Podcasts about Lear

Somehow we've already reached the point where the conversation spirals from Steven Spielberg's new alien movie into whether Lear's digestive system could accidentally start an interplanetary war.Just another totally normal morning.The gang kicks things off with a packed weekend preview, including Lear's big Pageant event, Moon's soccer watch party in Illinois, and the upcoming Night at the Rizzlies. Then things take a sharp left turn into the great extraterrestrial debate after discussion of Spielberg's latest sci-fi blockbuster sparks a surprisingly deep conversation about intelligent life beyond Earth.Do aliens exist? Are they already here? Is Earth basically the North Sentinel Island of the galaxy? Could heaven secretly be a spaceship? These are apparently the questions that happen when you give a radio show access to microphones before coffee fully kicks in.The crew dives into theories ranging from religion and simulation concepts to alien overlords, government coverups, and whether any of us would voluntarily board a mysterious spacecraft in the middle of nowhere. Some members of the show are ready to leave Earth immediately. Others have follow-up questions about bathrooms.There's also a healthy amount of celebrity and entertainment chaos. Learn breaks down the new Sublime album featuring Jakob Nowell, Fleetwood Mac's upgraded greatest-hits collection, Motley Crue's theatrical return, Sammy Hagar's upcoming tour, and Larry David's newest HBO project. Along the way, the gang somehow turns a discussion about classic rock into a deep dive on band members dating each other, divorcing each other, and then somehow continuing to make hit records together.The movie conversation keeps rolling with discussions about Spielberg's return to alien storytelling, the highest-rated films of the last 25 years, Christopher Nolan's domination of IMDb rankings, and why Whiplash remains one of the most stressful movies ever made.Plus:The Blues' Stanley Cup anniversary memoriesO.J. Simpson jokes that somehow still happenThe weirdest alien theories you've ever heardWhy Moon thinks Earth might just be a tiny forgotten corner of something much biggerMotley Crue appreciation hourTom Hanks versus voice acting categoriesAlan Tudyk getting the respect he deservesLarry David being Larry DavidBirthday shoutouts and Crap on CelebritiesIt's the kind of daily comedy show episode that starts with local events and ends with humanity questioning its place in the universe.If you enjoy pop culture commentary, weird news, celebrity gossip, classic rock debates, science-fiction rabbit holes, and a daily comedy show that never stays on topic for more than three minutes, Episode 200 delivers exactly the kind of beautiful disaster you'd expect from The Rizzuto Show.Thanks for making this daily comedy show part of your day.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Transformar una organización es una cosa. Hacerlo a gran escala, en múltiples plantas, países y culturas, es otra conversación completamente diferente.En este episodio Ana María Quintanilla recibe a Alberto Piñones, líder con una trayectoria en la industria manufacturera automotriz que incluye Grupo Industrial Saltillo, Hitachi y LEAR, donde fue VP de Operaciones con presencia en América, Europa y Asia, liderando 18 plantas y más de 15,000 empleados. Hoy fundador y presidente del Cluster Automotriz en Coahuila y miembro del Consejo de la Industria Nacional de Autopartes.Una conversación sin filtros sobre lo que realmente se necesita para mover organizaciones enteras:Cómo fue su carrera y lo que la industria le enseñó sobre el cambioCómo se inicia un proceso de transformación a gran escalaQué retos encuentra un líder al llegar a una organización que necesita cambiarQué recomienda a los líderes que quieren transformar su organización hoy

Chaque jour, retrouvez une histoire drôle racontée par un sociétaire de l'époque de Philippe Bouvard. Jacques Balutin, Jacques Mailhot ou encore Pierre Bellemare, retrouvez toutes leurs blagues en podcast !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

You can find out more about Noble South at www.thenoblesouthresturant.com Also on Facebook and Instagram @The_Noble_South Music by Suaze - You can hear more from him on iTunes and www.suaze.soundcloud.com. Follow us on Facebook, Instagram and Tik Tok at Eating Alabama.  You can also find us at www.eatingalabama.net. Contact me by email at Nick@eatingalabama.net

Episode 218:Last time I looked at the first part of ‘King Lear' from the opening scene where Lear makes his disastrous decision to split his kingdom between his children, through to the renowned scene where the ex-king and his fool are caught in a raging storm on the moor and saved only by the loyalty of Kent. On the way I looked at the deliciously evil Edmund, the poor judgement of his father Gloucester, and the scheming of Lear's oldest daughter Goneril. Now I will complete this look at the play and discuss it's place as a very Jacobean play addressing the concerns of its time when King James was working hard at an attempt to unite his disparate kingdom. The role, character and purpose of the FoolThe mock trial sceneThe blinding of GloucesterThe character and cruelty of ReganEdgar and Gloucester on the cliffs at DoverHope before tragedy as Lear and Cordelia are reunitedA family dispute as the heart of the playWhy Lear resonates so strongly with audiencesThe sense of ‘no place' in the playKing Lear as a message for King James The significance of the non-Christian setting of the playThe play as a tragedy and a history playA brief view of the later critical and performance history of the playA small selection of ‘King Lear' on filmSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetpYou can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that's for just £1 per month. Hosted on Acast. See acast.com/privacy for more information.

ON TODAYS PROGRAM…   PALOU WINS IN DETROIT!!!…SCHUMACHER P21  IS TOTO HAVING FANTASIES OF A KIMI AND MAX SUPER TEAM FOR THEIR SUPER CAR! WOULD THE TIFOSI WEAR ORANGE TO HELP FERRARI GET MAX? ZACK BROWN TOOK LANDO NORRIS TO THE SPEEDWAY THE DAY AFTER THE 500 LARGEST MOTORSPORTS SPECTACLE IN THE WORLD AND…FERNANDO SAYS: I WILL ATTEMPT THE INDIANAPOLIS 500 ONE MORE TIME!….mention MAX and competition.   THIS WEEK'S NASIR HAMEED CORNER WE HAVE: A MOMENT IN MOTORSPORTS HISTORY WITH CIAO COLLET FROM 2023 WHO CRASHED IN THE INDY 500 WITH 8 LAPS TO GO!! AND A LITTLE HISTORY ON THE MICHELIN TYRE!!  Palou Prevails Amid Chaos, Varying Tire Strategies in Detroit. DETROIT (Sunday, May 31, 2026) – Four-time NTT INDYCAR SERIES champion Alex Palou prevailed in a full-contact race filled with various tire strategies, winning the Chevrolet Detroit Grand Prix presented by Lear on Sunday for his fourth victory in eight races this season. Pole sitter Palou drove his No. 10 HRC Chip Ganassi Racing Honda to a 3.0584-second victory over the No. 27 Sam's Club Honda of Andretti Global's Kyle Kirkwood. It was the 23rd victory of Palou's career in 106 starts, a remarkable strike rate of 21.7 percent, and he has won 12 of the last 25 races (48 percent win rate) dating to the start of the 2025 season. SEE: Race Results “It feels like the first time, honestly” Palou said. “It was a tough one, a very tough one. But the team did an incredible job once again with the strategy. The pit stops were incredible. Incredible run, incredible start of the year, but it was tough.” The victory extended Palou's championship lead to 62 points over Kirkwood, more than a race's worth of margin. The Spaniard is aiming for an INDYCAR SERIES record-tying fourth straight title. Graham Rahal finished third in the No. 15 Fifth Third Bank Honda of Rahal Letterman Lanigan Racing, his third podium finish of the season. Arrow McLaren teammates Pato O'Ward and Christian Lundgaard finished fourth and fifth in the No. 5 and No. 7 Chevrolet-powered cars, respectively, at General Motors' home event. Palou led 71 of the 100 laps, but this wasn't a stroll down Easy Street. He took the lead for good on Lap 69 when Kirkwood pitted from the lead for the last time and stayed out front on restarts on Laps 72, 76, 83 and 93 after full-course yellows bunched the field. The move to the front was paved a few laps earlier when strategist Barry Wanser and Palou decided to make their final pit stop at the end of Lap 63, switching from the faster but less durable Firestone Firehawk alternate tire to the primary tire. Wanser saw a variety of jousts for position unfolding on the tight, nine-turn, 1.645-mile street circuit and wisely didn't want Palou to get caught on track under caution and lose track position. Wanser's decision proved prescient on Lap 66 when Santino Ferrucci's No. 14 Homes For Our Troops Chevrolet of AJ Foyt Racing nudged the rear of Rinus VeeKay's No. 76 Juncos Hollinger Racing Chevrolet into a spin in Turn 5. Kirkwood was leading but still had to make his final stop, which he did under yellow on Lap 69 and was forced to use a set of Firestone Firehawk alternates per INDYCAR rules that require at least two sets of the softer rubber to be used in street-circuit events. Palou rocketed away from Alexander Rossi's No. 20 Java House Chevrolet of ECR on the restart on Lap 72. Rookie Mick Schumacher and David Malukas were engaged in an intense duel for third on the restart, with Schumacher missing the corner in Turn 5 and nosing into the barriers in his No. 47 ENVE Honda of Rahal Letterman Lanigan Racing. Malukas had nowhere to go and ran wide in his No. 12 Verizon Team Penske Chevrolet, with the incident triggering another full-course caution on Lap 73. By this point, Kirkwood had worked his way back to third after his final pit stop and had to make the most of the added early grip of the alternate tire before the increased durability of Palou's primary tires prevailed in the closing laps. Kirkwood passed Rossi and then set sail for Palou, knowing this was his best chance to win. Kirkwood pulled to within two car lengths of Palou on Lap 79 and appeared to be ready to pounce for the lead when Ferrucci's car slowed in Turn 4 with a mechanical problem, triggering the fifth full-course yellow of the race on Lap 80. “We took a little bit of a gamble on tires there, being the only guy on reds (alternates) at the end,” Kirkwood said. “It nearly paid off. It was so, so close. There were two untimely yellows. “We almost covered Palou when we were on primes, which would have been phenomenal, and then we had that other yellow where I had him lined up. I was ready to make a dive on him, and, of course, (the yellow) comes out after I burned 10 seconds of overtake. From there, we just didn't really have another shot at it. I think I just used up my tires too much to make that one pass.” Palou kept the lead on the restart on Lap 83, but Kirkwood continued to push and forced Palou into a flat-spotting tire lockup on Lap 88. But Palou gathered himself and his car and started to pull away, building a lead of 1.8929 seconds by Lap 91. But there was one more restart for Palou to manage after Rossi clipped the rear of the No. 18 BMax Honda driven by Romain Grosjean of Dale Coyne Racing and sent Grosjean into the outside wall approaching Turn 3 on Lap 91. That triggered the last of six full-course yellows, but Palou pulled away from Kirkwood and the field on the Lap 93 restart and was never threatened despite the 173 on-track passes today, a high for a street circuit this season.  “Being able to be up front was key,” Palou said. “On the first stint, I started struggling and kind of put myself in a bad spot and lost two positions with Lundgaard and (Scott) McLaughlin. I lost us positions there, but the team made a great call to be safe with the yellow. It kind of worked out for us.” Fittipaldi Wins Motor City Thriller, Takes Series Lead. DETROIT (Sunday, May 31, 2026) – Enzo Fittipaldi returned his famous last name to Victory Lane in Detroit for the first time in 35 years, winning the INDY NXT by Firestone Detroit Grand Prix despite driving nearly the entire distance with a damaged front wing and nose cone. Series rookie Fittipaldi won the race, originally scheduled for 45 laps but switched to a timed event, under caution in the No. 67 HMD Motorsports car after starting seventh. It was his second victory of the season and vaulted him to the championship lead in the INDYCAR development series, seven points ahead of Nikita Johnson of Cape Motorsports Powered by ECR and eight ahead of HMD teammate Tymek Kucharczyk. SEE: Race Results The victory also was the first by the legendary Fittipaldi name in Detroit since his grandfather and two-time Indy 500 winner Emerson Fittipaldi won INDYCAR SERIES races on a different downtown street circuit in the Motor City in 1989 and 1991. “I just pushed as hard as I could,” Enzo Fittipaldi said. “I found pace. I was really, really fast. Just so happy to get the win. I love to race; I'm a racer.” Series veteran Myles Rowe finished a season-best second in the No. 99 Abel Motorsports with Force Indy machine, with rookie Kucharczyk rounding out the podium finishers in the No. 71 HMD Motorsports entry. Rookie Max Garcia tied his season-best finish by placing fourth in the No. 12 Abel Motorsports machine, with veteran Seb Murray rounding out the top five in the No. 27 Megatron car of Andretti Global. Frenzied action started from the drop of the green flag on Lap 1, as Lochie Hughes made an aggressive move into the Turn 3 hairpin with his No. 26 Andretti Global car, punting pole sitter Alessandro de Tullio into a spin from the lead in the No. 14 AJ Foyt Racing entry. Hughes received a drive-through penalty for avoidable contact. Fittipaldi nudged another car in that chain-reaction melee, which damaged the right side of his front wing and punched a large hole in his nose cone. Kucharczyk took the lead from that point, keeping it on the restart on Lap 8. Kucharczyk built a lead of 3.324 seconds over Fittipaldi by Lap 13, with Rowe climbing to third by Lap 18. Rowe dove under Fittipaldi for second on Lap 20 and started to chase down Kucharczyk. By Lap 21, Rowe pulled to within .5477 of a second of leader Kucharcyzk, slicing 1.6 seconds from the Polish driver's lead in just three laps. But the complexion of the race changed on Lap 26 when the second of four full-course yellow flags in the race were unfurled for debris on the nine-turn, 1.645-mile temporary street circuit. The restart came at the end of Lap 27, with Rowe trying to dive under Kucharczyk for the lead immediately after the green flag, in the Turn 3 hairpin. But the move forced both cars wide, leaving an opening along the inside curb for Fittipaldi. He took it, squeezing past Rowe and Kucharcyzk and never trailing thereafter. Fittipaldi stayed out front on another restart on Lap 34 after Niels Koolen nosed his No. 10 Chip Ganassi Racing machine into the barrier in Turn 8. “I got it done,” Fittipaldi said. “I knew Myles was going to go for a lunge there, and I just prepared my mid-(corner) to exit of Turn 3, and he went on the lunge on Tymek, and I was able to do the crossover and got the lead. I had the pace to stay there, and I was actually pulling away.” The decisive move was one of 141 on-track passes, including 124 for position, in the exciting race – both INDY NXT records for any circuit on which the series has competed in the Motor City. Fittipaldi expanded that gap to nearly six-tenths of a second when Andretti Global's Max Taylor also nosed into the barrier in Turn 1 in his No. 28 Susan G. Komen car with about four minutes, 20 seconds left in what had become a timed race, triggering the final caution. Taylor's car could not be cleared in time to restart the race, with the field finishing under yellow. “I was losing quite a lot of time through (Turns) 6 and 7,” Fittipaldi said of the damage to his car. “It was quite difficult. Down the straight, I could feel the air coming through my legs and I said: ‘Man, this is not good. We're definitely dragging a lot on the straight.' It was hard to keep that lead and keep up with the guys.”

June 1, 2026 ~ Chris and Lloyd find out why Michiganders don't trust Data Centers; learn about the success of the Chevrolet Detroit Grand Prix presented by Lear; hears with the White House's 'Aliens.gov' is really about and hears about how Stephen Colbert appeared on Monroe Public Access after being cancelled by CBS. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act V Scene iii - We reach the end of King Lear. This is maybe the longest ever single episode of the podcast, but it felt impossible to divide up the final moments of the play - from Lear's entrance to the ending, it demanded to be a single episode. Written and presented by Conor Hanratty

Chad's got a new truck, a new boat, and a lot on his mind. The 2026 Ford F-250 Super Duty is built out and beautiful — Avalanche Gray, Bodyguard bumpers, Mickey Thompson tires, Lear topper, the works. Thank you Corning Ford. Now that that's out of the way, Chad goes somewhere unexpected. Black Springs. Growing up poor. Brown bag lunches with cold spaghetti between two pieces of generic wheat bread. Riding bikes until dark. Breakdancing with J.J. and Marcus and Corey on a piece of graffitied cardboard. A nail through the foot. A wood-burning stove. Government cheese. A mom working graveyard shifts at the Veterans Hospital in oncology while going to nursing school and still making it to every game. He talks about what that upbringing gave him. From humility, to discipline, faith, the fear of God, and what it means to be 51 years old, in the best shape of his life, doing exactly what he was put on earth to do. He talks about his dad. Twenty years this August. He's still talking to him. TChad doesn't have it all figured out. He'll be the first to tell you. But he knows where he came from and he's not ashamed of any of it. This Life Ain't For Everybody. This one especially. This episode is presented by Jack Daniel's Tennessee Whiskey, and brought to you by Corning Ford, Napa Valley Olive Oil, Oakley Sunglasses, Resistol, Mickey Thompson Tires and Wheels, TKO Vitality, Almost Heaven Saunas, and BEDSLIDE!

Ob nedavnem jubileju se bomo poklonili igralcu Binetu Matohu, ki je večino svojega opusa ustvaril v Primorskem dramskem gledališču, poznejšem Slovenskem narodnem gledališču Nova Gorica. Za njim je desetine izjemnih vlog, za številne je bil nagrajen. Prejel je tudi Borštnikov prstan. Lani je na odru svojega gledališča nastopil kot kralj Lear – v istoimenski Shakespearjevi igri, ki jo je režiral Ivica Buljan. Pogovor z Binetom Matohom je leta 2018, ko je prejel nagrado tantadruj za življenjsko delo, pripravila Ingrid Kašca Bucik. Po pogovoru pa boste slišali Bineta Matoha, kot je leta 1994 nastopil kot Patriarh oglejski v Krstu pri Savici Dominika Smoleta v režiji Janeza Pipana. S to predstavo so takrat odprli novo gledališče v Novi Gorici.

May 29, 2026 ~ Bud Denker, Chairman of the Chevrolet Detroit Grand Prix presented by Lear joins Jamie Edmonds in for Paul W. Smith live from the Grand Prix. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

May 29, 2026 ~ Jamie Edmonds fills in for Paul live from the Chevrolet Detroit Grand Prix presented by Lear. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hoy en La diez Capital Radio Miguel Ángel González Suárez entrevistara a Christoph Kiessling, presidente de Loro Parque Fundación y vicepresidente de Loro Parque, que hablará sobre el Encuentro por la Biodiversidad que celebró el días pasados en Madrid y sobre las orcas de Marineland. Loro Parque Fundación reúne en Madrid a referentes mundiales de la conservación y presenta SofiaNet, una red acústica pionera para proteger a los cetáceos del Estrecho. El encuentro, celebrado en el Espacio Almagro ante más de 150 representantes del ámbito científico, institucional y conservacionista, reforzó la alianza con la UICN SSC y mostró proyectos con impacto real: de la recuperación de especies amenazadas a la reducción de interacciones entre orcas y embarcaciones. Coincidiendo con la celebración del Día Internacional de la Diversidad Biológica, el acto contó con la asistencia de Wolfgang Kiessling, presidente de Loro Parque, y de Vivek Menon, presidente de la Comisión para la Supervivencia de Especies de la UICN. En una jornada marcada por el liderazgo científico, Loro Parque Fundación celebró este pasado jueves en el Espacio Almagro de Madrid, el Encuentro por la Biodiversidad, ante más de 150 personalidades del ámbito académico, político y conservacionista. El encuentro ha coincidido con la presentación de la Lista Roja Nacional de España en el Congreso de los Diputados con motivo del Día Internacional de la Diversidad Biológica, acto en el que ha participado Ángel Curros, director biológico del acuario Poema del Mar, para exponer los avances en la protección de especies críticamente amenazadas como el angelote y la mantelina; y del doctor Javier Almunia, que presentó el proyecto CanBIO. Durante su intervención, el presidente de Loro Parque, Wolfgang Kiessling, reiteró la plena disposición del Grupo para colaborar en el rescate de las orcas Wikie y Keijo, actualmente en el parque Marineland (Francia). Kiessling subrayó que esta operación no responde a intereses comerciales "no ganamos un euro más por tener seis orcas en lugar de cuatro" sino a una responsabilidad moral, técnica y profesional para evitar que los animales mueran sin una alternativa real. El presidente de Loro Parque fue tajante al señalar que la institución solo procederá al traslado si cuenta con el expreso visto bueno del Gobierno de España y se garantiza la seguridad jurídica y técnica del proceso. "Nuestra voluntad es salvar la vida de estos animales y rescatarlos de un destino fatal", afirmó, invitando al ejecutivo español a reconocer formalmente la idoneidad de las instalaciones de Tenerife, referentes mundiales en bienestar animal. Una operación que asumiría como un "acto humano" frente a la inexistencia de santuarios marinos, como confirmó la semana pasada en ministro delegado de Transición Ecológica de Francia, Mathieu Lefevre. Por su parte, Vivek Menon, presidente de la Comisión para la Supervivencia de Especies de la UICN, destacó la importancia de centrar los esfuerzos en la defensa individual de cada especie. Menon puso como ejemplo de éxito la colaboración con Loro Parque Fundación en la recuperación del Guacamayo de Lear en Brasil, que ha pasado de estar al borde de la desaparición a contar con más de 2.200 ejemplares en la naturaleza. "La naturaleza es muy resiliente y agradecida; si haces algo por ella, te lo devolverá", afirmó, ofreciendo el apoyo de los 15.000 investigadores que integran su comisión para seguir colaborando con la Fundación. El presidente de Loro Parque Fundación, Christoph Kiessling, presentó como gran hito de la noche el Proyecto SofiaNet. Esta iniciativa busca desarrollar un sistema avanzado de monitorización acústica continua y automatizada para conocer la presencia de cetáceos en el Estrecho de Gibraltar. Exportando la tecnología desarrollada en Canarias a través del proyecto CanBIO, SofiaNet permitirá generar datos de alta calidad para entender mejor las amenazas derivadas del ruido de origen humano y mejorar la gestión de este espacio marino crítico. Un proyecto que cuenta con la colaboración de la Fundación Reina Sofía, la Universidad de La Laguna y CIRCE. La jornada sirvió también para desgranar otros proyectos clave que sitúan a la Fundación a la vanguardia. El Dr. Antonio Fernández (ULPGC) presentó su nuevo libro “Células del Delfín”, una obra única que utiliza la microscopía electrónica para el diagnóstico patológico, permitiendo "hablar con la muerte para ayudar a la vida". Por su parte, el Dr. Renaud de Stephanis (CIRCE) detalló cómo 22 años de estudios han permitido reducir en un 80% las interacciones con veleros gracias a recomendaciones basadas en ciencia, como navegar en aguas someras y no detener la embarcación. El Dr. Javier Almunia expuso el proyecto cambio, que estudia la acidificación oceánica, el ruido submarino y el impacto del cambio climático en la biodiversidad terrestre y marina, siendo referente a nivel mundial y que cuenta con a financiación de Loro Parque Fundación y el Gobierno de Canarias, en colaboración con la Universidad de La Laguna y la Universidad de Las Palmas de Gran Canaria. Con este encuentro, Loro Parque Fundación reafirma su papel como motor de la conservación global, habiendo salvado ya a 18 especies de la extinción gracias a una inversión acumulada de 30 millones de dólares.

In this episode of the Royals, Rebels, and Romantics Leadership Series, Carol Ann examines Shakespeare's King Lear as a cautionary tale. Instead of behaving as a leader, Lear behaves as a bully, grasping for power and control. He treats leadership as a transaction, attempting to exchange power for praise. Not surprisingly, everything falls apart.Carol Ann LloydTEDx talk: 3 Leadership Secrets from Shakespeare@shakeuphistoryhttps://carolannlloyd.com/https://patreon.com/carolannlloydhttps://bookshop.org/shop/carolannThe Tudors by NumbersCourting the Virgin QueenSupport the showHistory reveals what's possible.

We continue our episodes of the Auto Remarketing Podcast originating from the Live Stage, which was sponsored by SYCN Auto Logistics, during the Used Car Industry Summit in Miami this spring. Scott Lear, who is president of Dealer Benefit, took attendees into the world of batteries for used electric vehicles and how F&I products such as Battery4Life can help dealers calm potential buyers' apprehensions.

In his own personal Year of Lear, Daniel Mothershed (above) is playing both King Lear and the Fool in the Bowls With The Bard production of King Lear, immediately after directing the second production of Austin Tichenor's adaptation of Christopher Moore's novel Fool. Daniel discusses this experiment with theatrical duality; how the RSC Podcast interview with famous Fool Adrian Scarborough unlocked Daniel's interpretation (plus appreciation for the even deeper cut of this "Drawing on Shakespeare" conversation); shout-outs to previous Lears; and the potential danger of playing both roles driving you genuinely mad. (Length 24:40) The post Lear AND Fool??? appeared first on Reduced Shakespeare Company.

ON TODAYS PROGRAM… GEORGE'S MERC GOES KABLAMO WHILE IN THE LEAD GIFTING ANTONELLI THE WIN! MCLAREN MAKES ONE. BLUNDER AFTER ANOTHER… GOOD FIGHT BETWEEN MAX AND LCH FOR P2 AND… FELIX ROSENQVIST WINS THE INDY 500 BY A NOSE!!! SUPER SAD NEWS…KYLE BUSCH GONE AT 41… THIS WEEK'S NASIR HAMEED CORNER WE HAVE: A MOMENT IN MOTORSPORTS HISTORY WITH FRANCOIS CASTAIN!… Rosenqvist Earns Epic Victory in Closest-Ever Indianapolis 500 Finish INDIANAPOLIS (Sunday, May 24, 2026) – Felix Rosenqvist capped his magical May by edging David Malukas in a last-lap drag race to the Yard of Bricks with the highest stakes, winning the 110th Indianapolis 500 presented by Gainbridge on Sunday at Indianapolis Motor Speedway in the closest finish in the century-plus history of “The Greatest Spectacle in Racing.” Rosenqvist rode the high line against the concrete wall exiting Turn 4 on Lap 200 in the No. 60 SiriusXM Honda of Meyer Shank Racing w/Curb Agajanian and powered past the No. 12 Verizon Team Penske Chevrolet of David Malukas to prevail by .0233 of a second. The previous closest finish in “500” history came in 1992, when Al Unser Jr. held off a charging Scott Goodyear by .043 of a second. SEE: Race Results “Unreal; I still don't believe it,” Rosenqvist said. “It kind of worked out the right way when I got back to third, and then I just had to flat-out lap on the high line, and it stuck,” Rosenqvist said. “It was just the coolest way you can finish and win an Indy 500.” The breathtaking race featured an event-record 70 lead changes over its 200 scintillating laps, breaking the previous mark of 68 set in 2013. With his second career NTT INDYCAR SERIES victory, Rosenqvist became the third Swedish driver to win “The Greatest Spectacle in Racing,” joining Kenny Brack (1999) and Marcus Ericsson (2022). Meyer Shank Racing also earned its second NTT INDYCAR SERIES victory – both coming in the most prestigious race in the world. Helio Castroneves captured his record-tying fourth Indianapolis 500 victory in 2021 for the Ohio-based team. The victory capped a remarkable month for Rosenqvist. He and his wife, Emille, welcomed their first child, a daughter named Stella, on May 4. “I really miss my wife and my newborn child, Stella,” Rosenqvist said. “I wish they were here with me. This whole month, becoming a dad and winning the ‘500' … We joked about it in the beginning: ‘Maybe you'll win the ‘500' and have a baby.' It's just unreal.” Scott McLaughlin finished third in the No. 3 Pennzoil Team Penske Chevrolet, as the fabled team placed two drivers in the top three but fell just short of a record-extending 21st Indy 500 victory. Pato O'Ward placed fourth in the No. 5 Arrow McLaren Chevrolet, his fifth career top-four finish in seven “500” starts without a victory. Marcus Armstrong rounded out the top five in the No. 66 Acura Honda of Meyer Shank Racing w/Curb Agajanian despite taking the green flag in the lead on a one-lap shootout for the victory after a late caution. An incredible .4360 of a second separated the top-five finishers. Rosenqvist's average speed was 162.021 mph. The one-lap dash to the checkered flag and immortality was set up when rookie Mick Schumacher brushed the SAFER Barrier in Turn 2 in his No. 47 Rahal Letterman Lanigan Honda on Lap 197. Racing resumed at the end of Lap 199, with Armstrong leading to the flag stand with the white flag in the air and one lap remaining, with Malukas in second and Rosenqvist third. Malukas powered to the lead entering Turn 1 and started to pull away on the backstretch of the 2.5-mile oval with teammates Armstrong and Rosenqvist running side by side in a joust for second. Rosenqvist, running the high line around the oval, nosed ahead of Armstrong in Turn 4 and set his sights on Malukas. With the checkered flag in the air ahead, Malukas drove his car toward the pit wall to try and break Rosenqvist's aerodynamic tow. Malukas then moved toward the center of the track, and Rosenqvist quickly swung his machine back toward the top of the racetrack, just barely avoiding contact. The two cars were side by side yards from the finish line when Rosenqvist nosed ahead and crossed the Yard of Bricks first by about a half-car length, the capacity crowd of 350,000 pulsating in delight. It was the most important of the 629 on-track passes in the race, including 567 for position. “I don't know what else we could have done,” Malukas said as he choked back tears in his pit box. “We were the fastest car that whole race. I gave it 150 percent. I mean, I almost crashed this damn car every lap, and we still ended up with a P2. “I just can't believe it. I don't know what else I can give. So close. This place, we're going to come back and bring it everything. We're going to give it 160 percent the next time.” Said Rosenqvist: “Good job to Marcus and David at the end. They raced really cleanly. It's because of drivers like that you get really good racing. Unbelievable.” McLaughlin, O'Ward and Armstrong then crossed the Yard of Bricks three-wide in the sprint for third, capping a race for the ages. The spellbinding finish was the final act of a dual-strategy drama that unfolded over the closing laps. O'Ward, Armstrong and Rosenqvist made their final pit stops on Laps 164, 165 and 166, respectively, right at the edge of the fuel window to finish the race without another stop under green-flag racing. Meanwhile, Malukas, McLaughlin and pole sitter Alex Palou in the No. 10 DHL Chip Ganassi Racing Honda were among a group of cars that were on a different sequence and had to make their final stops on Laps 175 (Malukas) and 176 (Palou and McLaughlin). Malukas took control of that chasing group, but they were more than 20 seconds behind O'Ward, Rosenqvist and Armstrong with less than 25 laps to go. Rosenqvist, with two more laps of fuel than O'Ward, was content to ride in the draft of the Mexican and save even more fuel as both lapped nearly 10 mph slower than the chasing pack to ensure they could make it to the finish. Rosenqvist finally pounced past O'Ward for the lead on Lap 185 and was headed toward Easy Street. The chasing trio of Malukas, McLaughlin and Palou appeared to be running out of laps to catch O'Ward, Rosenqvist and Armstrong, but the field was bunched on Lap 192 when rookie Caio Collet slammed the SAFER Barrier in Turn 2 in the No. 4 Combitrans Amazonia Chevrolet of A.J. Foyt Enterprises, triggering the sixth of seven caution periods in the race. Race officials immediately red-flagged the event for accident cleanup, with all cars pulling into the pits. “It was the perfect situation for us before that,” Rosenqvist said. “We kind of had everything lined up. Pato was struggling with fuel, and we were pretty rich (on fuel) to the end. I was like: ‘This is going to be great. At some point you're just going to pass him and hopefully cruise to the win.' But then in the end, everything flipped upside-down. “But you just have to reload. I was a little negative at first. I was like, ‘Of course, this happened.' But then you just had to think forward. It actually was good when I got back to third because it felt like I was hunting instead of being hunted.” Rosenqvist led the field to green flag on the Lap 196 restart after the 10-minute red flag period, with O'Ward second and Armstrong third. But Armstrong powered to the front in the four-wide restart with a bold outside move in Turn 1, with Malukas riding his aerodynamic coattails to second. But then Schumacher made contact with the SAFER Barrier to bring out the final caution on Lap 197, setting up the one-lap dash for glory. NTT P1 Award winner Palou led a race-high 59 laps but finished seventh. Adding his 12 bonus points for earning the Indy 500 pole, Palou leads the series standings by 42 points over Malukas entering the next event, the Chevrolet Detroit Grand Prix presented by Lear on Sunday, May 31 on the streets of Detroit. Kimi Antonelli First of all, massive commiserations to George. I feel very sorry for him as he was leading the race and was super strong. We were having a great battle in that first stint and very close on pace. I am sure it would have gone right until the end of the Grand Prix, and I am disappointed we didn't get the chance to continue that. It was not an easy race for us. The wind was very tricky and with the low temperatures, it was hard to get the tyres working. We had several lock-ups, particularly in the early stages, but fortunately were able to keep it on the track and get to the chequered flag first. It is of course not how we want to win but we will take it. We now get ready for the European portion of the season and six races in eight weekends leading up to shutdown. It will be an intense period, but we are looking forward to it. George Russell I am proud of my weekend, no matter that it ended in a retirement today. I took pole for the Sprint, won that race, took pole for the Grand Prix and was leading before we had the Power Unit issue that finished our race. I know there is nothing more I could have done this weekend to perform and that fills me with confidence moving forward into the rest of the season. It is of course a painful way to finish our Canadian Grand Prix weekend, but I will leave here satisfied that I did my best. Up until lap 30, I was thoroughly enjoying the race. I loved the battle with Kimi, and I am sure he did too. It was like going back to karting days where you are racing wheel-to-wheel, swapping the lead multiple times. I hope everyone enjoyed watching it as much as I enjoyed being in it. I just wish we could have continued it until the end of the Grand Prix. MAX... We made the right calls and didn't leave anything on the table! Finish Position: 3, Start Position: 6 "It's great to be back on the podium. It was a little bit of a surprise, but we made the right calls and didn't leave anything on the table. We had a very good first stint on the Soft tyre, and that gave us the gap we needed. The Medium tyre was more difficult because managing the temperatures, combined with going in and out of Virtual Safety Cars, made things more challenging. I enjoyed the last few laps battling with Lewis, and I pushed hard to take the position back. Over the last two weekends, we've been a lot closer, and there have been positive steps forward. It's also our first podium with our own powertrain, which is a great milestone for the Team, so credit to everyone for getting us here.”  

Thomas catches Matt during a brief reprieve from his May tour - they recount fun times from shows they've played thus far, while Matt buckles up for the remaining trip ahead. Thomas then asks if "On The Road Again" is truly the definitive touring song.   https://www.thinlear.com/ https://www.niagaramoonmusic.com/ Bluesky IG Tiktok

In Episode 56 of the West Aurora 129 Podcast, Superintendent Dr. Michael Smith welcomes Jewel Middle School special education teachers Mia Gianfrancesco and Heather Van Lear for a conversation about mentorship, relationships, and supporting students with diverse needs. Mia, a second-year teacher in a self-contained classroom, and Heather, a veteran educator and mentor teacher, reflect on the connection they've built through the district's teacher induction program and how that support system helps new-to-SD129-educators grow with confidence. The episode also offers an inside look at the different roles special education teachers play in supporting students academically, socially, and emotionally. Tune in for an encouraging conversation about collaboration, growth, and the relationships that help both students and teachers thrive in West Aurora School District 129.

Chaque jour, retrouvez une histoire drôle racontée par un sociétaire de l'époque de Philippe Bouvard. Jacques Balutin, Jacques Mailhot ou encore Pierre Bellemare, retrouvez toutes leurs blagues en podcast !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pitlochry Festival Theatre in Scotland, is about to open its 75th anniversary season, its first since star of stage and screen Alan Cumming took over as Artistic Director. BTG Editor David Chadderton spoke to Sam Hardie, Associate Director at the theatre, who is directing a revival of Iain Heggie's Wiping My Mother's Arse, and to playwright Douglas Maxwell, whose new play Inexperience will open in June, about the new season and the ways in which the new artistic director and his predecessor, Elizabeth Newman, changed the theatre's focus. Douglas also shares the best piece of advice he was ever given about playwriting that he thinks about every day, which came from Iain Heggie. Pitlochry Festival Theatre's 75th anniversary season opens on 23 May 2026 with a revival of the musical Once directed by John Tiffany, followed by Finn Den Hertog's production of Shakespeare's Lear starring Maureen Beattie, a revival of 2024 Edinburgh Fringe hit A History of Paper, Beckett's Happy Days starring Siobhán Redmond directed by Roxana Silbert, The Prime of Miss Jean Brodie directed by Vicky Featherstone and My Fair Lady directed by Maria Friedman with Alan Cumming as Professor Higgins. In the Studio, Douglas Maxwell's Inexperience opens on 13 June, followed by I Can Die Too by Frances Ruffelle, Sally George and Alan Cumming, Wiping My Mother's Arse by Iain Heggie (directed by Sam Hardie) and I'll Be Seeing You by Martin Sherman.

Republican voters are fighting back...no, more than that, they are fighting back STRATEGICALLY and INTELLIGENTLY! This is what we have been needing, and what just happened in Indiana is the model to follow! We have talked about this before in these episodes:https://youtu.be/6O2nDVr1Q_I?si=yN4cnv7LiziA88iphttps://youtu.be/-97OKXZI3BQ?si=cZNoIpbwiCND04kb------SPONSOR: Lear CapitalWith gold and silver hitting all-time highs and forecasts pointing higher, Lear Capital is helping people protect their wealth with physical precious metals. Whether you want gold and silver shipped directly to you or want to shift retirement dollars into precious metals, Lear's salary-based consultants offer free education and information — no obligation. Right now they're offering up to $20,000 in bonus gold or silver with a qualified purchase.Call 800-707-4575 or visit https://www.Nick4Lear.com-----GET YOUR MERCH HERE: https://shop.nickjfreitas.com/BECOME A MEMBER OF THE IC: https://NickJFreitas.comInstagram: https://www.instagram.com/nickjfreitas/Facebook: https://www.facebook.com/NickFreitasVATwitter: https://twitter.com/NickJFreitasYouTube: https://www.youtube.com/@NickjfreitasTikTok: https://www.tiktok.com/@nickjfreitas3.000:00:00 – How Indiana Republicans defeated weak primary incumbents00:00:52 – Analyzing the failed Indiana Senate redistricting bill00:01:20 – Why Republicans must fight back against gerrymandering00:04:54 – Rebutting media narratives on the Indiana primary00:07:29 – Voters demand fighters against the radical left00:08:12 – Analyzing the data behind Indiana primary blowouts00:12:07 – Why safe Republican districts rejected weak leaders00:15:16 – Exposing the history of aggressive Democrat gerrymandering00:18:23 – The radical plan for Virginia's redistricting map00:22:44 – How vote splitting protected a primary incumbent00:27:30 – Taking the win and rejecting political demoralization00:30:16 – Calling out subversive voices on the right00:31:45 – Practical grassroots action yields real political results00:34:13 – Differentiating between genuine fighters and online grifters00:36:02 – Celebrating the Indiana victory as a model

Four years ago, Republicans stood on the floor of Congress and told the American people that the FBI used FISA - this secret surveillance court - to spy on Donald Trump. They were right. Kevin Clinesmith doctored evidence to keep the Carter Page warrant alive. The whole thing was a setup. And this week, those same Republicans voted to hand that exact same unreformed tool back to the FBI for three more years. No warrant requirement. No new safeguards. Nothing. I want to talk about why that happened, what's inside the classified court opinion that a sitting senator just forced into the open, and why, regardless of which party you voted for - your texts may already be in this database.SPONSOR: Lear CapitalWith gold and silver hitting all-time highs and forecasts pointing higher, Lear Capital is helping people protect their wealth with physical precious metals. Whether you want gold and silver shipped directly to you or want to shift retirement dollars into precious metals, Lear's salary-based consultants offer free education and information — no obligation. Right now they're offering up to $20,000 in bonus gold or silver with a qualified purchase.Call 800-707-4575 or visit https://www.Nick4Lear.com-----SPONSOR: Alliance Defending FreedomThere are over 300,000 kids in the U.S. foster care system — and most states are desperate for more foster families. Christian families are stepping up, but state governments are increasingly shutting them out over their faith. Alliance Defending Freedom is fighting and winning to protect these families, but the work depends on donor support.Give in support of Christian foster parents at https://www.JoinADF.com/NICK-----GET YOUR MERCH HERE: https://shop.nickjfreitas.com/BECOME A MEMBER OF THE IC: https://NickJFreitas.comInstagram: https://www.instagram.com/nickjfreitas/Facebook: https://www.facebook.com/NickFreitasVATwitter: https://twitter.com/NickJFreitasYouTube: https://www.youtube.com/@NickjfreitasTikTok: https://www.tiktok.com/@nickjfreitas3.000:00:00 – Defining government spying and the FISA court00:01:26 – Understanding FBI and CIA domestic jurisdictional roles00:03:01 – Analyzing historical surveillance abuses and required oversight00:07:01 – Evaluating the bipartisan House vote extending FISA00:08:17 – Examining documented abuses in the Trump investigation00:10:46 – Case studies of successful anti-terror intelligence operations00:15:51 – Investigating the Steele dossier and FISA inaccuracies00:18:11 – Closing the unconstitutional data broker surveillance loophole00:23:03 – Balancing heroic action against necessary bureaucratic safeguards00:27:19 – Demanding genuine legal punishment for surveillance violations00:30:56 – Accepting the trade-offs of living in freedom00:34:05 – Final thoughts on reform and The Man Book

Chaque jour, retrouvez une histoire drôle racontée par un sociétaire de l'époque de Philippe Bouvard. Jacques Balutin, Jacques Mailhot ou encore Pierre Bellemare, retrouvez toutes leurs blagues en podcast !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Únete a nuestra comunidad El Mapa de la Ansiedad en Skool: https://www.skool.com/elmapadelaansiedad Un espacio con cursos, recursos y una comunidad donde compartir, aprender y comprender mejor la ansiedad, la tristeza y los procesos emocionales. En este episodio de La teoría de la mente, seguimos el rastro de una de las imágenes más poderosas para describir la tristeza profunda: el perro negro. Una sombra que acompaña, que se sienta al lado, que llega sin avisar y que convierte incluso las tareas más simples en una montaña difícil de escalar. A partir de esta metáfora, popularizada por Winston Churchill, viajamos por la historia de la melancolía para construir una auténtica biografía de la tristeza. Antes de llamarse depresión, antes de convertirse en diagnóstico clínico, la tristeza fue bilis negra, temperamento, pecado, genialidad, posesión, sensibilidad artística y también una forma de lucidez incómoda. Comenzamos en la antigua Grecia, con la medicina hipocrática y la teoría de los cuatro humores: sangre, flema, bilis amarilla y bilis negra. De ahí nace la palabra melancolía, del griego mélas —negro— y kholé —bilis—. Pero la historia no se queda en el cuerpo. En textos atribuidos a la escuela de Aristóteles, como el famoso Problema XXX, 1, aparece una pregunta fascinante: ¿por qué tantos hombres destacados en la filosofía, la política, la poesía y las artes parecen ser melancólicos? Desde ahí exploramos una idea que sigue viva: ¿puede el sufrimiento abrir caminos de conocimiento? ¿Existe una lucidez melancólica? ¿O estamos romantizando una carga emocional que puede destruirnos? El episodio avanza hacia la Edad Media, donde la tristeza se transforma en acedia, una especie de pereza espiritual o demonio interno asociado a la culpa, la apatía y la inmovilidad. Después viajamos al Renacimiento, cuando Saturno, Marsilio Ficino y Robert Burton convierten la melancolía en una marca de profundidad intelectual. La tristeza se vuelve prestigio, pose social y teatro cultural. También analizamos cómo la literatura refleja distintas formas de sufrimiento: Don Quijote, atrapado entre un mundo interior que ya no encaja con la realidad; Hamlet, cuya tristeza se interpreta como filosofía; Ofelia, reducida a histeria; Lady Macbeth, prisionera de la culpa corporal; y El rey Lear, quebrado por la pérdida del poder, la familia y la identidad. Finalmente llegamos a Freud y a su ensayo Duelo y melancolía, donde aparece una de las frases más inquietantes del psicoanálisis: “la sombra del objeto cae sobre el yo”. Hablamos de pérdida, culpa, vacío, depresión moderna, neurociencia, psicofármacos y del delicado equilibrio entre aliviar el dolor y escuchar lo que ese dolor quizá intenta decirnos. Este episodio no busca glorificar la tristeza ni romantizar la depresión. La depresión puede inmovilizar, apagar y romper; cuando eso ocurre, pedir ayuda profesional es fundamental. Pero tampoco conviene humillar toda tristeza, silenciarla o tratarla solo como un fallo que hay que corregir cuanto antes. Quizá la clave no sea expulsar para siempre al perro negro, sino aprender a reconocer sus pasos: saber cuándo viene de visita y cuándo se está instalando demasiado tiempo. Bienvenidos a La teoría de la mente. Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ ▶️ YouTube AMADAG TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw 25 keywords melancolía, tristeza profunda, perro negro, depresión, historia de la depresión, bilis negra, Hipócrates, Aristóteles, Problema XXX, acedia, Edad Media, Saturno, Marsilio Ficino, Robert Burton, Anatomía de la melancolía, Don Quijote, Cervantes, Shakespeare, Hamlet, Ofelia, Lady Macbeth, Rey Lear, Freud, duelo y melancolía, salud mental 6 hashtags #Melancolia, #Depresion, #SaludMental, #LaTeoriaDeLaMente, #PerroNegro, #Ansiedad

Bailey Lear of the United States, is a rising star and one of the most consistent 400m sprinters in the country right now. She was a multiple time All-American in the 400m and 4x400 while at USC, and after completing her NCAA career in 2023, she went on to represent the United States at multiple championships. She won medals as part of the 4x400 at the 2024, 2025 and 2026 World Indoor Championships, as well as the 2024 and 2025 World Athletics Relays.In our conversation, we discuss Bailey's transition from the NCAA into the pro world including signing with Nike in 2025. Bailey shares her experiences competing for the United States at multiple global championships over the years, and also breaks down how she has been learning to attack the 400m as a race. We also discuss Write on Track, Bailey's new business and how she's balancing being an athlete and entrepreneur.-------------------------------------------

From the Archives: (2012) Interview with the late John Lear, (1942-2022) ~ In this archival episode of Podcast UFO, Martin Willis sits down with legendary aviator and controversial UFO figure John Lear for a candid and wide-ranging conversation. John Lear, son of William Lear and a record-holding pilot with extensive experience flying worldwide, shares how his interest in UFOs began with early sightings and grew through decades of aviation and firsthand experiences. Highlights from this interview include: Lear's early UFO encounters, including a childhood sighting and a mysterious object observed while piloting a Learjet at high altitude His time flying CIA-related missions in Southeast Asia and other regions Inside stories about Bob Lazar, including how they met and Lear's perspective on Lazar's claims about Groom Lake and S-4 A detailed account of the famous 1989 desert observation of a disc-shaped craft during a reported test flight Personal reflections on Paul Bennewitz and the controversies surrounding disinformation and the Dulce base narrative Discussion of the so-called “Krill memo” and early attempts to document alleged alien research Lear offers his unfiltered opinions on some of the most debated figures and cases in UFO history, providing insight into a period when many of these stories first gained traction. This is a short but compelling segment that captures the mindset and claims of one of ufology's most talked-about personalities.CONTACT AND SUPPORT

Ottavio Fatica"Operazione Shylock"Philip RothPrefazione: Emmanuel CarrèreAdelphiwww.adelphi.it«Un libro infernale, che non si riesce a smettere di leggere. Una riflessione sul giudaismo, su Israele, sull'invecchiare, sulla menzogna, sull'invenzione, sulla letteratura – su tutto ciò che conta nella vita. Assolutamente vertiginoso. Leggetelo» (Emmanuel Carrère). Traduzione di Ottavio FaticaTraduzione della prefazione di Emmanuel Carrère: Ena MarchiNella sua burrascosa carriera, Philip Roth ci ha abituato alle più spericolate acrobazie narrative, ma mai ha osato tanto quanto in Operazione Shylock, dove, per dire e fare tutto ciò che vuole, ha sentito il bisogno di misurarsi con il suo più temibile avversario: un altro Philip Roth – stesso nome e stessi connotati, solo il nomignolo Moishe Pipik a distinguerlo da sé. Mai il tema del Doppio è stato usato in un romanzo con un tale autolesivo virtuosismo. Roth azzanna sé stesso come essere umano, come ebreo, come Philip Roth, e non si accontenta di una libbra di carne. Come congegnare, altrimenti, una spy story che tiene insieme il Mossad, il processo al mostro di Treblinka, il recupero dopo un crollo psichico da Halcion, l'incontro-scontro con ebrei e palestinesi in una Gerusalemme pattugliata dall'esercito israeliano, il faccia a faccia ustorio con l'altro Philip Roth – un megalomane che per salvare gli ebrei ashkenaziti da un probabile prossimo sterminio si fa propugnatore di una nuova diaspora, uno spregiudicato controesodo verso i paesi europei d'origine – e con la sua procace, concupita compagna? Sfoggiando una lingua viscerale e insieme altamente speculativa, Roth combina in queste pagine la più spiritata, isterica commedia nera con il dramma di popoli e di singoli individui lacerati, e mette in scena una mirabolante due-giorni a Gerusalemme che – incredibile a dirsi – fa anche ridere.Philip Milton Roth nasce a Newark, nel New Jersey, il 19 marzo del 1933 in una famiglia della piccola borghesia ebraica. Si laurea alla Bucknell University e fa un master in letteratura inglese all'Università di Chicago. Pubblica i primi racconti sulla Paris Review, su Esquire e sul New Yorker. Il suo capolavoro è Pastorale Americana, con cui vince il Premio Pulitzer nel 1997 e da cui è stato tratto un film da Ewan McGregor, che interpreta anche il ruolo del protagonista. Il libro fa parte una trilogia che comprende Ho sposato un comunista e La macchia umana. Il suo esordio avviene nel 1959 con Addio Columbus. Dieci anni dopo la fama con Il lamento di Portnoy, in cui il protagonista, un trentenne ebreo, Alexander Portnoy, racconta all'analista le proprie nevrosi sessuali.Autore di trentuno libri, Roth è stato un critico feroce della società americana, della sessualità maschile e dei falsi miti dell'uomo occidentale (in Complotto contro l'America del 2004 immagina che alle elezioni per la presidenza americana del 1940 venga eletto Charles Lindbergh anziché Roosevelt, e che questo trasformi gli Stati Uniti in un alleato della Germania nazista). Nel 2009 annuncia il suo ritiro dall'attività di romanziere. Il suo nome è apparso spesso nella lista dei concorrenti al premio Nobel per la letteratura. Muore a New York il 22 maggio 2018.Ottavio FaticaFamoso per le sue numerose traduzioni, ricordiamo: il Moby-Dick di Melville, quasi tutto Kipling, i diari di Byron, i limerick di Lear, Céline, Henry James. Per Einaudi ha pubblicato nella collana Collezione di poesie, Le omissioni (2009) e Vicino alla dimora del serpente (2019).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Subscribe to get access to the full episode, the episode reading list, and all premium episodes! www.patreon.com/OrdinaryUnhappinessClinician Chris Landry joins Abby and Patrick for a reflection on the life and legacy of prominent psychoanalyst and philosopher Jonathan Lear (1948-2025). From Yale to the University of Chicago to the International Psychoanalytic Association (IPA) and beyond, Lear creatively combined his clinical experiences, a rigorous reading of Freud, and a perspective steeped in classical Western philosophical traditions. As Chris, Abby, and Patrick explore, the result is a singular body of work that clarifies otherwise challenging questions of epistemology and hermeneutics while also speaking directly to urgent political questions and the lived texture of contemporary human life. Chris, Abby, and Patrick proceed by close reading a chapter from one of Lear's most celebrated works, Love and Its Place in Nature, unpacking Lear's account of how love underwrites human development by making possible the experience of a “good-enough world.” The three then walk through the ethical implications of Lear's thought for the institutions and practices of contemporary psychotherapy, which often neglect interpretative dialogue and attentive care in favor of alienating and crudely pathologizing both patients and practitioners. The conversation builds to a discussion by Chris of how Lear, together with Fanon, has inspired his own work in community psychoanalysis, in facilitating a working group for practitioners, and in critiquing the power dynamics of the contemporary clinical landscape.Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847  A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Find us online:  http://www.ordinaryunhappiness.com X: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: http://www.patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

In this episode of The Health Fix Podcast, I'm chatting with my friend Dr. Brianne Grogan a doctor of pelvic floor physical therapy and a wizard when it comes to bodywork. Dr. Bri is well known for her Youtube channel Vibrant Pelvic Health and is now offering a deeper experience to work with her 1:1 at her "Healing House" in Central Oregon. Dr. Bri and I met when I reached out to her about my love for her hip circles video some years ago and we've been friends ever since. Since she knew I was dealing with some low back and hip pain she invited me to try out her experience. She fed me well, challenged me to move in new ways, chilled me out with her sound lounge, helped me clear some really old emotional pain and in those three glorious days I left as a completely different person.  In this episode we're going deep into my experience, laugh a lot and talk all about how Dr. Bri has created the most wholistic program for women with pelvic floor conditions I've ever seen. If you or someone you know is struggling with pelvic floor pain, prolapse, chronic digestive issues, low back pain, sciatica, un-satisfying sex or you're looking for an exclusive private healing experience this podcast is for you.  What You'll Learn In This Episode: Why 1:1 personal retreats are amazing for transformational healing  What can happen when you allow your body to release tension on it's time schedule vs in the constraints of a 60 minute visit The power of having someone trained to support you through a very deep and personal emotional release What to expect when you work with Dr. Bri in person Resources From The Show: Head to Toe Pelvic Care with Dr. Brianne Grogan's: The Experience - tell her Dr. Jannine Krause sent you! Lear more about Dr. Bri  The Tyrolean "Tongue Singing" Youtube we laugh about on the podcast. Note: I have no idea if it's legit or not we just found it funny and good for the vagus nerve too!    

NEW SPONSOR ALERT!! Truly honored to have Avemco as new sponsor for the podcast. save 5% on your aircraft insurance by with Avemco. Call  (888) 635-4297 or visit www.avemco.com/4297-owner - www.avemco.com/4297-nonowner!What does it take to walk away from a two-decade law enforcement career — including 13 years on SWAT — and start over as a pilot? Josh Schirard did exactly that, and in this episode he breaks down every step of the journey.Josh is now a corporate pilot flying Hawker 800s and Lear 60s, a professional skydiver with the REMAX Skydive team, and the author of the upcoming book Burn Your Boats. He's also one of the most thoughtful guests we've had on the show when it comes to the mindset side of aviation.In this episode we talk about:How skydiving pulled him back into aviation after years awayHis ATP flight training experience — the good, the hard, and what he'd do differentlyHow SWAT-level decision-making and crew resource management overlap more than you'd thinkBuilding flight time as a jump pilot and why he skipped the CFI routeHow he landed his first corporate gig through pure networkingWhether the airlines are in his future — and why he keeps his options openHis philosophy on personal minimums, comfort zones, and why you need to push the gap between the twoWhether you're thinking about a career change into aviation, grinding through your ratings, or already flying professionally and wondering what's next — this episode is for you.Happy Flying, Justin

Chaque jour, retrouvez une histoire drôle racontée par un sociétaire de l'époque de Philippe Bouvard. Jacques Balutin, Jacques Mailhot ou encore Pierre Bellemare, retrouvez toutes leurs blagues en podcast !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This is the second of a series of posts about the literary alchemy of J. K. Rowling, a discussion jumpstarted by a post by ‘Iris' at a Strike fan website, an article that championed a Jungian perspective on this subject. The first post in this series, Literary Alchemy – A Primer for Those Interested in J. K. Rowling's Artistry, both explained what the ‘Iris' post asserted and reviewed much of the critical literature that the brevity of the S&E Files article prevented her from discussing. See that post for links to this material. The conversation between Nick Jeffery and John Granger above was recorded in the same spirit as the first post was written, namely, simultaneously a welcome to Strike fans and Rowling readers who have learned about literary alchemy only recently and an introduction to the work of the last twenty five years on this subject. Upcoming posts in the series will include a counter-point discussion in the debate Rowling is fostering about whether a psychological or spiritual perspective is better for understanding art and life and a review of the alchemical signatures that crowd Rowling-Galbraith's Hallmarked Man.This post is largely links to sources for points Nick and John discuss in their naturally enthusiastic and contrarian conversation, question by question. Enjoy!1. Welcome to the Conversation! (Nick) I just sent out an article about literary alchemy, John, in response to an article written by ‘Iris' and posted on the Strike-Ellacott Files website, a piece titled ‘What is Literary Alchemy? Spotting symbols that map Strike and Robin's growth.' What advice or guidance would you give to, say, Cormoran Strike readers who are brand new to the subject? * There are three types of alchemy and it is important to understand the common ground they share and the differences between them;* The first type is alchemy proper, which is to say ‘metallurgical alchemy,' the sacred science of purifying metals and the adept's soul via the creation of a Philosopher's Stone that will transform lead to gold and exude an elixir of life, the drinking of which will bestow immortality;* The second and third types of alchemy derive from interpretations of metallurgical alchemy's aims and the symbolic texts detailing the work in the hermetic laboratory;* Literary alchemy is the use of metallurgical alchemy's language, colors, sequences, and symbols in plays, poetry, and story to foster an edifying and transformative experience in the artist's theater or reading audience;* Psychological alchemy is Carl Jung's use of metallurgical alchemy's texts during and after WWII to illustrate his ideas of the integration of the conscious and unconscious aspects of the human mind;* Metallurgical alchemy was practiced in China, the Levant, India, and Europe within the revealed religious traditions of Hinduism, Buddhism, Judaism, Islam, and Christianity until its degeneration in the late Medieval period and eventual evolution into the strictly materialist chemistry we know today;* Literary alchemy has been a continuous stream in literature from Dante, Chaucer, Shakespeare, and the Metaphysical poets through to Dickens, Yeats, the Inklings, Joyce, Nabokov, and J. K. Rowling;* The academic study of “alchemy in literature” was the province of Baconian and allegorical readings of Shakespeare (cf., Beryl Pogson, Peter Dawkins, Martin Lings) until the late 20th Century and the advent of academic specialists in ‘Hermetic Studies,' e.g., Stanton Linden, Lyndy Abraham, and Charles Nicholl (cf., Cauda Pavonis: A Journal of Hermetic Studies, 1982-2000).* Jung and his followers used their psychological interpretations of metallurgical alchemy as allegories of the soul to interpret mythology (cf., Erich Neumann, Marie-Louise Von Franz, Robert Johnson);* Jungian analysis of story using Jung's ideas of subconscious archetypes within a collective unconscious was popularized by Joseph Campbell in his guides to Joyce's Ulysses and his more well known works on mythology (e.g., The Hero With a Thousand Faces);* ‘Isis' in her S&E Files article, ‘What is Literary Alchemy?,' suggests that Rowling-Galbraith is writing an allegory of soul transformation in the Cormoran Strike series using metallurgical alchemy's symbols and sequences as understood by Carl Jung and his disciples rather than as used by English writers since the 13th Century;* It's a challenging theory, the depth of which is hard to grasp without an appreciation of the types of alchemy, what they have in common, and their differences in approach and subject matter.2. The Lake: (John) What I found most fascinating in your post, Nick, was your best guesses about where Rowling would have learned about literary alchemy. She claimed in 1998 that she'd read a lot of alchemical texts from which she set the “magical parameters” of the Hogwarts Saga; if you had only three chances to name one of those books, what would you choose? * Charles Nicholl's The Chemical Theatre;* Titus Burckhardt's Alchemy: Science of the Cosmos, Science of the Soul (or Mirror of the Intellect: Essays on Traditional Acience and Sacred Art);* Lyndy Abraham Summerhaze's Marvell and Alchemy or her Dictionary of Alchemical Imagery;* Martin Lings' The Secret of Shakespeare3. Carl Jung, Alchemy: (Nick) I see you're chafing at the bit, John, with book titles I haven't mentioned so let me name-drop the author not on my list because, as you pointed out, he wasn't really a literary alchemist so much as a psychologist who discussed alchemy as a means of illustrating his own ideas about the ‘Great Work.' You've written, though, that literary alchemy as with metallurgical alchemy is a subset of soul-allegories or Psychomachia. Don't Jung's ideas jibe with that? * Yes and no!* Jung's ideas of the soul and archetypes (or archetypal forms) are based on late 19th Century Volkischer German ideas, which is to say, modern and materialist (some say ‘vitalist') premises. His hostility to Christianity and Judaism was grounded in his acceptance of Darwinian evolution and derived philosophically from Nietzsche (see Richard Noll's The Jung Cult and The Aryan Christ).* He conflates the spiritual with the psychological, consequently, and embraces integrated individual psychological health as the telos of human existence, none of which is consistent with traditional metallurgical or literary alchemy (see Titus Burckhardt's Mirror of the Intellect, Philip Sherrard's ‘An Introduction to the Religious Thought of C. G. Jung,' and Harry Oldmeadow's ‘C.G. Jung & Mircea Eliade: ‘Priests without Surplices'? Reflections on the Place of Myth, Religion and Science in Their Work.'* Psychological alchemy, insomuch as it is ‘Jungian,' is well removed from the other two types of alchemy. Which is not to say that Rowling is not a Jungian and hence a Jungian psychological alchemist.4. Back into the Lake: (John) You covered in your article, though, Nick, the several reasons to think it possible, even probable that the evidence from Rowling's life suggests she is using Jungian ideas in her literary alchemy. Iris over at S&E Files obviously thinks that is the case. What are the for and against ideas with respect to Rowling being a Jungian? There's Plenty of Evidence That Rowling IS a Jungian Writer:John Granger's discussion in Troubled Blood: A Jungian Reading* Robin's name-dropping Jung in conversation about astrology;* The Jungian notes sounded throughout Strike 5: Archetypes, Synchronicity, Persona;* The connection between Jung's illustrated ‘New Book' and Talbot's ‘True Book;' and* Pointers to Cupid-Psyche myth as understood by Jungians (see below)The Advent of Prudence Dunleavy, Jungian Psychologist, in Ink Black Heart* Hard to imagine a more sympathetic portrait of a Jungian than half-sister Prudence!* She clearly was the genius behind the Rokeby reconciliation in Hallmarked ManThe Cupid and Psyche myth underpinning the Strike series* A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus (note the discussion here of the Jungian understanding of this specific myth)* Ink Black Heart: Strike as Zeus to Robin's Leda and as Cupid to Mads' Psyche* ‘Rowling Points to Myth of Cupid and Psyche in order to Console Strike Fans Disappointed with Hallmarked Man‘* The Hallmarked Man‘s Mythological Template (Nick Jeffery, John Granger)Anything Else? Oh, yeah —* Rowling studied mythology in her ‘Classical Studies' program at UExeter and almost certainly encountered Jungian interpretation of myths there (e.g. the work of Neumann, Johnson, Campbell).* Rowling told Val McDermid if she had not become a successful writer she would have sought training and certification as a psychologist. * Her work reflects a broad reading in psychology (cf., Louise Freeman Davis' ‘J. K. Rowling and the Phantoms in the Brain,' ‘Cormoran Strike and the Itch that Cannot Be Scratched') and it is likely that she has read her fair share of Jung and Jungian authors during her studies.* Rowling benefited from psychological therapy and exercises herself when suffering from depression, the experience of and recovery from which she depicted in story via the Azkaban Dementors and Robin Ellacott's treatment for PTSD in Lethal White.And There is Plenty of Evidence That Rowling Is NOT a Jungian Writer:* Rowling has never been asked or revealed how she learned about literary alchemy; this includes, of course, any reference to Carl Jung, whose work was not focused on literary alchemy per se but a psychological interpretation or explanation of metallurgical alchemy's symbolism.* All that Rowling has revealed about her experiences as a patient seeking help with depression are about Cognitive Behavior Therapy (CBT), which treatment modality owes nothing to Jung or to Jung's students.* It is possible that Rowling encountered esoteric metallurgical alchemy, the precursor to literary alchemy, in her study of astrology, the complementary traditional sacred science to alchemy, a skill-set with which we know she was accomplished. That route to alchemy would have led her to Perennialist interpretations of alchemy, most notably Titus Burckhardt‘s Alchemy, Science of the Cosmos, Science of the Soul; the paperback cover of the Penguin Metaphysical Library edition of that book (1974) features an androgynous giant named REBIS standing on a dragon and a winged golden sphere (i.e., Rubeus, Norbert, Snitch).* As mentioned above, it is more likely that she encountered literary alchemy in her study of Shakespeare. The year she was studying for her A Levels, she traveled to see a production of King Lear which has prompted the idea that it was on her list of texts to prepare for her tests. The most challenging interpretation of Lear then in print was Charles Nicholl's The Chemical Theatre (1980), a book that explains almost every scene in perhaps Shakespeare's greatest tragedy as a parallel step in the Great Work of alchemy. If the budding astrologer was fascinated by this allegorical interpretation of the Bard, the most popular work in print at that time that championed reading Shakespeare as the author of soul allegories was Perennialist Martin Lings‘ The Secret of Shakespeare (1984).* Literary Alchemy is a tool set employed not only by Shakespeare but by a host of Rowling favorite authors to include Dickens, Nabokov, Lewis, and Tolkien. This view of alchemy, that is, as an allegorical depiction of the soul's transformation that affects that same cathartic experience in its theater or reading audiences, is the one found in Rowling's work, which is well removed from psychological alchemy, an analytic art which, though it springs from metallurgical alchemical texts, does not aim at the transformation at work in the sacred art or the science of traditional alchemy. * Rowling's use of chiastic structures and psychomachian allegory, tools that complement literary alchemy in spiritual perspective and aim, make a Jungian rather than a literary and Perennialist view of alchemy seem unlikely.* Alchemy: Jung, Burckhardt, or Maclean? John Granger, April 2007* Rowling's Soul Triptych Psychomachia: Is It From Shakespeare's ‘Macbeth'? John Granger, September 20245. The Debate at King's Cross: (Nick) So, John, you've mentioned Jung quite a few times in your posts about the Mythological framework of the Strike series and even written about the Jungian ideas of animus and anima with respect to Cormoran and Robin's relationship. You seem fairly confident, though, that Rowling is writing from the traditional esoteric ideas of alchemy a la Shakespeare rather than Jung's. Why is that? * Everything you just said!* As noted, Jung's ideas are modern and psychological while the stream of literary alchemy in English Literature is almost exclusively more Medieval and pointedly spiritual;* The Most Notable Exception: Angela Carter's The Passion of the New Eve (1977), that reads like a Jungian ‘Red Book' slide-show (think Bombyx Mori) or a transgender Odyssey written for feminists. Rowling has never mentioned her to my knowledge but it would be surprising if she hadn't read this book more than once. What Alana Bolton Cooke wrote about Carter's Passion could be said about Rowling's literary alchemy if she is a Jungian writer (or about Galbraith's fictional Elizabeth Tassel?):Angela Carter in The Passion of New Eve (1977) uses the exoteric phases of alchemy and Carl G. Jung's theory of esoteric alchemy as a means of demonstrating allegorically the idea ofrebirth and renewal. The purpose of this allegorical method is to produce an 'alchemical' change of thought in the reader about sexuality and gender associated with women's repression and liberation. In the novel Carter develops themes and ideas explored in her essay, The Sadeian Woman: An Exercise in Cultural History (1979), an analysis of the Marquis de Sade's pornography and its affect on the roles of men and women in society. The clash of opposites involved in combining alchemical symbolism, feminism and pornography within the fiction can be seen as representative of the state of chaos present in alchemy before the beginning of change. The circular narrative and alchemical structure of the fiction creates a literary version of the alchemical process as it brings together opposites involved in chaos, represented by events and characterisation that the protagonist, Evelyn/Eve, experiences, until, in the manner of alchemy, harmony is reached. The harmony created represents women's empowerment. Carter uses Evelyn's individuation process to encourage growth within the reader by altering patterns of thought to bring about change through self-confrontation and self-knowledge. The structure of Carter's fiction, thus, corresponds to the process of esoteric alchemy contained within the structure, imagery and symbolism of exoteric alchemy. The fiction is designed to stimulate the unconscious of the reader and make conscious hitherto unknown and repressed thoughts about gender and sexuality to bring about change in the lives of men and women.* I think what Rowling said she was trying to do with Harry Potter's meeting with Dumbledore at the dream-like King's Cross strongly suggests she is aware of the two approaches and wants readers to discuss them – but that she has made her own choice, however conflicted she may be.* In her 2008 interview with Adeel Amini, Rowling said that her hope for Harry's post-mortem conversation with Dumbledore at King's Cross was to stimulate “a debate” among readers about whether it was a psychological moment, that is, a fantasy in which Harry understands what he's been missing all along, or a spiritual event in which he is actually speaking with the late Headmaster:Enough Potter-plot, I think. Moving on to a slightly more contentious issue, Rowling has categorically said that she does believe in a higher power, a statement reinforced by her childhood church-going (“Till I was 17,” she clarifies). It must be difficult to reconcile her religious beliefs with those that denounce Harry Potter as anti-Christian, I wonder aloud. Rowling's expression does not change a fraction. “There was a Christian commentator who said, which I thought was very interesting, that Harry Potter had been the Christian church's biggest missed opportunity. And I thought, there's someone who actually has their eyes open.“I think he said it before the publication of the seventh book, and with the publication of the seventh book I think that clarified a lot of people's view on where I was standing. But I should emphasise that I am not pushing a specifically Christian agenda, and indeed till the very last moment in book seven, one can interpret what happens to Harry after he presents himself with death as him going into an unconscious state in which his subconscious reveals to him what he already knew.” I hum in faux-comprehension of what she's referring to; luckily my clued-in companion is nodding wildly. Proceed. “Any re-reading of Chapter 35 will show you that there's nothing that the Dumbledore he sees tells him that he couldn't have guessed for himself or already realised, and of course there's a key piece of information that Dumbledore doesn't articulate that Harry has realised. So you can deliberately interpret it that way, or you can say that he did go into a state of limbo beyond which there was another life, and that idea was expressed repeatedly, and most explicitly at the end of book five, Order of the Phoenix, where Harry understands that there is an ‘on', that you do go on. “I wanted there to be a debate there, so of my three main characters - when they come into the room which examines death at the Ministry of Magic - Hermione, the ultimate sceptic and a hyperrational person, hears nothing behind the veil and is scared of it. Ron is just uneasy; Ron is someone who does not grapple with anything deeper than beer, if he can avoid it. Harry's drawn to it, and therein lies Harry's slightly reckless, almost morbid streak, because Harry does have a hint of that dangerous adolescent trait which is the attraction to death.” Heavy. Obviously with this ambiguity, you do get a fair degree of misinterpretation as well; there is a certain section that does dislike Harry Potter intensely. “Oh, vehemently,” says Rowling, before muttering under her breath “…and they send death threats.”* I think that “debate” she's trying to foster is between the psychological, call it ‘Jungian' “just inside your head” subconscious perspective, and the authentically spiritual view of her work (well, of art and human existence, too, of course). And that this debate is one she has had for most of her life. Check out her comments about the “greatest missed opportunity” and explain to me how that doesn't line up with her preferring the spiritual, albeit “not explicitly Christian,” to the psychological and humanist. 7. Jungian Readings of Rowling's Work: (Nick) John, you're familiar with what has been written by Potter Pundits because of your PhD critical literature surveys; what are the better ones about Rowling and Jungian psychology and what do they emphasize? Here are seven off the top of my head (and Thesis ‘Works Cited' drafts):* Grynbaum, G.A. (2000). The Secrets of Harry Potter. The San Francisco Jung Institute Library Journal: Reviews From a Jungian Perspective of Books, Films and Culture, [online] 19 (4) pp. 17-48* Patrick, Christopher and Sarah (2007), ‘Exploring the Dark Side: Harry Potter and the Psychology of Evil,' in Mulholland (ed.), The Psychology of Harry Potter, BenBella Books, pp 221-232* Gerhold, C. (2011). The Hero's Journey Through Adolescence: A Jungian Archetypal Analysis of “Harry Potter.” PsyD. The Chicago School of Professional Psychology. * Rectenwald, Bob (2019). ‘Carl Jung's Impact on the Work of J. K. Rowling' * Skipper, Alicia and Kate Fulton (2021) ‘Out from the Shadows into the Light: Persona and Shadow in Harry Potter‘ in Anne Mamary (ed.) The Alchemical Harry Potter: Essays on Transfiguration in J. K. Rowling's Novels, McFarland, Jefferson, NC, 2021, pp 79-96* The Unfolding Journey, Jung's Shadow Self in Harry Potter: Confronting the Darkness Within (YouTube video)* My own Troubled Blood: A Jungian ReadingBob Rectenwald's piece is the best of the six I didn't write but it shares the several faults all the Jungian pieces make:* the first failing of even the best Jungian readers is the assumption that Rowling is a Jungian, which is an open question;* the next is that Jung's ideas (and Joseph Campbell's) are indisputably true; and* the last is, when alchemy is mentioned, the critics do not clarify either the commonalities of or the differences between literary alchemy, psychological alchemy, and Jungian analytic psychology. * Note, though, that Rowling, while aware of such Jungian tropes as the Hero's Journey, tweeks it shamelessly, adding a symbol of Christ and resurrection scene in every Potter story (cf., How Harry Cast His Spell, ‘The Harry's Journey,' pp 21-28).* Read her brief PotterMore piece on alchemy and note that it is written in such a way that it can be read as confirmation of either a psychological or spiritual perspective on alchemy and art:One interpretation of the ‘instructions' left by the alchemists is that they are symbolic of a spiritual journey, leading the alchemist from ignorance (base metal) to enlightenment (gold). There seems to have been a mystical element to the work the alchemist was engaged upon, which set it apart from chemistry (of which it was undoubtedly both an offshoot and forerunner).This “original writing” by Rowling, especially the words “spiritual” and “mystical,” suggests that she is a Perennialist rather than a Jungian, at least with respect to her understanding of alchemy. But the debate is still possible with Jungians who read those words as cyphers for the subsconscious contact they hold we have with archetypes.8. Back to the Alchemy: (John) I think the real question of whether Rowling's literary alchemy is predominantly literary and spiritual or psychological in orientation comes down to the postmodern confusion about the immaterial aspects of the human person, which is to say, the soul (or mind, psyche) and the spirit. Rowling's recent work may seem prosaic or secular to a casual reader who compares it to the relatively otherworldly and “obviously” symbolic Potter books, but she loads each Strike book with Shakespearean romance of soul and spirit, i.e., alchemical dramas, and hermetic tropes. I'm writing a piece now about the lions, dogs, incest, and the red man and white woman in Hallmarked Man, each of which are touchstones of alchemy. I think, though, that your work with Rowling's favorite books and her epigraph sources, Nick, point to a strong spiritual rather than psychological foundation in Rowling's work —* Louisa May Alcott, Little Women* Dodie Smith, I Capture the Castle* The Victorian Women Poets in Running Grave* Elizabeth Barrett Browning, Aurora Leigh* Robert Browning, The Ring and the Book* The Jungian love of the I Ching, Running Grave's epigraph source9. Jung in Running Grave: (Nick) Rowling's favorite writers, from Shakespeare and Nabokov to C. S. Lewis and Victorian Women poets, all clearly believe in a world-transcending spiritual realm. Given the quantity of the Jungian scholarship in Rowling Studies that Iris referred to and you've mentioned, it's curious -- if Rowling is aware of it and is resistant to it -- that she doesn't push back against it explicitly in her work. Can you think of a character that seems something like Jung in the books, someone as bad as Prudence Dunleavey is good? I can think of three:* United Humanitarian Church's guru Jonathan Wace in Running Grave: his “psychologizing of religion,” the comparative religion avenue to denial of any true faith, the psychological critical analysis of a patient using mythological tropes (”Artemis”), the cult leader, and the abuser of women and children -- he's a ringer for Jung! * Paul Satchwell, one-eyed serpent with a one-track mind, in Leamington Spa, a true Jungian artist working psycho-sexual motifs graphically on canvas:Naked figures twisted and cavorted in scenes from Greek mythology. Persephone struggled in the arms of Hades as he carried her down into the underworld; Andromeda strained against chains binding her to rock as a dragonish creature rose from the waves to devour her; Leda lay supine in bulrushes as Zeus, in the form of a swan, impregnated her.Two lines of Joni Mitchell floated back to Robin as she looked at the paintings: “When I first saw your gallery, I liked the ones of ladies…”Except that Robin wasn't sure she liked the paintings. The female figures were all black-haired, olive-skinned, heavy-breasted and partially or entirely naked. The paintings were accomplished, but Robin found them slightly lascivious. Each of the women wore a similar expression of vacant abandon, and Satchwell seemed to have a definite preference for those myths that featured bondage, rape or abduction. (Troubled Blood, 542)* And then there are the Masons, kind of an old school Jungian cult in Hallmarked Man. Like the UHC and “harmless” fraternal and charitable group with Christian touches but which doesn't change a man or human nature per Hardacre (and which harbors the rich and powerful like Lord Branfoot). * Coupled with Prudence, the Front of Jungian Beliefs, we get the front and back of Jung in Rowling's work, a characteristic touch of Rowling nuance as she did with Islam in Hallmarked Man.10. Conclusion: (John) I'm obviously not a Jung fan and I don't think Rowling is writing Jungian psychomachia in alchemical symbols a la Angela Carter, but I see how people would come to a contrary conclusion; Rowling's ‘spiritual not religious' public statements and political positions with respect to Same Sex Attraction and abortion line up much more easily with New Age and Jungian types than with any kind of orthodox Christianity. The great thing about essays like Isis' at S&E Files is that it brings more people into the conversation of what literary alchemy is and the various approaches to it. You've been reading about literary alchemy for several years now, Nick; what do you think the person whose first encounter with the subject was the S&E Files article do to hone their alchemy detection skills? * “Read your books and online talks, John!”* How Metallurgical Alchemy Worked and How it Became Literary Alchemy (from Deathly Hallows Lectures, Chapter 1):Alchemy, in a nutshell, was the science for the perfection or sanctification of the alchemist's soul. This heroic venture I need to say straight off is all but impossible today because the way we look at reality, at ‘things' per se makes the Great Work itself almost an absurdity. Unlike the medieval alchemists, we moderns and postmoderns see things with a clear subject/object distinction, that is, we believe that you and I and that table are entirely different things and between them is there is no connection or relation. The knowing subject is one thing and the observed object is completely ‘other.'To the alchemist that is not the case. His efforts in changing lead to gold are based on the premise that he as the subject will go through the same types of changes and purifications as the materials he is working with. In sympathy with these metallurgical transitions and resolutions of contraries, his soul will be purified in correspondence as long as he is working in a prayerful state within the Mysteries (sacraments) of his revealed tradition.Now, historically there was an Arabic alchemy, a Chinese alchemy, a Kabbalistic, as well as a Christian alchemy; each differs superficially with respect to their spiritual traditions but in every one, the alchemist was working with a sacred natural science or physics to advance his spiritual purification. This was only possible because he looked at the metal he was working with as something with which he was not ‘other' but with which he was in relationship, artifex and artifact in sacred art imitating and accelerating the work of the Creator creating a bridge, so that, as lead changes to gold or material perfection, his soul was going through similar transformations and purifications.The common ground is the logos in every created thing, to include persons (cf. John 1:9), which are all continuous with the Logos fabric of reality. As much as the alchemist identifies with this metaphysical ground, purifying himself of the ‘old man' or ego-driven individual and identifying himself with the spiritual Heart or light within him, that light will become his dominant quality, hence his “illumination” or “enlightenment”. And lead or solid darkness turning into gold, hard light.How does this edifying magic become the scaffolding for Harry's adventures? Largely through the genius of William Shakespeare. Hermetic wisdom and alchemical efforts were such commonplaces in Elizabethan England that Shakespeare and his contemporaries recognized, I think. that the magic of staged drama is essentially alchemical. If we groundlings are all watching what's going on up on the stage and everything is working the way it's supposed to, the subject-object distinction dissolves inasmuch as we identify with the characters and their agonies through our logos-imaginations. As they go through their changes, like the metals in a crucible, we identify with them and pass through the same cathartic moment.As the great dramatists of that period realized, “if what we're doing is alchemical, why don't we use alchemical imagery and language, too?” And, voila, literary alchemy is born. This stream of English literature in which narrator or characters and the reader or audience in correspondence pass through the stages of the alchemical work, the black the white and the red (basically dissolution, purification, and then perfection) runs through the next five centuries of poetry, stage work, stories and novels. You may not have recognized it, but its a big part of things you have read.* Literary Alchemy: Sacred Science, Sacred Art, and ‘The Alembic of Story':A Perennialist Explanation of J. K. Rowling's Signature Hermetic Symbolism This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

March 31, 2026 ~ Michael Montri, President of the Chevrolet Detroit Grand Prix Presented by Lear checks in. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act V Scene iii - Lear and Cordelia are brought on, as prisoners. Written and presented by Conor Hanratty

Chaque jour, retrouvez une histoire drôle racontée par un sociétaire de l'époque de Philippe Bouvard. Jacques Balutin, Jacques Mailhot ou encore Pierre Bellemare, retrouvez toutes leurs blagues en podcast !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ángeles Caso conversa en El ojo crítico con la dramaturga Andrea Jiménez, que nos presenta su proyecto Casting Lear, una versión-simulacro de 'El rey Lear' de Shakespeare que acaba de regresar por tercera al Teatro de la Abadía, el lugar en el que nació ese espectáculo. "Ha venido de una investigación y de un deseo de sentir el presente del teatro aún más", asegura la autora sobre una propuesta única y arriesgada en la que el teatro y la performance conviven. Escuchar audio

Childhood is supposed to be filled with good times and laughs—but of course, some children may experience a significant loss during their childhood or adolescence. It's actually more common than you might think. According to the Childhood Bereavement Estimation Model, as of 2021, one in 14 American children will experience the death of a parent or sibling before the age of 18. Still, it's not easy to talk about grief with adults, let alone kids—but as the key adults in our children's lives, we need to be able to step in and navigate ethe thoughts and feelings that they are experiencing as they cope with their loss. They likely will have many questions when a grandparents, parent, sibling or other close family member or friend dies. They might wonder if they are at fault, if they are safe and who will make their grilled cheese sandwich and take them to soccer if the person who passed away was the one who did those things for them. When we shut down, don't talk about grief and death with kids or make the mistake of assuming if they aren't talking about it, they must be fine, kids can wind up filling in their questions with their own answers based on misunderstandings and incorrect information. We need to help them get the conversation going through a variety of techniques that allows them (and also us!) to manage grief in productive ways. We've discussed talking about death and grief with Joe Primo, in the past, and we've talked about suicide with Dr. Dan Reidenberg and Dr. Jonathan Singer—and now we will discuss grief through a new lens with Katie Lear who uses child-friendly activities to comfort kids and help them to overcome sadness, fear and loss. The post How to Talk to Kids about Managing Childhood Grief with Katie Lear- ReRelease appeared first on Dr Robyn Silverman.

Chaque jour, retrouvez une histoire drôle racontée par un sociétaire de l'époque de Philippe Bouvard. Jacques Balutin, Jacques Mailhot ou encore Pierre Bellemare, retrouvez toutes leurs blagues en podcast !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It’s Friday, March 6, 2026 — The Scott Jennings Show is LIVE from Palm Beach, Florida, where Scott will keynote the Club for Growth economic conference tonight. On today’s show: a disappointing jobs report, a major escalation in the Iran war as President Trump says there will be no negotiations, plus key conversations with West Virginia Gov. Patrick Morrissey, Sen. Ted Budd, and Club for Growth President David McIntosh. https://www.IFCJ.org The Scott Jennings show is proudly sponsored by Lear Capital. Since 1997, Lear has helped Americans protect their retirement accounts and savings with physical gold and silver. With thousands of 5-star reviews and over $3 billion in transactions, Lear is who to trust to buy gold and silver. Visit https://www.Learscott.com https://balanceofnature.com/ See omnystudio.com/listener for privacy information.

From Navy SEAL to Venture Builder:Nuri Golan on Turning Elite Operators into Elite EntrepreneursIn this week's Team Never Quit Podcast, Marcus and Melanie are joined by Nuri Golan, a man who proves that elite performance doesn't end when the uniform comes off — it evolves.A Veteran and Officer in the Israeli Navy SEALs, Nuri transitioned from high-stakes maritime operations to high-impact venture creation. Today, he is a serial entrepreneur, startup advisor, investor, and Managing Partner of Vetted — a powerful platform helping combat veterans build world-class companies.In this episode, Nuri shares how the mindset forged in special operations becomes a competitive advantage in the startup arena.Building & Exiting Multiple CompaniesNuri's entrepreneurial track record is nothing short of remarkable:·         Co-Founder & CEO of EXO Technologies (acquired by Lear Corporation)·         Co-Founder of Navmatic (acquired by Superpedestrian)·         Co-Founder of SosivioAfter EXO's acquisition, Nuri went on to lead Lear's corporate venture arm — investing in startups and venture funds, gaining firsthand insight into what separates promising founders from scalable operators.He brings a rare perspective: he's been the founder, the acquirer, and the investor.Vetted: Unlocking the Entrepreneurial Power of Combat VeteransToday, Nuri serves as Managing Partner of Vetted — an education, acceleration, and investment platform designed specifically for combat veterans from the U.S. and Israel.Through:·         The Vetted Startup Accelerator·         The Alpha-Bet Entrepreneurship ProgramVetted equips veterans with:·         Hands-on mentorship·         Early-stage funding·         Tactical business education·         A powerful cross-border founder & investor networkThe mission is clear: transform operational excellence into entrepreneurial success.Bridging Two Innovation PowerhousesAs an Israeli-American, Nuri is passionate about strengthening collaboration between U.S. and Israeli veteran communities — two ecosystems known for innovation, resilience, and leadership.He believes elite combat veterans represent one of the most untapped entrepreneurial resources in the world — disciplined, decisive, mission-driven leaders ready to build companies that matter.This conversation with Nuri Golan delivers powerful insight from someone who has operated — and succeeded — at the highest levels. In this episode you will hear:• By the time he was 19 or 20 [my grandfather] had already graduated from college and was in the U.S. Army. (8:31)• You don't have to precheck in Israel because it's mandatory service for Israeli's. (9:25)• We saw our family with tattoos on their arms from death camps and concentration camps they were sent to. (19:19)• In Israel, all of our officers are “Mustangs.” (Prior enlisted and then cross over to become officers) (26:51)• In Israel, you don't really have a lot of senior enlisted guys, especially operators. The most senior guys – the ones with the most experience – are officers. (30:11)Israeli Arabs, who are Israeli citizens, don't have to serve. Ulta orthodox Jews are also exempt from service. (31:44)• [Marcus] Do something for your people. (37:01)• I really wanted to help create a program to help show them [combat veterans] how to utilize the skills they got from their military training and service in the business world, because I realized that a lot of the skills that I got from the military is what helped me become a successful entrepreneur.0 (40:46)• Our program is open to all combat veterans from U.S and Israel. We also started an entrepreneurship school.0 (43:53)• Hamas operators don't walk around with rifles. (57:51)• Their command centers are all under Mosques and hospitals by design. (58:37)• There's always conflict so you'll go to Tel-Aviv in the middle of the war and you'll still see people on the beach playing volleyball, and out at restaurants. We have to continue to go on. That's how you fight terrorism. (61:36)• Israel is one of the most important partners that the United States has in the global landscape. (66:36)Support Nuri:- https://accelerator.thevetted.vc/ Support TNQ  - IG: team_neverquit , marcusluttrell , melanieluttrell , huntero13  -  https://www.patreon.com/teamneverquitSponsors:  - Navyfederal.org       - bubsnaturals.com [Promo code TNQ]  - davidprotein.com/TNQ  - mizzenandmain.com   [Promo code: TNQ20]   - masterclass.com/TNQ  - Dripdrop.com/TNQ  - ShopMando.com [Promo code: TNQ]  - Tractorsupply.com/hometownheroes  - meetfabiric.com/TNQ  - Prizepicks (TNQ)   - armslist.com/TNQ   -  PXGapparel.com/TNQ  - bruntworkwear.com/TNQ   - shipsticks.com/TNQ   - stopboxusa.com {TNQ}   - Tonal.com [TNQ]  - greenlight.com/TNQ  - drinkAG1.com/TNQ  - Hims.com/TNQ

It’s Wednesday, March 4, 2026 — The Scott Jennings Show is LIVE from New York City with the latest on the Iran war after a major Pentagon briefing from Secretary of War Pete Hegseth General Dan Caine, CNN's Chief Data Analyst Harry Enten joins the show to talk about the overnight Texas primary surprises including the GOP battle between Ken Paxton and John Cornyn -- Who will Trump endorse? Jasmine Crockett loses to James Talarico in the Democrat Texas primary. Bruce Pearl joins the show and responds to Gavin Newsom’s latest anti-Israel smear, and an important child safety bill moving in Congress. Go to https://www.Freespoke.com/jennings to download their app for free. https://www.joincrowdhealth.com/ Lear has helped Americans protect their retirement accounts and savings with physical gold and silver. With thousands of 5-star reviews and over $3 billion in transactions, Lear is the one to trust to buy gold and silver. Visit https://www.Learscott.com See omnystudio.com/listener for privacy information.

It’s Tuesday, March 3, 2026 — The Scott Jennings Show is LIVE from New York City with dramatic developments in the war in Iran, major primary elections (including Texas), federal charges after a suspect allegedly rammed a car into a Crown Heights synagogue, and brand-new audio from President Trump in the Oval Office. https://balanceofnature.com/ https://www.uaustin.org/ The Scott Jennings show is proudly sponsored by Lear Capital. Since 1997, Lear has helped Americans protect their retirement accounts and savings with physical gold and silver. With thousands of 5-star reviews and over $3 billion in transactions, Lear is who I trust to help me buy gold and silver. Visit https://www.Learscott.com See omnystudio.com/listener for privacy information.

- Humanoids = $5.10/Hour! - Humanoid Robots Could Replace Millions Globally - Tesla Reaches Truce with German Union - State Farm Pays Record $5 Billion Dividend - Chinese Automakers Lose Europe Market Share - Lear Wins Massive Ford Seat Contract - Audi Announces Unprecedented Global Management Shakeup - VW Eyes $9.4 Billion Dollar Everllence Sale

- Humanoids = $5.10/Hour! - Humanoid Robots Could Replace Millions Globally - Tesla Reaches Truce with German Union - State Farm Pays Record $5 Billion Dividend - Chinese Automakers Lose Europe Market Share - Lear Wins Massive Ford Seat Contract - Audi Announces Unprecedented Global Management Shakeup - VW Eyes $9.4 Billion Dollar Everllence Sale

My guest on the show today is Jonny Thakkar. Jonny is an Assistant Professor in Political Science at Swarthmore College and one of the founding editors of The Point. He's the author of various articles, most recently “Beyond Equality” in the newest issue of the Point, and the 2018 book Plato as Critical Theorist.I asked Jonny on to talk about his late friend and mentor the philosopher and psychoanalyst Jonathan Lear, who was his advisor at the University of Chicago Committee on Social Thought and, as you'll hear in our discussion, his occasional advisor on matters of the heart.He wrote about Lear, after his death, along with a collection of other remembrances from friends and colleagues of Lear's:His own career path was so individual as to be impossible to emulate. Institutionally speaking, he had completed two undergraduate degrees, one in history and the other in philosophy, followed by two graduate degrees, the first a Ph.D. on Aristotle's logic under the supervision of Saul Kripke—a prodigy in contemporary logic and metaphysics who was only eight years older than Jonathan, had no expertise in Aristotle and only ever supervised one other dissertation—and the second a professional qualification in psychoanalysis that licensed him to treat patients clinically. His philosophical interlocutors were many and various, among them Plato, Aristotle, Kierkegaard, Freud, Heidegger, Wittgenstein, Williams, J. M. Coetzee and Marilynne Robinson, but he was no dilettante. He wanted to understand what it meant to be human, and he simply followed that question wherever it took him. Without end, I should add: he took up the study of ancient Hebrew in his mid-seventies because he had become so puzzled by the treatment of the prophet Balaam that he wanted to make sure he wasn't missing anything in translation!That ethos of constant self-development was central to what you might call Jonathan's philosophy of life. Some people use the term “perpetual student” pejoratively; for Jonathan, being open to learning from the world was the key to human flourishing. As he told matriculating undergraduates in a 2009 address, “the aim of education is to teach us how to be students.” In the preface to Open Minded, he wrote that achieving tenure at Cambridge in his twenties freed him from professional pressures to such an extent that he was forced to confront the meaning of his own existence. “I realized that before I died, I wanted to be in intimate touch with some of the world's greatest thinkers, with some of the deepest thoughts which humans have encountered. I wanted to think thoughts—and also to write something which mattered to me.”We talk about Lear's work, but also about what it means to be, or be influenced by, what Lear called a “local exemplar,” which is someone who has a profound influence on the people around him or her. An exemplar could be a real mentor in the classic sense, as Lear was for Jonny and other students of his, or a writer who affects other people just through text, which is how he functioned in my life. It could also be someone who just said or did something once or a few times that stays with us, imprints itself on us, and changes us in ways that unfold over time.So we talk about how Lear played that role in our lives, but also about the ways in which Thakkar may be playing the role of local exemplar, as a teacher, in the lives of his students, and more generally what it is about someone, or something, that makes it capable of influencing us in these ways.One reason we ended up in this space, I think, is that I've been wrestling a lot, lately, with the question of how writing does or doesn't influence people, because I'm writing a book, on relationships and therapy, that edges into the territory of self-help, and I've become moderately obsessed with not replicating the mistake that so many self-help books make on this front, which is thinking that in order to help people, the thing to do is give them straightforward advice on how to do or be better.This always seems to me like a fundamental misunderstanding of how texts change people, and in some ways an odd one to make in particular for the therapists and psychologists who write so many of these books. If anyone should understand that the human psyche is tricky and that real change tends be a product of close relationships and communal structures playing out over time, rather than advice distilled to words, it should be therapists.Texts do change people's lives, but it's indirect. They're poetic. They're narrative. They're allusive and elusive. They're not precision tools to achieve a predictable outcome in readers.Lear understood this. I asked him once if the style of his essays was deliberately looping and associative because he was trying to emulate something about the rhythms of psychoanalytic practice, and his response was surprise. I just try to write clearly, he said, and the more I think the more I believe him. I think there was something so integrated in the way he did all these things – teach, write, practice psychoanalysis – that his version of writing clearly became this thing that I perceived as indirect, and that it is because of this, in some sense, that his writing has the capacity to affect people in a way that most self-help literature doesn't.I didn't know Lear well, as a person, but he had, and continues to have, a big influence on me. That's even more the case for Jonny, as you'll hear. I don't think he's for everyone, but if he might be for you, I really encourage you to pick up one of his books or find one of his essays online. I'll drop in some links to a few of below. He was a remarkable person.Hope you enjoy. Peace.Jonathan Lear articles:* “Aims of Education”* “Inside and Outside the Republic”* “A Case for Irony”* “Wisdom Won from Illness” [this is actually the whole text of one of his books]* “Transience and hope: A return to Freud in a time of pandemic”* “Jumping from the Couch: An Essay on Phantasy and Emotional Structure”* “Can the virtuous person exist in the modern world?” This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit danieloppenheimer.substack.com/subscribe

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene vii - Lear wakes, and a poignant recognition scene ensues. Written and presented by Conor Hanratty

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene vii - Cordelia and the Doctor ponder Lear's condition, as he seems on the brink of waking. *PLUS - news of my forthcoming book! If you'd like 25% off, pre-order it from Waterstones THIS WEEK, Feb 17-20, 2026. Search for it under my name, Bloomsbury Teacher Introductions, Macbeth, and my co-author Amy Smith.* Written and presented by Conor Hanratty

Special Guest: Chris Gore from  @FilmThreat  RSVP here for G+G Orlando Meetup: https://www.eventbrite.com/e/geeks-gamers-orlando-2026-tickets-1981949601611 Become a Nerdrotic Channel Member http://www.youtube.com/c/sutrowatchtower/join Streamlab Donations: https://streamlabs.com/sutrowatchtower/tip Gary’s BOOK! ‘Nerdrotic:Continue reading

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