Podcast appearances and mentions of Sarah Treem

ROSS MEYERSON is best known for his work as an award-winning television and film casting director. He won an Emmy for his work on ‘Damages' in 2007 as well as having received seven additional nominations. The short film “Red, White and Blue” his last casting project has been nominated for a 2024 Oscar. He has been nominated sixteen times for CSA's prestigious Artios Award and was fortunate enough to have won twice for ‘Homeland' and ‘Rescue Me'. Other notable shows Ross has cast include ‘The Affair', ‘The Americans'. ‘Nurse Jackie', ‘'Dexter : New Blood', “The Equalizer', ‘The Expanse', 'The Big C', ‘The Following', ‘Seven Seconds', ‘Hunters', ‘In Treatment', ‘Sneaky Pete', ‘True Blood'(pilot) and many others. The list of showrunners, writers and directors he has had the privilege of working with include Alan Ball, David Milch, Denis Leary, Peter Tolan, Paul Feig, Kevin Williamson, Joel Fields, Joe Weisberg, Brett Ratner, Bryan Cranston, George Nolfi, Dan Futterman, Clyde Phillips, Sarah Treem and Veena Sud.  In addition to his work as a casting director Ross has also works producing and developing new works for the screen and stage. He recently produced ‘I'll Be Right There' starring Edie Falco, Bradley Whitford, Michael Rapaport, Charlie Tahan, Michael Beach, Jeanie Berlin and Sepideh Moafi . ‘I'll Be Right There” was selected in the Hampton, Newport, Santa Barbara and Jackson Hole Film Festivals. He will begin shooting his next film, ‘The Yeti” in late January. His next project in development is the feature film ‘Juliet' written by Jen Richards and recently chosen for the GLAAD list and The Black List.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode of Out and About, host Jenn Gordon is joined by Rebekah Dentino and LaCora Holesome to talk about Corn Stock Theatre's production of When We Were Young and Unafraid, a play written by Sarah Treem. In the early 1970s, before Roe v. Wade, before the Violence Against Women Act, Agnes has turned her quiet bed and breakfast into one of the few spots where victims of domestic violence can seek refuge. As the drums of a feminist revolution grow louder outside of Agnes's tiny world, Agnes is forced to confront her own presumptions about the women she's spent her life trying to help. Show dates are March 18, 19, 25, and 26 at 7:30pm and March 20 and 27 at 2:30pm at Corn Stock Theatre Center in Upper Bradley Park. For tickets and more information visit Corn Stock Theatre.

The How and the Why @ The Beverly Hills playhouse is a 7.7 out of 10 - it's Above Average! www.latheatrebites.com Jan 28 - Feb 20, 2022. "Evolution and emotion collide in Sarah Treem's thought-provoking and sharp play about science, family, and survival of the fittest." Taken from the press release.

Alena Smith got her start as a playwright, which she believes “uniquely prepares you for what it takes to be a creator and show runner of a television show.” This background, of being a collaborator and visionary, helped Smith and many of her Yale peers transition to television work. She's known for working on Aaron Sorkin's ‘The Newsroom' and fellow alum Sarah Treem's ‘The Affair.' In her most recent project, she's the creator of Apple TV's ‘Dickinson.' In the Hailee Steinfeld-led series, Smith invites audiences to see an inside look at the world of Emily Dickinson. In this interview, Smith talks about the unique perspectives of ‘The Affair,' how ‘Louie' inspired the style of ‘Dickinson,' her take on a contemporary Emily Dickinson, her unique writer's room for this historical fiction piece, and her recipe for being a prolific writer. If it's your first time listening, make sure to subscribe and visit my new website for information on the YouTube channel, the blog, this podcast, and my new book ‘Ink by the Barrel' which takes advice from these 200+ interviews at the link below… Follow us on Instagram: @creativeprinciples If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

In this episode, Tonje talks to television writer, producer, and playwright Sarah Treem about how the war on aging is incredibly anti-female, the male hero's journey versus the female hero's journey. About falling apart and rebuilding. The freedom in not trying to justify yourself, creative control, and how the most valuable space is the space of the mind and more. Sarah Treem is a television writer, producer, and playwright. Treem is the co-creator and showrunner of the Golden Globe-winning Showtime drama THE AFFAIR. The series received four Golden Globe nominations during its run, including wins for Best Television Drama, Best Actress in a Television Drama, and Best Supporting Actress in a Television Drama. She recently developed a limited series based on the life of actress and inventor Hedy Lamarr for Apple. She is currently adapting Rodham, Curtis Sittenfeld's best-selling novel, into a series with Hulu. Additionally, she is working with Pagan Kennedy and Claire Danes on a project centered around Kennedy's celebrated NYT article about Marty Goddard and the invention of the rape kit. She holds a B.A. from Yale University and an M.F.A from the Yale School of Drama. She currently lives in Los Angeles with her fiancé and two children.

Quick Cap #4: The Affair's Real Life Dual Narratives, Christina Tosi and PFW's first live event! The theme of this episode is “adaptation”. We’re talking about a number of news items involving novels being adapted for the big and small screen and how we personally adapted to do our first Pop Fiction Women live event (at :28) The Affair. We discuss the explosive story around conflicting accounts from show creator Sarah Treem and star Ruth Wilson about whether a toxic work environment existed on set at The Affair. The two articles (linked below) read like an episode of the show with different points of view and the complete lack of an objective truth. (at 1:30) The Woman in The Window Trailer is out. The movie looks creepy and so is A.J. Finn’s sketchy recitation of his personal past. It stars Amy Adams and Julianne Moore, who are amazing, but we’re not sure if they are enough of a draw to get us into the theatre for this one. (At 14:30) Megan Abbott’s TV adaptation of Dare Me is a bonanza of women in front of the camera and behind the scenes. Women are in total control of this story and we are so here for it. (At 18:14) Christina Tosi, the brilliant baker and founder of MilkBar, has us totally inspired, not just by her delicious creations, but more importantly by her hustle, determination and ability to adapt. She is most comfortable when she is uncomfortable and we couldn’t agree more! (At 22:08) Pop Fiction Women had our first live event! Talk about adapting, on very short notice, we hosted a screening of Love Actually at the Wing in NYC. We talked about the movie, the podcast, and most importantly, we survived our first live chat to tell you all about it (31:00) Stay Complicated! Follow us on www.popfictionwomen.com (http://www.popfictionwomen.com) LINKS: Ruth Wilson and The Hollywood Reporter (https://www.hollywoodreporter.com/features/ruth-wilson-left-affair-hostile-environment-nudity-issues-1263553) Sarah Treem on Deadline (https://deadline.com/2019/12/the-affair-sarah-treem-response-ruth-wilson-accusations-1202815490/) Megan Abbott Wants You To Feel Everything (https://www.marieclaire.com/culture/a30213729/megan-abbott-dare-me/) Christina Tosi Uses Her Whole Brain https://www.christinatosi.com/ (https://www.christinatosi.com/) https://open.spotify.com/episode/0ih8KMhitDGfb2Pog1kOtU (https://open.spotify.com/episode/0ih8KMhitDGfb2Pog1kOtU)

It’s the final episode of the year and the decade and we go into the mailbag where there have been several requests to unpack all the drama that went on behind the scenes on The Affair between Ruth Wilson, showrunner Sarah Treem, and Showtime. You also wrote to us about JLo, Scarjo, book recommendations about work, a suggestion about Gabrielle Union and The Morning Show, and, of course, Ryanair! Each week Duana and Lainey deep dive into work behind the gossip, the shows, the scripts, and the screenplays. From casting decisions to image management to the process of putting an idea onto the stage or the big screen, Show Your Work is a film or theatre geek's essential weekly listen. Tune in weekly and let us know your thoughts at @laineygossip and @duanaelise on Twitter. See acast.com/privacy for privacy and opt-out information.

Demorou, mas o NERVOS Entrevista #14 chegou com uma edição pra lá de especial do nosso podcast, destacando duas estreias desta semana: a produção cubana-canadense O Tradutor (2018) e a nacional Bio – Construindo uma Vida (2017), dois filmes que entraram no circuito comercial nesta quinta (4). O primeiro é estrelado pelo ator brasileiro Rodrigo Santoro, que interpreta o protagonista do longa, livremente inspirado na história do próprio pai dos diretores Rodrigo e Sebastián Barriuso, um professor de literatura russa em Havana, que foi designado para servir de intérprete entre os médicos e as crianças vítimas do acidente nuclear de Chernobil, levados para serem tratados em um hospital de Cuba. O segundo vem lá do Rio Grande do Sul, com a assinatura do cineasta Carlos Gerbase na ficção estruturada como um documentário que reconta a biografia de um cientista que o público não vê e só conhece através dos depoimentos de outros personagens, “recolhidos” na época dos acontecimentos. Em entrevista à nossa editora Nayara Reynaud, Santoro contou sobre os desafios na construção de seu personagem, tendo de atuar em espanhol e russo, enquanto os irmãos Barriuso falaram do processo de ficcionalizar o passado de sua família. Logo depois da conversa sobre O Tradutor, tem o bate-papo com o gaúcho Gerbase sobre a concepção do roteiro de Bio e seu trabalho na direção de atores, entre outros assuntos, que você pode conferir neste 14º episódio do nosso podcast. Ouça no lugar que você quiser: SoundCloud | Spotify | Deezer | iTunes | Google Podcasts | Feed | Download > 6s: Introdução > 1min56s: Entrevista com o ator Rodrigo Santoro sobre O Tradutor > 9min: Entrevista com os diretores Rodrigo e Sebastián Barriuso sobre O Tradutor > 16min: Conexões Nervosas – O Tradutor > 19min46s: Entrevista com o cineasta Carlos Gerbase sobre Bio > 26min46s: Conexões Nervosas – Bio > 28min08s: Encerramento Conexões Nervosas > Sebastián Barriuso: os filmes italianos A Vida É Bela (1997), de Roberto Benigni, e Cinema Paradiso (1988), de Giuseppe Tornatore > Rodrigo Santoro: o longa libanês indicado ao último Oscar, o drama Cafarnaum (2018), da diretora Nadine Labaki > Carlos Gerbase: as filmografias do documentarista brasileiro Eduardo Coutinho e do cineasta norte-americano David Lynch, além da série The Affair (2014-), criada por Sarah Treem e Hagai Levi *Músicas presentes no podcast (sob licença Creative Commons): “Content”, de Lee Rosevere; “Blind Love Dub”, de Jeris; e “Reusenoise_(DNB_Mix)”, de SpinningMerkaba

Aenigma Theatre's Tanya Mathivanan, director of "The How and The Why" by Sarah Treem

ATX Correspondent Emily Moss Wilson sits down with The Affair creator Sarah Treem, producer Jessica Rhoades, and lead actress Maura Tierney in this exclusive bonus ep, recorded live in the Hulu Lounge at ATX Season 7! Listen in for an insider look at the show's origin, and what lies ahead for your favorites in Season 4.To hear the full Q&A from our ATX Season 7 screening, head over to Variety's TV podcast, Remote Controlled (hosted by moderator Debra Birnbaum)!Tune in Sundays at 9/8c on Showtime for new episodes of The Affair, or catch up on past seasons now on Showtime Anytime and Hulu!ATX Season 8 | June 6-9, 2019 | atxfestival.comVisit atvxp.com for more TV Camp goodness and audio from ATX!-----Get 20% off your new favorite pair of jeans @ DSTLD.com with promo code: TVCAMPFIRE

"The Affair" star Maura Tierney and executive producers Sarah Treem and Jessica Rhoades discuss the fourth season, LA vs NY, and the series finale. This conversation was recorded live at the ATX Television Festival in Austin, TX. For information on how to attend next year’s festival (June 6-9, 2019), please visit: atxfestival.com. To hear a bonus interview about The Affair from the festival, subscribe to THE TV CAMPFIRE wherever you get your podcasts, or visit ATVXP.com to hear/watch more panels, Q&As, and conversations from ATX!

After coming from the world of theater, Sarah Treem began her career in television writing for the hit show "In Treatment". Then, after spending time on the Netflix juggernaut "House of Cards", Sarah got her own show after creating "The Affair". Of course, Sarah had her share of struggles as well. In this episode, Sarah shares about her triumphs and failures, and offers great advice to young writers. Give to Sarah's charity: http://btb.lausd.net/Information/Donate Follow us on twitter: @sarahtreem @eden_eats @theguydf @failinguppod

"The Affair" showrunner Sarah Treem on what's ahead for season 3, who stabbed Noah, the series finale in Paris, and her plans for season 4.

"Get comfortable with people hating you," Sarah Treem, who created THE AFFAIR, which is in the midst of its third season on SHOWTIME, says about what it takes to be a boss. Her keen awareness about the messiness of real life is palpable in this epic series. Of course, it helps having actors like Dominic West , Maura Tierney, Joshua Jackson, and Ruth Wilson depict what the cost of prison, murder, infidelity, children, death, mental illness play on even the strongest relationships. This season continues to shed light on how people use, abuse, and find refuge in sex, lust, and love, but also delves into what it takes to live with baggage and the limits of resilience. Everyone and every relationship has a breaking point, and this season looks at what role mental illness, custody battles, prison, infidelity, children, death of parents, work play. In our interview Treem unveils what happens behind the curtain. She outlines what it takes to sell stories in Hollywood, and, once you do, the glory and challenges...

Diese Woche mit Sex auf der Couch, einem unangenehmen Abendessen und einem Ausflug in den Wald, auf den Spuren von Pete, dem Wolfshund. Olaf und Marcus diskutieren die schönsten Unterwasseraufnahmen und Metaphern der Woche. Schnitt: Marcus Kirzynowski. Intro/Outro: Jens Prausnitz. Link-Tipp: Serienschöpferin Sarah Treem über die Folge

SCREEPLAY 16 - CEUX DE 14 Présenté par Ursula Michel & Christophe Brico Invités : Claire Tirilly Alexandre Letren Jean-Baptiste Accili Fred Teper THEMA : SPECIAL NOEL Séries : Friends : "The One with the Christmas Armadillo" The O.C. / Newport Beach : "Best Christmukkah ever" Taxi : "A fullhouse for Christmas" Quantum leap / Code Quantum : "A little miracle" Happy Days : "Guess who's coming for Christmas" Community : "Abed's uncontrollable Christmas" Films : "Le Père Noël est une ordure" (Jean-Marie Poiré - 1982) "It's a wonderful life" (Franck Capra - 1946) "Noel chez les Muppets" / "A Muppet's Christmas Carol" (Brian Henson - 1992) "Love Actually" (Richard Curtis - 2003) "Un Ticket pour deux" / "Planes, trains & automobiles" (John Hughes - 1987) "Ghostbusters" / "S.O.S.Fantômes" (Ivan Reitman - 1984) MAGAZINE : BEST OF 2014 Séries : "The Knick" (Steven Soderbergh - CINEMAX) "Outlander" (Andy Harries & Ronald D. Moore - STARZ) "Sons of Anarchy" (Kurt Sutter - FX - 2008) "Lazy Company" (Samuel Bodin & Alexandre Philip - OCS - 2012) "The Affair" (Sarah Treem & Hagai Levi - SHOWTIME) "The Leftovers" (Damon Lindelof & Tom Perrotta - HBO) Films : "Under the skin" (Jonathan Glazer) "Gone Girl" (David Fincher) "Mea Culpa" (Fred Cavayé) "Rosemary's baby" (Roman Polanski - 1968) "Whiplash" (Damien Chazelle) "Le Hobbit: La Bataille des 5 armées" (Peter Jackson) Vous pouvez nous retrouver sur : www.season1.fr www.facebook.com/screenplaypod Pour les Tweetos : @ChristopheBrico Et les contacts de nos invités sont indiqués dans l'émission.

Sarah Treem on co-creating The Affair, and subverting female archetypes.

Cherry Jones, who won acclaim for her portrayal of Amanda Wingfield in The Glass Menagerie on Broadway this past fall, has made a quick return to the New York stage. She’s starring in a new play, When We Were Young and Unafraid, by Sarah Treem, a writer for the Netflix series "House Of Cards." When We Were Young and Unafraid explores feminist themes, forcing the audience’s perspective by setting the story in 1972, the year before the Supreme Court ruled in Roe v. Wade. Jones plays a woman who runs a bed-and-breakfast as the cover for an ad-hoc shelter for battered women. New York Times theater critic Charles Isherwood considers the converging characters and plotlines in this Manhattan Theatre Club production, directed by Pam McKinnon. Performances continue through Aug. 10 at New York City Center Stage 1.