Podcasts about Stonehenge

Coming up, we explore the summer solstice and its enduring connection with Stonehenge. Larissa Palethorpe at the University of Bristol explains the astronomical significance of the summer solstice; Jennifer Wexler at English Heritage on the origins of Stonehenge; Richard Bevins at the University of Aberystwyth on the geology of the famous stones; and Vincent Gaffney at the University of Bradford on whether Stonehenge is part of a much broader landscape. Like this podcast? Please help us by supporting the Naked Scientists

Hugh Newman is an explorer, megalithomaniac and the author of "Earth Grids" (2008) and "Stone Circles" (2017), and co-author of "Megalith: Studies In Stone" (2018), "Sensing the Earth" (2021), and "Geomancy" (2021); and co-author with Jim Vieira of "Giants On Record" (2015) and "The Giants of Stonehenge and Ancient Britain" (2021). He is a regular guest on History Channel's "Ancient Aliens," "Search for the Lost Giants," "UnXplained with William Shatner" and has featured in "The Alaska Triangle" (Travel Channel), "Forbidden History" (Discovery Channel), "Secrets of the Ark" (Science Channel), "Mythic Britain" (Smithsonian Channel), "Ancient Civilizations" (Gaia), "Cursed Treasure" (History) and several other TV shows and documentaries.Since 2006 he has been organising the Glastonbury Megalithomania Conference, and the Origins Conference in London since 2013. He runs regular tours and leads expeditions worldwide and writes for numerous magazines. He has a Bachelor of Arts Honours Degree (BA Hons) in Film and Journalism from London Guildhall University.His worldwide adventures and lectures can be seen at the massive YouTube Channel www.youtube.com/megalithomaniaUK, which has 175,000 subscribers and over one thousand videos. He is also a registered drone pilot and had his work featured on most of the shows listed above, as well as in "Ancient Apocalypse" (Netflix), "Stonehenge: The Lost Circle" (BBC) and "BAM: Builders of Ancient Mysteries." His main website is www.megalithomania.co.uk. He lives in the heart of the Stonehenge landscape in Wiltshire, England.Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Adam heads to one of England's oldest and most mysterious historical monuments — the world-famous Stonehenge. Joined by Stonehenge volunteer manager Sue Martindale, Adam explores the 4,500-year-old stone circle, discovering secrets of its prehistoric builders, ancient engineering feats, and the natural phenomenon that draws crowds every year: the solstice alignment. PLUS: Get creative! Georgia visits to lead you through a craft activity where you’ll make your very own Stonehenge miniature at home.Join Fun Kids Podcasts+: https://funkidslive.com/plusSee omnystudio.com/listener for privacy information.

For centuries, farmers have awakened to find large, elaborate geometric patterns pressed silently into their fields overnight—no footprints, no witnesses, no explanation. The phenomenon spans more than 50 countries, with some of the most striking formations appearing in the shadow of ancient, mysterious sites like Stonehenge. While skeptics point to hoaxers, others say aliens or even fairies might be to blame. Yet, to this day, no one has been able to solve the mystery of crop circles. For a full list of sources, please visit: sosupernaturalpodcast.com/alien-crop-circles Did you know you can listen to So Supernatural ad-free? Join the Crime Junkie Fan Club! Visit https://crimejunkiepodcast.com/fanclub/ to view the current membership options and policies.   So Supernatural is an Audiochuck and Crime House production. Find us on social! Instagram: @sosupernaturalpod Twitter: @_sosupernatural Facebook: /sosupernaturalpod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode:00:37 Evidence that Stonehenge's Altar Stone travelled by glacierBBC Science Focus: We may have just cracked one of Stonehenge's greatest mysteries05:44 Fossilized faeces reveal DNA from ancient ecosystemNature: Ancient ground squirrels feasted on carcasses like ‘zombies of the Pleistocene'Subscribe to Nature Briefing, an unmissable daily round-up of science news, opinion and analysis free in your inbox every weekday. Hosted on Acast. See acast.com/privacy for more information.

This week on The Tracklist, Daron and Chris are strapping in for the loudest, most ridiculous, and somehow most earnest rock soundtrack ever committed to film: This Is Spinal Tap (1984).Rob Reiner's mockumentary masterpiece didn't just parody '80s heavy metal — it became it. The music in this film is the joke AND the heart, and that's a genuinely hard thing to pull off. From Big Bottom to Hell Hole to the haunting, Stonehenge-adjacent opus Stonehenge, Christopher Guest, Michael McKean, and Harry Shearer wrote and performed every track themselves — and somehow made songs that are both hysterically bad and undeniably catchy.We're breaking down the score, the songs, the performances, and asking the real question: Is this a Cult Classic?Follow us on Instagram: @thedaronjenkins | @chrissaunders_music | @tracklistshowRep the show and grab some Tracklist merch at tracklist-shop.fourthwall.comIf you enjoy the episode, leave us a rating, subscribe, and follow the show wherever you listen — it means the world and helps more people find us!

Synchronicity is a funny thing. When the "on-air" light flickered to life for Episode 333, none of us realized the clock had struck exactly 3:33 PM EST. Was it a fluke, or was the universe leaning into the microphone?In this landmark episode, Beans and Gaz are joined by the insightful Evan Gray for a deep dive into the cosmic connective tissue that binds us all. We start at the beginning—literally—by deconstructing the Tarot's "Fool's Journey." We explore how every one of us is currently walking that path, tumbling through the Arcana as we navigate the leap of faith into the unknown.The Ego vs. The Infinite: We get honest about what spirituality actually means in the modern world. The trio discusses the constant battle to keep the ego from "backseat driving" our spiritual growth, whether you're practicing Christianity, occultism, or anything in between.The Shared Human Experience: From personal revelations to the moments that shattered our old worldviews, we share the experiences that shaped our individual faiths. It turns out, no matter the label, the core search for meaning is universal.From Dust to Stars: We pivot from the internal to the external, looking at humanity's place in the cosmos. We discuss the implications of man in space and look back at the Ancient Egyptians—the original masters of aligning the earthly with the divine.A Pilgrimage to the Pillars: Beans and Gaz reflect on their separate journeys to Stonehenge. They share the raw, unfiltered feeling of standing amongst the megaliths and what that ancient site whispered to them about time, heritage, and the energy of the land."Spirituality isn't about being 'right'—it's about being open. The moment the ego decides it has all the answers, the journey of the Fool stops."Whether you're a seasoned practitioner or just someone looking for a bit of signal in the noise, this episode is a reminder that we are all wandering, all learning, and all tied together by a thread that started long before the pyramids were built.Grab your headphones and join us for the journey.Find Evan onlineThe Fools Reading – Evan Gray Tarot and Psychic Readingstallboyradio.com

The boys try really hard to do a Jukola preview episode but keep getting distracted. Stonehenge, Danish culture, niche facts - all these things take time away from discussing the World's largest orienteering relay.Ralph has run selection races for World Champs, and had to travel through Milton Keynes both ways. Magnus has been trying to run orienteering without a map. Tim has a new job.There is also the usual prediction challenge. Tune in to find out how badly we rate your favourite club's chances

News items read by Laura Kennedy include: Humans helped transport Stonehenge's massive Altar Stone hundreds of kilometers (details) (details) South Africa cave extends timeline of human fire use by hundreds of thousands of years (details) (details) Researchers find three shipwrecks in Bahamas linked to Golden Age of Piracy (details) Mass burial shows Copper Age children experienced high rates of respiratory illness (details) (details)

What if the Earth has an energy system similar to the meridians in the human body?In this fascinating conversation, Vanessa Soul sits down with consciousness researcher, dowser, and earth healing practitioner Lux Lingen to explore ley lines, Hartmann lines, sacred sites, earth grids, EMFs, dowsing, shamanic healing, and the hidden energetic networks that may influence our health, sleep, intuition, and connection to the planet.Lux shares his personal journey from corporate success to spiritual exploration, explains how Earth's subtle energy systems work, and offers practical ways to begin working with these energies in your own life. Whether you're curious about sacred geometry, earth healing, consciousness studies, dowsing, or energetic wellness, this episode opens the door to a deeper relationship with the living intelligence of our planet.⏱️ Timestamps00:00 Episode Preview01:04 Introduction & Meet Lux Lingen01:49 Who Is Lux Lingen? Leaving the Mainstream Path03:36 Sacred Sites, Stonehenge & The Beginning of His Journey10:40 What Are Ley Lines & Earth's Energy Grids?17:19 How Earth's Energy Lines Affect Sleep & Well-Being22:17 EMFs, Wi-Fi & Their Impact on Earth Energies31:41 What Is Earth Healing?38:09 Seeing Grids in the Sky & Multiple Energy Networks42:09 How to Start Dowsing & Working With Earth Energy46:13 Where to Find Lux & Final Thoughts

Kayleigh During is no ordinary history buff. What started as a coping mechanism during a difficult health journey has blossomed into a thriving YouTube channel with over 240,000 subscribers. Today, she pulls back the curtain on the person behind "History with Kayleigh," revealing the profound journey that led her to become a respected voice in ancient history education.From her earliest childhood memories of discovering Stonehenge in her mother's encyclopedia to her current status as a female creator in a predominantly male space, Kayleigh's story is one of passion, resilience, and determination. She articulates a fascinating perspective on humanity's shift from communal societies to competitive ones during the late Stone Age and early Bronze Age – a transition she characterizes with disarming simplicity as the moment when "it's shiny, it's mine" became our collective mindset.The conversation takes a sobering turn as Kayleigh candidly discusses the dark side of internet fame. Despite creating educational content about ancient civilizations, megalithic structures, and archaeological discoveries, she regularly faces harassment, sexualization, and boundary violations from a subset of male viewers who seem unable to see past her gender. Her experience reveals the troubling reality many female content creators navigate daily – from implementing extra safety measures while traveling to developing mental health strategies for processing online abuse.Yet through it all, Kayleigh maintains an inspiring outlook. She's transformed her passion into a career that freed her from disability payments, built meaningful connections with her audience, and created a platform where complex historical concepts become accessible to everyone. Her methods for staying grounded – from nature walks to mindful breathing – offer valuable insights for anyone facing challenges in our hyperconnected world.Whether you're fascinated by ancient history, curious about the realities of content creation, or simply interested in a remarkable human story, this episode offers a thoughtful exploration of what it means to share your passion with the world while protecting your humanity. Subscribe now and discover more conversations that explore the fascinating people behind the public personas.https://www.youtube.com/@HistoryWithKayleighBecome a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Gemini New Moon Galactic Astrology. The New Moon on June 14, 2026 is at 24 degrees conjunct Orion-Meissa. The ruler of the New Moon is Mercury. Download the Galactic Alignments Reference Guide: https://ulrikasullivan.com/galactic-alignments-1NEW!! *LIVING FROM THE HEART*: SPECIAL 30 min Reading *LIMITED TIME to May 31, 2026: https://ulrikasullivan.thrivecart.com/living-from-the-heart-30/For Business Owners - https://ulrikasullivan.com/businessBook a galactic astrology reading with Ulrika: https://ulrikasullivan.com/readingsUlrika's book Wisdom Beyond What You Know: https://www.amazon.com/Wisdom-Beyond-What-You-Know/dp/B0BMWF4S82/#2026astrology astrology #futurehuman #multidimensional #quantumhealing #galacticastrology #quantumsoul #souljourney The three galactic energetic themes of the Gemini New Moon Galactic Astrology video are:HEART DISCERNMENT - New Moon, Orion-MeissaA GLIMPSE OF THE FUTURE - minor grand trine with Venus in Leo opposite Aquila AltairLEY LINE ACTIVATION - Mercury conjunct asteroid Psyche (16) and asteroid Stonehenge (9325)The Members-only video the THE NEW EARTH WAY we explore the conjunction between Saturn, Vesta, Pallas and Salacia 12-14 Aries all conjunct Andromeda-Alpheratz.CLIENT TESTIMONIAL: “I looooved your reading so much! It was really exciting to learn about my soul journey and soul essence as well as my strengths and weaknesses and skills that I had developed in the past reincarnations! It also revealed lessons that I have for this incarnation and showed me how some of my soul memories are affecting my life experience now. I was so impressed with your expansive knowledge and wisdom! I love that you use your intuition too. I am so happy we got to meed in Sedona and I truly appreciate your generosity and beautiful heart. Much love dear Ulrika. I hope our paths will cross again.”-Ela Ulrika Sullivan is a former scientist turned author, intuitive spiritual life coach, and galactic astrologer. She is passionate about helping people connect with their galactic multidimensional true selves, so they can live from the heart with more ease and flow. Ulrika is the author of Wisdom Beyond What You Know: How to Shift from Being Driven by the Mind to Living from the Heart and Intuition, the creator of the New Light Living - See Your Life in a New Light podcast.Follow Ulrika on social media:http://facebook.com/ulrikasullivancoachhttp://instagram.com/ulrikasullivanhttp://pinterest.com/ulrikasullivanhttps://www.linkedin.com/in/usullivan/https://twitter.com/SullivanUlrika-------------------------------------------------------------------Please note: New Light Living podcast is for entertainment purposes only.

Gemini New Moon Galactic Astrology. The New Moon on June 14, 2026 is at 24 degrees conjunct Orion-Meissa. The ruler of the New Moon is Mercury. Download the Galactic Alignments Reference Guide: https://ulrikasullivan.com/galactic-alignments-1NEW!! *LIVING FROM THE HEART*: SPECIAL 30 min Reading *LIMITED TIME to May 31, 2026: https://ulrikasullivan.thrivecart.com/living-from-the-heart-30/For Business Owners - https://ulrikasullivan.com/businessBook a galactic astrology reading with Ulrika: https://ulrikasullivan.com/readingsUlrika's book Wisdom Beyond What You Know: https://www.amazon.com/Wisdom-Beyond-What-You-Know/dp/B0BMWF4S82/#2026astrology astrology #futurehuman #multidimensional #quantumhealing #galacticastrology #quantumsoul #souljourney The three galactic energetic themes of the Gemini New Moon Galactic Astrology video are:HEART DISCERNMENT - New Moon, Orion-MeissaA GLIMPSE OF THE FUTURE - minor grand trine with Venus in Leo opposite Aquila AltairLEY LINE ACTIVATION - Mercury conjunct asteroid Psyche (16) and asteroid Stonehenge (9325)The Members-only video the THE NEW EARTH WAY we explore the conjunction between Saturn, Vesta, Pallas and Salacia 12-14 Aries all conjunct Andromeda-Alpheratz.CLIENT TESTIMONIAL: “I looooved your reading so much! It was really exciting to learn about my soul journey and soul essence as well as my strengths and weaknesses and skills that I had developed in the past reincarnations! It also revealed lessons that I have for this incarnation and showed me how some of my soul memories are affecting my life experience now. I was so impressed with your expansive knowledge and wisdom! I love that you use your intuition too. I am so happy we got to meed in Sedona and I truly appreciate your generosity and beautiful heart. Much love dear Ulrika. I hope our paths will cross again.”-Ela Ulrika Sullivan is a former scientist turned author, intuitive spiritual life coach, and galactic astrologer. She is passionate about helping people connect with their galactic multidimensional true selves, so they can live from the heart with more ease and flow. Ulrika is the author of Wisdom Beyond What You Know: How to Shift from Being Driven by the Mind to Living from the Heart and Intuition, the creator of the New Light Living - See Your Life in a New Light podcast.Follow Ulrika on social media:http://facebook.com/ulrikasullivancoachhttp://instagram.com/ulrikasullivanhttp://pinterest.com/ulrikasullivanhttps://www.linkedin.com/in/usullivan/https://twitter.com/SullivanUlrika-------------------------------------------------------------------Please note: New Light Living podcast is for entertainment purposes only.

Mindless Banter 150: Ley Lines Episode Description Ley lines are one of those weird topics that show up everywhere once you know what they are. Ancient sites, stone circles, old churches, UFO sightings, earth energy, fairy roads, portals, vortexes, and even places like Skinwalker Ranch all get pulled into the conversation. In this episode, we look at where the ley line idea started, how it got weird, why skeptics think it's map nerd garbage, and why it still makes for a perfect Mindless Banter rabbit hole. Episode Breakdown

No oitavo episódio do programa Historicizando Sítios Arqueológicos, os alunos Davi Ribeiro Santos Faria, João Vitor Mello de Oliveira, Lucas Emanuel Amaral e Miguel Scheffer Lucietto conversam sobre o sítio arqueológico inglês de Stonehenge, suas características e história. Depois de três fases de construção, trata-se de um conjunto de dois círculos de pedras concêntricos, com 110 metros de largura no círculo externo, pensado e construído por comunidades agrícolas do período Neolítico, por volta de 3.000 a.C., com pedras pesadas trazidas de muitos quilômetros de distância.

Mythical Ireland embodies the search for a soul among Ireland's ancient ruins, and is an attempt to retrieve something of deeper import from 5,000-year-old megalithic monuments and their associated myths. The book represents a fascinating and engaging journey through time, landscape and the human spirit. Dealing with archaeology, interpretive mythography, cosmology and cosmogony, the book attempts to grapple with a core meaning, something beyond the functional interpretations of academia.In this revised and expanded edition, Anthony Murphy delves further into the many enthralling aspects of this journey. Just how much knowledge did locals have of the secrets of Newgrange before it was excavated? Who is the Cailleach, the ancient hag goddess whose image is ubiquitous in the ancient landscape? What happened to make Ireland's Stonehenge disappear from the landscape? Who were the first kings of Tara? What were the indigenous Irish myths about the Milky Way? Did someone try to steal the Tara Brooch? Why are there myths in Ireland about flooded towns and cities?Lavishly illustrated with exquisite photographs of the Irish landscape and ancient monuments, Mythical Ireland represents a personal and yet universal journey, a quest to reimagine the shrines as empowering and transformative sacred places. Murphy invokes the druids and poets of the Boyne and thus the sídhe of the ancient texts are reawakened for a modern and turbulent world.I'm an author and journalist living in Drogheda, Ireland. I've been writing since I was about five, and even in my early years I was banging away on my father's old typewriter. I'm interested in many things, but my books are primarily inspired by the ancient myths and monuments of the Boyne Valley, where the world-famous stone age monuments of Newgrange, Knowth and Dowth are located, only a few miles from where I live.www.mythicalireland.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Thousands of New Yorkers and visitors will crowd the major east-west streets of Manhattan the next couple of afternoons – all to watch the setting Sun. Weather permitting, the Sun will be perfectly framed by the island’s urban canyons as it descends over the Hudson River. The event is known as Manhattanhenge. It’s named for Stonehenge, the ancient monument in England. Its stones appear to have been aligned with key sunrise and sunset points, and other events. Manhattan produces its own alignments. The island is laid out in a perfect grid, and there are no obstructions along the horizon to block the Sun. The special sunset alignment occurs twice per year, about three weeks before and after the summer solstice, in June. Today, the Sun will be half above and half below the horizon at the peak viewing time. Tomorrow, the full solar disk will stand directly atop the horizon. That sequence is reversed on the nights of July 12th and 13th. Manhattanhenge has become a popular tourist attraction. The streets are clogged by a half hour before sunset. And some venues hold special events to celebrate the view. New York isn’t the only city where you can see the Sun setting between the buildings. But few offer the same alignment of streets and the open horizon provided by Manhattan. Script by Damond Benningfield

Play The Mighty Challenge, Thursday May 28 edition to see if you have the answer!

Randall Carlson who is an architectural designer, geometrician, geo-mythologist, and geological explorer, joins us today in the tent for a fascinating conversation on the sacred geometry of Stonehenge, Freemasonry's ancient knowledge, and other interesting topics... WELCOME TO CAMP!

CODEX GIGAS, LA BIBLIA DEL DIABLO. En la penumbra de una celda de un monasterio medieval se escribió un extraño libro, el Codex Gigas. Como si aguardara una invocación, su páginas son pesadas como votos monásticos, y parecen abrirse solo ante quienes aceptan el riesgo de escuchar algo prohibido. Esta noche vamos a conocer un libro extraño, que actualmente se encuentra en la Biblioteca Nacional de Suecia, en cuyo origen hay una terrible leyenda. Una obra supuestamente sobrenatural, de la que emerge la figura del diablo. Nuestro colaborador, el escritor e investigador Cristian Puig, ha viajado recientemente a Estocolmo y ha podido conocer el “Codex Gigas”. En este programa nos habló de ello. STONEHENGE: LA MÁQUINA DEL SILENCIO En el corazón de la llanura de Salisbury, donde la tierra guarda secretos más antiguos que la memoria humana, se alza Stonehenge… un círculo de gigantes que desafía al tiempo. Durante milenios, estas piedras han observado solsticios, rituales y sombras que nadie ha logrado descifrar por completo. ¿Fue un templo? ¿Un calendario? ¿Una puerta hacia lo desconocido?. Investigaciones recientes han descubierto increíbles propiedades acústicas entre las piedras que conforman el círculo milenario que hacen pensar en conocimientos tecnológicos sorprendentes para la época en que se construyó el monumento. Hace unas semanas el equipo del programa viajó a Stonehenge para sentir la magia del enclave. Recientemente el equipo el programa viajó a Stonehenge y hoy conectamos con nuestro colaborador y corresponsal en el Reino Unido, José Antonio Tovar, para que desde Bristol nos hablase del enigma prehistórico de Stonehenge. Dirección, guion y presentación: Joaquín Abenza. Producción, documentación y redes sociales: María José Garnández. Con la colaboración de: Juan Sánchez y Concha Soler Blog del programa: http://www.elultimopeldano.blogspot.com.es/ Programas emitidos en ORM: https://www.orm.es/programas/elultimopeldano/ Programas emitidos en 7 TV: https://www.la7tv.es/blog/section/el-ultimo-peldano/ WhatsApp: +34 644 823 513 Correo electrónico: escaleradelmisterio@rtrm.es Programa emitido en Onda Regional de Murcia.

No lo vas a creer, pero los buceadores encontraron algo increíble en el fondo del lago Michigan: un círculo de piedras más antiguo que Stonehenge. Sí, aparentemente el Medio Oeste ha estado guardando secretos antiguos todo este tiempo. Fue descubierto por accidente mientras los investigadores escaneaban el fondo del lago en busca de naufragios (¡giro inesperado!). Las piedras están dispuestas en un círculo, y una incluso tiene lo que parece ser una talla de un mastodonte. Nadie está 100% seguro de quién lo construyó o por qué, pero está claro que data de hace mucho tiempo. Te hace preguntar, ¿qué más estará escondido bajo esos Grandes Lagos, verdad? Learn more about your ad choices. Visit megaphone.fm/adchoices

Stonehenge has always been a mystery, but now there's an even bigger puzzle—ancient houses have been found nearby, and they shouldn't be there!

El fenómeno ovni en Gran Bretaña Desde enclaves antiguos como Stonehenge hasta el fenómeno de los círculos en las cosechas y los avistamientos modernos de ovnis, Gran Bretaña es un lugar lleno de misterios. ¿Es posible que, a lo largo de la historia, esta isla haya sido un destino para visitantes extraterrestres? Misterios de los dioses nórdicos Las antiguas leyendas nórdicas parecen sacadas de la ciencia ficción moderna, con dioses poderosos que empuñan armas increíbles y poseen tecnología avanzada. ¿Es posible que estos relatos mitológicos se basen en encuentros reales con seres extraterrestres que aún hoy visitarían nuestro planeta?

Two actors, both alike in intellect, in fair zoom meeting where we lay our quiz.That's right my friends, we've gone full Shakespeare for this one because this episode's guests, Charles and Josephine Mayer, live and breathe the Bard.Their theatre company - which is named after a quote from the Scottish Play "Come You Spirits" - has for the last few years been producing exclusively the works of William Shakespeare in some wild surrounds - including on board a tall ship sailing on Sydney Harbour, the sands of a riverbank and atop a Full Scale Granite Replica of Stonehenge in Western Australia.It seems almost pedestrian that they're about to perform their pared back Romeo and Juliet in an actual theatre!This podcast is made on the land belonging to the Wurundjeri people of the Kulin nation. We pay our respect to their elders past and present and acknowledge their traditions of sharing knowledge and stories for millennia on this land.Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 6/6 - Stonehenge : temple sacré ou machine du temps ?Pourquoi Stonehenge a-t-il été construit avec une telle précision ?Simple lieu de culte, centre de guérison… ou véritable instrument pour comprendre le ciel ?Dans cet épisode, nous plongeons au cœur de l'un des plus grands mystères de l'histoire. À partir des découvertes archéologiques et des recherches sur l'astronomie préhistorique, nous explorons une hypothèse fascinante : Stonehenge aurait été bien plus qu'un sanctuaire.Alignements solaires, cycles lunaires, calcul des éclipses, géométrie sacrée… les bâtisseurs semblent avoir conçu un système complexe capable de mesurer le temps, d'organiser les saisons et peut-être même de prévoir l'avenir.Mais derrière cette maîtrise du cosmos se cache un enjeu fondamental : le pouvoir.Car dans ces sociétés anciennes, comprendre le ciel, c'est aussi dominer les hommes.Alors, Stonehenge était-il un temple, un calendrier… ou une machine destinée à asseoir une autorité ?Un voyage captivant entre archéologie, astronomie et croyances, à la frontière entre science et mystère. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 5/6 - Stonehenge : temple sacré ou machine du temps ?Pourquoi Stonehenge a-t-il été construit avec une telle précision ?Simple lieu de culte, centre de guérison… ou véritable instrument pour comprendre le ciel ?Dans cet épisode, nous plongeons au cœur de l'un des plus grands mystères de l'histoire. À partir des découvertes archéologiques et des recherches sur l'astronomie préhistorique, nous explorons une hypothèse fascinante : Stonehenge aurait été bien plus qu'un sanctuaire.Alignements solaires, cycles lunaires, calcul des éclipses, géométrie sacrée… les bâtisseurs semblent avoir conçu un système complexe capable de mesurer le temps, d'organiser les saisons et peut-être même de prévoir l'avenir.Mais derrière cette maîtrise du cosmos se cache un enjeu fondamental : le pouvoir.Car dans ces sociétés anciennes, comprendre le ciel, c'est aussi dominer les hommes.Alors, Stonehenge était-il un temple, un calendrier… ou une machine destinée à asseoir une autorité ?Un voyage captivant entre archéologie, astronomie et croyances, à la frontière entre science et mystère. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 4/6 - Stonehenge : temple sacré ou machine du temps ?Pourquoi Stonehenge a-t-il été construit avec une telle précision ?Simple lieu de culte, centre de guérison… ou véritable instrument pour comprendre le ciel ?Dans cet épisode, nous plongeons au cœur de l'un des plus grands mystères de l'histoire. À partir des découvertes archéologiques et des recherches sur l'astronomie préhistorique, nous explorons une hypothèse fascinante : Stonehenge aurait été bien plus qu'un sanctuaire.Alignements solaires, cycles lunaires, calcul des éclipses, géométrie sacrée… les bâtisseurs semblent avoir conçu un système complexe capable de mesurer le temps, d'organiser les saisons et peut-être même de prévoir l'avenir.Mais derrière cette maîtrise du cosmos se cache un enjeu fondamental : le pouvoir.Car dans ces sociétés anciennes, comprendre le ciel, c'est aussi dominer les hommes.Alors, Stonehenge était-il un temple, un calendrier… ou une machine destinée à asseoir une autorité ?Un voyage captivant entre archéologie, astronomie et croyances, à la frontière entre science et mystère. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 3/6 - Stonehenge : temple sacré ou machine du temps ?Pourquoi Stonehenge a-t-il été construit avec une telle précision ?Simple lieu de culte, centre de guérison… ou véritable instrument pour comprendre le ciel ?Dans cet épisode, nous plongeons au cœur de l'un des plus grands mystères de l'histoire. À partir des découvertes archéologiques et des recherches sur l'astronomie préhistorique, nous explorons une hypothèse fascinante : Stonehenge aurait été bien plus qu'un sanctuaire.Alignements solaires, cycles lunaires, calcul des éclipses, géométrie sacrée… les bâtisseurs semblent avoir conçu un système complexe capable de mesurer le temps, d'organiser les saisons et peut-être même de prévoir l'avenir.Mais derrière cette maîtrise du cosmos se cache un enjeu fondamental : le pouvoir.Car dans ces sociétés anciennes, comprendre le ciel, c'est aussi dominer les hommes.Alors, Stonehenge était-il un temple, un calendrier… ou une machine destinée à asseoir une autorité ?Un voyage captivant entre archéologie, astronomie et croyances, à la frontière entre science et mystère. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour écouter l'émission en une fois, sans pub, et profiter du Bonus : https://m.audiomeans.fr/s/S-tavkjvmo 2/6 - Stonehenge : temple sacré ou machine du temps ?Pourquoi Stonehenge a-t-il été construit avec une telle précision ?Simple lieu de culte, centre de guérison… ou véritable instrument pour comprendre le ciel ?Dans cet épisode, nous plongeons au cœur de l'un des plus grands mystères de l'histoire. À partir des découvertes archéologiques et des recherches sur l'astronomie préhistorique, nous explorons une hypothèse fascinante : Stonehenge aurait été bien plus qu'un sanctuaire.Alignements solaires, cycles lunaires, calcul des éclipses, géométrie sacrée… les bâtisseurs semblent avoir conçu un système complexe capable de mesurer le temps, d'organiser les saisons et peut-être même de prévoir l'avenir.Mais derrière cette maîtrise du cosmos se cache un enjeu fondamental : le pouvoir.Car dans ces sociétés anciennes, comprendre le ciel, c'est aussi dominer les hommes.Alors, Stonehenge était-il un temple, un calendrier… ou une machine destinée à asseoir une autorité ?Un voyage captivant entre archéologie, astronomie et croyances, à la frontière entre science et mystère. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's the end of the universe as Moffat knows it, and somehow we feel fine. The Pandorica Opens and The Big Bang two-parter throws every monster in the closet at Stonehenge, locks the Doctor in the most mythic box since the TARDIS, shoots Amy, explodes reality, gives Rory 2,000 years of plastic husband duty, and then fixes everything with a wedding phrase. Does it all make sense? Frequently! Does it cheat? Occasionally! Does it still make Team PTO cry happy tears? Like Karen Gillan reading the deepest-blue terms and conditions. Join us as we salute Matt Smith yelling at spaceships, interrogate Moffat's monster fan service, ponder whether Sutekh got rebooted with the TARDIS, and ask whether this fairy-tale finale is really as good as we remember.Give your own rating for The Pandorica Opens and The Big Bang on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Subscribe to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and become a True Companion of the podcast to get new episodes before everyone else!Subscribe to our newsletter at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pulltoopen.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for extended notes on The Pandorica Opens and The Big Bang.Support the podcast by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠becoming a patron⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ of Pull To Open on Patreon.Please review Pull To Open on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Timeline:Intro 00:00:00Previously… 00:02:12Whomoji Challenge 00:12:27POLL To Open 00:15:39Comment of the Week 00:17:56TL;DW 00:24:11Review: The Pandorica Opens/The Big Bang 00:27:39Four Questions to Doomsday 01:02:20What If the Evil Plot Had Succeeded? 01:06:17Where Is the Clara Splinter? 01:12:45Final Judgment 01:19:44Randomizer! 01:24:24Follow us on:TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen63⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen63⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen63⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen63⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pulltoopen⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Play ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pull To Open Bingo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Story EssentialsSeries 5, Episodes 12 & 13Story number: 215, per the The Pull To Open CodexWriter: Steven MoffatDirector: Toby HaynesScript Editor: Lindsey AlfordProducer: Peter BennettExecutive Producers: Steven Moffat, Piers Wenger and Beth WillisAired 19–26 June 2010Pull To Open: The Pandorica Opens | The Big BangSeason 7Episode 10Hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pete Pachal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chris Taylor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music: Martin West/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thinking Fish⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠©️AnyWho Media LLC 2026Doctor Who ©️BBC 1963

Pour écouter l'émission en une seule fois et profiter du Bonus :https://m.audiomeans.fr/s/S-tavkjvmo 1/6 - Stonehenge : temple sacré ou machine du temps ?Pourquoi Stonehenge a-t-il été construit avec une telle précision ?Simple lieu de culte, centre de guérison… ou véritable instrument pour comprendre le ciel ?Dans cet épisode, nous plongeons au cœur de l'un des plus grands mystères de l'histoire. À partir des découvertes archéologiques et des recherches sur l'astronomie préhistorique, nous explorons une hypothèse fascinante : Stonehenge aurait été bien plus qu'un sanctuaire.Alignements solaires, cycles lunaires, calcul des éclipses, géométrie sacrée… les bâtisseurs semblent avoir conçu un système complexe capable de mesurer le temps, d'organiser les saisons et peut-être même de prévoir l'avenir.Mais derrière cette maîtrise du cosmos se cache un enjeu fondamental : le pouvoir.Car dans ces sociétés anciennes, comprendre le ciel, c'est aussi dominer les hommes.Alors, Stonehenge était-il un temple, un calendrier… ou une machine destinée à asseoir une autorité ?Un voyage captivant entre archéologie, astronomie et croyances, à la frontière entre science et mystère. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In the Bible, the Amorites are an ancient, Canaanite people, described as extremely powerful warriors who clashed often with the Israelites in the Old Testament. Believe it or not, the Amorites may have had a settlement beyond the Middle East. According to Fritz Zimmerman, an explorer and writer, the Amorites were likely the advanced tribe behind the mysterious and extremely complex Ohio Mounds and earthworks, thought to be thousands of years old. These ancient burial mounds have been found to hold skeletons, as well as cremated remains. Fritz describes the advanced mathematics that would have gone into creating these earthworks. He also compares unusual human skulls found in Stonehenge to seemingly identical skulls found in Ohio. How did the Amorites end up in North America? Some were scattered there after the Flood, Fritz notes, and absorbed into the Dakota, a Native American tribe within the broader Sioux. TAKEAWAYS Fritz says the skulls in Ohio and across the ocean in Stonehenge suggest a different supernatural species The burial mounds in Ohio are extremely famous, and many are World Heritage Sites Some believe that the untethered souls of these Nephilim Amorites still roam Ohio, sparking supernatural phenomena The Amorites controlled Babylon for several centuries before their rule was ended by the Hittites

What happens when you finally get to mix Spinal Tap in Dubly Atmos? You turn it up to 11, of course!My guest today is Grammy-nominated engineer and mixer Steve Genewick, joining us from his Atmos room in Los Angeles to walk us through the wild, hilarious, and surprisingly heartfelt process of capturing and mixing the new "Spinal Tap II: The End Continues" soundtrack and album. In this episode, Steve talks about working directly with Christopher Guest, Michael McKean, and Harry Shearer; recording their live vocals; tracking the band as a real rock group; and assembling a full dubly Atmos experience that honors the original film while pushing the new one into immersive territory.We dig into the whole workflow - from the Beyerdynamic M500 ribbon mics he labeled as Nigel, David, and Derek… to tracking full songs live at The Village… to mixing the concert sequences for the film… to remixing "Break Like the Wind" in Atmos using the original 1990s analog tapes that had to be transferred from tape box track sheets. Steve also talks about Spinal Tap's actual backstory, the improvised nature of the films, working directly with Rob Reiner, and why the guys are not in character in the studio - except when it's time to sound "more Nigel."We also go deep into Atmos and orchestral recording, Steve's work on classic jazz records (Miles Davis, Art Blakey, Freddie Hubbard), his remixing of the "Jaws" and "Jaws 2" soundtracks, and how immersive music translates between speakers, earbuds, and soundbars. Steve explains LFE strategy, subwoofer layouts, mixing bass into objects, and why a great Atmos mix is not about flying things around the room — it's about clarity, space, and emotional impact. And yes, we do talk about Stonehenge… the pizza pedal… the cheese guitar… and whether mixing break like the wind is allowed in the control room.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts May 11, 2026 https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK30 to get 1 month free of NI 360!https://www.spectra1964.comhttps://gracedesign.com/https://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Apple Music:https://music.apple.com/us/playlist/steve-genewick-atmos-mixes/pl.u-76oNkrMF1JKbpIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/556

In 1979, a man using a pseudonym built a strange monument in Elberton, Georgia. Called “America's Stonehenge" by some, the massive granite monolith known as the Georgia Guidestones attracted conspiracy theories and controversy until July 2022, when someone blew them up. Those two mysteries—who built the Guidestones and who destroyed them—are at the heart of a new narrative podcast series from Goat Rodeo and the Atlanta Journal-Constitution called “Who Blew Up the Guidestones?”Lawfare Editor in Chief Benjamin Wittes sits down with some of the team behind the show, including its host, Lawfare Managing Editor Tyler McBrien; series lead producer Megan Nadolski of Goat Rodeo; and Charles Minshew, senior editor of data journalism at the Atlanta Journal-Constitution. They talk about the origins of the Guidestones and their creator, the Georgia Bureau of Investigation, over-the-counter explosives, QAnon, and much, much more.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

The first crop circle of 2026 has appeared — and Patty Greer believes it may be arriving at exactly the right time. In this episode, Michael Jaco welcomes back renowned crop circle researcher and filmmaker Patty Greer to discuss the newest formation of 2026, what it may symbolize, and why these mysterious circles continue to appear around sacred sites in southern England. Patty shares her firsthand experiences spending summers near Stonehenge, Avebury, and Glastonbury, where dozens of crop circles would appear within a small radius around these ancient energetic locations. She explains how these sites have drawn seekers, pilgrims, and wisdom keepers for thousands of years and why she believes the geometry and energy of the crop circles are deeply connected to these sacred landscapes. Michael and Patty also explore the connection between intuition and awareness. At the beginning of the show, they discuss why they both use C60 EVO and how it helps them feel more mentally clear, focused, and intuitive before diving into deeper conversations. The episode also covers: • The meaning behind the first crop circle of 2026 • Why crop circles often appear near Stonehenge, Avebury, and Glastonbury • Ancient sacred geometry and mathematical precision in the formations • The connection between intuition, consciousness, and heightened awareness • Why Patty believes these circles may carry messages for humanity during times of change Patty also shares why she recommends C60 EVO and ESS60. ESS60 is C60 EVO's proprietary, high-purity form of Carbon 60 — a unique fullerene molecule suspended in carefully selected extra virgin olive oil. Michael and Patty discuss how they believe it supports clarity, energy, and intuition. Learn more about Patty Greer and her crop circle films: https://cropcirclefilms.com Find Patty Greer's crop circle books and films on Amazon: https://www.amazon.com/s?k=patty+greer+crop+circles&adgrpid=1337008521954902&hvadid=83563292859676&hvbmt=be&hvdev=c&hvlocphy=92262&hvnetw=o&hvqmt=e&hvtargid=kwd-83564067544305%3Aloc-190&hydadcr=7664_13467799&mcid=63c614150a2c333e9ac7a27ddf9fe0c9&tag=mh0b-20&ref=pd_sl_23uxyv8ndn_e Learn more about C60 EVO: https://www.c60evo.com/unleashingintuition/ Use Coupon Code EVUI to save $15 off your initial order!

Gary Lachman in conversation with David Eastaugh https://www.amazon.co.uk/Touched-Presence-Blondies-Bowery-Occult/dp/B0DSV388DQ https://www.gary-lachman.com/ https://garylachman.co.uk/ In this memoir, Lachman recounts how he went from being a successful rock and roller to a writer on consciousness and the Western inner tradition. He shares encounters with rockers such as the Ramones, New York Dolls, Patti Smith, the Rolling Stones, David Bowie, and Iggy Pop and also his time with Timothy Leary, William Burroughs, and Allen Ginsberg. Living with Blondie's Debbie Harry and Chris Stein on New York's Bowery, a block from CBGB, the birthplace of punk rock, Lachman discovered occultism via a follower of Aleister Crowley. Post rock and roll, Lachman's occult studies brought him to the Golden Dawn, Manly P. Hall, Gnosticism, and a stint in Crowley's O.T.O. He details his time in the Fourth Way, including a visit to the site of Gurdjieff 's Institute for the Harmonious Development of Man in France, and his years studying philosophy and literature and working as a science writer while managing a famous metaphysical bookshop at the height of the New Age movement. Excursions to Stonehenge, Avebury, and Glastonbury in search of ley lines and pilgrimages to Colin Wilson's home in Cornwall are a few of the highlights of this introspective, often humorous account of a nascent writer's struggle from rock and roll to individuation.

The Georgia Guidestones were a 19‑foot‑tall, Stonehenge‑like tourist attraction commissioned in 1980 by an anonymous benefactor. Its purpose was unclear, and its granite inscriptions about population control made some uneasy. When an explosion destroyed the Guidestones in 2022, some brushed it off as a prank. But controversy around the monument had been growing among evangelicals, right‑wing politicians, and conspiracy theorists. The unsolved case has raised the question of who blew up the Georgia Guidestones — and the more troubling question of why. The podcast “Who Blew Up the Guidestones?” from The Atlanta Journal‑Constitution and Goat Rodeo digs into the case, exploring the monument's mysterious origins, its enigmatic purpose, and the many groups who wanted it destroyed. Host Tyler O'Brien investigates the explosion and identifies a new suspect. Was the bombing an act of mindless vandalism or a sinister act of domestic terrorism? OUR SPOILER-FREE REVIEWS OF "WHO BLEW UP THE GUIDESTONES?" BEGIN IN THE FINAL 11 MINUTES OF THE EPISODE. For exclusive podcasts and more, sign up at Patreon.Sign up for our newsletter at crimewriterson.com.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

BE WARNED: It's LuAnna, and this podcast contains honest, upfront opinions, rants, bants and general explicit content. But you know you love it!It's time to get TOTALLY EXTRA. Extra chat, extra rants, extra bants, extra stories, nonsense and more.On this week's Totally Extra: there's more wild twin chat including synchronised periods, telepathy and the all-important question of whether identical twins have identical dicks, one listener celebrates buying her ex out of the family home and building her own financial independence, the girls revisit old Luanna hypocrisy over dog Instagram accounts, and the confessions are absolutely feral with someone licking up "gravy" and another listener period-pranking her boyfriend in the dark.Remember, if you want to get in touch you can:Email us at luanna@everythingluanna.com OR drop us a WhatsApp on our NEW NUMBER: 07521564640Please review Global's Privacy Policy: https://global.com/legal/privacy-policy/

Part one of this quarter's edition of Unearthed! includes animals, artwork, edibles and potables, shipwrecks, potpourri. Research: Abdallah, Hannah. “Analysis of charred food in pot reveals that prehistoric Europeans had surprisingly complex cuisines.” EurekAlert. 3/4/2025. https://www.eurekalert.org/news-releases/1117763 Almeroth-Williams, Thomas. “British redcoat’s lost memoir reveals harsh realities of life as a disabled veteran.” EurekAlert. 1/14/2026. https://www.eurekalert.org/news-releases/1111595 Anderson, Sonja. “Does This Skeleton Found Beneath a Dutch Church Belong to D’Artagnan, the Man Who Inspired ‘The Three Musketeers’?” Smithsonian. 3/27/2026. https://www.smithsonianmag.com/smart-news/this-skeleton-found-beneath-the-floor-of-a-dutch-church-may-belong-to-dartagnan-the-fourth-musketeer-180988448/ Anderson, Sonja. “Historians Thought This Rare Renaissance Portrait by One of the First Famous Female Artists Was Lost to History—Until It Surfaced in North Carolina.” 2/3/2026. https://www.smithsonianmag.com/smart-news/historians-thought-this-rare-renaissance-portrait-by-one-of-the-first-famous-female-artists-was-lost-to-history-until-it-surfaced-in-north-carolina-180988120/ Anderson, Sonja. “Hundreds of Ancient Roman Blade Sharpeners Emerge From a Riverbank in England, Revealing the Ruins of a 2,000-Year-Old Whetstone Factory.” Smithsonian. 1/20/2026. https://www.smithsonianmag.com/smart-news/hundreds-of-ancient-roman-blade-sharpeners-emerge-from-a-riverbank-in-england-revealing-the-ruins-of-a-2000-year-old-whetstone-factory-180988016/ Anderson, Sonja. “The Italian Government Just Paid Nearly $35 Million for a Rare Caravaggio Portrait—One of the Most Expensive Artworks It’s Ever Acquired.” Smithsonian. 3/16/2026. https://www.smithsonianmag.com/smart-news/the-italian-government-just-paid-nearly-35-million-for-a-rare-Caravaggio-portrait-one-of-the-most-expensive-artworks-its-ever-acquired-180988344/ Arnold, Paul. “Poop as medicine? A Roman vial's chemistry backs up ancient medical texts.” Phys.org. 2/4/2026. https://phys.org/news/2026-02-poop-medicine-roman-vial-chemistry.html Arnold, Paul. “Scents of the afterlife: Identifying embalming recipes by 'sniffing' the air around Egyptian mummies.” Phys.org. 2/5/2026. https://phys.org/news/2026-02-scents-afterlife-embalming-recipes-sniffing.html#google_vignette Bacon, Jordan. “English history’s biggest march is a myth – King Harold sailed to the Battle of Hastings.” EurekAlert. 3/20/2026. https://www.eurekalert.org/news-releases/1120082 Bastola, Kunjal. “A Groundskeeper Noticed a Sinkhole on a Golf Course. It Turned Out to Be a Wine Cellar Full of Empty Bottles, Untouched for More Than 100 Years.” Smithsonian. 3/19/2026. https://www.smithsonianmag.com/smart-news/a-groundskeeper-noticed-a-sinkhole-on-a-golf-course-it-turned-out-to-be-a-wine-cellar-full-of-empty-bottles-untouched-for-more-than-100-years-180988379/ Bastola, Kunjal. “A Little Boy’s Library Book Was Due in 1989. Thirty-Six Years Later, He Realized His Parents Had Never Returned It.” Smithsonian. 1/26/2026. https://www.smithsonianmag.com/smart-news/a-little-boys-library-book-was-due-in-1989-thirty-six-years-later-he-realized-his-parents-had-never-returned-it-180988046/ Baum, Stephanie. “Ancient parrot DNA reveals sophisticated, long-distance animal trade network pre-dating the Inca Empire.” 3/10/2026. https://phys.org/news/2026-03-ancient-parrot-dna-reveals-sophisticated.html Baum, Stephanie. “From the Late Bronze Age to today, the Old Irish Goat carries 3,000 years of Irish history.” 2/26/2026. https://phys.org/news/2026-02-late-bronze-age-today-irish.html Benzine, Vittoria. “What Did Pompeii Smell Like? A New Study Analyzes Its Ancient Incense.” Artnet. 3/31/2026. https://news.artnet.com/art-world/pompeii-ritual-incense-study-2760240 Brooks, James. “Danish warship sunk by Nelson’s British fleet discovered after 225 years.” Associated Press. 4/2/2026. https://apnews.com/article/denmark-archaeologists-warship-nelson-copenhagen-dannebroge-lynetteholm-4519533d9e774a490f6020e893634e09 Carvajal, Guillermo. “Archaeologists achieve a historic milestone by dating French cave paintings with carbon-14 for the first time.” 3/10/2025. https://www.labrujulaverde.com/en/2026/03/archaeologists-achieve-a-historic-milestone-by-dating-french-cave-paintings-with-carbon-14-for-the-first-time/ Clayworth, Liv. “Bird poop powered the rise of the Chincha Kingdom, archaeologists find.” EurekAlert. 2/11/2026. https://www.eurekalert.org/news-releases/1115214 “Lost page of the Archimedes Palimpsest identified in Blois, central France.” Phys.org. 3/9/2026. https://phys.org/news/2026-03-lost-page-archimedes-palimpsest-blois.html Ehrlich, Claudia. “Signs on Stone Age objects: Precursor to written language dates back 40,000 years.” EurekAlert. 2/23/2026. https://www.eurekalert.org/news-releases/1117179 Ferrer, Isabel. “Is d’Artagnan lying beneath a church in Maastricht? DNA will determine if remains found are those of the famous musketeer.” El Pais. 3/25/2025. https://english.elpais.com/international/2026-03-25/is-dartagnan-lying-beneath-a-church-in-maastricht-dna-will-determine-if-remains-found-are-that-of-the-famous-musketeer.html?outputType=amp Gebauer, Kathryn. “Groundbreaking discovery reveals Africa’s oldest cremation pyre and complex ritual practices.” EurekAlert. 1/1/2016. https://www.eurekalert.org/news-releases/1111191 Harley, Sadie. “Iron Age dental plaque reveals Scythians consumed milk from horses and ruminants.” Phys.org. 1/21/2026. https://phys.org/news/2026-01-iron-age-dental-plaque-reveals.html He, Ye. “Singapore’s first ancient shipwreck reveals record cargo of Yuan dynasty blue-and-white porcelain.” EurekAlert. 2/12/2026. https://www.eurekalert.org/news-releases/1116512 Johansen, Rikke Tørnsø. “Archaeologists reveal a medieval super ship: "It's the World’s largest cog".” Vikingeskibs Museet. 12/22/2025. https://www.vikingeskibsmuseet.dk/en/news/archaeologists-reveal-a-medieval-super-ship-its-the-worlds-largest-cog Kasal, Krystal. “Hannibal's famous war elephants: Single bone in Spain offers first direct evidence.” Phys.org. 2/5/2026. https://phys.org/news/2026-02-hannibal-famous-war-elephants-bone.html Kasal, Krystal. “Oldest known sewn hide and other artifacts from Oregon caves shed light on early clothing in harsh climates.” Phys.org. 2/10/2026. https://phys.org/news/2026-02-oldest-sewn-artifacts-oregon-caves.html Killgrove, Kristina. “Romans used human feces as medicine 1,900 years ago — and used thyme to mask the smell.” 1/29/2026. https://www.livescience.com/archaeology/romans/romans-used-human-feces-as-medicine-1-900-years-ago-and-used-thyme-to-mask-the-smell Killgrove, Kristina. “Stone Age woman was buried like a man, revealing flexible gender roles 7,000 years ago in Hungary.” LiveScience. 3/3/2026. https://www.livescience.com/archaeology/stone-age-woman-was-buried-like-a-man-revealing-flexible-gender-roles-7-000-years-ago-in-hungary Koc University. “Earliest evidence of indigo-dyed textiles and single-needle knitting discovered in Bronze Age Anatolia.” Phys.org. 2/21/2026. https://phys.org/news/2026-02-earliest-evidence-indigo-dyed-textiles.html Kuta, Sarah. “Did Neanderthals Use Birch Bark Tar as an Antibiotic to Treat Wounds and Infections?” Smithsonian. 3/30/2026. https://www.smithsonianmag.com/smart-news/did-neanderthals-use-birch-bark-tar-as-an-antibiotic-to-treat-wounds-and-infections-180988393/ Kuta, Sarah. “Ostrich Eggshells Suggest Our Ancestors May Have Understood Basic Geometry 60,000 Years Ago.” Smithsonian. 3/9/2026. https://www.smithsonianmag.com/smart-news/these-intricately-decorated-ostrich-eggshells-suggest-our-ancestors-may-have-understood-basic-geometry-60000-years-ago-180988315/ Kuta, Sarah. “Ötzi the Iceman May Have Carried a Cancer-Causing Strain of HPV, a Common Virus Still Plaguing Humans Today.” Smithsonian. 1/20/2026. https://www.smithsonianmag.com/smart-news/otzi-the-iceman-may-have-carried-a-cancer-causing-strain-of-hpv-a-common-virus-still-plaguing-humans-today-180988024/ Kuta, Sarah. “Shipwreck Timbers Appeared on a Beach After a Storm. They Had Been Buried Beneath the Sand Since the 17th Century.” Smithsonian. 3/2/2026. https://www.smithsonianmag.com/smart-news/shipwreck-timbers-appeared-on-a-beach-after-a-storm-they-had-been-buried-beneath-the-sand-since-the-17th-century-180988260/ Lawson-Tancred, Jo. “Salvador Dalí’s Largest Work Snapped Up by Florida Museum.” Artnet. 3/27/2026. https://news.artnet.com/market/salvador-dali-largest-work-bonhams-sale-2749246 Lock, Lisa. “Ancient DNA finds 15,800-year-old dogs in Anatolia, buried like humans.” Phys.org. 3/28/2026. https://phys.org/news/2026-03-ancient-dna-year-dogs-anatolia.html Lock, Lisa. “Are one in 200 men really related to Genghis Khan? Maybe not, according to a new study.” Phys.org. 2/21/2026. https://phys.org/news/2026-02-men-genghis-khan.html Lucibella, Michael. “Prehistoric tool made from elephant bone is the oldest discovered in Europe.” EurekAlert. 1/26/2026. https://www.eurekalert.org/news-releases/1113140 Luscombe, Richard. “Mass grave in Jordan sheds new light on world’s earliest recorded pandemic.” The Guardian. 1/31/2026. https://www.theguardian.com/science/2026/jan/31/plague-of-justinian-pandemic net. “Did King Harold Sail to Hastings? New Study Sparks Debate Among Historians.” 3/2026. https://www.medievalists.net/2026/03/did-king-harold-sail-to-hastings-new-study-sparks-debate-among-historians/ net. “Viking-Age Woman Buried with Her Dog in Norway.” 3/2026. https://www.medievalists.net/2026/03/viking-age-woman-buried-with-her-dog-in-norway/ Newcastle University Press Office. “5,300-year-old ‘bow drill’ rewrites story of ancient Egyptian tools.” 2/9/2026. https://www.ncl.ac.uk/press/articles/latest/2026/02/ancientegyptiandrillbit/ Noraz, R., Chauvey, L., Wagner, S. et al. Ancient DNA reveals 4000 years of grapevine diversity, viticulture and clonal propagation in France. Nat Commun 17, 2494 (2026). https://doi.org/10.1038/s41467-026-70166-z Nordin, Gunilla. “World’s oldest arrow poison – 60,000-year-old traces reveal early advanced hunting techniques.” 1/7/2026. https://www.eurekalert.org/news-releases/1111624 Parco Archaeologico de Ercolano. “Archaeology: New precious decorations discovered at Villa Sora in the Herculaneum Park.” 2/5/2026. https://ercolano.cultura.gov.it/archaeology-new-precious-decorations-discovered-at-villa-sora-in-the-herculaneum-park/?lang=en Paul, Andrew. “Hiker finds 3,000-year-old bull sculpture in Spain.” Popular Science. 3/17/2026. https://www.popsci.com/science/hiker-finds-bronze-age-bull-spain/ Potter, Lisa. “A wild potato that changed the story of agriculture in the American Southwest.” EurekAlert. 1/21/2026. https://www.eurekalert.org/news-releases/1113056 “Digital scans unveil new love notes and sketches on ancient Pompeii wall.” 1/19/2026. https://www.reuters.com/science/digital-scans-unveil-new-love-notes-sketches-ancient-pompeii-wall-2026-01-19/ Richard L. Rosencrance et al. ,Complex perishable technologies from the North American Great Basin reveal specialized Late Pleistocene adaptations. Sci. Adv. 12, eaec2916(2026).DOI:10.1126/sciadv.aec2916 Ruse, Amy. “Tasmanian tiger lives on in Arnhem Land rock art.” EurekAlert. 3/30/2026. https://www.eurekalert.org/news-releases/1121955 Ruse, Amy. “World’s oldest rock art holds clues to early human migration to Australia.” EurekAlert. 1/21/2026. https://www.eurekalert.org/news-releases/1112900 Siehoff, Jonas. “Hygienic conditions in Pompeii's early baths were poor.” 1/12/2026. https://www.eurekalert.org/news-releases/1112403 Taçon, P. S. C., A.Jalandoni, S. K.May, J.Nganjmirra, and C.Mungulda. 2026. “The Devil Is in the Detail: Tasmanian Devil and Tasmanian Tiger Paintings From Awunbarna and Injalak Hill, Northern Territory, Australia.” Archaeology in Oceania. https://doi.org/10.1002/arco.70024 The History Blog. “$40 estate sale find by early African-American silversmith sells for $24,000.” 2/4/2026. https://www.thehistoryblog.com/archives/75294 The History Blog. “43,000 ostraca found at one site shed light on social history of Egypt.” 5/15/2026. https://www.thehistoryblog.com/archives/75609 The History Blog. “British Museum acquires Tudor Heart.” 2/10/2026. https://www.thehistoryblog.com/archives/75343 The History Blog. “Exceptional Roman cargo shipwreck found in Lake Neuchâtel.” 3/29/2026. https://www.thehistoryblog.com/archives/75705 The History Blog. “Extraordinary find: 10th c. bronze wheel cross matches mold found 43 years ago.” 1/24/2026. https://www.thehistoryblog.com/archives/75220 The History Blog. “Previously unknown Hans Baldung Grien portrait emerges after 500 years in the sitter’s family.” 1/17/2026. https://www.thehistoryblog.com/archives/75161 The History Blog. “Roman wooden writing tablets from Belgium deciphered.” 1/22/2206. https://www.thehistoryblog.com/archives/75207 Thomas, Laura. “A century-old Stonehenge mystery may finally be solved.” Science Daily. 1/27/2026. https://www.sciencedaily.com/releases/2026/01/260127010208.htm Thorsberg, Christian. “The National Gallery of Art Acquires 17th-Century Masterpiece by Baroque Painter Artemisia Gentileschi.” Smithsonian. 2/7/2026. https://www.smithsonianmag.com/smart-news/the-national-gallery-of-art-acquired-17th-century-masterpiece-by-baroque-painter-artemisia-gentileschi-180988147/ Thorsberg, Christian. “This Luxury Steamer Disappeared on a Stormy Night in 1872. Nearly 150 Years Later to the Day, It Was Found at the Bottom of Lake Michigan.” Smithsonian. 2/18/2026. https://www.smithsonianmag.com/smart-news/this-luxury-steamer-disappeared-on-a-stormy-night-in-1872-nearly-150-years-to-the-day-it-was-found-in-the-bottom-of-lake-michigan-180988204/ Unibo Magazine. “Humanity’s oldest geometries, engraved on ostrich eggs.” https://magazine.unibo.it/en/articles/humanitys-oldest-geometries-engraved-on-ostrich-eggs University of Tübingen. “Earliest hand-held wooden tools found in Greece date back 430,000 years.” Phys.org. 1/1/2026. https://phys.org/news/2026-01-earliest-held-wooden-tools-greece.html Villotte, S., T.Szeniczey, S.Kacki, and A.Anders. 2026. “Fixed and Fluid: The Two Faces of Gender Roles—A Combined Study of Activity Patterns and Burial Practices in the European Neolithic.” American Journal of Biological Anthropology189, no. 2: e70217. https://doi.org/10.1002/ajpa.70217. Whiddington, Richard. “3,300-Year-Old Papyrus Reveals How Ancient Egyptians Fixed Drawing Mistakes.” ArtNet. 3/9/2026. https://news.artnet.com/art-world/ancient-egyptian-papyrus-white-out-fluid-2752125 Whiddington, Richard. “Long-Lost Archimedes Text Resurfaces in French Museum.” Artnet. 3/11/2026. https://news.artnet.com/art-world/lost-page-of-archimedes-palimpsest-found-2753005 Whiddington, Richard. “Lost Parthenon Piece Unearthed From Lord Elgin’s Shipwreck.” ArtNet. 3/19/2026. https://news.artnet.com/art-world/parthenon-fragment-lord-elgin-shipwreck-2755894 Zeilsgtra, Andrew. “Breathing in the past: How museums can use biomolecular archaeology to bring ancient scents to life.” EurekAlert. 2/5/2026. https://www.eurekalert.org/news-releases/1114918 Zinin, Andrew. “600-year-old pinot noir grape found in medieval French toilet.” Phys.org. 3/24/2026. https://phys.org/news/2026-03-year-pinot-noir-grape-medieval.html#google_vignette See omnystudio.com/listener for privacy information.

Pour accéder aux Bonus, et à l'émission en entier sans pub :https://m.audiomeans.fr/s/S-tavkjvmo 6/6 - Stonehenge n'est pas qu'un cercle de pierres dressées au milieu d'une plaine anglaise...C'est le cœur d'un système fascinant, vieux de plus de 4 000 ans, où les vivants et les morts se rencontrent.Dans cet épisode, vous découvrirez un monde oublié : celui de vastes rassemblements où des milliers d'hommes et de femmes venus de toute la Grande-Bretagne festoient, avant d'entamer de mystérieuses processions vers Stonehenge. Un monde où la pierre incarne l'éternité, où les morts sont sélectionnés, honorés… et intégrés dans un ordre sacré.À travers les découvertes archéologiques les plus récentes — villages saisonniers, tombes d'élite, voyageurs venus de très loin — se dessine une réalité saisissante : Stonehenge n'est pas un monument isolé, mais le centre d'un territoire rituel organisé, pensé pour relier les vivants aux morts.Un voyage au cœur des croyances, du pouvoir et des origines de nos sociétés. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour accéder aux Bonus, et à l'émission en entier sans pub :https://m.audiomeans.fr/s/S-tavkjvmo 5/6 - Stonehenge n'est pas qu'un cercle de pierres dressées au milieu d'une plaine anglaise...C'est le cœur d'un système fascinant, vieux de plus de 4 000 ans, où les vivants et les morts se rencontrent.Dans cet épisode, vous découvrirez un monde oublié : celui de vastes rassemblements où des milliers d'hommes et de femmes venus de toute la Grande-Bretagne festoient, avant d'entamer de mystérieuses processions vers Stonehenge. Un monde où la pierre incarne l'éternité, où les morts sont sélectionnés, honorés… et intégrés dans un ordre sacré.À travers les découvertes archéologiques les plus récentes — villages saisonniers, tombes d'élite, voyageurs venus de très loin — se dessine une réalité saisissante : Stonehenge n'est pas un monument isolé, mais le centre d'un territoire rituel organisé, pensé pour relier les vivants aux morts.Un voyage au cœur des croyances, du pouvoir et des origines de nos sociétés. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Part one of this quarter's edition of Unearthed! features updates, medical things, books and letters, oldest known things, and smells. Research: Abdallah, Hannah. “Analysis of charred food in pot reveals that prehistoric Europeans had surprisingly complex cuisines.” EurekAlert. 3/4/2025. https://www.eurekalert.org/news-releases/1117763 Almeroth-Williams, Thomas. “British redcoat’s lost memoir reveals harsh realities of life as a disabled veteran.” EurekAlert. 1/14/2026. https://www.eurekalert.org/news-releases/1111595 Anderson, Sonja. “Does This Skeleton Found Beneath a Dutch Church Belong to D’Artagnan, the Man Who Inspired ‘The Three Musketeers’?” Smithsonian. 3/27/2026. https://www.smithsonianmag.com/smart-news/this-skeleton-found-beneath-the-floor-of-a-dutch-church-may-belong-to-dartagnan-the-fourth-musketeer-180988448/ Anderson, Sonja. “Historians Thought This Rare Renaissance Portrait by One of the First Famous Female Artists Was Lost to History—Until It Surfaced in North Carolina.” 2/3/2026. https://www.smithsonianmag.com/smart-news/historians-thought-this-rare-renaissance-portrait-by-one-of-the-first-famous-female-artists-was-lost-to-history-until-it-surfaced-in-north-carolina-180988120/ Anderson, Sonja. “Hundreds of Ancient Roman Blade Sharpeners Emerge From a Riverbank in England, Revealing the Ruins of a 2,000-Year-Old Whetstone Factory.” Smithsonian. 1/20/2026. https://www.smithsonianmag.com/smart-news/hundreds-of-ancient-roman-blade-sharpeners-emerge-from-a-riverbank-in-england-revealing-the-ruins-of-a-2000-year-old-whetstone-factory-180988016/ Anderson, Sonja. “The Italian Government Just Paid Nearly $35 Million for a Rare Caravaggio Portrait—One of the Most Expensive Artworks It’s Ever Acquired.” Smithsonian. 3/16/2026. https://www.smithsonianmag.com/smart-news/the-italian-government-just-paid-nearly-35-million-for-a-rare-Caravaggio-portrait-one-of-the-most-expensive-artworks-its-ever-acquired-180988344/ Arnold, Paul. “Poop as medicine? A Roman vial's chemistry backs up ancient medical texts.” Phys.org. 2/4/2026. https://phys.org/news/2026-02-poop-medicine-roman-vial-chemistry.html Arnold, Paul. “Scents of the afterlife: Identifying embalming recipes by 'sniffing' the air around Egyptian mummies.” Phys.org. 2/5/2026. https://phys.org/news/2026-02-scents-afterlife-embalming-recipes-sniffing.html#google_vignette Bacon, Jordan. “English history’s biggest march is a myth – King Harold sailed to the Battle of Hastings.” EurekAlert. 3/20/2026. https://www.eurekalert.org/news-releases/1120082 Bastola, Kunjal. “A Groundskeeper Noticed a Sinkhole on a Golf Course. It Turned Out to Be a Wine Cellar Full of Empty Bottles, Untouched for More Than 100 Years.” Smithsonian. 3/19/2026. https://www.smithsonianmag.com/smart-news/a-groundskeeper-noticed-a-sinkhole-on-a-golf-course-it-turned-out-to-be-a-wine-cellar-full-of-empty-bottles-untouched-for-more-than-100-years-180988379/ Bastola, Kunjal. “A Little Boy’s Library Book Was Due in 1989. Thirty-Six Years Later, He Realized His Parents Had Never Returned It.” Smithsonian. 1/26/2026. https://www.smithsonianmag.com/smart-news/a-little-boys-library-book-was-due-in-1989-thirty-six-years-later-he-realized-his-parents-had-never-returned-it-180988046/ Baum, Stephanie. “Ancient parrot DNA reveals sophisticated, long-distance animal trade network pre-dating the Inca Empire.” 3/10/2026. https://phys.org/news/2026-03-ancient-parrot-dna-reveals-sophisticated.html Baum, Stephanie. “From the Late Bronze Age to today, the Old Irish Goat carries 3,000 years of Irish history.” 2/26/2026. https://phys.org/news/2026-02-late-bronze-age-today-irish.html Benzine, Vittoria. “What Did Pompeii Smell Like? A New Study Analyzes Its Ancient Incense.” Artnet. 3/31/2026. https://news.artnet.com/art-world/pompeii-ritual-incense-study-2760240 Brooks, James. “Danish warship sunk by Nelson’s British fleet discovered after 225 years.” Associated Press. 4/2/2026. https://apnews.com/article/denmark-archaeologists-warship-nelson-copenhagen-dannebroge-lynetteholm-4519533d9e774a490f6020e893634e09 Carvajal, Guillermo. “Archaeologists achieve a historic milestone by dating French cave paintings with carbon-14 for the first time.” 3/10/2025. https://www.labrujulaverde.com/en/2026/03/archaeologists-achieve-a-historic-milestone-by-dating-french-cave-paintings-with-carbon-14-for-the-first-time/ Clayworth, Liv. “Bird poop powered the rise of the Chincha Kingdom, archaeologists find.” EurekAlert. 2/11/2026. https://www.eurekalert.org/news-releases/1115214 “Lost page of the Archimedes Palimpsest identified in Blois, central France.” Phys.org. 3/9/2026. https://phys.org/news/2026-03-lost-page-archimedes-palimpsest-blois.html Ehrlich, Claudia. “Signs on Stone Age objects: Precursor to written language dates back 40,000 years.” EurekAlert. 2/23/2026. https://www.eurekalert.org/news-releases/1117179 Ferrer, Isabel. “Is d’Artagnan lying beneath a church in Maastricht? DNA will determine if remains found are those of the famous musketeer.” El Pais. 3/25/2025. https://english.elpais.com/international/2026-03-25/is-dartagnan-lying-beneath-a-church-in-maastricht-dna-will-determine-if-remains-found-are-that-of-the-famous-musketeer.html?outputType=amp Gebauer, Kathryn. “Groundbreaking discovery reveals Africa’s oldest cremation pyre and complex ritual practices.” EurekAlert. 1/1/2016. https://www.eurekalert.org/news-releases/1111191 Harley, Sadie. “Iron Age dental plaque reveals Scythians consumed milk from horses and ruminants.” Phys.org. 1/21/2026. https://phys.org/news/2026-01-iron-age-dental-plaque-reveals.html He, Ye. “Singapore’s first ancient shipwreck reveals record cargo of Yuan dynasty blue-and-white porcelain.” EurekAlert. 2/12/2026. https://www.eurekalert.org/news-releases/1116512 Johansen, Rikke Tørnsø. “Archaeologists reveal a medieval super ship: "It's the World’s largest cog".” Vikingeskibs Museet. 12/22/2025. https://www.vikingeskibsmuseet.dk/en/news/archaeologists-reveal-a-medieval-super-ship-its-the-worlds-largest-cog Kasal, Krystal. “Hannibal's famous war elephants: Single bone in Spain offers first direct evidence.” Phys.org. 2/5/2026. https://phys.org/news/2026-02-hannibal-famous-war-elephants-bone.html Kasal, Krystal. “Oldest known sewn hide and other artifacts from Oregon caves shed light on early clothing in harsh climates.” Phys.org. 2/10/2026. https://phys.org/news/2026-02-oldest-sewn-artifacts-oregon-caves.html Killgrove, Kristina. “Romans used human feces as medicine 1,900 years ago — and used thyme to mask the smell.” 1/29/2026. https://www.livescience.com/archaeology/romans/romans-used-human-feces-as-medicine-1-900-years-ago-and-used-thyme-to-mask-the-smell Killgrove, Kristina. “Stone Age woman was buried like a man, revealing flexible gender roles 7,000 years ago in Hungary.” LiveScience. 3/3/2026. https://www.livescience.com/archaeology/stone-age-woman-was-buried-like-a-man-revealing-flexible-gender-roles-7-000-years-ago-in-hungary Koc University. “Earliest evidence of indigo-dyed textiles and single-needle knitting discovered in Bronze Age Anatolia.” Phys.org. 2/21/2026. https://phys.org/news/2026-02-earliest-evidence-indigo-dyed-textiles.html Kuta, Sarah. “Did Neanderthals Use Birch Bark Tar as an Antibiotic to Treat Wounds and Infections?” Smithsonian. 3/30/2026. https://www.smithsonianmag.com/smart-news/did-neanderthals-use-birch-bark-tar-as-an-antibiotic-to-treat-wounds-and-infections-180988393/ Kuta, Sarah. “Ostrich Eggshells Suggest Our Ancestors May Have Understood Basic Geometry 60,000 Years Ago.” Smithsonian. 3/9/2026. https://www.smithsonianmag.com/smart-news/these-intricately-decorated-ostrich-eggshells-suggest-our-ancestors-may-have-understood-basic-geometry-60000-years-ago-180988315/ Kuta, Sarah. “Ötzi the Iceman May Have Carried a Cancer-Causing Strain of HPV, a Common Virus Still Plaguing Humans Today.” Smithsonian. 1/20/2026. https://www.smithsonianmag.com/smart-news/otzi-the-iceman-may-have-carried-a-cancer-causing-strain-of-hpv-a-common-virus-still-plaguing-humans-today-180988024/ Kuta, Sarah. “Shipwreck Timbers Appeared on a Beach After a Storm. They Had Been Buried Beneath the Sand Since the 17th Century.” Smithsonian. 3/2/2026. https://www.smithsonianmag.com/smart-news/shipwreck-timbers-appeared-on-a-beach-after-a-storm-they-had-been-buried-beneath-the-sand-since-the-17th-century-180988260/ Lawson-Tancred, Jo. “Salvador Dalí’s Largest Work Snapped Up by Florida Museum.” Artnet. 3/27/2026. https://news.artnet.com/market/salvador-dali-largest-work-bonhams-sale-2749246 Lock, Lisa. “Ancient DNA finds 15,800-year-old dogs in Anatolia, buried like humans.” Phys.org. 3/28/2026. https://phys.org/news/2026-03-ancient-dna-year-dogs-anatolia.html Lock, Lisa. “Are one in 200 men really related to Genghis Khan? Maybe not, according to a new study.” Phys.org. 2/21/2026. https://phys.org/news/2026-02-men-genghis-khan.html Lucibella, Michael. “Prehistoric tool made from elephant bone is the oldest discovered in Europe.” EurekAlert. 1/26/2026. https://www.eurekalert.org/news-releases/1113140 Luscombe, Richard. “Mass grave in Jordan sheds new light on world’s earliest recorded pandemic.” The Guardian. 1/31/2026. https://www.theguardian.com/science/2026/jan/31/plague-of-justinian-pandemic net. “Did King Harold Sail to Hastings? New Study Sparks Debate Among Historians.” 3/2026. https://www.medievalists.net/2026/03/did-king-harold-sail-to-hastings-new-study-sparks-debate-among-historians/ net. “Viking-Age Woman Buried with Her Dog in Norway.” 3/2026. https://www.medievalists.net/2026/03/viking-age-woman-buried-with-her-dog-in-norway/ Newcastle University Press Office. “5,300-year-old ‘bow drill’ rewrites story of ancient Egyptian tools.” 2/9/2026. https://www.ncl.ac.uk/press/articles/latest/2026/02/ancientegyptiandrillbit/ Noraz, R., Chauvey, L., Wagner, S. et al. Ancient DNA reveals 4000 years of grapevine diversity, viticulture and clonal propagation in France. Nat Commun 17, 2494 (2026). https://doi.org/10.1038/s41467-026-70166-z Nordin, Gunilla. “World’s oldest arrow poison – 60,000-year-old traces reveal early advanced hunting techniques.” 1/7/2026. https://www.eurekalert.org/news-releases/1111624 Parco Archaeologico de Ercolano. “Archaeology: New precious decorations discovered at Villa Sora in the Herculaneum Park.” 2/5/2026. https://ercolano.cultura.gov.it/archaeology-new-precious-decorations-discovered-at-villa-sora-in-the-herculaneum-park/?lang=en Paul, Andrew. “Hiker finds 3,000-year-old bull sculpture in Spain.” Popular Science. 3/17/2026. https://www.popsci.com/science/hiker-finds-bronze-age-bull-spain/ Potter, Lisa. “A wild potato that changed the story of agriculture in the American Southwest.” EurekAlert. 1/21/2026. https://www.eurekalert.org/news-releases/1113056 “Digital scans unveil new love notes and sketches on ancient Pompeii wall.” 1/19/2026. https://www.reuters.com/science/digital-scans-unveil-new-love-notes-sketches-ancient-pompeii-wall-2026-01-19/ Richard L. Rosencrance et al. ,Complex perishable technologies from the North American Great Basin reveal specialized Late Pleistocene adaptations. Sci. Adv. 12, eaec2916(2026).DOI:10.1126/sciadv.aec2916 Ruse, Amy. “Tasmanian tiger lives on in Arnhem Land rock art.” EurekAlert. 3/30/2026. https://www.eurekalert.org/news-releases/1121955 Ruse, Amy. “World’s oldest rock art holds clues to early human migration to Australia.” EurekAlert. 1/21/2026. https://www.eurekalert.org/news-releases/1112900 Siehoff, Jonas. “Hygienic conditions in Pompeii's early baths were poor.” 1/12/2026. https://www.eurekalert.org/news-releases/1112403 Taçon, P. S. C., A.Jalandoni, S. K.May, J.Nganjmirra, and C.Mungulda. 2026. “The Devil Is in the Detail: Tasmanian Devil and Tasmanian Tiger Paintings From Awunbarna and Injalak Hill, Northern Territory, Australia.” Archaeology in Oceania. https://doi.org/10.1002/arco.70024 The History Blog. “$40 estate sale find by early African-American silversmith sells for $24,000.” 2/4/2026. https://www.thehistoryblog.com/archives/75294 The History Blog. “43,000 ostraca found at one site shed light on social history of Egypt.” 5/15/2026. https://www.thehistoryblog.com/archives/75609 The History Blog. “British Museum acquires Tudor Heart.” 2/10/2026. https://www.thehistoryblog.com/archives/75343 The History Blog. “Exceptional Roman cargo shipwreck found in Lake Neuchâtel.” 3/29/2026. https://www.thehistoryblog.com/archives/75705 The History Blog. “Extraordinary find: 10th c. bronze wheel cross matches mold found 43 years ago.” 1/24/2026. https://www.thehistoryblog.com/archives/75220 The History Blog. “Previously unknown Hans Baldung Grien portrait emerges after 500 years in the sitter’s family.” 1/17/2026. https://www.thehistoryblog.com/archives/75161 The History Blog. “Roman wooden writing tablets from Belgium deciphered.” 1/22/2206. https://www.thehistoryblog.com/archives/75207 Thomas, Laura. “A century-old Stonehenge mystery may finally be solved.” Science Daily. 1/27/2026. https://www.sciencedaily.com/releases/2026/01/260127010208.htm Thorsberg, Christian. “The National Gallery of Art Acquires 17th-Century Masterpiece by Baroque Painter Artemisia Gentileschi.” Smithsonian. 2/7/2026. https://www.smithsonianmag.com/smart-news/the-national-gallery-of-art-acquired-17th-century-masterpiece-by-baroque-painter-artemisia-gentileschi-180988147/ Thorsberg, Christian. “This Luxury Steamer Disappeared on a Stormy Night in 1872. Nearly 150 Years Later to the Day, It Was Found at the Bottom of Lake Michigan.” Smithsonian. 2/18/2026. https://www.smithsonianmag.com/smart-news/this-luxury-steamer-disappeared-on-a-stormy-night-in-1872-nearly-150-years-to-the-day-it-was-found-in-the-bottom-of-lake-michigan-180988204/ Unibo Magazine. “Humanity’s oldest geometries, engraved on ostrich eggs.” https://magazine.unibo.it/en/articles/humanitys-oldest-geometries-engraved-on-ostrich-eggs University of Tübingen. “Earliest hand-held wooden tools found in Greece date back 430,000 years.” Phys.org. 1/1/2026. https://phys.org/news/2026-01-earliest-held-wooden-tools-greece.html Villotte, S., T.Szeniczey, S.Kacki, and A.Anders. 2026. “Fixed and Fluid: The Two Faces of Gender Roles—A Combined Study of Activity Patterns and Burial Practices in the European Neolithic.” American Journal of Biological Anthropology189, no. 2: e70217. https://doi.org/10.1002/ajpa.70217. Whiddington, Richard. “3,300-Year-Old Papyrus Reveals How Ancient Egyptians Fixed Drawing Mistakes.” ArtNet. 3/9/2026. https://news.artnet.com/art-world/ancient-egyptian-papyrus-white-out-fluid-2752125 Whiddington, Richard. “Long-Lost Archimedes Text Resurfaces in French Museum.” Artnet. 3/11/2026. https://news.artnet.com/art-world/lost-page-of-archimedes-palimpsest-found-2753005 Whiddington, Richard. “Lost Parthenon Piece Unearthed From Lord Elgin’s Shipwreck.” ArtNet. 3/19/2026. https://news.artnet.com/art-world/parthenon-fragment-lord-elgin-shipwreck-2755894 Zeilsgtra, Andrew. “Breathing in the past: How museums can use biomolecular archaeology to bring ancient scents to life.” EurekAlert. 2/5/2026. https://www.eurekalert.org/news-releases/1114918 Zinin, Andrew. “600-year-old pinot noir grape found in medieval French toilet.” Phys.org. 3/24/2026. https://phys.org/news/2026-03-year-pinot-noir-grape-medieval.html#google_vignette See omnystudio.com/listener for privacy information.

In 1980, a Stonehenge-esque monument called the Georgia Guidestones appeared in the rural county of Elbert. Financed and designed by a mysterious donor, it presenting ten guidelines for mankind, guidelines that were interpreted by some as a satanic. And then in 2022, the controversial roadside attraction was blown-up by an unknown assailant. For this episode, Tyler McBrien, host of the new podcast Who Blew Up The Guidestones?, tells me the story of this confounding monument from the beginning and shares the wild truths he uncovered while trying to solve this kitschy yet consequential small town mystery. Listen to Who Blew Up The Guidestones? wherever you get your podcasts Podcast website: www.ajc.com/guidestones Tyler's website: www.tylermcbrien.com Bluesky: @tylermcbrien.com Twitter: @TylerMcBrien Instagram: @brien_mctyler @ajcnews Become a Patron⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to support our show and get early ad-free episodes and bonus content Or subscribe to American Hysteria on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get some of our new merch at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠americanhysteria.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, all profits go to The Sameer Project, a Palestinian-led mutual aid group who are on the ground in Gaza delivering food and supplies to displaced families. Leave us a message on the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Urban Legends Hotline⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Producer and Editor: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Miranda Zickler⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Associate Producer: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Riley Swedelius-Smith⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Additional editing by ⁠⁠⁠⁠⁠⁠⁠⁠⁠Kaylee Jasperson⁠⁠⁠⁠⁠⁠⁠⁠⁠ Hosted by Chelsey Weber-Smith Learn more about your ad choices. Visit megaphone.fm/adchoices

On this Earth there are extraordinary places; places that seem to defy logic; places so unique that its mere mention can make even the most cynical heart skip a beat. Stonehenge is one such place, and the events alleged to have occurred there in 1971 are nothing short of nightmare fuel… Our next stop on this horror-filled odyssey takes a terrified eyewitness from the bucolic backwaters of Down Under and drags her kicking and screaming into the darkest, depths of hell. The Cryptonaut Hotline:315-370-6853  The Cryptonaut Podcast Patreon:https://www.patreon.com/cryptonautpodcast  The Cryptonaut Podcast Merch Stores:Hellorspace.com - Cryptonautmerch.com  Stay Connected with the Cryptonaut Podcast: Website - Instagram - TikTok - YouTube- Twitter - Facebook 

Pour accéder aux Bonus, et à l'émission en entier sans pub :https://m.audiomeans.fr/s/S-tavkjvmo 4/6 - Stonehenge n'est pas qu'un cercle de pierres dressées au milieu d'une plaine anglaise...C'est le cœur d'un système fascinant, vieux de plus de 4 000 ans, où les vivants et les morts se rencontrent.Dans cet épisode, vous découvrirez un monde oublié : celui de vastes rassemblements où des milliers d'hommes et de femmes venus de toute la Grande-Bretagne festoient, avant d'entamer de mystérieuses processions vers Stonehenge. Un monde où la pierre incarne l'éternité, où les morts sont sélectionnés, honorés… et intégrés dans un ordre sacré.À travers les découvertes archéologiques les plus récentes — villages saisonniers, tombes d'élite, voyageurs venus de très loin — se dessine une réalité saisissante : Stonehenge n'est pas un monument isolé, mais le centre d'un territoire rituel organisé, pensé pour relier les vivants aux morts.Un voyage au cœur des croyances, du pouvoir et des origines de nos sociétés. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour accéder aux Bonus, et à l'émission en entier sans pub :https://m.audiomeans.fr/s/S-tavkjvmo 3/6 - Stonehenge n'est pas qu'un cercle de pierres dressées au milieu d'une plaine anglaise...C'est le cœur d'un système fascinant, vieux de plus de 4 000 ans, où les vivants et les morts se rencontrent.Dans cet épisode, vous découvrirez un monde oublié : celui de vastes rassemblements où des milliers d'hommes et de femmes venus de toute la Grande-Bretagne festoient, avant d'entamer de mystérieuses processions vers Stonehenge. Un monde où la pierre incarne l'éternité, où les morts sont sélectionnés, honorés… et intégrés dans un ordre sacré.À travers les découvertes archéologiques les plus récentes — villages saisonniers, tombes d'élite, voyageurs venus de très loin — se dessine une réalité saisissante : Stonehenge n'est pas un monument isolé, mais le centre d'un territoire rituel organisé, pensé pour relier les vivants aux morts.Un voyage au cœur des croyances, du pouvoir et des origines de nos sociétés. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

How can you improve your self-editing process? How can you find and work with professional editors and beta readers? How do you know when editing is done and the book is finished? With Joanna Penn In the intro, Poetry craft and business [The Indy Author Podcast]; A Mouthful of Air; How to get your book featured in local media without a publicist [Written Word Media]; thoughts on faith and code; Wild Dark Shore – Charlotte McConaghy; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Joanna Penn is an award-winning New York Times and USA Today bestselling author of thrillers, dark fantasy, short stories and travel memoir under J.F.Penn and also writes non-fiction for authors. Overview of the editing process Self-editing How to find and work with a professional editor. My list is at www.TheCreativePenn.com/editors Beta readers, specialist readers, and sensitivity readers When is the book finished? These chapters are excerpted from How to Write a Novel: From Idea to Book by Joanna Penn, available direct or on all the usual stores. Overview of the editing process “Books aren't written. They're rewritten.” —Michael Crichton Thomas Hardy's Tess of the d'Urbervilles is a classic of English literature. I studied it at school and the scene at Stonehenge still haunts me. Hardy's Jude the Obscure influenced my decision to go to university in Oxford, a city Hardy called Christminster. His novels are still held in great esteem, which is why it's so wonderful to see his hand-edited pages in the British Library in London, displayed in the Treasures collection. You can visit them in person or view them online. Thomas Hardy's edited manuscript of ‘Tess of the D'Urbevilles, one of England's greatest writers While his handwriting is a scrawl, it's evident from the pages just how much editing Hardy did on this version of the manuscript. There are lines struck through, whole paragraphs crossed out, arrows moving sections around, words and sentences rewritten, and comments in the margins. Even the title is changed from A Daughter of the D'Urbervilles to Tess of the D'Urbervilles as we know it today. Those edited pages gave me hope when I saw them for the first time as a new fiction author. Not that I thought I could write a classic of English literature, but that I could learn to edit my way to a better story. There are several stages in the editing process, which I'll outline here and then expand on in subsequent chapters. As you progress in your craft, you won't need every stage every time, so assess with each book what kind of editing you need along the way. Self-editing The self-editing stage is your chance to improve your manuscript before anyone else sees it. For some authors, this stage might mean rewriting the entire draft. For others, it involves restructuring, adding or deleting scenes, doing line edits, and more. Developmental or structural edit An editor reads your manuscript and gives feedback on specific aspects, character, plot, story structure, and anything else pertinent to improving the novel. It is sometimes described as a manuscript critique. You will receive a report, usually ten to fifteen pages, with notes on your novel, which you can then use in another round of self-editing. While this is not always necessary, it can be a valuable step and something I appreciated particularly for my first novel when I had so much to learn. Copyediting and line editing This is the classic ‘red pen' edit where you can expect comments and changes all over your manuscript. This edit focuses on anything that enhances the writing quality, including word choice and phrasing issues, as well as grammar, and more. Some editors split this edit into two, and there are differences between what this edit is called between countries. For some editors, a copyedit includes only attention to grammar and correctness, while a line edit focuses on improving and elevating sentences. Be clear about your expectations and that of your editor upfront. You will usually receive an MS Word document with Track Changes on as well as a style guide or style sheet and other notes, which you can then use to make revisions during another self-edit. This is the most expensive part of the process, as editors usually charge per 1,000 words based on the type of edit you want. If you need to cut your story down by 20K, then do it before you send your manuscript for a line edit! Beta readers, specialist readers, and/or sensitivity readers Some authors use different types of readers as part of their editing process. Beta readers are often part of the author's community and are certainly fans of the genre. They read to help the author pick up any issues pre-publication. Specialist readers are those with knowledge about a topic included in the story. For example, a vulcanologist read specific chapters of Risen Gods to check that the details about volcanic eruptions were correct. Sensitivity readers check for stereotypes, biases, problematic language, and other diversity issues. You will usually receive comments or an email with page numbers or chapter numbers, or sometimes an MS Word document with Track Changes, which you then use to make revisions. Many readers provide services for the love of helping their favorite author with a novel and a mention in the acknowledgments, but there are some paid services for specialist and sensitivity readers. Proofreading Proofreading is the final check of the manuscript pre-publication for any typos or issues that might have been introduced in the editorial process. For print books, this can include a review of the print proof with formatting. You should only fix the last tiny changes at this point. Don't make any major changes this close to publication or you may introduce entirely new errors. Do you need an editor if you intend to get an agent and a traditional publisher? You will go through an editorial process with your agent and publisher. But if you want the best chance of getting to that stage in the first place, it might also be worth working with an editor before you submit your manuscript to an agent. Look for an editor who will help you with your query letter and synopsis as part of their edit. Self-editing I love this part of the process! My self-edit is where I wrangle the chaos of the first draft into something worth reading. I have my block of marble and now I can shape it into my sculpture. The mindset shift from writer to editor, from author to reader In the idea, planning, discovery, and first-draft writing phase, it's all about you, the writer. You turn the ideas in your head into words that you understand, characters that come alive for you, and a plot that you're engaged with. In that first rush of creativity, you can banish critical voice and ignore any nagging doubts. But now you need to switch heads. That's how I prefer to think about it, but you might consider it as changing hats or changing jobs. Anything to help you move from the creative, anything goes, first-draft writer to the more critical editor. There is one overriding consideration in this shift. As Jeffery Deaver says, “The reader is god.” With the editing process, you need to turn your story from something you understand into something a reader will enjoy. Writing is telepathy. It connects minds across time and space. You are reading these words and the meaning flows from my brain into your brain — but only if I craft the book well enough. The same is true of your novel. Yes, of course, you want to double down on your creative choices and make sure you achieve everything you want to with your story. But you also need to keep the reader in mind as you edit because the book is ultimately for them. Will your story have the desired effect on the reader? What might help improve their experience? How can you make sure that they are not bored or confused or jolted out of the story? What will make them read on and, at the end, close the novel with a sigh of satisfaction? My self-editing process At the end of the first draft, I print out my manuscript with two pages to each A4 page, so it looks more like a book. I put it in a folder and leave it to rest. You need fresh eyes for your edit and this ‘resting' gives you some emotional distance. In On Writing, Stephen King suggests leaving a manuscript to rest for at least six weeks. While that is a great idea if you have the time, most authors work to deadline, whether externally set or their own timetable. Many authors — including me — are also impatient! I love this first self-edit, and as I'm still crafting the story as a discovery writer, I usually rest the manuscript for a week or two. I schedule blocks of time for editing in my Google calendar and (when not in pandemic times) I go to a café when it opens first thing in the morning. I put on my BOSE noise-cancelling headphones and edit by hand with a black ballpoint pen from page one to the end. I usually manage ten to twenty pages per editing session of a couple of hours each, but it will depend on the amount of restructuring I need to do. I scribble notes in the margins, draw arrows to move paragraphs around, write extra material on the back of pages, or add where I need to write more later. I change words, rewrite and delete lines, and pick up any issues around lack of sensory detail, character problems, and more. You can see an example of a page below: Some pages end up a mass of black; others are relatively clean. But in this first hand edit, no page goes untouched as I hone my manuscript into something closer to my creative goal. You can edit on a computer or a tablet, or whatever else works for you, but at least change the font or the spacing, or something to make it a different experience to reading the first draft. Most writers have a tendency to either overwrite or underwrite, and so will either need to cut words or add words at this stage. I'm in the latter camp so I usually have to add scenes or deepen characters or theme at this point. Once I have hand-edited the whole manuscript end-to-end, I make the changes in my Scrivener project. I change the color of the flags along the way and, as ever, I back up the session. I also use ProWritingAid at the sentence level to fix up things I missed, because we all miss things! When all the changes have been made, I print the complete manuscript again, and read end-to-end and edit as before. This time, it's usually a lot cleaner and there may only be a few things to fix in each chapter. Once I'm finished, I'll update the Scrivener project once more and then decide whether it needs a third pass. Mostly, two full end-to-end hand edits are enough for me these days, but sometimes I'll do a third or go through specific chapters one more time. This messy editing process is fun for me and it's hugely satisfying to see my story come to life. What to focus on in the self-edit Some authors will go through the manuscript multiple times, focusing on different elements with each pass using the aspects covered in Part 3 and Part 4. For example, they'll do an edit based on character and dialogue, followed by another pass for plot, then theme, and so on. Personally, I try to keep the reader in mind and focus on the story as a coherent whole. That's just how my mind works. I jump from fixing a plot issue to deepening a character to adding foreshadowing and so on as I read and edit. I'm confident that my editor will find a lot of the smaller things that I might miss, so I concentrate on trying to achieve my creative vision with the story. You will find your own way of figuring out your process. It's much better to jump in and have a go at editing rather than trying to work out the best way before you have something to work through. Lost the plot? Try reverse outlining If you're a discovery writer like me and you're struggling with the edit and you feel you have lost the plot (which definitely happens sometimes!) then consider a reverse outline as part of your editorial process. Go through the manuscript and write a few lines per scene. Include character, plot points, conflict, setting, open questions and hooks, and any other notes. This will help you step back and hopefully see the entire story from a high level. Then you can dive back into rewriting each chapter. Read the book out loud or use a text-to-speech reader to do it for you Many authors read their book aloud end-to-end, which is a helpful step once you've been through any major rewrites. There are also plenty of text-to-speech tools that can help, for example, Natural Reader or Speechify, and some are built into devices or applications. MS Word includes a Read Aloud tool in the Review tab. This will also help you edit for audio as you'll hear issues you can't see on the page. Editing for audio Audiobooks are a huge growth market and many readers will listen to your book rather than read it, so it's a good idea to consider editing with audio in mind at this stage. Here are some tips. Watch out for repeated sounds. The editorial process will usually catch repeated written words, but similar sounding words can hit the same audio note in narration. You might not notice them in the text, as they are spelled differently. The words ‘you,' ‘blue,' ‘tattoo,' and ‘interview' all start and end with different letters. They look different on the page, but they strike the same audio note when read aloud. In the same way, repetition can work if you have a point to make, but sometimes it jars the listener if it is overused. A classic recommendation for writing dialogue is to use ‘said' with a character name rather than other words like ‘uttered' or ‘pronounced.' This is because ‘said' disappears for the reader on the written page. But with audio, the repetition of a word is highly noticeable, and repeated sounds can dominate a passage. Rewrite with synonyms for ‘said,' or use action to make it clear who the speaker is without resorting to dialogue tags, as described in chapter 3.5. Contractions — or the lack of them — can also become more obvious in audio. “I am not going to the park,” might be spoken as “I'm not going to the park.” When we type dialogue, it is often more formal than the way someone speaks, so check if you can contract it in your edit. Accents can be an issue with fiction narration. There are plenty of narrators who do a ‘straight read,' but if there are accents within dialogue, make it clear where the character comes from. Make sure the narrator knows about the accent choice upfront, otherwise you might not like it in the finished audio. Remember my friend whose novel had an Irish character narrated like a comedy leprechaun instead of the soft lilt she had in mind? Don't confuse the reader. If you have a lot of characters appearing in a chapter and no clear character tags, you might lose the listener in the detail. When reading on paper or a screen, your reader can quickly flick back and see that George was the butler and Angus was the dog, but that's harder to do when listening to an audiobook. Make sure it's clear who is who. You may have to remind listeners occasionally by adding character tags. For example, ‘Angus ran alongside the canal' could become ‘Angus, the golden cocker spaniel, ran alongside the canal.' For more on audiobooks, check out my book, Audio for Authors: Audiobooks, Podcasting and Voice Technologies. How many drafts do you need? The word ‘draft' means different things to different authors. Some only apply this term to a complete rewrite end-to-end, while others will shift paragraphs around, change some lines, add a new scene, and call that a new draft. Nora Roberts said in a blog post on her writing craft, I work on a three-draft method. This works for me. It's not the right way/wrong way. There is no right or wrong for a process that works for any individual writer. Anyone who claims there is only one way, or that's the wrong way, is a stupid, arrogant bullshitter. That's my considered opinion. I love Nora's no-nonsense approach and she is right that there is no single correct process. You have to find your own. But beware of comparing what you call a draft to what another writer calls a draft. It may be something completely different. Use editing software Once I've finished my hand edits and updated the Scrivener project, I use ProWritingAid on the manuscript. It integrates with Scrivener, so I open my project and go through each chapter. ProWritingAid picks up passive voice, repetitive words, commas and typos, suggests rephrasing, and even picks up culturally problematic language. Yes, these are the type of things that an editor will pick up, but I want to hand over a manuscript that is as clean as possible so my editor can focus on other issues. I don't make all the suggested changes, but it certainly helps improve my writing, and I learn as I go through. You can even create your own style guide so you spell things the same way throughout. This is also a good chance to check typos according to the version of English you want to use (or any other language). I'm English and based in the UK, but when I published my first novel, I received complaints about typos from my readers, who were mainly in the USA. These were not typos, they were just British spelling! I decided to use US English in my books because US readers complain about UK spelling, but non-US readers will rarely complain about US spelling because they are used to it. You can set ProWritingAid to the type of English you want to use, and if you specify this later, your editor can pick up on word usage rather than typos, for example, using the term ‘flashlight' instead of ‘torch.' You can find ProWritingAid at: www.TheCreativePenn.com/prowritingaid You can find my tutorial on how to use ProWritingAid at: www.TheCreativePenn.com/prowritingaidtutorial When is your self-edit finished? You will be utterly sick of your manuscript by the end of the self-editing process. You have read your words so many times you can't see them clearly anymore. You are so over the whole thing that you want to forget the book altogether. If you don't feel this way, you probably haven't self-edited enough! When you really feel you can't do any more, it's time to work with a professional editor. If you are putting off the end of self-editing, then remember that nothing is ever perfect. You can edit forever if you keep obsessing over changes and going over and over the same material. If your self-edit goes on too long, consider whether perfectionism is holding you back. Set a completion date and hold yourself to it. How to find and work with a professional editor If you want your book to be the best it can be, then working with a professional editor is the next step. An editor's job is to take your manuscript and help you improve it through structural changes and story development, line edits, suggestions for new material or sentence refinement, and so much more. Different kinds of editors can help you in different ways from constructing the overarching story to eliminating the final typo. In my experience, good professional editors are well worth the investment as they help improve your book and your craft, especially in the initial stages of your writing journey. They have read so many early-stage manuscripts that they understand the most common problems and know how to help you fix them. Some experienced authors only use proofreaders for their novels, but personally, I still work with a professional editor on every book and I learn something every time. I am a super-fan of editors! How to find a professional editor Consolidation in the traditional publishing industry over the last decade has resulted in many more editors working as freelancers, so authors have a wealth of professionals available for hire in every genre. You can find lists of approved editors through author organizations. The Alliance of Independent Authors has a list of Partner Members, many of whom are editors. You can also use author marketplace Reedsy. Many editors use content marketing to find clients — for example, blogging about editing tips, writing books on editing, or appearing on podcasts. I have had lots of editors on The Creative Penn Podcast over the years, so you can listen and see if they resonate with you. Most authors credit their editors and proofreaders in the acknowledgments of their books, and many authors happily share recommendations on social media in various author communities. If you enjoy a certain novel, it might be worth reaching out to that editor, as you know they are a specialist in the genre. Check out my list of editors at: www.TheCreativePenn.com/editors How to assess whether an editor is right for you I frequently get emails from writers asking me to recommend an editor for their book. But finding an editor is like dating. You have to do it for yourself, and it's likely that you will try a few before you find your perfect match. You may also change editors over your writing life as your craft develops and your needs shift, and that's completely normal too. Make sure the editor has experience in and enjoys your genre. You don't want a literary historical fiction editor working on your YA paranormal romance or your hard sci-fi adventure. Ensure that the editor has testimonials from happy clients, and check directly with a named author if you have doubts. Some editors will offer a sample edit for one chapter. This helps both parties decide whether working together is appropriate. The editor can assess what level your manuscript is at, and you can decide whether their editorial style is right for you. How to work with an editor When you engage an editor, you will receive a contract with a timeline and a price for the work. You agree to deliver the manuscript on a particular date and will usually pay a deposit, especially if this is the first time you're working together. The editor agrees to deliver the edits back on a certain date and also to keep your manuscript in confidence. You can avoid issues later by communicating expectations up front, so if you have questions about the editing process, ask before you sign a contract. Many editors are booked months in advance, so once you know your schedule, contact them early and book a slot. Update them if your timings change. Most allow minor slippage, but since editors plan their work around contractual dates, it's important to be timely with delivery. As a discovery writer, I only book my editor when I am sure of my dates. Submit your manuscript and, once the edit is complete, you will receive whatever has been agreed. That might be a structural report, line edit, or proofread manuscript, along with a style sheet. It's usually in the form of an MS Word document by email. Some editors may offer a call to discuss, but I have never spoken to an editor as part of my process. It has never been necessary. It's all about the words on the page. If you want a call and it is not specified, then include it in the contract up front along with anything else you're concerned about. I consider my editors to be an important part of my team. They help me turn my manuscripts into books that readers love, and I rely on them as part of my business. This is a two-way relationship, and you need to behave as professionally as the editor should. If you find an editor you love working with, pay them quickly and respect their time, and you will hopefully have a long-term business relationship that benefits you both. How does it feel to go through an edit? It's probably going to hurt, especially in the beginning, when your craft is in its early stages. You need fresh eyes on your work, especially at the beginning of your author career. You need feedback to improve. When I received notes back on my structural edit for my first novel, I didn't open the email for ten days. I was so scared of what it would say because my novel meant so much to me, and yet I knew it had problems. Of course it did, it was my first novel! So I let the email sit in my inbox until I was ready to face it, and like many things, the fear was worse than the actual event. Even many years and many books later, I still don't open emails from my editor until I am mentally ready to face criticism. Because that's what it feels like. It is not the editor's job to pat you on the back and say, ‘Well done, this is perfect.' Their job is to help you make it the best book it can be. They are experts and have honed their advice over many manuscripts, so they can spot an issue a mile off. When you receive that email from your editor, particularly if it's your first book, make sure you are well rested and in a positive frame of mind. Set aside a good amount of time and read through the comments and the manuscript as a whole. If you have an emotional reaction, do not email back immediately! Let the feedback sit with you for a few days, and you will find it easier to see what might need to change. Once you're ready, go through the manuscript and work through each change. Don't just click Accept All on the Track Changes version for a line edit. This takes time, but it's well worth it because you will learn with every step and you'll be able to spot your common issues in the future, and hopefully fix them next time. You also need to examine every suggestion to see if you want to make the change. Do you need to make every change that an editor suggests? No, you don't. You are the author, so your creative vision is the most important thing. But try to get some distance and assess whether the change truly serves the book, or if you're just having an emotional response. Remember what Jeffery Deaver said: “The reader is god.” Consider each editorial suggestion on its own merit. Does it help take the story in the direction you want it to? Will it improve the reader's experience? What if my editor wants me to change everything? Perhaps they are not the right editor for you. The editor should not fundamentally change your story or alter your creative vision. Their job is to help you shape your manuscript into a better version of itself, and retain your voice and ideas while at the same time improving it for the reader. This is a skillful balancing act, which is why experienced editors are so highly sought after. How long will the editing process take? This will depend on the type of writer you are in terms of the first draft. If you outline in great detail and spend time up front making the first draft the best it can be, then editing might take less time than for a discovery writer who only figures out the book after the first draft. The more books you've written, the more you understand how to shape a novel, the more you can write a clean draft, so editing speeds up. That doesn't mean it gets easier to write a book, but it does mean you know how to find and fix issues. It will also depend on the length of the book. A 50,000-word romance with one protagonist will be a faster edit than a 150,000-word sprawling fantasy with multiple point-of-view characters. It will also depend on your experience, so don't compare your editing time to someone who has written a lot of books. Give editing the time it needs. You want your book to be the best it can be. But also remember Parkinson's Law, which I discussed in chapter 4.7 on writing the first draft: “Work expands so as to fill the time available for its completion.” This law also applies to editing. Set your deadline and schedule your editing time accordingly. Don't book a professional editor until you've been through at least your self-editing process, as it may take longer than you think. How much does an editor cost? This will depend on the type of edit, your genre and word count, how experienced you are as a writer, and how much experience the editor has. Editors usually quote a range on their website and you can also email and ask for a more detailed quote based on your manuscript length and sample. Every dollar I have spent on editing has been worth it as an investment in my writing craft and the quality of my finished novels. Although my requirements are different now, I continue to use editors and proofreaders for all my books. The more eyes on your novel before publication, the better it will be on launch. What if you have a tight budget? When I started out as a writer, I had a day job and I saved up for the editorial process. It was an investment in my craft and a possible future creative career. If you already have or intend to set up a business as a writer, then you can offset the cost of editors against any profits. But when you're starting out, you can't necessarily see that far ahead. If you're on a tight budget, then find or set up a writer's group with others in your genre and work through one another's manuscripts. You might also have other skills you can barter for editing services, but remember that bartering is subject to tax in many jurisdictions, so don't assume that it is ‘free.' What if my editor steals my ideas or my manuscript? This is a common concern of new writers who think that editors might run away with their book and make millions with their idea. But don't worry, editors are professionals. They work within a contractual framework that protects both parties. So make sure you are happy with the contract before you sign it. If you are really worried, you can register your copyright before you send the manuscript to anyone else. While it is not legally necessary to register copyright — it exists the moment the work is created — there are registration companies in every country that can provide peace of mind. Just search for ‘copyright registration' within your territory. Will I need different editors when I'm further along in my writing journey? Yes, as your craft and experience improves, you will likely work with different editors. You might also choose to use a new editor for a different genre, or work with recommended professionals to take your craft to the next level. Resources: • My list of recommended editors: www.TheCreativePenn.com/editors • Alliance of Independent Authors — www.TheCreativePenn.com/alliance • The following editing associations offer directories and job posting services: The Editorial Freelancers Association (US), the Chartered Institute for Editing and Proofreading (UK), the Institute for Professional Editors (Australia and New Zealand), and Editors Canada. Beta readers, specialist readers, and sensitivity readers Professional editors approach your manuscript with a critical eye based on their knowledge of language, story structure, and genre. But sometimes, it's a good idea to gain perspective from readers who are not experts on sentence structure or grammar, but comment on the story itself, and their experience of reading it as a whole. Beta readers Beta readers are a trusted group of people who evaluate your book from a reader's perspective before publication. The term comes from the software industry, where early versions are tested in beta before being released to the public. While there are some paid beta reader services, many authors find people from their existing readership, or from among genre fans in the writing community. Authors usually thank their beta readers in their acknowledgments. Specialist readers Specialist readers are experts on a particular topic who read with their expertise in mind. This might be a police officer who checks a crime novel, or a physicist who reads for a science-fiction author. Sensitivity readers Sensitivity readers check for cultural and diversity issues, lack of or clichéd representation, and insensitive, inauthentic, or uninformed language, characters, or situations. This type of feedback can help an author before publication, and can be particularly useful if you are tackling more controversial topics. It can also be valuable when reviewing older manuscripts if you want to republish a new edition, as gendered language has changed, as well as the need for representation, diversity, and inclusivity. While some criticize sensitivity reading as a step toward censorship, most authors want to make their books the best they can be, and ensure the reader experience is excellent, whatever the genre. Being a fiction writer is also about empathy — with our characters and with our readers — so improving our ability to write about diverse characters is important. However, authors cannot be experts on what it's like to experience every race or religion, every body type or disability or mental health issue, or understand every country or culture. Feedback from different kinds of readers can help us write better stories, and it is the author's choice whether to implement suggestions in the final manuscript. Do you need all of these types of readers? No. You don't need any of them, or you can choose to use some of them for different books, depending on the need. It's up to you (and your agent or publisher if you choose to go that route). At what stage in the editorial process should you use these types of readers? The book should be as close to the final version as possible. These people are reading with fresh eyes; if they read again later, they can never approach the story with such an open mind. Most authors will send the manuscript to a select group of readers after the main editorial revisions, but before the proofread. Some authors with more developed careers even use their team of beta readers instead of editors at different stages of the process. What should you provide to readers? Provide the manuscript in the format the reader prefers. This could be an MS Word document or PDF. Many established authors use Bookfunnel, which allows you to create a version that can be read on any reading device or phone. Specialist readers and sensitivity readers have their specific expertise, but for more general beta readers, you need to provide some direction as to what you expect. For example: Did you skip over anything? Did anything bore you? Was anything confusing? Did you have to reread any parts? What did you like? Was there anything you hated or objected to or had a problem with? How long should you give them to read? Allow at least two weeks for readers to assess and provide feedback. Be clear on the timeline when you send them the book.. Do you need to make all the changes they suggest? No, and if you try to, you will end up straying from your creative goal, messing up your author voice, and likely pleasing no one! Keep your number of early readers small and specific to what you want to achieve. Assess each comment and suggestion on its own merit and decide whether or not to make the change. Be confident in your creative vision and beware writing by committee, which becomes a problem if you ask too many people for feedback. Only you can decide what you want for your novel. Resources: • The Reedsy marketplace includes different kinds of editors, beta readers, and sensitivity readers — www.TheCreativePenn.com/reedsy • Directory of sensitivity readers — www.writingdiversely.com/directory • Editors of Color — editorsofcolor.com When is the book finished? “I have not yet found words to truly convey the intensity of this remembered rapture—that moment of exquisite joy when necessary words come together and the work is complete, finished, ready to be read.” —bell hooks,Remembered Rapture You can edit a book forever if you want to. Every time you read it, you will find things to change. Every time you hire another editor, they will find more. If you work with beta readers, they will also offer opinions. Your novel will never be finished — until you decide it is. Nothing is ever perfect. Even if you hire three separate editors and use multiple proofreaders, you will still find a typo or an error in the published novel. Pick up any bestselling book from a traditional publisher, and you will still find an issue somewhere. It happens to everyone. Look at any prize-winning or bestselling book on Amazon and check the reviews. The more popular the book, the more issues people will find with it. There will never be a novel that satisfies everyone, and that's fine. Of course, you must make sure your book is the best it can be, but set boundaries for yourself so you do eventually finish. Have you self-edited your manuscript? Have you worked with a professional editor, or at least worked through the manuscript with other writers to improve it? Have you used editing tools and/or a proofreader? Have you set a deadline to move into the publishing process so you are not editing forever? If you have been through this rigorous editorial process and you still feel the itch to edit again, be honest with yourself. Is another round of changes really going to make a substantial difference to this book? Would it be better to work on the next novel instead of constantly reworking this one? Are you struggling with fear of judgment, fear of failure, procrastination, or other mindset issues that you need to work on instead of editing? Check out my book The Successful Author Mindset if you think this might be the case. Strive for excellence, do your best, and then release your book out into the world. “Set a limit on revisions, set a limit on drafts, set a time limit… The book will never be perfect.” —Kristine Kathryn Rusch, The Pursuit of Perfection and How it Harms Writers These chapters are excerpted from How to Write a Novel: From Idea to Book by Joanna Penn, available direct or on all the usual stores. The post Editing a Novel: Self-Editing, And How To Work With A Professional Editor With Joanna Penn first appeared on The Creative Penn.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comTom is a historian, translator, and podcaster. He hosts with Dominic Sandbrook the most downloaded history pod in the world, “The Rest Is History.” He's the author of many books, including the two we discussed this week: Rubicon: The Triumph and Tragedy of the Roman Republic, and Dominion: How the Christian Revolution Remade the World. Those two erudite, beautifully written books made a huge impact on me.For two clips of our convo — on the paradoxical power of Christ's crucifixion, and the Christian roots of “secular” — head to our YouTube page.Other topics: growing up in Oxford and near Stonehenge; dinosaurs his first passion; how the past is more interesting than the present; Pontius Pilate; Cato; Caesar in Gaul and conquering Rome; Hegseth reveling in death; the war prayer at the Resolute Desk; Trump's pre-Christian values; Socrates; Paul the Apostle; turning the other cheek; agape; Christ's silence and withdrawal; logos; the Gospels; the Gnostic Gospels; the Book of Revelation; Exodus and Israel; martyred Christians in the arena; Augustine; the emergence of Islam; the Koran as the literal word of Allah; the Crusades; Pope Gregory VII making the Church sovereign; Machiavelli and mastering the secular; the Reformation; toppling idols; Nietzsche and the death of God; Marx; the Sexual Revolution; #MeToo; Dawkins and the New Atheists; the religion of wokeness; racism as a collective sin; Michael Pollan and “All You Need Is Love”; Fleming Rutledge's The Crucifixion; the awe of cathedrals; and the new wave of cultural Christianity.Browse the Dishcast archive for an episode you might enjoy. Coming up: Jeffrey Toobin on the pardon power, Derek Thompson on abundance, Tiffany Jenkins on privacy in a liberal democracy, Adrian Wooldridge on “the lost genius of liberalism,” Greg Lukianoff on free speech, and Tom Junod on his memoir and masculinity. As always, please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

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Dan, James and Andy discuss YOUR facts, including soccer, snacks and Stonehenge. We discover which of us has an alter-ego called 'Struggle Cop'. And we name eight more Friend of the Podcast fact custodians.Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreon