Podcast appearances and mentions of rose theatre kingston

Last week Mickey-Jo was invited to review the new production of Bertolt Brecht's THE CAUCASIAN CHALK CIRCLE at the Rose Theatre in Kingston. The production stars Carrie Hope Fletcher and Jonathan Slinger as part of its cast. Check out the new review vlog for Mickey-Jo's full thoughts on this thought provoking new staging... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Zu Gast bei KRAUTHAUSEN - face to face: Coco de Bruycker, Schauspielerin. Mit zarten 7 Jahren entdeckte Coco de Bruycker ihre “Spielwut”, wie Regisseur Philip Barth es mal nannte. In den folgenden Jahren wütete sie voller Freude durch verschiedene Theatergruppen und -Produktionen im Rhein-Main-Gebiet, ehe sie 2013 zum Jugendclub am Staatstheater Mainz fand. Nach dem Abitur ging sie nach London, “weil das Shakespeare auch so gemacht hat”: ihre Freude für Theater und Geschichten teilen. Sie war Rose Player am Rose Theatre Kingston, wo Autor und Regisseur Ciaran McConville schon ihren Enthusiasmus sah. Aus Spaß beziehungsweise vor Freude sprach sie an der New York Film Academy vor, was ihr ein Stipendium in New York bescherte. “Deine Energie kann Autoren zu neuen Geschichten inspirieren”, sagte ihr Golden-Globe-nominierter Drehbuchautor Paul Brown, der in der Jury saß. Mit Raul Krauthausen unterhält sie sich über ihren Werdegang.   Mehr Infos: cocodebruycker.com

Our Amplify Producer, Craig Gilbert, has been holed up in his makeshift bedroom studio talking to a host of exciting artists of national and international renown. Â These conversations cover career and process as well as offering a few exciting ideas to explore from home during this time of Social Distancing.Nikolai was born in Copenhagen, Denmark, grew up in North Yorkshire and trained at Drama Centre London and at the Crucible, Sheffield.His work has been seen in many of the UK’s leading regional theatres, touring houses and internationally. Nikolai has been director on attachment at the Sheffield Crucible, the Royal Court Theatre and National Theatre Studio and served as an Associate Director at the West Yorkshire Playhouse in Leeds.Nikolai is currently the Artistic Director of Leicester Curve where he has directed Irving Berlin’s White Christmas, the world-premiere of Dougal Irvine’s adaptation of Riaz Khan’s Memoirs of an Asian Football Casual, nominated for Best Regional Production at the WhatsOnStage Awards 2019, An Officer and a Gentleman – the Musical (& UK tour), Andrew Lloyd Webber’s Sunset Boulevard (& UK tour), Joe Orton’s What the Butler Saw(with Theatre Royal Bath), Jim Jacobs and Warren Casey’s Grease (& Dubai World Trade Centre), Oscar Wilde’s The Importance of Being Earnest (with Birmingham Rep), the Broadway musical Spring Awakening (with NYMT), Legally Blonde (Opera Garnier, Monaco & Daegu Opera Festival, South Korea – Winner Best Musical – Daegu International Musical Festival Awards), Truman Capote’s Breakfast at Tiffany’s (& Haymarket Theatre, London & UK tour), Roald Dahl’s The Witches(with Rose Theatre Kingston, Lyric Theatre, Hong Kong, West Yorkshire Playhouse, Leeds & UK tour), Tennessee Williams’ A Streetcar Named Desire, Shakespeare’s Richard III, Timberlake Wertenbaker’s Our Country’s Good and a performance to celebrate the reveal of the tomb of King Richard III at Leicester Cathedral.https://www.nottinghamplayhouse.co.uk/support/curtain-up-appeal/

In today’s Encore Meets episode, we meet theatre star Helena Blackman. Helena is currently starring in The Snow Queen, a festive new version of the Hans Christian Andersen classic written by Ciaran McConville, at Rose Theatre Kingston. About The Snow Queen: Tucked away in a long-forgotten corner of the city is an orphanage. Here Gerda discovers that she is no ordinary teenager, but a Child of Magic, hidden from the reaches of the evil Snow Queen. When she shows her powers to her best friend Kai, she unwittingly reveals their whereabouts. Kai is lured away, and Gerda must journey to the Frozen North into the Queen’s clutches to save him. Her perilous adventure includes an unlikely pirate captain and a talking reindeer, secretive elves and vicious trolls. As the Snow Queen rallies her forces, Gerda must learn the true nature of her magic powers to save Christmas and rescue Kai. This Christmas, be enchanted by Hans Christian Andersen’s powerful tale of love, magic and self-realisation. This glittering new adaptation features a wealth of local talent from the Rose Youth Theatre alongside a professional cast.

This week I'm joined by Robert O’Dowd. Robert is the Chief Executive of the Rose Theatre Kingston, the largest producing theatre in South West London. What’s unique about Robert is that he combines a passion for the arts and design with the aim to create and develop sustainable performing arts businesses. So whether you’re interested in our beloved Rose Theatre Kingston, the creative arts in general, or would like to know more about the business side of the creative industries, then I hope you enjoy this episode of the Inside Kingston™ podcast.   ~ LINKS & RESOURCES ~ Rose Theatre Kingston - Website Robert O'Dowd - LinkedIn and Twitter   ~ YOUR HOST ~  Hi, I'm Amyr Rocha-Lima. I’m a partner at Holland Hahn & Wills,  a financial planning and wealth management firm based here in Kingston. As an active member of our business community, I want to help other businesses get their story out there and see them succeed and flourish.   ~ HELP US SPREAD THE WORD ~ If you know someone who should be a guest on our show, and has a great story worth sharing, please feel free to get in touch. I would also love it if you would give us a review and a 5-star rating. We work hard to bring on some great guests, and getting a review from you is one way to help the podcast rate well, so others can find and enjoy the show.

Actor Phil Daniels joins Aasmah and Richard in the studio. Since his first big role aged 19 as the lead in cult The Who film Quadrophenia, he hasn't stopped working in film, theatre or TV including Eastenders; Chicken Run; Les Miserables; Shakespeare; and the voice in Blur's Park Life. Now actor Phil Daniels is putting his versatility to good use in a new production of Dr Jekyll and Mr Hyde. Stefanie Reid is a five-time world record holder, reigning world champion in long jump, and triple Paralympic medallist in the long jump and 200m sprint. She'll be talking about her journey and the future. Fashion historian author and vintage clothes expert Amber Butchart joins us to talk about the significance of clothes in our lives, as explored in her new show 'A Stitch in Time', which fuses biography, art and the history of fashion to explore the lives of historical figures through the clothes they wore. A couple of years ago, after hearing a talk by a colleague, listener and teacher Helen Brace decided to set herself a new year challenge, but instead of choosing something to give up, she wanted to add something to her life. Last year she decided to walk a 1000 miles, raise a 1000 pounds for charity and read 1000 pages for pleasure each month. What has she challenged herself to this year? Texas singer and songwriter Sharleen Spiteri chooses her inheritance tracks. She chooses Rock the Casbah by The Clash and These Boots are Made for Walking by Nancy Sinatra. Our reporter Anna Bailey meets Cyril and his barber Peter. Dr Jekyll and Mr Hyde opens on 14 February at Rose Theatre Kingston and then tours the country A Stitch in Time with Amber Butchart is on BBC4 on Wednesday evenings from 3rd January Barber Shop Chronicles runs at the National Theatre until 9th January Producer: Corinna Jones Editor: Eleanor Garland.

Northern Broadsides theatre company's For Love or Money, directed by and featuring company founder Barrie Rutter, has been adapted from a French play, Turcaret by Alain-Rene Lesage, by regular Broadsides collaborator Blake Morrison. Blake speaks to us about the play, about play translation and about 21 years of collaborations with Rutter and Broadsides. For Love or Money opened at The Viaduct Theatre in Halifax on 15 September 2017. After that, it will tour to West Yorkshire Playhouse in Leeds, Lawrence Batley Theatre in Huddersfield, Theatre Royal Bury St Edmunds, Rose Theatre Kingston, New Vic Theatre in Newcastle-Under-Lyme, Stephen Joseph Theatre in Scarborough, Liverpool Playhouse and finally York Theatre Royal, where it will close on 2 December.

Halifax-based Northern Broadsides has paired up with York Theatre Royal for a revival of J B Priestley's When We Are Married, directed by Northern Broadsides artistic director Barrie Rutter. Playing the role of Clara Soppitt, actress Kate Anthony, best-known for playing Pam Hobsworth in Coronation Street, spoke to BTG editor David Chadderton during rehearsals about the production and her part in it as well as some of the differences between acting in theatre and TV and the importance of getting on with your fellow actors while touring. When We Are Married is at York Theatre Royal until 24 September 2016 before touring to Hull Truck Theatre, Theatre Royal Bury St Edmunds, Rose Theatre Kingston, West Yorkshire Playhouse, Stephen Joseph Theatre in Scarborough, Cheltenham’s Everyman Theatre, New Vic Theatre in Newcastle-under-Lyme, Liverpool Playhouse and Northern Broadsides’ own Viaduct Theatre in Halifax, where it closes on 4 December. (Rehearsal photo of Kate Anthony by Nobby Clark)

Listen to this KiSSiT (Kingston Shakespeare Seminar in Theory) Work-in-Progress session with Dr Varsha Panjwani (Boston and York) and Koel Chatterjee (Royal Holloway), held on the 14th of April at the Rose Theatre Kingston, on Indian Shakespeares on Screen: Identity, Politics, Entertainment, chaired by Timo Uotinen. Find out more about their succesful conference and project at indianshakespearesonscreen.com. The recordings are divided into four parts: interview about the project, Varsha’s talk on 10 ml Love (adaptation of A Midsummer Night’s Dream), Koel on Arshinagar (a Romeo and Juliet adaptation), and an open discussion about all the above. More at: https://kingstonshakespeareseminar.wordpress.com/2016/05/05/kissit-wip-indians-shakespeares-on-screen-podcast/

Listen to this KiSSiT (Kingston Shakespeare Seminar in Theory) Work-in-Progress session with Dr Varsha Panjwani (Boston and York) and Koel Chatterjee (Royal Holloway), held on the 14th of April at the Rose Theatre Kingston, on Indian Shakespeares on Screen: Identity, Politics, Entertainment, chaired by Timo Uotinen. Find out more about their succesful conference and project at indianshakespearesonscreen.com. The recordings are divided into four parts: interview about the project, Varsha’s talk on 10 ml Love (adaptation of A Midsummer Night’s Dream), Koel on Arshinagar (a Romeo and Juliet adaptation), and an open discussion about all the above. More at: https://kingstonshakespeareseminar.wordpress.com/2016/05/05/kissit-wip-indians-shakespeares-on-screen-podcast/

Listen to this KiSSiT (Kingston Shakespeare Seminar in Theory) Work-in-Progress session with Dr Varsha Panjwani (Boston and York) and Koel Chatterjee (Royal Holloway), held on the 14th of April at the Rose Theatre Kingston, on Indian Shakespeares on Screen: Identity, Politics, Entertainment, chaired by Timo Uotinen. Find out more about their succesful conference and project at indianshakespearesonscreen.com. The recordings are divided into four parts: interview about the project, Varsha’s talk on 10 ml Love (adaptation of A Midsummer Night’s Dream), Koel on Arshinagar (a Romeo and Juliet adaptation), and an open discussion about all the above. More at: https://kingstonshakespeareseminar.wordpress.com/2016/05/05/kissit-wip-indians-shakespeares-on-screen-podcast/

Listen to this KiSSiT (Kingston Shakespeare Seminar in Theory) Work-in-Progress session with Dr Varsha Panjwani (Boston and York) and Koel Chatterjee (Royal Holloway), held on the 14th of April at the Rose Theatre Kingston, on Indian Shakespeares on Screen: Identity, Politics, Entertainment, chaired by Timo Uotinen. Find out more about their succesful conference and project at indianshakespearesonscreen.com. The recordings are divided into four parts: interview about the project, Varsha’s talk on 10 ml Love (adaptation of A Midsummer Night’s Dream), Koel on Arshinagar (a Romeo and Juliet adaptation), and an open discussion about all the above. More at: https://kingstonshakespeareseminar.wordpress.com/2016/05/05/kissit-wip-indians-shakespeares-on-screen-podcast/

Sir Jonathan Miller has returned to Halifax-based Northern Broadsides Theatre Company to director company founder Barrie Rutter in the title role of Shakespeare’s King Lear. BTG editor David Chadderton speaks to Barrie Rutter about his new OBE, playing Lear, working with Jonathan Miller and touring large-cast productions and to Catherine Kinsella about playing Cordelia, winning a Manchester Theatre Award and making a career as an actor in the north of England. The production will open at the company’s base at the Viaduct Theatre in Halifax on 27 February 2015 before touring to Hull Truck Theatre, Theatre Royal Bath, Everyman Theatre Cheltenham, West Yorkshire Playhouse, Stephen Joseph Theatre Scarborough, Liverpool Playhouse, The Lowry in Salford, York International Shakespeare Festival, Rose Theatre Kingston and finally New Vic Theatre in Stoke, where it will end on 13 June 2015. For more information about the company, see www.northern-broadsides.co.uk.

Halifax-based Northern Broadsides will soon tour a new production of Oliver Goldsmith’s 1773 comedy She Stoops to Conquer, directed by director, actor and composer Conrad Nelson, a regular member of the Broadsides production team. In this episode, Conrad talks about his production and about how it fits with the general philosophy of the company. She Stoops to Conquer will open on 29 August 2014 at the company’s own Viaduct Theatre in Halifax before touring to The Dukes in Lancaster, Rose Theatre Kingston, Oxford Playhouse, Harrogate Theatre, Everyman Cheltenham, Theatre Royal Winchester, Stephen Joseph Theatre Scarborough, West Yorkshire Playhouse in Leeds, the New Vic Theatre in Newcastle-under-Lyme, Liverpool Playhouse, York Theatre Royal, Lawrence Batley Theatre in Huddersfield and finally The Lowry in Salford, where it will close on 13 December. For more information about Northern Broadsides, see www.northern-broadsides.co.uk.