Podcasts about Lear

Send us a textLegendary comedian, actor, and writer George Wallace is making his highly anticipated return to St. Louis this weekend for a two-night run at Helium Comedy Club, July 11–12, 2025, with shows at 7:00 PM and 9:15 PM on Friday, and 7:00 PM and 9:30 PM on Saturday. With ticket prices ranging from $41 for general admission to $61 for front row seating, fans are guaranteed an unforgettable night of comedy from one of the most iconic voices in stand-up. George Wallace whose lightning-fast wit, observational brilliance, and unforgettable storytelling have made him one of comedy's most respected figures. Known affectionately as “The New Mr. Vegas,” Wallace enjoyed more than a decade of success headlining his own show in Las Vegas—an unprecedented run that solidified his status as one of the greats in stand-up entertainment.Unlike any other show on the strip, Wallace's performances were interactive, heartfelt, and wildly generous—audiences could walk away with everything from diamond necklaces to tropical cruises, gourmet dinners, and even a new car. His spontaneous audience interactions and “anything can happen” attitude became his signature.Now, Wallace is stepping into a new chapter with Prime Video's upcoming comedy series Clean Slate, where he stars alongside Laverne Cox. The half-hour show—produced by Sony Pictures Television and developed by the late, great Norman Lear—was greenlit on Lear's 100th birthday and stands as a historic final project from the legendary TV pioneer. In Clean Slate, Wallace plays Henry Slate, a traditional, outspoken Alabama car wash owner whose world is turned upside down when his long-estranged child returns home—not as the son he remembers, but as Desiree Slate (Cox), a proud and resilient trans woman. The series explores themes of family, growth, and acceptance, all with Wallace's signature blend of humor and heart.Don't miss your chance to see a true comedy legend LIVE in St. Louis at Helium Comedy Club on July 11–12, 2025. No two shows are ever the same, and with Wallace, one thing is certain—you'll be laughing long after the curtain closes.http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn

“More powerful and more comfortable don't usually go hand in hand. Usually more powerful is more uncomfortable. When you're clear about your own voice and what you're bringing to the table, you can see a pathway to saying the more powerful thing and not perceiving it as a threat to the relationship, but instead you're like fueling a better conversation.” -Dia Bondi In the finale of this 2-part series, leadership communications coach, Dia Bondi shares how bookkeepers can find their voice, build trust and lead stronger client conversations.  In this interview, you'll also learn: How Dia's Platform Map framework reveals your leadership voice The key difference between an ask & a business requirement How to use storytelling to deepen trust with clients To find more about Dia, click here. Connect with her on LinkedIn. Get FREE resources HERE for Successful Bookkeeper listeners. Lear more about her book, Ask Like An Auctioneer at this link. Time Stamp 02:00 – What's a Real Ask? 03:15 – Trust Comes from Feeling Seen 04:50 – Confidence Through Clarity 05:23 – Inside the Transformational Voice Intensive 06:58 – Comfort vs. Power 08:57 – The Platform Map Framework 09:36 – Purpose Platform Statement 11:17 – Provenance: Your Real Origin Story 13:39 – Point of View & Playbook 16:52 – Principles: Values in Action 20:06 – Building Trust as a Bookkeeper 23:07 – Learn More from Dia

At the start of Shakespeare's famous tragedy, King Lear promises to divide his kingdom based on his daughters' professions of love, but portions it out before hearing all of their answers. For Nan Da, this opening scene sparks a reckoning between King Lear, one of the cruelest and most confounding stories in literature, and the tragedy of Maoist and post-Maoist China. Da, who emigrated from China to the United States as a child in the 1990s, brings Shakespeare's tragedy to life on its own terms, addressing the concerns it reflects over the transition from Elizabeth I to James I with a fearsome sense of what would soon come to pass. At the same time, she uses the play as a lens to revisit the world of Maoist China--what it did to people, and what it did to storytelling. Blending literary analysis and personal history, Da begins in her childhood during Deng Xiaoping's Opening and Reform, then moves back and forth between Lear and China. In The Chinese Tragedy of King Lear (Princeton University Press, 2025), the unfinished business of Maoism and other elements of Chinese thought and culture--from Confucianism to the spectacles of Peking Opera--help elucidate the choices Shakespeare made in constructing Lear and the unbearable confusions he left behind. Nan Z. Da is associate professor of English at Johns Hopkins University. Caleb Zakarin is the Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

At the start of Shakespeare's famous tragedy, King Lear promises to divide his kingdom based on his daughters' professions of love, but portions it out before hearing all of their answers. For Nan Da, this opening scene sparks a reckoning between King Lear, one of the cruelest and most confounding stories in literature, and the tragedy of Maoist and post-Maoist China. Da, who emigrated from China to the United States as a child in the 1990s, brings Shakespeare's tragedy to life on its own terms, addressing the concerns it reflects over the transition from Elizabeth I to James I with a fearsome sense of what would soon come to pass. At the same time, she uses the play as a lens to revisit the world of Maoist China--what it did to people, and what it did to storytelling. Blending literary analysis and personal history, Da begins in her childhood during Deng Xiaoping's Opening and Reform, then moves back and forth between Lear and China. In The Chinese Tragedy of King Lear (Princeton University Press, 2025), the unfinished business of Maoism and other elements of Chinese thought and culture--from Confucianism to the spectacles of Peking Opera--help elucidate the choices Shakespeare made in constructing Lear and the unbearable confusions he left behind. Nan Z. Da is associate professor of English at Johns Hopkins University. Caleb Zakarin is the Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

At the start of Shakespeare's famous tragedy, King Lear promises to divide his kingdom based on his daughters' professions of love, but portions it out before hearing all of their answers. For Nan Da, this opening scene sparks a reckoning between King Lear, one of the cruelest and most confounding stories in literature, and the tragedy of Maoist and post-Maoist China. Da, who emigrated from China to the United States as a child in the 1990s, brings Shakespeare's tragedy to life on its own terms, addressing the concerns it reflects over the transition from Elizabeth I to James I with a fearsome sense of what would soon come to pass. At the same time, she uses the play as a lens to revisit the world of Maoist China--what it did to people, and what it did to storytelling. Blending literary analysis and personal history, Da begins in her childhood during Deng Xiaoping's Opening and Reform, then moves back and forth between Lear and China. In The Chinese Tragedy of King Lear (Princeton University Press, 2025), the unfinished business of Maoism and other elements of Chinese thought and culture--from Confucianism to the spectacles of Peking Opera--help elucidate the choices Shakespeare made in constructing Lear and the unbearable confusions he left behind. Nan Z. Da is associate professor of English at Johns Hopkins University. Caleb Zakarin is the Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

“You are your most powerful when you speak from who you truly are.” -Dia Bondi In part 1 of this 2 part series, leadership communications coach, keynote speaker, and author of Ask Like An Auctioneer, Dia Bondi shares how bookkeepers can unlock their full potential by discovering and owning their true voice. In this interview, you'll learn... Why your authentic voice matters more than polished words How to build trust & attract better clients through clear communication What strategic asking can do for your pricing, positioning, and confidence To find more about Dia, click here. Connect with her on LinkedIn. Get FREE resources HERE for Successful Bookkeeper listeners. Lear more about her book, Ask Like An Auctioneer at this link. Time Stamp 02:22 – From fitness coach to leadership communicator 04:24 – The bold ask that launched her career 04:53 – Coaching Olympic bids & global leaders 06:16 – Helping speakers build trust under pressure 07:41 – Why trust is the real outcome of communication 09:57 – Your voice matters more than the words 12:05 – Claim your voice, don't invent it 13:57 – How a sabbatical led to auctioneering 15:55 – Turning auctions into impact & insight 17:18 – Asking big means risking “no” 19:08 – “No” is where real value lives 21:09 – Entering the Zone of Freaking Out (ZFO) 23:17 – Stretch the ask, gain more 24:27 – Ask for clients, influence & balance 26:11 – More things to ask for, starting now 26:38 – Preview of Part 2: Find your leadership voice

Chaque jour, retrouvez une histoire drôle racontée par un sociétaire de l'époque de Philippe Bouvard. Jacques Balutin, Jacques Mailhot ou encore Pierre Bellemare, retrouvez toutes leurs blagues en podcast ! Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene vi - Gloucester comes back and hurries Lear and the others away to safety. Written and presented by Conor Hanratty

Glamorous Lashes London (+44 7964 167029) discusses the benefits of their hybrid eyelash extensions in Soho, offering a customisable 50/50 mix of classic and volume lashes for clients seeking fuller, textured lashes with a natural appearance. Lear more at https://www.glamorous-lashes.com/treatments Glamorous Lashes London City: London Address: 72 Great Titchfield Street Website: https://www.glamorous-lashes.com/

'Ningún amor está vivo en el recuerdo'. No es una pregunta, es una afirmación y también el título del nuevo libro de relatos de Lara Moreno. El relato que da nombre al volumen ya establece un punto de partida claro: una expareja se reencuentra en una ciudad que no es la suya y constata, sin apenas palabras, que entre ambos no queda ya nada que merezca la pena recordar. A través de estas historias breves, Lara Moreno explora con precisión emocional temas como el desgaste, el desencuentro, la distancia afectiva y los huecos que deja el paso del tiempo. La narrativa se construye sobre fragmentos cotidianos que dejan entrever rupturas íntimas y certezas en ruinas.También hablamos con Elvira González, pionera del galerismo español, que ha recibido el Premio Alberto Anaut por su papel en la transformación del arte contemporáneo en España. El galardón, entregado en el Círculo de Bellas Artes, reconoce trayectorias culturales que suelen quedar al margen del foco público.Desde Berlín, la corresponsal Beatriz Domínguez nos lleva a una exposición del MEK que revisa el turismo de masas durante la dictadura franquista, coincidiendo con el 50 aniversario de la muerte del dictador. La muestra propone siete miradas artísticas sobre ese fenómeno histórico y su trasfondo económico y social.En el apartado escénico, charlamos con Marc Caellas y Esteban Feune de Colombi sobre Ustedes brillan en lo oscuro, un montaje basado en los textos de Liliana Colanzi y concebido por la Compañía La Soledad.Además, Marta Orquín cubre el estreno de La Tempestat, tercera adaptación de Oriol Broggi sobre obras de Shakespeare, tras El rey Lear y Hamlet. Esta nueva propuesta de La Perla 29 se representa en la Biblioteca de Catalunya.Y cerramos con Martín Llade y el ensayo Cantar el infinito, de Irene de Juan Bernabéu. Una exploración sobre el vínculo entre música, palabra e imaginación romántica a lo largo de un siglo.Escuchar audio

It's another edition of the longtime buddies flying solo (or is that duo?) covering a ridiculous range of topics such as; the raging speed bump debate, fast food drive-thru hassles, the “YMCA” song, what it's like to pilot a Lear jet at 45,000 feet, John's romantic getaway that ends up with a rash, Don Shula's death stare, that time Bryant Gumbel gave Joe the big blow off, why men flying in flip flops is just dead wrong, wild animals on the loose in Middle Tennessee, and offering free T-shirts.  Be part of a future shows by emailing secondcupofjoeandjohn@gmail.com with your comments, likes, dislikes and stories.  They would love to hear from you.  They are lonely. Enjoy!  

It's another edition of the longtime buddies flying solo (or is that duo?) covering a ridiculous range of topics such as; the raging speed bump debate, fast food drive-thru hassles, the “YMCA” song, what it's like to pilot a Lear jet at 45,000 feet, John's romantic getaway that ends up with a rash, Don Shula's death stare, that time Bryant Gumbel gave Joe the big blow off, why men flying in flip flops is just dead wrong, wild animals on the loose in Middle Tennessee, and offering free T-shirts.  Be part of a future shows by emailing secondcupofjoeandjohn@gmail.com with your comments, likes, dislikes and stories.  They would love to hear from you.  They are lonely. Enjoy!  

Tonight, my special guest is author and researcher Charles Lear, joining me to explore the dark origins of modern UFO mythology. In his book Crashed Saucers and Malevolent Aliens, Lear uncovers how tales of extraterrestrial encounters evolved into chilling narratives of abduction, secrecy, and sinister agendas. What triggered the shift from curious visitors to malevolent invaders—and who may have helped shape the mythos behind the scenes?Unlock a world of mystery!Join our exclusive community and instantly access over 1,000 ad-free episodes, mind-blowing bonus segments, and much more. Dive deeper into the unknown with content that challenges what you think you know.For nearly a decade, Mysterious Radio has taken listeners on a journey through the strange, the unexplained, and the downright chilling. And now, we're taking things to the next level—with even more immersive content available only to our most dedicated listeners.With millions of listeners around the globe, the next era of Mysterious Radio is unfolding. The majority of episodes and exclusives will be reserved for our inner circle of members.Step beyond the veil and claim your place in the next chapter of the unknown. OPEN THE DOORGet the ultimate experience and easy access to everything from the Patreon app!Download Patreon for IOS Download Patreon for AndroidFollow Our Other ShowsFollow UFO WitnessesFollow Crime Watch WeeklyFollow Paranormal FearsFollow Seven: Disturbing Chronicle StoriesJoin our Patreon for ad-free listening and more bonus content.Follow us on Instagram @mysteriousradioFollow us on TikTok mysteriousradioTikTokFollow us on Twitter @mysteriousradioFollow us on Pinterest pinterest.com/mysteriousradioLike us on Facebook Facebook.com/mysteriousradio]

Called “the finest actor of his generation,” Sir Simon Russell Beale has played just about everyone in Shakespeare's canon—Hamlet, Lear, Macbeth, Falstaff, Malvolio, Iago—and most recently, Titus Andronicus, for the Royal Shakespeare Company. In this episode, Beale reflects on the Shakespearean roles that have shaped his career and how his approach to them has evolved over time. He shares what drew him to Titus, and how he found surprising tenderness in Shakespeare's brutal tragedy. The actor revisits past performances, exploring grief in Hamlet, aging and dementia in King Lear, and how time has deepened his connection to the plays and the characters. Beale's memoir, A Piece of Work: Playing Shakespeare & Other Stories, is a moving and often humorous reflection on acting, Shakespeare, and the power of performance to reveal something essential about being human. Sir Simon Russell Beale studied at Cambridge before joining the RSC. Described by the Daily Telegraph as “the finest actor of his generation,” he has been lauded for both his stage and TV work, winning many awards including the Olivier Award for Best Supporting Actor, the Evening Standard Best Actor Award, and the BAFTA Best Actor Award. From the Shakespeare Unlimited podcast. Published June 17, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Segundo día desde el Teatro Gayarre de Pamplona, donde emitimos un programa especial con motivo de la XXVIII edición de los Premios Max de las Artes Escénicas. Comenzamos recordando al actor madrileño Manolo Zarzo, fallecido a los 93 años. Con más de cien películas en su haber, trabajó con los grandes directores del cine español y fue una figura constante sobre los escenarios de nuestro país.Después, repasamos los ganadores de la noche en los Max: el espectáculo 'Casting Lear' se alzó como Mejor Espectáculo, mientras que 'Afanador' fue la gran triunfadora en número de galardones. En la Pequeteca de Leticia Audibert visitamos 'No es fácil vestir a un león', obra ganadora del II Premio Cubilete al mejor álbum infantil ilustrado, escrita por Sara Nicolás y Óscar Rull, con ilustraciones de Héctor Borlasca. Un título que combina humor, ternura y una estética visual muy cuidada.A continuación, Javi Alonso nos trae un cómic recomendado para un público de 0 a 150 años. Se trata de 'El libro endemoniado', una historia divertida y con personajes muy bien construidos, destacada también por su estilo gráfico, colores y portada.Cerramos con una visita a la Universidad Internacional Menéndez Pelayo, que acaba de inaugurar en Santander sus cursos de verano: encuentros, seminarios y escuelas magistrales que marcan la agenda académica y cultural estival. El rector, Carlos Andradas, nos cuenta cómo arrancan esta nueva edición en la UIMP.Escuchar audio

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene vi - Lear madly attempts to prosecute his daughters for the way they have treated him. Written and presented by Conor Hanratty

AI is coming, and it may be coming for your job. Guest Dan Lear, vice president of partnerships at the digital case management company InfoTrack, shares how paralegal professionals can adapt and remain vital. Spoiler, you can't ignore the AI revolution, but you can learn, evolve, and deliver insights and human skills that AI simply can't match.  File, case, and data management has come a long way, from physically moving boxes of paper filings to electronic management, and Lear has done it all, from moving paper files to his current position legal tech. Along the way, Lear advanced from a file clerk position to a career as a paralegal professional, then earning his law degree. Now he's exploring and embracing AI capabilities. Having worked as a paralegal, Lear understands how vital the profession is to the practice of law, at times even “training” newly minted attorneys as they transition from learning the principles of the law to actually getting the job done.  As Lear explains, lifelong learning, networking, and building strong connections will become increasingly important moving forward, whether you're a newcomer to the field or an experienced veteran.  Mentioned in This Episode: “Behind the Curtain: A White-Collar Bloodbath,” Axios “Tech CEO Warns AI Will Eliminate Jobs. What Can You Do to Protect Your Career?” ABC7 Los Angeles “The Free-Time Paradox in America,” The Atlantic Claude AI ChatGPT / OpenAI Google Gemini Off The Record NALA, The Paralegal Association NALA Conference & Expo 2025 Learn more about your ad choices. Visit megaphone.fm/adchoices

AI is coming, and it may be coming for your job. Guest Dan Lear, vice president of partnerships at the digital case management company InfoTrack, shares how paralegal professionals can adapt and remain vital. Spoiler, you can't ignore the AI revolution, but you can learn, evolve, and deliver insights and human skills that AI simply can't match.  File, case, and data management has come a long way, from physically moving boxes of paper filings to electronic management, and Lear has done it all, from moving paper files to his current position legal tech. Along the way, Lear advanced from a file clerk position to a career as a paralegal professional, then earning his law degree. Now he's exploring and embracing AI capabilities. Having worked as a paralegal, Lear understands how vital the profession is to the practice of law, at times even “training” newly minted attorneys as they transition from learning the principles of the law to actually getting the job done.  As Lear explains, lifelong learning, networking, and building strong connections will become increasingly important moving forward, whether you're a newcomer to the field or an experienced veteran.  Mentioned in This Episode: “Behind the Curtain: A White-Collar Bloodbath,” Axios “Tech CEO Warns AI Will Eliminate Jobs. What Can You Do to Protect Your Career?” ABC7 Los Angeles “The Free-Time Paradox in America,” The Atlantic Claude AI ChatGPT / OpenAI Google Gemini Off The Record NALA, The Paralegal Association NALA Conference & Expo 2025 Learn more about your ad choices. Visit megaphone.fm/adchoices

There are a lot of false statements going around aboutgender affirming care, and we use this episode to debunk it. Krystina and I'Sha sit with Lead Outpatient Therapist, Ryan, LMSW a therapist at Ruth Ellis Center. We discuss the process, misconceptions, and more. Reading Room Book of the Month: Felix Ever After by KacenCallenderLocal Book Store: Love & Other Books (www.loveandotherbooksshop.com)Read along with us and join our book discussion onBlueSky (@ruthelliscenter.bsky.social)! Support your local library or bookstore.We would like to thank LEAR for making this episodehappen!  We want to highlight the talentedPatrick Harris II, Volunteer Executive Producer of Voice of REC Podcast. Check out our producer Patrick and his work atPatrick Harris (@presidentpat) • Instagram photos and videos

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene vi - Gloucester brings the others to shelter. Edgar and the Fool vie for Lear's attention. Written and presented by Conor Hanratty

June 2, 2025 ~ Bud Denker, Chairman of the Chevrolet Detroit Grand Prix Presented by Lear recaps Grand Prix weekend and announces what's next.

May 30, 2025 ~ Bud Denker, Chairman of the Chevrolet Detroit Grand Prix Presented by Lear joins Paul W Smith live trackside.

May 30, 2025 ~ Paul W Smith broadcasts live from the Chevrolet Grand Prix Presented by Lear

This week on Skytalkers, we're talking about all the ways the finale of Andor Season 2 has and hasn't changed our viewing experience of Rogue One! Tune in this week to hear:  Jyn and Cassian as messengers.  What are the comparisons between Luthen and Kleya vs Saw and Jyn?  How has Cassian's character arc in Rogue One shifted with two seasons of Andor? Luthen Rael's last name as anagram for "Lear" – and how that relates to Shakespeare's “King Lear”.  …and so much more!  Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Welcome to Cloudlandia, we kick off by reflecting on a recent trip to the UK, where London's unexpected warmth mirrored the friendliness of its black cab drivers. Our visit coincided with the successful launch of the 10 Times program in Mayfair, which attracted participants from various countries, adding a rich diversity to the event. Next, we delve into the advancements in AI technology, particularly those related to Google Flow. We discuss how this technology is democratizing creative tools, making it easier to create films and lifelike interactions. This sparks a conversation about the broader implications of AI, including its potential to transform industries like real estate through AI-driven personas and tools that enhance market operations. We then shift our focus to the political arena, where we explore the Democratic Party's attempt to create their own media influencers to match figures like Joe Rogan. The discussion centers on the challenges of capturing consumer attention in a world overflowing with digital content, and the need for meaningful messaging that resonates with everyday life. Finally, we touch on aging, longevity, and productivity. We emphasize the importance of staying engaged and productive as we age, inspired by remarkable individuals achieving significant milestones beyond 60. SHOW HIGHLIGHTS In our recent trip to the UK, we experienced the unexpected warmth of London and engaged with the local culture, which included charming interactions with black cab drivers. This atmosphere set the tone for a successful event launch in Mayfair with global participants. We discussed the sparse historical records left by past civilizations, such as the Vikings, and how this impacts our understanding of history, drawing a parallel to the rich experiences of our recent travels. AI advancements, particularly Google Flow, are revolutionizing the creative landscape by democratizing filmmaking tools, allowing for lifelike scenes and interactions to be created easily and affordably. The potential of AI in the real estate market was explored, using the example of Lily Madden, an AI-driven persona in Portugal, which highlights the challenge of consumer attention in an ever-saturated digital content environment. We analyzed the Democratic Party's approach to media influencers in the 2024 election, noting the need for genuine engagement with voters' lives amidst fierce competition for attention in today's media landscape. The discussion shifted to aging and longevity, focusing on productivity and engagement in later years. We emphasized the importance of remaining active and contributing meaningfully past the age of 60. We wrapped up the episode with excitement about future projects, including a new workshop and book, highlighting our commitment to staying creatively engaged and inviting listeners to join us in future discussions. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean: Mr sullivan it has to be recorded because it's uh historic thinking it's historic thinking in a historic time things cannot be historic if they're not recorded, that is true, it's like if, uh, yeah, if a tree falls in the forest yeah, it's a real. Dan: It's a real problem with what happened here in the Americas, because the people who were here over thousands of years didn't have recordings. Dean: They didn't write it down. They didn't write it down. Dan: No recordings, I mean they chipped things. Dean: They didn't write it down. Dan: They didn't write it down no recordings, no recordings. Yeah, I mean, they chip things into rock, but it's, you know, it's not a great process really. Dean: I think that's funny, you know, because that's always been the joke that Christopher Columbus, you know, discovered America in 1492. But meanwhile they've been here. There have been people, the sneaky Vikings, and stuff. How do you explain that in the Spaniards? Dan: Yep. Dean: Yeah. Dan: Yeah Well, writing. You know, writing was an important thing. Dean: Yeah, yeah. Dan: We don't know much. We don't, yeah, we really don't know much about the Vikings either, because they didn't they weren't all that great at taking notes. I mean, all the Vikings put together don't equal your journals. Dean: That's true. All the Viking lore's the not what's happening. So it's been a few weeks yeah I was in the uk, we were in the uk for a couple weekends for uh-huh okay, it was great, wonderful weather, I mean we had the very unusual. Dan: It was great, wonderful weather. Dean: I mean we had the very unusual weather for May. It was, you know, unseasonably warm 75, 80, nice bright oh my goodness. Dan: Yeah, really terrific. And boy is the city packed. London is just packed. Dean: And getting packed dirt, huh. Dan: Yeah, yeah, just so many people on the street. Dean: I always, I always laugh, because one time I was there in June which is typically when I go, and it was. It was very funny because I'd gotten a black cab and just making conversation with the driver and he said so how long are you here? And I said I'm here for a week. He said, oh, for the whole summer, because it was beautifully warm here for the whole summer. Yeah, that's so funny, I hear hear it's not quite. Dan: They're fun to talk to. Dean: Oh man for sure. Dan: Yeah, they know so much. Dean: Yes, I hear Toronto. Not quite that warm yet, but get in there I think today is predicted to be the crossover day we had just a miserable week. Dan: It was nonstop rain for five days. Oh my goodness, Not huge downpour, but just continual, you know, just continual raining. Dean: But it speeded up the greening process because I used to have the impression that there was a day in late May, maybe today like the 25th, when between last evening and this morning, the city workers would put all the leaves on the trees like yesterday there were no leaves, and but actually there were. Dan: We're very green right now because of all the rain. Dean: Oh, that's great yeah. Two weeks I'll be there in. I arrived 17th. Dan: Yeah, yeah, I'm trying to think of the date I'm actually arriving. Dean: I'm arriving on the 6th A strategic coach, you're going to be here, yeah we're doing on Tuesday. This month is Strategic Coach. Dan: Yeah, because of fathers. Dean: Right, right, right right, so we're doing. Yeah, so that Tuesday, that's exciting. Dan: Tuesday, Wednesday, Of course, our week is 19th, 18th, I think it's the 17th 17th is the workshop day and we have a garden party the night before and the day I know we have two parties. Dean: Yeah, I love I can't go wrong yeah and hopefully we'll have our table 10 on the. Uh well, we'll do it at the one, we'll do it at the one, that's great. You've been introduced to the lobster spoons. I hear. Dan: It's been good, that's a great little spot. I didn't overdo it, but I did have my two. I had two lobster spoons Okay, they're perfect. Dean: I took one of my teams there about uh, six weeks ago, and we, everybody got two we got two lobster spoons and it was good, yeah, but the food was great service with service was great. Dan: Yeah, yeah, yeah all right. Dean: Well then, we got something I'm excited about. That's great. So any, uh, anything notable from your trip across the pond no, uh, we um jump things up um. Dan: Last October we introduced the 10 times program in London so uh 25 to 30. I think we have 25 to 30 now and uh, so when I was there um last two weeks, it'll be, um, um two weeks or last week no, it was last week. Um, I'm just trying to get my, I'm just trying to get my bearings straight here. When did I get home? I think I got home just this past Tuesday. Dean: This past Tuesday. Dan: So it would have been the previous Thursday. I had a morning session and afternoon session, and in the morning it was just for 10 times and in the afternoon it was just for 10 times and in the afternoon it was for everybody. So we had about 30 in the morning and we had about 120 in the afternoon. Dean: Oh, very nice yeah. Dan: And you know a lot of different places. We had Finland, estonia, romania, dubai, South Africa quite a mix. Quite a mix of people from. You know all sorts of places and you know great getting together great. You know couple of tools. You know fairly new tools A couple of tools, you know fairly new tools and you know good food good hotel, it's the Barclay, which is in. Mayfair. Okay, and it's a nice hotel, very nice hotel. This is the third year in a row that we've been there and you know we sort of stretched their capacity. Dean: 120 is about the upper limit and what they've been to the the new four seasons at uh, trinity square, at tower bridge. It's beautiful, really, really nice, like one of my favorites no, because the building is iconic. I mean Just because the building is iconic. I mean that's one of the great things about the. Dan: Four Seasons. Dean: Yeah, and about London in specific, but I mean that. Four Seasons at. Dan: Trinity it's beautiful, stunning, love it. Yeah, we had an enjoyable play going week um we did four, four, four musicals, actually four, four different. Uh, musicals we were there one not good at all probably one of the worst musicals I've seen um and uh, but the other three really terrific. And boy, the talent in that city is great. You know just sheer talent. Dean: What's the latest on your Personality? Yeah, personality. Dan: Yeah, the problem is that London's a hot spot right now and there's a queue for people who want to have plays there. Oh okay, Actually they have more theaters than Broadway does Is that right On the West End yeah, west End, but they're all lined up. Problem is it's not a problem, it's just a reality is that you have some plays that go for a decade. You know, like Les Mis has been in the same theater now for 20 years. So there's these perennials that just never move. And then there's hot competition for the other theaters, you know I wonder is Hamilton? Dean: there, I don't think so, I just wonder about that actually, whether it was a big hit in the UK or whether it's too close. Dan: Yeah, I'm not entirely sure why it was a great play in the United States. I went to see it, you know. I mean it bears no historical similarity to what the person actually was. Dean: No. Dan: So you know, I mean, if people are getting their history from going to that play, they don't have much history. Dean: That's funny, yeah, and I'm not a rap. Dan: I'm not a fan of rap, so it's not the oh God. I'm not the target, definitely not the target audience for that particular play. But we saw a really terrific one and. I have to say, in my entire lifetime this may have been one of the best presentations, all told. You know talent, plot, everything. It's cook. It's the curious case of Benjamin Button button, which is okay. Yeah, I've seen the movie which you. You probably saw the movie. Dean: I did. Dan: Yeah, and this is Fitzgerald. It's Fitzgerald. Dean: Yes. Dan: And it is just a remarkable, remarkable presentation. They have about, I would say, 15 actors and they're literally on stage for the entire two and a half hours. And they are literally on stage for the entire two and a half hours and they are the music. So every actor can sing, every actor can dance and every actor can play at least one musical instrument. And they have 30 original songs and then you know the plot. And they pull off the plot quite convincingly with the same actors, starting off at age 70, and he more or less ends up at around age 25, and then they very ingeniously tell the rest of the story. And very gripping, very gripping very moving and very gripping, very gripping very moving, beautiful voices done in. Sort of the style of music is sort of Irish. You know it takes place in Cornwall, which is very close to you know, just across the Irish Sea from Ireland. So it's that kind of music. It's sort of Irish folk music and you know it's sort of violins and flutes and guitars and that sort of thing, but just a beautifully, beautifully done presentation. On its way to New York, I suspect, so you might get a chance to see it there. Dean: Oh wow, that's where it originated, in London. Dan: No, yeah, it's just been. It was voted the number one new musical in London for this year, for 2025. Yeah, but I didn't know what to expect, you know, and I hadn't seen the movie, I knew the plot, I knew somebody's born, old and gets younger. Yeah, just incredibly done. And then there's another one, not quite so gripping. It's called Operation Mincemeat. Do you know the story? Dean: No, I do not. Dan: Yeah, it's a true story, has to do with the Second World War and it's one of those devious plots that the British put together during the Second World War, where to this was probably 1940, 42, 43, when the British had largely defeated the Germans in North Africa, the next step was for them to come across the Mediterranean and invade Europe, the British and Americans. And the question was was it going to be Sicily or was it going to be the island of Sardinia? And so, through a very clever play of Sardinia, and so, through a very clever play, a deception, the British more or less convinced the Germans that it was going to be Sardinia, when in fact it was going to be Sicily. And the way they did this is they got a dead body, a corpse, and dressed him off in a submarine off the coast of spain. The body, floated to shore, was picked up by the spanish police, who were in cahoots, more or less, with the germans, and they gave it to the germans. And the Germans examined everything and sent the message to Berlin, to Hitler, that the invasion was gonna be in Sardinia, and they moved their troops to Sardinia to block it. and the invasion of Sicily was very fast and very successful, but an interesting story. But it's done as a musical with five actors playing 85 different parts. Oh my yeah. Dean: Wow, 85 parts. Dan: Yeah. Dean: It sounds like. Dan: I thought, you were describing Weekend at Bernie's Could be. Dean: Could be if I had seen it If I had seen it. It was funny? Dan: Yeah, it's kind of like Weekend at Bernie's right, right, right, I don't know. I don't know what I'm talking about, but I know you are. And three of them were women who took a lot of male parts, but very, very good comic comic actors, and three of them were women who took a lot of male parts, but very, very good comic actors. It's done in sort of a musical comedy, which is interesting given the subject matter. And then I saw a re-revival of the play Oliver about Oliver Twist, a re-revival of the play Oliver about Oliver Twist and just a sumptuous big musical. Big, you know, big stage, big cast, big music, everything like you know Dickens was a good writer. Dean: Yes, um, dan, have you? Dan? Did you see or hear anything about the new Google Flow release that just came out two or three days ago? I have not. I've been amazed at how fast people adopt these things and how clearly this is going to unlock a new level of advancement in AI. Here thing kind of reminded me of how Steve Jobs used to do the product announcement. You know presentations where you'd be on stage of the big screen and then the. It was such an iconic thing when he released the iPhone into the world and you look back now at what a historically pivotal moment that was. And now you look at what just happened with flow from a prompt. So you say what you describe, what the scene is, and it makes it with what looked like real people having real dialogue, real interactions. And so there's examples of people at a car show talking like being interviewed about their thoughts about the new cars and the whole background. Dan, all the cars are there in the conference. You know the big conference setting with people milling around the background noises of being at a car show. The guy with the microphone interviewing people about their thoughts about the new car, interviewing people about their thoughts about the new car. There's other examples of, you know, college kids out on spring break, you know, talking to doing man-on-the-street interviews with other college kids. Or there's a stand-up comedian doing a stand-up routine in what looks like a comedy club. And I mean these things, dan, you would have no idea that these are not real humans and it's just like the convergence of all of those things like that have been slowly getting better and better in terms of like picture, um, you know, pick, image creation and sound, uh, syncing and all of that things and movies, getting it all together, uh, into one thing. And there, within 48 hours of it being released, someone had released a short feature, a short film, 13 minutes, about the moment that they flipped the switch on color television, and it was like I forget who the, the two, uh in the historic footage, who the people were where they pushed the button and then all of a sudden it switched to color, um broadcasting. But the premise of the story is that they pushed the button and everything turned to color, except the second guy in the thing. He was like it didn't turn him to color and it was. He became worldwide known as the colorless man and the whole story would just unfolded as kind of like a mini documentary and the whole thing was created by one guy, uh in since it was released and it cost about 600 in tokens to create the the whole thing and they were uh in the comments and uh, things are the the description like to create that, whatever that was, would have cost between three to $500,000 to create in tradition, using traditional filmmaking. It would have cost three to 500,000 to create that filmmaking it would have cost three to 500,000 to create that. And you just realize now, dan, that the words like the, the, the um, creativity now is real, like the capability, is what Peter Diamandis would call democratized right. It's democratized, it's at the final pinnacle of it, and you can only imagine what that's going to be like in a year from now, or two years from now, with refinement and all of this stuff. And so I just start to see now how this the generative creative AI I see almost you know two paths on it is the generative creative side of it, the research and compilation or assimilation of information side of AI. And then what people are talking about what we're hearing now is kind of agentic AI, where it's like the agents, where where AIs will do things for you right, like you can train an AI to do a particular job, and you just realize we are really like on the cusp of something I mean like we've never seen. I mean like we've never seen. I just think that's a very interesting it's a very interesting thought right now, you know, of just seeing what is going to be the. You know the vision applied to that capability. You know what is going to be the big unlock for that, and I think that people I can see it already that a lot of people are definitely going down the how path with AI stuff, of learning how to do it. How do I prompt, how do I use these tools, how do I do this, and I've already I've firmly made a decision to I'm not going to spend a minute on learning how to do those things. I think it's going to be much more useful to take a step back and think about what could these be used for. You know what's the best, what's the best way to apply this capability, because there's going to be, you know, there's going to be a lot of people who know how to use these tools, and I really like your idea of keeping Well, what would you use it for? Well, I think what's going to be a better application is like so one of the examples, dan, that they showed was somebody created like a 80s sitcom where they created the whole thing. I mean, imagine if you could create even they had one that was kind of like all in the family, or you know, or uh imagine you could create an entire sitcom environment with a cast of characters and their ai uh actors who can deliver the lines and, you know, do whatever. You could feed a script to them, or it could even write the script I think that what would be more powerful is to think. I I think spending my time observing and thinking about what would be the best application of these things like ideas coming. Dan: I think that somebody's going no no, I'm asking the question specifically. What would you, dean jackson, do with it? That's what. That's what I'm saying oh not what? Not what anybody could do with it, but what? Dean: would you? Dan: do with it um well, I haven't. Dean: I haven't well for one let's let's say using it. I, years ago, I had this thought that as soon as AI was coming and you'd see some of the 11 labs and the HN and you'd see all these video avatars, I had the thought that I wonder what would happen. Could I take an AI and turn this AI into the top real estate agent in a market, even though she doesn't exist? And I went this is something I would have definitely used. I could have used AI Charlotte to help me do, but at the time I used GetMagic. Do you remember Magic, the task service where you could just ask Magic to do? Dan: something, and it was real humans, right. Dean: So I gave magic a task to look up the top 100 female names from the 90s and the top 100 surnames and then to look for interesting combinations that are, you know, three or four syllables maximum and com available so that I could create this persona, one of the ones that I thought, okay, how could I turn Lily Madden Home Services into? How would you use Lily Madden in that way? So I see all of the tools in place right now. So I see all of the tools in place right now. There was an AI realtor in Portugal that did $100 million in generate $100 million in real estate sales. Now that's gross sales volume. That would be about you know, two or $3 million in in revenue. Yeah, commissions for the thing. But you start to see that because it's just data. You know the combinations of all of these things to be able to create. What I saw on the examples of yesterday was a news desk type of news anchor type of thing, with the screen in the background reporting news stories, and I immediately had that was my vision of what Lily Madden could do with all of the homes that have come on the market in Winter Haven, for instance, every day doing a video report of those, and so you start to see setting up. All these things are almost like you know. If you know what I say complications, do you know what? Those are? The little you know? All those magical kind of mechanical things where the marble goes this way and then it drops into the bucket and that lowers it down into the water, which displaces it and causes that to roll over, to this amazing things. I see all these tools as a way to, in combination, create this magical thing. I know how to generate leads for people who are looking for homes in Winter Haven. I know how to automatically set up text and email, and now you can even do AI calling to these people to set them on an email that every single day updates them with all the new homes that come on the market. Does a weekly, you know video. I mean, it's just pretty amazing how you could do that and duplicate that in you know many, many markets. That would be a scale ready algorithm. That's. Dan: That's one thought that I've had with it yeah, you know the the thing that i'm'm thinking here is you know, I've had a lot of conversations with Peter over Peter Diamandis over the years and I said you know, everything really comes down to competition, though. Dean: Everything really comes down to competition though. Dan: The main issue of competition is people's attention, the one thing that's absolutely limited. Everybody talks everything's expanding, but the one thing that's not expanding and can't expand is actually the amount of attention that people have for looking at things you know, engaging with new things. So for example. You asked me the question was I aware of this new thing from Google? From Google and right off the bat, I wouldn't be because I'm not interested in anything that Google does. Period, period, so I wouldn't see it. But I would have no need for this new thing. So this new thing, because what am I going to do with it? Dean: I mean, I don't know. But I recall that that was kind of your take on zoom in two months. Dan: Yeah but, uh. But if the cove, if covet had not happened, I would still not be using zoom yeah, yeah, because there was nobody. There was nobody at the other end that's exactly right. Dean: You didn't have a question that Zoom was the answer to. Dan: Yeah. And I think that that's the thing right now is we don't have a question that the new Google Flow Because this seems to me to be competition with something that already exists, in the sense that there are people who are creating, as you say, $500,000 versions of this and this can be done for $600. Dean: Well, in that particular field, now I can see there's going to be some fierce competition where there will be a few people who take advantage of this and are creating new things advantage of this and are creating new things, and probably a lot of people are put out of work, but not I. I what is so like? Dan: uh, you know, no, and it's not it's not based on their skill and it's it's on their base. There's no increase in the number of amount of attention in the world to look at these things. Dean: There's no increase there's no increase of attention. Yes, the world to look at these things. Dan: There's no increase. There's no increase of attention. Dean: Yes, which it's so eerily funny, but in my journal last night, after watching a lot of this stuff, I like to look at the edges of this and my thought exactly was that this is going to increase by multiples the amount of content that is created. But if I looked at it, that the maximum allowable or available attention for one person is, at the maximum, 16 hours a day, if you add 100% of their available attention bandwidth, you could get 1, 1000 minutes or 100 of those jacksonian units everybody that we only have those. We only have 110 minute units and we're competing. We're competing against the greatest creators ever Like we're creating. We're competing against the people who are making the tippy top shows on Netflix and the tippy top shows on any of these streaming things. I don't think that it's, I think, the novelty of it to everybody's. It's in the wow moment right now that I think everybody's seeing wow, I can't believe you could do this. And it's funny to look at the comments because everybody's commenting oh, this is the end of Hollywood, hollywood's over. I don't think so. Dan: Hollywood's been kind of over for the last five or ten years. I mean it's very interesting. I think this is a related topic. I'm just going to bounce it off you. The Democratic Party has decided that they have to create their own Joe Rogan, because they now feel that Joe Rogan as a person, but also, as you know, a kind of reality out in the communication world tipped the election in 2024. Dean: Who have they nominated? Dan: Yeah, that Trump being on Joe Rogan and a few other big influencers was the reason, and so they're pouring billions of dollars now into creating their own Joe Rogans. But the truth of it is they had a Joe Rogan. He was called Joe Rogan and he was a Democrat. Dean: Yeah, and he was a Democrat. Dan: Yeah, so you got to work out the problem. Why did Joe Rogan Democrat become Joe Rogan Republican is really the real issue question. And they were saying they're going to put an enormous amount of money into influencers because they feel that they have a fundamental messaging problem. Dean: Look how that worked out for them, with Kamala I mean they had all the A-listers. Dan: Well, they had $2 billion I mean Trump spent maybe a quarter of that and they had all the A-listers. They had Oprah. They had, you know, they had just Beyonce, they just had everybody and it didn't make any difference. So I was thinking about it. They think they have a messaging problem. They actually have an existential problem because nobody can nobody can figure out why the democratic party should even exist. This is the fundamental issue why, why, why should a party like this even exist? Dean: I I can't I? Dan: I don't know, I mean, can you answer the question? I can't answer the question I really don't know why this party actually exists. So it's a more fundamental problem to get people's attention. They have no connection, I think, with how the majority of people who show up and vote are actually going about life, are actually going about life. So you have these new mediums of communication and I'm using Google Flow as an example but do you actually have anything to communicate? Dean: Right, it all definitely comes down to the idea. It's capability and ability. I think that that's where we get into the capability column in the VCR formula. That capability is one thing is why I've always said that idea is the most valuable, you know? Dan: um, yeah, because you know, execution of a better idea, a capability paired with a better ability, is going to create a better result but if it's just a way of selling something that people were resisting buying and they were resisting buying in the first place have you really? Dean: made it. Dan: Have you really made a breakthrough? Dean: Have you really made a breakthrough? That was my next journey in my journal was after I realized that. Okay, first of all, everybody is competing for the same 1,000 minutes available each day per human for attention each day per human for attention, and they can't you know, do you can't use all of that time for consuming content there has to be. They're using, you know, eight hours of it for, uh, for working, and you know four hours of it for all the stuff around that, and it's probably, you know, three or four hours a day of available attention. Dan: Boy, that would be a lot. Dean: I think you're right, like I think that's the thing. I'm just assuming that's the, you know, that's the. Well, when you, you know, in the 50s, Dan, what was the? I mean that was kind of the. There was much less competition for attention in the 50s in terms of much less available, right, like you look at, I was thinking that's the people you know, getting up in the morning, having their breakfast, getting to work, coming home, having their dinner and everybody sitting down watching TV for a few hours a night. That's. That seems like that was the american dream, right? Or they were going bowling or going, uh, you know it was the american habit yeah, that's what I meant. That that's it exactly, exactly. The norm, but now, that wasn't there were three channels. Yeah, and now the norm is that people are walking around with their iPhones constantly attached to drip content all day. Dan: Well, I don't know, because I've never Not. Dean: you drip content, all well. Dan: Well, I don't know, because I've never not you and I have never. I've never actually done that, so I don't actually, I don't actually know what, what people are do, I do know that they're doing it because I can? I can observe that when I'm in any situation that I'm watching people doing something that I would never do. In other words, I can be waiting for a plane to leave, I'm in the departure lounge and I'm watching, just watching people. I would say 80 or 90 percent of the people. I'm watching are looking at their phones, yeah, but. Dean: I'm not, but I'm not yes, yes, I'm actually. Dan: I'm actually watching them and uh, wondering what are they? Doing why? Dean: no. Dan: I'm. I'm wondering why they're doing what they're doing. Yeah, yeah, yeah. And, for example, I never watch the movie when I'm on an airplane, but I notice a lot of people watching the screen. Yeah, so, and you know, if anything, I've got my Kindle and I'm reading my latest novel. Yes, that's basically what I'm doing now, so so, you know, I think we're on a fundamental theme here is that we talk about the constant multiplication of new means to do something. Constant multiplication of new means to do something, but the only value of that is that you've got someone's attention. Yes, and my thing, my thinking, is that google flow will only increase the competition for getting yes, attention, attention that nobody, nobody's getting anyway. Dean: That's exactly right, that's it. And then my next thought is to what end? Dan: Well, they're out competing some other means. Dean: In other words, there's probably an entire industry of creating video content that has just been created, too, based on this new capability. I so I just think, man, these whole, I think that you know, I'm just, I'm just going. Dan: I'm just going ahead a year and we just got on our podcast and it'll be you. It won't be me. Dan did you see what such and such company just brought out? And I'll tell you, no, I didn't. And they say this is the thing that puts the thing I was talking about a year ago completely out of. Dean: Isn't that funny, that's what I'm seeing. It probably was a year ago that we had the conversation about Charlotte. Dan: Well, no, it was about six months ago. I think it was six months ago. Dean: Maybe yeah. Dan: But we were talking about Notebook, we were talking about Google. Dean: Notebook. Dan: I had one of my team members do it for me three or four times and then I found that the two people talking it just wasn't that interesting. It really didn't do it so I stopped't want to be dismissive here and I don't want to be there but what if this new thing actually isn't really new because it hasn't expanded the amount of tension that's available on the planet? Dean: biggest thing you have to, the biggest thing that you have to increase for something to be really new is actually to increase the amount of human attention that there is on the planet, and I don't know how you do that because, right, it seems to be limited yeah, well, I guess I mean you know, one path would be making it so that there it takes less time to do the things that they're spending their time other than it seems to me, the only person who's got a handle on this right now is Donald Trump. Dan: Donald seems to have a greater capacity to get everybody's attention than anyone anyone in my lifetime. Mm-hmm, yeah, he seems to have. Dean: I mean you look at literally like what and the polarizing attention that he gets. Like certainly you'd have to say he doesn't care one way or the other. Dan: He doesn't really care love or love, love or hate. He's kind of got your attention yeah one thing that I'm. He's got Canada's attention yeah. Dean: I mean really. Dan: That and $7 will get you a latte today getting. Canada's attention. Dean: It won't get you an. Americano, but it'll get you a Canadiano, okay. Dan: Yeah, it's so funny because I just I've created a new form and. I do it with perplexity it's called a perplexity search and give you a little background to this. For the last almost 20, 25 years 24, I think it is I've had a discussion group here in Toronto. Dean: It's about a dozen people. Right. Dan: And and every quarter we send in articles and then we create an article book, usually 35, 40 articles, which is really interesting, and it's sort of the articles sort of represent a 90 to 180 day sense of what's going on in the world. You know, you kind of get a sense from the articles what was going on in the world and increasingly, especially since AI came out. I said, you know, these articles aren't very meaty. They don't know it's one person's opinion about something or one person's. You know, they've got it almost like a rant that they put into words about some issues so what I? resorted to is doing perplexity search where, for example, I have one that I've submitted. This was the week when we had to submit our articles and we'll be talking about them in July, the second week of July. So they have to be formatted, they have to be printed. July, so they have to be formatted, they have to be printed, they have to be the book has to be put together and the book has to be sent out. Usually, everybody has about four weeks to read 35 articles. So my articles I have four articles this time and they all took the form, and one of them was 10 reasons why American consumers will always like their gas-fueled cars. Okay, and there were 10 reasons. And then I say, with each of the reasons, give me three bullet point, statistical proof of why this is true. And it comes out to about five pages, and then I have it write an introduction and a conclusion. This is a format that I've created with Propoxy. It takes me about an hour to start, to finish, to do the whole thing, and I read this and I said this is really, really good, this is really good. You know this is very meaty, you know it's got. You know it's just all fact, fact, fact, fact, fact, and it's all put together and it's organized. So I don't know what the response is going to be, because this is the first time I did it, but I'll never get an article from the New York Times or an article from the Wall Street Journal again and submit it, because my research is just incredibly better than their research, you know. And so my sense is that, when it comes to this new AI thing, people who are really good at something are going to get better at something, and that's the only change that's going to take place, and the people who are not good at something are going to become it's going to become more and more revealed of how not good they are. Yeah, yeah, like the schmucks are going to look schmuckier, the schmuckification of America and you can really see this because it's now the passion of the news media in the United States to prove how badly they were taken in by the Biden White House, that basically he, basically he wasn't president for the last four years, for the last four years there were a bunch of aides who had access to the pen, the automatic pen where you could sign things, and now they're in a race of competition how brutally and badly they were taken in by the White House staff during the last four years. But I said, yeah, but you know, nobody was ever seduced who wasn't looking for sex. You were looking to be deceived. Yeah, you know, all you're telling us is what easily bribe-able jerks you actually are right now, and so I think we're. You know. I'm taking this all back to the start of this conversation, where you introduced me to Google Flow. Yeah, and I'll be talking to Mike Koenigs in you know a few days, and I'm sure Mike is on to this and he will have Mike, if there's anybody in our life who will have done something with this. Dean: it's Mike Koenigs that's exactly right. Dan: You're absolutely right. Dean: Yeah. Dan: Mike will have three or four presentations using this. Yes, but the big thing I come down to. What do you have that is worth someone else's attention to pay attention to? Do you have something to communicate? Dean: Do you have something to communicate that? And my sense is it can only be worth their time if it's good for them to pay attention to you for a few minutes. You're exactly right, that is an ability. Do you have the ability to get somebody's attention? Because the capability to create that, content is going to be. Dan: There's's going to be only a few people at the tippy top that have well, that's not going to be the issue that's not going to be the issue that's not going to be the issue, that's the how is taken care of. Yes, that's exactly it. The question is the why? Dean: yes, I put it, you were saying the same thing. I think that that it's the what I just said, the why and the what. Why are we? What? To what end are we doing this? And then, what is it that's going to capture somebody's attention? Uh, for this, and I think that that's yeah, I mean, it's pretty amazing to be able to see this all unfold. Dan: Hmm. Dean: You know, yeah, yeah. But there's always going to be a requirement for thinking about your thinking and the people who think about their thinking. I think that people this is what I see as a big problem is that people are seeing AI as a surrogate for thinking that oh what a relief I don't have to think anymore. Dan: Yeah. Dean: I saw a meme that said your Gen Z doctors are cheating their way through medical school using chat GPT. Probably time to start eating your vegetables, it's probably time to start living healthily. Exactly yes. Dan: It's very interesting. I was interviewed two or three days ago by New Yorker magazine actually. Dean: Really Wow. Dan: Fairly, and it was on longevity. Dean: OK, because you're on the leaderboard right. Dan: The longevity, yeah, and, and they had interviewed Peter Diamandis and they said you ought to talk to Ann Sullivan, nice guy, the interviewer. I said the biggest issue about, first of all, we're up against a barrier that I don't see any progress with, and that is that our cells reproduce about 50 times. That seems to be built in and that most takes us to about 120,. You know, and there's been very few. We only have evidence of one person who got to 120, 121, 122, a woman in France, and she died about 10 years ago. I do think that there can be an increase in the usefulness of 120 years. In other words, I think that I think there's going to be progress in people just deciding well, I got 120 years and I'm going to use them as profitably as I can, and I said that's kind of where I that's kind of where I am right now and, uh, I said, uh, I have this thing called one 56, but the purpose of the one 56 is so that I don't, um, uh, misuse my time right now. Right, that's really, that's really the reason for it. And I said you know, at 81, I'm doing good. I'm as ambitious as I've ever been. I'm as energetically productive as I've ever been. That's pretty good. That's pretty good because when I look around me, I don't see that being true for too many other people and see that being true for too many other people. It was really, really interesting, I said, if we could get half the American population to be more productive from years 60 to 100, a 40-year period. I said it would change the world. It would totally change the world. So I said the question is do you have actually anything to be usefully engaged with once you get to about 60 years old? Do you have something that's even bigger and better than anything you've done before? And I said you know, and my sense is that medicine and science and technology is really supporting you if you're interested in doing that. But whether it's going to extend our lifetime much beyond what's possible right now. I said I don't think we're anywhere near that. Dean: I don't either. Yeah, I think you look at that, but I think you hit it on the head. That of the people who are the centenarians, the people who make it past a hundred. They're typically, they're just hung on. They made it past there but they haven't really had anything productive going on in their life for a long time since 85 years old, very rare to see somebody. Uh, yeah, you know, I mean you think about Charlie Bunger, you know, died at 99. And you look at, norman Lear made it to 101. And George Burns to 100. But you can count on one hand the people who are over 80 that are producing. Yeah, you're in a rare group. Where do you stand on the leaderboard right now? Dan: I was number 12 out of 3,000. That was about four months ago. Dean: That was about four months ago. Dan: I only get the information because David Hasse sends it to me. My numbers were the same. In other words, it's based on your rate of aging. Dean: That's what the number is when I was number one. Dan: the number, was this, and my number is still the same number. And when I was number one, the number was this and my number is still the same number. It just means that I've been out-competed by 11 others, including the person who's paying for the whole thing, brian Johnson. But you know useful information, yeah. Dean: But you know useful information. Dan: Yeah, you know and you know. But the big thing is I'm excited about the next workshop we're doing this quarter. I'm excited about the next book we're writing for this quarter. So so I've always got projects to be excited about. Dean: I love it All righty, I love it Alrighty. Okay, dan, that was a fun discussion. I'll be back next week, me too. I'll see you right here. 1:03:42 - Dan: Yeah, me too. Awesome See you there. Okay, bye, bye,

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iv - The scene comes to an end, not before Lear makes some more fantastical references and Edgar matches him with a famous rhyme. Written and presented by Conor Hanratty

Gain access to Everything Senior Insurance: https://eseniorinsurance.com/On this episode of the Seven Figures or Bust podcast, we dive into what it truly takes to build an 8-figure business. From mindset shifts and leadership to systems, strategy, and sacrifice, we break down the real ingredients behind massive success. If you're aiming to scale big, this episode is a must-listen.Gets Leads from Lead heroes here: https://leadheroes.com/Lear more about getting your own VA with Hire Heroes here: https://app.hireheroes.com/signup?fpr=christian43Join our free private Facebook group for insurance agents: https://www.facebook.com/groups/551409828919739/Welcome to the Christian Brindle channel brought to you by Christian Brindle & Christian Brindle Insurance Services. This channel is here for the sole purpose of bringing training, tips, success stories, and personal development from Christian Brindle. Christian is a published author, hosts the ever popular Everything Medicare Podcast, and made six figures in the Medicare business by the time he was 25 years old.

Nan Z. Da, in her book The Chinese Tragedy of King Lear, finds unsettling parallels between Shakespeare's play and 20th-century China under Mao Zedong. Da, a literature professor at Johns Hopkins University, weaves together personal history and literary analysis to reveal how King Lear reflects—and even anticipates—the emotional and political horrors of authoritarian regimes. From public punishments to desperate displays of flattery, from state paranoia to family betrayal, she shows how Shakespeare's tragedy resonates with the lived experiences of generations shaped by Maoism. She joins us to discuss the story of her family in Mao's China and why Lear may be Shakespeare's most “Chinese” play. Nan Z. Da is an associate professor of English at Johns Hopkins University. Prior to that, she taught for nine years at the University of Notre Dame. She is the author of Intransitive Encounters: Sino-US Literatures and the Limits of Exchange and co-editor of the Thinking Literature series.

Laura is a 23 year old crossdresser  who occasionally hooks up with guys and he called in to talk all about it. Tune in the Lear all the details including his first memories he has of putting on make up and how he felt about it, the first time he saw a c*** and how he was drawn to it, when he started wearing his mom's clothing  and how he felt dressed up, when and why he started watching gay porn and how and why he related to it, when and how he realized he was very into trans women, how and when he went on to Snapchat and started posting pics, his first hook up with a guy when he was fully dressed and exactly what went down, the married guy he met on Grindr and what went down with him, how he met his baby momma and how sex with a woman was for him his first time, how he started wearing her stuff on the dl and how he got caught by her, how he explained himself and how she reacted, the guy he wound up meeting while dressed in a park and exactly what went down plus a whole lot more.  **To see anonymous a pics of LAURA plus anonymous pics of my female guests + get TONS of exclusive CROSSDRESSER and or HOSER episodes and content + gain access to my PRIVATE Discord channel where people get super XX naughty + hear all the anonymous confessions, join my Patreon Crossdresser tier it's only $8 a month for Hosers and $10 a month for crossdressers (you get also get Hoser episodes too!) and you can cancel at any time. You can sign up here: ⁠https://www.patreon.com/StrictlyAnonymousPodcast⁠ MY BOOK IS NOW OUT FOR PRE-ORDER!!!! Strictly Anonymous Confessions: Secret Sex Lives of Total Strangers. A bunch of short, super sexy, TRUE stories. GET YOUR COPY NOW: ⁠https://amzn.to/4i7hBCd⁠ To Join SDC and get a FREE Trial! click here: ⁠https://www.sdc.com/?ref=37712⁠ or go to SDC.com and use my code 37712 Want to be on the show? Email me at ⁠strictlyanonymouspodcast@gmail.com⁠ or go to ⁠http://www.strictlyanonymouspodcast.com⁠ and click on "Be on the Show" Have something quick you want to confess while remaining anonymous? Call the CONFESSIONS hotline at 347-420-3579. You can call 24/7. All voices are changed. Sponsors: ⁠⁠⁠⁠⁠⁠https://viia.co/STRICTLYANON⁠⁠⁠⁠⁠⁠ Try VIIA and use code STRICTLYANON for great SEX and sleep ⁠⁠⁠⁠⁠⁠https://www.dipseastories.com/strictlyanon⁠⁠⁠⁠⁠⁠ Hear the hottest stories on Dipsea and get a 30-day FREE trial PLUS 25% off your subscription ⁠⁠⁠⁠⁠⁠⁠https://butterwellness.com/⁠⁠⁠⁠⁠⁠⁠ For 20% off your Butter Wellness perineum massager use code: STRICTLY ⁠⁠⁠⁠⁠⁠⁠https://bluechew.com⁠⁠⁠⁠⁠⁠⁠ Get your first month of the new Blewchew Max FREE! use code: STRICTLYANON ⁠⁠⁠⁠https://beducate.me/pd2512-anonymous⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code anonymous to get an additional 10% off the campaign's current discount - that's 60% off ⁠⁠⁠⁠⁠⁠⁠https://shamelesscare.sjv.io/xLQ3Jv⁠ ⁠⁠⁠⁠⁠⁠⁠Get $10 off Shameless Care's female viagra cream, just click on the link and use code: Strictly Follow me! Instagram ⁠https://www.instagram.com/strictanonymous/⁠ Twitter ⁠https://twitter.com/strictanonymous?lang=en⁠ Website ⁠http://www.strictlyanonymouspodcast.com/⁠ Everything else ⁠https://linktr.ee/Strictlyanonymouspodcas Learn more about your ad choices. Visit megaphone.fm/adchoices

Chaque jour, retrouvez une histoire drôle racontée par un sociétaire de l'époque de Philippe Bouvard. Jacques Balutin, Jacques Mailhot ou encore Pierre Bellemare, retrouvez toutes leurs blagues en podcast ! Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Mariolina Bertini"La gelosia di Charlus"e altri scritti dai CahiersMariolina BertiniNuova Editrice Bertiwww.nuovaeditriceberti.itA cura di Mariolina BertiniPostfazione di Ezio SinigagliaNota bibliografica di Giuseppe Girimonti GrecoIl personaggio del barone di Charlus, omosessuale elegante e coltissimo, è tra i più riusciti e i più celebri del capolavoro proustiano.È anche uno dei pochi personaggi presenti da un capo all'altro della Ricerca: compare per la prima volta a Combray, quando Marcel bambino si sente da lui osservato con un'attenzione inquietante, e lo vediamo sullo sfondo dei più diversi scenari – nei salotti aristocratici, nella Balbec delle fanciulle in fiore, nella Parigi notturna del 1915 dove è “l'uomo in catene” che si fa flagellare. La sua ultima apparizione è straziante: il dandy orgoglioso si è trasformato in un re Lear canuto, impacciato nei movimenti e nella parola, che prende atto della scomparsa del mondo in cui ha vissuto.Percorrendo i Cahiers proustiani (i 75 quaderni manoscritti nei quali nasce la Ricerca conservati alla Biblioteca Nazionale di Parigi), ci si accorge che nella figura di quest'uomo costretto dalle convenzioni a nascondere la propria vera natura l'autore ha messo molto di sé stesso. I testi raccolti qui, ancora per la gran parte inediti in italiano, permettono di seguire la creazione della figura di Charlus e di coglierne la straordinaria complessità.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iv - Lear is still fascinated by Edgar, while the Fool still watches. Written and presented by Conor Hanratty

Rep Beth Lear joined Bob. They talk about DEI and HB 155.which would prohibit the practice.See omnystudio.com/listener for privacy information.

From immigrating to the U.S. at 15 to scaling operations in 40+ countries, Masha Sutherlin has lived the complexities of global work—and now she's solving them. In this episode, Masha joins us to unpack what it really takes to build people-first systems that scale across borders, currencies, and cultures.We open with Masha's personal story and the operational lessons forged through her leadership at Deel and now the Global Director of Business Operations & People @ RemoFirst—a fast-growing HR tech company enabling global hiring in 185+ countries. She shares what "Freedom of Work" actually means in practice, and why understanding the why behind operations is the ultimate growth unlock.From there, we go macro:How do you balance legal compliance with cohesive culture?What makes a remote leader great in 2025—and what habits hold them back?Why are companies abandoning gig work for full-time global talent?What defines equity when benefits span 10+ countries?What mistakes cost companies millions when hiring abroad—and how to avoid them?Finally, we look ahead:What does the global workforce look like in 2030? And how is RemoFirst betting on that future right now?Whether you're scaling a startup, rethinking remote operations, or guiding global people strategy—this episode will leave you with fresh questions, bold insights, and a clearer path forward.Lear more about RemoFirst here - https://www.remofirst.com/

Join us for an exciting panel discussion on the Chevrolet Detroit Grand Prix presented by Lear! Celebrating its third year back at its original home on the streets of Downtown Detroit, this year's event will take place on the iconic 1.7-mile, nine-turn street circuit that runs along the award-winning Detroit Riverwalk from May 30-June 1, 2025. Since its return to Downtown Detroit in 2023, the Grand Prix has connected communities and generated millions in total spending. The panel will delve into the economic benefits of the Grand Prix for Southeastern Michigan, emphasizing its role in bringing Detroit to an international audience and creating an inclusive experience for fans.  Don't miss this opportunity to learn about the positive impact of hosting NTT INDYCAR SERIES and IMSA WeatherTech SportsCar Championship races in the Motor City and to engage with key figures in the motorsports community.

What really happened on that fateful night in 1955 when a family in Kelly, Kentucky, encountered strange, humanoid creatures? Join host Simon Bown in episode 84 of the Alien UFO Podcast as he uncovers the chilling details of the infamous Kentucky Goblins case, a story that has captivated UFO enthusiasts and paranormal investigators alike. Drawing from Charles Lear's compelling book, The Flying Saucer Investigators, Bown brings to life the harrowing experiences of witnesses, including Benny Ray Taylor, who first reported seeing a silver flying saucer hovering ominously over their farmhouse.As the night unfolds, the tension escalates with multiple sightings of small, metallic aliens, leading to frantic moments filled with fear and gunfire. What drove this family to take such drastic measures? The episode dives deep into the chaos that ensued, revealing how a simple rural setting became the backdrop for high strangeness phenomena that still baffle investigators today. Bown also sheds light on the police investigation that followed, highlighting the challenges faced in gathering concrete evidence of these bizarre occurrences.But this episode is more than just a recounting of an extraordinary event; it serves as a lens through which we can explore the broader implications of UFO sightings and encounters in American folklore. How do these stories shape our understanding of extraterrestrial life? What can they teach us about the history of UFOs and the ongoing discussions within the UFO community? Bown encourages listeners to reflect on these questions as he navigates the complexities of alien visitation theories and the evidence of alien life that continues to elude us.Listeners are invited to delve deeper into Lear's work for more insights into historic UFO cases and the ongoing investigation of extraterrestrial life. If you find yourself intrigued by alien abduction stories, UFO phenomena analysis, or even naval intelligence and UFOs, this episode is a must-listen.Whether you're a seasoned enthusiast or a curious newcomer, episode 84 promises to engage your imagination and spark discussions about the craft beyond human technology and the unexplained encounters that continue to shape our world. Tune in and join the conversation about the supernatural and the mysteries that lie just beyond the stars.BioCHARLES LEAR has many interests, of which UFOs take up more than a little of his time. His main interests in the UFO subject are in the documented history the phenomenon has spawned and the people who investigate it, as this book reflects. Charles' other interests are geology and paleontology and his familiarity with science and its disciplines informs his approach to the UFO subject. Having lived most of his life in New York City, where he made his living as a union stagehand and was involved in other aspects of theatre as a playwright, producer, director and Shakespearean actor, Charles now resides in New York, USA.https://www.amazon.com/dp/B0DYY6M7JH https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastMy book 'Verified Near Death Exeriences' https://www.amazon.com/dp/B0DXKRGDFP

https://www.theransomnote.com/music/premieres/premiere-diamond-haze-the-source-ct-kidobo-remix/ Transboundary Haze II is three heavyweight remixes of Diamond Haze tracks. There once was a Diamond Haze quite sublime, Who danced on the Tapes Sublimating in time, With a Source so profound, That it spun round and round, While the CT Kidobó made a fabulous Remix divine! “Oh, wonderful Source!” cried the Diamond Haze, “Your Remixing skills have me quite in a daze! You sublimate tapes, Into curious shapes, And transform all my nonsense to musical praise!” They traveled to Crumbly-come-Tumble by sea, In a sieve that was leaky as leaky could be, With a spoon for a sail, And a thimble for pail, And a bottle of nothing to drink with their tea. And this is the end of my nonsense today, About Diamond Haze Source in its remixing play, With Tapes Sublimating, And CT Kidobó creating, A rhythmical jumble in Lear's silly way! We're premiering the CT Kidobó rework of The Source. A deep, dark bubbler… let's go. Buy HERE on Tapes Sublimating

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iv - Lear is fascinated by Edgar, while the Fool watches what is happening. Written and presented by Conor Hanratty

Have you ever wondered about the untold stories behind the UFO sightings that have captivated our imaginations for decades? In this riveting episode of the Alien UFO Podcast, host Simon Bown sits down with Charles Lear, author of the enlightening book, "The Flying Saucer Investigators. " Together, they embark on a fascinating journey through the history of UFO investigations and aliens, shedding light on the remarkable individuals and organizations that have shaped our understanding of these mysterious phenomena.Charles Lear dives deep into the world of UFO research, sharing insights that will intrigue both seasoned enthusiasts and newcomers alike. He discusses how he meticulously selected the investigators featured in his book, drawing from historical newsletters and prominent groups like the National Investigations Committee on Aerial Phenomena. This exploration reveals the rich tapestry of the UFO community, highlighting the dedication and passion of those who have committed their lives to investigating alien life.Throughout the episode, you'll hear about notable figures such as Captain Edward Ruppelt and Colonel Robert Friend from Project Blue Book. Lear elaborates on their varying approaches to UFO investigations, providing a nuanced perspective on how different methodologies have influenced the outcomes of historic UFO cases. The conversation also revisits famous incidents like the Kenneth Arnold sighting and the Maury Island incident, uncovering the complexities and controversies that continue to spark debate among UFO enthusiasts.As the discussion unfolds, Lear emphasizes the psychological impact of UFO investigations on researchers and the evolving nature of public interest in these high strangeness phenomena. What drives people to delve into the world of UFO sightings, alien abduction stories, and evidence of alien life? This episode aims to answer that question while exploring the intricate relationship between investigators and their subjects.Join us for an engaging exploration that not only illuminates the history of UFOs but also invites you to reflect on your own perceptions of alien visitation theories and abduction experiences. Whether you're intrigued by naval intelligence and UFOs or simply curious about the latest UFO phenomena analysis, this episode promises to be a treasure trove of insights and discussions. Tune in to the Alien UFO Podcast and discover the stories behind the craft beyond human technology that continue to challenge our understanding of the universe.BioCHARLES LEAR has many interests, of which UFOs take up more than a little of his time. His main interests in the UFO subject are in the documented history the phenomenon has spawned and the people who investigate it, as this book reflects. Charles' other interests are geology and paleontology and his familiarity with science and its disciplines informs his approach to the UFO subject. Having lived most of his life in New York City, where he made his living as a union stagehand and was involved in other aspects of theatre as a playwright, producer, director and Shakespearean actor, Charles now resides in New York, USA.https://www.amazon.com/dp/B0DYY6M7JHhttps://www.pastliveshypnosis.co.uk/ https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastMy book 'Verified Near Death Exeriences' https://www.amazon.com/dp/B0DXKRGDFP

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iv - Edgar appears as Poor Tom, scaring the Fool but fascinating Lear. Written and presented by Conor Hanratty

What's wrong with trying to be a Washington insider these days? How different is nuclear thinking under Trump compared to previous Democratic and Republican presidencies? Is Trump's "golden dome" idea just a grift (yes)? What's the best way to raise public consciousness about the danger of nuclear weapons? And what role could film and pop culture play in building mass support for arms control and nuclear disarmament? Dr. Van Jackson sits down with Emma Claire Foley--an anti-nuclear expert--to discuss her new essay in The Baffler magazine, "Probably Oblivion." Emma Claire's piece in The Baffler: https://thebaffler.com/latest/probably-oblivion-foley Watch The Un-Diplomatic Podcast on YouTube: https://www.youtube.com/@un-diplomaticpodcast Subscribe to the Un-Diplomatic Newsletter: https://www.un-diplomatic.com/ Catch Un-Diplomatic on Twitch: https://www.twitch.tv/undiplomaticpodcast Disclaimer: The views expressed are those of the individuals and not of any institutions.

Kelly is starting a Janets Only Fight Club and there's nothing Leandra (or anyone!) can do to stop her! This minute is all about love and lust and a very small sprinkling of Lear!Questions? Send us an email at rockyhorrorminute@gmail.com and if you are experiencing this podcast on YouTube, make sure you like and subscribe. And hey, that 5-star review on Apple Podcasts ain't gonna write itself

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iv - Kent tries to get Lear to take shelter in the hovel. Lear does some remarkable soul-searching, in his anger and madness. Written and presented by Conor Hanratty

Chaque jour, retrouvez une histoire drôle racontée par un sociétaire de l'époque de Philippe Bouvard. Jacques Balutin, Jacques Mailhot ou encore Pierre Bellemare, retrouvez toutes leurs blagues en podcast ! Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene iIi - Gloucester and Edmund discuss some top-secret news, and the unnatural way Lear's family is treating him. This episode is probably the 400th episode of The Hamlet Podcast! A huge thank you for listening. And do please stay tuned! Written and presented by Conor Hanratty

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene ii - Lear gives in, and the Fool gives us another song - and a prophecy. Written and presented by Conor Hanratty

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene ii - Kent appears, and Lear continues to cry into the storm. Written and presented by Conor Hanratty

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene i - Still out in the storm, Lear rails at the weather while the Fool attempts to suggest that they go back indoors. Written and presented by Conor Hanratty

TODAY ON THE ROBERT SCOTT BELL SHOW: Iowa Vaccine Liability, Shot vs. Vaccine Debate, Big Pharma & Mental Health, Actaea Spicata, RFK Jr. Vaccine Uproar, EMF Health Concerns, 704-No-More! Advocacy, Camilla Rees, Richard Lear, Scott McCollough, Dance Beats Stress, Is Iron Man Republican and MORE! https://robertscottbell.com/iowa-vaccine-liability-shot-vs-vaccine-debate-big-pharma-mental-health-actaea-spicata-rfk-jr-vaccine-uproar-emf-health-concerns-704-no-more-advocacy-camilla-rees-richard-lear-scott-mccol/

Chaque jour, retrouvez une histoire drôle racontée par un sociétaire de l'époque de Philippe Bouvard. Jacques Balutin, Jacques Mailhot ou encore Pierre Bellemare, retrouvez toutes leurs blagues en podcast !