Podcasts about Responsa

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Nesse programa promoveremos um encontro entre diferentes áreas técnicas, reunindo profissionais de Luz, Som, Cenografia, Vídeo e Direção de Palco. Conversaremos sobre o cotidiano de cada um desses setores, explorando como cada área se desenvolveu ao longo do tempo, especialmente em relação aos avanços tecnológicos.Convidadas e convidados:Maristela Mota - Com 45 anos a Experiencia fez Maristela Mota uma expert em coordenação e desenvolvimento de projetos artísticos e culturais. Responsável técnica no Teatro Oficina do Estudante Iguatemi Campinas, ela é especialista com 28 anos de experiencia em iluminação cênica. Já participou de incontáveis espetáculos, desde criação, montagem e operação de luz. Inclusive ao lado de grandes nomes da cultura brasileira como Claudia Raia, Miguel Falabella, Osvaldo Montenegro, Isabela Taviani, ANAVITORIA, Manu Gavassi, Fernando Anitelli , Wanderleia, Luís Salem, Murilo Rosa, Bruna Louise, Gabriel Vilela, Duo Nuze'z (Chico Burque de Holanda outro olhar) . No currículo podemos contar com a presença dela em importantes Festivais de Dança. E como reconhecimento, já ganhou vários prêmios como melhor IluminaçãoLua Melo Franco - É bacharel em Artes Cênicas pela Universidade Federal de Ouro Preto. Começou sua carreira na área técnica de palco durante a universidade com a Iluminação Cênica. Inicialmente, o seu ambiente principal de criação foi o teatro e, com o passar dos anos, expandiu seu repertório para concertos e teatros musicais. O interesse pelas tecnologias da cena abriu portas Transatlânticas: atualmente trabalha em navios de cruzeiro internacionais como Iluminadora e Stage Manager. Há três anos, é a principal responsável técnica, especialmente pela Iluminação Cênica, nos teatros de cruzeiro, onde tem contato com artistas, tripulantes e passageiros de diversos países e continentes.Ney Silveira - Diretor de Palco | Cenotécnico | ContrarregraNo universo do entretenimento desde 1993.Da operação de galpão à direção de palco, transformo estruturas em experiênciasAndré Boneco - Técnico de espetáculos e Coordenador de equipe técnica com mais de 25 anos de experiência na área, nas funções de Operador de Luz e Video, operador de som, Diretor de Cena, Maquinista e Contrarregra em mais 50grandes produções artísticas e culturais, dentre espetáculos teatrais, musicais, ballets, exposições e concertos no Brasil e em Portugal, como Os Ignorantes de Pedro Cardoso, Simplesmente Eu, Clarice Lispector com Beth Goulart, O Escândalo Philipe D'ussart com Marcos Caruso, A AlmaI moral com Clarice Niskier no Brasil e em Portugal A peça que dá para oTorto no Casino Lisboa, Trair e coçar e é só começar no Casino Lisboa e em digressão pelo pais, Subterraneo, um musical obscuro no teatro São Luis, e como tecnico de iluminação no Casino Lisboa de outubro 2022 a fevereiro 2024, atualmente técnico de luz no Teatro meridional desde setembro de 2024. Em 2015 fiz uma Especialização Profissional em Edição e Motion Design no Porto (PT), desde 2016 atuo também como Editor de Vídeo e Operador de vídeo, projeções e video mapping para espetáculos, concertos, videoclipes e palestras. Desde 2020 venho me especializando em iluminação cênica e desenho de luz.

Responsa From Before, During, And After The Holocaust - Rabbi Yaakov Haber by Shapell's Rabbeim

Source material: https://drive.google.com/file/d/1eU_zQmgGYXnxqwmX1Q1DBFDmMaNWAyUp/view?usp=drive_link

Source material: https://drive.google.com/file/d/18Pc__0Mnz5HJ0x5Zm9GhFf5eWbTZdJJW/view?usp=drivesdk

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Dans notre dernier magazine, nous partions à la découverte de Responsa, la plus grande base de données au monde dédiée à la littérature biblique et rabbinique. ➡️ Plus de quarante années de travail➡️ Un outil complet et professionnel développé par l’Université Bar-Ilan➡️ Une révolution pour l’étude et la transmission de la Torah.

Source material https://drive.google.com/file/d/1wrDfxpExZreKrw8OUSTQundeSgp_Af6j/view?usp=drive_link

Source material: https://drive.google.com/file/d/1rSn2ZLqeqComxPhwKirq35vCvqY3TZjH/view?usp=drive_link

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Source material: https://docs.google.com/presentation/d/19z6iCbLFCJBrEj3C8H1SU5A7AzLpKrPyGZd2b7ThI2M/edit?usp=drive_link

Documents and Responsa from across the Jewish world reveal that for centuries Jews discussed, debated and disagreed over the Shabbos Eruv Walled cities, canals, telegraph poles, Kabbala, fires and powerful secular rulers all played their role and affected entire communities. And from the 19th century onwards, strong personalities would influence and colour the narrative.   Chapters 00:00 Introduction to Erevin and Halacha 03:04 Understanding the Concept of Erevin 05:53 Historical Context of Erevin 08:54 Disputes and Rulings on Erevin 11:48 Erevin in Different Regions 14:55 The Role of Authority in Erevin 17:53 Contemporary Applications of Erevin 21:05 The Historical Context of Eruvin in Jewish Communities 24:41 Challenges and Innovations in Eruvin Construction 28:03 The Evolution of Eruvin in Krakow 36:00 Eruvin in the New World: St. Louis Case Study

Can I drink beer and Scotch on Pesach? Don't get your hopes up just yet, but Rabbi Yehoshua Domosh, a trained Kashrus professional, takes us through some fascinating halachic analysis (Responsa of Rivash, no. 255) about why distilled alcoholic beverages might not be so bad afterall - and also why an innocuous, unflavored seltzer may indeed have some potential issues bubbling just under the surface....

Source material: https://docs.google.com/presentation/d/1OBuuovRoD17EKBWDiTI9TnCjox4IFMfz8k9ylxUPsbI/edit?usp=drive_link

**Today's Halacha is dedicated f or the refuah and haslacha of Ronnie, Sharon, Eli and all the children of CARE** To use a vessel on Pesah that was used during the year for Hames, it must first undergo koshering through Hag'ala, which literally means to extract or purge the Hames that has been absorbed in the vessel. The method of extraction depends on how the vessel was used. The famous rule of the Gemara is "K'bol'o Kach Polto"- the way the vessel absorbed Hames is the way it extracts. That is, if the vessel was used only with fire without water, it must be made Kosher with fire. If it was used with boiling water, then it must be extracted through boiling water. The type of extraction is based on "Rov Tashmisho"-the majority type of use. For example, it is possible that a fork was used directly with Hames in the fire, but the majority of times the fork was used to stir liquid in a pot. Therefore, it is sufficient to Kosher the fork with boiling water. The question is how can the lesser form of extraction, boiling, work, if even one time it was used directly in the fire? The Rama MiPano (R. Menachem Azaria, 1548-1620, Italy) says in his Responsa (97) that he was asked this question by his students. One answer he brings from the scholars in the Yeshiva is that this rule is limited to cases in which there is only a possibility that it was used directly in the fire, but if there was even one certain instance, it would require extraction via fire. The Rama MiPano brings proof that this rule of the majority applies even to cases in which it was certainly used with fire. Therefore, he offers a new answer to the question and says that the rule applies only to cases in which the vessel hasn't been used in the last 24 hours, i.e. it is not "Ben Yomo, and therefore by Torah law any Hames absorbed in the vessel is already "Pagum"-lost its effectiveness. Since it only needs koshering by Rabbinic law, "Hem Amru V'Hem Amru"-they instituted the problem and they determined the solution, whereby the extraction follows the majority use of the vessel. This approach is also taken by the Peri Hadash ((Rav Hizkiya Da Silva, 1656-1695) It follows that if the vessel had been used for Hames in the last 24 hours, then it would be koshered according to the strictest use done with it, even if only one time. In short, by waiting 24 hours since the vessel was used with Hames, the vessel may be koshered with the method based on its majority use.

Source material: https://docs.google.com/presentation/d/1lah_irsEzOtfpjQxH0n94kypmRdhfCm-Hqz4Uf847lQ/edit?usp=drive_link

Source material https://docs.google.com/presentation/d/1_Ce_JHZ2ofWiuG6_6oiYIa5jo-PlPpDHeD9ozj80GZI/edit?usp=drive_link

rWotD Episode 2863: Forfun Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Thursday, 6 March 2025 is Forfun.Forfun was a Brazilian alternative rock band which reached the peak of its popularity in the mid- to late 2000s. Formed in Rio de Janeiro in 2001, their initial line-up comprised vocalist/guitarist Danilo Cutrim, bassist Vítor Isensee and drummer Bruno Tizé. By 2002, Tizé left the band and was replaced by Nicholas Christ, while Isensee switched his position with Rodrigo Costa to become second guitarist. Their first shows were frequently attended by the sons of then-Deputy (and future President) Jair Bolsonaro, Eduardo and Carlos, who were personal friends of the bandmembers; Eduardo would later cameo in the music video for "História de Verão". They released in 2003 the demo album Das Pistas de Skate às Pistas de Dança, which was a significant underground hit, and in 2005 their official debut, Teoria Dinâmica Gastativa, produced by Liminha, came out through Universal Music Group.Following the release of Polisenso (2008) and Alegria Compartilhada (2011), which counted with guest appearances by rapper Black Alien and big band Funk Como Le Gusta, the group reached further proeminence due to their nominations to the MTV Video Music Brazil award in 2006, 2009, 2011 and 2012; in the 2005 edition, they performed a cover of Ultraje a Rigor's "Nós Vamos Invadir Sua Praia" alongside Leela, Ramirez and Dibob, with whom they would develop a strong friendship. In 2012 they collaborated on the song "Rio Porque Tô no Rio", described as an ode to Rio de Janeiro.In 2007, they collaborated on the eighth album by Santos-based band Charlie Brown Jr., Ritmo, Ritual e Responsa, co-writing and performing the track "O Universo a Nosso Favor". On February 13 and 14 of the same year, they participated in a show organized by MTV Brasil alongside Fresno, Hateen, Moptop and NX Zero; a live album of the performance would be released soon after, titled MTV ao Vivo: 5 Bandas de Rock.In 2013, they released the DVD Forfun ao Vivo no Circo Voador, recorded on December 20, 2012, and which counted with guest appearances by their friends from Dibob, Toni Garrido of Cidade Negra and Dead Fish vocalist Rodrigo Lima. The DVD contains three studio tracks recorded as extras: "Ahorita", "Malícia" and "Terra de Cego".Their final studio album, Nu, came out in 2014. The following year they announced they would be ceasing their activities; Rodrigo Costa would elaborate in a 2019 interview that the major reason of the band's end was that he was veering from their initial "left-wing ideals", causing a rift between him and his colleagues. In 2016, Cutrim, Isensee and Christ formed a new project, Braza, and alongside former members of Dibob and Ramirez, Costa founded the group Tivoli.In 2022, they released the DVD Forfun ao Vivo na Fundição, originally recorded on December 12, 2015, at the last show of their farewell tour.This recording reflects the Wikipedia text as of 01:12 UTC on Thursday, 6 March 2025.For the full current version of the article, see Forfun on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Stephen.

Source material: https://drive.google.com/file/d/1zjSyFYc0J9HNz0rwQeKWG0EJ606RJ9n_/view?usp=drive_link

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Source material: https://drive.google.com/file/d/1164hCy0VDSQ4PtWFzsgiZmCsJMMj_mj_/view?usp=drive_link

Source material: https://drive.google.com/file/d/1n1frqmNyxFcnqurS5d3moXLEnyNg9nFN/view?usp=drive_link From Pinsk to Jerusalem, From Rav Aharon Walkin ztl to the Gerrer Rebbe ztl

Gemara Chabura-Rabbi Karlinsky-Rav Asher Weiss's Responsa: Fair & Unfair Competition In Business 03 by Shapell's Rabbeim

Gemara Chabura-Rabbi Karlinsky-Rav Asher Weiss's Responsa: Fair & Unfair Competition In Business 02 by Shapell's Rabbeim

Source material: https://drive.google.com/file/d/1ZcnEfkxwVvvdFwnQtVhQgggpImdKTuOm/view?usp=drive_link

Gemara Chabura-Rabbi Karlinsky-Rav Asher Weiss's Responsa: Fair & Unfair Competition In Business 01 by Shapell's Rabbeim

Today we are joined by Rabbi Shmuel Lubin, a RIETS musmach, doctoral candidate in Microbiology, and host of "The Rishonim Podcast" who introduces us to the responsa of the Ri Migash (no. 114) and what it means for the study of Talmud, Responsa, and Halacha nowadays.  Check out the Rishonim podcast here:https://creators.spotify.com/pod/show/the-rishonim https://sites.google.com/view/rishonim