Podcast appearances and mentions of Megan Abbott

Megan Abbott is the bestselling award-winning author of eleven novels. Her writing has appeared in The New York Times, The Wall Street Journal, the Los Angeles Times Magazine, The Guardian, and The Believer. Her novel, The Turnout, was a New York Times bestseller, a #ReadWithJenna Book Club Pick, and a Los Angeles Times Book Prize winner. It also earned her finalist recognitions for the International Thriller Writers Award, the Joyce Carol Oates Prize, and has also been optioned for TV by the producer of Sharp Objects. Dare Me was featured multiple times in the NYT's 10 Best Books of the 21st Century piece. Television rights to El Dorado Drive were recently optioned by A24 (Euphoria, Beef) with Abbott attached to write. In addition, she is the co-creator and executive producer of USA's adaptation of Dare Me and was a staff writer on HBO's David Simon show The Deuce. Abbott lives in New York City. Killer Women is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #meganabbott #putnam

A deliciously queer romcommy episode is here! Author Susie Dumond returns to chat with us about the 2025 remake of the film The Wedding Banquet in all of its low-key chaotic glory. Then we interview Susie about her brand new novel, Bed and Breakup (available TODAY, June 24th, wherever you get books!). Drop back in on July 8th for our next Bookpisode on El Dorado Drive by Megan Abbott. Then we've got another returning guest, Janet Dale, and a brand new guest, Allison Renner, joining us on July 22nd to talk about Baz Luhrmann's The Great Gatsby and their new co-authored book of flash fiction and found poetry, Green Light: A Gatsby Cycle! Want more BSG? Well you can at least get a monthly email of BSG pet pics by supporting us on Patreon for just $3 a month!  TOC::30– Welcome to Susie! And icebreaker8:52–Movie intro16:00– Let's talk about the decisions these characters make27:00–Is this movie successful in recontextualizing this type of story?33:37–Mommy corner46:44– Interview with the wonderful Susie Dumond! About Bed and Breakup, her new book!1:17:00– What's up next? Links:Go find Susie!: https://susiedumond.com/ https://www.instagram.com/susiedoom/?hl=en 

Megan Abbott: gimlet (2 1/2 ounces gin, 1/2 ounce lime juice, dash simple syrup, garnish with lime wheel)Megan names Detroit's best quality, shares her love and analysis of the hard boiled crime fiction of Raymond Chandler and Dashiell Hammett, discusses the differences between writing for film and writing a novel, describes her first encounter with novelist James Ellroy, reveals her fandom of Dateline and Keith Morrison, and hints at some upcoming projects.

El Dorado Drive by Megan Abbott is a twisty story of friendship, love and betrayal. Megan joins us to talk sisterhood, suspense, Real Housewives, MLMs, money and more with guest host Brenda Allison. This episode of Poured Over was hosted by Brenda Allison and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): El Dorado Drive by Megan Abbott

It's time for Part 2 of our 2025 reading preview! We invited some friends of the pod to chat about the books they're most excited to pick up this year!    Lauren Puckett-Pope's Picks - Katabasis by R. F. Kuang (Out August 26), Bury Our Bones in the Midnight Soil by V. E. Schwab   Kristen L. Berry's Picks - Greenwich by Kate Broad (Out July 22), It's Different This Time by Joss Richard (Out September 30). Her Novel, We Don't Talk about Carol is out now!   Morgan Pager's Picks - My Train Leaves at Three by Natalie Guerrero (Out July 15), Along Came Amor by Alexis Daria. Her Book The Art of Vanishing is out July 1!   Clémence Michallon's Picks - El Dorado Drive by Megan Abbott, Kill Your Darlings by Peter Swanson. Her Book Our Last Resort is out July 8!    Nnenna Odeluga's Picks - Plus Size Player by Danielle Allen, The Wilderness by Angela Flournoy (Out September 16)   Becca's Picks - Park Avenue by Renée Ahdieh, The Academy by Elin Hilderbrand and Shelby Cunningham (Out September 2)    Olivia's Picks - What Kind of Paradise by Janelle Brown, The Compound by Aisling Rawle (Out June 24)   Obsessions Olivia - Her Paper Palace Playlist Becca - Seen Scalp Restore Serum   What we read this week Becca - It's A Love Story by Annabel Monaghan Olivia - We Don't Talk About Carol by Kristen L. Berry   June Book Club Pick - All the Other Mothers Hate Me by Sarah Harman July Book Club Pick - Atmosphere by Taylor Jenkins Reid  Have thoughts about these books you want to share? Call in at 843-405-3157 or email us a voice memo at badonpaperpodcast@gmail.com)   Sponsors Wayfair - Head to Wayfair.com to shop a huge outdoor selection. Better Help - Get 10% off their first month at BetterHelp.com/BADONPAPER.  Cozy Earth - Go to cozyearth.com and use code BOP for 40% Off.    Join our Facebook group for amazing book recs & more!  Buy our Merch! Join our Geneva! Order Olivia's Book, Such a Bad Influence! Subscribe to Olivia's Newsletter! Order Becca's Book, The Christmas Orphans Club! Subscribe to Becca's Newsletter!  Follow us on Instagram @badonpaperpodcast. Follow Olivia on Instagram @oliviamuenter and Becca @beccamfreeman.  

From the New York Times bestselling author of The Turnout comes a simmering, atmospheric novel of friendship and betrayal, following a women-led pyramid scheme in suburban Detroit."Abbott is a superstar of the suspense genre." —NPRAll I want is to be innocent again. But that's not how it works. Especially not after the Wheel.The three Bishop sisters grew up in privilege in the moneyed suburbs of Detroit. But as the auto industry declined, so did their fortunes. Harper, the youngest, is barely making ends meet when her beloved, charismatic sister Pam—currently in the middle of a contentious battle with her ex-husband—and her eldest sister, Debra, approach her about joining an exciting new club.The Wheel offers women like themselves—middle-aged and of declining means—a way to make their own money, independent of husbands or families. Quickly, however, the Wheel's success, and their own addiction to it, leads to greater and greater risks—and a crime so shocking it threatens to bring everything down with it.Megan Abbott turns her keen eye toward women and money in El Dorado Drive, a riveting story about power, vulnerability, and how desperation draws out our most destructive impulses.Support this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

It's time to read with (?) Jenna again! Join us for a discussion of The Dream Hotel by Laila Lalami. We talk about surveillance, the unfortunate parallels to our present moment, the novel's structure, the characters, and of course, Jenna Bush Hagar and her book club antics. Then we dig into some listener feedback and chat about what's up next! Watch The Wedding Banquet and tune in on June 24th for our next Othersode featuring Susie Dumond, author of Bed and Breakup! Then read along with us for our next Bookpisode on Megan Abbott's new novel, El Dorado Drive, on July 8th! Check out our Patreon and consider supporting your fav indie pod for just $3 a month!TOC:30 – Hello! And Icebreaker10:20 – Book intro12:00 – So, this is prison, right? Data tracking and surveillance18:50 – Dreams and old fears27:02 – Jenna Reads (maybe)34:59 – Pacing… and more Jenna51:10 – Ratings54:20 – Feedback about Hum (spoiler warning)58:45 – What's up next?

“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I always say to young writers, you need to put your heart on the page. Don't worry about being like anyone else. I would say that foremost, in any of the arts, it is self-expression at its core. I don't buy rules or a set criteria or a static criteria. I don't believe in any of that. I think the most exciting talents are kind of inexplicable. You can't really understand why that art works. It just does, and that feels like it comes from a very pure place.I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think that it all goes back to childhood. I've always really been writing about family. I suppose we always are. I do think that it is the original wound, and it's where we are kind of wired and built from those early years. So I think every other relationship just replicates that. It's very natural for me to go there, I suppose because the feelings are most intense there. We just keep recycling these relationships and dynamics over and over again—until maybe someday we can catch ourselves and try to break the bad patterns. It feels the most visceral and real to me, always. You're always looking for that in writing. You want everything to be at this peak intensity, or at least I do. That seems the most natural place to start.I've thought about that a lot while writing the book. We really are in the age of the grifter, as they keep saying. In some ways, it's the most deeply American type, the hustler of American aspiration. And money, I think that was hovering in my head when I wrote the book. How women persuade and convince one another of things feels particularly complex to me. I think there are so many layers to female relationships. That was really interesting to me to pursue because, in some ways, it's much more veiled and complex. So I tend to write about groups of women a lot, regardless of the field, but particularly the way they communicate or don't communicate, or communicate without words to one another, is an ongoing fascination of mine.”Megan Abbott is the Edgar award-winning author of twelve crime novels, including Beware the Woman, You Will Know Me, Give Me Your Hand, and the New York Times bestseller The Turnout, the winner of the Los Angeles Times Book Prize. She received her Ph.D. in English and American literature from New York University, and her writing has appeared in the New York Times, the Guardian, the Paris Review and the Wall Street Journal. Dare Me, the series she adapted from her own novel, now streaming on Netflix. Her latest novel, El Dorado Drive, is available June 24, 2025.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button.   This week we have Sam Miller, manager at Carmichael's Bookstore in Louisville, with us to chat about books readers might want to consider for their summer reading. It is always fun to hear what is new and notable from Sam.    This is our last episode of the season.  We will be back in July after our summer hiatus with all new episodes. Happy Reading!   Books Mentioned in this Episode:   1- The Sweet Life in Paris by David Lebowitz   2- Northern Spy by Flynn Berry   3- Big Girl Small Town by Michelle Gallen   4- Factory Girls by Michelle Gallen   5- Cat's People by Tanya Guerrero   6- The View from Lake Como by Adriana Trigiani   7- Big Stone Gap by Adriana Trigiani   8- Atmosphere by Taylor Jenkins Reid   9- Beautiful Ruins by Jess Walter   10- So Far Gone by Jess Walter   11- A Language of Limbs by Dylin Hardcastle   12- A Lesser Light by Peter Geye   13- Murder Takes a Vacation by Laura Lippmann   14- El Dorado Drive by Megan Abbott   15- Big Bad Wool by Leonie Swann   16- Three Bags Full by Leonie Swann   17- First Gentleman by Bill Clinton and James Patterson   18- King of Ashes by SA Cosby   19- Bury Our Bones in the Midnight Soil by VE Schwab   20- Katabasis by RF Kuang   21- Country Under Heaven by Frederic Durbin   22- A Witch's Guide to Magical Innkeeping by Sangu Mandanna   23- Isabella Nag and the Pot of Basil by Oliver Darkshire   24- The Magician of Tiger Castle by Louis Sachar   25- Baldwin: A Love Story by Nicholas Boggs   26- Plato and the Tyrant by James Romm   27- Turning to Birds by Lili Taylor   28- Is A River Alive? by Robert McFarlane   29- Mark Twain by Ron Chernow   30- Charlottesville by Deborah Baker   31- Prairie Fires by Caroline Fraser   32- Murderland: Crime and Bloodlust in the Time of Serial Killers by Caroline Fraser   33- Fulfillment by Lee Cole   34- If You Love It, Let it Kill You by Hannah Pittard   35- The Fire Concerto by Sarah Landenwich   36- Black Cohosh by Eagle Valiant Brosi   37- Big Swiss by Jen Beagin   38- I Am the Arrow: The Life and Art of Sylvia Plath in Six Poems by Sarah Ruden   39- Red Comet by Heather Clark   40- Bad Badger : A Love Story by Maryrose Wood   Media mentioned--   1- Derry Girls (Netflix, 2018-2022)   2- Christoph Waltz on Jimmy Fallon --https://www.youtube.com/watch?v=F0jr-HQeT74   3- Floyd Collins Broadway show--https://floydcollinsbroadway.com  

Get ready to load your summer totes with compelling reads, both new and old! We're sharing our anticipated summer releases on today's episode, carefully curated from a long list of captivating titles to shake up your TBR. As always, we've included some perfectly paired backlist favorites to enjoy while you wait for the buzzy new books.  Today, we explore an exciting mix of poignant literary fiction, immersive historical narratives, richly layered contemporary stories, and even a touch of magical realism to spark your imagination. You'll find everything from heartfelt memoirs threaded with nostalgia to sharp, insightful critiques of today's world, alongside enchanting tales perfect for reading all season long.  This is our final season with Novel Pairings, but we are saving all of our episodes right here for you to return to, plus we're opening a shop for our exclusive classes and recap series. Stay tuned. To learn when our shop opens up and to get all new announcements, make sure you are following @novelpairingspod on Instagram and subscribed to novelpairings.substack.com. Find us individually and continue to read with each of us here: Chelsey – IG: @chelseyreads | Substack: chelsey.substack.com Sara – IG: @fictionmatters | Substack: fictionmatters.substack.com   Books Mentioned Great Big Beautiful Life by Emily Henry  Heart, Be at Peace by Donal Ryan (5/20) The Queen of Dirt Island by Donal Ryan  Dubliners by James Joyce I'll Tell You When I'm Home by Hala Alyan (6/3) Disoriental by Négar Djavadi  Atmosphere by Taylor Jenkins Reid Challenger by Adam Higginbotham  The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid  Malibu Rising by Taylor Jenkins Reid Daisy Jones & the Six by Taylor Jenkins Reid The Listeners by Maggie Stiefvater (6/3) The Remains of the Day by Kazuo Ishiguro Skipshock by Caroline O'Donoghue (6/3) A Darker Shade of Magic by VE Schwab The Möbius Book by Catherine Lacey (6/17) Audition by Katie Kitamura Liars by Sarah Mangusso The Tiny Things are Heavier by Esther Ifesinachi Okonkwo (6/24) Transcendent Kingdom by Yaa Gyasi El Dorado Drive by Megan Abbott (6/24) Katabasis by R.F. Kuang (8/26) Poppy War Trilogy by R.F. Kuang  Babel by R.F. Kuang  Yellowface by R.F. Kuang  The Inferno by Dante Alighieri The Odyssey by Homer The Austin Affair by Madeline Bell Northanger Abbey by Jane Austen Minor Black Figures by Brandon Taylor On Beauty by Zadie Smith Heart the Lover by Lilly King The Rachel Incident by Caroline O'Donoghue The Unveiling by Quan Berry Endurance by Alfred Lansing   Also Mentioned Paperback Summer Reading Guide  Libro FM The Irishification of Pop Culture (The Culture Study Podcast) LuLaRich Documentary  

And now for something completely different... featuring one of past guests & fellow authors Ace Atkins, Megan Abbott, & William Boyle's dearest friends. The first half of this week's episode with Oxford, Mississippi based ADVENTURE TIME & SPONGEBOB SQUAREPANTS screenwriter, voice actor, & author Jack Pendarvis is a freewheeling anything goes conversation about writing, shovels, William Faulkner cosplay, hitchhiking with butter knives, Saint Augustine, showers, & anything else that popped into our heads. Taking a look at two films about the creative process in the more classically Watch With Jen formatted second half of this discussion, we investigate two of Jack's favorite movies in director Anthony Mann's classic musical biopic THE GLENN MILLER STORY & one of Pedro Almodovar's greatest masterworks, PAIN AND GLORY. This season, I'm aiming to sprinkle in some more casual conversations with artists of all backgrounds into our traditional friendly analytic approach because right now, it feels like we're all so isolated, stressed, & wary that I'm hoping these occasional offbeat episodes might spark a little joy, discovery, & creativity for you along the way as well.Originally Posted on Patreon (4/7/25) here: https://www.patreon.com/posts/126066237Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Brilliant DARE ME, THE TURNOUT, & BEWARE THE WOMAN author & Criterion Collection cinephile Megan Abbott returns once again to Watch With Jen for a thoughtful, well-researched, & intriguing conversation about one of twentieth century cinema's most misunderstood and beloved screen icons, Doris Day. Investigating the subversive ways that Day's work raised questions about the evolving attitudes regarding sex, gender, desire, courtship, marriage, & male-female dynamics in particular, we walk you through 6 films in her diverse filmography, including CALAMITY JANE, LOVE ME OR LEAVE ME, THE PAJAMA GAME, PILLOW TALK, MIDNIGHT LACE, & THAT TOUCH OF MINK. Along the way, we cite other favorite pictures in her prolific oeuvre, reference aspects of her offscreen life that may have impacted or enriched certain performances, & also give listeners a sneak preview of Abbott's upcoming new novel EL DORADO DRIVE, that's soon to be a TV series from A24 (written by the author as well!).Originally Posted on Patreon (3/31/25) here: https://www.patreon.com/posts/125457268 Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Henning, Peter www.deutschlandfunk.de, Büchermarkt

Hueck, Carsten www.deutschlandfunk.de, Büchermarkt

Gohlis, Tobias www.deutschlandfunkkultur.de, Studio 9

We are back and joined by crime fiction and television writer Megan Abbott with a Substantive Cinema show on one of Martin Scorsese and Paul Schrader's most underrated films, Bringing Out the Dead! ⁠Substantive Cinema Episode List Shoutouts: Between the Temples Virtue I Like Movies Follow Megan Instagram Twitter BlueSky Website Follow Us ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠Twitter⁠⁠⁠ ⁠⁠⁠Philip's Letterboxd⁠⁠⁠ Share Your Questions/Suggestions/Feedback With Us: Email: thesubstancepod@gmail.com DM on Instagram Support Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod

Hello, and welcome to the wrap party.After two years and 100 episodes we're taking a look back at A Very Good Year with highlights from some of our favorite guests. In this episode we're going way back to the 20s & 30s, we're getting into silents, talkies, and the transition. We cover the big names everyone knows and get into some hidden gems that have been buried deep in the vault. "He Who Gets Slapped", anyone? This episode features our very first guest, Alex Winter, and a murderers row of great film minds including Dana Stevens, Sarah Bea Milner, Megan Abbott, Jessica Pickens, Monica Castillo, Marya Gates, Catherine Stebbins and the king, Leonard Maltin.Thank you for listening! For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

“The better book, the better movie and the better Lector”, said the great award-winning author Megan Abbott, who had to be a part of MINHUNTER.Megan AbbottNYT-bestselling author of BEWARE THE WOMAN, THE TURNOUT, GIVE ME YOUR HAND, YOU WILL KNOW ME, THE FEVER, etc. Co-creator/showrunner: DARE ME on @netflixLinks: TwitterJoin our Patreon for as little as $1 a month for an exclusive weekly podcast + access to the OHM discord here.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON: ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

            The noted author and teacher, Joseph B. Atkins, is a veteran writer and professor emeritus of journalism at the University of Mississippi.             Joe's latest book, Harry Dean Stanton: Hollywood's Zen Rebel, won the Bronze Award for biography from the Independent Publisher Book Awards in 2021.             Regarding Joe's novel, Casey's Last Chance, Edgar Award-winning author Megan Abbott called it, “…pitch-perfect vintage noir.”             Among his other notable works, Joe authored the nonfiction Covering for the Bosses: Labor and the Southern Press. And his novella, Crossed Roads, was a finalist in the Pirate's Alley Faulkner Awards in New Orleans. Joe also edited and contributed to the short story collection Mojo Rising: Contemporary Writers, Vol. II.             His articles and short stories have appeared in The Oxford American, Noir City, Alfred Hitchcock Mystery Magazine, USA Today, Baltimore Sun, In These Times, Atlanta Journal-Constitution, and the Guadalajara Reporter.             Joe's feature film screenplay, Memphis Tango, was a finalist in the 2021 Final Draft Screenplay Competition and Toronto and Vancouver independent film festivals.       He served as a congressional correspondent for Gannett News Service in Washington, D.C. and worked for several newspapers across the U.S. South. I've read both Harry Dean Stanton: Hollywood's Zen Rebel and Casey's Last Chance and can tell you that Joe has remarkable range. His book on Harry Dean Stanton is a fascinating, in-depth look at one of the most beloved yet unsung actors Hollywood has ever produced. And Casey's Last Chance is a ripping, action-filled, page-turner. I highly recommend both books to you.

SLEEPING MURDER & A MURDER IS ANNOUNCED by Agatha Christie / THE TURNOUT by Megan Abbott   Miss Marple has entered the chat! This week our valiant hosts cover not one - but two! - Agatha Christie mysteries, SLEEPING MURDER and A MURDER IS ANNOUNCED. Will they solve the crime before the murderer strikes again?? And - if that wasn't enough intrigue for you - Bailey read a twisty thriller of her own, Megan Abbott's THE TURNOUT. There's also an unhealthy amount of love for a certain non-fiction book, a bizarro game, and Andrew is... a bit of a butthead about ballet.  

Hartl, Sonja www.deutschlandfunkkultur.de, Studio 9

Brenna and Joe kick off "the kids aren't alright" summer with Megan Abbott's 2012 novel Dare Me and its 2019 TV adaptation. C/W: implied sexual assault and disordered eating.We're talking sociopathic girls, awful parents, and red hold blooded cheerleading in a pair of texts that may just feature the most unlikeable protagonists we've ever covered.Plus: backstories galore, celebrating Willa Fitzgerald and Marlo Kelly, endless musical montages and ponderous voice over, and the dark side of female friendships.Wanna connect with the show? Follow us on Twitter, Instagram and BlueSky @HKHSPod or use the hashtag #HKHSPod:> Brenna: @brennacgray (BlueSky/Instagram)> Joe: @bstolemyremote (Twitter/Instagram) or @joelipsett (BlueSky)Have a mail bag question? Email us at hkhspod@gmail.com Theme music: Ben Fox "Think About the Lights" Hosted on Acast. See acast.com/privacy for more information.

In a special edition guest presenter SCOTT BLACKBURN chats to HENRY WISE about his debut novel HOLY CITY*, MFA programmes, writing-working-family, begin with a million words. Available 6/4 in USA.HOLY CITY After a decade of exile precipitated by the tragic death of his mother, Will Seems returns home from Richmond to rural Southern Virginia, taking a job as deputy sheriff in a landscape given way to crime and defeat. Impoverished and abandoned, this remote land of tobacco plantations, razed forests, and boarded-up homes seems stuck in the past in a state that is trying to forget its complex history and move on.Will's efforts to go about his life are wrecked when a mysterious, brutal homicide claims the life of an old friend, Tom Janders, forcing Will to face the true impetus for his return: not to honor his mother's memory, but to pay a debt to a Black friend who, in an act of selfless courage years ago, protected Will and suffered permanent disfigurement for it.Meanwhile, a man Will knows to be innocent is arrested for Tom's murder, and despite Will's pleas, his boss seems all too content to wrap up the case and move on. Will must weigh his personal guilt against his public duty when the local Black community hires Bennico Watts, an unpredictable private detective from Richmond, to help him find the real killer. It would seem an ideal pairing--she has experience, along with plenty of sand, and Will is privy to the details of the case--but it doesn't take long for either to realize they much prefer to operate alone.Bennico and Will clash as they each defend their untraditional ways on a wild ride that wends deep into the Snakefoot, an underworld wilderness that for hundreds of years has functioned as a hideout for outcasts--the forgotten and neglected and abused--leaving us enmeshed in the tangled history of a region and its people that leaves no one innocent, no one free, nothing sacred.Henry Wise is a graduate of the Virginia Military Institute and the University of Mississippi MFA program. A writer across multiple genres, his poetry has been published in Shenandoah, Radar Poetry, Clackamas, Nixes Mate Review, and elsewhere. His nonfiction and photography have appeared in Southern Cultures. Holy City is his first novel.Scott Blackburn is an English instructor and a 2017 graduate of the Mountainview MFA program. He lives in High Point, North Carolina with his wife and two children. When he is not writing and teaching, Scott enjoys training in combat sports such as boxing, Muay Thai, and Ju-jitsu, in which he holds a black belt.Recommendations Ted Flanagan, Polly Stewart, Eryk Pruitt, James A McLaughlin, Chris Offutt, Eli Cranor, Megan Abbott, SA Cosby.Wesley Browne They All Fall the SameRichard Price Lush Life William Faulkner SanctuaryJoseph Conrad Lord Jim*Amazon linkPaul Burke writes for Monocle Magazine, Crime Time, Crime Fiction Lover anProduced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023CWA Daggers 2023& Newcastle Noir 20232024 Slaughterfest, National Crime Reading Month, CWA Daggers

In this special bonus episode of ZODIAC: CHRONICLE, I talk to the NYT-bestselling author of BEWARE THE WOMAN, THE TURNOUT, GIVE ME YOUR HAND, YOU WILL KNOW ME, THE FEVER, Megan Abbott about our mutual obsession. Read Megan on Zodiac here.Zodiac Chronicle is a 24-part investigation into David Fincher's 2007 genre-altering masterpiece - recently celebrating its 15th anniversary - Zodiac. It is adapted from Robert Graysmith's novel by screenwriter James Vanderbilt. The film, of course, stars an incredible ensemble cast led by Jake Gyllenhaal, Robert Downey Jr, Anthony Edwards and Mark Ruffalo. About Megan AbbottMegan Abbott is the Edgar-winning author of the novels Beware the Woman, The Turnout, Give Me Your Hand, You Will Know Me, The Fever, Dare Me, The End of Everything, Bury Me Deep, Queenpin, The Song Is You and Die a Little.Her writing has appeared in the New York Times, Salon, the Guardian, Wall Street Journal, the Los Angeles Times Magazine, and The Believer. Her stories have appeared in multiple collections, including the Best American Mystery Stories of 2014 and 2016.Her work has won or been nominated for the CWA Steel Dagger, the International Thriller Writers Award, the Los Angeles Times Book Prize and five Edgar awards. Formerly a staff writer on HBO's David Simon show, The Deuce, she is now co-creator, executive producer and show-runner of Dare Me, based upon her novel, for the USA Network and, internationally, Netflix. Born in the Detroit area, she graduated from the University of Michigan and received her Ph.D. in English and American literature from New York University. She has taught at NYU, the State University of New York and the New School University. In 2013-14, she served as the John Grisham Writer in Residence at Ole Miss.She is also the author of a nonfiction book, The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir, and the editor of A Hell of a Woman, an anthology of female crime fiction. She has been nominated for many awards, including three Edgar Awards, Hammett Prize, the Shirley Jackson Prize, the Los Angeles Times Book Prize and the Folio Prize.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://kategabrielle.threadless.com/collections/miami-nice/PATREON: https://www.patreon.com/OneHeatMinuteSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Megan Abbott is a Nutritional Therapy Practitioner, Functional Blood Chemistry Specialist, Certified Personal Trainer, and Reiki Level 2 Practitioner, and most recently a podcaster.  She recently released her new podcast "Trifecta Collective - Finding The Root with Megan and Shannon".  Megan and Shannon's description of the podcast is that they "dive deep into understanding and addressing root causes of chronic health issues, so you can find healing, inside and out, now, and forever." Megan and her practice Trifecta Collective is on the socials @trifectacollective.  Trifecta Collective Find out more about the podcast. Good Eye Podcast

Brea and Mallory tick off a box on the 2024 Reading Glasses Challenge - choose which books represent you as a reader. Plus, they recommend character forward thrillers! Email us at readingglassespodcast at gmail dot com!Reading Glasses MerchRecommendations StoreSponsors -Pair Eyewearwww.paireyewear.comCODE: GLASSESMoshwww.moshlife.com/GLASSESLinks -Reading Glasses Facebook GroupReading Glasses Goodreads GroupAmazon Wish ListNewsletterLibro.fmTo join our Slack channel, email us proof of your Reading-Glasses-supporting Maximum Fun membership! Books Mentioned - Inside of a Dog by Alexandra HorowitzA Ghost in the Throat by Doireann Ní GhríofaOnce There Were Wolves by Charlotte McConaghyDare Me by Megan Abbott 

A podcast miniseries devoted to celebrating the 1988 contemporary classic, action buddy comedy MIDNIGHT RUN, written by George Gallo & directed by Martin Brest. Hosted by Blake Howard & Jen Johans of One Heat Minute Productions & Watch With Jen, respectively, each week, we'll explore the film we first bonded over when we became friends in 2019 by surfing through an incredible roster of guests from journalists to novelists & beyond who love it as much as we do.In episode six, we discuss the eminent rewatch value, De Niro as god, the beauty of network TV/cable, and the ability to stumble upon gems like Midnight Run.MEGAN ABBOTTNYT-bestselling author of BEWARE THE WOMAN, THE TURNOUT, GIVE ME YOUR HAND, YOU WILL KNOW ME, THE FEVER, etc. Co-creator/showrunner: DARE ME TWITTER: @meganeabbottWEBSITE: meganabbott.comWILLIAM BOYLEWRITER AND AUTHOR OF SHOOT THE MOONLIGHT OUT, CITY OF MARGINS, A FRIEND IS A GIFT YOU GIVE YOURSELF, THE LONELY WITNESS, EVERYTHING IS BROKEN, GRAVESEND.TWITTER: @wmboyle4 Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A podcast miniseries devoted to celebrating the 1988 contemporary classic, action buddy comedy MIDNIGHT RUN, written by George Gallo & directed by Martin Brest. Produced & hosted by Blake Howard & Jen Johans of One Heat Minute Productions & Watch With Jen, respectively, each week, we'll explore the film we first bonded over when we became friends in 2019 by surfing through an incredible roster of guests from journalists to novelists & beyond who love it as much as we do. Now available wherever you get your pods, each week, you'll find a new installment here & in both the One Heat Minute Productions & Watch With Jen podcast feeds. Episode 5 brings two dear friends, brilliant authors, & frequent Watch With Jen guests in the form of BEWARE THE WOMAN novelist Megan Abbott & SHOOT THE MOONLIGHT OUT author William Boyle onto the podcast. In this lightning-fast conversation where two duos from two Pandemic Movie Clubs come together, you'll hear Abbott & Boyle celebrate the heyday of HBO & also dissect the film as a screwball romcom.Originally Posted on Patreon (1/31/24) here: https://www.patreon.com/posts/97569122

Comedian Bobcat Goldthwait talks about his first stand-up album in 12 years. Also, the award-winning author Megan Abbott on her thriller, “Beware the Woman.” And author Nick de Semlyen takes us behind the scenes of Hollywood’s action movie era.

Comedian Bobcat Goldthwait talks about his first stand-up album in 12 years. Also, the award-winning author Megan Abbott on her thriller, “Beware the Woman.” And author Nick de Semlyen takes us behind the scenes of Hollywood’s action movie era.

Following up on our great Brian De Palma episode with Megan Abbott & Alison Gaylin that was released last week, we have our second of three installments this month featuring two tremendous guests. Centered on one of our greatest film stars in the form of Robert Mitchum, you'll hear two different conversations with two brilliant women, recorded over the course of the summer to clock in at a combined total of two hours. If anyone deserves that much time & attention, it's Robert Mitchum!First up, we have blogger & historian Raquel Stecher, who joins me to cover some of the actor's most famous performances in the films OUT OF THE PAST, BLOOD ON THE MOON, RIVER OF NO RETURN, THE NIGHT OF THE HUNTER, & THE FRIENDS OF EDDIE COYLE. After that, actress-turned-producer Amy Robinson returns to share her thoughts on the man whose six-decade-spanning career she did a deep dive into during the pandemic. In addition to a general appreciation of what Robert Mitchum brought to film history, she chose to tackle one of his most unexpected & fascinating collaborations with his good friend Deborah Kerr, with whom he starred in the films HEAVEN KNOWS MR. ALLISON, THE SUNDOWNERS, THE GRASS IS GREENER, & REUNION AT FAIRBOROUGH. A wide-ranging conversation that touches on several other memorable films, stars, & directors, you'll want to be sure to listen to this one with a notebook & pen in order to write down all of the titles we work into these two terrific chats. Originally Posted on Patreon (9/13/23) here: https://www.patreon.com/posts/89228681Logo: KateGabrielle.com Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

This week, I am honored to welcome a dynamic duo of acclaimed bestselling crime writers to the podcast & two women who've both won the Edgar and numerous other awards. Additionally, good friends who've also collaborated on the graphic novel NORMANDY GOLD, it's the wonderful partnership of Megan Abbott & Alison Gaylin. Author of such must-reads as DARE ME, THE TURNOUT, & GIVE ME YOUR HAND, Megan Abbott's latest novel BEWARE THE WOMAN is a modern gothic nightmare that you won't be able to put down. Alison Gaylin is the author of such gripping works as IF I DIE TONIGHT, NEVER LOOK BACK, & THE COLLECTIVE, & her latest title is a brand new Sunny Randall novel, ROBERT B. PARKER'S BAD INFLUENCE. Joining me to discuss the career of Brian De Palma, one of our most singular yet controversial filmmakers, in this breathlessly paced, contemplative & infectiously fun conversation, the two writers share their thoughts on the director's works, legacy, critics, popular sources of debate, & the films SISTERS, BLOW OUT, & BODY DOUBLE. As a fun bonus for listeners, similar to the way that I wove voice-over into an earlier fourth-season episode with Megan Abbott devoted to Paul Schrader, once again, I've recruited the vocal talents of a friend (today, in the form of past guest Peter Avellino) to read excerpts from past De Palma interviews I discovered & enjoyed during my research.Originally Posted on Patreon (9/7/23) here: https://www.patreon.com/posts/88932927 Logo: KateGabrielle.comTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Brittany Pressley captures a young woman's fear as her world closes in on her. Host Jo Reed and AudioFile's Michele Cobb discuss Megan Abbott's mystery about a family vacation gone wrong. Newly married Jacy and Jed are traveling to the wilds of Michigan to meet Jed's parents. But soon things start to feel off, especially when Jed's father, Dr. Ash, takes an uneasy interest in Jacy's pregnancy. Pressley provides the perfect mix of mounting terror and rage and creates a progressively suffocating environment that makes for a diabolical character and a very satisfying listening experience. Read the full review of the audiobook on AudioFile's website. Published by Penguin Audio. Find more audiobook recommendations at audiofilemagazine.com Support for AudioFile's Behind the Mic comes from A Soul of Ash and Blood. #1 New York Times bestselling author Jennifer L. Armentrout revisits Poppy and Casteel's epic love story in the next installment of the Blood and Ash series. Learn more at Audible.com/ASoulOfAshAndBlood Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 196 Notes and Links to Rachel Howzell Hall's Work       On Episode 196 of The Chills at Will Podcast, Pete welcomes Rachel Howzell Hall and the two discuss, among other things, her devotion to reading throughout her life, her love of crime writing and thrillers, the draw of her favorite writers, and ideas raised and dealt with in her writing, including themes of loneliness, identity, racism, traumas both historical and individual, gentrification, and fear.      Rachel Howzell Hall''s debut novel, A Quiet Storm, was published in 2002 by Scribner to great notice, and was chosen as a “Rory's Book Club” selection, the must-read book list for fictional television character Rory Gilmore of The Gilmore Girls.    She is the critically acclaimed author and Los Angeles Times Book Prize finalist for And Now She's Gone, which was also nominated for the Lefty-, Barry- and Anthony Awards. A New York Times bestselling author of The Good Sister with James Patterson, Rachel is an Anthony-, International Thriller Writers- and Lefty Award nominee and the author of They All Fall Down, Land of Shadows, Skies of Ash, Trail of Echoes and City of Saviors in the Detective Elouise Norton series as well as the author of the bestselling Audible Original, How It Ends.    Rachel is a former member of the board of directors for Mystery Writers of America and has been a featured writer on NPR's acclaimed Crime in the City series and the National Endowment for the Arts weekly podcast; she has also served as a mentor in Pitch Wars and the Association of Writers Programs.    She lives in L.A. with her husband and daughter.       Buy What Never Happened   Rachel's Website   Review of What Never Happened from Kirkus Reviews  At about 1:20, Rachel talks about her mindset in the days leading up to the publication of What Never Happened on August 1, 2023; she also    At about 4:20, Rachel talks about the realism she seeks in her writing, particularly the book's ending   At about 5:30, The two discuss the book's bold opening   At about 6:15, Rachel gives background on her early reading and writing and love for LA, as well as her lifelong fascination with crime   At about 8:55, Rachel talks about the power of Stephen King's work, particularly It   At about 10:20, Rachel talks about her experience at UC Santa Cruz   At about 11:00, Rachel discusses representation in the work she read growing up, and her desire to reflect different realities in her work in her specific way   At about 13:30, Rachel cites Laura Lippman, Megan Abbott and Gillian Flynn as writers whose treatment of “complex female characters” inspires her and her own work; she also cites Dennis Lehane and his “twists”; Eric Larson (telegraphs) and Jon Krakeur, too, are nonfiction writers who have influenced her    At about 16:30, Rachel responds to Pete's question about how she sees genre and she highlights “sense of place” by Jordan Harper and Tod Goldberg   At about 19:20, Rachel talks in general and specifically about What Never Happened regarding writing the balance between plot/theme/allegory, etc.   At about 22:05, Rachel discusses the book's setting and seeds for the book, including the draw of Catalina Island for someone who grew up in Los Angeles    At about 24:15, Rachel talks about the pandemic and obituaries and their effects on the books   At about 25:15,    At about 26:40, Pete and Rachel discuss Southland and their shared love for the show, as Pete connects the show's in medias res to the book's beginning   At about 29:00, The two discuss complications in the book and important characters in Coco's life, including her spurned and threatening ex-husband   At about 31:55, Rachel talks about how the tragedies that Coco experienced affects her as a “people pleaser”   At about 33:45, Rachel and Pete give a little historical background on Catalina Island, its landscape and unique social climate; Rachel shares some interesting historical anecdotes and trivia based on her research and some of her rationale in building upon themes in the book with regard to the island   At about 39:50, Rachel vouches for the historical veracity of the racist wording used in the Avalon newspapers in the archives Coco searches in the book   At about 42:00, The two shout out Gwen, who Rachel calls “everyone's sassy aunty”    At about 43:00, Pete quotes a great line from Gwen   At about 44:00, Rachel characterizes Noah, and how he views Coco   At about 46:30, Pete lays out a series of crimes that terrorize the island in the book, in tandem with the beginning of the Covid epidemic; Rachel expands upon ideas of the despicable things done in quarantine   At about 49:00, Pete highlights the cascading problems and scares that complicate Coco's life as the book goes on   At about 50:15, Pete recounts an early scene with a cab driver that is prophetic   At about 51:30, Pete outlines some key themes of the book-racism, gentrification, etc.: and Rachel expands on ideas of classicism and ideas of loneliness, as well as Garden of Eden   At about 54:10, Pete and Rachel   At about 55:40, Pete asks Rachel about writing in different voices-obituary, narration, etc.,-as well as the genesis of the book's title   At about 58:50, Rachel imagines who would play Coco if a movie of What Never Happened took place   At about 59:35, Rachel talks about exciting future projects    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Check out the next episode, which airs on August 1 Chloe Cooper Jones is a contributing writer at The New York Times Magazine; She is also a Pulitzer Prize finalist in Feature Writing for “Fearing for His Life,” a profile of Ramsey Orta, the man who filmed the killing of Eric Garner, and the recipient of the 2020 Whiting Creative Nonfiction Grant and the 2021 Howard Foundation Grant from Brown University, with both grants in support of her 2023 book, Easy Beauty.    The episode will air on August 1.

In today's podcast episode, Katie Williams and I delve into the complex questions surrounding motherhood, marriage, and society's fixation on a certain type of murder victim that she explores in My Murder.  We discuss the romanticization of white female victims, serial killers and guilt, and the integration of video games and virtual reality into this story. As a bonus, Katie also gives us a sneak peek into her upcoming horror comedy and shares her books recommendations. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). Highlights Katie shares a spoiler-free summary of My Murder. How the narrator of My Murder (Lou) subverts the public's fascination with the murder of white women. Katie's take on whether she'd want to come back as a clone after her death. The romanticization of this type of death and victim. Lou's ambivalence about her life before her death and the complex way she examines this after returning as a clone. Katie's research on motherhood and her process that shaped her nuanced approach. The integration of video games and virtual reality into her novel. Pulling together the experience of guilt and serial killers. How Katie crafted her surprising, but earned, ending. Riding the line between writing by the seat of her pants (pantser) and planning everything out ahead of time (planner). A little bit about Katie's next book — a horror comedy! Katie's Book Recommendations [27:36] Two OLD Books She Loves This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone | Amazon | Bookshop.org [27:50] A Study in Scarlet Women (The Lady Sherlock Series, Book 1) by Sherry Thomas | Amazon | Bookshop.org  [30:34] Other Books Mentioned: A Study in Scarlet by Arthur Conan Doyle [30:58] Two NEW Books She Loves Beware the Woman by Megan Abbott | Amazon | Bookshop.org [33:30] Killingly by Katharine Beutner | Amazon | Bookshop.org [37:24] Other Books Mentioned: Mexican Gothic by Silvia Moreno-Garcia [35:12] The Turnout by Megan Abbott [35:27] NEW RELEASE She's Excited About Family Meal by Bryan Washington (October 10, 2023) | Amazon | Bookshop.org [40:50] Other Books Mentioned: Memorial by Bryan Washington [41:01] Last 5-Star Book Katie Read Lone Women by Victor LaValle | Amazon | Bookshop.org [43:57] Other Links Ep. 144: John Marrs (Author of The One, The Passengers, and The Marriage Act) Ep. 90: Megan Abbott (Author of The Turnout) Other Books Mentioned Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin [21:04]

Episode 3 brings us the incredible reading icon and passionate bookworm that is Jenna Bush Hager, author and the face of The Today Show's Read with Jenna. The conversation is ripe with reading recommendations, and Elin and Tim ask all the insider questions of how Read with Jenna came about, how she chooses the titles each month, and some of her favorites over the last 4.5 years. They dive into raising children to be readers, Jenna's writing life, and what she hopes people 200 years in the future will take away from the Read with Jenna selections. This episode is truly one for the books!A special thank you to our Episode Sponsors:CartolinaLauren Marttila PhotographyJenna Bush Hager Reading List:Sisters First by Jenna Bush Hager & Barbara Pierce BushLove Comes First by Jenna Bush Hager & Barbara Pierce BushWhat else are we reading in this episode:There, There by Tommy OrangeBeautiful Country by Qian Julie WangNight Bitch by Rachel YoderValentine by Elizabeth WetmoreThe School for Good Mothers by Jessamine ChanThe Secret History by Donna TarttThe Cloisters by Katy HaysFoster Dade Explores the Cosmos by Nash JenkinsMy Last Innocent Year by Daisy FlorinThe Half Moon by Mary Beth Keane Nothing to See Here by Kevin WilsonSolito by Javier ZamoraThe Girl with the Louding Voice by Abi DareI Have Some Questions For You by Rebecca MakkaiBlack Cake by Charmaine WilkersonSummer Sisters by Judy BlumeHell of a Book by Jason MottBlack Buck by Mateo AskaripourOther authors mentioned:Emma Straub, Taylor Jenkins Reid, Kristin Hannah, Gillian Flynn, Maya Angelou, Toni Morrison, Megan Abbott, Agatha Christie, Britney Spears, Laura Bush, Barbara Bush, Diane Sawyer, Cormac McCarthy, and Ann M Martin.Follow/Subscribe to the 'Books, Beach, & Beyond' podcast now to stay current on new episodes.And find us on Instagram at @booksbeachandbeyondHappy Reading!

Michael Wiley's new novel is The Long Way Out, featuring Franky Dast, an exonerated ex-con who investigates a series of murders in Northeast Florida. Michael is also the author of three mystery and detective series, including the Shamus Award-winning Joe Kozmarski books, the Daniel Turner thrillers, and, most recently, the Sam Kelson PI novels, which are currently in development for television. His short stories appear often in magazines and anthologies, including Best Mystery Stories of the Year 2022.  Michael grew up in Chicago and lived and worked in the neighborhoods and on the streets where he sets his Kelson and Kozmarski mysteries. He teaches literature at the University of North Florida in Jacksonville—the setting of The Long Way Out, an earlier Franky Dast novel (Monument Road), and the Daniel Turner novels.   Interviewer Mark Ari authored the novel, The Shoemaker's Tale (Zephyr Press) and publishes fiction, nonfiction and poetry. His paintings have been exhibited in group and solo shows in Spain, France, and the United States, especially New York City. Most recently, “Not in My Country,” an installation (text, film, sculpture, and scent) created with Ginger Andro and Chuck Glicksman was selected for Walls and Borders, an exhibition at Westbeth Gallery (NYC, 2021) sponsored by the Sculptors Guild (NYC). Recent writings appear in Adroit Journal, Heavy Feather Review, the International Journal of Professional Holistic Aromatherapy, and the anthology, Music Gigs Gone Wrong (Paycock Press). Ari is a three-time MacDowell fellow. Other awarded fellowships include the Ragdale Foundation (twice), Ucross Foundation, and Spain's Fundacion Valparaiso. He is a multi-award-winning educator at the University of North Florida, where he directs the creative writing program. READ Check out all of Michael's books from the library, as well as Ari's The Shoemaker's Tale! Michael Wiley recommends three “first books” by other mystery and thriller writers:  Megan Abbott, Die a Little: “A terrific hardboiled story by a writer known best now for her psychological suspense thrillers.” S.A. Cosby, My Darkest Prayer: “The newly re-released, amazing first book by the author of Blacktop Wasteland and Razor Blade Tears.” Walter Mosley, Devil in a Blue Dress: “The Easy Rawlins mystery by the writer of dozens of excellent books, though none better than this.” --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates  Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net 

Comedian Bobcat Goldthwait talks about his first stand-up album in 12 years. Also, the award-winning author Megan Abbott on her thriller, "Beware the Woman." And author Nick de Semlyen takes us behind the scenes of Hollywood's action movie era.

For much of his life, the Canadian actor (Juno, X-men, The Umbrella Academy) experienced gender dysphoria that made him extremely uncomfortable in his own body. "It's like a constant noise," he says. His new memoir is called Pageboy. Maureen Corrigan reviews two suspense novels: My Murder by Katie Williams and Beware the Woman by Megan Abbott.