: veel luisterplezier.

Gaslighting is een vorm van emotionele manipulatie waarbij iemand je zo laat twijfelen aan je eigen geheugen, gevoel en waarneming, dat je uiteindelijk denkt dat jij degene bent die gek is.In deze aflevering spreekt Debby Gerritsen met universitair hoofddocent en relatie-expert Tila Pronk over gaslighting, narcisme en psychisch misbruik. Ze delen allebei openhartig hun eigen ervaringen met manipulatieve ex-partners en leggen uit waarom gaslighting zo moeilijk te herkennen is, welke rode vlaggen je serieus moet nemen en waarom juist empathische mensen er extra gevoelig voor zijn.Ook bespreken ze de relatie tussen gaslighting, narcisme en femicide, wat vrienden en familie kunnen doen als ze zich zorgen maken, en hoe je jezelf kunt losmaken uit een relatie waarin je voortdurend aan jezelf twijfelt.Een indringende aflevering over manipulatie, controle, vertrouwen en het terugvinden van jezelf.Deze aflevering wordt mede mogelijk gemaakt door Storytel. Zin om deze zomer moeiteloos meer boeken te verslinden? Download je favoriete verhalen en luister onbeperkt, waar en wanneer je maar wilt (zelfs offline!). Probeer Storytel 45 dagen gratis via https://story.tel/vakantie *Actie is geldig t/m 2 augustus 2026.

Ben Okurum'un yedinci sezonu, Japon Edebiyatı'nın en önemli isimlerinden Osamu Dazai'nin varoluşsal sancılarını ortaya koyan, etkili romanı İnsanlığımı Yitirirken ile sona eriyor. Sosyal antropolog, Japon söz ve sahne sanatlarından “raguko” uzmanı, akademisyen, tiyatro insanı Esra Gökçe Şahin'in katıldığı podcastte, yazar ve eseri modernleşme, bireysel yabancılaşma, mizahın rolü ve edebi etkileşimler bağlamında ele alınıyor. Her zaman olduğu gibi Deniz Yüce Başarır'ın ses verdiği satırlarla da tablo tamamlanıyor.

In this week's episode, we offer 7 tips indie authors can use to help their audiobooks turn a profit on production costs. This coupon code will get you 25% off the ebooks in the Ghost Night series at my Payhip store: JUNENIGHT The coupon code is valid through July 13, 2026. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 309 of The Pulp Writer Show. My name is Jonathan Moeller. Today is June 26th, 2026 and today we are sharing seven tips for audiobook profitability for indie authors. Before we get to that, we will have Coupon of the Week and an update on my current writing, publishing, and audiobook projects. First up is Coupon of the Week and this week's coupon code will get you 25% off the ebooks in the Ghost Night series at my Payhip store. That code is JUNENIGHT. And as always, the coupon code and the links to my Payhip store will be available in the show notes for this episode. This coupon code will be valid through July the 13th, 2026. So if you need a new ebook series to read this summer, we have got you covered. Now let's have an update on my current writing, publishing, and audiobook projects. I am pleased to report I am on the second editing pass of Blade of Thieves. I am about 13% of the way through that. And so if all goes well, I think the book will be out after the 4th of July weekend/second week in July, if all goes well. I have a few real life things to do that might slow that down, but I am very, very keen to finally have this book out after the 4th of July weekend. After Blade of Thieves is published, my next project will be Cloak of Frost, the 15th book in the Cloak Mage series. I am 17,000 words into that and I am hoping that will be out in August, if all goes well. I have no audiobooks currently in production, but that will change next month because Brad Wills will be recording Blade of Thieves once it's done. Hollis McCarthy will be recording Cloak of Worlds and Leanne Woodward will be recording Dragon-Mage. So we'll go from having no audiobooks being worked on to a bunch being worked on all at once. Funny how things tend to bunch up like that. So that is where I'm at with my current writing and publishing and audiobook projects. 00:01:59 The Economics of Audiobook Production for Indie Authors [All money amounts mentioned are in USD.] Now today I want to talk about a very advanced level indie author topic, namely audiobook production and the economics of it. Recently there's been some controversy because ACX (which is Amazon's audiobook production platform) has been changing its royalty model and rolling out what they call synthetic voice, which is basically an AI generated voice. Some writers have been using it because it's a lot cheaper than a good human narrator, but the flip side is that not many people like listening to it and won't pay money for it. Admittedly, synthetic voice is not fundamentally a new technology. Text to speech has been around forever. Macs have had it since I believe 1984, back when 120 kilobytes of RAM was a lot. As a brief digression, I wish the term AI hadn't been bandied about so liberally. Before the public backlash began against generative AI and data centers, the term AI was trendy, so it got slapped on a lot of things that are actually wildly different than generative AI. I saw a post where someone was complaining about the locations in Starfield being AI generated, when in fact they're procedurally generated, which is something totally different. Anyway, synthetic voice is just a more advanced version of the text to speech technology that's been around since the early 1980s. The fear is that AI generated audiobooks will swamp the market and dominate most of ACX's payment model. Now, while that is a valid fear, I strongly suspect that it is not going to work out that way, given the hostility I have observed towards synthetic voices, especially in fiction. I think what'll happen is authors who use synthetic voice will save a lot of money by not paying a narrator, but then they won't actually make any money because no one will want to buy these machine voiced audiobooks. I have some basis for that because in the early 2020s, I experimented with making synthetic voice versions of my Silent Order science fiction series and putting them on YouTube. The overwhelming response was that people liked the story but hated the computer generated voice. It might be different for nonfiction. A romance novel with a synthetic voice would obviously be quite flat, but that wouldn't matter as much for a primer on tax law or agriculture or something similar. So there's a lot of uncertainty on whether or not audiobooks can still be profitable for indie authors. However, I suggest this is nothing new. Audiobooks have always been indie publishing on hard mode, partly because they're expensive to produce and partly because they're harder to sell than ebooks and sometimes even paperbacks. That said, I'm on my eighth year of self-publishing audiobooks and some of them have made back their production costs and turned a profit. So I thought it would share seven tips on how to have profitable self-published audiobooks. #1: Think long term. If you want your audiobooks to be profitable, you need to think in the long term. ACX has this program called Royalty Share where rather than pay a narrator, you and the narrator split the royalties on the audiobook for the next seven years and after those seven years are passed, you get all these subsequent royalties. I've never taken this option, but I cite it here because I think seven years is not an unreasonable amount of time for an audiobook to earn back its production cost. People always blanch a bit when I say that, but I've been doing self-published audiobooks for eight years now, so let's see how some of them have done. The Frostborn audiobooks, 100% of them have earned back their production cost. Of the 24 Ghosts books in audio, about the first 10 have earned back their production cost. For Cloak Mage, of the 12 Cloak Mage books currently in audio, about the first three and a half have earned back their production cost. For Dragonskull, of the nine Dragonskull books, the first three and a half have earned back their production cost. For Malison, of the four Malison books, they have 100% earned back their production cost. It helps that they're short. For The Shield War, of the six Shield War books, the first one has earned back its production costs, but I only started the series in 2023. The Linux Command Line Beginner's Guide (my one nonfiction book) has totally earned back its production cost. So I don't think seven years is an unreasonable length of time to earn back the production cost for an audiobook. That means you have to think long term, almost like a small business owner buying a new piece of equipment. Depending on the business, the owner might budget for the equipment making back what he paid for it in four or five years, or if he has to take out a loan to buy the equipment, he'll calculate how long it'll take to pay back that loan. Like for example, I just had to pay a lot of money to have these struts in my car fixed and I expect the garage owner carefully considered how much he would spend on his vehicle hoist since I believe a new vehicle hoist and installation typically costs between $7,000 and $12,000 and how long it would take him to make back that money. All successful small business owners have to think like this. Now this mindset is a bit tricky for indie authors because we often have a strong tendency to think in the short term, especially new indie authors who want their books to make a ton of money right now. But as I said above, audiobooks are self-publishing on hard mode, so you need to decide whether it is worth the investment and if you're comfortable waiting a few years to earn back the production cost over time. The reality is that if you are paying a professional narrator to create an audiobook, you're paying $200 per finished hour or above, which is a small business expense. So for that kind of money, you need to think about the audiobook like a small business owner. #2: Deductions First off, I am not a lawyer and this is not legal advice and I am not an accountant and this is not investment/financial advice. If you want financial/investment advice, you should talk to an accountant or financial planner properly certified with the tax laws of your state, province, and nation. If you want legal advice, you should talk to a lawyer licensed to practice in your jurisdiction. The way my writing business is set up, I can take the production cost of audiobooks as a deduction against my taxes. This initially was one of the reasons I got into self-published audiobooks in the first place way back in 2018. I realized that if I was going to have to pay the money in taxes anyway, I might as well spend some of it on audio production instead, since that way I'll at least get a revenue generating asset out of it. Other small businesses will sometimes do this when they approach the end of their fiscal year and realize they have more tax liability than expected, so it's probably time to invest in some new equipment or upgrades that they would need anyway. Like maybe the garage owner we mentioned earlier has a really good year so he decides it's a good time to spend that $12,000 on a new vehicle hoist so he doesn't have quite so high a tax bill at the end of the year. I once had someone tell me rather self-righteously that this was a tax dodge and therefore immoral, but that's ridiculous. [Transcriptionist's side note: I wish I had that person's level of unearned confidence. I'd use it for cliff diving or starting a library just for puppies and the weirdest, clumsiest orange cats. Literally anything else.] No less of an authority than Jesus Christ himself said that to render under Caesar what is Caesar. If Caesar says that audiobook book production is a deductible business expense, it is a deductible business expense. Business deductions are the government's way of saying, "spend this income on something that benefits the national economy or will take it as taxes." To a more immediate point, the IRS itself says you have the legal obligation to pay exactly the amount of taxes you owe, but there are also legal ways such as business deductions to reduce the amount of taxes you owe. Besides, no matter what you do, the government gets its cut anyway. At the end of the year, I have to file 1099s for the narrators because their payments are taxable income and every time one of the audiobooks sells, the government gets sales tax, the stores owe taxes on that income, and I owe taxes on the payment from the store. Uncle Sam has a lot of practice at getting his cut and he's very good at it. So depending on your business structure and the local tax laws where you live, audiobook production might be a deductible expense, which is very helpful on the financial side of it. #3: Promote the ebook. The easiest way I found to sell an audiobook is to have the audiobook of an ebook that sells well. Admittedly, this is a bit of a chicken and egg problem, isn't it? However, that can help you choose which titles to make into audiobooks. Like I mentioned above that Frostborn has paid back 100% of its production costs, and that's because it's my most popular series. It was easy for the audiobooks to sell well because the ebooks were selling well. By contrast, an ebook that sells more slowly will have a harder time selling audiobooks. One of the reasons I experimented with using synthetic voice on YouTube with the Silent Order series earlier in the 2020s was because I knew I would never make Silent Order into actual audiobooks because the series didn't sell well enough to merit it. So if you want your audiobook to sell, the easiest way to do it is to promote the ebook. If the ebook sells well enough, it will likely generate some audiobook sales as well. This can also help you determine whether or not you should even produce an audiobook of a particular ebook. If the ebook does not have strong sales, it is probably not a good idea to make an audiobook out of it. #4: Diversify We started out by talking about ACX, but ACX is not the only game in town. The other big audiobook distribution platform is INaudio, which is owned by Spotify. It was previously known as Findaway Voices, but then Spotify bought it and changed the name to INaudio. ACX will get your audiobook into Audible, Amazon, and Apple. INaudio will get your audiobook into every other platform: Google Play, Kobo, Storytel, Chirp, the library distributors, and a bunch of others. So if your audiobook is not exclusive to ACX, it's a good idea to use INaudio as well. That said, Google Play and Kobo now have direct upload for audiobooks and if your audiobook is not exclusive to ACX, it's a good idea to use the direct upload for Google Play and Kobo instead of relying on INaudio. There are a few significant advantages to this. First, you make a little bit more money since INaudio is not taking its distribution fee and the cumulative effect of that over time can be significant. Second, your audiobook will be eligible for Kobo Plus, which can generate extra revenue. I've had some of my best months on Kobo in 2026 thanks to Kobo Plus. Third and perhaps most importantly, you won't be completely dependent on INaudio because INaudio is frequently quite glitchy and in my frank and unbiased opinion, has gone downhill noticeably in quality since Spotify took over. Every single problem I've ever had with INaudio has come after Spotify bought Findaway and turned it into INaudio. I'm afraid that Spotify, like many other publicly traded corporations in the US, has the chronic problem of an upper management class who are buzzword prone MBA drones with an unhealthy enthusiasm for generative AI and indulging in self-destructive cost cutting and layoffs right before it's time to file quarterly reports. Very frequently, the QA process on INaudio will go berserk and declare that a book is AI generated and ineligible for distribution even when it's not. So direct upload to Google Play and Kobo avoids that problem. Because of these problems, another distributor called Author's Republic has been growing, but I haven't tried that out yet. Despite these problems, INaudio also gets you access to Chirp, which is our next bullet point. #5: Chirp Deals I said earlier that the best way to promote your audiobook is ebook promotion, but the one exception to that is Chirp. Chirp is run by BookBub, which is an email newsletter service that offers discounted ebooks to its subscribers. BookBub wanted to expand to audiobooks, but Audible very famously does not let indie authors control their prices and definitely doesn't let them do discounts. So to get around that slight problem, BookBub started its own audiobook store in the form of Chirp, which does let indie authors control their prices and therefore offer discounts. I've had some excellent results with Chirp deals over the years, usually with Child of the Ghost and Cloak of Dragons. In May, I had a Chirp deal with Dragonskull: Sword of the Squire, but since the dashboard on INaudio only updates every 30 days for Chirp, I'm not sure how it did yet. If you get a Chirp deal and you want to take a big swing with it, you can also set temporary discounts on the subsequent books in the series. For my earlier Chirp deals for Cloak of Dragons and Child of the Ghosts, the price for Cloak of Dragons was at $0.99 and I set the price of the subsequent two audiobooks at $2.99 each. I got good results from that and some of my best months on INaudio. For the recent Dragonskull deal, Sword of the Squire was at $0.99 and I temporarily set every other audiobook in the series at $2.99 on Chirp. It was the biggest swing I've taken with a Chip deal, so I'm curious to see how it plays out. #6: Direct sales It's a good idea to have a direct sales platform of some kind, whether it's Shopify or Payhip or Gumroad or a similar platform and offer direct sales of your audiobooks. There are numerous advantages to this. You can set your own price, which as we mentioned above, ACX does not let you do. You can very easily run sales and discounts. If you're a regular reader at the site, you know I do a different Coupon of the Week for my Payhip store every week and it's often for audiobooks. As I mentioned with the problems with INaudio, it provides a platform to get your audiobook to listeners even if the other stores are having technical problems. Sometimes ACX processing can take weeks and the site's past troubles sometimes stretched [it] into months. The difficulty is getting people to actually use the store. The term vendor lock-in means that the more a customer uses the platform, the less likely they are to switch. If someone has been building up their Kindle library or Audible library since 2009, they're unlikely to switch to a competitor. Most of my direct sales come from a combination of Coupon of the Week and new releases to people who don't like DRM. So having a direct sales platform is a long haul, but still worth doing. Besides, everything in audiobooks is a long haul. #7: Direct reader relationship via Patreon or a similar site. I've never done this myself so I don't have any specific tips, but I have seen some writers do it quite successfully. That said, you should only have a Patreon or a similar site if you're willing to put in the work. Readers are very unforgiving of a writer who does not live up to his or her Patreon obligations. However, if you include audiobooks as one of your patron tiers that can go a long way towards audiobook profitability. A regular Patreon type income can help fund regular audiobook production. Conclusion Audiobooks are indeed indie publishing on hard mode, but hopefully these tips will help increase the chances that your audiobooks will be profitable. Lastly, thanks to everyone who has listened to one of my audiobooks. So that's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com, often with transcripts. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Avsnitt 325. Storytel slog på stort i förra veckan och lanserade en massa nya funktioner för förlag och lyssnare. Kanske inga överraskningar med tanke på att alla konkurrenter är där och slår sina lovar. Men ändå snygga lösningar på kända problem. Till exempel hur förstår du bättre lyssnarnas motiv? Hur hittar du tillbaka till där du slutade i sovläge? Men framför allt fick vi en insikt i deras nya AI-baserade chatbot Genie som ska hjälpa dig hitta nya titlar på ett bättre sätt än tidigare. En absolut nödvändighet i en tjänst som lanserar två miljoner titlar och är ständigt ökande. Något av ett strategibyte för hur du hittar nya böcker. Med Storytel Pulse erbjuder Storytel författare tillgång till en massa statistik som inte förlagen får tillgång till. Förläggaren tycker det är bra, andra förlag ser det som ett brott mot ingångna avtal. Så här inför sommaren gör vi en genomgång av vårens avsnitt och ser vad vi behöver summera upp. Vad hände sen? IMHO är ett sådant uppslag som vi dragit i. Hur ser det ut där nu? Finns IMHO (gamla HOI förlag) kvar. Ja, men de hänger över ett stup i fingernaglarna. De har fått godkänt att försöka rekonstruera förlagsgruppen men med vissa villkor. Ett av dom är att Lars Rambe plockas bort från den dagliga ledningen. I övrigt är det samma sak om igen. Ett annat ämne där vi tittar tillbaka är frågan om den statliga myndigheten MTM har skärpt sina rutiner när det gäller elevers tillgång till anpassad kurslitteratur, en fråga som föreningen Läromedelsföretagen såg som ett hot mot deras verksamhet. Utbildningsdepartementet tog ställning för läromedelsföretagen mot myndigheten och krävde stora förändringar som vi redovisar i det här inslaget. Och så en kortis om den långdragna historien om försäljningen av det norska familjeägda förlagsgruppen Aschehoug. Alla budgivare har lämnat sina slutbud så nu väntar vi på upplösningen. Vi avslutar med ett samtal med förläggaren som har gjort återupplivandet av gamla författarskap till en bärande idé i sitt arbete. Hon ger ut Agota Kristof på nytt och ser den sälja, och sälja, och sälja…   00 22         Storytels nya lösningar för hur du hittar nya böcker 11 26         Storytels charmoffensiv till författare stänger ute förlagen 18 33         Vad hände sen? IMHO, MTM och Aschehoug 30 14         Maria Såthe sjunger Agota Kristofs lov

İlk kez bir öykü olarak yayımlandığı 1959 yılında ve roman olarak genişletilmiş olarak okurlara ulaştığı 1966 yılında, çeşitli ödüllere layık görülen ve bilim kurgu türünün psikolojik derinliğiyle de ilgi çeken örneklerinden biri olan Algernon'a Çiçekler yatırılıyor bu kez “ben okurum” un masasına. Deniz Yüce Başarır, Amerikalı psikolog ve akademisyen yazar Daniel Keyes'ın bu çok sevilen eserini yine bir psikologla, Pınar Sabancı ile konuşuyor. Zeka ve hafızası bir ameliyatla geliştirilen Charlie'nin hikayesi, zeka nedir, kimlik nasıl inşa olur,  ilişkiler, travmalar, anlamlı bir hayat sürmek gibi hayata vazgeçilmez soruları ve insana dair önemli soruları da sohbetin bir parçası kılıyor haliyle. Romandan etkileyici bölümler de, her zaman olduğu gibi, Başarır'ın sesinde hayat buluyor.

Artist: Kirill Filatov (Russia) Name: Time To Take Chu, 2026 (Early Summer Storytel) Genre: Electronic Release Date: 13.06.2026 Exclusive: Deep House Moscow Tracklist: 01. Did Virgo, Morgan K - Time To Take (Original Mix) 02. Drumstone - Dance With You (Original Mix) 03. Jonasclean - Chu (Soft Version) 04. Artic White - Elisir (Original Mix) 05. The North, BoriQue - Daydreamer (Original Mix 06. KOWSKI, Eric Reyes - Break Down! (Original Mix) 07. zekeN - Leifar (Original Mix) 08. Ben Westbeech, Dunmore Brothers - Trust Me 09. Clim, Borsky - My Body Is Shaken (Original Mix) 10. Korney (VS) - Many Things (Original Mix) 11. Challega - Like That (Original Mix) 12. YVER - ZERO (Original Mix) Kirill Filatov: @kirill_filatov CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/

Avsnitt 323. I och med att den danska mediekoncernen Egmont köper Studentlitteratur får Sveriges största utbildningsföretag förutsättningar att bli mer offensiva än de varit de senaste åren. Författarförbundets stämma nyligen blev en intensiv historia med en stark opposition bland medlemmar om förbundets hantering av WASP-projektet, om skapandet av en svensk språkmodell, och författarnas eventuella deltagande i det projektet. Samtidigt. KB bygger svenska språkmodeller och använder sig av författares och journalisters pliktexemplar och gör det med stöd av ett undantag i den svenska upphovsrättslagen. Det har hittills skett i skymundan trots stark opposition från Förläggareföreningen och Författarföreningen. Det är dags för regeringen att komma ut och försvara eller förklara sitt agerande samtidigt som kritiska författare bör ge sig in i debatten tycker Förlagspodden. Storytel sparkade 45 anställda och hamnade i Arbetsdomstolen där de efter två år förlorade målet mot Unionen och åkte på en kostnad på två miljoner kronor. Vi funderar över varför de drev det så långt. När den gamle bokhandlaren och mångårige ordföranden i Bokhandlarföreningen valde att skriva en debattartikel i Svensk Bokhandel där han ifrågasatte föreningens agerande när de valde in Adlibris vd och lät, enligt Klackenberg, den mest engagerade bokhandlaren lämna föreningen ifrågasätter han om den nuvarande organisationen är i nivå med den lokala bokhandlarens intressen. Fortsättning lär följa. Slutligen, Norges största förlagsgrupp Cappelen Damm tvingades nyligen dra tillbaka en bok eftersom den är delvis skriven med hjälp av AI. När förlaget ska försvara sig väljer de att fega ut enligt förläggaren som anar vad som hänt vilket skiljer sig en del ifrån vad journalisterna antar har hänt.   00 23         Studentlitteratur får danska ägare i Egmont 09 30         Samtal med Anja Gatu om läget i Författarförbundet 16 45         KB slirar med upphovsrätten 24 46         Varför hamnade Storytel i Arbetsdomstolen? 29 27         Dag Klackenberg 33 04         Cappelen Damm gör bort sig två gånger

Ülkemizde de çok sevilen Bulgar yazar Georgi Gospodinov'un Zaman Sığınağı adlı romanı masaya yatırılıyor bu kez ben okurum'da. Deniz Yüce Başarır ile yazar konuğu Hakan Bıçakcı, yazarın eserleri arasında dolaşırken, geçmiş, hafıza, nostalji ve gerçeklik algısı arasındaki karmaşık ilişki üzerine derinlikli bir sohbet gerçekleştiriyorlar. İnsan hayatının her döneminde tekrar gözden geçirdiği "zaman" kavramı üzerine bitmeyecek bir düşünce yolculuğu sunan Zaman Sığınağı'nın ve usta yazarının izindeki bu söyleşiye, elbette Başarır'ın sesinden romanın etkili satırlarından bir seçki de eşlik ediyor

Skepsis styrelse vill ej sälja, Storytel förvärvar och lite iGaming. Så klart tittar vi till lite bolag som Freetrailer (00:29:05), Angler (00:55:33) och Argo Defence (01:13:00).————————Vi har med oss vår sponsor: Montrose – årets bank 2025. En modern sparplattform med allt vi gillar: månadssparande i fonder, automatiska courtageklasser, brett utbud och kickback på fondavgifter. Dessutom AI-stöd, fördjupad bolagsanalys och uppdaterade grafer i appen.Med koden GÖTTJÖT får du Premium i 3 månader!

Avsnitt 321. Claes de Faire är ny vd på Norstedts. Rätt eller fel blir en senare fråga men vi passar på att spekulera en del över vad som väntar Norstedts nya vd. Medlemmar i Författarförbundet uttrycker i växande omfattning missnöje med hur förbundets ledning hanterat frågan om en svensk språkmodell och hur författare ska kunna få ersättning. Inför veckans stämma kan frågan ställas på sin spets vilket skapar oro bland alla som deltar i arbetet med den svenska språkmodellen, inklusive Förläggareföreningen och i enskilda förlag. När vi tittar tillbaka på hur AI har påverkat bokbranschen kommer vi att kunna se tillbaka på utvecklingen och säga att där, där skedde ett skifte. Eller där, där blev det tydligt vad som kommer att hända. Journalisten tror att konflikten i år runt brittiska The Commonwealth Foundations litterära pris för debutanter är ett sådant tillfälle. Här blev det tydligt vilka krafter man hädanefter måste ta hänsyn till när man arbetar med litterära priser. Vi funderar på vilket utrymme Storytel har att utveckla sin kärnaffär när de köper ett nederländskt förlag som är tungt på fackbokssidan och på pappersboksutgivning. Slutligen blåser vi liv igen i vår serie med fenomentitlar där Maria Såthe, förläggare på Wahlström & Widstrand, lyfter en oväntad framgång i form av norska Torborg Nedreaas bok Av månsken växer ingenting,   00 44         Kort intervju med Norstedts nya vd 04 04         Vad väntar en ny vd på Norstedts 07 25         Det blåser upp till storm i Författarförbundet 12 36         Hela världen är full av experter som vill kontrollera författares texter 18 53         Vi tittar på Storytels köps av ett nederländskt förlag 24 43         W&W:s oväntade fenomentitel

‘Ben Okurum' bu bölümünde beyin-davranış ilişkisine meraklı okurların çok sevdiği bir kitap var: Karısını Şapka Sanan Adam. Deniz Yüce Başarır, hastalık değil insan odaklı bakışıyla, doktorluğunda da vaka hikayelerini anlattığı yazarlığında da benzersiz bir yere sahip olan Oliver Sacks'a büyük ün kazandıran bu eseri ve tabii Sacks'ın kendisini, ülkemizin önemli kognitif nörologlarından Gülüstü Salur ile masaya yatırıyor. Beynimizin kıvrımlarında eşsiz bir yolculuk bekliyor dinleyenleri. Elbette, bu çok sevilen kitaptan satırlar da yine Başarır'ın sesinde hayat buluyor. 

 Geef mij maar de lust. Oprotten met videoVroeger luisterde ze nog een uur naar meNu vraagt ze niet eens hoe het met je gaatNaar binnen gerichte woedeIk verlangde meteen naar haarMaar zij ook naar mij?Geef mij maar de lustContenthoerenPlaybook om video's te maken als kunstenaarVolg niet de Storytel-formules. Vind je eigen formule.Doe het tegenovergestelde van wat nu een trend isZoek een eigen taal in je videoZorg voor goede audioMonteer niet zoveel, johDe muziekclip: https://www.youtube.com/watch?v=XqK16IaWcCoBehind the scenes-video: https://www.youtube.com/watch?v=fgaAbRWe5HQFred again.. (1993): https://www.youtube.com/watch?v=jbG0LEzn33A Support the show1)  Ontvang elke woensdagavond een mail van me over gevoelens waar niemand over praat. 2) Mijn shop vol boeken boeken, posters en tasjes3) Steun me via petjeaf.com/tomsondarko en luister exclusieve afleveringen.

20. yüzyılın en önemli entelektüellerinden biri olarak kabul edilen Amerikalı yazar, aktivist Susan Sontag'ın artık klasikleşmiş eseri Başkalarının Acısına Bakmak ben okurum'da… Dört bir yanımızda savaşlar sürer, her gün yeni bir vahşet olayıyla karşı karşıya kalırken ve tüm bunları fotoğraflar, videolar, sosyal medya üzerinden izlerken, konuya farklı bakmak için kaçırılmaması gereken bir sohbet bu. Deniz Yüce Başarır'ın, podcast komşusu, gazeteci, sosyolog Can Kozanoğlu'nu ağırladığı bölüm, geniş bakış açısı, samimiyeti ile dinleyenleri çok da düşündürecek. Tabii Başarır'ın sesinden, Sontag'ın satırları eşliğinde…

Partnerem odcinka jest Storytel – link do 50 dni za darmo: https://www.storytel.com/pl/c/podcastex50days#współpracareklamowaDziabas i Środoń w jednym domu stali.*➤ ODWIEDŹ NASZ SKLEP: https://pozdrawiam.net/kategoria-produktu/podcastex/➤ WESPRZYJ PODCASTEX: https://patronite.pl/podcastex➤ POSTAW NAM KAWĘ: https://suppi.pl/podcastex________________Zapytania biznesowe: kontakt@podcastex.pl 

Nokkrir kennarar við Menntaskólann við Sund taka sig til og skipuleggja hinn fullkomna glæp, þeir ætla að ræna nemendafélagið. Það er grunnhugmyndin í nýjum íslenskum grínþáttum Hæst á Sjónvarpi Símans. Sjónvarpsgagnrýnandi Lestarinnar Brynja Hjálmsdóttir rýnir í þættina. Við fræðumst um nýja íslenska hljóðbókaveitu, Sagnaland, sem ætlar að borga rithöfundum betur en samkeppnisaðilinn Storytel, ekki að fara í samkeppni við forlögin og ekki leyfa neina gervigreindarlesara á veitunni. Á sunnudag eru 40 ár frá kjarnorkuslysinu í Tsjernobyl. Við ræðum hina mögnuðu bók, Tsjernobyl-bænin eftir Svetlönu Aleksíevítsj sem kom út árið 2021 í íslenskri þýðingu Gunnars Þorra Péturssonar.

Neulich hat mein aktueller Asbach-Uralt eReader von Kobo beinahe die Grätsche gemacht. Für mich ein Anlass, mal in die Recherche zu gehen (und euch teilhaben zu lassen): Wenn ich heute einen neuen eReader kaufen würde - welche Marke und welches Modell würde ich wählen? Vorteile von eReadern - eInk-Technologie schont die Augen und die Batterie des eReaders, sodass man lange/viel lesen kann - eReader wiegen ca. 200g bis maximal knapp 430g (je nach Modell) und sind somit leicht zu halten oder auf Reisen leichtes Gepäck - durch die geringe Größe der eBook-Dateien passt deine ganze Bibliothek auf deinen eReader - viele Modelle haben mittlerweile eine integrierte Beleuchtung und Wasserschutz, sodass du auch ohne Lampe in dunklen Zimmern oder in der Badewanne lesen kannst - laut Bookwire beträgt außerdem der durchschnittliche Preis von eBooks 7,61€, während gedruckte Bücher im Schnitt auf fast das Doppelte kommen (15,69€), sodass eBooks in der Regel deutlich günstiger sind (hier habe ich erst nach der Aufnahme gemerkt, dass Bookwire sich den amerikanischen Markt anschaut, was natürlich von der deutschen Realität mit der Buchpreisbindung stark abweicht). Je nach Anbieter gibt es auch Gratis-eBooks, die man im jeweiligen Shop erhält. Übersicht verschiedener eReader-Marken und -Modellen Ich schaue mir die eReader-Marken Amazon Kindle, Kobo, PocketBook und Tolino näher an und vergleiche die Features. Meine Entscheidung: Welchen eReader würde ich mir kaufen? Ich würde mir momentan den Tolino Vision Color kaufen. Warum? Er kann auf Bücherei-Bücher zugreifen, epub-Dateien wiedergeben (gut für meinen bisherigen SuB und Rezensionsexemplare), und man kann lokale Buchhandlungen unterstützen, indem man auf dem Gerät selbst bei der Buchhandlung seiner Wahl kauft. Mich sprechen außerdem die Seitentasten zum komfortablen Blättern und die Möglichkeit, Notizen mit einem Stift machen zu können, an. Wie alle/viele andere hat er außerdem Beleuchtung, Wasserschutz, ist leicht und hat einen großen Speicherplatz. Eine Familienfreigabe gäbe es auch noch, und Hörbücher kann man auf ihm ebenfalls erwerben und via Bluetooth abspielen. Hörbuch-Flatrate-Vergleich Außerdem habe ich mir mal einen Überblick über die diversen Hörbuch-Flatrates verschafft. Welcher Hörbuch-Anbieter kostet wie viel, was ist enthalten, und wo bekommt man die meiste Auswahl? Wo kann man Geld sparen, wenn man gerne viele Hörbücher hören möchte? Hier habe ich mir Audible (Amazon, Bücherei-Angebote (Onleihe / Libby, BookBeat, Storytel, Nextory und Spotify angeschaut. Ich hoffe, die Episode hat euch Spaß gemacht und geholfen, in diesem Dschungel an eReader- und Hörbuch-Flatrate-Anbietern ein bisschen besser durchzublicken. Besitzt ihr bereits einen eReader? Wenn ja: Von welcher Marke, welches Modell, und könnt ihr es empfehlen? Und nutzt ihr eine Hörbuch-Flatrate? Wenn ja: Welche, lohnt es sich für euch und wie werden die Stunden bei schnellerer Wiedergabe gegen das Stundenkontingent gerechnet? Liebe Grüße, eure Ilana

Nereden Başlasam'ın bu bölümünde konu Ejderhalar. Mirgün Cabas ve Can Kozanoğlu'nun konukları Sevin Okyay ve Arzu Taşçıoğlu.

Man Booker Ödülü'nü kazanan ilk İrlandalı kadın yazar olma özelliğine de sahip Anne Enright'ın ülkemizde 2026'nın hemen başında yayımlanan romanı Çitkuşu konuk oluyor bu kez ‘ben okurum'a. Deniz Yüce Başarır ve edebiyatımızın yetkin kalemlerinden Figen Şakacı, üç neslin sesinin duyulduğu bu romanı büyük bir heyecanla ve sevgiyle konuşuyorlar. Enright'in aile ilişkilerine dair, İrlanda şiir geleneğinden de yararlanarak yazdığı Çitkuşu, hem anlatım biçimiyle hem de anlattıklarıyla okurunun yüreğine dokunuyor, iki kadının sohbeti de zaman zaman bayağı duygusallaşıyor. Başarır'ın sesinden dinleyenlere ulaşan bölümler de romanın ne kadar etkili olduğunu yansıtıyor elbette. 

Bu kez çağımızda artık bir norm haline gelen mutluluk baskısı tartışılıyor “ben okurum”da. Alman filozof Wilhelm Schmid'in Mutsuz Olmak, Bir Yüreklendirme adlı kitabından yola çıkarak “Yaşam Sanatı” kavramını sorgulayan bölüme araştırmacı, danışman, podcast yayıncısı ve yazar Evrim Kuran konuk oluyor. Deniz Yüce Başarır'ın son kitabı Cetvel'e de göndermeler yaparak sorduğu soruları yanıtlayan Kuran, Schmid'in mutluluğu bir “hal” olarak kabul ettiğini, bu anlamda tasavvufa da yakın durduğunu söyleyerek Batı ve Doğu felsefelerini bir araya getiriyor. Bu derin sohbete, elbette her zaman olduğu gibi, kitabın Başarır tarafından seslendirmiş bölümleri de eşlik ediyor. 

Nereden Başlasam'ın bu bölümünde konu Hititler. Mirgün Cabas ve Can Kozanoğlu'nun konuğu Doç. Dr. Çiğdem Maner.

Nereden Başlasam'ın bu bölümünde konu Orta Sınıf. Mirgün Cabas ve Can Kozanoğlu'nun konuğu Doç. Dr. Onur Alp Yılmaz.

Partnerem odcinka jest Storytel – link do 50 dni za darmo: https://www.storytel.com/pl/c/podcastex50days #współpracareklamowaPrzepraszamy, ale wszystko jest na żywo, na gorąco, nieudawane!*➤ ODWIEDŹ NASZ SKLEP: https://pozdrawiam.net/kategoria-produktu/podcastex/➤ WESPRZYJ PODCASTEX: https://patronite.pl/podcastex➤ POSTAW NAM KAWĘ: https://suppi.pl/podcastex________________Zapytania biznesowe: kontakt@podcastex.pl 

İtalya'nın en önemli yazarlarından Alberto Moravia'nın başyapıtı kabul edilen Düzen Adamı ile “normal nedir?” sorusunun peşinden koşmaya ve uyum sağlamanın insanları getirebileceği noktaların yüzümüze vurulmasına hazır mıyız? Deniz Yüce Başarır, psikiyatr konuğu Alper Hasanoğlu ile bu çarpıcı romandan yola çıkarak edebi ve felsefe bir sohbete imza atıyor. Ne de olsa Moravia, varoluşculuk felsefesini edebiyata taşımış ilk isimlerden biri. Romandan bölümleri de hem yazarın bu özelliğini, hem de 1907 yılında doğduğunu, Mussolini İtalya'sını ve İkinci Dünya Savaşı'nı tüm şiddetiyle yaşadığını unutmadan dinlemenizi öneririz. 

2024 yılında kaybettiğimiz önemli kadın yazarlarımızdan Füruzan'ın ilk kitabı Parasız Yatılı'yı odağa alarak, onun edebiyatına dair derinlikli bir söyleşi geliyor ‘ben okurum'un bu bölümünde. Deniz Yüce Başarır ve Boğaziçi Üniversitesi'nin değerli hocalarından Olcay Akyıldız, yazarın edebi kişiliği, üslubu, işlediği temalar ve Türk edebiyatındaki yerine dair geniş bir açıdan bakıyorlar konuya. Füruzan'ın çok yönlü sanatçı kişiliği, bir kadın olarak duruşu ve özgün kimliği de böylece ortaya çıkıyor. Elbette, Parasız Yatılı'da yer alan öykülerden satırlarla birlikte…

Nereden Başlasam'ın bu bölümünde konu İttihat ve Terakki. Mirgün Cabas ve Can Kozanoğlu'nun konuğu Töre Sivrioğlu.

Nereden Başlasam'ın bu bölümünde konu Yaşlılık Sosyolojisi. Mirgün Cabas ve Can Kozanoğlu'nun konuğu Dr. Banu Liman.

Meksika'ya doğru, şiddet ve tehlike dolu bir yolculuğa çıkmaya hazır mısınız? Ama merak etmeyin, her şeye rağmen yüzünüzde bir gülümsemeyle okuyacağınız bir roman var bu kez ‘ben okurum'da. Deniz Yüce Başarır, Cambridge Üniversitesi öğretim üyelerinden iktisatçı Özge Öner ile Pen International'ın ilk ve tek kadın başkanı Jennifer Clement'in kaleme aldığı Kadınlar Ormanı'nı masaya yatırıyor. Bu romanda, muzip anlatıcısı Ladydi Martinez'in gözünden, sıcak ve nemli bir diyarda, şiddetin kol gezdiği, erkeklerin olmadığı bir ormanda, yılanlar, akrepler, karıncalar ve kadınlar hayat mücadelesi veriyor. Ve sohbet politikaya, Kuzey-Güney, Doğu-Batı sorunsalına, ekonomiye, sosyolojiye varıyor. Elbette, romandan çarpıcı bölümler eşliğinde…

When life feels loud and mentally crowded, a good story can soften time and calm the nervous system. In this episode of Healthy Mind, Healthy Life, host Yusuf sits down with author and consultant Henry L. Sullivan III to explore why audiobooks can feel like true mental rest, not just entertainment. This conversation is for anyone who feels too stressed or distracted to read like they used to, or wants a healthier way to decompress without numbing out. Henry shares how stories help us escape daily pressure while still gaining insight, plus simple ways to bring audiobooks into your routine. About the Guest: Henry L. Sullivan III is an author, traveler, and independent consultant. He writes speculative fiction and social reflection, including the thriller Colosseum, and produces audiobooks with voice actors and full performances. Key Takeaways: Use audiobooks as “active rest” when your mind is overloaded, especially during commutes or chores If focus is low, start with audiobooks to rebuild your reading habit without pressure A strong narrator or cast performance can pull you into calm, immersive attention Stories can help you process real-world stress indirectly, without constant news exposure Make one weekly choice to listen purely for enjoyment, not self-improvement How to Connect With the Guest: Find Henry's audiobooks by searching “Henry LSullivan III Colosseum” on Audible, Amazon, Spotify, TuneIn, Audiobooks.com, Storytel, and Libro.fm. You can also borrow via libraries on Hoopla Digital and Libby (formerly OverDrive). Substack Want to be a guest on Healthy Mind, Healthy Life? DM on PM - Send me a message on PodMatch DM Me Here: https://www.podmatch.com/hostdetailpreview/avik Disclaimer: This video is for educational and informational purposes only. The views expressed are the personal opinions of the guest and do not reflect the views of the host or Healthy Mind By Avik™️. We do not intend to harm, defame, or discredit any person, organization, brand, product, country, or profession mentioned. All third-party media used remain the property of their respective owners and are used under fair use for informational purposes. By watching, you acknowledge and accept this disclaimer. Healthy Mind By Avik™️ is a global platform redefining mental health as a necessity, not a luxury. Born during the pandemic, it's become a sanctuary for healing, growth, and mindful living. Hosted by Avik Chakraborty, storyteller, survivor, and wellness advocate. With over 6000+ episodes and 200K+ global listeners, we unite voices, break stigma, and build a world where every story matters.

Nereden Başlasam'ın bu bölümünde konu Evliya Çelebi. Mirgün Cabas ve Can Kozanoğlu'nun konuğu Prof. Dr. Nuran Tezcan.

8 Ocak 2025'de kaybettiğimiz, edebiyatımızın büyük ustası Selim İleri'ye adanmış bir bölümle geliyor bu kez ben okurum. Deniz Yüce Başarır, editor ve yazar konuğu Mustafa Çevikdoğan ile birlikte, 2004 yılında yayımlanan romanı Yarın Yapayalnız'danyola çıkarak, İleri'nin yazarlık anlayışını, edebiyata olan aşkını ve kişiliğini derinlemesine aktarmak için yola çıkıyor. Tabii sohbet ikilinin usta yazarla kişisel anılarına da uğruyor. Ve Yarın Yapayalnız'ın hüzünlü satırlarını da yansıtıyor her zamanki gibi. 

Nereden Başlasam'ın bu bölümünde konu Otoriter Liderler. Mirgün Cabas ve Can Kozanoğlu'nun konuğu akademisyen Zafer Yılmaz.

Partnerem odcinka jest Storytel – link do 50 dni za darmo: https://www.storytel.com/pl/c/podcastex50days #współpracareklamowaSmoku, jesteś piękny!*➤ ODWIEDŹ NASZ SKLEP: https://pozdrawiam.net/kategoria-produktu/podcastex/➤ WESPRZYJ PODCASTEX: https://patronite.pl/podcastex➤ POSTAW NAM KAWĘ: https://suppi.pl/podcastex________________Zapytania biznesowe: kontakt@podcastex.pl 

Ben Okurum ile birlikte çok hızlı, eğlenceli biraz da karmaşık bir yolculuğa çıkmaya hazır mısınız? . Deniz Yüce Başarır, konuğu mimar-yazar Ertuğ Uçar ile İngiliz yazar Tim Parks'ın 1997 yılında kaleme aldığı “Europa” adlı romanını, ana karakteri ve anlatıcısı Jerry'nin zihninde yaptığımız hareketli yolculuğu merkeze alarak, insan ilişkilerine, Avrupa Birliği düşüne, edebiyatta bilinç akışı tekniğine dair kapsamlı bir sohbet gerçekleştiriyor. Elbette, Europa'nın virgüller, noktalı virgüller ve parantezlerle yoğunlaşan, sayfalarca süren cümlelerinin sese dökülmüş çarpıcı örnekleriyle birlikte…

En este capítulo especial, Francisco presenta el nuevo audiolibro de La Ruta Secreta exclusivo para Storytel. Un proyecto largamente trabajado, pensado no solo como una extensión del podcast, sino como una experiencia distinta, profunda, narrativa e íntima.

Nereden Başlasam'ın bu bölümünde konu Türkiye'de Yılbaşı Kutlamalarının Tarihi. Mirgün Cabas ve Can Kozanoğlu'nun konuğu gazeteci Begüm Soydemir.

Nereden Başlasam'ın bu bölümünde konu Çay. Mirgün Cabas ve Can Kozanoğlu'nun konuğu Ebru Erke.

Yine Nobel Edebiyat Ödülü sahibi bir yazar ele alınıyor ‘ben okurum' da. Ödülü 2024 yılında aldığında bu ödülün sahibi ilk Güney Koreli yazar olma özelliğinin yanı sıra ilk Asyalı kadın yazar olma özelliğini de kazanan Han Kang'ı ve onun Türkçe'de son yayımlanan kitabı Yunanca Dersleri'ni, çevirmeni Göksel Türközü ile konuşan Deniz Yüce Başarır, yazarla arasındaki bağı da anlatıyor bu bölümde. Kısaca, sesini yitirmiş bir kadınla, görme yetisini yitirmekte olan bir adamın kesişmesi olarak tanımlanabilecek olan romandan yola çıkarak, dil, travmalar, yalnızlık, zaman gibi kavramlara da uğrayan sohbete Han Kang'ın şiirsel satırları da Başarır'ın sesinden eşlik ediyor. 

Nereden Başlasam'ın bu bölümünde konu Primatlar. Mirgün Cabas ve Can Kozanoğlu'nun konuğu Aslıhan Niksarlı.

Entérate de lo que está cambiando el podcasting y el marketing digital:-Récord de programas activos marca el 2025 en el podcasting.-Storytel amplía su apuesta cultural con el nuevo audiolibro de Francisco Ortega.-Infobae revela los pódcast colombianos que dominaron el Spotify Wrapped 2025.-Premios Bravo reconocen la labor de comunicadores en distintos ámbitos.-Un pódcast se consolida en la industria turística.Patrocinios¿Estás pensando en anunciar tu negocio, producto o pódcast en México? En RSS.com y RSS.media tenemos la solución. Contamos con un amplio catálogo de pódcast para conectar tu mensaje con millones de oyentes en México y LATAM. Escríbenos a ventas@rss.com y haz crecer tu idea con nosotros. Entérate, en solo cinco minutos, sobre las noticias, herramientas, tips y recursos que te ayudarán a crear un pódcast genial y exitoso. Subscríbete a la “newsletter“ de Via Podcast.

Bu kez ben okurum'da Deniz Yüce Başarır, konuğu Memet Ali Alabora ile 2021 Yılı Nobel Edebiyat Ödülü'nün sahibi Zanzibar doğumlu yazar Abdulrazak Gurnah'ın Kumdan Yürek adlı romanını derinlemesine konuşuyor. Kitabın temaları, anlatım dili, karakter derinliği ve Alabora'nın kişisel göçmenlik deneyimiyle kurduğu paralellikler etrafında dönen sohbette, Gurnah'ın ana meselelerinden olan sömirgecilik de tartışılıyor. Shakespeare'in Kısasa Kısas adlı oyununun bir uyarlaması olan romanı, bir de bu ikilinin gözünden dinleyin. Tabii yine Başarır'ın sesinden romandan bölümler de var podcastte.