Podcasts about acoustic engineering

Send us a textIn this special episode, we look back at the show's first year. We recap the key highlights from each episode. (#17) Major Streets & Multiplex Housing in City of Toronto (#16) A Conversation With A Real Estate Developer(#15) Limberlost Case Study: A Pioneering Mass Timber Project (#14) Building Code Changes, Opportunities & Shortcomings (#13)Urban Planning and the Housing Crisis; Andrew Ferancik(#12) Real Estate Development 101: How to work with your team effectively?(#11) Structural Systems, Code Changes & Mid-Rise Challenges - Raymond Van Groll(#10) Interest Rates, Housing Supply & Other Complex Real Estate Problems - Murtaza Haider(#9) Land Acquisition to Approvals - Hoordad Ghandehari(#8) Refugee to Real Estate Developer: An Important Canadian Story!(#7) Heritage, Adaptive Reuse, & Building Unique Projects - Joey Giaimo, (#6) Acoustic Engineering & Mass Timber Construction - Simon Edwards,(#5) Urban Design & Development a Conversation - George Popper(#4) Facade Systems, Climate Performance, and Important Decisions -Blair Davies(#3) Engineering, Sustainability, and Real Estate Development - Cara Sloat (#2) Risk, Creativity, & Design Excellence: Real Estate DeFor more information, please refer to RealEstateDevelopmentInsights.Com.

Tom Sutcliffe explores the importance of acoustics and the evolution of building design in the enjoyment of music. The academic Fiona Smyth tells the story of the groundbreaking work undertaken by scientists, architects and musicians, who revolutionised this new science in the 20th century, in her new book Pistols in St Paul's. Trevor Cox, Professor of Acoustic Engineering at the University of Salford, updates the story, revealing the very latest scientific breakthroughs and why certain music venues capture the purity of sound. And the saxophonist Jess Gillam gives a personal view on what playing with different acoustics entails. Gillam is playing in two Christmas concerts, 19th + 20th December, with the CBSO at Symphony Hall, Birmingham – one of the best-designed music venues in the country. Producer: Kay Hickman

The Science of Silence : Exploring the Principles of Acoustic Engineering with Dynamat | CEO & President Mike Good Gone are the days of incessant rattling, vibrating panels, and disruptive echoes. With its cutting-edge technology and decades of expertise, Dynamat has perfected the art of noise control. CEO & President Mike Good joins us to discuss the art of reducing noise in your vehicle, home entertainment space & much more!  Delve into the science behind acoustic engineering and sound insulation. From understanding the materials and techniques employed by Dynamat, we unravel the secrets of creating quiet and acoustically optimized spaces.  Show Notes : Mark Mcann of the Dueling Coaches Podcast makes a special in-studio appearance. An awesome platform, so please check out their podcast ! 

For centuries, historians and archaeologists have puzzled over the many mysteries of Stonehenge, the huge man-made circle of standing stones found on England's Salisbury Plain in Wiltshire. New research into the prehistoric site's acoustical properties is revealing that the stone circle may have been used for exclusive ceremonies. Trevor Cox, Professor of Acoustic Engineering at the University of Salford.

Audio spaziale. Presentato in pompa magna da Apple per il suo servizio di streaming musicale, dovrebbe farci immergere completamente nei brani musicali. Ma come funziona questa tecnologia? Ed è davvero così innovativa? Ne parliamo con Augusto Sarti, docente di “Music and Acoustic Engineering” al Politecnico di Milano.

Audio spaziale. Presentato in pompa magna da Apple per il suo servizio di streaming musicale, dovrebbe farci immergere completamente nei brani musicali. Ma come funziona questa tecnologia? Ed è davvero così innovativa? Ne parliamo con Augusto Sarti, docente di “Music and Acoustic Engineering” al Politecnico di Milano.

Dava Newman is an acoustic engineer and musician. She has a Ph.D. from MIT in Acoustic Engineering and is currently the Associate Dean for Academic Programs at the Berklee College of Music. In this episode, Lexman and Dava discuss the concepts of ergates and vraisemblances.

Covid-19 infections in the UK are at an all-time high. But most people in England can no longer access free Covid-19 tests, and the REACT-1 study, which has been testing more than 100,000 individuals since the pandemic began, ended last week after its funding stopped. Martin Mckee, Prof of European Health at the London School of Hygiene and Tropical Medicine, shares his insights on what these changes might mean for ambitions to 'live with the virus'. This week, the UN's latest Intergovernmental Panel on Climate Change (IPCC) report has unveiled a to-do list of ways to save the planet from climate catastrophe. How do scientists reach a global consensus on climate change amid war, an energy crisis, and a pandemic? Vic Gill speaks to report co-author Jo House, University of Bristol, and Ukrainian climate scientist Svitlana Krakovska who took part in signing off every line of the report while sheltering from the war in Kyiv. And from our planet's present and future to its ancient past. Scientists working on the Tanis fossil site in North Dakota in the US have dug up a dinosaur's leg, complete with skin and scales. Is this 66-million-year-old fossil, alongside similar nearby victims, the key to unveiling those transformative minutes after the infamous Chicxulub asteroid struck the earth and ended the era of the dinosaurs? BBC science correspondent Jonathan Amos has seen the fossil and speaks with Paul Barrett of London's Natural History Museum about the significance of this un-reviewed new finds. And from earth to Mars. After a year of analysing audio recordings from NASA's Perseverance rover, scientists have found not one but two speeds of sound on Mars. Trevor Cox, Professor of Acoustic Engineering at the University of Salford, guides us through this sonic wonder, and how sound may become a key tool for exploring distant worlds. Mars audio credit: NASA/JPL-Caltech/LANL/CNES/CNRS/ISAE-Supaéro

 Understanding the customer, taking on one initiative at a time, and measuring results were key to ushering inbound marketing into an Acoustic Engineering company. Sabrina De Veylder-Pahwa, R2Sonic Marketing Director, has accomplished something which many industry peers struggle greatly with -- shifting her highly technical engineering company into an inbound marketing model. During this episode, she shares her journey, including the fantastic results they've achieved. One of the most interesting parts of this episode was hearing about the close relationship she has with the global sales and technical support teams. R2Sonic invested in a sales enablement platform where Sabrina can efficiently share content, and salespeople know they have the latest assets at their fingertips.You'll also hear about website improvements, content assets that perform well, and which vehicles Sabrina has found most and least effective for promotion. 

Why do some people find noises like a fork scraping a plate so terrible? asks Findlay in Aberdeenshire. Rutherford and Fry endure some horrible noises to find out the answer. Warning - This episode contains some horrible sounds Trevor Cox, Professor of Acoustic Engineering at the University of Salford, has run experiments to find out the worst, most cringe-making sound. He divided horrible sounds into three categories: scraping sounds, like nails down a blackboard; disgusting sounds like a snotty sniffy nose; and sounds that make us cringe because of what we associate them with, like the dentist’s drill. All horrible sounds have some sort of association whether it’s a primal scream or fear of catching a disease, and they’re dealt with in the ancient part of the brain – the amygdala. Professor Tim Griffiths is a Cognitive Neurologist at Newcastle University’s Auditory Cognition Group. He has been studying people with misophonia, a condition where ordinary, everyday sounds, such as someone eating or breathing causes a severe anxiety and anger response. Misophonia may affect around 15% of the population and Tim thinks that different parts of the brain – the insula and the motor cortex - are involved in this fight or flight response to seemingly innocuous sounds. Cat Thomas’s job is to make horrible sounds. She is a foley artist at Boompost. If you watch Call the Midwife or Peaky Blinders, all the incidental sounds are created by Cat and her team. She also created some of the sounds for the horror film Camilla, which involved evisceration and disembowelling with the aid of some squishy oranges and bananas. Adam Rutherford and Hannah Fry try their own horror sounds when they chop off a finger with the aid of some large pasta shells, an orange and a knife. Presenters: Hannah Fry & Adam Rutherford Producer: Fiona Roberts

Why do some people find noises like a fork scraping a plate so terrible? asks Findlay in Aberdeenshire. Rutherford and Fry endure some horrible noises to find out the answer. Warning - This episode contains some horrible sounds Trevor Cox, Professor of Acoustic Engineering at the University of Salford, has run experiments to find out the worst, most cringe-making sound. He divided horrible sounds into three categories: scraping sounds, like nails down a blackboard; disgusting sounds like a snotty sniffy nose; and sounds that make us cringe because of what we associate them with, like the dentist’s drill. All horrible sounds have some sort of association whether it’s a primal scream or fear of catching a disease, and they’re dealt with in the ancient part of the brain – the amygdala. Professor Tim Griffiths is a Cognitive Neurologist at Newcastle University’s Auditory Cognition Group. He has been studying people with misophonia, a condition where ordinary, everyday sounds, such as someone eating or breathing causes a severe anxiety and anger response. Misophonia may affect around 15% of the population and Tim thinks that different parts of the brain – the insula and the motor cortex - are involved in this fight or flight response to seemingly innocuous sounds. Cat Thomas’s job is to make horrible sounds. She is a foley artist at Boompost. If you watch Call the Midwife or Peaky Blinders, all the incidental sounds are created by Cat and her team. She also created some of the sounds for the horror film Camilla, which involved evisceration and disembowelling with the aid of some squishy oranges and bananas. Adam Rutherford and Hannah Fry try their own horror sounds when they chop off a finger with the aid of some large pasta shells, an orange and a knife. Presenters: Hannah Fry & Adam Rutherford Producer: Fiona Roberts If you want more information on misophonia – http://www.misophonia-uk.org/ https://www.allergictosound.com/

We sit down with some of the people who are creating the sound systems in Toyota and Lexus vehicles and they teach us about everything that goes into designing, creating, and testing car sound systems — from the trained listeners who are actually paid to sit in cars and listen to music (that’s gotta be a dream job for a lot of teenagers out there), to how they make sure those thumping bass speakers don’t make your car rattle louder than the music, and beyond. Our guests are Nicki Cogar (Senior Audio Evaluation Engineer, Toyota Research & Development),  Brad Hamme (Senior Manager of Acoustic Engineering, HARMAN International), and Kyle Roche (Product Planning Manager, HARMAN International).   Resources: Learn more about multimedia options in Toyota vehicles: www.toyota.com/audio-multimedia Stay up-to-date on what Toyota is doing in response to COVID-19: pressroom.toyota.com   This podcast is brought to you by Toyota Motor Sales, U.S.A., Inc. (“Toyota”) and may not be reproduced or redistributed, in whole or in part, without prior permission of Toyota. The opinions expressed in this podcast are those of the guest(s) and/or host(s) and do not necessarily reflect the views or opinions of Toyota. Please note that Toyota is not responsible for any errors or the accuracy or timeliness of the content provided. Used with permission. All rights reserved worldwide.

Humans have been fascinated with acoustics since our earliest ancestors. From Roman amphitheaters to modern symphony halls, we’ve designed our spaces with sound in mind. But the relationship between acousticians and architects isn’t always smooth sailing. In this episode, we explore the way acoustics has shaped our history and what we might do to make our spaces sound better today. Featuring Emily Thompson, author of The Soundscape of Modernity and Professor of History at Princeton University, and Trevor Cox, author of Sonic Wonderland and Professor of Acoustic Engineering at the University of Salford. Twenty Thousand Hertz is produced out of the studios of Defacto Sound, and hosted by Dallas Taylor. Follow the show on Twitter & Facebook.  Become a monthly contributor at 20k.org/donate. If you know what this week's mystery sound is, tell us at mystery.20k.org. Consolidate your credit card debt today and get an additional interest rate discount at lightstream.com/20k. Go to forhims.com/20k for your $5 complete hair kit. Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/hearhere 

Novelist and screenwriter Deborah Moggach whose eighteen novels include Heartbreak Hotel, Tulip Fever and These Foolish Things - made into the hit film The Best Exotic Marigold Hotel - talks to Stig Abell about her new novel The Carer, a poignant story about age, sibling rivalry and having to grow up – at last. Stig is joined by Jordan Erica Webber to play a new computer game based on the world of Hamlet. In Elsinore, released later this month, the player takes on the role of Ophelia and quests to save the lives of the characters and change the course of the story. We ask if an attempt to tell the story of the play in an interactive way bears fruit. The acclaimed Belgian theatre director Ivo van Hove talks about staging Ayn Rand’s 1943 novel The Fountainhead at Manchester International Festival. The adaptation, like the book, tells the story of Howard Roark, an architect who refuses to compromise on his “perfect” designs. US president Donald Trump is a fan of The Fountainhead and the home secretary Sajid Javid revealed during the Conservative leadership debates that he re-reads it once a year. We’ll ask what this production has to tell us about liberalism, politics and individualism today. Following reports that while watching The Voice Kids a woman’s window shattered when a competitor sang a high note, Trevor Cox, Professor of Acoustic Engineering at the University of Salford, tells Front Row whether the human voice really can break glass. Presenter: Stig Abell Producer: Hilary Dunn

In this episode Kezia discusses how noise can have negative impacts on people and how to reduce this and also improve people's living environment.

President Trump has said there is a "very substantial chance" the summit may not happen. Meanwhile, the South Korean president, Moon-Jae in, is in Washington for talks which are focussed on salvaging the meeting. Harry Kazianis, Director of Defense Studies, at the conservative-leaning Centre for the National Interest in Washington gives us his take on if the talks with Kim Jong-un will go ahead. We have a report from Rahul Tandon about if India can create enough jobs to cater for the millions of people expected to enter the labour force over the next few decades. Also, Facebook founder Mark Zuckerberg has testified at the European Parliament about the Cambridge Analytica data scandal. We hear from our technology correspondent, Rory Cellan-Jones who was watching Mr. Zuckerberg's appearance. Legal and General Investment Management in the UK has decided to launch the first investment fund aimed at encouraging gender diversity. Helena Morrissey, head of personal investing at LGIM, tells us how it works. Also in the programme, are voice controlled AI assistants at risk of developing human prejudices? Trevor Cox, professor of Acoustic Engineering at Salford University in northern England, tells us about the potential pitfalls of applying machine learning to decoding the human voice. We're joined throughout the programme by Catherine Yeung, Investment Director at Fidelity International- who's in Hong Kong, and Bridget Bodnar of Marketplace, in Los Angeles. (Photo: US President Donald Trump and South Korea's Moon Jae-in)

The weirdest things we learned this week range from trying to revive dead (or unconscious) people by literally blowing smoke up their butts to the secret testing your favorite products go through to sound expensive. Whose story will be voted "The Weirdest Thing I Learned This Week"? The Weirdest Thing I Learned This Week is a podcast by Popular Science. Share your weirdest facts and stories with us on Twitter: www.twitter.com/weirdest_thing #weirdestthingpod Follow our team on Twitter Rachel Feltman: www.twitter.com/RachelFeltman Sara Chodosh: www.twitter.com/schodosh Mary Beth Griggs: www.twitter.com/MaryBethGriggs Popular Science: www.twitter.com/PopSci Theme Music by Billy Cadden: www.twitter.com/billycadden Edited by Jason Lederman: www.twitter.com/Lederman Golf noises courtesy Taylor-Made --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/popular-science/message Support this podcast: https://anchor.fm/popular-science/support

Matthew Sweet discusses talking, speech and having a voice, with Trevor Cox, Professor of Acoustic Engineering at the University of Salford; Rebecca Roache, Senior Lecturer in Philosophy at Royal Holloway, University of London; actress and impressionist Jessica Martin; and Maurice McLeod, social commentator, director of Media Diversified, and Labour councillor for Queenstown Battersea. Trevor Cox has written Now You're Talking: The Story of Human Conversation from Neanderthals to Artificial Intelligence. Producer: Luke Mulhall

On trains, in cafes, offices and in the street, we cannot help overhearing conversations not intended for our ears. Catherine Carr explores why we eavesdrop, and whether it is a harmless habit or a dangerous invasion of privacy. The poet Imtiaz Dharker takes ‘furtive pleasure' in ‘lying in wait for secrets that people don't even know they're telling' and sometimes what she hears ends up in her poems. Canadian journalist, Jackie Hong, eavesdropped on the radio communications of police and paramedics to get the news in real time. Not everything we hear in public is interesting to us: Lauren Emberson devised a psychology experiment to show why we find other people's mobile phone conversations so difficult to ignore. In some circumstances, eavesdropping can be problematic. The historian Anita Krätzner-Ebert, who works at the Stasi Records Agency, has been conducting new research into cases of neighbours and strangers who eavesdropped and reported on each other in East Germany. Professor of Acoustic Engineering, Trevor Cox explains how some buildings have allowed embarrassing secrets to be overheard and literary scholar, Ann Gaylin says that eavesdropping scenes in novels show writers have always been curious about human curiosity. (Photo: Woman cupping ear, Credit: Dmitro Derevyanko/Shutterstock)

Fiona Gameson has been blind since she was about 3 and half years old, and since childhood has used echolocation to help navigate her surroundings. Echolocation is used by bats and dolphins and some other marine mammals to navigate and hunt their prey. It involves producing a sonar emission (mouth clicks in Fiona’s case) and listening to the echoes to hear and “see” their surroundings. Lore Thaler a lecturer at Durham University has been studying human echolocation and we hear about her work with individuals like Fiona. We also hear from Christopher Willis Clark, a senior scientist and Professor at Cornell University and in the Bioacoustics Research Programme at Cornell Laboratory of Ornithology where he studies the acoustic behaviour of birds, fish, elephants and whales. He too is familiar with the notion of ‘seeing with sound’, of creating ‘maps’ from sounds and using these to navigate underwater. Above the waves, poet Katrina Porteus discusses how listening to the soundscape of places has influenced her work and Trevor Cox, Professor of Acoustic Engineering at Salford University recalls some of his favourite listening experiences in reverberant spaces and explains how the acoustics in a badly designed lecture hall in the late 1800's was the starting point for the study of architectural acoustics along with some hand claps and a saxophone in Trevor’s case! Producer Sarah Blunt.

Everybody knows about white noise — that sound that comes out of your TV when it’s not working quite right. But there are many other colors of noise, too: pink, brown, blue, and purple. Marnie Chesterton brings us this story on the colorful science of sound. Play with your own noisy rainbow — and learn more about each color — by clicking here: Inside the Episode: We meet Shelley, who uses pink noise to drown out the constant ringing in her head (tinnitus); Professor Trevor Cox at the Acoustic Engineering group at Salford explains why engineers need to classify different frequencies this way; and Cyrus Shahrad, electronic music producer, whose love of brown noise filters through into his work. Producer/reporter Marnie Chesterton We asked Marnie how she got interested in making a story about the science of sound. She tells us that she came across this story idea after having heard about pink noise. She began an investigation sparked by her own curiosity about the spectrum of sound: “I started unpicking the stories of different colours of sound, mainly by talking about this topic to everyone I could think of,” she recounts. “After a few chats with various academics, I came to Professor Trevor Cox, an acoustic engineer at Salford University, who is obsessed with qualities of sound – reverb, echo.” Prof. Trevor Cox Through Trevor Cox, Chesterson got a first-hand look at an anechoic chamber, a whole room constructed to deaden any type of sound whatsoever. She describes the room as the most bizarre one she’s been in for a while: “The walls and ceiling are covered with these meter-long, dark grey foam spikes, and the floor, if you can call it that, is a mesh a bit like that of a trampoline. Through the holes in the floor, I could see down into darkness, maybe more foam spikes.” Imagine a room that is so silent that the sounds seem to come from your own head. Chesterson explains, “The brain’s response to that kind of silence is to fill it with something, anything. And that’s what tinnitus is.” If you’re interested in exploring the different bands of sound described in Chesterson’s story, you can play with the companion interactive rainbow of noise. Listen to which bands are used to treat tinnitus, to describe regime shifts in climate, to help sirens cut through background noise, and more. A Rainbow of Noise was produced by Marnie Chesterton and mixed by Henry Hocking. It was hosted for this episode of Transistor by Genevieve Sponsler and mixed by Erika Lantz.

This week, we're exploring the science of sound and hearing. We'll talk to Trevor Cox, Professor of Acoustic Engineering at the University of Salford, about his book "Sonic Wonderland: A Scientific Odyssey of Sound." And we'll speak to Andrew Wise, Senior Research Fellow at Bionics Institute, about a gene therapy technique to enhance the function of cochlear implants.